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ArcelorMittal Orbit

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An observation tower is a structure used to view events from a long distance and to create a full 360 degree range of vision to conduct long distance observations . Observation towers are usually at least 20 metres (66 ft) tall and are made from stone, iron, and wood. Many modern towers are also used as TV towers, restaurants, or churches. The towers first appeared in the ancient world, as long ago as the Babylonian Empire.

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172-599: The ArcelorMittal Orbit (often referred to as the Orbit Tower or its original name, Orbit ) is a 114.5-metre (376-foot) sculpture and observation tower in Queen Elizabeth Olympic Park in Stratford, London . It is Britain's largest piece of public art , and is intended to be a permanent lasting legacy of London's hosting of the 2012 Summer Olympic and Paralympic Games, assisting in

344-565: A crane operator and a site foreman . As an observation tower , Orbit has two indoor viewing platforms on two levels, with each level having capacity for 150 people. According to the Greater London Authority , the observation platform offers "unparalleled views of the entire 250 acres (1.0 km; 0.39 sq mi) of the Olympic Park and London's skyline". According to The Independent , visitors should take

516-455: A monumental sculpture carved in sandstone below the fortress of Belfort , which during the war had resisted a Prussian siege for over three months. The defiant lion, 73 feet (22 m) long and half that in height, displays an emotional quality characteristic of Romanticism , which Bartholdi would later bring to the Statue of Liberty. Bartholdi and Laboulaye considered how best to express

688-487: A pileus , and Bartholdi at first considered placing one on his figure as well. Instead, he used a radiate halo , nimbus , to top its head. In so doing, he avoided a reference to Marianne, who invariably wears a pileus . Many believed they evoke the sun, the seven seas, and the seven continents, and represent another means, besides the torch, whereby Liberty enlightens the world, but research has not confirmed this. Bartholdi's early models were all similar in concept:

860-574: A " helter-skelter ", or a "supersized mutant trombone ". Orbit is described as "designed by Anish Kapoor and Cecil Balmond". Kapoor is a Turner Prize winning sculptor, while Balmond is one of the world's leading designers. According to Kapoor, both men are "interested in a place where architecture meets sculpture" and "the way that form and geometry give rise to structure". Kapoor and Balmond stated that their interests have blurred and crossed over into each other's fields since they first began working together in 2002 on Kapoor's Marsyas installation in

1032-595: A "different perspective" of the twisting red tower and was completed in June 2016. This follows an option to abseil down the tower, introduced in 2014. According to London mayor Boris Johnson, in around October 2008 he and Tessa Jowell decided that the site in Stratford, London that was to become the Olympic Park for the 2012 Olympics needed "something extra" to "distinguish the East London skyline", and "arouse

1204-512: A "giant lattice tripod sporting a counterweight collar around its neck designed to offset the weight of its head, a two-storey dining and viewing gallery". According to the BBC, the design incorporates the five Olympic rings . Upon its launch Johnson said "It would have boggled the minds of the Romans. It would have boggled Gustave Eiffel." Nicholas Serota, a member of the design panel, said that Orbit

1376-401: A 400-foot (120 m) high structure "resembling a cross between a pylon and a native American totem pole", according to The Times . A spokesman for Johnson would only confirm that he was "keen to see stunning, ambitious, world-class art in the Olympic Park", and that work on commissioning the project was at an early stage. Mittal's involvement came about after a chance meeting with Johnson in

1548-407: A bold and clear design, accentuated in the important places. The enlargement of the details or their multiplicity is to be feared. By exaggerating the forms, in order to render them more clearly visible, or by enriching them with details, we would destroy the proportion of the work. Finally, the model, like the design, should have a summarized character, such as one would give to a rapid sketch. Only it

1720-512: A broken chain, half-hidden by her robes and difficult to see from the ground. Her right foot is raised and set back, in a classical contrapposto pose that looks stationary when viewed from the front, but dynamic when viewed from the side, signifying a solid footing and a posture more relaxed than that of two feet set side by side, and introducing a sense of tension between standing and moving forward, both physically and mentally. The upright form and outstretched leg may have also helped to stabilize

