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91-574: Arthur Edward Pepper Jr. (September 1, 1925 – June 15, 1982) was an American jazz musician, most known as an alto saxophonist . He occasionally performed and recorded on tenor saxophone , clarinet (his first instrument) and bass clarinet . Active primarily in West Coast jazz , Pepper first came to prominence in Stan Kenton 's big band. He was known for his emotionally charged performances and several stylistic shifts throughout his career, and

182-626: A "special relationship to time defined as 'swing ' ". Jazz involves "a spontaneity and vitality of musical production in which improvisation plays a role" and contains a "sonority and manner of phrasing which mirror the individuality of the performing jazz musician". A broader definition that encompasses different eras of jazz has been proposed by Travis Jackson: "it is music that includes qualities such as swing, improvising, group interaction, developing an 'individual voice', and being open to different musical possibilities". Krin Gibbard argued that "jazz

273-847: A Jazz Survivor , discussing his life and featuring interviews with both Art and his wife Laurie, as well as footage from a live performance in a Malibu jazz club. Laurie Pepper also released an interview to NPR . Pepper died of a stroke in Los Angeles on June 15, 1982, aged 56. He is interred in the Abbey of the Psalms Mausoleum in the Hollywood Forever Cemetery , Hollywood. With Chet Baker With Toni Harper With Stan Kenton With Milcho Leviev With Shorty Rogers With others Published transcriptions: Transcriptions available on

364-473: A drum made by stretching skin over a flour-barrel. Lavish festivals with African-based dances to drums were organized on Sundays at Place Congo, or Congo Square, in New Orleans until 1843. There are historical accounts of other music and dance gatherings elsewhere in the southern United States. Robert Palmer said of percussive slave music: Usually such music was associated with annual festivals, when

455-456: A form of folk music which arose in part from the work songs and field hollers of African-American slaves on plantations. These work songs were commonly structured around a repetitive call-and-response pattern, but early blues was also improvisational. Classical music performance is evaluated more by its fidelity to the musical score , with less attention given to interpretation, ornamentation, and accompaniment. The classical performer's goal

546-656: A heroin addict in the 1940s, and his career was interrupted by drug-related prison sentences in 1954–56, 1960–61, 1961–64, and 1964–65; the final two sentences were served in San Quentin . While in San Quentin, he played in an ensemble with saxophonist Frank Morgan . In the late 1960s, Pepper spent time in Synanon , a rehabilitation program that turned out to be a cult. His autobiography , Straight Life (1980, co-written with his third wife Laurie Pepper), discusses

637-410: A limited melodic range, sounding like a field holler, and the guitar accompaniment was slapped rather than strummed, like a small drum which responded in syncopated accents, functioning as another "voice". Handy and his band members were formally trained African-American musicians who had not grown up with the blues, yet he was able to adapt the blues to a larger band instrument format and arrange them in

728-493: A member of Buddy Rich 's Big Band from 1968 to 1969. After beginning methadone therapy in the mid-1970s, he toured Europe and Japan with his own groups and recorded many albums, mostly for Galaxy Records , a subsidiary of Fantasy Records . Pepper's later albums include Living Legend , Art Pepper Today , Among Friends , and Live in Japan . Pepper lived for many years in the hills of Echo Park , in Los Angeles. He became

819-460: A multi- strain ragtime march with four parts that feature recurring themes and a bass line with copious seventh chords . Its structure was the basis for many other rags, and the syncopations in the right hand, especially in the transition between the first and second strain, were novel at the time. The last four measures of Scott Joplin's "Maple Leaf Rag" (1899) are shown below. African-based rhythmic patterns such as tresillo and its variants,

910-518: A pitch which he called a 'jazz ball' "because it wobbles and you simply can't do anything with it". The use of the word in a musical context was documented as early as 1915 in the Chicago Daily Tribune . Its first documented use in a musical context in New Orleans was in a November 14, 1916, Times-Picayune article about "jas bands". In an interview with National Public Radio , musician Eubie Blake offered his recollections of

1001-660: A popular music form. Handy wrote about his adopting of the blues: The primitive southern Negro, as he sang, was sure to bear down on the third and seventh tone of the scale, slurring between major and minor. Whether in the cotton field of the Delta or on the Levee up St. Louis way, it was always the same. Till then, however, I had never heard this slur used by a more sophisticated Negro, or by any white man. I tried to convey this effect ... by introducing flat thirds and sevenths (now called blue notes) into my song, although its prevailing key

