In relational psychoanalysis , the term enactment is used to describe the non-reflecting playing out of a mental scenario, rather than verbally describing the associated thoughts and feelings.
87-802: Acting is an activity in which a story is told by means of its enactment by an actor who adopts a character —in theatre , television , film , radio , or any other medium that makes use of the mimetic mode . Acting involves a broad range of skills, including a well-developed imagination , emotional facility , physical expressivity, vocal projection , clarity of speech , and the ability to interpret drama . Acting also demands an ability to employ dialects , accents , improvisation , observation and emulation, mime , and stage combat . Many actors train at length in specialist programs or colleges to develop these skills. The vast majority of professional actors have gone through extensive training. Actors and actresses will often have many instructors and teachers for
174-530: A speakers bureau , or by other means. Public speaking plays a large role in the professional world. It is believed that 70 percent of all jobs involve some form of public speaking. New technology has opened different forms of public speaking that are non-traditional such as TED Talks , which are conferences that are broadcast globally. This form of public speaking has created a wider audience base because public speaking can now reach both physical and virtual audiences. These audiences can be watching from all around
261-493: A calmer and more relaxed physiology . Measuring a public speaker's heart rate is perhaps one of the easiest ways to assess changes in stress , as heart rate increases with anxiety . As actors increase their performances, heart rate and other signs of stress may decrease. This is very important in training actors, as adaptive strategies gained from increased exposure to public speaking can regulate implicit and explicit anxiety. By attending an institution that specializes in acting,
348-694: A club such as Rostrum , Toastmasters International , Association of Speakers Clubs (ASC), or Speaking Circles , in which members are assigned exercises to improve their speaking skills. Members learn by observation and practice and hone their skills by listening to constructive suggestions, followed by new public speaking exercises. Toastmasters International is a public speaking organization with over 15,000 clubs worldwide and more than 300,000 members. This organization helps individuals with their public speaking skills, as well as leadership skills necessary to become effective public speakers such as content development, club development, and speech contests. Members of
435-475: A communication tool effectively, and continuously researching their topic area of focus. They also recognize that content is king and advocate writing as a self-training exercise because it requires a speaker to focus on developing the content, not just speaking techniques. Public speaking for business and commercial events is often done by professionals, whose expertise is well established. These speakers can be contracted independently, through representation by
522-487: A company, modelled on the medieval strolling players , in which a playwright and group of young actors would devise new plays together by means of improvisation. Stanislavski would develop this use of improvisation in his work with his First Studio of the Moscow Art Theatre . Stanislavski's use was extended further in the approaches to acting developed by his students, Michael Chekhov and Maria Knebel . In
609-412: A connection between the speaker's concern and the audience's interest. Chinese rhetoric analyzes public speakers based on three standards: Although evidence of public speaking training exists in ancient Egypt , the first known writing on oratory is 2,000 years old from ancient Greece . This work elaborates on principles drawn from the practices and experiences of ancient Greek orators. Aristotle
696-592: A full range of training involving singing , scene-work, audition techniques, and acting for camera . Most early sources in the West that examine the art of acting ( ‹See Tfd› Greek : ὑπόκρισις , hypokrisis ) discuss it as part of rhetoric . One of the first known actors was an ancient Greek called Thespis of Icaria in Athens . Writing two centuries after the event, Aristotle in his Poetics ( c. 335 BCE ) suggests that Thespis stepped out of
783-462: A group of teachers called Sophists , who taught paying students how to speak effectively using their methods. Separately from the Sophists, Socrates , Plato , and Aristotle developed their theories of public speaking, teaching these principles to students interested in learning rhetorical skills. Plato founded The Academy and Aristotle founded The Lyceum to teach these skills. Demosthenes
870-443: A high value on ethics. Ancient Chinese rhetoric had three objectives: (i) using language to reflect people's feelings; (ii) using language to be more pointed, effective, and impactful; and (iii) using rhetoric as an "aesthetic tool." Chinese rhetoric traditionally focused more on the written than the spoken word, but both share similar characteristics of construction. A unique and key difference between Chinese and Western rhetoric
