Science fiction (or sci-fi ) is a film genre that uses speculative , fictional science -based depictions of phenomena that are not fully accepted by mainstream science, such as extraterrestrial lifeforms , spacecraft , robots , cyborgs , mutants , interstellar travel , time travel , or other technologies. Science fiction films have often been used to focus on political or social issues , and to explore philosophical issues like the human condition .
151-540: Close Encounters of the Third Kind is a 1977 American science fiction drama film written and directed by Steven Spielberg , starring Richard Dreyfuss , Melinda Dillon , Teri Garr , Bob Balaban , Cary Guffey , and François Truffaut . The film depicts the story of Roy Neary, an everyday blue-collar worker in Indiana , whose life changes after an encounter with an unidentified flying object ; and of Jillian,
302-636: A Midwestern farming community and the "light show" a group of teenagers see in the night sky. In late 1973, after completing work on The Sugarland Express , Spielberg developed a deal with Columbia Pictures for a science-fiction film. 20th Century Fox had previously turned down the offer. Julia and Michael Phillips signed on as producers. Spielberg first considered doing a documentary or low-budget feature film about people who believed in UFOs . He decided "a film that depended on state-of-the-art technology couldn't be made for $ 2.5 million." Borrowing
453-401: A perfectionist . Douglas Trumbull was the visual effects supervisor , and Carlo Rambaldi designed the extraterrestrials. Trumbull joked that the visual effects budget of $ 3.3 million could have been used to produce an additional film. His work helped lead to advances in motion control photography . The mothership was designed by Ralph McQuarrie and built by Greg Jein . The look of
604-616: A "Stemwinder") with four cargo hatches forward served by two masts. Cotopaxi , official number 217270, signal letters LNWH , was 253.4 ft (77.2 m) registered length , 43.7 ft (13.3 m) beam with a depth of 25.1 ft (7.7 m). The keel was laid 29 August 1918, with launch on 15 November, and delivery to the USSB on 30 November 1918. The Design 1060 ships were propelled by one triple expansion engine of 1,350 indicated horsepower (1,010 kW ) with steam power from two coal fired Scotch marine boilers . The ship
755-596: A "chariot of fire", akin to Roy boarding the UFO. Climbing Devils Tower behind the faltering Jillian, Roy exhorts Jillian to keep moving and not to look back, a contrast to Lot's wife , who looked back at Sodom and turned into a pillar of salt. Spielberg explained, "I wanted to make Close Encounters a very accessible story about the everyday individual who has a sighting that overturns his life, and throws it into complete upheaval as he starts to become more and more obsessed with this experience." Roy's wife Ronnie attempts to hide
906-512: A British cinema and media theorist and cultural critic: Science fiction film is a film genre which emphasizes actual, extrapolative, or 2.0 speculative science and the empirical method , interacting in a social context with the lesser emphasized, but still present, transcendentalism of magic and religion , in an attempt to reconcile man with the unknown. This definition suggests a continuum between (real-world) empiricism and ( supernatural ) transcendentalism , with science fiction films on
1057-524: A Friend for the End of the World ( 2012 ), Safety Not Guaranteed ( 2013 ), and Pixels (2015), romance films such as Her (2013), Monsters (2010), and Ex Machina (2015), heist films including Inception (2010) and action films including Real Steel (2011), Total Recall (2012), Edge of Tomorrow ( 2014 ), Pacific Rim (2013), Chappie (2015), Tomorrowland (2015), and Ghost in
1208-426: A cargo of coal and a crew of thirty-two. On 1 December, Cotopaxi radioed a distress call reporting that the ship was listing and taking on water during a tropical storm . The ship was officially listed as overdue on 31 December. The wreck of Cotopaxi lies 35 nmi (65 km; 40 mi) off St. Augustine , Florida. She was discovered in the 1980s, but could not be identified, and subsequently dubbed
1359-522: A cargo of coal. The wreck was discovered in the 1980s, but not identified until January 2020. Cotopaxi was one of seventeen EFC Design 1060 4,200 DWT , 2,351 GRT steam-powered "Laker" type bulk carrier ships built for the USSB by the Great Lakes Engineering Works (GLEW), River Rouge Yard, Ecorse , Michigan, as hull number 209. The design was unique to GLEW with deckhouse and engines aft (a design commonly termed
1510-474: A civilization's level of technological advancement into types. Due to its exponential nature, sci-fi civilizations usually only attain Type I (harnessing all the energy attainable from a single planet), and strictly speaking often not even that. The concept of life, particularly intelligent life, having an extraterrestrial origin is a popular staple of science fiction films. Early films often used alien life forms as
1661-591: A close encounter with a UFO, and when it flies over his truck, it lightly burns the side of his face with its lights. The UFO takes off with three others in the sky, as Roy and three police cars give chase. The spacecraft fly off into the night sky but the metaphysical experience leaves Roy mesmerized. The researchers are similarly baffled to find the SS ; Cotopaxi in the middle of the Gobi Desert , intact and completely empty. Roy becomes fascinated by UFOs to
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#17327918276081812-452: A flawless wonder, such that it might be the first film ever made" calling it "a tribute to the richness of human imagination" and "as close to a mystical experience as a major film has come, but it's the mysticism of common sense... The movie could have been naive and sentimental—it was inspired by Disney—but Spielberg never relinquishes his practicality and his eye for everyday detail." Science fiction film The genre has existed since
1963-592: A group of United Nations experts continue to investigate increasing UFO activity and strange, related occurrences. Witnesses in Dharamsala , Northern India report that the UFOs make distinctive sounds: a five-tone musical phrase in a pentatonic scale. Scientists broadcast the phrase to outer space, but are mystified by the response, a seemingly meaningless series of numbers (104 44 30 40 36 10) repeated until Laughlin, with his background in cartography , recognizes it as
2114-401: A long tradition of movies featuring monster attacks. These differ from similar films in the horror or fantasy genres because science fiction films typically rely on a scientific (or at least pseudo-scientific) rationale for the monster's existence, rather than a supernatural or magical reason. Often, the science fiction film monster is created, awakened, or "evolves" because of the machinations of
2265-533: A mad scientist, a nuclear accident, or a scientific experiment gone awry. Typical examples include The Beast from 20,000 Fathoms (1953), Jurassic Park films, Cloverfield , Pacific Rim , the King Kong films, and the Godzilla franchise or the many films involving Frankenstein's monster . The core mental aspects of what makes us human has been a staple of science fiction films, particularly since
2416-427: A mid-air collision with an unidentified flying object . At a rural home outside Muncie, Indiana , three-year-old Barry Guiler wakes to find his toys operating on their own. He starts to follow something outside, forcing his mother, Jillian, to chase after him. Large-scale power outages begin rolling through the area, forcing electric utility lineman Roy Neary to investigate. While he gets his bearings, Roy experiences
2567-462: A moderate success. The strongest contributors to the genre during the second half of the 1980s were James Cameron and Paul Verhoeven with The Terminator and RoboCop entries. Robert Zemeckis ' film Back to the Future ( 1985 ) and its sequels were critically praised and became box office successes, not to mention international phenomena. James Cameron's sequel to Alien , Aliens ( 1986 ),
2718-580: A motif for childlike innocence and openness in the face of the unknown. Spielberg also compared the theme of communication as highlighting that of tolerance: "If we can talk to extraterrestrials in Close Encounters of the Third Kind , why not with the Reds in the Cold War ?" Sleeping is the final obstacle to overcome in the ascent of Devils Tower. Roy, Jillian, and a third invitee, Larry Butler, climb
