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Agate House Pueblo

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Reconstruction in architectural conservation is the returning of a place to a known earlier state by the introduction of new materials. It is related to the architectural concepts of restoration (repairing existing building fabric) and preservation (the prevention of further decay), wherein the most extensive form of reconstruction is creating a replica of a destroyed building.

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43-585: Agate House is a partially reconstructed Puebloan building in Petrified Forest National Park , built almost entirely of petrified wood . The eight-room pueblo has been dated to approximately the year 900 and occupied through 1200, of the Pueblo II and Pueblo III periods. The agatized wood was laid in a clay mortar, in lieu of the more usual sandstone-and-mortar masonry of the area. The ruins of Agate House were reconstructed by

86-541: A building or creation of a replica building or structure. Sometimes, it is the result of destruction of landmark monuments that is experienced as traumatic by inhabitants of the region, such as through war, planning errors and politically motivated destruction, other times, merely the result of natural disaster. Examples include Yongdingmen (former Peking city gate temporarily sacrificed to traffic considerations), St Mark's Campanile in Venice (collapsed in 1902), House of

129-430: A certain version of an object as "the original", neither the first version nor the most splendid or most popular at the time, nor the last one that has been remembered. The Venice Charter of 1964 was an international guideline for dealing with the original building fabric for the preservation of monuments; it is the most important monument conservation text of the 20th century and defines central values and procedures for

172-740: A city in the Ming style, or the restoration of the one in the cultural revolution destroyed sacred buildings. In the USA, too, the monument concept plays only a subordinate role today and relates much more to historic monuments that are significant in terms of time and culture than to those of architectural history. In a representative survey by the Forsa Institute on behalf of the German Federal Building Culture Foundation, 80% of all participants were in favor of

215-620: A debate over whether or not a ship that had all of its components replaced one by one would remain the same ship. The account of the problem has been preserved by Plutarch in his Life of Theseus : The ship wherein Theseus and the youth of Athens returned from Crete had thirty oars, and was preserved by the Athenians down even to the time of Demetrius Phalereus , for they took away the old planks as they decayed, putting in new and strong timber in their places, insomuch that this ship became

258-468: A historical façade design, but modern construction technology and with completely new uses. The original building fabric is often hardly preserved and architects in particular argue against this approach, saying that it merely creates a historical impression in order to appeal to a certain groups of buyers. However, there are also prominent examples of reconstructions with missing original substance. The reconstruction of completely destroyed Warsaw's Old Town

301-428: A new project. The fundamental question that remains is why something should be created again instead of a new building. Prominent individual examples of reconstruction projects and executions show that architecture is a factor in the public that can still polarize just as much as that from the history of architecture known all time. From a global perspective, the entire discussion about the pros and cons of reconstruction

344-488: A permanent "flaw in the cityscape". The reconstruction of buildings is often controversial among architects and preservationists . There are different motives and values. Overall, the question of the reconstruction of prominent urban locations in the context of the cityscape proves to be significantly more conflict-prone than is the case with remote buildings or in the open, for example with experimental or didactic reconstructions. Many reconstructions are new buildings with

387-488: A similar philosophical puzzle: a story of a traveller who encountered two demons in the night. As one demon ripped off all parts of the traveler's body one by one, the other demon replaced them with those of a corpse, and the traveller was confused about who he was. The French critic and essayist Roland Barthes refers at least twice to a ship that is entirely rebuilt, in the preface to his Essais Critiques (1971) and later in his Roland Barthes par Roland Barthes (1975); in

430-436: A society to maintain its architecture, which meets its living conditions and needs and whose expression it is, through building projects, and not, on the other hand, to recreate old architecture. This consensus on what is contemporary is questioned by those in favor of reconstruction. From cultural and historical Critics see reconstruction as a phenomenon of the 19th and 20th centuries that had hardly any role models in history and

473-404: A standing example among the philosophers, for the logical question of things that grow; one side holding that the ship remained the same, and the other contending that it was not the same. Over a millennium later, the philosopher Thomas Hobbes extended the thought experiment by supposing that a ship custodian gathered up all of the decayed parts of the ship as they were disposed of and replaced by

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516-468: A subordinate role. The 2000 year old Ise-jingū-Shrines in Japan are ritually rebuilt every 20 years according to exactly the same plans made of wood. In China, for example, while entire historic cities and city centers are being sacrificed to major urban and economic planning projects (Shanghai, 3 Gorges Dam), conversely, historicizing projects are also being implemented - such as the old town project of Datong,

559-654: Is a problem rooted in Eurocentric sensitivities. Other cultures, both the Anglo-American region and Asia, deal with the topic differently: The regular, complete rebuilding of a Buddhist temple is part of the centuries-old tradition in Asian architecture, the European concept of "true to the original" plays in this culture, which has everything in the philosophical core Material regarded as worthless shell, until today

602-495: Is a reconstruction even in the UNESCO list of World Heritage. Reconstructed buildings are generally not perceived as such by those who are unfamiliar with them, which makes the cityscape more attractive in the eyes of the beholder. Even in the awareness of the residents, the fact of the reconstruction of a building is mostly forgotten after a while, the buildings are perceived again as an organic part of their environment. The desire for