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1092-470: A program to encourage pro-social behavior. By 1955, Spector was being interviewed in library journals and suggesting the prison library could contribute significantly to rehabilitation. The dining hall of the prison is adorned by six 20 ft (6.1 m) sepia-toned murals depicting California history. They were painted by Alfredo Santos, one-time convicted heroin dealer and successful artist, during his 1953–1955 incarceration. The murals were painted with

1183-508: A session recorded with tenor saxophonist Warne Marsh . His career was repeatedly interrupted by several prison stints stemming from his addiction to heroin , but Pepper managed to have several productive "comebacks". Remarkably, his substance abuse and legal travails did not affect the quality of his recordings, which maintained a high level of musicianship throughout his career until his death in 1982. His last comeback saw Pepper, who had started his career in Stan Kenton 's big band, becoming

1274-617: A single viewing area; the facility that was being built included an injection chamber of 230 square feet (21 m ) and three viewing areas for family, victim, and press. Governor Arnold Schwarzenegger stopped construction of the facility the next week. The legislature later approved $ 180,000 to finish the project, and the facility was completed. In addition to state executions, three federal executions have been carried out at San Quentin. Samuel Richard Shockley and Miran Edgar Thompson had been incarcerated at Alcatraz Island federal penitentiary and were executed on December 3, 1948, for

1365-518: A thinned, raw sienna oil paint directly to plaster as he was denied use of other colors to paint with. Between 1992 and 1997, a " boot camp " was held at the prison that was intended to "rehabilitat[e] first-time, nonviolent offenders"; the program was discontinued because it did not reduce recidivism or save money. A 2005 court-ordered report found that the prison was "old, antiquated, dirty, poorly staffed, poorly maintained with inadequate medical space and equipment and overcrowded." Later that year,

1456-454: Is a construct" which designates "a number of musics with enough in common to be understood as part of a coherent tradition". Duke Ellington , one of jazz's most famous figures, said, "It's all music." Although jazz is considered difficult to define, in part because it contains many subgenres, improvisation is one of its defining elements. The centrality of improvisation is attributed to the influence of earlier forms of music such as blues ,

1547-693: Is a fundamental rhythmic figure heard in many different slave musics of the Caribbean, as well as the Afro-Caribbean folk dances performed in New Orleans Congo Square and Gottschalk's compositions (for example "Souvenirs From Havana" (1859)). Tresillo (shown below) is the most basic and most prevalent duple-pulse rhythmic cell in sub-Saharan African music traditions and the music of the African Diaspora . Tresillo

1638-558: Is a reminder of "an oppressive and racist society and restrictions on their artistic visions". Amiri Baraka argues that there is a "white jazz" genre that expresses whiteness . White jazz musicians appeared in the Midwest and in other areas throughout the U.S. Papa Jack Laine , who ran the Reliance band in New Orleans in the 1910s, was called "the father of white jazz". The Original Dixieland Jazz Band , whose members were white, were

1729-493: Is heard prominently in New Orleans second line music and in other forms of popular music from that city from the turn of the 20th century to present. "By and large the simpler African rhythmic patterns survived in jazz ... because they could be adapted more readily to European rhythmic conceptions," jazz historian Gunther Schuller observed. "Some survived, others were discarded as the Europeanization progressed." In

1820-665: Is the oldest prison in California . The state's only death row for male inmates, the largest in the United States, was located at the prison. Its gas chamber has not been used since 1993, and its lethal injection chamber was last used in 2006 . The prison has been featured on film, radio drama, video, podcast, and television; is the subject of many books; has hosted concerts; and has housed many notorious inmates. The correctional complex sits on Point San Quentin, which consists of 432 acres (1.75 square kilometers) on

1911-406: Is thought to be California's oldest surviving public work. Clinton Duffy was the warden from 1940 to 1952. He had fresh insights informing the reorganization of the prison structure and reformation of prison management. Prior to Duffy, San Quentin had gone through years of violence, inhumane punishments and civil rights abuses against prisoners. The previous warden was forced to resign. Duffy had

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2002-437: Is to play the composition as it was written. In contrast, jazz is often characterized by the product of interaction and collaboration, placing less value on the contribution of the composer, if there is one, and more on the performer. The jazz performer interprets a tune in individual ways, never playing the same composition twice. Depending on the performer's mood, experience, and interaction with band members or audience members,

2093-507: Is told in the first person by Darrell Standing, a university professor serving life imprisonment in San Quentin State Prison for murder. Prison officials try to break his spirit by means of a torture device called "the jacket," a canvas jacket which can be tightly laced so as to compress the whole body, inducing angina. Standing discovers how to withstand the torture by entering a kind of trance state, in which he walks among

