Gaetano Guadagni (16 February 1728 – 11 November 1792) was an Italian mezzo-soprano castrato singer, most famous for singing the role of Orpheus at the premiere of Gluck 's opera Orfeo ed Euridice in 1762.
24-663: Cayetano is a Spanish and sometimes Sephardic Jewish name related to the Italian name Gaetano (English: Cajetan ), both from Latin Caietanus , meaning "from Gaeta ". It is a common given name in Spain, Mexico, Argentina and the Philippines. As a surname, it is also found predominantly in those countries, as well as Peru. The feminine version of the name is Cayetana . Given name Surname Gaetano From Misplaced Pages,
48-645: A byname indicating people from Gaeta, as in Thomas Cajetan or Gaetanus (1469–1534). The modern given name can be traced to Saint Gaetano dei Conti di Tiene (1480–1547) who was canonized in 1671. Other variants of the name exist in other Romance languages, the French form of the name is Gaëtan, Gaétan , the Portuguese form is Caetano , and the Spanish form is Cayetano . The feminine form
72-526: A comparatively gentle minuet in triple time throughout. Both of these were for bass voice: for Guadagni, as well as transposing the first section up an octave, Handel wrote a new, virtuosic setting of the text "For he is like a refiner's fire", especially exploiting the singer's fine low notes. Guadagni also took part in revivals of Samson (for which Handel reworked a part originally written for Susannah Cibber ), Judas Maccabeus , Belshazzar and Esther . The one role that Guadagni actually created for Handel
96-766: A letter to Horace Mann dated 23 March 1749: Delaval , a wild young fellow, kept an Italian woman, called the Tedeschi. He had notice one day that she was actually then in bed with Guadagni, a handsome young eunuch, who sings in the burlettas. The injured cavalier takes one of his chairmen and a horsewhip, surprises the lovers, drags them out of bed, and makes the chairman hold Mars, while he flogged Venus most unmercifully. After that execution, he takes Guadagni, who fell on his knees and cried and screamed for mercy – 'No, Sir, said Delaval, 'I have another sort of punishment for you', and immediately turned up that part, which in England
120-789: A libretto by Calzabigi , marked the start of Gluck's reforms of opera seria , in which the composer moved away from the more usual type of serious Italian opera then current, epitomised by the operas of composers like Vivaldi and Hasse in their settings of the libretti of Metastasio . Guadagni sang in other "reform operas": Orestes in Traetta 's Ifigenia in Tauride (1763), and the title role in another of Gluck's operas, Telemaco (1765). He also continued to sing in Metastasian roles by composers such as Jommelli and Gassmann, and by Gluck himself. By 1767, his expressive, yet inherently simple style
144-2377: Is Gaetana (also Caetana and Cayetana ). People with the given name [ edit ] Academics [ edit ] Gaetano Borriello (1958–2015), Italian-American computer scientist Gaetano Cozzi (1922–2001), Italian historian Gaetano Arturo Crocco (1877-1968), Italian space scientist, aeronautics pioneer and founder of the Italian Rocket Society Gaetano De Sanctis (1870–1957), historian and senator Gaetano Filangieri (1753–1788), Italian jurist and philosopher Gaetano Kanizsa (1913–1993), Italian psychologist and perception scientist Gaetano Milanesi (1813–1895), Italian scholar and writer Gaetano Sanseverino (1811–1865), Italian philosopher and theologian Gaetano da Thiene (philosopher) (1387–1465) Arts and entertainment [ edit ] Gaetano Aronica (born 1963), Italian actor Gaetano Berenstadt (1687–1734), Italian alto castrato Gaetano Braga (1829–1907), Italian composer and cellist Gaetano Brunetti (1744–1798), prolific Italian composer Gaetano Castelli (born 1938), Italian painter and set designer Gaetano Chiaveri (c. 1689–1770), Italian architect Gaetano Donizetti (1797–1848), Italian opera composer Gaetano Gandolfi (1734–1802), Bolognese painter Gaetano Greco (c. 1657–1728), Italian Baroque composer Gaetano Guadagni (1729–1792), Italian mezzo-soprano castrato singer Gaetano Lapis (1704–1776), Italian painter Guy Lombardo (1902–1977), Canadian bandleader Gaetano Martoriello (circa 1680–1733), Italian painter Gaten Matarazzo (born 2002), American actor Gaetano Merola (1881–1953), Italian conductor Gaetano Pesce (born 1939), Italian architect and designer Gaetano Polidori (1764–1853), Italian writer and scholar Gaetano Pollastri (1886–1960), professional violinist Gaetano Previati , artist Gaetano Pugnani (1731–1798), Italian violinist Gaetano Sabatini (1703–1734), Italian draftsman and painter Gaetano Sgarabotto (1878–1959), Italian violinmaker Gaetano Trentanove (1858–1937), Italian-American sculptor Gaetano Zompini (1700–1778), Italian printmaker and engraver Crime [ edit ] Gaetano Badalamenti (1923–2004), powerful member of