2869-458: A natural and expected outcome of human development and indication of health and growth. Other critics found a variety of Judeo-Christian analogies. Devils Tower parallels Mount Sinai , the extraterrestrials as God, and Roy Neary as Moses . Cecil B. DeMille 's The Ten Commandments is on television at the Neary household. Some found close relations between Elijah and Roy; Elijah was taken into
3020-452: A news program about a supposed train wreck near Devils Tower airs on television, Roy and Jillian recognize the same mountain they have been visualizing. They, along with other travelers experiencing similar visions, set out for Devils Tower in spite of the public warnings about toxic gas. Most of the travelers are apprehended by the Army, but Roy and Jillian reach the site just as UFOs appear in
3171-530: A number of science fiction comic strips were adapted as serials , notably Flash Gordon and Buck Rogers , both starring Buster Crabbe . These serials, and the comic strips they were based on, were very popular with the general public. Other notable science fiction films of the 1930s include Frankenstein (1931), Bride of Frankenstein (1935), Doctor X (1932), Dr. Jekyll and Mr. Hyde (1931), F.P.1 (1932), Island of Lost Souls (1932), Deluge (1933), The Invisible Man (1933), Master of
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#17327918276083322-463: A particular area or time period. This is not true of the science fiction film. However, there are several common visual elements that are evocative of the genre. These include the spacecraft or space station, alien worlds or creatures, robots, and futuristic gadgets. Examples include movies like Lost in Space , Serenity , Avatar , Prometheus , Tomorrowland , Passengers , and Valerian and
3473-500: A particular concern of the writer by serving as a vehicle of warning against a type of activity, including technological research. In the case of alien invasion films, the creatures can provide as a stand-in for a feared foreign power. Films that fit into the Disaster film typically also fall into the following general categories: While monster films do not usually depict danger on a global or epic scale, science fiction film also has
3624-552: A phrase from the ending of The Thing from Another World , he retitled the film Watch the Skies , rewriting the premise concerning Project Blue Book and pitching the concept to Willard Huyck and Gloria Katz . Katz remembered, "It had flying saucers from outer space landing on Robertson Boulevard [in West Hollywood, California ]. I go, Steve, that's the worst idea I ever heard." Spielberg brought Paul Schrader to write
3775-565: A popular staple of science fiction film and science fiction television series. Time travel usually involves the use of some type of advanced technology, such as H. G. Wells' classic The Time Machine , the commercially successful 1980s-era Back to the Future trilogy, the Bill & Ted trilogy, the Terminator series, Déjà Vu (2006), Source Code (2011), Edge of Tomorrow (2014), and Predestination (2014). Other movies, such as
3926-476: A set of geographical coordinates, which point to Devils Tower near Moorcroft, Wyoming . Lacombe and the U.S. military converge on Wyoming. The United States Army evacuates the area, planting false reports in the media that a train wreck has spilled a toxic nerve gas, while actually preparing a secret landing zone for the UFOs and their occupants. Meanwhile, Roy's increasingly eccentric behavior causes Ronnie to abandon him, taking their three children with her. When
4077-419: A single mother whose three-year-old son was also abducted by a UFO. Close Encounters was a long-cherished project for Spielberg. In late 1973, he developed a deal with Columbia Pictures for a science-fiction film. Though Spielberg received sole credit for the script, he was assisted by Paul Schrader , John Hill , David Giler , Hal Barwood , Matthew Robbins , and Jerry Belson , all of whom contributed to
4228-657: A special metal called unobtainium. That same year, Terminator Salvation was released and garnered only moderate success. The 2010s saw new entries in several classic science fiction franchises, including Predators ( 2010 ), Tron: Legacy (2010), a resurgence of the Star Wars series, and entries into the Planet of the Apes and Godzilla franchises. Several more cross-genre films have also been produced, including comedies such as Hot Tub Time Machine (2010), Seeking
4379-708: A split-second before their demise, and then use their bodies for spare parts. SS Cotopaxi SS Cotopaxi was an Emergency Fleet Corporation (EFC) Design 1060 bulk carrier built for the United States Shipping Board (USSB) under the World War I emergency shipbuilding program. The ship, launched 15 November 1918, was named after the Cotopaxi stratovolcano of Ecuador . The ship arrived in Boston , 22 December 1918, to begin operations for
4530-533: A threat or peril to the human race, where the invaders were frequently fictional representations of actual military or political threats on Earth as observed in films such as Mars Attacks! , Starship Troopers , the Alien series, the Predator series, and The Chronicles of Riddick series. Some aliens were represented as benign and even beneficial in nature in such films as Escape to Witch Mountain , E.T.
4681-595: Is a popular scientific element in films as depicted in Jurassic Park (cloning of extinct species), The Island (cloning of humans), and ( genetic modification ) in some superhero movies and in the Alien series. Cybernetics and holographic projections as depicted in RoboCop and I, Robot are also popularized. Interstellar travel and teleportation is a popular theme in the Star Trek series that
Close Encounters of the Third Kind - Misplaced Pages Continue
4832-700: Is a popular theme in Independence Day while invisibility is also popular in Star Trek . Arc reactor technology, featured in Iron Man , is similar to a cold fusion device. Miniaturization technology where people are shrunk to microscopic sizes is featured in films like Fantastic Voyage (1966), Honey, I Shrunk the Kids (1989), and Marvel's Ant-Man (2015). The late Arthur C. Clarke 's third law states that "any sufficiently advanced technology
4983-564: Is achieved through warp drives and transporters while intergalactic travel is popular in films such as Stargate and Star Wars that is achieved through hyperspace or wormholes . Nanotechnology is also featured in the Star Trek series in the form of replicators (utopia), in The Day the Earth Stood Still in the form of grey goo (dystopia), and in Iron Man 3 in the form of extremis (nanotubes) . Force fields
5134-813: Is an exception. The first depiction of a sophisticated robot in a United States film was Gort in The Day the Earth Stood Still . Robots in films are often sentient and sometimes sentimental, and they have filled a range of roles in science fiction films. Robots have been supporting characters, such as Robby the Robot in Forbidden Planet , Huey, Dewey and Louie in Silent Running , Data in Star Trek: The Next Generation , sidekicks (e.g., C-3PO and R2-D2 from Star Wars , JARVIS from Iron Man ), and extras, visible in
5285-699: Is featured in Minority Report as well as in The Matrix saga (in which precognition is achieved by knowing the artificial world). Robots have been a part of science fiction since the Czech playwright Karel Čapek coined the word in 1921. In early films, robots were usually played by a human actor in a boxy metal suit, as in The Phantom Empire , although the female robot in Metropolis
5436-506: Is indistinguishable from magic". Past science fiction films have depicted "fictional" ("magical") technologies that became present reality. For example, the Personal Access Display Device from Star Trek was a precursor of smartphones and tablet computers . Gesture recognition in the movie Minority Report is part of current game consoles . Human-level artificial intelligence is also fast approaching with
5587-617: Is now listed among the collier wrecks of Stellwagen Bank National Marine Sanctuary where ships with coal cargoes are second only to fishing vessels as victims of disaster. Coverun (hull 221, ON 218005), after being renamed Mahukona , and then sold and operating as Santa Clara , under the Brazilian flag, was listed as missing southwest of Bermuda , February 1941, while on a voyage from Newport News to Rio de Janeiro . Several were lost due to wartime action, with others lost to other causes. Corydon (hull 206, ON 217236) foundered in
5738-456: Is one of the peerless moments in movie history—spiritually reassuring, magical, and funny at the same time. Very few movies have ever hit upon this combination of fantasy and amusement— The Wizard of Oz , perhaps, in a plainer, down-home way." Jean Renoir compared Spielberg's storytelling to Jules Verne and Georges Méliès . Ray Bradbury declared it the greatest science fiction film ever made. David Thomson wrote that " Close Encounters had
