Cal Performances is the performing arts presenting, commissioning and producing organization based at the University of California, Berkeley in Berkeley, California .
204-549: The origins of Cal Performances date from 1906, when stage actress Sarah Bernhardt appeared at the William Randolph Hearst Greek Theatre to help rebuild public morale after the devastating San Francisco earthquake and fire in April of that year. Cal Performances presents nearly 100 performances annually in five venues— Zellerbach Hall , Zellerbach Playhouse, Hertz Hall, and Wheeler Hall on
408-569: A Catholic , and left a large sum to be paid when she came of age. Her mother traveled frequently, and saw little of her daughter. She placed Bernhardt with a nurse in Brittany , then in a cottage in the Paris suburb of Neuilly-sur-Seine . When Bernhardt was seven, her mother sent her to a boarding school for young ladies in the Paris suburb of Auteuil , paid with funds from her father's family. There, she acted in her first theatrical performance in
612-462: A memorandum of understanding , which would permit the development of the adjacent site to the east, a parking lot. In 1981, the federal government gave Carnegie Hall $ 1.8 million for the renovation; the city and Astor Foundation had previously given $ 450,000. The first renovations started in February 1982 with the restoration and reconstruction of the recital hall and studio entrance. The lobby
816-556: A societaire , the highest rank of the theater. Bernhardt was earning a substantial amount at the theatre, but her expenses were even greater. By this time she had eight servants, and she built her first house, an imposing mansion on rue Fortuny, not far from the Parc Monceau . She looked for additional ways to earn money. In June 1879, while the theatre of the Comédie Française in Paris was being remodeled, Perrin took
1020-516: A $ 10 million grant from Arthur and Judy Zankel, the new space was renamed after the Zankels in January 1999; the auditorium proper was named after Judith Arron, who donated $ 5 million. Construction took place without disrupting performances or the nearby subway tunnel. Zankel Hall had been planned to open in early 2003, but the opening date was postponed due to the city's economic difficulties after
1224-595: A brief recording of her reciting a verse from Phèdre, which has not survived. She crisscrossed the United States and Canada from Montreal and Toronto to Saint Louis and New Orleans, usually performing each evening, and departing immediately after the performance. She gave countless press interviews, and in Boston posed for photos on the back of a dead whale. She was condemned as immoral by the Bishop of Montreal and by
1428-476: A center stage, an end stage, or no stage. This is accomplished through the division of the floor into nine sections, each 45 feet (14 m) wide with a separate lift underneath. There are 599 seats in Zankel Hall, spread across two levels. The parterre level seats a total of 463 and the mezzanine level seats 136. Each level has several boxes perpendicular to the stage; there are 54 seats in six boxes on
1632-469: A chest filled with $ 194,000 in gold coins. She described the result of her trip to her friends: "I crossed the oceans, carrying my dream of art in myself, and the genius of my nation triumphed. I planted the French verb in the heart of a foreign literature, and it is that of which I am most proud." No crowd greeted Bernhardt when she returned to Paris on 5 May 1881, and theatre managers offered no new roles;
1836-708: A dinner for Bernhardt and her friends, toasting "His adorable Queen and her Golden Voice." She formally returned to the Comédie Francaise on 1 October 1872, and quickly took on some of the more famous and demanding roles in French theatre. She played Junie in Britannicus by Jean Racine, the male role of Cherubin in The Marriage of Figaro by Pierre Beaumarchais , and the lead in Voltaire's five-act tragedy Zaïre . In 1873, with just 74 hours to learn
2040-487: A fervent admirer. The play premiered on 16 January 1872. The opening night was attended by the Prince of Wales and by Hugo; after the performance, Hugo approached Bernhardt, dropped to one knee, and kissed her hand. Ruy Blas played to packed houses. A few months after it opened, Bernhardt received an invitation from Emile Perrin , Director of the Comédie Française, asking if she would return, and offering her 12,000 francs
2244-870: A gold bracelet with diamonds, which was almost immediately stolen from her hotel. The two leading actors both fell ill with yellow fever , and her long-time manager, Edward Jarrett, died of a heart attack. Bernhardt was undaunted, however, and went crocodile hunting at Guayaquil , and bought more animals for her menagerie. Her performances in every city were sold out, and by the end of the tour, she had earned more than 1 million francs. The tour allowed her to purchase her final home, which she filled with her paintings, plants, souvenirs, and animals. From then on, whenever she ran short of money (which generally happened every three or four years), she went on tour, performing both her classics and new plays. In 1888, she toured Italy, Egypt, Turkey, Sweden, Norway, and Russia. She returned to Paris in early 1889 with an enormous owl given to her by
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#17327917716762448-442: A gymnasium, and twelve short-term "lodge rooms" in the roof. The 56th Street side of Carnegie Hall was designed with rooms for the choruses, soloists, and conductors, as well as offices and lodge rooms. On the roof of the 56th Street section were janitors' apartments. Three elevators, two on the 57th Street side and one on the 56th Street side, originally served the building. The addition at the corner of 56th Street and Seventh Avenue
2652-724: A large dining room, at 4 rue de Rome. The outbreak of the Franco-Prussian War abruptly interrupted her theatrical career. The news of the defeat of the French Army, the surrender of Napoleon III at Sedan, and the proclamation of the Third French Republic on 4 September 1870 was followed by a siege of Paris by the Prussian Army. Paris was cut off from news and from its food supply, and the theatres were closed. Bernhardt took charge of converting
2856-501: A modest salary of 150 francs a month, which he paid out of his own pocket. The Odéon was second in prestige only to the Comédie Française, and unlike that very traditional theatre, specialised in more modern productions. The Odéon was popular with the students of the Left Bank. Her first performances with the theatre were not successful. She was cast in highly stylised and frivolous 18th-century comedies, whereas her strong point on stage
3060-614: A movie theater called the Carnegie Playhouse. A screen was installed at the front of the former stage, while the balconies and side galleries were sealed. The Carnegie Hall Cinema opened in May 1961 with a showing of the film White Nights by Luchino Visconti . Carnegie Hall received a concert organ from the Netherlands in 1965, although the stage had to be renovated before the organ could be installed. The installation of
3264-547: A new organ was installed in Carnegie Hall and dedicated in December 1929. Robert Simon died in 1935. Murray Weisman succeeded Simon as president of Carnegie Hall's board of directors, while the late owner's son Robert E. Simon Jr. became the vice president. A bust of the senior Simon was installed in the lobby in 1936. The main hall was modified around 1946 during filming for the movie Carnegie Hall . A hole
3468-472: A paneled wall behind the stage, were installed after the recital hall's completion but were removed in the 1980s to improve acoustics. The room has three chandeliers, which also amplify the room's acoustics. A boiler room was placed under the sidewalk on Seventh Avenue. A small electric generation plant for 5,300 lamps was also planned. At the ground level of the main hall was a lobby with gray marble pilasters and salmon-colored walls. Stores were added to
3672-440: A party which included her mother, Morny, and his friend Alexandre Dumas père . The play they attended was Britannicus , by Jean Racine , followed by the classical comedy Amphitryon by Plautus . The play's emotion so moved Bernhardt that she began to sob loudly, disturbing the rest of the audience. Morny and others in their party were angry at her. They left, but Dumas comforted her and later told Morny that he believed she
3876-464: A pilaster. A broad terracotta frieze runs above the fourth floor, at the springing of the arches. To either side of the arcade, there are two tall round-arched windows on the second floor; those on the east flank a blind arch. There are pairs of pilasters on the fourth-floor mezzanine, above which is a string course. The Seventh Avenue facade is similar in design, but instead of window openings, there are blind openings filled with brick. Additionally,
4080-461: A play, Salomé , and Bernhardt planned to originate the title role in London, but British censors banned the play and she never performed it. Bernhardt then performed a new play by Sardou, Theodora (1884), a melodrama set in sixth-century Byzantine Empire . Sardou wrote a nonhistoric but dramatic new death scene for Bernhardt; in his version, the empress Theodora was publicly strangled, whereas
4284-550: A procession and ceremony, for her pet lizard. She received her first communion as a Roman Catholic in 1856 and was fervently religious after that. However, she never forgot her Jewish heritage. When asked years later by a reporter if she were a Christian, she replied: "No, I'm a Roman Catholic and a member of the great Jewish race. I'm waiting until Christians become better." That contrasted her answer, "No, never. I'm an atheist" to an earlier question by composer and compatriot Charles Gounod if she ever prayed. Regardless, she accepted
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#17327917716764488-538: A resident company since the New York Philharmonic moved out. Carnegie Hall was renovated multiple times throughout its history, including in the 1940s and 1980s. Carnegie Hall is on the east side of Seventh Avenue between 56th Street and 57th Street , two blocks south of Central Park , in Midtown Manhattan , New York City. The site covers 27,618 square feet (2,565.8 m ). Its lot
4692-489: A slab of concrete. John L. Tishman , president of Tishman Realty & Construction , which had renovated the stage in 1986, alleged that the concrete was there before the renovation. The concrete was removed in mid-1995 while Carnegie Hall was closed for the summer; soon afterward, critics described a noticeable change in the acoustics. In the basement, the Carnegie Hall Cinema operated separately from
4896-407: A small cottage in the suburb of Auteuil , and drove herself to the theatre in a small carriage. She developed a close friendship with the writer George Sand , and performed in two plays that she authored. She received celebrities in her dressing room, including Gustave Flaubert and Leon Gambetta . In 1869, as she became more prosperous, she moved to a larger seven-room apartment at 16 rue Auber in
5100-419: A special train with her own luxurious palace car , which carried her two maids, two cooks, a waiter, her maître d'hôtel, and her personal assistant, Madame Guérard. It also carried an actor named Édouard Angelo, whom she had selected to serve as her leading man, and, according to most accounts, her lover during the tour. From New York, she made a side trip to Menlo Park , where she met Thomas Edison , who made
