77-482: In Irish mythology , Fragarach (or Freagarthach ), known as "The Whisperer", "The Answerer", or "The Retaliator", was the sword of Nuada , the first high king . The sword was forged by the gods and was meant to be wielded only by those who posed above the stone of destiny (the Lia Fail ) which roared and the sword whispered in response. Nuada lost his arm in the first battle of Mag Tuired and, being mutilated,
154-663: A féth fíada ('magic mist'). They are said to have travelled from the north of the world, but then were forced to live underground in the sídhe after the coming of the Irish. In some tales, such as Baile in Scáil , kings receive affirmation of their legitimacy from one of the Tuath Dé, or a king's right to rule is affirmed by an encounter with an otherworldly woman (see sovereignty goddess ). The Tuath Dé can also bring doom to unrightful kings. The medieval writers who wrote about
231-430: A "goddess of poets". Writing in the seventh century, Tírechán explained the sídh folk as "earthly gods" (Latin dei terreni ), while Fiacc's Hymn says the Irish adored the sídh before the coming of Saint Patrick . Several of the Tuath Dé are cognate with ancient Celtic deities: Lugh with Lugus , Brigid with Brigantia , Nuada with Nodons , and Ogma with Ogmios . Nevertheless, John Carey notes that it
308-422: A desire to record their native culture and hostility to pagan beliefs, resulting in some of the gods being euhemerised . Many of the later sources may also have formed parts of a propaganda effort designed to create a history for the people of Ireland that could bear comparison with the mythological descent of their British invaders from the founders of Rome, as promulgated by Geoffrey of Monmouth and others. There
385-631: A group of manuscripts that originated in the West of Ireland in the late 14th century or the early 15th century: The Yellow Book of Lecan , The Great Book of Lecan and The Book of Ballymote . The first of these is in the Library of Trinity College and the others are in the Royal Irish Academy. The Yellow Book of Lecan is composed of sixteen parts and includes the legends of Fionn Mac Cumhail, selections of legends of Irish Saints, and
462-599: A group of stories of visits to the Irish Other World (which may be westward across the sea, underground, or simply invisible to mortals). The most famous, Oisin in Tir na nÓg belongs to the Fenian Cycle, but several free-standing adventures survive, including The Adventure of Conle , The Voyage of Bran mac Ferbail , and The Adventure of Lóegaire . The voyages, or immrama , are tales of sea journeys and
539-478: A large bearded man or giant wearing a hooded cloak. He owns a magic staff ( lorc ) of dual nature: it kills with one end and brings to life with the other. He also owns a cauldron (the coire ansic ) which never runs empty, and a magic harp ( Uaithne , though this may be the name of the harper), which will not play unless called by its two bynames, and the harp can fly itself to the Dagda when thus beckoned. He
616-415: A one-day errand. To hide the pregnancy from Elcmar, the Dagda casts a spell on him, making "the sun stand still" so he will not notice the passing of time. Meanwhile, Boann gives birth to Aengus , who is also known as Maccán Óg ('the young son'). Eventually, Aengus learns that the Dagda is his true father and asks him for a portion of land. In some versions of the tale, the Dagda helps Aengus take ownership of
693-612: A smooth end which brought the dead back to life (he resuscitated his son Cermait Milbél with the smooth end), but the staff's rough end caused instant death. The staff/club is also described in the Ulster Cycle narrative, Mesca Ulad , where it was called the "terrible iron staff" ( lorg aduathmar iarnaidi ). The Cauldron of the Dagda is one of the Four Treasures of the Tuatha Dé Danann , of which it
770-769: A succession of peoples, the fifth of whom was the people known as the Tuatha Dé Danann ("Peoples of the Goddess Danu"), who were believed to have inhabited the island before the arrival of the Gaels , or Milesians . They faced opposition from their enemies, the Fomorians , led by Balor of the Evil Eye. Balor was eventually slain by Lugh Lámfada (Lugh of the Long Arm) at the second battle of Magh Tuireadh. With
847-523: A triad and connected with sovereignty and sacred animals. They guard the battlefield and those who do battle, and according to the stories in the Táin Bó Cúailnge , some of them may instigate and direct war themselves. The main goddesses of battle are The Morrígan, Macha, and Badb . Other warrior women are seen in the role of training warriors in the Fianna bands, such as Liath Luachra , one of