1892-486: A cleanup of Bedloe's Island in anticipation of the dedication. General Charles Stone claimed on the day of dedication that no man had died during the construction of the statue; this was not true, as Francis Longo, a thirty-nine-year-old Italian laborer, had been killed when an old wall fell on him. When built, the statue was reddish-brown and shiny, but within twenty years it had oxidized to its current green color through reactions with air, water and acidic pollution, forming

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2064-594: A cloakroom in Davos in January 2009, as they were on their way to separate dinner engagements. In a conversation that reportedly lasted 45 seconds Johnson pitched the idea to Mittal, who immediately agreed to supply the steel. Mittal later said of his involvement, "I never expected that this was going to be such a huge project. I thought it was just the supply of some steel, a thousand tonnes or so, and that would be it. But then we started working with artists and I realised that

2236-535: A coppersmith in the southern French town of Montauban . By 1882, the statue was complete up to the waist, an event Bartholdi celebrated by inviting reporters to lunch on a platform built within the statue. Laboulaye died in 1883. He was succeeded as chairman of the French committee by Lesseps. The completed statue was formally presented to Ambassador Morton at a ceremony in Paris on July 4, 1884, and Lesseps announced that

2408-532: A disused army base on Bedloe's Island constructed between 1807 and 1811. Since 1823, it had rarely been used, though during the Civil War, it had served as a recruiting station. The fortifications of the structure were in the shape of an eleven-point star. The statue's foundation and pedestal were aligned so that it would face southeast, greeting ships entering the harbor from the Atlantic Ocean. In 1881,

2580-561: A dollar (equivalent to $ 34 in 2023). The statue was built in France, shipped overseas in crates, and assembled on the completed pedestal on what was then called Bedloe's Island. The statue's completion was marked by New York's first ticker-tape parade and a dedication ceremony presided over by President Grover Cleveland . The statue was administered by the United States Lighthouse Board until 1901 and then by

2752-586: A dollar as "the money we saved to go to the circus with." Another dollar was given by a "lonely and very aged woman." Residents of a home for alcoholics in New York's rival city of Brooklyn—the cities would not merge until 1898—donated $ 15; other drinkers helped out through donation boxes in bars and saloons. A kindergarten class in Davenport, Iowa , mailed the World a gift of $ 1.35. As the donations flooded in,

2924-402: A drive to raise $ 30,000 (equivalent to $ 840,000 in 2023) for an exterior lighting system to illuminate the statue at night. He claimed over 80,000 contributors, but failed to reach the goal. The difference was quietly made up by a gift from a wealthy donor—a fact that was not revealed until 1936. An underwater power cable brought electricity from the mainland and floodlights were placed along

3096-532: A female figure in neoclassical style representing liberty, wearing a stola and pella (gown and cloak, common in depictions of Roman goddesses) and holding a torch aloft. According to popular accounts, the face was modeled after that of Augusta Charlotte Beysser Bartholdi, the sculptor's mother, but Regis Huber, the curator of the Bartholdi Museum is on record as saying that this, as well as other similar speculations, have no basis in fact. He designed

3268-515: A flag pole at its top. Some of these towers are permanently accessible, either free or with the payment of an admission fee. Others are accessible only at certain times, in most cases only with the payment of an admission fee. At these towers the platform is usually open, with some having a restaurant in the basement. There are also towers with a much more extensive use; for example. the observation tower on Rossberg mountains in Reutlingen contains

3440-510: A friend of Bartholdi's, artist John LaFarge , later maintained that Bartholdi made the first sketches for the statue during his visit to La Farge's Rhode Island studio. Bartholdi continued to develop the concept following his return to France. He also worked on a number of sculptures designed to bolster French patriotism after the defeat by the Prussians. One of these was the Lion of Belfort ,

3612-592: A glowworm than a beacon." Bartholdi suggested gilding the statue to increase its ability to reflect light, but this proved too expensive. The United States Lighthouse Board took over the Statue of Liberty in 1887 and pledged to install equipment to enhance the torch's effect; in spite of its efforts, the statue remained virtually invisible at night. When Bartholdi returned to the United States in 1893, he made additional suggestions, all of which proved ineffective. He did successfully lobby for improved lighting within