5304-521: A stage version of the controversial drama Thérèse Raquin by Emile Zola . Zola had previously been attacked due to the book's confronting content. Asked why she chose this play, she declared to reporters, "My true country is the free air, and my vocation is art without constraints." The play was unsuccessful; it ran for just 38 performances. She then performed another traditional melodrama, Francillon by Alexandre Dumas fils in 1888. A short drama she wrote herself, L'Aveu , disappointed both critics and
5508-492: A stone column and gash her forehead. Regina and Madame Nathalie began shouting at one another, and Bernhardt stepped forward and slapped Madame Nathalie on the cheek. The older actress fell onto another actor. Thierry asked that Bernhardt apologise to Madame Nathalie. Bernhardt refused to do so until Madame Nathalie apologised to Regina. Bernhardt had already been scheduled for a new role with the theater, and had begun rehearsals. Madame Nathalie demanded that Bernhardt be dropped from
5712-406: A total of 1,021 seats. The parquet was designed with eleven exits to a corridor that entirely surrounded it; the corridor, in turn, led to the main entrance vestibule on 57th Street. The first and second tiers consist of sixty-five boxes; the first tier has 264 seats, eight per box, and the second tier has 238 seats, six to eight per box. As designed, the first tier of boxes was entirely open, while
5916-434: A total of 268 seats. The orchestra level contains 196 seats in fourteen rows, while the balcony level contains 72 seats in five rows. The modern-day recital hall contains off-white walls and blue seats. In the mid-20th century, the recital hall was decorated with red and gold, which was replaced in the 1980s with Palladian arches similar to those in the hall's original design. A proscenium arch made of plywood, as well as
6120-561: A tour of French provincial cities. She and her troupe departed from Le Havre for America on 15 October 1880, arriving in New York on 27 October. On 8 November in New York City, she performed Scribe's Adrienne Lecouvreur at Booth's Theatre before an audience which had paid a top price of a stunning $ 40 ($ 1,263 in 2023) for a ticket. Few in the audience understood French, but it was not necessary; her gestures and voice captivated
6324-460: A wealthy businessman who offered her 500,000 francs. He wept when she refused. Bernhardt wrote that she was "confused, sorry, and delighted—because he loved me the way people love in plays at the theater." Before the first examination for her tragedy class, she tried to straighten her abundance of frizzy hair, which made it even more uncontrollable, and came down with a bad cold, which made her voice so nasal that she hardly recognised it. Furthermore,
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6528-470: A white robe with a tricolor banner, and at the end dramatically waved the French flag. The audience gave her a standing ovation, showered her with flowers, and demanded that she recite the song two more times. With her place in the French theatre world restored, Bernhardt negotiated a contract to perform at the Vaudeville Theatre in Paris for 1500 francs per performance as well as 25 percent of
6732-475: A year, compared with less than 10,000 at the Odéon. Bernhardt asked Chilly if he would match the offer, but he refused. Always pressed by her growing expenses and growing household to earn more money, she announced her departure from the Odéon when she finished the run of Ruy Blas . Chilly responded with a lawsuit, and she was forced to pay 6,000 francs of damages. After the 100th performance of Ruy Blas , Hugo gave
6936-524: Is 200 feet (61 m) wide, covering the entire width of the block between 56th Street to the south and 57th Street to the north, and extends 150 feet (46 m) eastward from Seventh Avenue. Carnegie Hall shares the city block with the Carnegie Hall Tower , Russian Tea Room , and Metropolitan Tower to the east. It is cater-corner from the Osborne apartment building. It also faces
7140-595: Is forty-three; she can no longer be useful to the Comédie. Moreover, what roles could she have? I can only imagine that she could play mothers..." Bernhardt was deeply offended and immediately broke off negotiations. She turned once again to Sardou, who had written a new play for her, La Tosca , which featured a prolonged and extremely dramatic death scene at the end. The play was staged at the Porte Saint-Martin Theatre, opening on 24 November 1887. It
7344-489: Is incomparable...The extreme love, the extreme agony, the extreme suffering." However, the abrupt end of her marriage shortly after the premiere put her back into financial distress. She had leased and refurbished a theatre, the Ambigu, specifically to give her husband leading roles, and made her 18-year-old son Maurice, who had no business experience, the manager. Fédora ran for just 50 performances and lost 400,000 francs. She
7548-490: Is mounted from twenty-one trusses. The Joan and Sanford I. Weill Recital Hall is named after Sanford I. Weill , a former chairman of Carnegie Hall's board, as well as his wife Joan. This auditorium, in use since the hall opened in 1891, was originally called Chamber Music Hall and was placed in the "lateral building" east of the main hall. The space later became the Carnegie Chamber Music Hall, and
7752-538: Is now Carnegie Hall came from Leopold Damrosch , the conductor of Oratorio Society of New York and the New York Symphony Society . The Oratorio Society had been looking for a permanent performance venue ever since it was founded in 1873. Though Leopold died in 1885, his son Walter Johannes Damrosch pursued his father's vision for a new music hall. While studying music in Germany in 1887,
7956-430: Is on 161 West 56th Street. On the third and fourth floors, above the main entrance, is a two-and-a-half story arcade on 57th Street with five round-headed arches. A balcony with a balustrade is carried on console brackets in front of this arcade. Each arch has a horizontal terracotta transom bar above the third floor; two third-floor windows separated by a Corinthian column; and two fourth-floor windows separated by
8160-503: Is one of the most prestigious venues in the world for both classical music and popular music. Carnegie Hall has its own artistic programming, development, and marketing departments and presents about 250 performances each season. It is also rented out to performing groups. Carnegie Hall has 3,671 seats, divided among three auditoriums. The largest one is the Stern Auditorium, a five-story auditorium with 2,804 seats. Also part of
8364-415: Is part of a former artistic hub around a two-block section of West 57th Street between Sixth Avenue and Broadway . The hub had been developed during the late 19th and early 20th centuries. Its opening in 1891 directly contributed to the development of the hub. The area contains several buildings constructed as residences for artists and musicians, such as 130 and 140 West 57th Street , the Osborne, and
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8568-495: Is perhaps rather far uptown, but it is easily accessible from the 'living' part of the city." The Music Hall Company was incorporated on March 27, 1889, with Carnegie, Damrosch, Reno, Tuthill, and Stephen M. Kneval as trustees. Originally, the Music Hall Company intended to limit its capital stock to $ 300,000, but this was increased before the end of 1889 to $ 600,000, of which Carnegie held five-sixths. The cost of
8772-466: Is to produce and present performances of the highest artistic quality, enhanced by programs that explore compelling intersections of education and the performing arts. Cal Performances is the performing arts presenting, commissioning and producing organization based at the University of California, Berkeley. The origins of Cal Performances date from 1906, when stage actress Sarah Bernhardt appeared at
8976-637: The Grand Duke Alexei Alexandrovich , the brother of the Czar. Her 1891–92 tour was her most extensive, including much of Europe, Russia, North and South America, Australia, New Zealand, Hawaii, and Samoa. Her personal luggage consisted of 45 costume crates for her 15 different productions, and 75 crates for her off-stage clothing, including her 250 pairs of shoes. She carried a trunk for her perfumes, cosmetics and makeup, and another for her sheets and tablecloths and her five pillows. After
9180-522: The Methodist press, which only increased ticket sales. She performed Phèdre six times and La Dame Aux Camélias 65 times (which Jarrett had renamed "Camille" to make it easier for Americans to pronounce, despite the fact that no character in the play has that name). On 3 May 1881, she gave her final performance of Camélias in New York. Throughout her life, she always insisted on being paid in cash. When Bernhardt returned to France, she brought with her
9384-556: The New York Philharmonic , which booked a majority of the hall's concerts each year. The orchestra intended to move to Lincoln Center once it had been built (at the time, plans to build it were still at an early stage). Simon notified the Philharmonic that he would terminate the lease by 1959 if it did not purchase Carnegie Hall. In mid-1955, longtime employee John Totten organized a fundraising drive to prevent
9588-737: The Rodin Studios and 888 Seventh Avenue to the west; Alwyn Court , The Briarcliffe , the Louis H. Chalif Normal School of Dancing , and One57 to the north; the Park Central Hotel to the southwest; and CitySpire and New York City Center to the southeast. Right outside the hall is an entrance to the New York City Subway 's 57th Street–Seventh Avenue station , served by the N , Q , R , and W trains. Carnegie Hall
9792-482: The last rites shortly before her death. In 1857, Bernhardt learned that her father had died overseas. Her mother summoned a family council, including Morny, to decide what to do with her. Morny proposed that Bernhardt should become an actress. This idea horrified Bernhardt, as she had never been inside a theatre. Morny arranged for her to attend her first theatre performance at the Comédie Française in
9996-478: The 2,015-seat Auditorium (today known as Zellerbach Hall) and the 500-seat, multiform Playhouse. The Playhouse was conceived as a laboratory in which students can learn all aspects of the dramatic arts. Movable seating allows for numerous formations of the stage. The stage of the Auditorium is equipped for all major forms of theater, opera, music and dance productions, and, with the aid of a movable acoustic shell,
10200-417: The 34-year-old Tuthill was relatively unknown as an architect, he was an amateur cellist and a singer, which may have led to him getting the commission. Dankmar Adler of Adler & Sullivan, on the other hand, was an experienced designer of music halls and theaters; he served as the acoustical consultant. Carnegie Hall was constructed with heavy masonry bearing walls , as lighter structural steel framework
10404-541: The Alice and Jacob M. Kaplan Space was built within the old chapter room on the fifth floor, directly above the main hall. The Kaplan Space opened in March 1985. The corporation announced in May 1985 that the main hall and recital hall would be closed for several months. The corporation also started a fundraising drive to raise the $ 50 million needed to fund the renovation; more than half of the funding had already been raised at