2184-625: The Atlantic slave trade had brought nearly 400,000 Africans to North America. The slaves came largely from West Africa and the greater Congo River basin and brought strong musical traditions with them. The African traditions primarily use a single-line melody and call-and-response pattern, and the rhythms have a counter-metric structure and reflect African speech patterns. An 1885 account says that they were making strange music (Creole) on an equally strange variety of 'instruments'—washboards, washtubs, jugs, boxes beaten with sticks or bones and

2275-617: The Dixieland jazz revival of the 1940s, Black musicians rejected it as being shallow nostalgia entertainment for white audiences. On the other hand, traditional jazz enthusiasts have dismissed bebop, free jazz, and jazz fusion as forms of debasement and betrayal. An alternative view is that jazz can absorb and transform diverse musical styles. By avoiding the creation of norms, jazz allows avant-garde styles to emerge. For some African Americans, jazz has drawn attention to African-American contributions to culture and history. For others, jazz

2366-576: The Waban's timber remains a part of the new hospital structure inside the prison. After a series of speculative land transactions and a legislative scandal, inmates who were housed on the Waban constructed San Quentin which opened its first cell block, nicknamed "the Stones," in 1854. Before being retired altogether, this initial unit would come to be used as a dungeon after newer additions were constructed atop it. The Stones, however, survive to this day and

2457-702: The "East Block," a "crumbling, leaky maze of a place built in 1927"; and the "Adjustment Center" for the "worst of the worst." Most of the prison's death row inmates resided in the East Block. The fourth floor of the North Block was the prison's first death row facility, but additional death row space opened after executions resumed in the U.S. in 1978. The adjustment center received solid doors, preventing "gunning-down" or attacking persons with bodily waste. As of 2016 it housed 81 death row inmates and four non-death row inmates. A dedicated psychiatric facility serves

2548-411: The 1920s Jazz Age , it has been recognized as a major form of musical expression in traditional and popular music . Jazz is characterized by swing and blue notes , complex chords , call and response vocals , polyrhythms and improvisation . As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in

2639-451: The 1950s, many women jazz instrumentalists were prominent, some sustaining long careers. Some of the most distinctive improvisers, composers, and bandleaders in jazz have been women. Trombonist Melba Liston is acknowledged as the first female horn player to work in major bands and to make a real impact on jazz, not only as a musician but also as a respected composer and arranger, particularly through her collaborations with Randy Weston from

2730-476: The 21st century, such as Latin and Afro-Cuban jazz . The origin of the word jazz has resulted in considerable research, and its history is well documented. It is believed to be related to jasm , a slang term dating back to 1860 meaning ' pep, energy ' . The earliest written record of the word is in a 1912 article in the Los Angeles Times in which a minor league baseball pitcher described

2821-611: The 25-millionth copy of the AA Big Book was presented to Jill Brown, of San Quentin, at the International Convention of Alcoholics Anonymous in Toronto, Ontario , Canada. In 1947, Warden Duffy recruited Herman Spector to work as assistant warden at San Quentin. Spector turned down the invitation to be assistant warden and chose instead to become senior librarian if he could institute his theories on reading as

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2912-575: The Black middle-class. Blues is the name given to both a musical form and a music genre, which originated in African-American communities of primarily the Deep South of the United States at the end of the 19th century from their spirituals , work songs , field hollers , shouts and chants and rhymed simple narrative ballads . The African use of pentatonic scales contributed to

3003-464: The Caribbean. African-based rhythmic patterns were retained in the United States in large part through "body rhythms" such as stomping, clapping, and patting juba dancing . In the opinion of jazz historian Ernest Borneman , what preceded New Orleans jazz before 1890 was "Afro-Latin music", similar to what was played in the Caribbean at the time. A three-stroke pattern known in Cuban music as tresillo

3094-921: The Condemned Inmate Transfer Program of the California Department of Corrections and Rehabilitation . Of the 612 condemned inmates in California as of November 15, 2024, only 11 remained at San Quentin, with the last 11 inmates expected to also be transferred after completing needed medical or psychiatric care. Despite the transfers, the condemned inmates remain under sentence of death at their new institutions. Condemned women are held at Central California Women's Facility in Chowchilla . As of December 2015, San Quentin held almost 700 male inmates in its Condemned Unit, or "death row." As of 2001, San Quentin's death row