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3784-559: A harbor entrance and carried a light to guide ships. Both the khedive and Ferdinand de Lesseps , developer of the Suez Canal, declined the proposed statue from Bartholdi, citing the high cost. The Port Said Lighthouse was built instead, by François Coignet in 1869. Upon his return from Egypt, Bartholdi visited a 76-foot Giovanni Battista Crespi 's sculpture in repoussé copper covering an iron armature at Lago Maggiore in Italy, and

3956-460: A hotel within its structure. Although most of these towers were initially built before World War I , such structures are still being built, in particular as attractions at horticultural shows . Modern observation towers are in most cases no longer built of brick, but concrete, steel and wood are used as the preferred building materials. Permanent observation towers are also sometimes found in amusement parks , however in parks where each attraction

4128-635: A huge painting of the statue to be shown in New York as part of the Centennial festivities. The arm did not arrive in Philadelphia until August; because of its late arrival, it was not listed in the exhibition catalogue, and while some reports correctly identified the work, others called it the "Colossal Arm" or "Bartholdi Electric Light". The exhibition grounds contained a number of monumental artworks to compete for fairgoers' interest, including an outsized fountain designed by Bartholdi. Nevertheless,

4300-526: A lasting monument, only persisting into public acceptance as art through being useful; he also pointed out the Colossus of Rhodes collapsed within a few decades, and the Tower of Babel was "constructed to glorify those that constructed it." He suggested that Johnson should reconsider whether it should be pulled down after 20 years. Questioning its corporate role, he believed that meant it looked less and less like

4472-569: A lasting visitor attraction, The Guardian's Mark Brown reflected on the mixed fortunes of other large symbolic London visitor attractions such as the popular, but loss-making, Thames Tunnel ; the Skylon structure, dismantled on the orders of Winston Churchill ; and the successful London Eye . When plans were first reported for an Olympic tower, the media pointed to a manifesto pledge of Johnson's to crack down on tall buildings, in order to preserve London's "precious" skyline. The Times criticised

4644-491: A layer of verdigris which protects the copper from further corrosion. A ceremony of dedication was held on the afternoon of October 28, 1886. President Grover Cleveland, the former New York governor, presided over the event. On the morning of the dedication, a parade was held in New York City; estimates of the number of people who watched it ranged from several hundred thousand to a million. President Cleveland headed

4816-523: A lighthouse is usually between 10 and 50 metres high, and is almost always open air. Some sports facilities have high buildings with observation decks. This is often the case at ski jumps, as these have a tower and are usually unused in the summer. In addition, there are other sports facilities with observation decks, like the inclined tower of the Montreal Olympic stadium. Access to the platform of nearly all sports facilities with observation deck

4988-577: A long list of proposals. According to Mittal, the panel made a unanimous decision to pick Orbit , as it both represented the Olympic Games and was achievable within the ambitious time frame. Kapoor described it as "the commission of a lifetime". Johnson pre-empted possible criticism during the official launch by stating: "Of course some people will say we are nuts – in the depths of a recession – to be building Britain’s biggest ever piece of public art. But both Tessa Jowell and I are certain that this

5160-661: A major of militia. In the war, Napoleon III was captured and deposed. Bartholdi's home province of Alsace was lost to the Prussians , and a more liberal republic was installed in France. As Bartholdi had been planning a trip to the United States, he and Laboulaye decided the time was right to discuss the idea with influential Americans. In June 1871, Bartholdi crossed the Atlantic, with letters of introduction signed by Laboulaye. Arriving at New York Harbor , Bartholdi focused on Bedloe's Island (now named Liberty Island ) as

5332-534: A monument presented by the French people to the United States was first proposed by Édouard René de Laboulaye , president of the French Anti-Slavery Society and a prominent and important political thinker of his time. The project is traced to a mid-1865 conversation between Laboulaye, a staunch abolitionist , and Frédéric Auguste Bartholdi , a sculptor. In after-dinner conversation at his home near Versailles , Laboulaye, an ardent supporter of