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#173279177167610608-538: The Carnegie Hall Archives, established in 1986, and the Rose Museum , which opened in 1991. The Rose Museum is east of the first balcony of the Stern Auditorium and has dark makore and light anigre paneling with brass edges, as well as columns with brass capitals , supporting a coffered ceiling. The Rose Museum space is separated from two adjacent rooms by sliding panels. The idea for what
10812-546: The Carnegie Hall Corporation started evicting longtime tenants of the upper-story studios, particularly those who refused to pay steeply increased rents. The first phase of the renovation was completed in September 1983 for $ 20 million. A second phase included upgrades to mechanical systems, such as air-conditioning and elevators. As part of the third phase of renovations, a recording studio called
11016-567: The Carnegie family until 1925, after which Robert E. Simon and then his son, Robert E. Simon Jr., became owner. Carnegie Hall was proposed for demolition in the 1950s in advance of the New York Philharmonic relocating to Lincoln Center in 1962. Though Carnegie Hall is designated a National Historic Landmark and protected by the New York City Landmarks Preservation Commission , it has not had
11220-511: The Commune or damaged in the fighting, but the Odéon was still intact. Charles-Marie Chilly, the co-director of the Odéon, came to her apartment, where Bernhardt received him reclining on a sofa. He announced that the theaters would reopen in October 1871, and he asked her to play the lead in a new play, Jean-Marie by André Theuriet . Bernhardt replied that she was finished with the theatre and
11424-468: The Comédie Française. She was supposed to recite verses from Racine, but no one had told her that she needed someone to give her cues as she recited. Bernhardt told the jury she would instead recite the fable of the Two Pigeons by La Fontaine . The jurors were skeptical, but the enthusiasm and pathos of her recitation won them over, and she was invited to become a student. Bernhardt studied acting at
11628-496: The Comédie Française. That little world was stiff, gossipy, jealous. I remember my few months at the Gymnase. There they talked only about dresses and hats, and chattered about a hundred things that had nothing to do with art. At the Odéon, I was happy. We thought only of putting on plays. We rehearsed mornings, afternoons, all the time. I adored that." Bernhardt lived with her longtime friend and assistant Madame Guérard and her son in
11832-666: The Comédie-Française. She played Henriette in Molière's Les Femmes Savantes and Hippolyte in L'Étourdi , and the title role in Scribe's Valérie , but did not impress the critics, or the other members of the company, who had resented her rapid rise. The weeks passed, but she was given no further roles. Her hot temper also got her into trouble; when a theater doorkeeper addressed her as "Little Bernhardt", she broke her umbrella over his head. She apologised profusely, and when
12036-470: The Conservatory from January 1860 until 1862 under two prominent actors of the Comédie Française, Joseph-Isidore Samson and Jean-Baptiste Provost. She wrote in her memoirs that Provost taught her diction and grand gestures, and Samson taught her the power of simplicity. For the stage, she changed her name from "Bernard" to "Bernhardt". While studying, she also received her first marriage proposal, from
12240-458: The Drama, Music and Dance departments realized that Wheeler Auditorium was not the ideal venue for the performing arts on all occasions, several uncompleted projects and, later, the financial strains of The Great Depression delayed the completion of a venue designed for such performances. The opening of Alfred Hertz Memorial Hall in 1958, with its formidable collection of organs and superior acoustics,
12444-537: The Dress Circle level; along with a corresponding arch at the rear of the auditorium, it supports the ceiling. The Ronald O. Perelman Stage is 42 feet (13 m) deep. It was originally designed with six tiers that could be raised and lowered hydraulically. The walls around the stage contain pilasters. The ceiling above the stage was designed as an ellipse, and the soffits of the ceiling were originally outfitted with lights. Originally, there were no stage wings;
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#173279177167612648-730: The Emergency Relief Fund. Bernhardt’s wild popularity combined with the Greek Theatre’s spectacular design and atmosphere, set in motion the tradition of performing arts presentation in Berkeley. In the words of theater director Samuel Hume, it was the event that “placed the Greek Theatre definitely in the field of the commercial theatre.” William Dallam Armes, Chair of the Musical and Dramatic Committee, realized that
12852-528: The Emperor Franz Joseph I of Austria . The only European country where she refused to play was Germany, due to the German annexation of French territory after the 1870–71 Franco-Prussian War. Just before the tour began, she met Jacques Damala , who went with her as leading man and then, for eight months, became her first and only husband. ( see Personal life ) When she returned to Paris, she
13056-546: The Gaiety Theatre in London demanded that Bernhardt star in the opening performance, contrary to the traditions of Comédie Française, where roles were assigned by seniority, and the idea of stardom was scorned. When Perrin protested, saying that Bernhardt was only 10th or 11th in seniority, the Gaiety manager threatened to cancel the performance; Perrin had to give in. He scheduled Bernhardt to perform one act of Phèdre on
13260-411: The Left Bank. Duquesnel described the reading years later, saying, "I had before me a creature who was marvelous gifted, intelligent to the point of genius, with enormous energy under an appearance frail and delicate, and a savage will." The co-director of the theatre for finance, Charles de Chilly, wanted to reject her as unreliable and too thin, but Duquesnel was enchanted; he hired her for the theater at
13464-578: The Music Hall's stockholders planned to enlarge the hall to accommodate operatic performances, following a fire that severely damaged the Metropolitan Opera House. At the time, Morris Reno said the stage could not be modified until at least early 1893. The Music Hall Company filed plans for alterations in December 1892. The plans called a tower of about 240 feet (73 m) at the corner of Seventh Avenue and 56th Street. In addition,
13668-485: The Music Hall. The Real Estate Record and Guide praised the building's design as "harmonious, animated without restlessness, and quiet without dullness." In February 1891, Damrosch announced that he had created a subscription fund for a "permanent orchestra" that would perform mainly in the new Music Hall. The Recital Hall opened in March 1891 for recitals of the New York Oratorio Society. It
13872-418: The Odéon into a hospital for soldiers wounded in the battles outside the city. She organised the placement of 32 beds in the lobby and the foyers, brought in her personal chef to prepare soup for the patients, and persuaded her wealthy friends and admirers to donate supplies for the hospital. Besides organising the hospital, she worked as a nurse, assisting the chief surgeon with amputations and operations. When
14076-585: The Paris press ignored her tour, and much of the Paris theatre world resented her leaving the most prestigious national theatre to earn a fortune abroad. When no new plays or offers appeared, she went to London for a successful three-week run at the Gaiety Theater. This London tour included the first British performance of La Dame aux Camelias at the Shaftesbury Theatre; her friend, the prince of Wales, persuaded Queen Victoria to authorise
14280-742: The Rodin Studios. In addition, the area contained the headquarters of organizations such as the American Fine Arts Society , the Lotos Club , and the American Society of Civil Engineers . By the 21st century, the artistic hub had largely been replaced with Billionaires' Row , a series of luxury skyscrapers around the southern end of Central Park . Carnegie Hall was designed by William Tuthill along with Richard Morris Hunt and Adler & Sullivan . While
14484-718: The Russian National Orchestra, the Berliner Ensemble, the Beijing People’s Art Theater, the Gate Theater of Dublin, Les Arts Florissants, Ballet Nacional de Cuba, and Nederland Dans Theater, among others. Jeremy N. Geffen is the current Executive and Artistic Director of Cal Performances. Geffen came to Berkeley in April 2019 from Carnegie Hall , where he held the position of Senior Director and Artistic Adviser. Geffen provides
14688-685: The San Francisco Bay Area like John Adams, Lou Harrison, Margaret Jenkins, Paul Dresher, Kronos Quartet, Joe Goode, Kaila Flexer, Jon Jang, and Sarah Cahill. Cal Performances is also instrumental in facilitating the touring of large ensembles from abroad, and has hosted such companies as the Grand Kabuki Theater of Japan, the Bolshoi and Kirov Ballet companies, Lyon Opera Ballet and Orchestra, the Kirov Orchestra,
14892-464: The Stern Auditorium's parquet level. The excavations descended up to 22 feet (6.7 m) below the original space's floor and came as close as 9 feet (2.7 m) to the adjacent subway tunnel. This also required the removal of twelve cast-iron columns holding up the Main Hall. In its place, a temporary framework of steel pipe columns, supporting I-beam girders and thick Neoprene insulation pads,
15096-574: The Theatre’s large seating area (of about 6,500) made it economically feasible to invite big-name artists of national and international standing such as Bernhardt. Major stars of the time such as Margaret Anglin and Maude Adams brought notoriety to the campus through the Hearst Greek Theatre, in conjunction; the theatre also burnished their reputations as well. Soon after the Greek Theatre opened, University faculty and administration realized
15300-531: The Tuileries Palace for Napoleon III and his court. Afterwards, the emperor sent her a brooch with his initials written in diamonds. In her memoirs, she wrote of her time at the Odéon: "It was the theatre that I loved the most, and that I only left with regret. We all loved each other. Everyone was gay. The theatre was a like a continuation of school. All the young came there...I remember my few months at
15504-548: The UC Berkeley campus, and First Congregational Church of Berkeley —and in site-specific locations and other spaces. The performances range among Modern and Classical Dance, Theater, Instrumental and Vocal Recital, Early Music, Opera, Chamber Music, Jazz, New Music, World Music, Dance & Theater, and a speaking series. Cal Performances serves some 150,000 patrons annually through performances and arts education, residency and community programs. The mission of Cal Performances
15708-615: The William Randolph Hearst Greek Theater to help rebuild public morale after the devastating San Francisco earthquake and fire in April of that year. Over the subsequent century, Cal Performances grew to become the largest, multi-discipline performing arts presenter in Northern California, and one of the largest university-based arts presenters in the United States. The San Francisco earthquake and fire of April 18, 1906 proved momentous to