3185-463: The East Block. Women executed in California are transported to San Quentin by bus before being executed. The methods for execution at San Quentin have changed over time. Prior to 1893, the counties executed convicts. Between 1893 and 1937, 215 people were executed at San Quentin by hanging , after which 196 prisoners died in the gas chamber. In 1995, the use of gas for execution was ruled "cruel and unusual punishment", which led to executions inside

3276-677: The East Coast (or "hot") jazz of Charlie Parker , Dizzy Gillespie and Miles Davis . Some of Pepper's best known albums from the 1950s are Art Pepper Meets the Rhythm Section , Art Pepper + Eleven – Modern Jazz Classics , Gettin' Together , and Smack Up . Other recordings from this time appear on The Aladdin Recordings (three volumes), The Early Show , The Late Show , Surf Ride , and Art Pepper with Warne Marsh (also issued as The Way It Was! ), which features

3367-569: The Internet: A more extensive bibliography is issued by the Jazzinstitut Darmstadt Jazz Jazz is a music genre that originated in the African-American communities of New Orleans , Louisiana , in the late 19th and early 20th centuries, with its roots in blues , ragtime , European harmony , African rhythmic rituals, spirituals , hymns , marches , vaudeville song, and dance music . Since

3458-590: The Kenton Innovations Orchestra. By the 1950s, Pepper was recognized as one of the leading alto saxophonists in jazz, finishing second only to Charlie Parker as Best Alto Saxophonist in the DownBeat magazine Readers Poll of 1952. Along with Chet Baker , Gerry Mulligan , and Shelly Manne , and perhaps due more to geography than playing style, Pepper is often associated with the musical movement known as West Coast jazz , as contrasted with

3549-478: The Legislature for funds for a new death row as the current death row facilities were becoming filled. At the time the non-death row prison population was decreasing, opening room for death row inmates. As of 2015 the San Quentin death row had a capacity of 715 prisoners. All executions in California (male and female) take place at San Quentin. The execution chamber is located in a one-story addition close to

3640-665: The Starlight Roof at the famed Waldorf-Astoria Hotel . He entertained audiences with a light elegant musical style which remained popular with audiences for nearly three decades from the 1930s until the late 1950s. Jazz originated in the late-19th to early-20th century. It developed out of many forms of music, including blues , ragtime , European harmony , African rhythmic rituals, spirituals , hymns , marches , vaudeville song, and dance music . It also incorporated interpretations of American and European classical music, entwined with African and slave folk songs and

3731-589: The U.S. Female jazz performers and composers have contributed to jazz throughout its history. Although Betty Carter , Ella Fitzgerald , Adelaide Hall , Billie Holiday , Peggy Lee , Abbey Lincoln , Anita O'Day , Dinah Washington , and Ethel Waters were recognized for their vocal talent, less familiar were bandleaders, composers, and instrumentalists such as pianist Lil Hardin Armstrong , trumpeter Valaida Snow , and songwriters Irene Higginbotham and Dorothy Fields . Women began playing instruments in jazz in

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3822-551: The area are named after Roman Catholic saints , and "San Quintín" is Spanish for " Saint Quentin ", the prison was not named after the saint. The land on which it is situated, Point Quentin, is named after a Coast Miwok warrior named Quentín, fighting under Chief Marin , who was taken prisoner at that place. In 1851, California's first prison opened; it was a 268-ton wooden ship named the Waban , anchored in San Francisco Bay and outfitted to hold 30 inmates. Some of

3913-552: The blues are undocumented, though they can be seen as the secular counterpart of the spirituals. However, as Gerhard Kubik points out, whereas the spirituals are homophonic , rural blues and early jazz "was largely based on concepts of heterophony ". During the early 19th century an increasing number of black musicians learned to play European instruments, particularly the violin, which they used to parody European dance music in their own cakewalk dances. In turn, European American minstrel show performers in blackface popularized

4004-555: The development of blue notes in blues and jazz. As Kubik explains: Many of the rural blues of the Deep South are stylistically an extension and merger of basically two broad accompanied song-style traditions in the west central Sudanic belt: W. C. Handy became interested in folk blues of the Deep South while traveling through the Mississippi Delta. In this folk blues form, the singer would improvise freely within

4095-434: The early 1910s, combining earlier brass band marches, French quadrilles , biguine , ragtime and blues with collective polyphonic improvisation . However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands , Kansas City jazz (a hard-swinging, bluesy, improvisational style), and gypsy jazz (a style that emphasized musette waltzes) were

4186-509: The early 1920s, drawing particular recognition on piano. When male jazz musicians were drafted during World War II, many all-female bands replaced them. The International Sweethearts of Rhythm , which was founded in 1937, was a popular band that became the first all-female integrated band in the U.S. and the first to travel with the USO , touring Europe in 1945. Women were members of the big bands of Woody Herman and Gerald Wilson . Beginning in