5889-439: Is regarded as one of the best movies of the period, Planet of the Apes (1968) and Fahrenheit 451 ( 1966 ), which provided social commentary, and the campy Barbarella (1968), which explored the comical side of earlier science fiction. Jean-Luc Godard 's French "new wave" film Alphaville (1965) posited a futuristic Paris commanded by an artificial intelligence which has outlawed all emotion. The era of crewed trips to
6040-539: Is remote telepresence via androids as depicted in Surrogates and Iron Man 3 . As artificial intelligence becomes smarter due to increasing computer power , some sci-fi dreams have already been realized. For example, the computer Deep Blue beat the world chess champion in 1997 and a documentary film, Game Over: Kasparov and the Machine , was released in 2003. Another famous computer called Watson defeated
6191-525: Is whether robots will someday replace humans, a question raised in the film adaptation of Isaac Asimov 's I, Robot (in jobs) and in the film Real Steel (in sports), or whether intelligent robots could develop a conscience and a motivation to protect, take over, or destroy the human race (as depicted in The Terminator , Transformers , and in Avengers: Age of Ultron ). Another theme
Close Encounters of the Third Kind - Misplaced Pages Continue
6342-442: The Planet of the Apes series, Timeline (2003) and The Last Mimzy (2007), explained their depictions of time travel by drawing on physics concepts such as the special relativity phenomenon of time dilation (which could occur if a spaceship was travelling near the speed of light) and wormholes . Some films show time travel not being attained from advanced technology, but rather from an inner source or personal power, such as
6493-565: The Power Rangers (2017) reboot was greatly improved as compared to the original Mighty Morphin Power Rangers: The Movie (1995). While "size does matter", a famous tagline of the movie Godzilla , incredibly small robots, called nanobots , do matter as well (e.g. Borg nanoprobes in Star Trek and nanites in I, Robot ). The concept of time travel —travelling backwards and forwards through time—has always been
6644-457: The Star Wars prequel trilogy , or the huge robot probes seen in Monsters vs. Aliens ). In some cases, robots have even been the leading characters in science fiction films; in the film Blade Runner (1982), many of the characters are bioengineered android " replicants ". This is also present in the animated films WALL-E (2008), Astro Boy (2009), Big Hero 6 (2014), Ghost in
6795-631: The Amazon rainforest , but the idea was changed to the Sonoran Desert . Spielberg also took 7.5 minutes out from the preview. The film score was composed, conducted, and produced by John Williams , who had previously worked on Spielberg's Jaws . Williams included the ominous two note phrase of the Jaws theme delivered by the mothership. Williams wrote more than 300 examples of the iconic five-tone motif , to be used by scientists to communicate with
6946-630: The American Film Institute . In December 2007, it was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in the National Film Registry . A Special Edition was released theatrically in 1980. Spielberg agreed to create this edition to add more scenes that they had been unable to include in the original release, with
7097-551: The Bahama Channel during a hurricane in September 1919. Cottonwood (hull 211, ON 217423), renamed Stanburn , foundered October 1946, after striking a submerged object. One of the ships, Covena (hull 220, ON 217810), became notable as the unique U.S. Army Port Repair ship Junior N. Van Noy . That ship was first of the port repair ships to sail for Europe where it engaged in repairs at Cherbourg , France. In
7248-466: The Star Wars prequel trilogy began with the release of Star Wars: Episode I – The Phantom Menace , which eventually grossed over one billion dollars. As the decade progressed, computers played an increasingly important role in both the addition of special effects (thanks to Terminator 2: Judgment Day and Jurassic Park ) and the production of films. As software developed in sophistication it
7399-616: The Washington Monument . Cultural theorist Scott Bukatman has proposed that science fiction film allows contemporary culture to witness an expression of the sublime , be it through exaggerated scale, apocalypse or transcendence. Science fiction films appeared early in the silent film era, typically as short films shot in black and white, sometimes with colour tinting. They usually had a technological theme and were often intended to be humorous. In 1902 , Georges Méliès released Le Voyage dans la Lune , generally considered
7550-469: The cyberpunk genre spawned several movies on the theme of the computer-human interface, such as Terminator 2: Judgment Day ( 1991 ), Total Recall ( 1990 ), The Lawnmower Man ( 1992 ), and The Matrix ( 1999 ). Other themes included disaster films (e.g., Armageddon and Deep Impact , both 1998 ), alien invasion (e.g., Independence Day ( 1996 )) and genetic experimentation (e.g., Jurassic Park ( 1993 ) and Gattaca ( 1997 )). Also,
7701-452: The virtual reality world became a real-world prison for humanity, managed by intelligent machines. In movies such as eXistenZ , The Thirteenth Floor , and Inception , the nature of reality and virtual reality become intermixed with no clear distinguishing boundary. Telekinesis and telepathy are featured in movies like Star Wars , The Last Mimzy , Race to Witch Mountain , Chronicle , and Lucy while precognition
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#17327918276087852-827: The young adult dystopian fiction subgenre, popular in the early part of the decade. These include the Hunger Games film series , based on the trilogy of novels by Suzanne Collins , The Divergent Series based on Veronica Roth 's Divergent trilogy , and the Maze Runner series , based on James Dashner 's The Maze Runner novels . Several adult adaptations have also been produced, including The Martian (2015), based on Andy Weir 's 2011 novel , Cloud Atlas (2012), based on David Mitchell 's 2004 novel , World War Z , based on Max Brooks ' 2006 novel , and Ready Player One (2018), based on Ernest Cline 's 2011 novel . Independent productions also increased in
8003-412: The " mad scientist " transferring the human mind to another body is as old as Frankenstein while the idea of corporations behind mind transfer technologies is observed in later films such as Gamer , Avatar , and Surrogates . Films such as Total Recall have popularized a thread of films that explore the concept of reprogramming the human mind. The theme of brainwashing in several films of
8154-548: The "Bear Wreck". Cotopaxi was identified in January 2020, based on fifteen years of investigation by marine biologist Michael Barnette. Cotopaxi was one of three of the seventeen Design 1060 ships built at the River Rouge Yard lost and initially listed as missing. Coushatta (hull 216, ON 217728), renamed John Tracy , was listed as missing on a voyage from Norfolk , Virginia, to Boston, January 1927. The ship
8305-623: The 1950s, Ray Harryhausen , protege of master King Kong animator Willis O'Brien, used stop-motion animation to create special effects for the following notable science fiction films: It Came from Beneath the Sea (1955), Earth vs. the Flying Saucers (1956) and 20 Million Miles to Earth (1957). The most successful monster movies were Japanese film studio Toho 's kaiju films directed by Ishirō Honda and featuring special effects by Eiji Tsuburaya . The 1954 film Godzilla , with
8456-476: The 1960s, but some of the films transformed science fiction cinema. Stanley Kubrick 's 2001: A Space Odyssey ( 1968 ) brought new realism to the genre, with its groundbreaking visual effects and realistic portrayal of space travel and influenced the genre with its epic story and transcendent philosophical scope. Other 1960s films included Planet of the Vampires (1965) by Italian filmmaker Mario Bava , that
8607-423: The 1970s included Woody Allen 's Sleeper ( 1973 ), and John Carpenter 's Dark Star ( 1974 ). The sports science fiction genre can be seen in films such as Rollerball (1975). Star Wars ( 1977 ) and Close Encounters of the Third Kind ( 1977 ) were box-office hits that brought about a huge increase in science fiction films. In 1979 , Star Trek: The Motion Picture brought the television series to