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#1732780971929924-602: Is a sea-serpent-like monster in Irish mythology and folklore. These monsters were believed to inhabit many lakes and rivers in Ireland and there are legends of saints, especially St. Patrick, and heroes fighting them. The three main manuscript sources for Irish mythology are the late 11th/early 12th century Lebor na hUidre (Book of the Dun Cow), which is in the library of the Royal Irish Academy , and
1001-420: Is considered the great god of Irish mythology . He is the chief god of the Tuatha Dé Danann , with the Dagda portrayed as a father-figure, king, and druid . He is associated with fertility , agriculture , manliness and strength, as well as magic, druidry and wisdom. He can control life and death (cf. his staff, below), the weather and crops, as well as time and the seasons . He is often described as
1078-400: Is generally believed to stem from Proto-Celtic : * Dago-dēwos , meaning "the good god" or "the great god". The Dagda has several other names or epithets which reflect aspects of his character. The name Eochu is a diminutive form of Eochaid, which also has spelling variants of Eochaidh and Echuid. The death and ancestral god Donn may originally have been a form of the Dagda, who
1155-627: Is named as a consort of the Dagda and the mother of his "swift son". Echtgi the loathesome is another daughter of the Dagda's named in the Banshenchas . Before the Second Battle of Mag Tuired the Dagda builds a fortress for Bres called Dún Brese and is also forced by the Fomorian kings Elatha , Indech, and Tethra to build raths . In the lead up to the Second Battle of Mag Tuired, when Lugh asks Dagda what power he will wield over
1232-508: Is not wholly accurate to describe all of them as gods in the medieval literature itself. He argues that the literary Tuath Dé are sui generis , and suggests "immortals" might be a more neutral term. Many of the Tuath Dé are not defined by singular qualities, but are more of the nature of well-rounded humans, who have areas of special interests or skills like the druidic arts they learned before traveling to Ireland. In this way, they do not correspond directly to other pantheons such as those of
1309-684: Is said to dwell in Brú na Bóinne (Newgrange). Other places associated with or named after him include Uisneach , Grianan of Aileach , Lough Neagh and Knock Iveagh . The Dagda is said to be the husband of the Morrígan and lover of Boann . His children include Aengus , Brigit , Bodb Derg , Cermait , Aed , and Midir . The Dagda's name is thought to mean "the good god" or "the great god". His other names include Eochu or Eochaid Ollathair ("horseman, great father"), and Ruad Rofhessa ("mighty one/lord of great knowledge"). There are indications Dáire
1386-626: Is sometimes called Dagda Donn. The Dagda was one of the kings of the Tuatha De Danann. The Tuatha Dé Danann are the race of supernatural beings who conquered the Fomorians , who inhabited Ireland previously, prior to the coming of the Milesians . The Mórrígan is described as his wife, his daughter was Brigit , and his lover was Boann , after whom the River Boyne is named, though she was married to Elcmar and with whom he had
1463-654: Is the Cailleach , said to have lived many lives that begin and end with her in stone formation. She is still celebrated at Ballycrovane Ogham Stone with offerings and the retelling of her life's stories. The tales of the Cailleach connect her to both land and sea. Several Otherworldly women are associated with sacred sites where seasonal festivals are held. They include Macha of Eamhain Mhacha , Carman , and Tailtiu , among others. Warrior goddesses are often depicted as
1540-605: Is the oldest surviving manuscript written entirely in the Irish language; the early 12th-century Book of Leinster , which is in the Library of Trinity College Dublin ; and Bodleian Library, MS Rawlinson B 502 ( Rawl. ), which is in the Bodleian Library at the University of Oxford . Despite the dates of these sources, most of the material they contain predates their composition. Other important sources include
1617-622: The Dagda 's name is interpreted in medieval texts as "the good god". Nuada is cognate with the British god Nodens ; Lugh is a reflex of the pan- Celtic deity Lugus , the name of whom may indicate "Light"; Tuireann may be related to the Gaulish Taranis ; Ogma to Ogmios ; the Badb to Catubodua . The Ulster Cycle is traditionally set around the first century AD, and most of
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#17327809719291694-729: The Fomorians . Important works in the cycle are the Lebor Gabála Érenn ("Book of Invasions"), a legendary history of Ireland, the Cath Maige Tuired ("Battle of Moytura"), and the Aided Chlainne Lir (" Children of Lir "). The Ulster Cycle consists of heroic legends relating to the Ulaid , the most important of which is the epic Táin Bó Cúailnge ("Cattle Raid of Cooley"). The Fenian Cycle focuses on