957-405: A highly valued skill in various sectors, including government, industry, and advocacy. It has also evolved with the advent of digital technologies, incorporating video conferencing , multimedia presentations, and other innovative forms of communication. The main objective of public speaking is to inform or change the audience's thoughts and actions. The function of public speaking is determined by
SECTION 10
#17327657062561044-567: A key figure in the study of public speaking, advocated for speeches that could profoundly affect individuals, including those not present in the audience. He believed that words possess the power to inspire actions capable of changing the world. In the Western tradition, public speaking was extensively studied in Ancient Greece and Ancient Rome , where it was a fundamental component of rhetoric, analyzed by prominent thinkers. Aristotle ,
1131-420: A message's impact. Rhetorical questions, anecdotes, generalizations, exaggerations, metaphors, and irony may be employed to increase the likelihood of persuading an audience. Though historically uncommon, speakers today are enabled to utilise statistics , data as well as other sources of information, such as the internet , in order to strengthen their argument, stance or proposal; This has only evolved during
1218-412: A notable increase in the number of training solutions, offered in the form of video and online courses. Videos can provide simulated examples of behaviors to emulate. Professional public speakers often engage in ongoing training and education to refine their craft. This may include seeking guidance to improve their speaking skills, such as learning better storytelling techniques, learning how to use humor as
1305-442: A performance has a potentially greater impact on an actors career. After the show a decrease in the heart rate due to the conclusion of the stress inducing activity can be seen. Often the heart rate will return to normal after the show or performance is done; however, during the applause after the performance there is a rapid spike in heart rate. This can be seen not only in actors but also with public speaking and musicians . There
1392-662: A powerful orator, who led many women to rebel through militant forms until the outbreak of World War I in 1914. Kishida Toshiko (1861–1901) was a female speaker during the Meiji era in Japan . In October 1883, she publicly delivered a speech entitled 'Hakoiri Musume' (Daughters Kept in Boxes) in front of approximately 600 people. Presented in Yotsu no Miya Theater in Kyoto , she criticized
1479-479: A response. A character is created by the actor, often without reference to a dramatic text, and a drama is developed out of the spontaneous interactions with other actors. This approach to creating new drama has been developed most substantially by the British filmmaker Mike Leigh , in films such as Secrets & Lies (1996), Vera Drake (2004), Another Year (2010), and Mr. Turner (2014). Improvisation
1566-492: A role assumed during childhood, which is recited on the stage of the analyst 's consulting room. The analyst is given a specific role to play, and in this context both the patient and the analyst lose their sense of distance, interacting with each other verbally and non–verbally to create intra-psychic dynamics in the form of interactions within the therapeutic setting. According to relational theorists, though enactments are unconscious patterns of dyadic interactions to which both
1653-555: A school's approach, students should expect intensive training in textual interpretation, voice, and movement. Applications to drama programmes and conservatories usually involve extensive auditions . Anybody over the age of 18 can usually apply. Training may also start at a very young age. Acting classes and professional schools targeted at under-18s are widespread. These classes introduce young actors to different aspects of acting and theatre, including scene study. Increased training and exposure to public speaking allows people to maintain
1740-655: A study of the ways in which aspects of a performance come to operate for its audience as signs . This process largely involves the production of meaning, whereby elements of an actor's performance acquire significance, both within the broader context of the dramatic action and in the relations each establishes with the real world. Following the ideas proposed by the Surrealist theorist Antonin Artaud , however, it may also be possible to understand communication with an audience that occurs 'beneath' significance and meaning (which
1827-439: A wider audience. The intervention style of speaking is a relatively new method proposed by rhetorical theorist William R. Brown. This style revolves around the theory of idealism , which holds that humans create a symbolic meaning for life and the things around them. Due to this, the symbolic meaning of everything changes based on the way one communicates. When approaching communication with an intervention style, communication
SECTION 20