645-653: Is called when we inquire concerning the Identity of it... so that a Ship, which signifies Matter so figured, will be the same, as long as the Matter remains the same; but if no part of the Matter is the same, then it is Numerically another Ship; and if part of the Matter remains, and part is changed, then the Ship will be partly the same, and partly not the same. Hobbes considers the two resulting ships as illustrating two definitions of "Identity" or sameness that are being compared to

688-414: Is now outdated. Reconstruction can thus only be historically legitimized to a limited extent. On the other hand, the term cityscape - as an architectural unit extending beyond the individual building - only came into the field of vision of architecture in the course of modernity. Proponents of the reconstruction, on the other hand, have little fear of contact with the harmonistic architectural conceptions of

731-477: The Birgu Clock Tower , which was destroyed in 1942. [REDACTED] Media related to Reconstruction (architecture) at Wikimedia Commons Theseus%27 paradox The Ship of Theseus , also known as Theseus's Paradox , is a paradox and a common thought experiment about whether an object is the same object after having all of its original components replaced over time, typically one after

774-624: The Civilian Conservation Corps in 1933-34 under the direction of C.B. Cosgrove Jr. of the New Mexico Laboratory of Anthropology . Room 7 was fully reconstructed with a new roof. Room 2's walls were rebuilt to a height of five feet, but not roofed, and the remaining walls were rebuilt to a height of two or three feet. [REDACTED] Media related to Agate House Pueblo at Wikimedia Commons Reconstruction (architecture) More narrowly, such as under

817-527: The Secretary of Interior's Standards in the United States, "reconstruction" is "the act or process of depicting, by means of new construction, the form, features, and detailing of a non-surviving site, landscape, building, structure, or object for the purpose of replicating its appearance at a specific period of time and in its historic location". There may be several reasons for the construction of

860-408: The 19th century and also point to the lasting popularity of the domes that were "then completed" according to the principles that are not permitted today. However, it is precisely the free access to the formal language of all earlier epochs that is considered one of the essential features of historicism as seen in postmodernism. In a different sense, the reconstruction fulfils the demand for an answer to

903-484: The Athenians, and used those decayed planks to build a second ship. Hobbes then posed the question of which of the two resulting ships—the custodian's or the Athenians'—was the same ship as the "original" ship. For if that Ship of Theseus (concerning the Difference whereof, made by continual restoration, in taking out the old Planks, and putting in new, the sophisters of Athens were wont to dispute) were, after all

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946-749: The Blackheads (Riga), Iberian Gate and Chapel and the Cathedral of Christ the Saviour in Moscow (destroyed by order of Joseph Stalin ), Dresden Frauenkirche and Semperoper in Dresden (bombed at the end of World War II ). A specifically well-known example is the rebuilding of the historic city center of Warsaw after 1945. The Old Town and the Royal Castle had been badly damaged already at

989-564: The Planks were changed, the same Numerical Ship it was at the beginning; and if some Man had kept the Old Planks as they were taken out, and by putting them afterward together in the same order, had again made a Ship of them, this would, without doubt, had also been the same Numerical Ship with that which was at the beginnings and so there would have been two Ships Numerically the same, which is absurd... But we must consider by what name anything

1032-429: The Ship of Theseus were replaced, one after the other, was it still the same ship? In contemporary philosophy, this thought experiment has applications to the philosophical study of identity over time. It has inspired a variety of proposed solutions and concepts in contemporary philosophy of mind concerned with the persistence of personal identity . In its original formulation, the "Ship of Theseus" paradox concerns

1075-478: The brain's operation, but little about the nature of the human-independent external world. Following on from this observation, a significant strand in cognitive science would consider the ship not as a thing, nor even a collection of objectively existing thing parts, but rather as an organisational structure that has perceptual continuity. According to the Stanford Encyclopedia of Philosophy ,

1118-812: The case of sites where the historic and cultural significance was not recognized until long after its destruction, common in North America, especially with respect to its early history. Examples include the reconstruction of Colonial Williamsburg in Virginia, the rebuilding of numerous structures in Independence National Historical Park in Philadelphia, and Fort William Historical Park in Ontario, Canada. There are different approaches to reconstruction, which differ in

1161-426: The ceiling replaced at Year Two, and so on, until every part of the house has been replaced will still be understood as the same house. However, if every wall, the floor, and the roof are destroyed and replaced at the same time, it will be known as a new house. In Europe, several independent tales and stories feature knives of which the blades and handles had been replaced several times but are still used and represent

1204-413: The conservation and restoration of monuments. Opponents of reconstruction often point out that rebuilding could contribute to the transfiguration of the past. Reconstruction critics from the architectural profession and related professions assume that modern urban design and contemporary architecture are an expression of social identity that is continuously developing. According to this, it is important for

1247-422: The deflationist view is that the facts of the thought experiment are undisputed; the only dispute is over the meaning of the term "ship" and is thus merely verbal. American philosopher Hilary Putnam asserts that "the logical primitives themselves, and in particular the notions of object and existence, have a multitude of different uses rather than one absolute 'meaning'." This thesis—that there are many meanings for