15912-521: The actress she had once slapped. However, she was frequently in conflict with Perrin, the director of the theatre. In 1878, during the Paris Universal Exposition , she took a flight over Paris with balloonist Pierre Giffard and painter Georges Clairin , in a balloon decorated with the name of her current character, Doña Sol . An unexpected storm carried the balloon far outside of Paris to a small town. When she returned by train to
16116-499: The affair "her abiding wound", but she never discussed Maurice's parentage with anyone. When asked who his father was, she sometimes answered, "I could never make up my mind whether his father was Gambetta , Victor Hugo , or General Boulanger ." Many years later, in January 1885, when Bernhardt was famous, the Prince allegedly came to Paris and offered to formally recognise Maurice as his son, but Maurice politely declined, explaining he
16320-524: The age of 10, with the sponsorship of Morny, Bernhardt was admitted to Grandchamp, an exclusive Augustine convent school near Versailles . At the convent, she performed the part of the Archangel Raphael in a story based on the Book of Tobit . She declared her intention to become a nun but did not always follow convent rules; she was accused of sacrilege when she arranged a Christian burial, with
16524-490: The arcade at the center of the Seventh Avenue facade has four arches instead of five. The sixth floor, at the center of the 57th Street facade, contains five square openings, each with a pair of round-arched windows. On either side of these five openings, there are round-arched windows, arranged as in a shallow loggia . There are four arched windows on the eastern portion of the sixth floor, as well as two arches on
16728-421: The audience and lasted only 12 performances. She had considerably more success with Jeanne d'Arc by the poet Jules Barbier , in which the 45-year-old actress played Joan of Arc , a 19-year-old martyr. Barbier had previously written the librettos for some of the more famous French operas of the period, including Faust by Charles Gounod and The Tales of Hoffmann by Jacques Offenbach . Her next success
16932-440: The audience directly: "Friends, you wish to defend the cause of justice. Are you doing it by making Monsieur Dumas responsible for the banishment of Monsieur Hugo?". With this the audience laughed and applauded and fell silent. At the final curtain, she received an enormous ovation, and Dumas hurried backstage to congratulate her. When she exited the theatre, a crowd had gathered at the stage door and tossed flowers at her. Her salary
17136-458: The audience, Sir George Arthur, wrote that "she set every nerve and fibre in their bodies throbbing and held them spellbound." In addition to her performances of Zaïre , Phèdre , Hernani , and other plays with her troupe, she gave the private recitals in the homes of British aristocrats arranged by Jarrett, who also arranged an exhibition of her sculptures and paintings in Piccadilly , which
17340-589: The audience, and she received a thunderous ovation. She thanked the audience with her distinctive curtain call; she did not bow, but stood perfectly still, with her hands clasped under her chin, or with her palms on her cheeks, and then suddenly stretched them out to the audience. After her first performance in New York, she made 27 curtain calls. Although she was welcomed by theatre-goers, she was entirely ignored by New York high society, who considered her personal life scandalous. Bernhardt's first American tour carried her to 157 performances in 51 cities. She travelled on
17544-511: The auditorium's acoustical qualities, saying "each note was heard". The Music Hall had cost $ 1.25 million to construct and was the second major performance hall in New York City, after the Metropolitan Opera House . Almost from the outset, scalpers resold tickets to the Music Hall's shows at greatly inflated prices, and ushers began selling off tickets to unoccupied seats at the start of each concert. For an inflated fee,
17748-454: The backstage entrance from 56th Street led directly to a small landing just below the stage, while the dressing room was above the stage. During a 1980s renovation, a stage wing, orchestra room, and dressing rooms were added and the access to the stage was reconfigured. Zankel Hall, on the Seventh Avenue side of the building, is named after Judy and Arthur Zankel, who funded a renovation of the venue. Originally called simply Recital Hall, this
17952-506: The barrel vault were lunettes. The walls were painted salmon and had pairs of gray-marble pilasters supporting an entablature. The cross-arches had decorated cream-colored tympana . The lobby was originally several feet above street level, but it was lowered to street level in the 1980s. The rebuilt lobby contains geometric decorations evocative by the work of Charles Rennie Mackintosh , as well as Corinthian -style capitals with lighting fixtures. The design also includes ticket windows on
18156-468: The basement recital hall for the next fifty-four years. Also during the mid-1890s, the Music Hall was renamed Carnegie Hall for its main benefactor. According to Carnegie Hall archivist Gino Francesconi, the renaming occurred "so that it shouldn't be confused by European artists with a vulgar music hall". During the early 20th century, Carnegie Hall accommodated many recitals and concerts because of its acoustic qualities. Carnegie Hall officials renovated
18360-640: The building in 1920, replacing its porte-cochère , overhauling the Philharmonic Society's office, and removing staircases for about $ 70,000. By late 1924, the Carnegie Foundation was considering selling the hall to a private developer because of increasing financial deficits, which amounted to $ 15,000 a year. At the time, the site was valued at $ 2.5 million, and another performance venue in midtown, Aeolian Hall , had been sold for redevelopment. In February 1925, Carnegie's widow sold
18564-498: The building itself in July 1958. Meanwhile, soon after the sale, Simon started planning how to preserve the hall, and approached some of its resident artists-in-residence for help. Violinist Isaac Stern enlisted his friends Jacob M. and Alice Kaplan, as well as J. M. Kaplan Fund administrator Raymond S. Rubinow, for assistance in saving the hall. In 1959, two hundred residents of Carnegie Hall's studios were asked if they wanted to buy
18768-551: The building was slated to be replaced by a 44-story skyscraper designed by Pomerance and Breines. The replacement tower would have had a red facade and would have been constructed on stilts, with art exhibits and other cultural facilities at the base. However, Glickman was unable to come up with the $ 22 million that the construction budget for the skyscraper called for. This, combined with delays in Lincoln Center's construction, prompted Glickman to decline an option to buy
18972-401: The building was then projected to be $ 1.1 million, including the land. By July 1889, Carnegie's company had acquired additional land, with frontage of 175 feet (53 m) on 57th Street. The architectural drawings were nearly completed and excavations for the music hall had been completed. The Henry Elias Brewery owned the corner of Seventh Avenue and 56th Street and originally would not sell
19176-457: The building. Stern, the Kaplans, and Rubinow ultimately decided that the best move would be for the city government to become involved. The move gained support from mayor Robert F. Wagner Jr. , who created a taskforce to save Carnegie Hall in early 1960, but Simon and his co-owners still filed eviction notices against some studio tenants. The same year, special legislation was passed allowing
19380-520: The cast. She would receive 5,000 francs per performance, 15% of any earnings over 15,000 francs, plus all of her expenses, and an account in her name for 100,000 francs, the amount she owed to the Comédie Française. She accepted immediately. Now on her own, Bernhardt first assembled and tried her new troupe at the Théâtre de la Gaîté-Lyrique in Paris. She performed for the first time La Dame aux Camélias , by Alexandre Dumas fils . She did not create
19584-537: The center of Paris. Her mother began to visit her for the first time in years, and her grandmother, a strict Orthodox Jew, moved into the apartment to take care of Maurice. Bernhardt added a maid and a cook to her household, as well as the beginning of a collection of animals; she had one or two dogs with her at all times, and two turtles moved freely around the apartment. In 1868, a fire completely destroyed her apartment, along with all of her belongings. She had neglected to purchase insurance. The brooch presented to her by
19788-486: The chief administrator of the Théâtre Français , who offered Bernhardt a place as a pensionnaire at the theater, at a minimum salary. Bernhardt made her debut with the company on 31 August 1862 in the title role of Racine's Iphigénie . Her premiere was not a success. She experienced stage fright and rushed her lines. Some audience members made fun of her thin figure. When the performance ended, Provost
19992-449: The city government to buy the site from Simon for $ 5 million, and Simon used the money to establish Reston, Virginia . The city leased the hall to the Carnegie Hall Corporation, a nonprofit organization formed to run the venue. For 15 years, the Carnegie Hall Corporation paid the New York City government $ 183,600 in cash, Afterward, the corporation started paying the city through benefit concerts and outreach programs. Carnegie Hall
20196-458: The city, Perrin was furious; he fined Bernhardt a thousand francs, citing a theatre rule which required actors to request permission before they left Paris. Bernhardt refused to pay, and threatened to resign from the Comédie. Perrin recognised that he could not afford to let her go. Perrin and the Minister of Fine Arts arranged a compromise; she withdrew her resignation, and in return was raised to
20400-526: The coal supply of the city ran out, Bernhardt used old scenery, benches, and stage props for fuel to heat the theater. In early January 1871, after 16 weeks of the siege, the Germans began to bombard the city with long-range cannons. The patients had to be moved to the cellar, and before long, the hospital was forced to close. Bernhardt arranged for serious cases to be transferred to another military hospital, and she rented an apartment on rue de Provence to house
20604-430: The common practice of hiring claqueurs in the audience to applaud stars. She used the new technology of lithography to produce vivid color posters, and in 1894, she hired Czech artist Alphonse Mucha to design the first of a series of posters for her play Gismonda . He continued to make posters of her for six years. In five years, Bernhardt produced nine plays, three of which were financially successful. The first
20808-407: The company on tour to London. Shortly before the tour began, a British theatre impresario named Edward Jarrett traveled to Paris and proposed that she give private performances in the homes of wealthy Londoners; the fee she would receive for each performance was greater than her monthly salary with the Comédie. When Perrin read in the press about the private performances, he was furious. Furthermore,