#17327657062561914-585: Is a correlation between heart-rate and stress when actors' are performing in front of an audience. Actors claim that having an audience has no change in their stress level, but as soon as they come on stage their heart-rate rises quickly. A 2017 study done in an American University looking at actors' stress by measuring heart-rate showed individual heart-rates rose right before the performance began for those actors opening. There are many factors that can add to an actors' stress. For example, length of monologues, experience level, and actions done on stage including moving
2001-480: Is a term derived from the Latin word "persuadere." Persuasive speaking aims to change the audience's beliefs and is commonly used in political debates. Leaders use such public forums in an attempt to persuade their audience, whether they be the general public or government officials. Persuasive speaking involves four essential elements: (i) the speaker or persuader; (ii) the audience; (iii) the speaking method; and (iv)
2088-663: Is also used to cover up if an actor or actress makes a mistake. Acting in front of an audience many times can cause "stage fright", a form of stress in which someone becomes anxious in front of an audience. This is common among actors, especially new actors, and can cause symptoms such as increased heart rate, increased blood pressure, and sweating. In a 2017 study on American university students, actors of various experience levels all showed similarly elevated heart rates throughout their performances; this agrees with previous studies on professional and amateur actors' heart rates. While all actors experienced stress, causing elevated heart rate,
2175-420: Is concerned to bring out clearly the socio historical significance of behaviour and action by means of specific performance choices—a process that he describes as establishing the " not/but " element in a performed physical " gestus " within context of the play's overall " Fabel ". Eugenio Barba argues that actors ought not to concern themselves with the significance of their performance behaviour; this aspect
2262-533: Is helpful for large conference meetings and face-to-face communication between parties without demanding the inconvenience of travel. An organization called the Penguin Club of Australia was founded in Sydney in 1937 and aimed at developing women's communication skills. Led by Jean Ellis, the organization spread to other territories of Australia and current-day Papua New Guinea over time. A main premise of
2349-472: Is known for sticking pebbles into his mouth to improve his pronunciation, talking while running so that he would not lose his breath, and practicing speaking in front of a mirror to improve his delivery. When Philip II, the ruler of Macedon, tried to conquer the Greeks, Demosthenes made a speech called Kata Philippou A. In this speech, he spoke about why he opposed Philip II as a threat to all of Greece. This
2436-443: Is often mentioned as one of the most common phobias. The reason is uncertain, but it has been speculated that this fear is primal, similar to how animals fear being seen by predators. The apprehension experienced when speaking in public can have several causes, such as social anxiety disorder , or a prior experience of public humiliation. This can be related to stage fright . Effective public speaking can be developed by joining
2523-422: Is persuaded by considering people's interests and how the society in which they live influences their interests. In his writing De Inventione , Cicero explained the five canons or tenets of rhteoric. The five canons apply to rhetoric and public speaking. The five canons are invention, arrangement, style, memory, and delivery. The fear of speaking in public, known as glossophobia or public speaking anxiety,
2610-408: Is similar to dialect : he defines both as being acts of persuasion. However, dialect is the act of persuading someone in private, whereas rhetoric is about persuading people in a public setting. Aristotle defines someone who practices rhetoric or a "rhetorician" as an individual who can comprehend persuasion and how it is applied. Aristotle divides rhetoric into three elements: (i) the speaker; (ii)
2697-453: Is the audience targeted for persuasion. In Chinese rhetoric, state rulers were the audience, whereas Western rhetoric targets the public. Another difference between Chinese and Western rhetoric practices is how a speaker establishes credibility or Ethos . In Chinese rhetoric, the speaker does not focus on individual credibility, like Western rhetoric. Instead, the speaker focuses on collectivism by sharing personal experiences and establishing
Acting - Misplaced Pages Continue
2784-407: Is the body's way of responding to stress. Prior to a show, one will see an increase in heart rate due to anxiety. While performing an actor has an increased sense of exposure which will increase performance anxiety and the associated physiological arousal, such as heart rate. Heart rates increases more during shows compared to rehearsals because of the increased pressure, which is due to the fact that