1771-474: The Greeks or Romans . Irish goddesses or Otherworldly women are usually connected to the land, the waters, and sovereignty, and are often seen as the oldest ancestors of the people in the region or nation. They are maternal figures caring for the earth itself as well as their descendants, but also fierce defenders, teachers and warriors. The goddess Brigid is linked with poetry, healing, and smithing. Another
1848-514: The Togail Troí , an Irish adaptation of Dares Phrygius ' De excidio Troiae historia , found in the Book of Leinster. They also argue that the material culture depicted in the stories is generally closer to that of the time of their composition than to that of the distant past. The Mythological Cycle , comprising stories of the former gods and origins of the Irish, is the least well preserved of
1925-421: The bards of nobility. Once the noble houses started to decline, this tradition was put to an abrupt end. The bards passed the stories to their families, and the families would take on the oral tradition of storytelling. During the first few years of the 20th century, Herminie Templeton Kavanagh wrote down many Irish folk tales, which she published in magazines and in two books. Twenty-six years after her death,
2002-442: The prehistoric era . In the early medieval era , some myths were transcribed by Christian monks , who heavily altered and Christianised the myths. Irish mythology is the best-preserved branch of Celtic mythology . The myths are conventionally grouped into ' cycles '. The Mythological Cycle consists of tales and poems about the god-like Tuatha Dé Danann , who are based on Ireland's pagan deities, and other mythical races like
2079-517: The Brú from Elcmar. Aengus asks and is given the Brú for láa ocus aidche ; because in Old Irish this could mean either "a day and a night" or "day and night", Aengus claims it forever. Other versions have Aengus taking over the Brú from the Dagda himself by using the same trick. It has been suggested that this tale represents the winter solstice illumination of Newgrange at Brú na Bóinne, during which
2156-529: The Cycle of the Kings, or more correctly Cycles, as there are a number of independent groupings. This term is a more recent addition to the cycles, with it being coined in 1946 by Irish literary critic Myles Dillon . The kings that are included range from the almost entirely mythological Labraid Loingsech , who allegedly became High King of Ireland around 431 BC, to the entirely historical Brian Boru . However,
2233-549: The Dagda as a figure of immense power. He is said to own a magic staff, club or mace which could kill nine men with one blow; but with the handle he could return the slain to life. He owned a magic harp. In the tract found in the Yellow Book of Lecan , there were three items the Dagda named together, his staff ( lorc ), there was the shirt léine ) of protection from sickness, and the cloak ( lumman of shape-shifting and color-change. The "great staff" ( lorg mór ) had
2310-478: The Dagda called upon his harp by its two names: "Come Daur Dá Bláo / Come Cóir Cetharchair / Come summer, come winter.." the harp leapt off the wall and came to him. The harp was forbidden by the Dagda from issuing any sound, unless thus called upon by the names, which translate to "Oak of Two Meadows" and "the Four Angled Music"; Hence, harp was a richly ornamented magic harp made of oak which, when
2387-481: The Dagda played it, put the seasons in their correct order; The Dagda had the skill to play the "Three Strains" (joy, sorrow, sleep) which he used to immobilize the Fomorians and escape. He possessed two pigs, one of which was always growing whilst the other was always roasting, and ever-laden fruit trees. He is also described as being the owner of a black-maned heifer that was given to him for his labours prior to
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2464-478: The Dagda. In the Aislinge Oengusso or Dream of Aengus the Dagda and Boand help Aengus to find a mysterious woman who he has fallen in love with in his dreams. In a poem about Mag Muirthemne , the Dagda banishes an octopus with his "mace of wrath" using the following words: "Turn thy hollow head! Turn thy ravening body! Turn thy resorbent forehead! Avaunt! Begone!", the sea receded with the creature and
2541-637: The Fianna Cycle is the Acallam na Senórach ( Colloquy of the Old Men ), which is found in two 15th century manuscripts, the Book of Lismore and Laud 610, as well as a 17th century manuscript from Killiney , County Dublin . The text is dated from linguistic evidence to the 12th century. The text records conversations between Caílte mac Rónáin and Oisín , the last surviving members of