4277-480: The education of freed African Americans. Although strict segregation limited employment opportunities for most blacks, many were able to find work in entertainment. Black musicians were able to provide entertainment in dances, minstrel shows , and in vaudeville , during which time many marching bands were formed. Black pianists played in bars, clubs, and brothels, as ragtime developed. Ragtime appeared as sheet music, popularized by African-American musicians such as

4368-556: The entertainer Ernest Hogan , whose hit songs appeared in 1895. Two years later, Vess Ossman recorded a medley of these songs as a banjo solo known as "Rag Time Medley". Also in 1897, the white composer William Krell published his " Mississippi Rag " as the first written piano instrumental ragtime piece, and Tom Turpin published his "Harlem Rag", the first rag published by an African-American. Classically trained pianist Scott Joplin produced his " Original Rags " in 1898 and, in 1899, had an international hit with " Maple Leaf Rag ",

4459-459: The first jazz group to record, and Bix Beiderbecke was one of the most prominent jazz soloists of the 1920s. The Chicago Style was developed by white musicians such as Eddie Condon , Bud Freeman , Jimmy McPartland , and Dave Tough . Others from Chicago such as Benny Goodman and Gene Krupa became leading members of swing during the 1930s. Many bands included both Black and white musicians. These musicians helped change attitudes toward race in

4550-415: The first written music which was rhythmically based on an African motif (1803). From the perspective of African-American music, the "habanera rhythm" (also known as "congo"), "tango-congo", or tango . can be thought of as a combination of tresillo and the backbeat . The habanera was the first of many Cuban music genres which enjoyed periods of popularity in the United States and reinforced and inspired

4641-570: The gas chamber by lethal injection. Between 1996 and 2006, eleven people were executed at San Quentin by lethal injection. In April 2007, staff of the California Legislative Analyst's Office discovered that a new execution chamber was being built at San Quentin; legislators subsequently "accuse[d] the governor of hiding the project from the Legislature and the public." The old lethal injection facility had included an injection room of 43 square feet (4.0 square meters) and

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4732-532: The habanera rhythm and cinquillo , are heard in the ragtime compositions of Joplin and Turpin. Joplin's " Solace " (1909) is generally considered to be in the habanera genre: both of the pianist's hands play in a syncopated fashion, completely abandoning any sense of a march rhythm. Ned Sublette postulates that the tresillo/habanera rhythm "found its way into ragtime and the cakewalk," whilst Roberts suggests that "the habanera influence may have been part of what freed black music from ragtime's European bass". In

4823-424: The influences of West African culture. Its composition and style have changed many times throughout the years with each performer's personal interpretation and improvisation, which is also one of the greatest appeals of the genre. By the 18th century, slaves in the New Orleans area gathered socially at a special market, in an area which later became known as Congo Square , famous for its African dances. By 1866,

4914-460: The instruments of jazz: brass, drums, and reeds tuned in the European 12-tone scale. Small bands contained a combination of self-taught and formally educated musicians, many from the funeral procession tradition. These bands traveled in black communities in the deep south. Beginning in 1914, Louisiana Creole and African-American musicians played in vaudeville shows which carried jazz to cities in

5005-559: The jazz music world, as well as drug and criminal subcultures of mid-20th century California. Among the many anecdotes shared from his life, Pepper boasts of raping a woman while stationed in London during the Second World War (deserved, in his view, because he had shared whiskey and walked several miles with her). Soon after the publication of this book, director Don McGlynn released the documentary film Art Pepper: Notes from

5096-578: The late 1950s into the 1990s. Jewish Americans played a significant role in jazz. As jazz spread, it developed to encompass many different cultures, and the work of Jewish composers in Tin Pan Alley helped shape the many different sounds that jazz came to incorporate. Jewish Americans were able to thrive in Jazz because of the probationary whiteness that they were allotted at the time. George Bornstein wrote that African Americans were sympathetic to

5187-539: The late 1950s, using the mode , or musical scale, as the basis of musical structure and improvisation, as did free jazz , which explored playing without regular meter, beat and formal structures. Jazz-rock fusion appeared in the late 1960s and early 1970s, combining jazz improvisation with rock music 's rhythms, electric instruments, and highly amplified stage sound. In the early 1980s, a commercial form of jazz fusion called smooth jazz became successful, garnering significant radio airplay. Other styles and genres abound in

