16-564: Almira, Königin von Castilien ("Almira, Queen of Castile", HWV 1; full title: Der in Krohnen erlangte Glücks-Wechsel, oder: Almira, Königin von Castilien ) is Handel 's first opera , composed when he was 19 years old. It was first performed in Hamburg in January 1705. Georg Friedrich Händel came to the city of Hamburg in the summer of 1703 and played as a violinist in the theatre at
32-524: A rather feckless army officer called Osman, it would seem her father wished her to marry him. This is unwelcome news to Almira as she is desperately in love with her private secretary, a young man of unknown parentage named Fernando. Osman is not unhappy to be elevated to royal status in this way, but he too is already in love with someone else, the Princess Edilia. At an elaborate court entertainment, Almira mistakenly believes that her beloved Fernando
48-490: A whole career. The opera is scored for two traversos, two oboes, bassoon, three trumpets, timpani, strings and continuo (cello, lute, harpsichord). In 1732 the piece was once more performed in a version edited by Georg Philipp Telemann . In 1879 Franz Liszt composed a transcription of the Sarabande and Chaconne from the opening act of this opera for his English piano student Walter Bache . Noted by critics as one of
64-471: Is still in love with Osman. Princess Bellante once again rebuffs the unwelcome attentions of Consalvo. In fact Bellante is now smitten with Osman. Tabarco hands a goodbye letter and a family heirloom, a ruby, from Fernando to Almira, and when Consalvo sees the ruby he realises that Fernando is his long lost son. Now Almira can marry Fernando and still fulfill her father's dying wish, Bellante will marry Osman and Edilia will accept Raymondo after all. All celebrate
80-785: Is HWV 612 his last. Instead, the HWV numbers group works into musical categories, and provide a good ordering of the date of composition within each category. The following table lists the categories and the HWV number ranges. There are gaps and anomalies in the HWV numbering system, so the above table is only useful as a guide (see the List of compositions by George Frideric Handel for more details). The HWV numbers do not imply that Handel wrote exactly 612 works. The combination of unnumbered works, lost works, misattributed works, spurious works, variants (e.g. HWV 251 a–d), grouped works (e.g. HWV 229 1–7), and arrangements (e.g. HWV 482 1–4), all render meaningless
96-407: Is flirting with Edilia and becomes consumed with jealousy. The restless and jaded Osman attends another brilliant festivity given by Princess Bellante. Princess Bellante has fallen in love with Osman, but Osman's father, Consalvo, is amorously pursuing Bellante, which she finds annoying and tries to put a stop to. Osman, although in love with Edilia, thinks it will be grand to be a royal personage, so
112-481: Is keen to marry Almira, and asks Fernando, whom he knows has influence with Almira, to speak to her on his behalf. The king of Mauretania, Raymondo, disguising himself as the "ambassador" from Mauretania, makes an appearance at Almira's court and tries to win her love. Almira is not interested, being still in love with her secretary Fernando, although she has never told him so. She goes to him to confess her devotion, but Osman appears and, desiring Almira not for herself but
128-531: Is the Catalogue of Handel's Works . It was published in three volumes (in German) by Bernd Baselt between 1978 and 1986, and lists every piece of music known to have been written by George Frideric Handel . The catalogue also includes the first few bars of each piece and large amounts of factual information including manuscript sources, early prints, photographs, spurious works, etc. The catalogue does not include
144-488: The Boston Early Music Festival in 2013. The fictional story is set in medieval Valladolid . Princess Almira has inherited the throne from her father and the opera opens with her coronation. The new queen is disconcerted when her guardian Consalvo claims that her father entrusted him with his dying wish, namely that Almira should marry someone from "Consalvo's house" and since he only has one son,
160-554: The Gänsemarkt , the local market place. On later occasions, he also played the harpsichord in the orchestra. His first opera – announced as a Singspiel although it has no spoken dialogue – was premiered on 8 January 1705, after being composed in the months directly preceding this. An Italian libretto was written by Giulio Pancheri in Venice in 1691 for Giuseppe Benevento's opera L'Almira . The German translation used by Handel
176-576: The fortunate outcome of events. Almira is a mix of spectacle, as in the opening coronation scene and the masque in the third act, dance, comedy and drama. Paul O'Dette, artistic co-director of the Boston Early Music Festival , where the opera was staged in 2013, says of this very early work by the teenaged Handel: From the first page of the overture, it just overflows with genius and invention. You can't believe that an overture of this brilliance could have been written as Handel's first attempt, because most composers never achieve this level of invention after
SECTION 10
#1732782671621192-415: The full scores of Handel's works (for the full scores, see Händel-Gesellschaft and Hallische Händel-Ausgabe ). The HWV thematic catalogue serves as the modern numbering system for Handel's compositions. For example, Handel's Messiah is numbered as HWV 56. The HWV numbers range from 1 to 612, however they do not represent a global date-ordering of composition; i.e. HWV 1 is not Handel's first work, nor
208-424: The most striking of Liszt's late paraphrases as well as his only setting of a baroque piece from his late period, this work is said to anticipate Ferruccio Busoni 's late-romantic settings of Bach. Australian Liszt scholar and pianist Leslie Howard has recorded this work as part of Hyperion Records ' complete Liszt series. Notes Sources HWV The Händel-Werke-Verzeichnis (abbreviated as HWV )
224-464: The music of which has not been preserved. The first modern performance of Almira took place on 23 February 1985, Handel's 300th birthday, at Leipzig 's Städtische Oper. As with all of Handel's operas, after going unperformed for many years, Almira is presented by opera houses and festivals today. Among other performances, Almira was staged by operamission in New York City in 2012 and by
240-547: The status he would gain as her husband, is about to stab Fernando when Almira grabs the dagger from him. Edilia gets wind of the fact that her sweetheart Osman is now keen to marry Almira and throws a jealous fit. A servant of Fernando, called Tabarco, comes across correspondence from these various people in these love tangles, and opens and reads all their letters. At an elaborate court masque in honour of Raymondo, Fernando, Osman and Consalvo allegorically impersonate Europe, Asia and Africa. Raymondo now tries to woo Edilia, but she
256-546: Was made by Friedrich Christian Feustking . The recitatives of the opera are in German, and while most of the arias are also in German, many are in Italian, as was the custom at the opera house in Hamburg. Almira is the sole example among Handel's many operas with no role for a castrato . Almira was a resounding success. The opera was performed twenty times in total until its place was taken by Handel's next opera, Nero ,
#620379