2618-596: The Fianna, and Saint Patrick , and consists of about 8,000 lines. The late dates of the manuscripts may reflect a longer oral tradition for the Fenian stories. The Fianna of the story are divided into the Clann Baiscne, led by Fionn mac Cumhaill (often rendered as "Finn MacCool", Finn Son of Cumhall), and the Clann Morna, led by his enemy, Goll mac Morna . Goll killed Fionn's father, Cumhal , in battle and
2695-458: The Fomorian host, he responds that he "will take the side of the men of Erin both in mutual smiting and destruction and wizardry. Their bones under my club will be as many as hailstones under feet of herds of horses". The Dagda has an affair with Boann , the goddess of the River Boyne. She lives at Brú na Bóinne with her husband Elcmar . The Dagda impregnates her after sending Elcmar away on
2772-625: The Fomorians in the Battle of Mag Tuired . This has been likened to other Indo-European myths of a war between gods, such as the Æsir and Vanir in Norse mythology and the Olympians and Titans in Greek mythology . Heroes in Irish mythology can be found in two distinct groups. There is the lawful hero who exists within the boundaries of the community, protecting their people from outsiders. Within
2849-635: The Gaelic-speaking community in Scotland and there are many extant texts from that country. They also differ from the Ulster Cycle in that the stories are told mainly in verse and that in tone they are nearer to the tradition of romance than the tradition of epic. The stories concern the doings of Fionn mac Cumhaill and his band of soldiers, the Fianna . The single most important source for
2926-561: The Mythological Cycle represents a Golden Age, the Ulster Cycle is Ireland's Heroic Age . Like the Ulster Cycle, the Fianna Cycle or Fenian Cycle, also referred to as the Ossianic Cycle, is concerned with the deeds of Irish heroes. The stories of the Cycle appear to be set around the 3rd century and mainly in the provinces of Leinster and Munster . They differ from the other cycles in the strength of their links with
3003-477: The Second Battle of Moytura. When the heifer calls her calf, all the cattle of Ireland taken by the Fomorians as tribute graze. The Dagda is said to be husband of the Morrígan , who is called his "envious wife". His children include Aengus , Cermait , and Aed (often called the three sons of the Dagda), Brigit and Bodb Derg . He is said to have two brothers, Nuada and Ogma , but this may be an instance of
3080-455: The Tuath Dé were Christians. Sometimes they explained the Tuath Dé as fallen angels ; neutral angels who sided neither with God nor Lucifer and were punished by being forced to dwell on the Earth; or ancient humans who had become highly skilled in magic. However, several writers acknowledged that at least some of them had been gods. There is strong evidence that many of the Tuath Dé represent
3157-532: The Tuatha Dé Danann were defeated by the Milesians. By the Middle Ages, the Tuatha Dé Danann were not viewed so much as gods as the shape-shifting magician population of an earlier Golden Age Ireland. Texts such as Lebor Gabála Érenn and Cath Maige Tuireadh present them as kings and heroes of the distant past, complete with death-tales. However, there is considerable evidence, both in the texts and from
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3234-492: The Ulster Cycle is the Táin Bó Cúailnge . Other important Ulster Cycle tales include The Tragic Death of Aife's only Son , Bricriu's Feast , and The Destruction of Da Derga's Hostel . The Exile of the Sons of Usnach , better known as the tragedy of Deirdre and the source of plays by John Millington Synge , William Butler Yeats , and Vincent Woods , is also part of this cycle. This cycle is, in some respects, close to
3311-515: The Wooing Of Étain and Cath Maige Tuireadh , the (second) Battle of Magh Tuireadh . One of the best known of all Irish stories, Oidheadh Clainne Lir , or The Tragedy of the Children of Lir , is also part of this cycle. Lebor Gabála Érenn is a pseudo-history of Ireland, tracing the ancestry of the Irish back to before Noah . It tells of a series of invasions or "takings" of Ireland by
3388-639: The action takes place in the provinces of Ulster and Connacht . It consists of a group of heroic tales dealing with the lives of Conchobar mac Nessa , king of Ulster, the great hero Cú Chulainn , who was the son of Lug ( Lugh ), and of their friends, lovers, and enemies. These are the Ulaid , or people of the North-Eastern corner of Ireland and the action of the stories centres round the royal court at Emain Macha (known in English as Navan Fort), close to
3465-505: The arrival of the Gaels, the Tuatha Dé Danann retired underground to become the fairy people of later myth and legend. The Metrical Dindshenchas is the great onomastics work of early Ireland, giving the naming legends of significant places in a sequence of poems. It includes a lot of important information on Mythological Cycle figures and stories, including the Battle of Tailtiu, in which
