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71-482: Although it was succeeded by the later scripts, including the regular script, the clerical script is preserved as a calligraphic practice. In Chinese calligraphy , the term clerical often refers to a specific calligraphic style that is typical of a subtype of the clerical script, the Han clerical ( 汉隶 ; 漢隸 ) or bafen ( 八分 ) script. This style is characterized by the squat character shapes, and its "wavy" appearance due to

142-525: A bright orange or red ink with which they write practice characters on which students trace, or to correct students' work. Commonly made from stone, ceramic, or clay, an inkstone is used to grind the solid inkstick into liquid ink and to contain the ink once it is liquid. Chinese inkstones are highly prized as art objects and an extensive bibliography is dedicated to their history and appreciation, especially in China. Calligraphic works are usually completed by

213-426: A calligrapher has, his or her technique will transfer from youyi (intentionally making a piece of work) to wuyi (creating art with unintentional moves). Wuyi is considered a higher stage for calligraphers, which require the calligrapher to have perfect control over the brush and wrist and following his or her heart. Traditionally, the bulk of the study of calligraphy is composed of copying strictly exemplary works from

284-443: A calligraphy video column with deep analysis of different characters, lectured by Tian Yunzhang . Among these rules are: The Japanese, Koreans, and Vietnamese have developed their own specific sensibilities and styles of calligraphy while incorporating Chinese influences, as well as applying to specific scripts. Japanese calligraphy extends beyond Han characters to also include local scripts such as hiragana and katakana . In

355-409: A chair at a table. Larger pieces may be written while standing; in this case the paper is usually placed directly on the floor, but some calligraphers use an easel. Basic calligraphy instruction is part of the regular school curriculum in both China and Japan and specialized programs of study exist at the higher education level in China, Japan, Korea, and Taiwan. In contemporary times, debate emerged on

426-619: A form of early clerical script. Examples include the Shuihudi Qin bamboo texts ( c.  217 BCE ), and the Qingchuan wooden slips ( c.  309 BCE ). In the Qin dynasty, the official script was the small seal script. The clerical script was associated with low social status, and, although allowed as a sort of auxiliary writing style for clerks, was generally not used in formal occasions. However, it gradually assumed dominance over

497-624: A long tradition, and is today regarded as one of the arts (Chinese 藝術/艺术 pinyin : yìshù , a relatively recent word in Chinese) in the countries where it is practised. Chinese calligraphy focuses not only on methods of writing but also on cultivating one's character (人品) and taught as a pursuit (－書法; pinyin : shūfǎ , rules of writing Han characters ). Chinese calligraphy used to be popular in China, Taiwan, Japan, Korea, Vietnam and Hong Kong. In Taiwan, students were requested to write Chinese calligraphy starting from primary school all

568-509: A low rank'. Some infer that the script was used in recording the affairs related to such prisoners, while others infer that it was used by prisoners conscripted as scribes. Clerical script is also known as 'clerical characters' ( 隸字 ), 'assistant writing' ( 佐書 ), 'historical writing' ( 史書 ), and "official script". From the Northern and Southern dynasties to the Tang dynasty, the regular script

639-584: A once-in-a-lifetime souvenir. This practice is associated with the legend of an ancient Chinese scholar who scored first in the imperial examinations by using such a personalized brush. Calligraphy brushes are widely considered an extension of the calligrapher's arm. Today, calligraphy may also be done using a pen . Paper is frequently sold together with a paperweight and desk pad . Some people insist that Chinese calligraphy should use special papers, such as Xuan paper , Maobian paper, Lianshi paper etc. Any modern papers can be used for brush writing. Because of

710-461: A particular artist's work is priced in terms of the length of paper on which it is written. Works by well-regarded contemporary calligraphers may fetch thousands to tens of thousands of yuan (renminbi) per chi (a unit of length, roughly equal to a foot) of artwork. As with other artwork, the economic value of calligraphy has increased in recent years as the newly rich in China search for safe investments for their wealth. ‹The template How-to

