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Choghur

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The choghur ( Azerbaijani : Çoğur ; Georgian : ჩონგური ) is a plucked string musical instrument common in Azerbaijan and Georgia . It has 4 nylon strings.

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60-620: The choghur dates back to the 12th to 16th centuries, the period between the gopuz and the Bağlama . In the Caucasus , Iran and Anatolia , and in Sufi traditions, darvishes and ashugs used an instrument called the "chaghyr" /"chagur"/ "chugur" / "choghur" / "chungur". Presumably, the name "choghur" means "the musical instrument used to appeal to God and truth". In Azerbaijani the word "chaghir" means "to call", "to appeal". It may be assumed that

120-463: A body (carved from one block of wood) shaped like a spade and fitted with a trident-like spike at the lower end. The Qanbūs of the Arabian and Malay peninsulae is considered by Sachs to derive its name from the komuz. The five-string kopuz is also thought to have transformed into the six-string instrument known as the sestar or seshane by 13th-century mystic Rumi . The word "sestar" is mentioned in

180-525: A celestial lineage." The New Year is nowadays the main festival for the Nakhi of Lijiang. the New Year is considered a time of renovation for humans, their houses and their fields, a time of spiritual and physical rebirth when every person must be born again, clean and uncontaminated from the hard existence of the previous year (Ceinos 2012). The Nakhi celebrate the annual Torch Festival on the 24th and 25th of

240-527: A film based on the life of Nakhi ethnic minorities in Yunnan. The Nakhi are traditionally led by their native Dongbas in matters pertaining to religion. Through both Han Chinese and other cultural influences, Tibetan Buddhism has gained widespread respect (especially in the case of the Mosuo ). Taoism, and particularly its "fengshui" practices have been widely practiced since the tenth century. Dongba religion

300-501: A ground covering in courtyards during celebrations) The elders, locally known as Lao Min ( 老民 ), would watch all these activities. The elders also voluntarily carried out the public affairs of the village. Traditionally, they played an important role, which still influences many villages. Especially in Longquan, the villagers have traditional regulations for logging and firewood collection. Known as Jjuq-ssaiq or Jjuq-Hal-Keel by

360-512: A new form of the komuz which has received some popularity. In legends, Dede Korkut is seen as the inventor of the kopuz. In The Book of Dede Korkut , his special bond with the kopuz is not limited to his performances as a bard . Of particular importance, there is a passage in the story about the brothers Egrek and Segrek. When Segrek wants to attack Egrek, because he thinks he is dealing with an infidel, he says: Hey infidel, out of respect for Dede Korkut's lute, I didn't strike. If you didn't have

420-789: A number of slave-owning groups in Ninglang, Lijiang, and Weixi counties developed into a feudal caste of lords. Tibetan Buddhism took hold in the Lijiang region following visits from the Karmapas from the fourteenth century onwards. In 1278, the Yuan dynasty established the Lijiang Prefecture, which represented the imperial court in Yunnan . A chieftain, Mude, was made the hereditary chieftain of Lijiang Prefecture, exercising control over

480-607: A people inhabiting the Hengduan Mountains abutting the Eastern Himalayas in the northwestern part of Yunnan Province , as well as the southwestern part of Sichuan Province in China . The Nakhi are thought to have come originally from northwestern China, migrating south toward Tibetan -populated regions, and usually inhabiting the most fertile riverside land, driving the other competing tribes farther up

540-544: A religion by the Communists following their arrival to the region. A Dongba shaman is merely a part-time practitioner priest, who is literate in Dongba religious texts that were unreadable by most Nashi, who are not usually taught to read their own language. The Dongba religion is based on the relationship between nature and man. In Dongba mythology, "Nature" and "Man" are half-brothers, having different mothers. According to