2871-505: Is the responsibility, he claims, of the director , who weaves the signifying elements of an actor's performance into the director's dramaturgical "montage". The theatre semiotician Patrice Pavis , alluding to the contrast between Stanislavski's 'system' and Brecht's demonstrating performer—and, beyond that, to Denis Diderot 's foundational essay on the art of acting, Paradox of the Actor ( c. 1770 –78)—argues that: Acting
2958-501: Is understood to be responsible for the constant changes in society, behaviors, and how one considers the meaning behind objects, ideologies, and everyday life. From an interventional perspective, when individuals communicate, they are intervening with what is already a reality and might "shift symbolic reality." This approach to communication encompasses the possibility or idea that one may be responsible for unexpected outcomes due to what and how one communicates. This perspective widens
3045-496: The Elizabethan era specific buildings for acting were built, they were known as "play-houses" rather than " theatres ." Actors and actresses need to make a resume when applying for roles. The acting resume is very different from a normal resume; it is generally shorter, with lists instead of paragraphs, and it should have a head shot on the back. Sometimes, a resume also contains a short 30-second to 1-minute reel displaying
3132-585: The Roman Empire , though less central to political life than during the Republic, remained important in law and entertainment. Famous orators were celebrities in ancient Rome, becoming wealthy and prominent in society. The ornate Latin style was the primary form of oration through the mid-20th century. After World War II and the increased use of film and television, the Latin oration style began to fall out of favor. This cultural change likely had to do with
3219-461: The dithyrambic chorus and addressed it as a separate character . Before Thespis, the chorus narrated (for example, "Dionysus did this, Dionysus said"). When Thespis stepped out from the chorus, he spoke as if he were the character (for example, "I am Dionysus, I did this"). To distinguish between these different modes of storytelling—enactment and narration—Aristotle uses the terms " mimesis " (via enactment) and " diegesis " (via narration). From
3306-514: The Greek actor Thespis ' name derives the word "thespian". Conservatories and drama schools typically offer two- to four-year training on all aspects of acting. Universities mostly offer three- to four-year programs, in which a student is often able to choose to focus on acting, whilst continuing to learn about other aspects of theatre . Schools vary in their approach, but in North America
3393-664: The Russian theatre practitioner Konstantin Stanislavski 's 'system' of actor training, which he developed from the 1910s onwards. Late in 1910, the playwright Maxim Gorky invited Stanislavski to join him in Capri , where they discussed training and Stanislavski's emerging "grammar" of acting. Inspired by a popular theatre performance in Naples that utilised the techniques of the commedia dell'arte , Gorky suggested that they form
3480-882: The United Kingdom, the use of improvisation was pioneered by Joan Littlewood from the 1930s onwards and, later, by Keith Johnstone and Clive Barker. In the United States, it was promoted by Viola Spolin , after working with Neva Boyd at a Hull House in Chicago, Illinois (Spolin was Boyd's student from 1924 to 1927). Like the British practitioners, Spolin felt that playing games was a useful means of training actors and helped to improve an actor's performance. With improvisation, she argued, people may find expressive freedom, since they do not know how an improvised situation will turn out. Improvisation demands an open mind in order to maintain spontaneity, rather than pre-planning
3567-588: The action of parents that shelter their daughters from the outside world. Despite her prompt arrest, Kishida demonstrated the ability of Japanese women to evoke women's issues, experiences, and liberation in public spaces, through the use of public speaking. Malala Yousafzai , a public speaker born in the Swat Valley in Pakistan , is an educational activist for women and girls. After the Taliban restricted
Acting - Misplaced Pages Continue
3654-420: The action—the dissociated aspects of the self and the object representation. Public speaking Public speaking , also called oratory , is the practice of delivering speeches to a live audience. Throughout history, public speaking has held significant cultural, religious, and political importance, emphasizing the necessity of effective rhetorical skills. The ancient Chinese philosopher Confucius ,
3741-445: The actor enacting it, as distinct from " diegesis ", or the way in which a narrator may describe it. These "vibrations" passing from the actor to the audience may not necessarily precipitate into significant elements as such (that is, consciously perceived "meanings"), but rather may operate by means of the circulation of " affects ". The approach to acting adopted by other theatre practitioners involve varying degrees of concern with