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5504-507: A number of groups about the project, and urged the formation of American committees of the Franco-American Union. Committees to raise money to pay for the foundation and pedestal were formed in New York, Boston, and Philadelphia. The New York group eventually took on most of the responsibility for American fundraising and is often referred to as the "American Committee". One of its members was 19-year-old Theodore Roosevelt ,

5676-450: A respectable living for himself and family, without being ku-kluxed , perhaps murdered, his daughter and wife outraged, and his property destroyed. The idea of the "liberty" of this country "enlightening the world," or even Patagonia , is ridiculous in the extreme. When the torch was illuminated on the evening of the statue's dedication, it produced only a faint gleam, barely visible from Manhattan. The World characterized it as "more like

5848-402: A restaurant. The height of these platforms, which can be glassed or open-air depending on the height of the building, where they are most common on the topmost floor. As a rule access usually requires the payment of an admission fee, is possible by elevator only at dedicated opening times. Also numerous water towers have, a usually open-air observation deck opened for public traffic, whose height

6020-428: A rule an elevator is available in these buildings for the visitors of the observation deck, as the observation deck lies usually very highly (mostly within the range between 50 and 200 metres, at some towers also more highly). Many of these towers have also a tower restaurant, which can be designed as revolving restaurant. While tower restaurants for the protection of the restaurant guests from the wind are in closed rooms,

6192-609: A rule, since these buildings are mostly not higher than 20 metres. Active watch towers are not as a rule accessible to the public, since they usually serve for the monitoring of sensitive ranges. However watch towers can be quite ordered for forest fire monitoring a platform accessible for the public or be used during times without forest fire risk as observation towers. Shut down watch towers can however be easily converted to observation towers. Also some radio towers were so built that they can be used apart from their function as transmitting tower also as observation tower. A condition for this

6364-581: A site for the statue, struck by the fact that vessels arriving in New York had to sail past it. He was delighted to learn that the island was owned by the United States government—it had been ceded by the New York State Legislature in 1800 for harbor defense. It was thus, as he put it in a letter to Laboulaye: "land common to all the states." As well as meeting many influential New Yorkers, Bartholdi visited President Ulysses S. Grant , who assured him that it would not be difficult to obtain

6536-404: A structural point of view, Orbit consists of two parts: The trunk has a base diameter of 37 metres (121 ft), narrowing to 5 metres (16 ft) on the way up, then widening again to 9.6 metres (31 ft) just under the observation deck. The trunk is supported and stabilized by the tube, which gives a structural character of a tripod to the entire construction. Further structural integrity

6708-400: A sub-consultant to Arup) made the sculpture into a functional building, for example designing the staircase. The organic design of Orbit demanded an extraordinary amount of structural engineering work. This was done by Arup , which reported that it took up two-thirds of the budget for the project (twice the percentage normally allotted to structural engineering in a building project). From

6880-448: A symbolic act, the first rivet placed into the skin, fixing a copper plate onto the statue's big toe, was driven by United States Ambassador to France Levi P. Morton . The skin was not, however, crafted in exact sequence from low to high; work proceeded on a number of segments simultaneously in a manner often confusing to visitors. Some work was performed by contractors—one of the fingers was made to Bartholdi's exacting specifications by

7052-433: A t-antenna for medium wave and stands on insulators. However one notices at the first experimental transmissions that at the tower voltages would arise, which would have unpleasant consequences for visitors and so the tower was grounded by the elevator shaft. However this shifted direction of main beam of transmitter away from actual supply area, the city of Berlin. As before World War II nearly whole radio traffic took place in

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7224-773: A tool for lifting areas out of deprivation. He questioned its ability to draw people's attention to Stratford after the Games, in a similar manner to the successes of the Angel of the North or the Guggenheim Museum Bilbao . He also questioned the piece's ability to strike a chord like the Angel, which he believed had at least "created a feelgood factor and sense of pride" in Gateshead, or whether it would simply become one of

7396-672: A torch aloft, at the northern entrance to the Suez Canal in Port Said . Sketches and models were made of the proposed work, though it was never erected. There was a classical precedent for the Suez proposal, the Colossus of Rhodes : an ancient bronze statue of the Greek god of the sun, Helios . This statue is believed to have been over 100 feet (30 m) high, and it similarly stood at