21012-477: The complex are the 599-seat Zankel Hall on Seventh Avenue, as well as the 268-seat Joan and Sanford I. Weill Recital Hall on 57th Street. Besides the auditoriums, Carnegie Hall contains offices on its top stories. Carnegie Hall, originally the Music Hall, was constructed between 1889 and 1891 as a venue shared by the Oratorio Society of New York and the New York Symphony Society . The hall was owned by
21216-426: The court and the other guests. Her next role at the Gymnase, as a foolish Russian princess, was entirely unsuited for her; her mother told her that her performance was "ridiculous". She decided abruptly to quit the theater to travel, and like her mother, to take on lovers. She went briefly to Spain, then, at the suggestion of Alexandre Dumas, to Belgium. She carried to Brussels letters of introduction from Dumas, and
21420-410: The debt until 1900. Later, however, when the Comédie Française theatre was nearly destroyed by fire, she allowed her old troupe to use her own theatre. In April 1880, as soon as he learned Bernhardt had resigned from the Comédie Française, the impresario Edward Jarrett hurried to Paris and proposed that she make a theatrical tour of England and then the United States. She could select her repertoire and
21624-442: The deficits had also risen accordingly. Carnegie Hall's equipment included a rundown air-conditioning system that did not work in the summer. In 1977, the Carnegie Hall Corporation decided to stop allowing new residents for its upper-story studios; existing residents were allowed to continue living there. The studios were instead offered mainly to commercial tenants, who could afford to pay higher rents. This prompted protests from
21828-547: The demolition of Carnegie Hall. Meanwhile, the Academy of Dramatic Arts had moved out of the basement recital hall in 1954. The Academy's former space was rented for the time being to other tenants. Simon sold the entire stock of Carnegie Hall, Inc., the venue's legal owner, to a commercial developer, the Glickman Corporation, in July 1956 for $ 5 million. With the Philharmonic ready to move to Lincoln Center,
22032-484: The doorkeeper retired 20 years later, she bought a cottage for him in Normandy. At a ceremony honoring the birthday of Molière on 15 January 1863, Bernhardt invited her younger sister, Regina, to accompany her. Regina accidentally stood on the train of the gown of a leading actress of the company, Zaïre-Nathalie Martel (1816–1885), known as Madame Nathalie. Madame Nathalie pushed Regina off the gown, causing her to strike
22236-467: The drawing-room comedy Frou-frou by Meilhac-Halévy, both of which were highly successful on the London stage. In six of the eight plays in her repertoire, she died dramatically in the final act. When she returned to Paris from London, the Comédie Française asked her to come back, but she refused their offer, explaining that she was making far more money on her own. Instead, she took her new company and new plays on tour to Brussels and Copenhagen, and then on
22440-408: The emperor and her pearls melted, as did the tiara presented by one of her lovers, Khalid Bey. She found the diamonds in the ashes, and the managers of the Odéon organised a benefit performance. The most famous soprano of the time, Adelina Patti , performed for free. In addition, the grandmother of her father donated 120,000 francs. Bernhardt was able to buy an even larger residence, with two salons and
22644-554: The end of her career. Besides Guitry, she shared the stage with Édouard de Max , her leading man in 20 productions, and Constant Coquelin , who frequently toured with her. Carnegie Hall Carnegie Hall ( / ˈ k ɑːr n ɪ ɡ i / KAR -nig-ee ) is a concert venue in Midtown Manhattan , New York City. It is at 881 Seventh Avenue , occupying the east side of Seventh Avenue between 56th and 57th Streets . Designed by architect William Burnet Tuthill and built by industrialist and philanthropist Andrew Carnegie , it
22848-425: The existing tenants. In 1979, the board of Carnegie Hall Corporation hired James Stewart Polshek and his firm, Polshek Partnership , to create a master plan for Carnegie Hall's renovation and expansion. Polshek found that Carnegie Hall's electrical systems, exits, fire alarms, and other systems were not up to modern building codes. The next year, the Carnegie Hall Corporation and the New York City government signed
23052-433: The hall closed completely for a seven-month renovation. The hall's plaster decorations were restored, although the carpeting and seats were replaced. That November, Carnegie Hall announced it would rename the recital hall after Joan and Sanford I. Weill, who not only were major donors to the renovation but also enlisted other donors to fund the project. The Weill family had donated $ 2.5 million, more than any other donor in
23256-513: The hall from demolition in the 1960s. The main auditorium was originally planned to fit 3,300 guests, including two tiers of boxes, two balconies, and a parquet seating 1,200. The main hall accommodated the performances of the New York Philharmonic from 1892 to 1962, when the Philharmonic moved to Lincoln Center . Its entrance is through the Box Office Lobby on 57th Street near Seventh Avenue. When planned in 1889, this entrance
23460-440: The hall to a real estate developer, Robert E. Simon. The sale agreement included a clause requiring that either Carnegie Hall would continue to operate as a performance venue for at least the next five years, or another performance venue would be erected on the site. Simon said the hall would continue to operate for as long as it was profitable, and he wished to restore the basement recital hall as well. Under Simon's ownership,
23664-676: The hall's history. The main hall (including the Stern Auditorium) was reopened on December 15, 1986, with a gala featuring Zubin Mehta , Frank Sinatra , Vladimir Horowitz , and the New York Philharmonic. The Kaplan Rehearsal Space was also created in 1986, and the Weill Recital Hall opened in January 1987. A month after the main hall reopened, New York Times music critic Bernard Holland criticized its acoustics, saying: "The acoustics of this magnificent space are not
23868-466: The hand of Cleopatra." Bernhardt's violent portrayal of Cleopatra led to the theatrical story of a matron in the audience exclaiming to her companion "How unlike, how very unlike, the home life of our own dear Queen!" Bernhardt made a two-year world tour (1891–1893) to replenish her finances. Upon returning to Paris, she paid 700,000 francs for the Théâtre de la Renaissance , and from 1893 until 1899,
24072-581: The historical empress died of cancer. Bernhardt travelled to Ravenna, Italy, to study and sketch the costumes seen in Byzantine mosaic murals, and had them reproduced for her own costumes. The play opened on 26 December 1884 and ran for 300 performances in Paris and 100 in London, and it was a financial success. She was able to pay off most of her debts, and bought a lion cub, which she named Justinian, for her home menagerie. She also renewed her love affair with her former lead actor, Philippe Garnier. Theodora
24276-466: The land, as its proprietor believed the site had a good water source. Plans for the Music Hall were filed in November 1889. Carnegie's wife Louise laid the cornerstone for the Music Hall on May 13, 1890. Andrew Carnegie said at the time that the venue was to not only be "a shrine of the goddess of music" but also a gathering hall. Isaac A. Hopper and Company was the contractor in charge of building
24480-401: The latter's renovation. Carnegie Hall began to deteriorate due to neglect, and the corporation faced fiscal deficits. By the mid-1970s, the venue suffered from burst pipes and falling sections of the ceiling, and there were large holes in the balconies that patrons could put their feet through. At the same time, operating costs had increased from $ 3.5 million in 1977 to $ 10.3 million in 1984, and
24684-573: The leading actresses. She almost immediately caused another offstage scandal, when she was invited to recite poetry at a reception at the Tuileries Palace hosted by Napoleon III and the Empress Eugenie , along with other actors of the Gymnase. She chose to recite two romantic poems by Victor Hugo , unaware that Hugo was a bitter critic of the emperor. Following the first poem, the emperor and empress rose and walked out, followed by
24888-512: The lines and practice the part, she played the lead in Racine's Phèdre , playing opposite the celebrated tragedian, Jean Mounet-Sully , who soon became her lover. The leading French critic Sarcey wrote "This is nature itself served by marvelous intelligence, by a soul of fire, by the most melodious voice that ever enchanted human ears. This woman plays with her heart, with her entrails." Phèdre became her most famous classical role, performed over
25092-483: The lobby in the 1940s. The storefronts, as well as a restaurant at the corner of 57th Street and Seventh Avenue, were removed in a 1980s renovation. Originally, there was a 150-seat dining room on the ground level below the Chamber Music Hall. Above the dining room, but below the venue itself, were parlors, cloak rooms, and restrooms. Above the Chamber Music Hall was a large chapter-room, a meeting room,
25296-786: The magnitude of the stage can be scaled back to suit chamber or recital music programs. Zellerbach has become Cal Performances’ main venue for presenting various genres of the performing arts as well as lecture events, and is one of the most well-appointed theaters in the United States. Traditional and non-traditional artists regularly appear on or near the UC Berkeley campus in the theaters and concert halls managed by Cal Performances, including Mikhail Baryshnikov, Wynton Marsalis, Cecilia Bartoli, Bryn Terfel, Mark Morris, Yo-Yo Ma, Philip Glass, Alvin Ailey American Dance Theater, Merce Cunningham, Pina Bausch, Bill T. Jones, Peter Sellars, and Robert Lepage; as well as artists based in
25500-423: The name was changed to Carnegie Recital Hall in the late 1940s. The venue was renamed after Joan and Sanford I. Weill in 1986, reopening in January 1987. The recital hall is served by its own lobby, which contains a pale color palette with red geometric metalwork. Prior to a 1980s renovation, it shared a lobby with the main auditorium. The Weill Recital Hall is the smallest of the three performance spaces, with
25704-511: The need for a smaller stage suited to productions requiring an intimate setting. In 1917, the campus gained a 1,050-seat (now reduced to 700) auditorium with the opening of Wheeler Hall, in the heart of the university campus. Wheeler Hall’s auditorium immediately became a vital performance venue overseen by the Musical and Dramatic Committee, where it was possible to increase the variety of chamber music and recital programs offered, as well as drama, lectures and other entertainments. Though members of
25908-706: The net profit. She also announced that she would not be available to begin until 1882. She departed on a tour of theatres in the French provinces and then to Italy, Greece, Hungary, Switzerland, Belgium, Holland, Spain, Austria, and Russia. In Kyiv and Odessa , she encountered anti-Semitic crowds who threw stones at her; pogroms were being conducted, forcing the Jewish population to leave. However, in Moscow and St. Petersburg, she performed before Czar Alexander III , who broke court protocol and bowed to her. During her tour, she gave performances for King Alfonso XII of Spain, and