3542-610: The boy Fionn was brought up in secrecy. As a youth, while being trained in the art of poetry, he accidentally burned his thumb while cooking the Salmon of Knowledge, which allowed him to suck or bite his thumb to receive bursts of stupendous wisdom. He took his place as the leader of his band and numerous tales are told of their adventures. Two of the greatest of the Irish tales, Tóraigheacht Dhiarmada agus Ghráinne ( The Pursuit of Diarmuid and Gráinne ) and Oisín in Tír na nÓg form part of
3619-425: The cycle. The Diarmuid and Grainne story, which is one of the cycle's few prose tales, is a probable source of Tristan and Iseult . The world of the Fianna Cycle is one in which professional warriors spend their time hunting, fighting, and engaging in adventures in the spirit world. New entrants into the band are expected to be knowledgeable in poetry as well as undergo a number of physical tests or ordeals. Most of
3696-542: The cycles; these include the echtrai tales of journeys to the Otherworld (such as The Voyage of Bran ), and the Dindsenchas ("lore of places"). Some written materials have not survived, and many more myths were likely never written down. The main supernatural beings in Irish mythology are the Tuatha Dé Danann ("the folk of the goddess Danu"), also known by the earlier name Tuath Dé ("god folk" or "tribe of
3773-600: The earliest known version of the Táin Bó Cúailnge ("The Cattle Raid of Cooley"). This is one of Europe's oldest epics written in a vernacular language. Other 15th-century manuscripts, such as The Book of Fermoy , also contain interesting materials, as do such later syncretic works such as Geoffrey Keating 's Foras Feasa ar Éirinn ( The History of Ireland ) ( c. 1640 ). These later compilers and writers may well have had access to manuscript sources that have since disappeared. Most of these manuscripts were created by Christian monks , who may well have been torn between
3850-478: The exploits of the mythical hero Finn and his warrior band the Fianna , including the lengthy Acallam na Senórach ("Tales of the Elders"). The Cycles of the Kings comprises legends about historical and semi-historical kings of Ireland (such as Buile Shuibhne , "The Madness of King Sweeny"), and tales about the origins of dynasties and peoples. There are also mythological texts that do not fit into any of
3927-762: The four cycles. It is about the principal people who invaded and inhabited the island. The people include Cessair and her followers, the Formorians, the Partholinians, the Nemedians, the Firbolgs, the Tuatha Dé Danann , and the Milesians. The most important sources are the Metrical Dindshenchas or Lore of Places and the Lebor Gabála Érenn or Book of Invasions . Other manuscripts preserve such mythological tales as The Dream of Aengus ,
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#17327809719294004-539: The god Aengus. Prior to the battle with the Fomorians , he coupled with the goddess of war, the Mórrígan , on Samhain . (Cf. § Family ). Of Dagda it is stated "He was a beautiful god of the heathens, for the Tuatha Dé Danann worshipped him: for he was an earth-god to them because of the greatness of his magical power", in the Middle Irish language Coir Anmann (The Fitness of Names) says: Tales depict
4081-419: The gods of Irish paganism . The name itself means "tribe of gods", and the ninth-century Scél Tuain meic Cairill (Tale of Tuan mac Cairill ) speaks of the Tuath Dé ocus Andé , "tribe of gods and un-gods". Goibniu, Credne and Luchta are called the trí dé dáno , "three gods of craft". In Sanas Cormaic ( Cormac's Glossary), Anu is called "mother of the Irish gods", Nét a "god of war", and Brigid
4158-469: The gods"). Early medieval Irish writers also called them the fir dé (god-men) and cenéla dé (god-kindreds), possibly to avoid calling them simply 'gods'. They are often depicted as kings, queens, bards, warriors, heroes, healers and craftsmen who have supernatural powers and are immortal. Prominent members include The Dagda ("the great god"); The Morrígan ("the great queen" or "phantom queen"); Lugh ; Nuada ; Aengus ; Brigid ; Manannán ; Dian Cécht
4235-488: The greatest glory of the Kings' Cycle is the Buile Shuibhne ( The Frenzy of Sweeney ), a 12th century tale told in verse and prose. Suibhne, king of Dál nAraidi , was cursed by St. Ronan and became a kind of half-man, half bird, condemned to live out his life in the woods, fleeing from his human companions. The story has captured the imaginations of contemporary Irish poets and has been translated by Trevor Joyce and Seamus Heaney . The adventures, or echtrae , are