781-401: A recent randomized control trial experiment, calligraphy writing enhanced both working memory and attention control compared to controlled groups. In contemporary China, a small but significant number of practitioners have made calligraphy their profession, and provincial and national professional societies exist, membership in which conferring considerable prestige. By tradition, the price of

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852-493: A scribe closer to perfection and earn him merit." In about 220 BC, the emperor Qin Shi Huang (秦始皇, 259–210 BC), the first to conquer the entire Chinese basin, imposed several reforms, among them Li Si 's (李斯, 246 BC – 208 BC) character unification, which created a set of 3300 standardized xiǎozhuàn characters. Although the main writing implement of the time was already the brush, little paper survives from this period, and

923-459: A standard. Caoshu style was highly appreciated during the reign of Emperor Wu of Han (140 BC – 87 BC). Styles which did not survive include bāfēnshū , a mix of 80% xiaozhuan style and 20% lishu . Some variant Chinese characters were unorthodox or locally used for centuries. They were generally understood but always rejected in official texts. Some of these unorthodox variants, in addition to some newly created characters, were incorporated in

994-447: Is a pad made of felt . Some are printed with grids on both sides, so that when it is placed under the translucent paper, it can be used as a guide to ensure correct placement and size of characters. However, these printed pads are used only by students. Both desk pads and the printed grids come in a variety of sizes. Ink is made from lampblack (soot) and binders, and comes in inksticks which must be rubbed with water on an inkstone until

1065-494: Is also "wild cursive" ( Chinese and Japanese : 狂草 ; pinyin : kuángcǎo ; rōmaji : kyōsō ) which is even more cursive and difficult to read. When it was developed by Zhang Xu and Huaisu in the Tang dynasty , they were called Diān Zhāng Zuì Sù (crazy Zhang and drunk Su, 顛張醉素). Cursive, in this style, is no longer significant in legibility but rather in artistry. Cursive scripts can be divided into

1136-474: Is an umbrella term for the cursive variants of the clerical script and the regular script . The cursive script functions primarily as a kind of shorthand script or calligraphic style and is faster to write than other styles, but it can be difficult to read for those unfamiliar with it because of its abstraction and alteration of character structures. People who can read only standard or printed forms of Chinese or related scripts may have difficulty reading

1207-552: Is being considered for merging .›   While appreciating calligraphy depends on individual preferences, there are established traditional rules and those who repeatedly violate them are not considered legitimate calligraphers. The famous modern Chinese calligrapher Tian Yunzhang , member of the Chinese Calligrapher Association, summarized rules of modern calligraphy. The following rules are from One Question Every Day, One Word Every Day ( 每日一题，每日一字

1278-598: Is considered a form of the modern script though it was replaced by the standard script relatively early. This occurred because the graphic forms written in a mature clerical script closely resemble those written in standard script. The clerical script is still used for artistic flavor in a variety of functional applications because of its high legibility for reading. Regular script ( traditional Chinese : 楷書; simplified Chinese : 楷书; pinyin : kǎishū; Hong Kong and Taiwan still use traditional Chinese characters in writing, while mainland China uses simplified Chinese characters as

1349-575: Is intermingled. This early form of cursive script, based on clerical script, is now called zhāngcǎo ( 章草 ), and variously also termed ancient cursive, draft cursive or clerical cursive in English, to differentiate it from modern cursive ( 今草 jīncǎo ). Modern cursive evolved from this older cursive in the Wei Kingdom to Jin dynasty with influence from the semi-cursive and standard styles. Besides zhāngcǎo and "modern cursive", there

1420-753: Is made from the kozo (paper mulberry), ganpi ( Wikstroemia sikokiana ), and mitsumata ( Edgeworthia papyrifera ), as well as other materials such as bamboo, rice, and wheat . Paperweights are used to hold down paper. A paperweight is often placed at the top of all but the largest pages to prevent slipping; for smaller pieces the left hand is also placed at the bottom of the page for support. Paperweights come in several types: some are oblong wooden blocks carved with calligraphic or pictorial designs; others are essentially small sculptures of people or animals. Like ink stones, paperweights are collectible works of art on their own right. The desk pad (Chinese T : 畫氈, S : 画毡, Pinyin : huàzhān; Japanese: 下敷 shitajiki )