5278-955: The many top players he employed, such as George Brunies , Sharkey Bonano , and future members of the Original Dixieland Jass Band . During the early 1900s, jazz was mostly performed in African-American and mulatto communities due to segregation laws. Storyville brought jazz to a wider audience through tourists who visited the port city of New Orleans. Many jazz musicians from African-American communities were hired to perform in bars and brothels. These included Buddy Bolden and Jelly Roll Morton in addition to those from other communities, such as Lorenzo Tio and Alcide Nunez . Louis Armstrong started his career in Storyville and found success in Chicago. Storyville

5369-413: The melody was stated briefly at the beginning and most of the piece was improvised. Modal jazz abandoned chord progressions to allow musicians to improvise even more. In many forms of jazz, a soloist is supported by a rhythm section of one or more chordal instruments (piano, guitar), double bass, and drums. The rhythm section plays chords and rhythms that outline the composition structure and complement

5460-701: The murder of two prison guards during the Battle of Alcatraz . Carlos Romero Ochoa had murdered a federal immigration officer after he was caught smuggling illegal immigrants across the border near El Centro, California . He was executed at San Quentin's gas chamber on December 10, 1948. On March 13, 2019, after Governor Gavin Newsom ordered a moratorium on the state's death penalty, the state withdrew its current lethal injection protocol, and San Quentin dismantled and indefinitely closed its gas and lethal injection execution chambers. Though numerous towns and localities in

5551-697: The music internationally, combining syncopation with European harmonic accompaniment. In the mid-1800s the white New Orleans composer Louis Moreau Gottschalk adapted slave rhythms and melodies from Cuba and other Caribbean islands into piano salon music. New Orleans was the main nexus between the Afro-Caribbean and African American cultures. The Black Codes outlawed drumming by slaves, which meant that African drumming traditions were not preserved in North America, unlike in Cuba, Haiti, and elsewhere in

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5642-583: The music of New Orleans with the music of Cuba, Wynton Marsalis observes that tresillo is the New Orleans "clavé", a Spanish word meaning "code" or "key", as in the key to a puzzle, or mystery. Although the pattern is only half a clave , Marsalis makes the point that the single-celled figure is the guide-pattern of New Orleans music. Jelly Roll Morton called the rhythmic figure the Spanish tinge and considered it an essential ingredient of jazz. The abolition of slavery in 1865 led to new opportunities for

5733-516: The new inmates had all tested negative; however, few had been tested at all. By June 22, at least 350 inmates and staff had tested positive, in what a federal judge called a "significant failure" of policy. In March 2023, California governor Gavin Newsom announced a "historic transformation" of the then-called San Quentin State Prison as part of a project to improve public safety through a greater focus on rehabilitation and education. As part of

5824-619: The north side of San Francisco Bay . The prison complex itself occupies 275 acres (1.11 km ), valued in a 2001 study at between $ 129 million and $ 664 million. As of July 31, 2022, San Quentin was incarcerating people at 105% of its design capacity, with 3,239 occupants. Men condemned to death in California were, in general, formerly held at San Quentin. Most of the former death row population, with some exceptions, have been moved to general population in other California institutions as of May 28, 2024. These transfers have been arranged to comply with Proposition 66 and are being managed by

5915-467: The northeastern United States, a "hot" style of playing ragtime had developed, notably James Reese Europe 's symphonic Clef Club orchestra in New York City, which played a benefit concert at Carnegie Hall in 1912. The Baltimore rag style of Eubie Blake influenced James P. Johnson 's development of stride piano playing, in which the right hand plays the melody, while the left hand provides

6006-618: The northern and western parts of the U.S. Jazz became international in 1914, when the Creole Band with cornettist Freddie Keppard performed the first ever jazz concert outside the United States, at the Pantages Playhouse Theatre in Winnipeg , Canada. In New Orleans, a white bandleader named Papa Jack Laine integrated blacks and whites in his marching band. He was known as "the father of white jazz" because of

6097-455: The offending prison guards fired and added a librarian, psychiatrists, and several surgeons at San Quentin. Duffy's press agent publicized sweeping reforms. San Quentin remained a brutal prison where prisoners continued to be beaten to death. The use of torture as an approved method of interrogation at San Quentin was banned in 1944. In 1941, the first prison meeting of Alcoholics Anonymous took place at San Quentin; in commemoration of this,

6188-470: The performer may change melodies, harmonies, and time signatures. In early Dixieland , a.k.a. New Orleans jazz, performers took turns playing melodies and improvising countermelodies . In the swing era of the 1920s–40s, big bands relied more on arrangements which were written or learned by ear and memorized. Soloists improvised within these arrangements. In the bebop era of the 1940s, big bands gave way to small groups and minimal arrangements in which

