A reprint is a re- publication of material that has already been previously published. The term reprint is used with slightly different meanings in several fields.
7-528: Classic X-Men , originally titled X-Men Classics and later retitled X-Men Classic , is a reprint comic book series published by Marvel Comics . The first volume was a limited series which collected stories from the Thomas / Adams / Palmer run on X-Men (originally published in 1969). The second volume was an unlimited series and reprinted stories from the post– Giant-Size X-Men era (originally published in 1975). Both volumes frequently supplemented
14-505: A reprint. In collectible card games , a reprint is a card published in an earlier card set which is published again in a new card set. Often, the art on the card may be changed, or the text updated to reflect new errata . Publishers will reprint classic comic books from years or even decades ago, often restoring the art with newer techniques. The reprints may be standalone comic books, compilation trade paperbacks, or back-ups in other comic books. Comic books which sell out may be given
21-440: Is often drawn by artists other than those who drew the original story but always written by the writer of the original stories, Chris Claremont . The first 44 issues have new backup stories further delving into and explaining the original stories, mostly written by Chris Claremont or Ann Nocenti and drawn by John Bolton . After Classic X-Men #45, the series was retitled X-Men Classic and from then solely reprinted material from
28-543: The events of previous issues, and a foreword by John Byrne . The new material reunited original writer Roy Thomas and original inker Tom Palmer, but penciller Neal Adams was replaced by Mike Zeck . The second volume was launched in 1986, reprinting the "All-New, All-Different" era of X-Men. Specifically, it reprinted Giant-Size X-Men #1 and Uncanny X-Men #94 -206, with the exceptions of #106, 110, 141 and 142. The first 27 issues have various edits and new pages added to tie in with then-current continuity. The new material
35-411: The journal e.g. physicians, consumers, investors etc. They are usually ordered directly from the publisher of the journal. However, some third-party service providers also exist, serving as an intermediary that provides a single source of offprints from multiple publishers. In book publishing , if a reprint has been revised from an earlier version, it is usually referred to as a new edition rather than
42-598: The original Uncanny X-Men series. The series also included new covers and frontispieces produced by artists such as Art Adams (issues #1-16, 18-23), Steve Lightle (#30-42, 44-52), Mike Mignola (#57-70), and Adam Hughes (issues #71-79). Reprint In academic publishing , offprints , sometimes also known as reprints, are bulk reproductions of individual articles previously published in academic journals . Offprints from scientific, technical, and medical (STM) journals are used by researchers in some fields to generate awareness among audiences who don't subscribe to
49-493: The reprinted stories with new material. The series lasted 110 issues. The first volume was three issues published in 1983. Each issue was 48 pages with no ads (as compared to the industry standard of 32 pages with 9 pages of ads) and printed on high-quality Baxter paper instead of the standard newsprint. The series reprinted X-Men #57-63 (necessitating that the stories from issues #59 and 61 be split across two issues) with new gatefold covers, opening pages which served to summarize
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