600-474: A very comfortable and airy living environment. Nakhi temples are decorated on the interior with carvings on poles, arches and wall paintings that often exhibit a unique combination of Dongba and Buddhist influences. The decorations include depictions of episodes from epics, dancers, warriors, animals and birds, and flowers. The mural paintings depict Dongba gods, and stylistically are derived from Han Chinese interpretations of Tibetan Buddhist themes. A good example

660-402: A wooden covering that is four mm thick. The neck and head of the instrument are made of nut wood, the pegs of pear wood. The total length of the instrument is 880 mm. The body is 400 mm long, 225 mm wide and 140 mm tall. Two resonator apertures are drilled on each side of the body, and several apertures are made on top of the sounding board . Its scale goes from the "do" of

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720-617: Is a jaw harp and as an instrument is unrelated to the komuz. During the Soviet era the instrument fell from favour. It was derided as rudimentary and attempts were made to make it more like the Russian balalaika , notably by adding frets . After independence the komuz was again taught in music colleges, though some of the Soviet changes have remained. In the twentieth century the late Iranian dutar player Haj Ghorban Soleimani invented

780-403: Is free between non-consanguineous adults: at night, the man goes to the woman with whom he would like to have sex, the woman being free to accept or not. Both men and women are free to have multiple partners. As a result, children do not always know their biological father. The children are raised by the inhabitants of the household, the maternal uncles assuming the role of "father" as understood in

840-510: Is in the Lijiang-Nakhi Autonomous county, still profess belief in the "nature and man" relationship. Their attitude towards nature is clearly illustrated by the story of He Shun, a Dongba priest, who forbade his three sons to cut down more trees than they personally needed, as this would anger the gods and bring misfortune to his family. One of the most widely practised Dongba rituals, Zzerq Ciul Zhuaq (literally, to repay

900-466: Is much like that of Han Chinese. In modern times, traditional dress is rarely worn among the younger generation. It is now usually only worn at cultural events and on special occasions. The language is written with Geba script and Dongba script . The Nakhi have several indigenous forms of music, including baisha xiyue and the Chinese-inspired dongjing discussed above. Nakhi from

960-574: Is rooted in the beliefs of the Tibetan Bön religion; the word "Dongba" literally means "wise man" in the Nakhi language. Nakhi legend traces Dongba's origins to a Bön shaman from eastern Tibet named Ton-pa Shen-rab (丁巴什罗), who lived in a cave near Baishuitai during the 12th century. Anthropologists claim that many of the Dongba rituals show strong influences from the Bön religion, and are not native in origin. Bön lamas are believed to have settled among

1020-509: Is sacrificed at his festival. The Nakhi women wear wide-sleeved loose gowns accompanied by jackets and long trousers, tied with richly decorated belts at the waist. Sheepskin is worn over the shoulder. Especially in Ninglang County, the women wear short jackets and long skirts reaching the ground with several folds. Large black cotton turbans are worn around their heads, which are accompanied with big silver earrings. The men's costume

1080-539: Is the Delwada Temple. "There are strong arguments that support the idea that in the past the main ritual activity performed on a temporal basis was the worship of Shu nature spirits on the first days (usually on a dragon or snake day) of the second lunar month, and that this was the traditional New Year of the Nakhi. In Baidi, where the old traditions have been preserved, this is the most important festival, when everybody dressed in their best clothes, gathers around

1140-471: The Mosuo matrilineal family structure, which was vigorously but unsuccessfully eradicated during the Communist era. As the heads of the family, a woman leaves her inheritance to her descendants either from the mother, or through her sisters and their offspring. In Nakhi society, women do most of the household and farm work, and while they keep to the kitchen when guests are present, they are essential to

1200-549: The Qing dynasty , hereditary local chieftains in the Lijiang area were replaced by court officials, and the Mu chieftains were included in this group retaining position as local administrators. The ancient Nakhi town of Lijiang is now a major tourist destination. In the old town, the Nakhi rent buildings to Han merchants who run shops catering to tourists. In 2005, Kuang Jianren, a famous Chinese film script writer produced "Snow Bracelet",