3828-404: The actor's abilities, so that the casting director can see previous performances, if any. An actor's resume should list projects they have acted in before, such as plays, movies, or shows, as well as special skills and their contact information. Auditioning is the act of performing either a monologue or sides (lines for one character) as sent by the casting director . Auditioning entails showing
3915-527: The actor's skills to present themselves as a different person; it may be as brief as two minutes. For theater auditions it can be longer than two minutes, or they may perform more than one monologue, as each casting director can have different requirements for actors. Actors should go to auditions dressed for the part, to make it easier for the casting director to visualize them as the character. For television or film they will have to undergo more than one audition. Oftentimes actors are called into another audition at
4002-540: The analyst and the patient contribute, they are generally considered to be initiated by the patient. In the perspective of relational psychoanalysis, the central aspect of therapeutic change is given by the liberation of the patient and the analyst from the repetitive unconscious patterns due to the reflective awareness' acquisition of the relational interchange and the contribution of both parties. Traumatized patients tend to bond with their therapists not so much through words as through enactments, expressing unconsciously—by
4089-493: The ancient Greek philosopher, identified three types of speeches: deliberative (political), forensic (judicial), and epideictic (ceremonial or demonstrative). Similarly, the Roman philosopher and orator Cicero categorized public speaking into three purposes: judicial (courtroom), deliberative (political), and demonstrative (ceremonial), closely aligning with Aristotle's classifications. In modern times, public speaking remains
4176-539: The ancient Greeks capture how they taught and developed the art of public speaking thousands of years ago. In classical Greece and Rome, rhetoric was the main component of composition and speech delivery, both critical skills for use in public and private life. In ancient Greece, citizens spoke for themselves rather than having professionals, such as modern lawyers, speak for them. Any citizen who wished to succeed in court, politics, or social life had to learn public speaking techniques. Rhetorical tools were first taught by
4263-412: The attempt to persuade by making the argument of the case so clear and valid that the audience will understand and believe that the speaker's point is real. In the last part of "Rhetoric", Aristotle mentions that the most critical piece of persuasion is to know in detail what makes up government and to attack what makes it unique: "customs, institutions, and interest". Aristotle also states that everyone
4350-399: The audience. A critical audience with evaluative spectators is known to induce stress on actors during performance. While public performances cause extremely high stress levels in actors (more so amateur ones), the stress actually improves the performance, supporting the idea of "positive stress in challenging situations." Depending on what an actor is doing, their heart rate will vary. This
4437-729: The benefits of teaching public speaking strategies to students in an academic setting, including a higher level of self-confidence and helping to render community well-being with access to a variety of information. Harvard University offers a range of courses in public speaking, including persuasive communication and personal narratives. With the continued popularity of academic conferences and TED talks taking place worldwide, public speaking has become an essential subject in academia for scholarly and professional advancement. Additionally, work meetings and presentations require proficiency in public speaking to actively formulate ideas and solutions, and modern technology helps companies release information to
SECTION 50
#17327657062564524-460: The character of a speaker is effective in persuasion because the audience will believe what the speaker is saying to be true if the speaker is credible and trustworthy. With the audience's emotional state, Aristotle believes that individuals do not make the same decisions when in different moods. Because of this, one needs to try to influence the audience by being in control of one's emotions, making persuasion effective. The argument itself can affect
4611-435: The closely related method acting developed in the United States, that offer themselves as "a natural kind of acting that can do without conventions and be received as self-evident and universal." Pavis goes on to argue that: Any acting is based on a codified system (even if the audience does not see it as such) of behaviour and actions that are considered to be believable and realistic or artificial and theatrical. To advocate