1491-482: Is non-temporal and can refer to any characters which have been hastily written. In the narrow sense, it refers to the specific handwriting style in Han dynasty. Chinese characters can be retraced to 4000 BC signs ( Lu & Aiken 2004 ). In 2003, at the site of Xiaoshuangqiao , about 20 km south-east of the ancient Zhengzhou Shang City , ceramic inscriptions dating to 1435–1412 BC have been found by archaeologists. These writings are made in cinnabar paint. Thus,

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1562-819: Is sheer life experienced through energy in motion that is registered as traces on silk or paper, with time and rhythm in shifting space its main ingredients." Calligraphy has also led to the development of many forms of art in China, including seal carving, ornate paperweights, and inkstones . In China, calligraphy is referred to as shūfǎ or fǎshū (書法/书法, 法書/法书), literally 'way/method/law of writing'; shodō ( 書道 ) in Japan ('way/principle of writing'); and seoye (서예; 書藝) in Korea ('skill/criterion of writing' ); thư pháp (書法) in Vietnam ('handwriting art'). Chinese calligraphy appreciated more or only for its aesthetic quality has

1633-530: Is still the same, according to old style. Cursive styles such as xíngshū (semi-cursive or running script) and cǎoshū (cursive or sloppy script) are less constrained and faster, where more movements made by the writing implement are visible. These styles' stroke orders vary more, sometimes creating radically different forms. They are descended from clerical script, at the same time as regular script ( Han dynasty 202 BC – 220 AD), but xíngshū and cǎoshū were used for personal notes only and were never used as

1704-467: Is the basis of most of the later clerical-style calligraphy. The most mature form of the bafen script can be found in the late Eastern Han dynasty, with "carefully and neatly executed" inscriptions on stelae . These stelae are regarded as calligraphic works of great significance, and are often used as models of clerical-style calligraphy. Some important inscriptions include: A new type of clerical script, for which Chinese palaeographer Qiu Xigui termed

1775-405: Is the traditional writing instrument for Chinese calligraphy. The body of the brush is commonly made from bamboo or other materials such as wood, porcelain, or horn. The head of the brush is typically made from animal hair, such as weasel , rabbit , deer , goat , pig , tiger , wolf , etc. There is also a tradition in both China and Japan of making a brush using the hair of a newborn child, as

1846-459: Is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia . Calligraphy is considered one of the four most-sought skills and hobbies of ancient Chinese literati , along with playing stringed musical instruments,

1917-492: The Chinese ritual bronzes . These Chinese ritual bronzes include Ding (鼎), Dui (敦), Gu (觚), Guang (觥), Gui (簋), Hu (壺), Jia (斝), Jue (爵), Yi (匜), You (卣), Zun (尊), and Yi (彝). Different time periods used different methods of inscription. Shang bronze inscriptions were nearly all cast at the same time as the implements on which they appear. In later dynasties such as Western Zhou , Spring and Autumn period,

1988-571: The Shang dynasty was solely responsible for the origin of writing in China, neither is there evidence of recognizable Chinese writing from any earlier time or any other place. The late Shang oracle bone writings constitute the earliest significant corpus of Chinese writing and it is also the oldest known member and ancestor of the Chinese family of scripts, preceding the Chinese bronze inscriptions. Chinese bronze inscriptions were usually written on

2059-627: The Song dynasty 's printing press , and sans-serif . These are not considered traditional styles, and are normally not written. Different scripts of 馬 / 马 (horse) through history: The ink brush, ink, paper, and inkstone are essential implements of Chinese calligraphy. They are known together as the Four Treasures of the Study . In addition to these four tools, a water-dropper , desk pads and paperweights are also used by calligraphers. A brush