4312-536: The healer; and Goibniu the smith. They are also said to control the fertility of the land; the tale De Gabáil in t-Sída says the first Gaels had to establish friendship with the Tuath Dé before they could raise crops and herds. They dwell in the Otherworld but interact with humans and the human world. Many are associated with specific places in the landscape, especially the sídhe : prominent ancient burial mounds such as Brú na Bóinne , which are entrances to Otherworld realms. The Tuath Dé can hide themselves with
4389-430: The iconography of the Gundestrup Cauldron . However, these "nativist" claims have been challenged by "revisionist" scholars who believe that much of the literature was created, rather than merely recorded, in Christian times, more or less in imitation of the epics of classical literature that came with Latin learning. The revisionists point to passages apparently influenced by the Iliad in Táin Bó Cuailnge , and to
4466-429: The kin-group or tuath , heroes are human and gods are not. The Fianna warrior bands are seen as outsiders, connected with the wilderness, youth, and liminal states. Their leader was called Fionn mac Cumhaill, and the first stories of him are told in fourth century. They are considered aristocrats and outsiders who protect the community from other outsiders; though they may winter with a settled community, they spend
4543-468: The later Voyage of St. Brendan . While not as ancient, later 8th century AD works, that influenced European literature, include The Vision of Adamnán . Although there are no written sources of Irish mythology, many stories are passed down orally through traditional storytelling. Some of these stories have been lost, but some Celtic regions continue to tell folktales to the modern-day. Folktales and stories were primarily preserved by monastic scribes from
4620-470: The modern town of Armagh . The Ulaid had close links with the Irish colony in Scotland , and part of Cú Chulainn's training takes place in that colony. The cycle consists of stories of the births, early lives and training, wooing, battles, feastings, and deaths of the heroes. It also reflects a warrior society in which warfare consists mainly of single combats and wealth is measured mainly in cattle. These stories are written mainly in prose. The centerpiece of
4697-410: The mythological cycle. Some of the characters from the latter reappear, and the same sort of shape-shifting magic is much in evidence, side by side with a grim, almost callous realism. While we may suspect a few characters, such as Medb or Cú Roí , of once being deities, and Cú Chulainn in particular displays superhuman prowess, the characters are mortal and associated with a specific time and place. If
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#17327809719294774-498: The native Irish gods with their homes in burial mounds. The third group are the gods that dwell in the sea and the fourth group includes stories of the Otherworld. The gods that appear most often are the Dagda and Lugh. Some scholars have argued that the stories of these gods align with Greek stories and gods. The Fomorians or Fomori ( Old Irish : Fomóire ) are a supernatural race, who are often portrayed as hostile and monstrous beings. Originally, they were said to come from under
4851-437: The plain of Mag Muirthemne was left behind. In the Dindsenchas the Dagda is described as swift with a poison draught and as a justly dealing lord. He is also called a King of Erin with hosts of hostages, a noble, slender prince, and the father of Cermait, Aengus, and Aed. He is credited with a seventy- or eighty-year reign (depending on source) over the Tuatha Dé Danann , before dying at Brú na Bóinne, finally succumbing to
4928-437: The poems are attributed to being composed by Oisín . This cycle creates a bridge between pre-Christian and Christian times. It was part of the duty of the medieval Irish bards, or court poets , to record the history of the family and the genealogy of the king they served. This they did in poems that blended the mythological and the historical to a greater or lesser degree. The resulting stories from what has come to be known as
5005-414: The sea or the earth. Later, they were portrayed as sea raiders, which was probably influenced by the Viking raids on Ireland around that time. Later still they were portrayed as giants. They are enemies of Ireland's first settlers and opponents of the Tuatha Dé Danann, although some members of the two races have offspring. The Fomorians were viewed as the alter-egos to the Tuath Dé The Tuath Dé defeat
5082-535: The summers living wild, training adolescents and providing a space for war-damaged veterans. The time of vagrancy for these youths is designated as a transition in life post puberty but pre-manhood. Manhood being identified as owning or inheriting property. They live under the authority of their own leaders, or may be somewhat anarchic, and may follow other deities or spirits than the settled communities. The church refused to recognize this group as an institution and referred to them as "sons of death". The Oilliphéist