8758-408: The 1980s. Ridley Scott 's Blade Runner (1982), an adaptation of Philip K. Dick 's novel Do Androids Dream of Electric Sheep? , examined what made an organic-creation a human, while the RoboCop series saw an android mechanism fitted with the brain and reprogrammed mind of a human to create a cyborg . The idea of brain transfer was not entirely new to science fiction film, as the concept of
8909-443: The 2000s-era films Donnie Darko , Mr. Nobody , The Butterfly Effect , and X-Men: Days of Future Past . More conventional time travel movies use technology to bring the past to life in the present, or in a present that lies in our future. The film Iceman (1984) told the story of the reanimation of a frozen Neanderthal . The film Freejack (1992) shows time travel used to pull victims of horrible deaths forward in time
9060-579: The 2010s, with the rise of digital filmmaking making it easier for filmmakers to produce movies on a smaller budget. These films include Attack the Block (2011), Source Code (2011), Looper (2012), Upstream Color (2013), Ex Machina (2015), and Valerian and the City of a Thousand Planets (2017). In 2016, Ex Machina won the Academy Award for Visual Effects in a surprising upset over
9211-515: The City of a Thousand Planets . More subtle visual clues can appear with changes of the human form through modifications in appearance, size, or behavior, or by means a known environment turned eerily alien, such as an empty city The Omega Man (1971). While science is a major element of this genre, many movie studios take significant liberties with scientific knowledge. Such liberties can be most readily observed in films that show spacecraft maneuvering in outer space . The vacuum should preclude
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#17327918276089362-568: The Earth Stood Still , and The Watch , the aliens were nearly human in physical appearance, and communicated in a common earth language. However, the aliens in Stargate and Prometheus were human in physical appearance but communicated in an alien language. A few films have tried to represent intelligent aliens as something utterly different from the usual humanoid shape (e.g. An intelligent life form surrounding an entire planet in Solaris ,
9513-772: The Extra-Terrestrial , Close Encounters of the Third Kind , The Fifth Element , The Hitchhiker's Guide to the Galaxy , Avatar , Valerian and the City of a Thousand Planets , and the Men in Black series. In order to provide subject matter to which audiences can relate, the large majority of intelligent alien races presented in films have an anthropomorphic nature, possessing human emotions and motivations. In films like Cocoon , My Stepmother Is an Alien , Species , Contact , The Box , Knowing , The Day
9664-546: The Government was opposed to the film. If NASA took the time to write me a 20-page letter, then I knew there must be something happening." Early in pre-production, Spielberg hired film title designer Dan Perri to design a logotype . Perri, who had previously worked on The Exorcist (1973) and Taxi Driver (1976), produced a logotype in Handel Gothic typeface, with only a script to work from. Delighted with
9815-790: The Moon in 1969 and the 1970s saw a resurgence of interest in the science fiction film. Andrei Tarkovsky 's Solaris ( 1972 ) and Stalker ( 1979 ) are two widely acclaimed examples of the renewed interest of film auteurs in science fiction. Science fiction films from the early 1970s explored the theme of paranoia, in which humanity is depicted as under threat from sociological, ecological or technological adversaries of its own creation, such as George Lucas 's directional debut THX 1138 ( 1971 ), The Andromeda Strain ( 1971 ), Silent Running ( 1972 ), Soylent Green ( 1973 ), Westworld ( 1973 ) and its sequel Futureworld ( 1976 ), and Logan's Run ( 1976 ). The science fiction comedies of
9966-584: The Pole (1912), Himmelskibet (1918; which with its runtime of 97 minutes generally is considered the first feature-length science fiction film in history), The Cabinet of Dr. Caligari (1920), The Mechanical Man (1921), Paris Qui Dort (1923), Aelita (1924), Luch Smerti (1925), and The Lost World (1925). In the 1930s, there were several big budget science fiction films, notably Just Imagine (1930), King Kong (1933), Things to Come (1936), and Lost Horizon (1937). Starting in 1936,
10117-501: The Schrader/Hill script during post-production on Jaws , reflecting that "they wanted to make it like a James Bond adventure". David Giler performed a rewrite; Hal Barwood and Matthew Robbins , friends of Spielberg, suggested the plot device of a kidnapped child . Spielberg then began to write the script. The song " When You Wish upon a Star " from Pinocchio influenced Spielberg's writing style. "I hung my story on
10268-502: The Sea ( 1916 ) is a film based on Jules Verne ’s famous novel of a wondrous submarine and its vengeful captain. In the 1920s, European filmmakers tended to use science fiction for prediction and social commentary, as can be seen in German films such as Metropolis ( 1927 ) and Frau im Mond ( 1929 ). Other notable science fiction films of the silent era include The Impossible Voyage (1904), The Motorist (1906), The Conquest of
10419-530: The Shell (2017) and in Next Gen (2018). Films like Bicentennial Man , A.I. Artificial Intelligence , Chappie , and Ex Machina depicted the emotional fallouts of robots that are self-aware. Other films like The Animatrix (The Second Renaissance) present the consequences of mass-producing self-aware androids as humanity succumbs to their robot overlords. One popular theme in science fiction film
10570-1076: The Shell (2017). The superhero film boom has also continued, into films such as Iron Man 2 (2010) and Iron Man 3 (2013), several entries into the X-Men film series , and The Avengers (2012), which became the fourth-highest-grossing film of all time. New franchises such as Deadpool and Guardians of the Galaxy also began in this decade. Further into the decade, more realistic science fiction epic films also become prevalent, including Battleship (2012), Gravity (2013), Elysium (2013), Interstellar ( 2014 ), Mad Max: Fury Road ( 2015 ), The Martian ( 2015 ), Arrival ( 2016 ), Passengers (2016), and Blade Runner 2049 ( 2017 ). Many of these films have gained widespread accolades, including several Academy Award wins and nominations. These films have addressed recent matters of scientific interest, including space travel, climate change, and artificial intelligence. Alongside these original films, many adaptations were produced, especially within
10721-447: The UFO mystery, and it certainly catches the flavor of the phenomenon. Spielberg was under enormous pressure to make another blockbuster after Jaws , but he decided to make a UFO film. He put his career on the line." USAF and NASA declined to cooperate on the film. NASA reportedly sent a twenty-page letter to Spielberg, telling him that releasing the film was dangerous. In an interview, he said: "I really found my faith when I heard that
10872-686: The USSB, through 23 December 1919, when Cotopaxi was delivered to the Clinchfield Navigation Company under terms of sale. During operation for the USSB the ship suffered serious damage in a grounding on the coast of Brazil , and later, operating for Clinchfield Navigation, was involved in a collision with a tug in Havana , Cuba, resulting in the tug being sunk. She and a crew of thirty-two vanished in December 1925, while en route from Charleston , South Carolina, to Havana, with
11023-480: The United States and Canada, and $ 171.7 million in foreign countries, for $ 288 million worldwide. It was the most successful Columbia Pictures film at that time. Released in conjunction with Close Encounters of the Third Kind was a novelization of the film, credited solely to Steven Spielberg but largely ghostwritten by Leslie Waller . Spielberg later explained to Starlog magazine, It
11174-697: The World (1934), Mad Love (1935), Trans-Atlantic Tunnel (1935), The Devil-Doll (1936), The Invisible Ray (1936), The Man Who Changed His Mind (1936), The Walking Dead (1936), Non-Stop New York (1937), and The Return of Doctor X (1939). The 1940s brought us Before I Hang (1940), Black Friday (1940), Dr. Cyclops (1940), The Devil Commands (1941), Dr. Jekyll and Mr. Hyde (1941), Man Made Monster (1941), It Happened Tomorrow (1944), It Happens Every Spring (1949), and The Perfect Woman (1949). The release of Destination Moon (1950) and Rocketship X-M (1950) brought us to what many people consider "the golden age of
11325-776: The Worlds (1953), 20,000 Leagues Under the Sea (1954), This Island Earth (1955), Forbidden Planet (1956), Invasion of the Body Snatchers (1956), The Curse of Frankenstein (1957), Journey to the Center of the Earth (1959) and On the Beach (1959). There is often a close connection between films in the science fiction genre and the so-called " monster movie ". Examples of this are Them! (1954), The Beast from 20,000 Fathoms (1953) and The Blob (1958). During