2130-580: The Tang dynasty , calligraphers including Han Zemu ( 韓擇木 ), Shi Weize ( 史惟則 ), Li Chao ( 李潮 ) and Cai Youlin ( 蔡有鄰 ) were renowned for their clerical calligraphy. From the Tang to the Ming dynasties, calligraphers occasionally wrote in clerical style as well. The Qing dynasty saw a revival in clerical-style calligraphy, with notable calligraphers such as Jin Nong , Deng Shiru , Yi Bingshou ( 伊秉綬 ) and Zheng Fu ( 鄭簠 ). Due to its high legibility to modern readers,

2201-526: The Zhou dynasty script . The Qin variant of seal script eventually became the standard, and was adopted as the formal script for all of China during the Qin dynasty . The clerical script ( traditional Chinese : 隸書; simplified Chinese : 隶书; pinyin : lìshū ) is an archaic style of Chinese calligraphy. The clerical script was first used during the Han dynasty and has lasted up to the present. The clerical script

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2272-463: The board game "Go" , and painting. There are some general standardizations of the various styles of calligraphy in this tradition. Chinese calligraphy and ink and wash painting are closely related: they are accomplished using similar tools and techniques, and have a long history of shared artistry. Distinguishing features of Chinese painting and calligraphy include an emphasis on motion charged with dynamic life. According to Stanley-Baker, "Calligraphy

2343-444: The simplified Chinese character set. This way of writing started to develop in the 1900s when fountain pens were imported into China from the west. Writing with fountain pens remained a convenience until the 1980s. With the Chinese economic reform , public focused on practicing hard-pen calligraphy. People usually use Chinese simplified characters in semi-cursive or regular style. Examples of modern printed styles are Song from

2414-698: The English translation was adopted in the early 20th century, and has become the mainstream translation, being widely used in academia and also by the British Museum in London and the Metropolitan Museum of Art in New York. Cursive script originated in China through two phases during the period from the Han to Jin dynasties. Firstly, an early form of cursive developed as a cursory way to write

2485-463: The Han dynasty through the Jin period (link needed). The cursive script is faster to write than other styles, but difficult to read for those unfamiliar with it. The "grass" in Chinese was also used in the sense of "coarse, rough; simple and crude." It would appear that cǎo in the term caoshu "grass script" was used in this same sense. The term cǎoshū has broad and narrow meanings. In the broad sense, it

2556-477: The Han dynasty which attributed the creation of clerical script specifically to a Qin-dynasty prison officer, Cheng Miao ( 程邈 ), who was said to have invented it at the behest of Qin Shi Huang . However, archaeological findings have shown that the clerical script was not the invention by a certain person or certain people, but was evolved naturally from the earlier scripts. It has also been argued that, rather than being established by government scribes, clerical script

2627-532: The Qin-state scripts can be seen to already have employed shapes that are more rectilinear than in the more orthodox scripts, with less long, sinuous lines and more readily segmented strokes, and are closer to the later clerical script than to the small seal script in both style and structure. In particular, some scripts discovered on bamboo and wooden slips are stylistically distinct from the earlier and even contemporary Qin-state scripts, and thus are often seen as

2698-574: The apprentice's master or from reputed calligraphers, thus learning them by rote. The master showing the 'right way' to draw items, which the apprentice have to copy strictly, continuously, until the move becomes instinctive and the copy perfect. Deviation from the model is seen as a failure. Competency in a particular style often requires many years of practice. Correct strokes, stroke order , character structure, balance, and rhythm are essential in calligraphy. A student would also develop their skills in traditional Chinese arts , as familiarity and ability in

2769-399: The arts contributes to their calligraphy. Since the development of regular script , nearly all calligraphers have started their study by imitating exemplary models of regular script. A beginning student may practice writing the character 永 ( Chinese : yǒng , eternal ) for its abundance of different kinds of strokes and difficulty in construction. The Eight Principles of Yong refers to

2840-455: The brush take up, then by the pressure, inclination, and direction he gives to the brush, producing thinner or bolder strokes, and smooth or toothed borders. Eventually, the speed, acceleration and deceleration of the writer's moves and turns, and the stroke order give "spirit" to the characters by influencing greatly their final shape. The "spirit" is referred to yi in Chinese calligraphy. Yi means "intention or idea" in Chinese. The more practice