168-461: Is accustomed indeed to be flogged too, but in its own country has a different entertainment – which he accordingly gave it. For performances in 1750 Handel rewrote three arias in Messiah for him, the first, " But who may abide ", being particularly adapted to a castrato's bravura technique (which he clearly had acquired by this date). Handel had previously set this text as recitative, and then as
192-635: Is different from Wikidata All set index articles Gaetano Guadagni Born at Lodi , Guadagni joined the cappella of Sant'Antonio in Padua in 1746, but also made his public operatic debut at Venice that year, which was not met with ecclesiastical approval: he was dismissed from his position in Padua by 1748, and soon after appeared in London as a member of Giovanni Francesco Crosa ("Dr Croza")'s buffo (comic) company. He does not appear to have had
216-1081: The Catholic Church Sports [ edit ] Gaetano Berardi (born 1988), Swiss footballer Gaetano Belloni (1892–1980), Italian road racing cyclist Gaétan Boucher (born 1958), Canadian speed skater Gaetano Caridi (born 1980), Italian footballer Gaetano D'Agostino (born 1982), Italian footballer Gaetano De Rosa (born 1973), Italian footballer Gaetano Fontana (born 1970), Italian footballer Gaetano Giallanza (born 1974), Swiss footballer Gaetano Orlando (born 1962), Italian-Canadian ice hockey player Gaetano Scirea (1953–1989), Italian footballer Gaetano Starrabba (born 1932), Italian racing driver Gaetano Vasari (born 1970), Italian footballer Gaetano Vastola (born 1978), Italian footballer Other fields [ edit ] Francesco Gaetano Caltagirone (born 1943), Italian businessman Gaetano Casati (1838–1902), Italian explorer of Africa Gaetano Gagliano (1917–2016), Canadian businessman People with
240-1534: The Sicilian Mafia Gaetano Gianola , early 20th century Italian-American mobster Gaetano Lococo (1895–1993), Italian-American mobster Gaetano Reina (1889–1930), Sicilian-American mobster Politics and journalism [ edit ] Gaetano Arfé (1925–2007), Italian politician, historian and journalist Gaetano Bresci (1869–1901), Italian-American anarchist Gaetano Giuliano (1929–2023), Italian politician Gaetano Manfredi (born 1964), Italian politician Gaetano Martino (1900–1967), Italian politician Gaetano Mosca (1858–1941), Italian political scientist, journalist and public servant Gaetano Polverelli (1886–1960), Italian journalist and politician Gaetano Salvemini (1873–1957), Italian anti-fascist politician, historian and writer Gaetano Saya (born 1956), Italian politician Gaetano Tanti (1956/1957–2023), Maltese trade unionist Religion [ edit ] Gaetano dei Conti di Tiene (1480–1547), Catholic saint Gaetano Alibrandi (1914–2003), Catholic archbishop Gaetano Bedini (1806–1864), Italian Catholic ecclesiastic, cardinal and diplomat Gaetano Bisleti (1856–1937), Catholic cardinal Gaetano Catanoso (1879–1963), Italian parish priest Gaetano Cicognani (1881–1962), Italian Catholic prelate Gaetano Pace Forno (1809–1874), Maltese Catholic bishop Gaetano Moroni (1802–1883), Italian Catholic official and writer about
264-574: The company there, and took part in unlicensed performances of Mattia Vento's Artaserse , sponsored by the former singer Theresa Cornelys at her home, Carlisle House , in Soho Square: for these he was fined £50, and threatened with Bridewell Prison, and maybe another whipping. His performances in London in the season of 1770-71 included a pasticcio version of Gluck's Orfeo , with additional music by Johann Christian Bach , Pietro Antonio Guglielmi, and one aria arranged by Guadagni himself. By 1773,
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#1732790068529288-540: The contemporary English voice of that name; however, the historian was mistaken in his perception that Guadagni's voice changed from alto to soprano in later life). Burney also remarked on unusual details in the manner of Guadagni's performance: "attitudes, action and impassioned and exquisite manner of singing the simple and ballad-like air Che farò [in Gluck's Orfeo ed Euridice , see below], acquired his very great and just applause". In Italy he had further great success in
312-688: The 💕 For other uses, see Gitanos . Gaetano Vinaccia [REDACTED] Saint Gaetano Pronunciation IPA: [ɡaeˈtaːno] Origin Meaning "from Caieta " (now Gaeta ) Gaetano (anglicized Cajetan ) is an Italian masculine given name. It is also used as a surname. It is derived from the Latin Caietanus , meaning "from Caieta " (the modern Gaeta ). The given name has been in use in Italy since medieval period, although it also remained in use as