26112-619: The new chief executive of the French Republic, Adolphe Thiers , and obtained a pass to go to Germany to return them. When she returned to Paris several weeks later, the city was under the rule of the Paris Commune . She moved again, taking her family to Saint-Germain-en-Laye . She later returned to her apartment on the rue de Rome in May, after the Commune was defeated by the French Army. The Tuileries Palace , city hall of Paris, and many other public buildings had been burned by
26316-457: The old warrior, and, at a certain moment when the public, touched and enchanted by you, applauded, I wept. The tear which you caused me to shed is yours. I place it at your feet." The note was accompanied by a tear-shaped pearl on a gold bracelet. She maintained a highly theatrical lifestyle in her house on the rue de Rome. She kept a satin-lined coffin in her bedroom, and occasionally slept in it or lay in it to study her roles, though, contrary to
26520-546: The opening night, between two traditional French comedies, Le Misanthrope and Les Précieuses . On 4 June 1879, just before the opening curtain of her premiere in Phèdre, she suffered an attack of stage fright. She wrote later that she also pitched her voice too high, and was unable to lower it. Nonetheless, the performance was a triumph. Though a majority of the audience could not understand Racine's classical French, she captivated them with her voice and gestures; one member of
26724-467: The organ was delayed several times, as opponents feared that the changes would damage the hall's acoustics. Meanwhile, Carnegie Hall was profitable by the late 1960s, having consistently hosted about 350 shows a year during that decade. Carnegie Hall became a more popular destination in the 1960s and 1970s, in part because of complaints over acoustics in the new Philharmonic Hall. The deficiencies with Carnegie Hall's facilities became more prominent after
26928-399: The original building's mansard roof would become a flat roof, and the seventh story would be converted into a full story. The Philharmonic Society moved into the Music Hall in November 1892, drawing further crowds. The studios atop the building were constructed shortly afterward, from 1894 to 1896. The American Academy of Dramatic Arts moved into the basement recital hall in 1896, leasing
27132-422: The overall artistic vision and executive leadership for Cal Performances. This encompasses initiating and commissioning new artistic and educational ventures, and supporting the educational and research mission of the university through the performing arts program. Sarah Bernhardt Sarah Bernhardt ( French: [saʁa bɛʁnɑʁt] ; born Henriette-Rosine Bernard ; 22 October 1844 – 26 March 1923)
27336-499: The part of a young woman and a young boy, Zacharie, the first of many male parts she played in her career. The influential critic Sarcey wrote "she charmed her audience like a little Orpheus." Her breakthrough performance was in the 1868 revival of Kean by Alexandre Dumas, in which she played the female lead part of Anna Danby. The play was interrupted in the beginning by disturbances in the audience by young spectators who called out, "Down with Dumas! Give us Hugo!". Bernhardt addressed
27540-464: The parterre level and 48 seats in four boxes on the mezzanine level. The boxes on the parterre level are raised above the level of the stage. Zankel Hall is wheelchair-accessible. Its stage is 44 feet (13 m) wide and 25 feet (7.6 m) deep. Due to the limited space available on the land lot, the construction of Zankel Hall required excavating 8,000 cubic feet (230 m ) of additional basement space, at some points only 10 feet (3.0 m) under
27744-525: The parts assigned for her performance were classical and required carefully stylised emotions, but she preferred romanticism and fully and naturally expressing her emotions. The teachers ranked her 14th in tragedy and second in comedy. Once again, Morny came to her rescue. He put in a good word for her with the National Minister of the Arts, Camille Doucet . Doucet recommended her to Edouard Thierry,
27948-467: The performance, Tuthill looked at the crowds on the auditorium's top tiers and reportedly left the hall to consult his drawings. He was uncertain that the supporting columns would withstand the weight of the crowd in attendance, but the dimensions turned out to be sufficient to support the weight of the crowd. Tchaikovsky considered the auditorium "unusually impressive and grand" when "illuminated and filled with an audience". The New York Herald praised
28152-633: The performance. Many years later, she gave a private performance of the play for the queen while she was on holiday in Nice. When she returned to Paris, Bernhardt contrived to make a surprise performance at the annual 14 July patriotic spectacle at the Paris Opera, which was attended by the President of France, and a houseful of dignitaries and celebrities. She recited the Marseillaise , dressed in
28356-530: The play Clothilde , where she held the Queen of the Fairies role and performed her first of many dramatic death scenes. While in the boarding school, her mother rose to the top of Parisian courtesans, consorting with politicians, bankers, generals, and writers. Her patrons and friends included Charles de Morny, Duke of Morny , the half-brother of Emperor Napoleon III and President of the French legislature. At
28560-601: The play was unsuccessful. Bernhardt had built up large expenses, which included a 10,000 francs a month allowance paid to her son Maurice, a passionate gambler. Bernhardt was forced to sell her chalet in Sainte-Addresse and her mansion on rue Fortuny, and part of her collection of animals. Her impresario, Edouard Jarrett, immediately proposed she make another world tour, this time to Brazil, Argentina , Uruguay , Chile, Peru , Panama , Cuba , and Mexico, then on to Texas , New York City, England, Ireland, and Scotland. She
28764-424: The popular stories, she never took it with her on her travels. She cared for her younger sister who was ill with tuberculosis, and allowed her to sleep in her own bed while she slept in the coffin. She posed in it for photographs, adding to the legends she created about herself. Bernhardt repaired her old relationships with the other members of the Comédie Française; she participated in a benefit for Madame Nathalie,
28968-444: The pose and the princess of the gesture", and Hugo praised her "golden voice". She made several theatrical tours worldwide and was one of the early prominent actresses to make sound recordings and act in motion pictures. She is also linked with the success of artist Alphonse Mucha , whose work she helped to publicize. Mucha became one of the more sought-after artists of this period for his Art Nouveau style. Henriette-Rosine Bernard
29172-450: The proposed renovation in July 1985. Renovation work began afterward. The project was complicated by the need to schedule construction around performances, the lack of a freight elevator, and the requirement that materials be replaced with close or exact replacements. In April 1986, Carnegie officials announced their intent to sublease the vacant lot to Rockrose Development for the construction of Carnegie Hall Tower. The following month,
29376-529: The remaining 20 patients. By the end of the siege, Bernhardt's hospital had cared for more than 150 wounded soldiers, including a young undergraduate from the École Polytechnique, Ferdinand Foch , who later commanded the Allied armies in the First World War . The French government signed an armistice on 19 January 1871, and Bernhardt learned that her son and family had been moved to Hamburg. She went to
29580-472: The rest of Carnegie Hall until 1997, when the hall's management closed the cinema, along with two shops on Seventh Avenue. In late 1998, Carnegie Hall announced that it would turn the basement recital hall into another performance venue, designed by Polshek Associates. The project was to cost $ 50 million; the high cost was attributed to the fact that the work would require excavations under the basement while concerts and other events were ongoing. In recognition of
29784-471: The rise of this arts institution in Berkeley. Sarah Bernhardt’s landmark performance in Racine’s Phèdre on May 17, 1906, was a testament to the restorative powers of the performing arts for the thousands of citizens who had been impacted by the earthquake, and the atmosphere of expectancy surrounding the appearance of “The Divine Sarah” was rewarded by her decision to donate the proceeds of her performance to
29988-431: The role unless she apologised. Because neither yielded, and Madame Nathalie was a senior member of the company, Thierry was forced to ask Bernhardt to leave. Her family could not understand her departure from the theater; it was inconceivable to them that anyone would walk away from the most prestigious theatre in Paris at age 18. Instead, she went to a popular theatre, the Gymnase, where she became an understudy to two of
30192-588: The role; the play had first been performed by Eugénie Dochein in 1852, but it quickly became her most performed and most famous role. She played the role more than a thousand times, and acted regularly and successfully in it until the end of her life. Audiences were often in tears during her famous death scene at the end. She could not perform La Dame aux Camélias on a London stage because of British censorship laws; instead, she put on four of her proven successes, including Hernani and Phèdre , plus four new roles, including Adrienne Lecouvreur by Eugène Scribe and
30396-549: The same year. Though the East and Club rooms were in Carnegie Hall Tower, they were connected to the original Carnegie Hall. This represented the first new space added to Carnegie Hall since the studios were added in the late 1890s. At the parquet level, Cafe Carnegie was also renovated. The stage of the main hall had begun to warp by the early 1990s, and officials disassembled the stage in 1995, where they discovered
30600-429: The same." The Weill Recital Hall also received complaints about its acoustics, prompting Carnegie Hall officials to test out noise-absorbing panels in that space. Several noise-absorbing panels were installed in the main hall in 1988, but complaints continued for several years. Critics alleged there was concrete underneath the stage, but Carnegie Hall officials denied the allegations. Isaac Stern offered to disassemble
30804-413: The second tier was partially enclosed, with open boxes on either end. The third tier above the parquet is the Dress Circle, seating 444 in six rows; the first two rows form an almost-complete semicircle. The fourth and the highest tier, the balcony, seats 837. Although seats with obstructed views exist throughout the auditorium, only the Dress Circle level has structural columns. An elliptic arch rises from
31008-515: The sexless grace of the voices of choirboys, or the not quite real pathos of Pierrot ." Anatole France wrote of her performance in Lorenzaccio : "She formed out of her own self a young man melancholic, full of poetry and of truth." This was followed by another successful melodrama by Sardou, Gismonda , one of Bernhardt's few plays not finishing with a dramatic death scene. Her co-star was Lucien Guitry , who also acted as her leading man until
31212-416: The south wall of the lobby. Past that, stairs on either side lead to the auditorium's parquet level; previously, stairs continued straight from the lobby to the parquet level. All but the top level can be reached by elevator; the top balcony is 137 steps above parquet level. The lowest level is the parquet level, which has twenty-five full rows of thirty-eight seats and four partial rows at stage level, for