2911-407: The calligrapher applying one or more seals in red ink. The seal can serve the function of a signature. The shape, size, stretch, and type of hair in the brush, the color and density of the ink, as well as the absorptive speed and surface texture of the paper are the main physical parameters influencing the final result. The calligrapher also influences the result by the quantity of ink/water he lets

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2982-466: The case of Korean calligraphy , the Hangeul and the existence of the circle required the creation of a new technique. Cursive script (East Asia) Cursive script ( Chinese : 草書 , 草书, cǎoshū ; Japanese : 草書体 , sōshotai ; Korean : 초서 , choseo ; Vietnamese : thảo thư ), often referred to as grass script , is a script style used in Chinese and East Asian calligraphy . It

3053-437: The clerical-style calligraphy is still used for artistic flavor in a variety of functional applications such as headlines, logos, signboards, and advertisements. There are a number of computer fonts that display CJK characters in the clerical style. The etymology of the Chinese name for the clerical script ( 隸書 ) is uncertain. 隸 has been explained as 徒隸 ('prisoner-in-servitude") or Chinese : 隸人 'convict', 'official of

3124-598: The cursive script. The character 草 cǎo primarily means "grass", and the character 書 shū means script in this context, which has led to the literal calque for 草書 as "grass script". However, 草 can be extended to mean "hurried" or "rough", from which the name 草書 came. Thus, the name of this script is literally "draft script", "quick script" or "rough script". The character 草 appears in this sense, for example, in 草稿 (Modern Mandarin cǎogǎo , "rough draft") and 草擬 ( cǎonǐ , "to draft [a document or plan]"). The use of "cursive script" as

3195-468: The dates of writing in China have been confirmed for the Middle Shang period . The ceramic ritual vessel vats that bear these cinnabar inscriptions were all unearthed within the palace area of this site. They were unearthed mostly in the sacrificial pits holding cow skulls and cow horns, but also in other architectural areas. The inscriptions are written on the exterior and interior of the rim, and

3266-431: The divination ceremony, after the cracks were made, characters were written with a brush on the shell or bone to be later carved (Keightley, 1978). Each archaic kingdom of current China continued to revise its set of characters. For more than 2,000 years, China's literati—Confucian scholars and literary men who also served the government as officials—have been connoisseurs and practitioners of this art. In Imperial China ,

3337-399: The eight different strokes in the character, which some argue summarizes the different strokes in regular script. How the brush is held depends on the calligrapher and which calligraphic genre is practiced. Commonly, the brush is held vertically straight gripped between the thumb and middle finger. The index finger lightly touches the upper part of the shaft of the brush (stabilizing it) while

3408-434: The emperor. Semi-cursive script ( simplified Chinese : 行书; traditional Chinese : 行書; pinyin : xíngshū ), is a cursive style of Chinese characters . Because it is not as abbreviated as cursive , most people who can read regular script can read semi-cursive. It is highly useful and also artistic. Cursive script ( simplified Chinese : 草书; traditional Chinese : 草書; pinyin : cǎoshū ) originated in China during

3479-449: The exterior of the belly of the large type of vats. The characters are mostly written singly; character compounds or sentences are rarely seen. The contemporary Chinese character's set principles were clearly visible in ancient China 's Jiǎgǔwén characters (甲骨文) carved on ox scapulas and tortoise plastrons around the 14th–11th century BCE ( Lu & Aiken 2004 ). Brush-written examples decay over time and have not survived. During

3550-463: The form of inscribed ox scapulae and turtle plastrons from sites near modern Anyang (安陽) on the northern border of Henan province. The vast majority were found at the Yinxu site in this region. They record pyromantic divinations of the last nine kings of the Shang dynasty , beginning with Wu Ding , whose accession is dated by different scholars at 1250 BC or 1200 BC. Though there is no proof that