1260-583: The Uyghur people . The golcha gopuz is made from a leather covering which covered around two-thirds of the surface, and the other third is covered with thin wood along with the sound board. The total length of the instrument is 810 mm, with the body 410 mm, the width 240 mm and the height or breadth only 20 mm. The Kyrgyz : ооз комуз ( [oːz qoˈmuz] , literally "mouth komuz") or, alternatively, Kyrgyz : темир комуз ( [temir qoˈmuz] , literally "metal komuz" or "iron komuz"),

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1320-598: The 15th-16th centuries, the choghur was replaced by the saz. But some versions of the choghur that were spread throughout the Caucasus and among the Iraqi Turkmens have survived until the present. The 19th-century choghur stored in the Azerbaijan History Museum has three pairs of strings and 22 frets on its neck . The body of this instrument is made of mulberry wood. The top of the body has

1380-596: The 1960s American archeologists working in the Shushdagh mountains near the ancient city of Jygamish in Iranian Azerbaijan, uncovered a number of rare clay plates which dated back to around 6000 B.C. which depicted musicians at a council, holding a komuz-like instrument to their chests. The golcha gopuz was mentioned in the epic Book of Dede Korkut . The names of parts of the komuz are often allusions to body parts, particularly of horses. For example,

1440-692: The Baishuitai terrace in a festive atmosphere and pay respect to the Shu gods of nature." ... "Around the same time when the Shu Nature spirits are worshiped in Baidi, the people gather to honour Sanduo in Baisha and Lijiang."... "Worship of Heaven ceremony, celebrated some days before Worshiping Shu, is a ritual celebration to remember that Nakhi ancestors came from Heaven, and that therefore they descend also from

1500-459: The Confucian roots of Han Chinese history. Especially in the case of their musical scores, it acts as the foundation of the Nakhi literature. The Nakhi have their own writing, their own distinct language and their own native dress. There are many arts that are native to the Nakhi people, such as the rarely seen Nakhi handmade embroidery, Dongba painting, Dongba wooden carving and so on. Much of

1560-509: The Llü-bu were female shamans who practiced divination, exorcism, and other rites in a trance. By the early nineteenth century, the Dongba priests had created a huge religious vocabulary accompanied by a variety of rituals, and had largely displaced the Llü-bu. This is certainly the case with Yi shamans, but the connection to Dongba practices remains unclear. Adherents of Dongba had no places of worship, and so they were not officially recognized as

1620-592: The Lugu Lake are called the Mosuo . Today, this description of the origins of the Bai and Mosuo is strenuously contested. Historians have decided that between the tenth and thirteenth centuries, agricultural production in Lijiang replaced livestock breeding as the main occupation of the people. The production of agricultural, handicraft, mineral, and livestock products led to considerable prosperity, and during this period

1680-740: The Mongolian tovshuur , and the lute . The instrument can be found in Turkic ethnic groups, from China to Turkey. Forms of this instrument are used in China by the Naxi people and are called Huobusi , Hebisi , and Hunbusi . It is the best-known national instrument and one of the better-known Kyrgyz national symbols. The komuz is generally made from a single piece of wood (usually apricot or juniper ) and has three strings traditionally made out of gut, and often from fishing line in modern times. In

1740-598: The Nakhi people and other ethnic groups (particularly the Eastern Tibetans inhabiting the region of Kham) during the Ming dynasty . The hereditary chieftains from the Mu family collected taxes and tribute, which then went to the Ming court in the form of silver and grains. The Ming relied on the Mu family as the mainstay for the control of the people of various ethnic groups in northwestern Yunnan Province. In 1723, during

1800-513: The Nakhi, and the government encouraged logging by the Han army in Nakhi areas, which in turn led to a loss of influence of the traditional customs. Many of the Nakhi embrace the Kagyu lineage of Tibetan Buddhism , resulting from the presence of the eighth and the tenth Karmapas in the Lijiang area during the fourteenth century. Over the years, the Nakhi in Lijiang built Buddhist Gompas , which acted as