6279-500: The period 1820–1850. Some of the earliest [Mississippi] Delta settlers came from the vicinity of New Orleans, where drumming was never actively discouraged for very long and homemade drums were used to accompany public dancing until the outbreak of the Civil War. Another influence came from the harmonic style of hymns of the church, which black slaves had learned and incorporated into their own music as spirituals . The origins of

6370-458: The perspective of other musical traditions, such as European music history or African music. But critic Joachim-Ernst Berendt argues that its terms of reference and its definition should be broader, defining jazz as a "form of art music which originated in the United States through the confrontation of the Negro with European music" and arguing that it differs from European music in that jazz has

6461-494: The plight of the Jewish American and vice versa. As disenfranchised minorities themselves, Jewish composers of popular music saw themselves as natural allies with African Americans. The Jazz Singer with Al Jolson is one example of how Jewish Americans were able to bring jazz, music that African Americans developed, into popular culture. Benny Goodman was a vital Jewish American to the progression of Jazz. Goodman

6552-459: The post-Civil War period (after 1865), African Americans were able to obtain surplus military bass drums, snare drums and fifes, and an original African-American drum and fife music emerged, featuring tresillo and related syncopated rhythmic figures. This was a drumming tradition that was distinct from its Caribbean counterparts, expressing a uniquely African-American sensibility. "The snare and bass drummers played syncopated cross-rhythms ," observed

6643-676: The pre-jazz era and contributed to the codification of jazz through the publication of some of the first jazz sheet music. The music of New Orleans , Louisiana had a profound effect on the creation of early jazz. In New Orleans, slaves could practice elements of their culture such as voodoo and playing drums. Many early jazz musicians played in the bars and brothels of the red-light district around Basin Street called Storyville . In addition to dance bands, there were marching bands which played at lavish funerals (later called jazz funerals ). The instruments used by marching bands and dance bands became

6734-555: The prisoners. A converted shower bay in the East Block hosted religious services. Many prison programs available for most inmates were unavailable for death row inmates. Although $ 395 million was allocated in the 2008–2009 state budget for new death row facilities at San Quentin, in December 2008 two legislators introduced bills to eliminate the funding. The state had planned to build a new death row facility, but Governor Jerry Brown canceled those plans in 2011. In 2015 Brown asked

6825-486: The project, the prison was renamed San Quentin Rehabilitation Center and an advisory group of rehabilitation and public safety experts was formed to advise the efforts. In 2020, 12 death row inmates at San Quentin died in the span of less than two months after a COVID-19 outbreak. All of the inmates were hospitalized before their deaths. Gang-pulp author Margie Harris wrote a story on San Quentin for

6916-537: The prominent styles. Bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging "musician's music" which was played at faster tempos and used more chord-based improvisation. Cool jazz developed near the end of the 1940s, introducing calmer, smoother sounds and long, linear melodic lines. The mid-1950s saw the emergence of hard bop , which introduced influences from rhythm and blues , gospel , and blues to small groups and particularly to saxophone and piano. Modal jazz developed in

7007-410: The rhythm and bassline. In Ohio and elsewhere in the mid-west the major influence was ragtime, until about 1919. Around 1912, when the four-string banjo and saxophone came in, musicians began to improvise the melody line, but the harmony and rhythm remained unchanged. A contemporary account states that blues could only be heard in jazz in the gut-bucket cabarets, which were generally looked down upon by

7098-547: The short-lived pulp magazine Prison Stories . The story, titled "Big House Boomerang," appeared in the March 1931 issue. It used San Quentin's brutal jute mill as its setting. Harris' knowledge of the prison came from her days as a newspaper reporter in the Bay Area , and her acquaintance with famous San Quentin prisoner Ed Morrell . The 1915 novel The Star Rover by Jack London was based in San Quentin. A framing story

7189-556: The slang connotations of the term, saying: "When Broadway picked it up, they called it 'J-A-Z-Z'. It wasn't called that. It was spelled 'J-A-S-S'. That was dirty, and if you knew what it was, you wouldn't say it in front of ladies." The American Dialect Society named it the Word of the 20th Century . Jazz is difficult to define because it encompasses a wide range of music spanning a period of over 100 years, from ragtime to rock -infused fusion . Attempts have been made to define jazz from