4698-481: The club meet and work together on their skills; each member practices giving speeches, while the other members evaluate and provide feedback. A typical meeting also includes Table Topics , which refers to impromptu speaking , that is, talking about different topics without having anything planned. Members can volunteer to serve as a meeting functionary to help facilitate the meeting using their public speaking and leadership skills. The functionary roles enable each member
4785-663: The educational rights of women in the Swat Valley, Yousafzai presented her first speech How Dare the Taliban Take Away My Basic Right to Education?, in which she protested the shutdowns of the schools. She presented this speech to the press in Peshawar , bringing more awareness to the situation in Pakistan. She is known for her "inspiring and passionate speech" about educational rights given at
4872-583: The game ." This aspect was first explored by Johan Huizinga (in Homo Ludens , 1938) and Roger Caillois (in Man, Play and Games , 1958). Caillois, for example, distinguishes four aspects of play relevant to acting: mimesis ( simulation ), agon ( conflict or competition), alea ( chance ), and ilinx ( vertigo , or "vertiginous psychological situations" involving the spectator's identification or catharsis ). This connection with play as an activity
4959-567: The increased opportunity to act will lead to a more relaxed physiology and a decrease in stress and its effects on the body. These effects can range from hormonal to cognitive health that can impact quality of life and performance. Some classical forms of acting involve a substantial element of improvised performance. Most notable is its use by the troupes of the commedia dell'arte , a form of masked comedy that originated in Italy. Improvisation as an approach to acting formed an important part of
5046-437: The last minute, and are sent the sides either that morning or the night before. Auditioning can be a stressful part of acting, especially if one has not been trained to audition. Rehearsal is a process in which actors prepare and practice a performance together with directors and technical staff. Some actors continue to rehearse a scene throughout the run of a show in order to keep the scene fresh in their minds and exciting for
5133-423: The message the speaker is trying to convey. When attempting to persuade an audience to change their opinions, a speaker appeals to their emotions and beliefs. Various techniques exist for speakers to gain audience support. Speakers can demand action from the audience, use inclusive language like 'we' and 'us' to create unity between the speaker and the audience, and choose words with strong connotations to intensify
5220-496: The modern era, having been generally unavailable at the current rate in the years beforehand with the exception of media via newspapers , television , although claims given by speakers have often been subject to inaccurate information provided by the aforementioned, often in direct correlation with the big lie means of oratory. This has been further intensified through the recent evolution of mass media in most nations. Public speaking can often take an educational form, where
5307-463: The more experienced actors displayed less heart rate variability than the less experienced actors in the same play. The more experienced actors experienced less stress while performing, and therefore had a smaller degree of variability than the less experienced, more stressed actors. The more experienced an actor is, the more stable their heart rate will be while performing, but will still experience elevated heart rates. The semiotics of acting involves
SECTION 60
#17327657062565394-616: The most popular method taught derives from the 'system' of Konstantin Stanislavski , which was developed and popularised in America as method acting by Lee Strasberg , Stella Adler , Sanford Meisner , and others. Other approaches may include a more physically based orientation, such as that promoted by theatre practitioners as diverse as Anne Bogart , Jacques Lecoq , Jerzy Grotowski , or Vsevolod Meyerhold . Classes may also include psychotechnique , mask work, physical theatre , improvisation , and acting for camera. Regardless of
5481-424: The natural, the spontaneous, and the instinctive is only to attempt to produce natural effects, governed by an ideological code that determines, at a particular historical time, and for a given audience, what is natural and believable and what is declamatory and theatrical. The conventions that govern acting in general are related to structured forms of play , which involve, in each specific experience, " rules of
5568-428: The occasion. At the meetings, speakers can gain skills by presenting speeches, while members provide feedback to those presenting. Qualified speaking trainers attend these meetings as well, and provide professional feedback at the end of the meetings. There are competitions that are held for members to participate in. An online club is also available for members, no matter where they live. The new millennium has seen
5655-465: The opportunity to speak at least one time at the meetings. Members can participate in a variety of speech contests, in which the winners can compete in the annual World Championship of Public Speaking . Rostrum is another public speaking organization, founded in Australia , with more than 100 clubs all over the country. This organization aims at helping people become better communicators, no matter