1290-486: The degree of fidelity to the original and in the sensitivity to implementation. In architecture, Georg Mörsch describes reconstruction as a "scientific method of extracting sources to rebuild things that have gone under, regardless of the time that has passed since then". Regardless of what type of reconstruction is done, there are some recurring challenges and questions. Since the end of the Second World War,

1333-456: The existential quantifier that are equally natural and equally adequate for describing all the facts—is often referred to as "the doctrine of quantifier variance." This solution (proposed by Kate, Ernest et al.) sees an object as staying the same as long as it continuously and metaphysically exists under the same identity without being fully transformed at one time. For instance, a house that has its front wall destroyed and replaced at Year One,

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1376-656: The latter, the persistence of the form of the ship is seen as a key structuralist principle. He calls this ship the Argo , on which Theseus was said to have sailed with Jason; he may have confused the Argo (referred to in passing in Plutarch's Theseus at 19.4) with the ship that sailed from Crete ( Theseus , 23.1). In Japan, the Ise Grand Shrine is rebuilt every twenty years with entirely "new wood". The continuity over

1419-441: The needs of the time and in this sense is an expression of contemporary building activity. How later historical epochs will judge the contemporary phase of architecture and its peculiarities cannot be said. For architects it is often not desirable to create replicas instead of creating something new. In this sense, every new building is "more historically accurate" because the destroyed objects were an expression of their own time. On

1462-412: The one hand, the "idea of a building" is the actual work of an architect and a reconstruction would represent an appreciation in this sense. On the other hand, every architect works in some way with the history of the building site. This reference to the previous buildings is to be seen as an appreciation, even if it is in explicit contrast. Building solutions by the architects of the historical compete with

1505-417: The original ship: The Ship of Theseus paradox can be thought of as an example of a puzzle of material constitution — that is, a problem with determining the relationship between an object and the material of which it is made. According to the Stanford Encyclopedia of Philosophy , the most popular solution is to accept the conclusion that the material out of which the ship is made is not the same object as

1548-513: The original substance, which is usually put forward by monument conservationists, cannot be met in many old buildings either; one speaks of the Theseus paradox . A crucial question in monument protection today is that of whether the value and originality is in the materials, or in the design. This does not only refer to the material erected at the time of construction, but also to the various later layers that are evidence of their times. The practice of both architectural and art history does not regard

1591-446: The other. In Greek mythology, Theseus , the mythical king of the city of Athens , rescued the children of Athens from King Minos after slaying the minotaur and then escaped onto a ship going to Delos . Each year, the Athenians would commemorate this by taking the ship on a pilgrimage to Delos to honour Apollo . A question was raised by ancient philosophers: After several hundreds of years of maintenance, if each individual piece of

1634-590: The outset of World War II. It was systematically razed to the ground by German troops after the Warsaw Uprising of 1944. The reconstruction of Warsaw's historic center (e.g., St. John's Cathedral , St. Kazimierz Church , Ujazdów Castle ) and, e.g., the replica of the Stari Most built in Mostar ( Bosnia Herzegovina ) have met with official approval by UNESCO . Other times, reconstructions are made in

1677-449: The reconstruction of buildings has been the subject of controversy, especially in cities destroyed by the war. In the public debate around reconstruction it is mostly assumed that historical or historicising architecture is perceived by the average citizen as more appealing than contemporary architecture. The loss of the "beautiful old" is seen as an aesthetic diminution, historically created and poorly closed building gaps are experienced as

1720-472: The reconstruction of historic buildings and 15% were against. The approval of reconstructions was particularly high among women (83%) and 18 to 29 year olds (86%). When asked whether historical buildings should also be rebuilt for other uses, 80% of all participants answered with "yes" and 16% with "no". Prominent examples with worldwide attention that illuminate the diversity of reconstructive intentions and methods: Plans are also being made for reconstructing

1763-492: The same knife. France has Jeannot's knife, Spain uses Jeannot's knife as a proverb, though it is referred to simply as "the family knife", and Hungary has " Lajos Kossuth 's pocket knife". Several variants or alternative statements of the underlying problem are known, including the grandfather's axe and Trigger 's broom , where an old axe or broom has had both its head and its handle replaced, leaving no original components. The ancient Buddhist text Da zhidu lun contains

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1806-471: The ship, but that the two objects simply occupy the same space at the same time. Another common theory, put forth by David Lewis , is to divide up all objects into three-dimensional time-slices which are temporally distinct. This avoids the issue that the two different ships exist in the same space at one time and a different space at another time by considering the objects to be distinct from each other at all points in time. According to other scientists,

1849-447: The thought puzzle arises because of extreme externalism : the assumption that what is true in our minds also holds true in the world. Noam Chomsky says that this is not an unassailable assumption, from the perspective of the natural sciences, because human intuition is often mistaken. Cognitive science would treat this thought puzzle as the subject of an investigation of the human mind. Studying this human confusion can reveal much about

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