1860-545: The Nashi as farmers, and to have begun to practice exorcisms as a way of earning a little money on the side; they were thus in competition with the native ritual specialists, locally known as Llü-bu , or Ssan-nyi . This is disputed, largely because the Bon religion is so adulterated by Tibetan Buddhism today that it is difficult to find pure and authentic practitioners to use as a basis for comparison. Religious scriptures suggest that

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1920-699: The Nujiang River and the Jinsha River and then to the Along River in the present-day province of Sichuan in western China. After being pushed south by other conquering tribes, the Nashi settled in the very fertile Baisha and Lijiang areas by the year 3 CE. Nakhi histories describe a split into three groups while their ancestors were still in Baisha. The ones who remained are known as the Nashi, those in Dali are known as Bai , and those living around

1980-504: The West. This conception stems in part from one of their beliefs presenting the man as the rain on the grass: it serves to foster what is already there. The reproductive role of the man is thus to "water" the fetus already present in the woman. For Nakhi, hereditary characters are contained in bones, and are transmitted by women. However, with the opening to tourism and the exile of some inhabitants, manners tend to change, some Nashi conforming to

2040-641: The activity had taken place, and apologize to the nature god Shu. Being a conservative people, the villagers prohibited logging, and even the cutting of tree branches and gathering of dry pine-needles from the coniferous trees wasn't generally allowed. The gathering of pine needles was only allowed in July, when the forests were lush and green. However, only one person from each household was allowed to do this job, in order to enforce fairness between households with more or fewer laborers. (Dry pine needles are mixed with pig manure for fertilizer. Green pine needles are used as

2100-408: The debts of a tree), has been described in the village of Shuming. The ritual was conducted if somebody was stricken with illness or bad luck, when a Dongba priest would be consulted. On many occasions, the result would show that the person had carried out logging or washing of dirty things in the forest, and the family or person concerned would have to ask the Dongba priest to hold the ritual near where

2160-453: The head of the victoriously striding army, chukurs played and Turks-Varsakgs sang in order to raise the battle spirit of the warriors." In his work "Turkmen Times in the South", Ali Reza Yalchin tells about the nine strings, 15 frets and perfect timbre of the choghur.16 It is possible to conclude from historical facts that in the 12th-13th centuries, the choghur replaced the ozan gopuz, and in

2220-528: The hillsides onto less fertile land. The Nakhi traded over the dangerous overland trading links with Lhasa and India, on the so-called tea and horse caravan routes. The Nakhi form one of the 56 ethnic groups officially recognized by the People's Republic of China. The official Chinese government classification includes the Mosuo as part of the Nakhi people. Nakhi culture is largely its own native Dongba religious, literary, and farming practices, influenced by

2280-403: The household and are therefore influential in family decisions. A few Nakhi men carry on the ancient Chinese tradition of hunting with falcons . This practice is rarely found in other parts of China today. The Nakhi, like Mosuo , are believed to be the descendants of the nomadic proto-Qiang . Frequently harassed by neighboring tribes, the proto-Nakhi then moved southward to the banks of

2340-461: The local people, this refers to the regular logging of trees and firewood every two to three years in the forested area near the particular village. A group of people comprising the Lao Min, the village headman, and the mountain guards will organize the procedure in advance. Even in recent years, Nakhi villages still retain an organization that protects the forests. This organization is administered by

2400-403: The lowest course single). It can have a straight peghead (like a saz) or a pegbox with pegs from the side which bends back like a violin scroll. The soundholes are usually several small holes in the soundboard in a geometrical pattern. Traditional ones have tied frets around the neck, and more modern ones have a raised fingerboard with metal inlaid frets. The small round body (unlike