11476-534: The advent of smartphone A.I. while a working cloaking device / material is the main goal of stealth technology . Autonomous cars (e.g. KITT from the Knight Rider series) and quantum computers , like in the movie Stealth and Transcendence , also will be available eventually. Furthermore, although Clarke's laws do not classify "sufficiently advanced" technologies , the Kardashev scale measures
11627-576: The background to create a futuristic setting (e.g., Back to the Future Part II (1989), Total Recall (2012), RoboCop (2014)). As well, robots have been formidable movie villains or monsters (e.g., the robot Box in the film Logan's Run (1976), HAL 9000 in 2001: A Space Odyssey , ARIIA in Eagle Eye , robot Sentinels in X-Men: Days of Future Past , the battle droids in
11778-691: The ball shaped creature in Dark Star , microbial-like creatures in The Invasion , shape-shifting creatures in Evolution ). Recent trends in films involve building-size alien creatures like in the movie Pacific Rim where the CGI has tremendously improved over the previous decades as compared in previous films such as Godzilla . A frequent theme among science fiction films is that of impending or actual disaster on an epic scale. These often address
11929-708: The big screen for the first time. It was also in this period that the Walt Disney Company released many science fiction films for family audiences such as The Black Hole , Flight of the Navigator , and Honey, I Shrunk the Kids . The sequels to Star Wars , The Empire Strikes Back ( 1980 ) and Return of the Jedi ( 1983 ), also saw worldwide box office success. Ridley Scott 's films, such as Alien ( 1979 ) and Blade Runner ( 1982 ), along with James Cameron 's The Terminator ( 1984 ), presented
12080-410: The climax. On Sneak Previews , Gene Siskel and Roger Ebert highly recommended the film. Siskel praised the message of not being "afraid of the unknown", said Dreyfuss was "perfectly cast", and described the ending as "a wonderful scene, combining fantasy, adventure and mystery". However, he mentioned that the story got "bogged down" by a subplot in the middle. Ebert said "the last 30 minutes are among
12231-584: The computer", suggesting that Roy Neary's boarding the spaceship represents Spielberg's wish to be reunited with his parents. The director had not consciously intended this aspect. In a 2005 interview, Spielberg stated that he made Close Encounters when he did not have children, and if he were making it today, he would never have had Roy leave his family and board the mothership. Communication and language issues constitute additional themes as noted by Andrew Johnston in Time Out New York : "Throughout
12382-407: The cover, and I usually avoid it at bookstores. Actually, I've never bought a copy. Jonathan Rosenbaum refers to the film as "the best expression of Spielberg's benign, dreamy-eyed vision". A.D. Murphy of Variety magazine gave a positive review but wrote that Close Encounters "lacks the warmth and humanity" of George Lucas's Star Wars . Murphy found most of the film slow-paced, but praised
12533-698: The director's cut and in the special edition of the end titles on the 1998 Collector's Edition of the soundtrack. The score was recorded at Warner Bros. Studios in Burbank, California . Williams was nominated for two Academy Awards in 1978, one for his score to Star Wars and one for his score to Close Encounters . He won for Star Wars , though he later won two Grammy Awards in 1979 for his Close Encounters score (one for Best Original Film Score and one for Best Instrumental Composition for " Theme from Close Encounters "). Film critic Charlene Engel observed: Close Encounters suggests that humankind has reached
12684-419: The dismay of his wife, Ronnie. He obsesses over subliminal images of a mountain shape, often making models of it. Jillian, meanwhile, also becomes obsessed, sketching the unique mountain image. Soon after, she is terrorized in her home by a UFO which descends from the clouds. She fights off violent attempts by the UFO and unseen beings to enter the home, but in the chaos, Barry is abducted. Lacombe, Laughlin, and
12835-406: The early years of silent cinema , when Georges Méliès ' A Trip to the Moon (1902) employed trick photography effects. The next major example (first in feature-length in the genre) was the film Metropolis (1927). From the 1930s to the 1950s, the genre consisted mainly of low-budget B movies . After Stanley Kubrick 's landmark 2001: A Space Odyssey (1968), the science fiction film genre
12986-406: The earthlings are ready with a console, and they greet the great craft with an oboe solo variation on the five-note theme; the craft answers in deep, tuba tones. The dialogue becomes blissfully garrulous. And with light flooding out from the windows of this omniscient airship—it’s like New York’s skyscrapers all lighted up on a summer night—there is a conversational duet: the music of the spheres. This
13137-484: The effects footage would still appear clear and sharp though having lost one generation's worth of visual fidelity. A test reel using computer-generated imagery was created for the UFOs, but Spielberg found it would be too expensive and ineffective because CGI was in its infancy in the mid-1970s. The small extraterrestrials in the final scenes were played by fifty local six-year-old girls in Mobile, Alabama . That decision
13288-445: The end of the second week of national release it had grossed $ 24,695,317. It made a record $ 3,026,558 on December 26, 1977, and set a one-week record of $ 17,393,654 from December 26 to January 1. The film opened internationally on February 24, 1978, and grossed $ 27 million by the end of March from 19 countries. Close Encounters received mostly positive reviews and became a certified box office success, grossing $ 116.39 million in
13439-413: The extraterrestrial mothership. Spielberg initially included Cliff Edwards 's original "When You Wish upon a Star" from Pinocchio in the closing credits , but after a Dallas preview where several members of the audience audibly snickered at the inclusion, the song was dropped and replaced with Williams's orchestral version. Phrases from "When You Wish Upon a Star" are included in the final sequence in
13590-444: The extraterrestrial that communicates via hand signals near the end of the film. Close Encounters is the first collaboration between film editor Michael Kahn and Spielberg. Their working relationship has continued for the rest of Spielberg's films. Spielberg said that no film he has ever made since has been as hard to edit as the last 25 minutes of Close Encounters and that he and Kahn went through thousands of feet of film to find
13741-463: The film carries a profound message - that the evolution of a species toward technological perfection (in this case exemplified by the disappeared alien civilization called the "Krell") does not ensure the loss of primitive and dangerous urges. In the film, this part of the primitive mind manifests itself as monstrous destructive force emanating from the Freudian subconscious, or "Id". Some films blur
13892-436: The film, there are many scenes that anticipate themes Spielberg would explore in subsequent projects, but his execution of these ideas here is usually more interesting and subtle. In Amistad , for example, he devotes much time to illustrating the language barrier separating Africans from both their captors and their potential saviors. It's an essential plot point, but it's so belabored that the story gets bogged down. In CE3K ,
14043-612: The films were often well-photographed in colour ... and their dismal dialogue was delivered in well-designed and well-lit sets." With the Space Race between the USSR and the US going on, documentaries and illustrations of actual events, pioneers and technology were plenty. Any movie featuring realistic space travel was at risk of being obsolete at its time of release, rather fossil than fiction. There were relatively few science fiction films in
14194-440: The first science fiction film, and a film that used early trick photography to depict a spacecraft's journey to the Moon. Several early films merged the science fiction and horror genres. Examples of this are Frankenstein ( 1910 ), a film adaptation of Mary Shelley 's novel, and Dr. Jekyll and Mr. Hyde (1920), based on the psychological tale by Robert Louis Stevenson . Taking a more adventurous tack, 20,000 Leagues Under