31416-403: The southeast corner of Seventh Avenue and 57th Street. William Tuthill had been hired to design a "great music hall" on the site. The Music Hall, as it was called, would be a five-story brick and limestone building, containing a 3,000-seat main hall with and several smaller rooms for rehearsals, lectures, concerts, and art exhibitions. The New York Times said "The location for the music hall
31620-454: The spaces as a source of income to support the hall and its activities. After 1999, the space was re-purposed for music education and corporate offices. In 2007, the Carnegie Hall Corporation announced plans to evict the 33 remaining studio residents, including celebrity portrait photographer Editta Sherman and fashion photographer Bill Cunningham . The last resident, poet Elizabeth Sargent, moved out during 2010. The building also contains
31824-671: The stage on the condition that the critics pay for the repairs if no concrete was found. Polshek Partners won the American Institute of Architects ' Honor Award in 1988 for its renovation of the hall. During the late 1980s, Carnegie Hall had begun collecting items for the opening of a museum in the under-construction Carnegie Hall Tower. The Rose Museum was founded in April 1991, with its own entrance at 154 West 57th Street. The East Room and Club Room (later renamed Rohatyn Room and Shorin Club Room, respectively ) were created
32028-410: The street and 175 feet (53 m) along the avenue. The 16-story eastern wing contains the Weill Recital Hall and is located along 57th Street. The 13-story southern wing, at Seventh Avenue and 56th Street, contains Zankel Hall. Except at the eighth floor, all three structures have floor levels at different heights. Carnegie Hall was designed from the outset with a facade of Roman brick. The facade
32232-542: The theatre of Porte Saint-Martin and starred in Nana-Sahib , a new play by Richepin, a costume drama about love in British India in 1857. The play and Richepin's acting were poor, and it quickly closed. Richepin then wrote an adaptation of Macbeth in French, with Bernhardt as Lady Macbeth , but it was also a failure. The only person who praised the play was Oscar Wilde , who was then living in Paris. He wrote
32436-410: The theatre, arrived in Paris, and moved into the apartment with Bernhardt. After a month, he returned to Brussels and told his family that he wanted to marry the actress. The family of the Prince sent his uncle, General de Ligne, to break up the romance, threatening to disinherit him if he married Bernhardt. According to other accounts, the Prince denied any responsibility for the child. She later called
32640-423: The time. A new structure designed by César Pelli , later to become the Carnegie Hall Tower , was planned for the lot immediately east of Carnegie Hall. Further upgrades, which required the main and recital halls' closure, included upgrades to both halls, the lobby, the facade, backstage areas, and offices. The lobby was lowered to street level and doubled in size. The Landmarks Preservation Commission approved
32844-540: The tour, she brought back a trunk filled with 3,500,000 francs, but she also suffered a painful injury to her knee when she leaped off the parapet of the Castello Sant' Angelo in La Tosca . The mattress on which she was supposed to land was misplaced, and she landed on the boards. When Bernhardt returned from her 1886–87 tour, she received a new invitation to return to the Comédie Française. The theatre management
33048-472: The ushers allowed latecomers to sit down during the middle of a show, to the consternation of existing ticket holders. In May 1892, the stockholders of the Music Hall Company of New York discussed expanding the Music Hall into the site of a brewery at Seventh Avenue and 56th Street, which they had purchased about three months previously. The Music Hall Company also discussed enlarging the main auditorium's stage so it could accommodate operas. By September 1892,
33252-410: The west portion, which flank a blind arch. A frieze and cornice run above this floor. The seventh floor was originally a mansard roof. As part of an 1890s alteration, the mansard was replaced with a vertical wall resembling a continuous arcade. The seventh floor is topped by balustrades with decorated columns. The flat roof was converted into a roof garden with kitchen and service rooms. Carnegie Hall
33456-462: The words "Music Hall Founded by Andrew Carnegie", runs across the loggia at the springing of the arches. The center three arches lead directly to the Stern Auditorium's lobby, while the two outer arches lead to staircases to upper floors. On either side of the main entrance are smaller doorways (one on the west and two on the east), topped by blank panels at the mezzanine. There are five similar doorways on Seventh Avenue. The original backstage entrance
33660-482: The years around the world, often for audiences who knew little or no French; she made them understand by her voice and gestures. In 1877, she had another success as Doña Sol in Hernani , a tragedy written 47 years earlier by Victor Hugo. Her lover in the play was her lover off-stage, as well, Mounet-Sully. Hugo was in the audience. The next day, he sent her a note: "Madame, you were great and charming; you moved me, me
33864-593: The younger Damrosch was introduced to the businessman Andrew Carnegie , who served on the board of not only the Oratorio Society but also the New York Symphony. Carnegie was originally uninterested in funding a music hall in Manhattan, but he agreed to give $ 2 million after discussions with Damrosch. According to architectural writer Robert A. M. Stern , the Music Hall was "unique in that it
34068-410: Was a French stage actress who starred in some of the most popular French plays of the late 19th and early 20th centuries, including La Dame aux Camélias by Alexandre Dumas fils , Ruy Blas by Victor Hugo , Fédora and La Tosca by Victorien Sardou , and L'Aiglon by Edmond Rostand . She played female and male roles, including Shakespeare's Hamlet . Rostand called her "the queen of
34272-439: Was a failure. She wrote immediately to Perrin "You forced me to play when I was not ready...what I foresaw came to pass...this is my first failure at the Comédie and my last." She sent a resignation letter to Perrin, made copies, and sent them to the major newspapers. Perrin sued her for breach of contract; the court ordered her to pay 100,000 francs plus interest, and she lost her accrued pension of 43,000 francs. She did not settle
34476-424: Was a revival of her performance as Phédre, which she took on tour around the world. In 1898, she had another success, in the play Lorenzaccio , playing the male lead role in a Renaissance revenge drama written in 1834 by Alfred de Musset , but never before actually staged. As her biographer Cornelia Otis Skinner wrote, she did not try to be overly masculine when she performed male roles: "Her male impersonations had
34680-567: Was admitted to the highest levels of society. According to some later accounts, she attended a masked ball in Brussels where she met the Belgian aristocrat Henri, Hereditary Prince de Ligne , and had an affair with him. Other accounts say that they met in Paris, where the Prince came often to attend the theater. The affair was cut short when she learned that her mother had had a heart attack. She returned to Paris, where she found that her mother
34884-449: Was also extended to the corner of Seventh Avenue and 56th Street, where a 13-story addition was designed in a similar style as the original building. The top of this addition contains a main dome, as well as smaller domes at its four corners. The Stern Auditorium is six stories high with 2,804 seats on five levels. Originally known as the main auditorium, it was renamed after violinist Isaac Stern in 1997 to recognize his efforts to save
35088-550: Was another critical and popular success for Bernhardt. The critic Sarcey wrote "She has the sovereign grace, the penetrating charm, the I don't know what. She is a natural artist, an incomparable artist." The directors of the Odéon next decided to stage Ruy Blas , a play written by Victor Hugo in 1838, with Bernhardt playing the role of the Queen of Spain. Hugo attended all the rehearsals. At first, Bernhardt pretended to be indifferent to him, but he gradually won her over and she became
35292-450: Was another melodrama by Sardou and Moreau , Cleopatra , which allowed her to wear elaborate costumes and finished with a memorable death scene . For this scene, she kept two live garter snakes , which played the role of the poisonous asp which bites Cleopatra . For realism, she painted the palms of her hands red, though they could hardly be seen from the audience. "I shall see them," she explained. "If I catch sight of my hand, it will be
35496-482: Was around this time that tickets for the official opening of the Music Hall were being sold. The oratorio hall in the basement opened on April 1, 1891, with a performance by Franz Rummel . The Music Hall officially opened on May 5, 1891, with a rendition of the Old 100th hymn, a speech by Episcopal bishop Henry C. Potter , and a concert conducted by Walter Damrosch and Russian composer Pyotr Ilyich Tchaikovsky . During
35700-573: Was arranged with offices, studios, and private music rooms. The eighth floor of the main hall, which contained studios, was installed after the complex was completed. There were a total of 133 or 150 studios, many of which doubled as living quarters. Over the years, personalities such as Leonard Bernstein , Isadora Duncan , Martha Graham , and Norman Mailer lived in the studios. The spaces were designed for artistic work, with very high ceilings, skylights and large windows for natural light. Documents showed that Andrew Carnegie had always considered
35904-436: Was attended by both the Prince of Wales and Prime Minister Gladstone . While in London, she added to her personal menagerie of animals. In London, she purchased three dogs, a parrot, and a monkey, and made a side trip to Liverpool, where she purchased a cheetah, a parrot, and a wolfhound and received a gift of six chameleons, which she kept in her rented house on Chester Square, and then took back to Paris. Back in Paris, she
36108-433: Was better, but that she was pregnant from her affair with the Prince. She did not notify the Prince. Her mother did not want the fatherless child born under her roof, so she moved to a small apartment on rue Duphot, and on 22 December 1864, the 20-year-old actress gave birth to her only child, Maurice Bernhardt. Some accounts say that Prince Henri had not forgotten her. According to these versions, he learned her address from
36312-638: Was born at 5 rue de L'École-de-Médecine in the Latin Quarter of Paris on 22 October 1844. She was the daughter of Judith Bernard (also known as Julie and in France as Youle), a Dutch Jewish courtesan with a wealthy or upper-class clientele. The name of her father was not recorded for a long time, but he is known now to have been an attorney in Le Havre . Bernhardt later wrote that her father's family paid for her education, insisted she be baptized as