5742-452: The organization was that it was created "for women by women." They renamed to "Speaking Made Easy" in 2020. The British political activist, Emmeline Pankhurst , founded the Women's Social and Political Union (WSPU) on October 10, 1903. The organization was aimed towards fighting for women's right to a parliamentary vote, which only men were granted at the time. Emmeline was known for being
5829-426: The poets), preliminary exercises ( progymnasmata ), and preparation of public speeches (declamation) in both forensic and deliberative genres. The Latin style of rhetoric was heavily influenced by Cicero and emphasized a broad education in all areas of the humanities . Other areas of rhetorical study included the use of wit and humor, the appeal to the listener's emotions , and the use of digressions . Oratory in
5916-403: The relationship between the patient and the therapist . More precisely, Jacobs refers to the countertransference enactment, highlighting the implications of the personality characteristics, affective frame, representations and analyst's conflicts for the patient and the interactional behaviour. In relational psychoanalysis, the concept of enactment is usually used to explain the re–experience of
6003-469: The rise of the scientific method and the emphasis on a "plain" style of speaking and writing. Even today's formal oratory is much less ornate than in the Classical Era. In one of his most famed writings, " Rhetoric ", written in 350 BCE, Aristotle described mastering the art of public speaking. In this and other works by Aristotle, rhetoric is the act of publicly persuading an audience. Rhetoric
6090-562: The scope of focus from a single speaker who is intervening to a multitude of speakers all communicating and intervening, simultaneously affecting the world around us. Ancient China had a delayed start to implementing rhetoric because there were no rhetoricians training students. It was understood that Chinese rhetoric was part of Chinese philosophy, which schools taught focusing on two concepts: "Wen" (rhetoric); and "Zhi" (thoughtful content). Ancient Chinese rhetoric shows strong connections with modern public speaking, as Chinese rhetoric placed
6177-472: The semiotician Félix Guattari described as a process involving the transmission of "a-signifying signs"). In his The Theatre and its Double (1938), Artaud compared this interaction to the way in which a snake charmer communicates with a snake, a process which he identified as " mimesis "—the same term that Aristotle in his Poetics ( c. 335 BCE ) used to describe the mode in which drama communicates its story, by virtue of its embodiment by
6264-500: The semiotics of acting. Konstantin Stanislavski , for example, addresses the ways in which an actor, building on what he calls the "experiencing" of a role, should also shape and adjust a performance in order to support the overall significance of the drama—a process that he calls establishing the "perspective of the role". The semiotics of acting plays a far more central role in Bertolt Brecht 's epic theatre , in which an actor
6351-412: The set. Throughout the performance heart-rate rises the most before an actor is speaking. The stress and thus heart-rate of the actor then drops significantly at the end of a monologue, big action scene, or performance. Enactment (psychology) The term was first introduced by Theodore Jacobs (1986) to describe the re-actualization of unsymbolized and unconscious emotional experiences involved in
6438-407: The speaker can effectively influence an audience to agree and support the speaker's ideas. In Aristotle's "Rhetoric" writing, he mentions three strategies someone can use to try to persuade an audience: Establishing the character of a speaker ( Ethos ), influencing the emotional element of the audience ( Pathos ), and focusing on the argument specifically ( Logos ). Aristotle believes establishing
6525-669: The speaker transfers knowledge to an audience. TED Talks are an example of educational public speaking. The speakers inform their audience about different topics, such as science, technology, religion, economics, human society , and psychology . TED speakers can use the platform to share personal experiences with traumatic events , such as abuse, bullying, grief, assault , suicidal ideation , near-death encounters, and mental illness. They may attempt to raise awareness and acceptance of stigmatizing issues, such as disabilities, racial differences, LGBTQ rights, children's rights , and women's rights. There have been many studies that have proven
6612-532: The speaker will usually speak with the aid of a public address system or microphone and loudspeaker . Telecommunication and videoconferencing are also forms of public speaking. David M. Fetterman of Stanford University wrote in his 1997 article Videoconferencing over the Internet : "Videoconferencing technology allows geographically disparate parties to hear and see each other usually through satellite or telephone communication systems." This technology