14345-728: The former toll booth at the Vincent Thomas Bridge , San Pedro , California. The Sonora Desert sequence was photographed at the Dumont Dunes , California, and the Dharmsala-India exteriors were filmed at the small village of Hal near Khalapur , 35 kilometres (22 mi) outside Mumbai , India. The hangars in Alabama were six times larger than the biggest sound stage in the world. Various technical and budgetary problems occurred during filming. Spielberg called
14496-885: The future as dark, dirty and chaotic, and depicted aliens and androids as hostile and dangerous. In contrast, Steven Spielberg 's E.T. the Extra-Terrestrial ( 1982 ), one of the most successful films of the 1980s, presented aliens as benign and friendly, a theme already present in Spielberg's own Close Encounters of the Third Kind . James Bond also entered the science fiction genre in 1979 with Moonraker . The big budget adaptations of Frank Herbert 's Dune and Alex Raymond 's Flash Gordon , as well as Peter Hyams 's sequel to 2001 , 2010: The Year We Make Contact (based on 2001 author Arthur C. Clarke 's sequel novel 2010: Odyssey Two ), were box office failures that dissuaded producers from investing in science fiction literary properties. Disney's Tron ( 1982 ) turned out to be
14647-421: The genre. In the monster films of the 1950s, the scientist often played a heroic role as the only person who could provide a technological fix for some impending doom. Reflecting the distrust of government that began in the 1960s in the United States, the brilliant but rebellious scientist became a common theme, often serving a Cassandra -like role during an impending disaster. Biotechnology (e.g., cloning )
14798-526: The government is to ridicule and debunk flying saucers." Schrader continued: "One day he has an encounter. He goes to the government, threatening to blow the lid off to the public. Instead, he and the government spend 15 years trying to make contact." Spielberg and Schrader experienced creative differences, hiring John Hill to rewrite. At one point, the main character was a police officer . Spielberg "[found] it hard to identify with men in uniform. I wanted to have Mr. Everyday Regular Fella ." Spielberg rejected
14949-464: The idea of reprogrammable reality and memory. The idea that a human could be entirely represented as a program in a computer was a core element of the film Tron . This would be further explored in the film version of The Lawnmower Man , Transcendence , and Ready Player One and the idea reversed in Virtuosity as computer programs sought to become real persons. In The Matrix series,
15100-671: The idea. Filming took place in Burbank, California ; Devils Tower National Monument in Wyoming ; two abandoned World War II airship hangars at the former Brookley Air Force Base in Mobile, Alabama ; and the Louisville and Nashville Railroad depot in Bay Minette, Alabama . The home where Barry is abducted is located outside the town of Fairhope, Alabama . Roy Neary's home is on Carlisle Drive East in Mobile. The UFOs fly through
15251-414: The language problem is illustrated concisely by a quick scene in which an interpreter translates Spanish into English for Laughlin so he can turn around and translate it into French for Lacombe. Since Spielberg doesn't ram the language problem down our throats, the extraterrestrials' solution—using music to communicate with humanity—seems more elegant and natural." The film was to be released in mid-1977 but
15402-399: The line between the genres, such as films where the protagonist gains the extraordinary powers of the superhero . These films usually employ quasi-plausible reason for the hero gaining these powers. Not all science fiction themes are equally suitable for movies. Science fiction horror is most common. Often enough, these films could just as well pass as Westerns or World War II films if
15553-410: The model, and his gradual loss of contact with his wife, mimic the events in the short story " Dulcie and Decorum " (1955) by Damon Knight . Close Encounters studies the form of "youth spiritual yearning". Barry Guiler, the unfearing child who refers to the UFOs and their paraphernalia as "toys" (although that was unscripted, with the child being drawn to smile by being shown toys offstage), serves as
15704-474: The mood the song created, the way it affected me personally." During pre-production , the title was changed from Kingdom Come to Close Encounters of the Third Kind . J. Allen Hynek , who worked with the United States Air Force on Project Blue Book , was hired as a scientific consultant. Hynek said that "even though the film is fiction, it's based for the most part on the known facts of
15855-455: The most marvelous things I've ever seen on the screen" and that the film was "like a kid's picture...in its innocence". Pauline Kael similarly called it "a kid's film in the best sense". Kael wrote that "Spielberg is the son of an electrical-engineer, sci-fi-addict father and a classical-pianist mother, and in the climax of the film he does justice to both. Under the French scientist’s direction,
16006-413: The mothership. The extraterrestrials finally emerge from the mothership and select Roy to join their travels. As Roy enters the mothership, one of the extraterrestrials pauses for a few moments with the humans. Lacombe uses Curwen hand signs that correspond to the five-note extraterrestrial tonal phrase. The extraterrestrial replies with the same gestures, smiles, and returns to its ship, which takes to
16157-483: The mountain pursued by government helicopters spraying sleeping gas. Larry stops to rest, is gassed, and falls into a deep sleep. In his interview with Spielberg on Inside the Actors Studio , James Lipton suggested Close Encounters has another, more personal theme for Spielberg: "Your father was a computer engineer; your mother was a concert pianist, and when the spaceship lands, they make music together on
16308-458: The much higher-budget Star Wars: The Force Awakens (2015). Science fiction films are often speculative in nature, and often include key supporting elements of science and technology. However, as often as not the "science" in a Hollywood science fiction movie can be considered pseudo-science, relying primarily on atmosphere and quasi-scientific artistic fancy than facts and conventional scientific theory. The definition can also vary depending on
16459-494: The night sky. The government specialists at the site begin to communicate with the UFOs, which gradually appear by the dozens, by using light and sound on a large electrical billboard. An enormous mothership eventually lands to release many abductees from different eras: World War II pilots, Cotopaxi sailors, adults, children, and animals. Barry also returns and reunites with Jillian. The government officials hastily prepare Roy for inclusion in its select group of potential visitors to
16610-496: The point where it is ready to enter the community of the cosmos. While it is a computer which makes the final musical conversation with the extraterrestrial guests possible, the characteristics bringing Neary to make his way to Devils Tower have little to do with technical expertise or computer literacy. These are virtues taught in schools that will be evolved in the 21st century. The film also evokes typical science fiction archetypes and motifs. The film portrays new technologies as
16761-474: The production of Close Encounters "twice as bad and twice as expensive [as Jaws ]". Matters worsened when Columbia Pictures experienced financial difficulties. In his original 1973 pitch to Columbia, Spielberg claimed production would cost $ 2.7 million, although he revealed to producer Julia Philips that he knew the budget would have to be much higher; the final budget came to $ 19.4 million. Columbia studio executive John Veich remembered, "If we knew it
16912-469: The production schedule because he was continually adding new scenes. Zsigmond previously turned down the chance to work on Jaws . In her 1991 book You'll Never Eat Lunch in This Town Again , producer Julia Phillips wrote highly profane remarks about Spielberg, Zsigmond, and Truffaut, because she was fired during post-production due to a cocaine addiction . Phillips blamed it on Spielberg being
17063-412: The publishers that unless it was cleaned up I wouldn't let my name go out with the book. So I sat down and spent less than a week – I wouldn't say rewriting the novel – but polishing it, and taking a lot of the plot and twisting it back into the direction of the screenplay. All told, there's about 20 percent of me in the book. I wish I could say there was more, but there's not. I cringe when I see my name on