36516-534: Was decorated with a large amount of Renaissance details. Most of the exterior walls are covered in reddish brown brick, though decorative elements such as band courses , pilasters , and arches are made of architectural terracotta originally by the New York Architectural Terra-Cotta Company . As originally designed, the terracotta and brick were both brown, and the pitched roof was made of corrugated black tile, but this
36720-445: Was designated a National Historic Landmark in 1962. The landmark status was certified in 1964, and a National Historic Landmark plaque was placed on the building. The New York City Landmarks Preservation Commission also designated Carnegie Hall as a city landmark in September 1967. A minor renovation of Carnegie Hall's interior, as well as a steam-cleaning of the facade, took place in mid-1960. The basement recital hall became
36924-429: Was designed with a marble and mosaic vestibule measuring 25 feet (7.6 m) high and 70 feet (21 m) long. The entrance lobby is three stories high and had an organ loft at the top, which was converted into a lounge area by the mid-20th century. The lobby ceiling was designed as a barrel vault , containing soffits with heavy coffers and cross-arches, and was painted white with gold decorations. At either end of
37128-508: Was destined for the stage. After the performance, Dumas called her "my little star". Morny used his influence with the composer Daniel Auber , the head of the Paris Conservatory , to arrange for Bernhardt to audition. She began preparing, as she described it in her memoirs, "with that vivid exaggeration with which I embrace any new enterprise." Dumas coached her. The jury comprised Auber and five leading actors and actresses from
37332-494: Was entirely satisfied to be the son of Sarah Bernhardt. (While the story is in character for Maurice, note that the Prince died in 1871 when Maurice was 6.) To support herself after the birth of Maurice, Bernhardt played minor roles and understudies at the Porte Saint-Martin theatre, a popular melodrama theatre. In early 1866, she obtained a reading with Felix Duquesnel, director of the Théâtre de L'Odéon (Odéon) on
37536-500: Was extremely popular, and critically acclaimed. Bernhardt played the role for 29 consecutive sold-out performances. The success of the play allowed Bernhardt to buy a new pet lion for her household menagerie. She named him Scarpia, after the villain of La Tosca . The play inspired Giacomo Puccini to write one of his more famous operas, Tosca (1900). Following this success, she acted in several revivals and classics, and many French writers offered her new plays. In 1887, she acted in
37740-444: Was followed by two failures. In 1885, in homage to Victor Hugo, who had died a few months earlier, she staged one of his older plays, Marion de Lorme , written in 1831, but the play was outdated and her role did not give her a chance to show her talents. She next put on Hamlet , with her lover Philippe Garnier in the leading role and Bernhardt in the relatively minor role of Ophelia . The critics and audiences were not impressed, and
37944-447: Was forced to give up the Ambigu, and then, in February 1883, to sell her jewellery, her carriages, and her horses at an auction. When Damala left, she took on a new leading man and lover, the poet and playwright Jean Richepin , who accompanied her on a quick tour of European cities to help pay off her debts. She renewed her relationship with the Prince of Wales, the future King Edward VII . When they returned to Paris, Bernhardt leased
38148-475: Was free of commercial sponsorship and exclusively dedicated to musical performance". At the time, New York City's performance halls were mainly clustered around 14th Street , as well as around Union Square and Herald Square . The area around 57th Street was still mostly residential. In early March 1889, Morris Reno, director of the Oratorio and New York Symphony societies acquired nine lots on and around
38352-413: Was going to move to Brittany and start a farm. Chilly, who knew Bernhardt's moods well, told her that he understood and accepted her decision, and would give the role to Jane Essler, a rival actress. According to Chilly, Bernhardt immediately jumped up from the sofa and asked when the rehearsals would begin. Jean-Marie , about a young Breton woman forced by her father to marry an old man she did not love,
38556-552: Was her complete sincerity. Her thin figure also made her look ridiculous in the ornate costumes. Dumas, her strongest supporter, commented after one performance, "she has the head of a virgin and the body of a broomstick." Soon, however, with different plays and more experience, her performances improved; she was praised for her performance of Cordelia in King Lear . In June 1867, she played two roles in Athalie by Jean Racine;
38760-467: Was immediately raised to 250 francs a month. Her next success was her performance in François Coppée 's Le Passant , which premiered at the Odéon on 14 January 1868, playing the part of the boy troubadour, Zanetto, in a romantic renaissance tale. Critic Théophile Gautier described the "delicate and tender charm" of her performance. It played for 150 performances, plus a command performance at
38964-416: Was increasingly discontented with Perrin and the management of the Comédie Française. He insisted that she perform the lead in the play L'Aventurière by Emile Augier , a play which she thought was mediocre. When she rehearsed the play without enthusiasm, and frequently forgot her lines, she was criticised by the playwright. She responded "I know I'm bad, but not as bad as your lines." The play went ahead, but
39168-453: Was installed. JaffeHolden Acoustics installed the soundproofing, which filters out noise from both the street and the subway. An elliptical concrete wall, measuring 12 inches (300 mm) wide, surrounds Zankel Hall and supports the Stern Auditorium. The elliptical enclosure measures 114 feet (35 m) long and 76 feet (23 m) wide. The walls are sloped at a 7-degree angle and contain sycamore paneling. The lighting and sound equipment
39372-484: Was its artistic director and lead actress. She managed every aspect of the theatre, from the finances to the lighting, sets, and costumes, as well as appearing in eight performances a week. She imposed a rule that women in the audience, no matter how wealthy or famous, had to take off their hats during performances, so the rest of the audience could see, and eliminated the prompter's box from the stage, declaring that actors should know their lines. She abolished in her theatre
39576-501: Was later replaced with the eighth floor. The original section of the building is divided into three horizontal sections. The lowest section of the building comprises the first floor and the first-floor mezzanine, above which is a heavy cornice with modillions . The main entrance of Carnegie Hall is placed in what was originally the center of the primary facade on 57th Street. It consists of an arcade with five large arches, originally separated by granite pilasters. An entablature, with
39780-456: Was lowered to street level, the box office was relocated behind the main auditorium, and two archways were added to the 57th Street facade. A new lobby and dedicated elevator for the recital hall was also created. The Carnegie Hall Corporation was also looking to develop a vacant lot immediately east of Carnegie Hall. The renovation was complicated by the fact that some parts of the original plans had been lost. A controversy also emerged when
39984-416: Was made in the stage's ceiling to allow the installation of ventilation and lights for the film. Canvas panels and curtains were placed over the hole, but the acoustics in the front rows became noticeably different. In 1947, Robert E. Simon Jr. renovated the hall to designs by Kahn and Jacobs . By the 1950s, changes in the music business prompted Simon to sell the hall. In April 1955, Simon negotiated with
40188-560: Was marked by the May T. Morrison Music Festival, a presentation of 11 programs between April 15 and May 22, 1958, presented by the Committee on Drama, Lectures and Music. Music critic Alfred Frankenstein claimed Hertz Hall to be the finest auditorium in California. Seeing that Wheeler Auditorium and Hertz Hall were not suited for presenting drama and dance, Zellerbach Hall was built in 1968. Zellerbach Hall consists of two main theaters:
40392-526: Was not widely used when the building was completed. The building was designed in a modified Italian Renaissance style. Carnegie Hall is composed of three structures arranged in an "L" shape; each structure contains one of the hall's performance spaces. The original building, which houses the Isaac Stern Auditorium, is an eight-story rectangular building at the corner of Seventh Avenue and 57th Street, measuring 150 feet (46 m) along
40596-490: Was offered a new role in Fédora , a melodrama written for her by Victorien Sardou . It opened on 12 December 1882, with her husband Damala as the male lead, and received good reviews. English novelist Maurice Baring, who wrote a biography of Bernhardt, wrote "a secret atmosphere emanated from her, an aroma, an attraction, which was at once exotic and cerebral...She literally hypnotised her audience." Another journalist wrote "She
40800-641: Was on tour for 15 months, from early 1886 until late 1887. On the eve of departure, she told a French reporter: "I passionately love this life of adventures. I detest knowing in advance what they are going to serve at my dinner, and I detest a hundred thousand times more knowing what will happen to me, for better or worse. I adore the unexpected." In every city she visited, she was feted and cheered by audiences. The actors Edouard Angelo and Philippe Garnier were her leading men. Emperor Pedro II of Brazil attended all of her performances in Rio de Janeiro and presented her with
41004-501: Was renamed Carnegie Lyceum. It was leased to the American Academy of Dramatic Arts in 1896, then converted into the Carnegie Hall Cinema in May 1961. The venue became a performance space in 1997. The completely reconstructed Zankel Hall opened in September 2003. It is accessed from Seventh Avenue, where there is a marquee. Two escalators lead to the balcony and orchestra levels. The venue could be arranged with either
41208-459: Was the first auditorium to open to the public in April 1891. It had a balcony, elevated side galleries, a beamed ceiling, and removable seats. The space was an oratorio hall capable of accommodating over 1,000 people, and it could double as a banquet hall. There was a full kitchen service, as well as a dais on either side. The space was originally designed with dimensions of 90 by 96 feet (27 by 29 m). Following renovations made in 1896, it
41412-423: Was waiting in the wings, and she asked his forgiveness. He told her, "I can forgive you, and you'll eventually forgive yourself, but Racine in his grave never will." Francisque Sarcey, the influential theater critic of L'Opinion Nationale and Le Temps , wrote: "she carries herself well and pronounces with perfect precision. That is all that can be said about her at the moment." Bernhardt did not remain long with
41616-416: Was willing to forget the conflict of her two previous periods there, and offered a payment of 150,000 francs a year. The money appealed to her, and she began negotiations. However, the senior members of the company protested the high salary offered, and conservative defenders of the more traditional theatre also complained; one anti-Bernhardt critic, Albert Delpit of Le Gaulois , wrote "Madame Sarah Bernhardt
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