2460-459: The lute in your hand I'd have you cut in two in my brother's name. Thus a random lute is directly connected to Dede Korkut here, which is presumably a reference to the fact that he was the inventor there. Different variations of the komuz spread to several eastern European countries such as Ukraine , Poland and Hungary during the 4th-5th century A.D, during the mass migration of the Huns into

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2520-488: The members of the village committee, which necessarily includes the heads of the agricultural Productive Cooperatives, the members of the female union, and the village mountain guard. Until the communists came to power in China in 1949, villagers followed these traditional principles and tried to use the natural resources conservatively, with thought for the preservation of the natural resources for future generations. However, after 1949 serious cultural and social change came to

2580-608: The monogamous couple. Cremation has been a tradition since ancient times, although burial was adopted in most Nakhi areas during the late Qing Dynasty and remains the preferred method of disposing of the dead today. Religious scriptures are chanted at the funeral ceremony to expiate the sins of the dead. Among the Nakhi in Yongning County in Yunnan and the Yanyuan County in Sichuan , there still exist remnants of

2640-461: The most common tunings the middle string is the highest in pitch. Virtuosos frequently play the komuz in a variety of different positions: over the shoulder, between the knees and upside down. An illustration of a komuz is featured on the reverse of the one-som note . The komuz can be used either as accompaniment or as a lead instrument and is used in a wide variety of musical styles including aytysh (a song competition between akyns ) and

2700-462: The name of the instrument originates from the expression "chal-chaghyr" (festivity or celebration), which was later changed to "choghur". Various historical sources indicate that the choghur was used to create a high battle spirit among the soldiers of the medieval Safavid state's army. In the " Jahanarai Shah Ismayil Safavi " annals , describing the situation at the beginning of the 16th century, several lines are devoted to such an occasion: "At

2760-578: The names of other instruments in the Music of Central Asia , including the Kazakh kobyz ( Uzbek qo'biz ) ( bowed instruments ), and the Tuvan and Sakha or Yakut xomus (a jaw harp ). The oldest known komuz-like instrument dates from the 4th century although the related Azerbaijani gopuz is believed to date back to 6000 BC following an archaeological discovery of clay plates depicting gopuz players. In

2820-572: The neck is called [mojun] "neck", the tuning pegs are called [qulɑq] , or "ear"s. The Kyrgyz word кыл/qyl means "string of an instrument" or "horse's hair". The ancient komuz generally had two or three strings. The three-stringed golcha gopuz was more popular in ancient Azerbaijan and Anatolia : the two-stringed gil gopuz or "iklyg" was used on the Altai plains, in parts of Turkmenistan and in Chinese territory inhabited by

2880-412: The northern region, Yongning ( 永宁 ) are known to be matrilineal and matrilocal , i.e. parentage is by the mother and all children – men and women – live in the house of the mother, from birth until death. Their family system is different from the one we know in the West since marriage – that is to say the recognition of a union of individuals by an institution – does not exist. The practice of sexual life

2940-645: The place of worship for the Nakhi Buddhist community. The first monastery, Ogmin Namling at Lashiba, was founded by the tenth Karmapa , Chöying Dorje . Religious Mani stones can also be found in some of the Nakhi households. The Nakhi king invited the eighth Karmapa, Mikyö Dorje to Lijiang in 1516. The king, worried about the safety of the Karmapa on his long journey to Lijiang, dispatched an army of four generals and ten thousand soldiers to accompany him. On

3000-538: The poems of the 14th-century poet Yunus Emre . Evliya Çelebi describes the kopuz as a smaller version of the seshane. Although the term huobosi still applies to the traditional instrument, in China a newer instrument has evolved from the older instrument, resembling a guitar and called the Huobosi . Naxi people The Nakhi , Nashi , or Naxi ( simplified Chinese : 纳西族 ; traditional Chinese : 納西族 ; pinyin : Nàxī zú ; Naxi : Naqxi ) are