3621-464: The fourth century AD, calligraphy came to full maturity. The kǎishū style (traditional regular script)—still in use today—and attributed to Wang Xizhi (王羲之, 303 CE – 361 AD) and his followers, is even more regularized. reached its peak in the Tang dynasty, when famous calligraphers like Yan Zhenqing and Liu Gongquan produced most of the fine works in kaishu . Its spread was encouraged by Emperor Mingzong of Later Tang (926 CE – 933 AD), who ordered

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3692-421: The graphs on old steles—some dating from 200 BC, and in xiǎozhuàn style (small seal script)—are still accessible. Scribes in China and Mongolia practiced the art of calligraphy to copy Buddhist texts. Since these texts were so venerated, the act of copying them down (and the beautiful calligraphy employed) was supposed to have a purifying effect on the soul. "The Act of copying them [Buddhist texts] could bring

3763-399: The inscriptions were often engraved after the bronze was cast. Bronze inscriptions are one of the earliest scripts in the Chinese family of scripts , preceded by the oracle bone script . Seal script ( Chinese : 篆書; pinyin : zhuànshū ) is an ancient style of writing Chinese characters that was common throughout the latter half of the 1st millennium BC. It evolved organically out of

3834-460: The leftward-falling strokes and anticlockwise curves also tend to have upward tilted ends. Clerical scripts before the formation of these features are often called Qin clerical script ( 秦隶 ; 秦隸 ) or 'old script' ( 古隶 ; 古隸 ), which include the early clerical scripts from the late Warring States period to the early Han dynasty. Clerical scripts with these features are called 'Han script' ( 汉隶 ; 漢隸 ) or bafen ( 八分 ) script. The style of bafen script

3905-483: The limits of this copyist tradition within the modern art scenes, where innovation is the rule, while changing lifestyles, tools, and colors are also influencing new waves of masters. Chinese calligraphy is being promoted in Chinese schools to counter Character amnesia brought on by technology usage. In recent study, Chinese calligraphy writing have been used as cognitive intervention strategy among older adults or people with mild cognitive impairment. For example, in

3976-499: The long-term uses, Xuan paper became well known by most of Chinese calligraphers. In China , Xuanzhi (宣紙), traditionally made in Anhui province, is the preferred type of paper. It is made from the Tatar wingceltis ( Pteroceltis tatarianovii ), as well as other materials including rice , the paper mulberry ( Broussonetia papyrifera ), bamboo , hemp , etc. In Japan , washi

4047-401: The main examples of this style are on steles. The lìshū style (clerical script) which is more regularized, and in some ways similar to modern text, were also authorised under Qin Shi Huang. While it is a common mistake to believe that lishu was created by Cheng Miao alone during Qing Shi Huang's regime, lishu was developed from pre-Qin era to the Han dynasty (202 BC – 220 AD). During

4118-524: The name "neo-clerical" ( simplified Chinese : 新隶体 ; traditional Chinese : 新隸體 ), arose in the Eastern Han dynasty. The script, for convenience, abandoned the heavy tails present in the bafen script, while taking influence from the contemporaneous cursive script . Influenced by this new script style, the semi-cursive script would then arise, which would in turn give rise to the regular script . The neo-clerical form, or an intermediate form of

4189-522: The neo-clerical and the semi-cursive forms, is said to have become the way the common people wrote by the Six Dynasties period. By the Northern and Southern dynasties , the regular script had succeeded the clerical script and become the principal script in use. After the Northern and Southern dynasties, the clerical script was no longer actively in use, but its style survived in calligraphy. In

4260-405: The official script. ) is the newest of the Chinese script styles. The regular script first came into existence between the Han and Wei dynasties, and was not used commonly until later. The regular script became mature stylistically around the 7th century. The first master of regular script is Zhong Yao . Zhong Yao first used regular script to write some very serious pieces such as memorials to

4331-431: The popular but hitherto immature clerical script . Faster ways to write characters developed through four mechanisms: omitting part of a graph, merging strokes together, replacing portions with abbreviated forms (such as one stroke to replace four dots), or modifying stroke styles. This evolution can best be seen on extant bamboo and wooden slats from the period, on which the use of early cursive and immature clerical forms