7568-573: A week before the dedication, the Army Corps of Engineers vetoed the proposal, fearing that ships' pilots passing the statue would be blinded. Instead, Bartholdi cut portholes in the torch—which was covered with gold leaf —and placed the lights inside them. A power plant was installed on the island to light the torch and for other electrical needs. After the skin was completed, landscape architect Frederick Law Olmsted , co-designer of Manhattan's Central Park and Brooklyn's Prospect Park , supervised

7740-443: A work of art and more like a vanity project. In an online poll published by The Guardian , 38.6% of readers considered it a "grand design", while 61.4% considered it "garbage". Responding to concerns from The Times that ArcelorMittal's sponsorship and naming of Orbit would represent an improper incursion of corporate branding into public life, Johnson stated that Olympic rules mean that it cannot carry any corporate branding during

7912-436: A work that visitors can engage with and experience via an incorporated spiral walkway. It has been both praised and criticised for its bold design, and has especially received criticism as a vanity project of questionable lasting use or merit as a public art project. The project was expected to cost £19.1   million, with £16   million coming from Britain's then-richest man, the steel tycoon Lakshmi Mittal , Chairman of

8084-487: Is 96.3 metres (316 ft) tall, Nelson's Column is 51.5 metres (169 ft) tall, including statue and column. The Giza Pyramid was thought to have been constructed as 280 Egyptian cubits or 146.478 metres (480.57 ft) tall, although with erosion it has reduced in height by nearly 10 metres. Orbit is located in the southern area of the Olympic Park, between London Stadium and the Aquatics Centre . After

8256-551: Is a colossal neoclassical sculpture on Liberty Island in New York Harbor , within New York City . The copper -clad statue, a gift to the United States from the people of France , was designed by French sculptor Frédéric Auguste Bartholdi and its metal framework was built by Gustave Eiffel . The statue was dedicated on October 28, 1886. The statue is a figure of a classically draped woman, likely inspired by

8428-684: Is a sufficiently stable construction, which permits a permanent safe visitor entrance without interruption of the transmission services. This is the case for towers for radio services in the UHF/VHF-range the case, not however for most types of radio towers for long and medium wave, why a use of these structures as observation tower is impossible in most cases. That the use of a tower as radio tower for medium wave and observation tower not well fits, showed up in Radio Tower Berlin , which originally carried together with an 80 metres high mast

8600-425: Is fragmented with architectural detail, in order to focus attention on the statue. In form, it is a truncated pyramid, 62 feet (19 m) square at the base and 39.4 feet (12.0 m) at the top. The four sides are identical in appearance. Above the door on each side, there are ten disks upon which Bartholdi proposed to place the coats of arms of the states (between 1876 and 1889, there were 38 of them), although this

8772-437: Is given to the construction by octagonal steel rings that surround the tube and trunk, spaced at 4 metres (13 ft) and cross-joined pairwise by sixteen diagonally mounted steel connectors. A special part of the construction is the canopy, the conic shape that hangs off the bottom of the trunk. Originally planned as a fibreglass composite construction, costs forced the use of steel for this section as well. Centraalstaal

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8944-436: Is in contrast to the entrance of the church usually only possible under payment an admission fee at the opening times of the church. The height of the observation decks is usually in the range between 20 and 50 metres. The platform is nearly always open-air. Some lighthouses have an observation deck open to the public. Access is usually by stairs. An admission fee is often charged and hours may be limited. The observation deck of

9116-535: Is littered with public art of absolutely no merit. We are entering a new period of fascist gigantism. These are monuments to egos and you couldn't find a more monumental ego than Boris." The Times reported the description of it being the "Godzilla of public art". In October 2012, ArcelorMittal Orbit was nominated and made the Building Design magazine shortlist for the Carbuncle Cup —an award for

9288-486: Is mostly as the height of older observation towers in the height range between 10 and 50 metres. It can be reached depending upon tower by stairs or by an elevator. Some water towers have also a tower restaurant. Prospect platforms of water towers are nearly only accessible under payment during the opening times, which are different for each tower. Also some church towers possess observation decks. However elevators are only available in rare cases. The entrance of this platform