7280-444: The soloist. In avant-garde and free jazz , the separation of soloist and band is reduced, and there is license, or even a requirement, for the abandoning of chords, scales, and meters. Since the emergence of bebop, forms of jazz that are commercially oriented or influenced by popular music have been criticized. According to Bruce Johnson, there has always been a "tension between jazz as a commercial music and an art form". Regarding

7371-500: The twice-daily ferry between both cities to perform, and the habanera quickly took root in the musically fertile Crescent City. John Storm Roberts states that the musical genre habanera "reached the U.S. twenty years before the first rag was published." For the more than quarter-century in which the cakewalk , ragtime , and proto-jazz were forming and developing, the habanera was a consistent part of African-American popular music. Habaneras were widely available as sheet music and were

7462-575: The use of tresillo-based rhythms in African-American music. New Orleans native Louis Moreau Gottschalk 's piano piece "Ojos Criollos (Danse Cubaine)" (1860) was influenced by the composer's studies in Cuba: the habanera rhythm is clearly heard in the left hand. In Gottschalk's symphonic work "A Night in the Tropics" (1859), the tresillo variant cinquillo appears extensively. The figure was later used by Scott Joplin and other ragtime composers. Comparing

7553-650: The warden was fired for "threaten[ing] disciplinary action against a doctor who spoke with attorneys about problems with health care delivery at the prison." By 2007, a new trauma center had opened at the prison and a new $ 175 million medical complex was planned. In 2020, the prison became the center of a COVID-19 outbreak, after a group of prisoners were transferred to San Quentin from the California Institution for Men in Chino, California . Initial reports suggested that San Quentin officials were told that

7644-498: The writer Robert Palmer, speculating that "this tradition must have dated back to the latter half of the nineteenth century, and it could have not have developed in the first place if there hadn't been a reservoir of polyrhythmic sophistication in the culture it nurtured." African-American music began incorporating Afro-Cuban rhythmic motifs in the 19th century when the habanera (Cuban contradanza ) gained international popularity. Musicians from Havana and New Orleans would take

7735-500: The year's crop was harvested and several days were set aside for celebration. As late as 1861, a traveler in North Carolina saw dancers dressed in costumes that included horned headdresses and cow tails and heard music provided by a sheepskin-covered "gumbo box", apparently a frame drum; triangles and jawbones furnished the auxiliary percussion. There are quite a few [accounts] from the southeastern states and Louisiana dating from

7826-498: Was described as "the largest in the Western Hemisphere"; as of 2005, it was called "the most populous execution antechamber in the United States." The states of Florida and Texas had fewer death row inmates in 2008 (397 and 451 respectively) than San Quentin. The death row at San Quentin was divided into three sections: the quiet "North-Segregation" or "North-Seg," built in 1934, for prisoners who "don't cause trouble";

7917-505: Was described by critic Scott Yanow as having "attained his goal of becoming the world's greatest altoist" at the time of his death in 1982. Art Pepper was born in Gardena, California , United States. His mother was a 14-year-old runaway; his father, a merchant seaman. Both were violent alcoholics , and when Pepper was still quite young, he was sent to live with his paternal grandmother. He expressed early musical interest and talent, and he

8008-430: Was given lessons. He began playing clarinet at the age of nine, switched to alto saxophone at 13, and immediately began jamming on Central Avenue , the black nightclub district of Los Angeles . At the age of 17, he began playing professionally with Benny Carter and then became part of the Stan Kenton orchestra, touring with that band until he was drafted in 1943. After the war, he returned to Los Angeles, and joined

8099-433: Was major ... , and I carried this device into my melody as well. The publication of his " Memphis Blues " sheet music in 1912 introduced the 12-bar blues to the world (although Gunther Schuller argues that it is not really a blues, but "more like a cakewalk"). This composition, as well as his later " St. Louis Blues " and others, included the habanera rhythm, and would become jazz standards . Handy's music career began in

8190-505: Was shut down by the U.S. government in 1917. Cornetist Buddy Bolden played in New Orleans from 1895 to 1906. No recordings by him exist. His band is credited with creating the big four: the first syncopated bass drum pattern to deviate from the standard on-the-beat march. As the example below shows, the second half of the big four pattern is the habanera rhythm. San Quentin Established in 1852, and opening in 1854, San Quentin

8281-536: Was the leader of a racially integrated band named King of Swing. His jazz concert in the Carnegie Hall in 1938 was the first ever to be played there. The concert was described by Bruce Eder as "the single most important jazz or popular music concert in history". Shep Fields also helped to popularize "Sweet" Jazz music through his appearances and Big band remote broadcasts from such landmark venues as Chicago's Palmer House , Broadway's Paramount Theater and

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