3060-405: The recitation of epics. It is generally played seated, held horizontally and may be strummed or plucked . One piece ("mash botoy") consists of a simple tune repeated many times, each with a new stroke, as a test of the performer’s skill and creativity. The komuz has many different tunings, and the names of the tunings correspond with various styles of music. The word komuz is cognate to

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3120-634: The region. There they became known with similar variations of the name. (See : kobza ) In Dagestan (a Russian republic between Chechnya and the Caspian Sea , just east of Georgia in the Caucasus ) a special instrument mentioned in both the Vertkov's Atlas SSSR, and in Buchner's book, is called agach komus , or temur by the Avar people. It seems a kind of slender guitar with 3 strings, with

3180-571: The sixth month of the Lunar calendar, which corresponds approximately to July 8–9, and the Sanduo Festival on February 8. According to legend, Sanduo is a war god who defends the local people. In ancient times, a hunter discovered a strange stone on Jade Dragon Mountain, and carried the stone home. On his way home, he had to put the stone down for a rest, because it was extremely heavy. When he decided to continue his trip, he could no longer lift

3240-643: The sky trumpeting loud as thunderclaps. They were brought to the attention of the Western world by two men: the American botanist Joseph Rock and the Russian traveler and writer Peter Goullart , both of whom lived in Lijiang and traveled throughout the area during the early 20th century. Peter Goullart's book Forgotten Kingdom describes the life and beliefs of the Nakhi and neighboring peoples, while Joseph Rock's legacy includes diaries, maps, and photographs of

3300-574: The small octave to the "sol" of the second octave. The Chonguri ( ჩონგური ) is an instrument from Georgia related to the panduri , but larger and with a peg halfway down the neck. It has nylon (traditionally gut) strings. The Chungur ( Чугур ) or Chugur is an instrument played in the Caucasus region, especially Dagestan , and related to the Choghur (from Azerbaijan, etc.) and Chonguri (from Georgia ). It has either four single strings or four doubled courses, or seven strings (doubled courses with

3360-584: The spade-shaped chonguri) can be carved from a solid block of wood or made from separate ribs in a round shape like a small lute or domra . An excellent Azerbaijani lute ( choghur ), which he played less toward the end of his life Gopuz The komuz or qomuz ( Kyrgyz : комуз Kyrgyz pronunciation: [qoˈmuz] , Azerbaijani : Qopuz , Turkish : Kopuz ) is an ancient fretless string instrument used in Central Asian music , related to certain other Turkic string instruments ,

3420-457: The stone, and many thought that it was the embodiment of a god. The Nakhi later built a temple to honour this god, whom they later named Sanduo, and depicted as an immortal in a white coat and a white helmet, carrying a white spear and riding a white horse. They believed that Sanduo would protect the local people and their land. Because Sanduo was thought to have been born in the year of the Goat , it

3480-449: The third day of the fourth month, the Karmapa reached the border between Tibet and the Nakhi kingdom. Accompanied by his brother and his uncle, who were both riding elephants and escorted by many riders on horseback, the Nakhi king, riding on a palanquin, received them with this magnificent welcome. The king prostrated himself before the Karmapa, the elephants broke their tethers and bowed down three times before him, and raised their trunks to

3540-467: The villagers of Shu Ming Village, nature is controlled by spirits called "Shv". These gods are depicted as human-snake chimeras. The Dongba priests practice rituals such as the "Shv Gu" to appease these spirits and prevent their anger from boiling into natural disasters such as earthquakes and droughts. Before communist rule in China, many villages still had shrines or places of worship dedicated to nature gods, such as Shu. Nakhi inhabitants of Tacheng, which

3600-565: The wood carving that characterizes Nakhi houses are made by Bai craftsmen today. Absorbing architectural styles of the Han , Nakhi houses are built in a standard Han style of one courtyard with one, two, three or four buildings around it, sometimes with linked adjoining courtyards. The mud brick and wood structures have been described at first sight as crude and simple in appearance, but a closer inspection reveals elaborate and delicate patterns on casements and doors, elegant pillars and pillar supports, and

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