5159-436: The sunbeam (the Dagda) enters the inner chamber (the womb of Boann) when the sun's path stands still. The word solstice (Irish grianstad ) means sun-standstill. The conception of Aengus may represent the 'rebirth' of the sun at the winter solstice, him taking over the Brú from an older god representing the growing sun taking over from the waning sun. The Tochmarc Étaíne , tells the story of how Bóand conceives Aengus by
5236-561: The tales from her two books, Darby O'Gill and the Good People and Ashes of Old Wishes, were made into the film Darby O'Gill and the Little People . Noted Irish playwright Lady Gregory also collected folk stories to preserve Irish history. The Irish Folklore Commission gathered folk tales from the general Irish populace from 1935 onward. Primary sources in English translation Primary sources in Medieval Irish Secondary sources The Dagda The Dagda ( Old Irish : In Dagda [ˈdaɣða] , Irish : An Daghdha )
5313-399: The tendency to triplicate deities . Elsewhere the Dagda is linked exclusively with Ogma, and the two are called "the two brothers." In the Dindsenchas, the Dagda is given a daughter named Ainge, for whom he makes a twig basket or tub that always leaks when the tide is in and never leaks when it is going out. The Dagda's father is named Elatha son of Delbeath. Englec, the daughter of Elcmar,
5390-507: The wider Celtic world, that they were once considered deities . Even after they are displaced as the rulers of Ireland, characters such as Lugh , the Mórrígan , Aengus and Manannán Mac Lir appear in stories set centuries later, betraying their immortality. A poem in the Book of Leinster lists many of the Tuatha Dé, but ends "Although [the author] enumerates them, he does not worship them". Goibniu , Creidhne and Luchta are referred to as Trí Dé Dána ("three gods of craftsmanship"), and
5467-418: The women who trained the hero Fionn mac Cumhaill . Zoomorphism is an important feature. Badb Catha, for instance, is "the Raven of Battle", and in the Táin Bó Cúailnge , The Morrígan shapeshifts into an eel, a wolf, and a cow. Irish gods are divided into four main groups. Group one encompasses the older gods of Gaul and Britain. The second group is the main focus of much of the mythology and surrounds
5544-568: The wonders seen on them that may have resulted from the combination of the experiences of fishermen combined and the Other World elements that inform the adventures. Of the seven immrama mentioned in the manuscripts, only three have survived: The Voyage of Máel Dúin , the Voyage of the Uí Chorra , and the Voyage of Snedgus and Mac Riagla . The Voyage of Mael Duin is the forerunner of
5621-519: Was also a tendency to rework Irish genealogies to fit them into the schemas of Greek or biblical genealogy. Whether medieval Irish literature provides reliable evidence of oral tradition remains a matter for debate. Kenneth Jackson described the Ulster Cycle as a "window on the Iron Age", and Garret Olmsted has attempted to draw parallels between Táin Bó Cuailnge , the Ulster Cycle epic and
5698-723: Was another name for him. The death and ancestral god Donn may originally have been a form of the Dagda, and he also has similarities with the later harvest figure Crom Dubh . Several tribal groupings saw the Dagda as an ancestor and were named after him, such as the Uí Echach and the Dáirine . The Dagda has been likened to the Germanic god Odin , the Gaulish god Sucellos , and the Roman god Dīs Pater . The Old Irish name Dagda
5775-533: Was no longer suitable to be high king. So, for the second battle of Mag Tuired, Nuada chose Lugh as provisional king. Using his spear and a sling given to him by Manannán mac Lir , Lugh defeated the Formorians and their king Balor . During the battle, Nuada gave Lugh his sword, as a symbol of the king. Neither the poems nor the Lebor Gabála Érenn say whether Lugh wielded the sword in the battle. It
5852-454: Was said "an assembly used not to go unsatisfied from it". The cauldron "signified plenty and generousity". Hence, his magic cauldron was otherwise known as the coire ansic ("the un-dry cauldron"). After Úaithne , the Dagda's harper was abducted by the Fomorians , the Dagda went to the enemy's hall and retrieved his magic harp , which had two names, according to the text of the Cath Maige Tuired ("Second Battle of Moytura"). And when
5929-436: Was said that, with Fragarach at their throat, no one could move or tell a lie, thus the name "Answerer". The sword was also said to place the wind at the user's command and could cut through any shield or wall, and that it inflicted piercing wounds from which no man could recover. Irish mythology Irish mythology is the body of myths indigenous to the island of Ireland . It was originally passed down orally in
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