6699-461: The speaker's intent, but it is possible for the same speaker, with the same intent, to deliver substantially different speeches to different audiences. Public speaking is frequently directed at a select and sometimes restricted audience, consisting of individuals who may hold different perspectives. This audience can encompass enthusiastic supporters of the speaker, reluctant attendees with opposing views, or strangers with varying levels of interest in
6786-458: The speaker's topic. Proficient speakers recognize that even a modest-sized audience is not a uniform entity but rather a diverse assembly of individuals. Public speaking aims to either reassure an anxious audience or to alert a complacent audience of something important. Once the speaker has determined which of these approaches is required, they will use a combination of storytelling and informational approaches to achieve their goals. Persuasion
6873-545: The topic or point of the speech; and (iii) the audience. Aristotle also classifies oration into three types: (i) political, used to convince people to take or not take action; (ii) forensic, usually used in law related to accusing or defending someone; and (iii) ceremonial, which recognizes someone positively or negatively. Aristotle breaks down the political category into five focuses or themes: "ways and means, war and peace, national defense, imports and exports, and legislation." These focuses are broken down into detail so that
6960-439: The ways in which these aspects of an individual performance relate to the drama and the theatrical event (or film, television programme, or radio broadcast, each of which involves different semiotic systems) considered as a whole. A semiotics of acting recognises that all forms of acting involve conventions and codes by means of which performance behaviour acquires significance—including those approaches, such as Stanislvaski's or
7047-513: The words used in English (as was the analogous case in many other European languages) for drama : the word " play " or "game" (translating the Anglo-Saxon plèga or Latin ludus ) was the standard term used until William Shakespeare 's time for a dramatic entertainment—just as its creator was a "play-maker" rather than a "dramatist", the person acting was known as a "player", and, when in
7134-527: The world. YouTube is another platform that allows public speaking to reach a larger audience. On YouTube, people can post videos of themselves. Audiences can watch these videos for all types of purposes. Multimedia presentations can contain different video clips, sound effects, animation, laser pointers, remote control clickers, and endless bullet points. All adding to the presentation and evolving our traditional views of public speaking. Public speakers may use audience response systems . For large assemblies,
7221-437: Was a well-known orator from Athens. After his father died when he was 7, he had three legal guardians: Aphobus, Demophon, and Theryppides. His inspiration for public speaking came from learning that his guardians had robbed him of the money his father left for his education. His first public speech was in the court proceeding he brought against his three guardians. After that, Demosthenes continued to practice public speaking. He
7308-530: Was first proposed by Aristotle in his Poetics , in which he defines the desire to imitate in play as an essential part of being human and our first means of learning as children : For it is an instinct of human beings, from childhood, to engage in mimesis (indeed, this distinguishes them from other animals: man is the most mimetic of all, and it is through mimesis that he develops his earliest understanding); and equally natural that everyone enjoys mimetic objects. (IV, 1448b) This connection with play also informed
7395-448: Was long seen in terms of the actor's sincerity or hypocrisy—should he believe in what he is saying and be moved by it, or should he distance himself and convey his role in a detached manner? The answer varies according to how one sees the effect to be produced in the audience and the social function of theatre. Elements of a semiotics of acting include the actor's gestures, facial expressions, intonation and other vocal qualities, rhythm, and
7482-546: Was one of the first oratory teachers to use definitive rules and models. One of his key insights was that speakers always combine, to varying degrees, three things: reasoning, which he called Logos; credentials, which he called Ethos; and emotion, which he called Pathos. Aristotle's work became an essential part of a liberal arts education during the Middle Ages and the Renaissance . The classical antiquity works by
7569-614: Was the first of several speeches known as the Philippics. He made other speeches known as the Olynthiacs . Both series of speeches favored independence and rallied Athenians against Philip II. During the political rise of the Roman Republic , Roman orators copied and modified the ancient Greek techniques of public speaking. Instruction in rhetoric developed into a full curriculum, including instruction in grammar (study of
#255744