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4402-522: The printing of the classics using new wooden blocks in kaishu . Printing technologies here allowed shapes to stabilize. The kaishu shape of characters 1000 years ago was mostly similar to that at the end of Imperial China. But small changes have been made, for example in the shape of 广 which is not absolutely the same in the Kangxi Dictionary of 1716 as in modern books. The Kangxi and current shapes have tiny differences, while stroke order

4473-496: The right consistency is achieved. Much cheaper, pre-mixed bottled inks are now available, but these are used primarily for practice as stick inks are considered higher quality and chemical inks are more prone to bleeding over time, making them less suitable for use in hanging scrolls. Learning to rub the ink is an essential part of calligraphy study. Traditionally, Chinese calligraphy is written only in black ink, but modern calligraphers sometimes use other colors. Calligraphy teachers use

4544-557: The ring and little fingers tuck under the bottom of the shaft, leaving a space inside the palm. Alternatively, the brush is held in the right hand between the thumb and the index finger, very much like a Western pen. A calligrapher may change his or her grip depending on the style and script. For example, a calligrapher may grip higher for cursive and lower for regular script . In Japan, smaller pieces of Japanese calligraphy are traditionally written while in seiza . In modern times, however, writers frequently practice calligraphy seated on

4615-468: The small seal script over time, and had become the main script in use in the Han dynasty. Over the course of the Han dynasty, the clerical scripts continued to mature and stabilize, finally arriving at a visually unique style. This style is characterized by the following points: The last two features above are sometimes called the 'wavy propensity' ( simplified Chinese : 波势 ; traditional Chinese : 波勢 ) or 'wavy downward strokes' ( 波磔 ). Additionally,

4686-579: The standard script rendition of their corresponding cursive form ( Chinese : 草書楷化 ; pinyin : cǎoshūkǎihuà ), e.g. 书, 东. Cursive script forms of Chinese characters are also the origin of the Japanese hiragana script. Specifically, hiragana developed from cursive forms of the man'yōgana script, called sōgana ( 草仮名 ) . In Japan, the sōgana cursive script was considered to be suitable for women's writing, and thus came to be referred to as women’s script ( 女手 , onnade ) . Onnade

4757-454: The thick, pronounced and slightly downward tails that are up-tilted at the ends. Historical accounts, including the Book of Han (111 CE) and the postface of Shuowen Jiezi ( c.  100 CE ), mistakenly attribute the clerical script to Qin dynasty clerks, claiming that the clerks had devised the script to cope with the heavy workload. There are also historical traditions dating back to

4828-423: The unconnected style ( Chinese : 獨草 ; pinyin : dúcǎo ; Japanese : 独草 ; rōmaji : dokusō ) where each character is separate, and the connected style ( Chinese : 連綿 ; pinyin : liánmián ; Japanese : 連綿体 ; rōmaji : renmentai ) where each character is connected to the succeeding one. Many simplified Chinese characters are derived from

4899-440: The way to junior high school on a weekly basis at least to the year 1980. Oracle bone script was an early form of Chinese characters written on animals' bones. Written on oracle bones —animal bones or turtle plastrons—it is the earliest known form of Chinese writing. The bones were believed to have prophecies written on them. The first appearance of what we recognize unequivocally to refer as "oracle bone inscriptions" comes in

4970-481: Was already in popular use, and its use by clerks in the Qin dynasty merely reflects this trend. The clerical script was developed from the local script varieties in the state of Qin in the Warring States period . These scripts are said to belong to the Qin-state script system ( 秦系文字 ; 'Qin-branch scripts'), and were the basis on which the Qin small seal script was standardized. The folk varieties of

5041-483: Was still sometimes referred to as 隸書 instead of 楷書 . To distinguish from the Han-dynasty clerical script proper, it was also referred to as the 'recent clerical script' ( 今隶 ; 今隸 ). The Han-dynasty clerical script might accordingly be called the 'old clerical script' ( 古隸 ), which is now also the name for the early clerical scripts before the bafen development. Chinese calligraphy Chinese calligraphy

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