17214-473: The release of Transformers (2007) and Transformers: Revenge of the Fallen (2009), both of which resulted in worldwide box office success. In 2009, James Cameron 's Avatar garnered worldwide box office success, and would later become the highest-grossing movie of all time. This movie was also an example of political commentary. It depicted humans destroying the environment on another planet by mining for
17365-586: The repetitions of the Korova Milkbar make the alien decor seem more familiar. As well, familiar images become alien, as in the films Repo Man and Liquid Sky . For example, in Dr. Strangelove , the distortion of the humans make the familiar images seem more alien. Finally, alien images are juxtaposed with the familiar, as in The Deadly Mantis , when a giant praying mantis is shown climbing
17516-838: The result, Spielberg applied the logo to all production stationery and crew shirts. Unusual in filmmaking, Spielberg carried enough influence to maintain creative control over the film's entire branding and asked Perri to design the advertising campaign and title sequence based on his logo. Perri later designed titles for many other major Hollywood pictures, including Star Wars (1977), Raging Bull (1980), and Airplane! (1980). Principal photography began on May 16, 1976, though an Associated Press report in August 1975 had suggested filming would start in late 1975. Spielberg did not want to do any location shooting because of his negative experience on Jaws and wanted to shoot Close Encounters entirely on sound stages , but eventually dropped
17667-422: The right shots for the end sequence. When Kahn and Spielberg completed the first cut of the film, Spielberg was dissatisfied because "there wasn't enough wow-ness". Pick-ups were commissioned but cinematographer Vilmos Zsigmond could not participate due to other commitments. John A. Alonzo , László Kovács , and Douglas Slocombe worked on the pick-ups. Lacombe was originally intended to find Flight 19 hidden in
17818-424: The right to make the film any way he wanted. Schrader submitted his script, which Spielberg called "one of the most embarrassing screenplays ever professionally turned in to a major film studio or director" and "a terribly guilt-ridden story not about UFOs at all". Titled Kingdom Come , the script's protagonist was a 45-year-old Air Force officer named Paul Van Owen who worked with Project Blue Book. "[His] job for
17969-403: The science fiction film". In the 1950s, public interest in space travel and new technologies was great. While many 1950s science fiction films were low-budget B movies , there were several successful films with larger budgets and impressive special effects. These include The Day the Earth Stood Still (1951), The Thing from Another World (1951), When Worlds Collide (1951), The War of
18120-429: The science fiction props were removed. Common motifs also include voyages and expeditions to other planets, and dystopias , while utopias are rare. Film theorist Vivian Sobchack argues that science fiction films differ from fantasy films in that while science fiction film seeks to achieve our belief in the images we are viewing, fantasy film instead attempts to suspend our disbelief. The science fiction film displays
18271-463: The scientist has varied considerably in the science fiction film genre, depending on the public perception of science and advanced technology. Starting with Dr. Frankenstein , the mad scientist became a stock character who posed a dire threat to society and perhaps even civilization. Certain portrayals of the "mad scientist", such as Peter Sellers 's performance in Dr. Strangelove , have become iconic to
18422-432: The screenplay in varying degrees. The title is derived from Ufologist J. Allen Hynek 's classification of close encounters with extraterrestrials, in which the third kind denotes human observations of extraterrestrials or "animate beings". Douglas Trumbull served as the visual effects supervisor , while Carlo Rambaldi designed the extraterrestrials. Made on a production budget of US$ 19.4 million , Close Encounters
18573-401: The script in December 1973 with principal photography to begin in late 1974. To discuss the script, Spielberg visited the home where Schrader lived with his brother Leonard. However, Spielberg started work on Jaws in 1974, delaying Watch the Skies . With the financial and critical success of Jaws , Spielberg was able to negotiate a high degree of creative control from Columbia, including
18724-551: The ship due on 22 December 1920, 1921, and 1922. In 1920, the ship entered Havana Harbor , on a voyage from Charleston, South Carolina, with a cargo of coal and collided with the Ward Line tug Saturno . Cotopaxi was not seriously damaged but the tug sank. A case resulting from the accident was on appeal determined to be the equal fault of both vessels and damages were thus allocated. On 29 November 1925, Cotopaxi departed Charleston, for Havana, under Captain W. J. Meyer, with
18875-430: The ship limped into port on 19 June, badly damaged, including damage to the engines. Repairs cost nearly $ 200,000 (equivalent to about $ 3,500,000 in 2023). On 23 December 1919, Cotopaxi was delivered to the Clinchfield Navigation Company under terms of a sale at a price of $ 375,000, with $ 93,750 to be paid cash, with $ 281,250 to be paid in three installments of $ 93,750, on promissory notes secured by mortgage on
19026-452: The ship was inspired by an oil refinery Spielberg saw at night in India. Instead of the metallic hardware look of Star Wars , the emphasis was on luminescence of the UFOs. One of the UFO models was an oxygen mask with lights attached to it, used because of its irregular shape. As a subtle in-joke, Dennis Muren (who had just finished working on Star Wars ) put a small R2-D2 model onto
19177-437: The side of empiricism, and happy films and sad films on the side of transcendentalism. However, there are numerous well-known examples of science fiction horror films, epitomized by such pictures as Frankenstein and Alien . The visual style of science fiction film is characterized by a clash between alien and familiar images. This clash is implemented when alien images become familiar, as in A Clockwork Orange , when
19328-418: The signature melody into the score at Spielberg's behest, just before Roy Neary turns to board the mothership. The synthesizer playing the five notes is an ARP 2500 . Vice President of Engineering at ARP Instruments , Phillip Dodds , was sent to install the unit on the film set and was subsequently cast as Jean Claude, the musician who plays the sequence on the huge synthesizer in an attempt to communicate with
19479-500: The sixties and seventies including A Clockwork Orange and The Manchurian Candidate coincided with secret real-life government experimentation during Project MKULTRA . Voluntary erasure of memory is further explored as themes of the films Paycheck and Eternal Sunshine of the Spotless Mind . Some films like Limitless explore the concept of mind enhancement. The anime series Serial Experiments Lain also explores
19630-463: The sky. The film's inspiration arose in director Steven Spielberg 's childhood, when he and his father watched a meteor shower in New Jersey . At age 18, Spielberg completed the full-length science fiction film Firelight . Many scenes from Firelight were incorporated in Close Encounters on a shot-for-shot basis. In 1970, he wrote the short story "Experiences" about a lovers' lane in
19781-597: The space shuttle orbiter Discovery in the Smithsonian Institution 's Air and Space Museum Udvar-Hazy Annex at Washington Dulles Airport in Chantilly, Virginia . Close Encounters was filmed anamorphically and the visual effects sequences were shot on 70 mm film , which has greater resolution than the 35 mm film used for the rest of the production, so that when the miniature effects were combined with full-sized elements through an optical printer ,
19932-474: The studio demanding a controversial scene depicting the interior of the extraterrestrial mothership. Spielberg's dissatisfaction with the altered ending scene led to a third version, the Director's Cut on VHS and LaserDisc in 1998 (and later DVD and Blu-ray ). It is the longest version, combining Spielberg's favorite elements from both previous editions but removing the scenes inside the mothership. The film
20083-442: The sunburn caused by Roy's exposure to the UFOs and wants him to forget his encounter with them. She is embarrassed and bewildered by what has happened to him and desperately wants her ordinary life back. The expression of his lost life is seen when he is sculpting a huge model of Devils Tower in his living room, with his family deserting him. Roy's obsession with an idea implanted by an extraterrestrial intelligence, his construction of