336-435: The reformist tendencies of Gluck. Guadagni retired to Padua, where he became something of an institution, renowned for his prodigal generosity: during his career he had amassed a large fortune, and he now built himself a splendid house in the city. Having rejoined the cappella of the church of San Antonio in 1768, he remained a member until his death, at an annual salary of four hundred ducats. For this, as Burney remarked, he
360-485: The same given name or the same family name . If an internal link led you here, you may wish to change that link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Gaetano&oldid=1258464615 " Categories : Given names Surnames Italian masculine given names Masculine given names Hidden categories: Pages with Italian IPA Articles with short description Short description
384-431: The scenes, with the action represented by puppets. Sometime between 1785 and 1787 he suffered a stroke that rendered him incapable of speech, and for some time severely affected his ability to sing. His return to some public notice was an emotional occasion: "… at mass, the musico Guadagni came to sing from devotion, and without payment … this was about eight months after his attack, but he also wished to sing; and he sang
408-556: The singer had fallen in with the blue-stocking Maria Antonia of Bavaria, Dowager Electress of Saxony , and had followed her to Munich. Here Burney encountered him again, and reports fascinatingly on his ability to sing perfectly in tune: so exact was his intonation in duets with his fellow castrato Venanzio Rauzzini that their singing generated "difference tones". He sang further settings of the Orpheus story by Antonio Tozzi (1775) and Ferdinando Bertoni (1776), which by no means continued
432-567: The surname [ edit ] Gianluca Gaetano (born 2000), Italian professional footballer Giuseppe de Gaetano (born 1966), Italian race walker Juan Gaetano , Spanish pilot who may have been, in 1555, one of the first Europeans to find Hawaii Nick Gaetano , 21st century book illustrator Paul DiGaetano (born 1953), American politician Rino Gaetano (1950–1981), Italian singer-songwriter See also [ edit ] Cajetan Caetano Cayetano [REDACTED] Name list This page or section lists people that share
456-412: The typical rigorous training that most castrati undertook (see castrato ), which may account for his being described by the music historian Charles Burney as a "wild and careless singer" on his arrival in England. He was rapidly taken up in theatrical and musical circles in the capital, and also acquired a reputation for his sexual activities, as did many castrati. This was reported by Horace Walpole in
480-554: The years 1756 to 1761, being admired as much for his singing as his acting, though was often in trouble with impresarios: "he rarely does his duty" was the complaint, probably meaning that he would not curry favour with audiences, neither bowing to acknowledge applause, nor being willing to repeat arias. In his desire thus to maintain dramatic unity, he was an ideal interpreter for the role of Orpheus in Gluck's Orfeo ed Euridice , which he premiered in Vienna on 5 October 1762 . This opera, to
504-504: Was "required to attend only at the four principal festivals". His last operatic role was Deucalion in Deucalione e Pirra by Antonio Calegari (1781). Lord Mount Edgcumbe heard him in 1784: "I had the good fortune to hear a motetto , or anthem, sung by Guadagni … He was now advanced in years … his voice was still full and well toned, and his style appeared to me excellent." By this time, Guadagni had become fond of singing Orfeo behind
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#1732790068529528-485: Was Didymus in Theodora . Where Messiah had exploited his virtuosity in rapid passage work, this new role gave him, at the beginning of the aria "The raptur'd soul", a fine opportunity to display his "artful manner of diminishing his voice like the dying notes of an Aeolian harp", as Burney described it. The latter also claimed to have helped Guadagni with his English, saying that, "during his first residence in London he
552-575: Was finding much less favour with opera-goers than the more typical florid singing of his contemporaries. In the summer of 1769, he made his last visit to London, and became embroiled in the financial problems involving his impresario, the Honourable George Hobart, manager of the King's Theatre, Haymarket, who also offended the singer by hiring one Zamperina (his then mistress) in preference to Guadagni's own sister. Eventually Guadagni left
576-411: Was more noticed in singing English than Italian". In 1755, he was engaged by David Garrick to sing in an English opera The Fairies by Handel's sometime amanuensis, John Christopher Smith, and the famous actor, again according to Burney, "took much pleasure in forming him". At this time his voice was described by Burney as a "full and well-toned countertenor (here meaning that his range matched that of
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