20234-640: The title monster attacking Tokyo, gained immense popularity, spawned multiple sequels, led to other kaiju films like Rodan , and created one of the most recognizable monsters in cinema history. Japanese science fiction films, particularly the tokusatsu and kaiju genres, were known for their extensive use of special effects , and gained worldwide popularity in the 1950s. Kaiju and tokusatsu films, notably Warning from Space (1956), sparked Stanley Kubrick 's interest in science fiction films and influenced 2001: A Space Odyssey (1968). According to his biographer John Baxter , despite their "clumsy model sequences,
20385-649: The transmission of sound or maneuvers employing wings, yet the soundtrack is filled with inappropriate flying noises and changes in flight path resembling an aircraft banking. The filmmakers, unfamiliar with the specifics of space travel , focus instead on providing acoustical atmosphere and the more familiar maneuvers of the aircraft. Similar instances of ignoring science in favor of art can be seen when movies present environmental effects as portrayed in Star Wars and Star Trek . Entire planets are destroyed in titanic explosions requiring mere seconds, whereas an actual event of this nature takes many hours. The role of
20536-460: The two best human Jeopardy (game show) players in 2011 and a NOVA documentary film, Smartest Machine on Earth , was released in the same year. Building-size robots are also becoming a popular theme in movies as featured in Pacific Rim . Future live action films may include an adaptation of popular television series like Voltron and Robotech . The CGI robots of Pacific Rim and
20687-412: The underside of the mothership and a pea-sized TIE fighter to the end of one of the structures extending from the mothership. Model makers also included a mailbox, great-white shark, Volkswagen bus, and a small graveyard. The model also included alien figures moving in the windows of the miniature, though were not very visible in the final film. The mothership model is on permanent display steps away from
20838-535: The unfamiliar and alien in the context of the familiar. Despite the alien nature of the scenes and science fictional elements of the setting, the imagery of the film is related back to humankind and how we relate to our surroundings. While the science fiction film strives to push the boundaries of the human experience, they remain bound to the conditions and understanding of the audience and thereby contain prosaic aspects, rather than being completely alien or abstract. Genre films such as westerns or war movies are bound to
20989-444: The viewpoint of the observer. Many science fiction films include elements of mysticism, occult , magic, or the supernatural , considered by some to be more properly elements of fantasy or the occult (or religious) film. This transforms the movie genre into a science fantasy with a religious or quasi-religious philosophy serving as the driving motivation. The movie Forbidden Planet employs many common science fiction elements, but
21140-456: The visiting spaceship as a mathematical language , before Spielberg chose the one incorporated into the film's signature theme. Williams decided on five notes because "it has to be somewhere between a fragment ... which is four notes, and a song ... which is seven notes, so he decided, mathematically, it would be five notes" Spielberg called Williams's work " When You Wish Upon a Star meets science fiction". Incidentally, Williams briefly included
21291-471: Was completed (although it was later continued, but at the time it was not intended to be) with the darkly themed Star Wars: Episode III – Revenge of the Sith . Science-fiction also returned as a tool for political commentary in films such as A.I. Artificial Intelligence , Minority Report , Sunshine , District 9 , Children of Men , Serenity , Sleep Dealer , and Pandorum . The 2000s also saw
21442-542: Was completed at a cost of $ 827,648.48 (equivalent to $ 16,752,000 in 2023). After arrival in Boston , on 22 December 1918, the ship was allocated to a USSB operator serving routes from U.S. ports to the East coast of South America . On 16 June 1919, while on a voyage from Philadelphia to Salvador, Brazil , Cotopaxi ran aground in the Braganca Channel, Pará , Brazil. After jettisoning some 400 tons of coal
21593-676: Was delayed to November because of the various production problems. Close Encounters premiered at the Ziegfeld Theatre in New York City on November 16, 1977, and continued there and at the Cinerama Dome in Los Angeles, grossing $ 1,077,000. Its national release was December 14, in 270 theaters and grossing $ 10,115,000 in one week with a per-screen average of $ 37,460. On December 21, 301 more theaters were added. By
21744-595: Was going to cost that much, we wouldn't have greenlighted it because we didn't have the money." Spielberg hired Joe Alves , his collaborator on Jaws , as production designer . In addition, the 1976 Atlantic hurricane season brought tropical storms to Alabama. A large portion of the sound stage in Alabama was damaged because of a lightning strike . Columbia raised $ 7 million from three sources: Time Inc. , EMI , and German tax shelters. Cinematographer Vilmos Zsigmond said that, during shooting, Spielberg got more ideas by watching films every night, which in turn extended
21895-698: Was later remastered in 4K and was then re-released in theaters in 2017 for its 40th anniversary. In the Sonoran Desert , French scientist Claude Lacombe, his American interpreter, cartographer David Laughlin, and other researchers discover Flight 19 , a group of United States Navy Grumman TBF Avenger torpedo bombers that went missing over the Bermuda Triangle on December 5, 1945. The planes are in perfect condition, but without any occupants. An elderly witness nearby claims "the sun came out at night, and sang to him". Near Indianapolis , air traffic controllers watch two airline flights narrowly avoid
22046-418: Was released in a limited number of cities on November 16 and 23, 1977, and expanded into wide release the following month. It was a critical and financial success, eventually grossing over $ 300 million worldwide. It received numerous awards and nominations at the 50th Academy Awards , 32nd British Academy Film Awards , the 35th Golden Globe Awards and the 5th Saturn Awards , and has been widely acclaimed by
22197-405: Was requested by Spielberg because "girls move more gracefully than boys". Puppetry was attempted for the extraterrestrials, but the idea failed. However, Rambaldi successfully used puppetry to depict two of the extraterrestrials, starting with a marionette (for the tall extraterrestrial that is the first emerging from the mothership in what was originally a test shot) and an articulated puppet for
22348-663: Was taken more seriously. In the late 1970s, big-budget science fiction films filled with special effects became popular with audiences after the success of Star Wars (1977) and paved the way for the blockbuster hits of subsequent decades. Screenwriter and scholar Eric R. Williams identifies science fiction films as one of eleven super-genres in his screenwriters’ taxonomy , stating that all feature-length narrative films can be classified by these super-genres. The other ten super-genres are action , crime , fantasy , horror , romance , slice of life , sports , thriller , war , and western . According to Vivian Sobchack ,
22499-455: Was used to produce more complicated effects. It also enabled filmmakers to enhance the visual quality of animation, resulting in films such as Ghost in the Shell (1995) from Japan, and The Iron Giant (1999) from the United States. During the first decade of the 2000s, superhero films abounded, as did earthbound science fiction such as the Matrix trilogy. In 2005 , the Star Wars saga
22650-534: Was very different from the original film, falling more into the action/science fiction genre, it was both a critical and commercial success and Sigourney Weaver was nominated for Best Actress in a Leading Role at the Academy Awards . The Japanese cyberpunk anime film Akira ( 1988 ) also had a big influence outside Japan when released. In the 1990s, the emergence of the World Wide Web and
22801-424: Was very early on when we made the deal with Dell ... It included an advance with a promise that I was going to have direct writing input into the book. But post-production on the movie became so impossible that I had to get somebody else to write it. I didn't write the first, second, or third drafts. Those were written, based on my screenplay, by Leslie Waller, a very good writer. When I read his drafts, though, I told
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