9460-421: Is necessary that this character should be the product of volition and study, and that the artist, concentrating his knowledge, should find the form and the line in its greatest simplicity. Bartholdi made alterations in the design as the project evolved. Bartholdi considered having Liberty hold a broken chain, but decided this would be too divisive in the days after the Civil War. The erected statue does stride over

9632-427: Is not separately paid for, panorama rides are preferred. Watch towers are observation towers, on which persons supervise a larger area. Strictly speaking, control towers also fall into this category, although surveillance from these structures is mostly done in a non-optical way using Radar . Watch towers usually have a closed pulpit to protect the observer against bad weather. Watch towers do not have an elevator as

9804-500: Is only possible during opening times after paying an admission fee. Depending upon the building the access can be done by an elevator and/or a stairway. The platforms can be vitreous or open. The height above ground lies usually between 10 and 50 metres. Fire lookout towers have been used widely in Australia, Canada, and the United States to hoist fire lookout persons to heights where they can identify and report new wildfires. In

9976-543: Is positioned) underwent reconstruction for its long-term legacy use as a public outdoor space. It re-opened to the public on 5 April 2014. The structure incorporates the world's tallest and longest – 178 m (584 ft) – tunnel slide, designed by Carsten Höller . The idea was originally envisioned by the London Legacy Development Corporation as a way to attract more visitors to the tower. The slide includes transparent sections to give

10148-524: Is that the sculpture, as well as being a focal point for the Olympic Park during the Games, will form part of the wider Stratford regeneration plans, which aim to turn the Olympic site into a permanent tourist destination after the Games. Tessa Jowell said Orbit will be "like honey to bees for the millions of tourists that visit London each year". Boris Johnson predicted it would become "the perfect iconic cultural legacy". According to Lord Coe , chairman of

10320-511: Is the right thing for the Stratford site, in Games time and beyond." The completed structure was officially unveiled to the press and public on 11 May 2012. An image of the structure was included in the 2015 design of the British passport . The structure was re-purposed with the world's longest slide in 2016, as a way to attract more visitors. According to Kapoor, the design brief from

10492-508: The American Civil War . After its dedication the statue became an icon of freedom and of the United States, being subsequently seen as a symbol of welcome to immigrants arriving by sea. The idea for the statue was conceived in 1865, when the French historian and abolitionist Édouard de Laboulaye proposed a monument to commemorate the upcoming centennial of U.S. independence (1876), the perseverance of American democracy and

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10664-610: The ArcelorMittal steel company, and the balance of £3.1   million coming from the London Development Agency . The name "ArcelorMittal Orbit" combines the name of Mittal's company, as chief sponsor, with Orbit , the original working title for Kapoor and Balmond's design. The ArcelorMittal Orbit temporarily closed after the 2012 Olympic and Paralympic Games while the South Plaza (in which Orbit

10836-749: The Big Ben clock tower, the centrepiece of the Palace of Westminster . It was also described as being "twice as tall" or "more than double the height" of Nelson's Column , the monument honouring Admiral Nelson in Trafalgar Square . Other reports described how it was "just short of" or "almost as tall as" the Great Pyramid of Giza in Egypt, the ancient tomb of the Pharaoh Khufu . Big Ben

11008-587: The Department of War ; since 1933, it has been maintained by the National Park Service as part of the Statue of Liberty National Monument , and is a major tourist attraction. Limited numbers of visitors can access the rim of the pedestal and the interior of the statue's crown from within; public access to the torch has been barred since 1916. According to the National Park Service , the idea of

11180-497: The Eiffel factory in the nearby Parisian suburb of Levallois-Perret . The change in structural material from masonry to iron allowed Bartholdi to change his plans for the statue's assembly. He had originally expected to assemble the skin on-site as the masonry pier was built; instead, he decided to build the statue in France and have it disassembled and transported to the United States for reassembly in place on Bedloe's Island. In

11352-853: The Henninger Turm , a grain silo with tower restaurant and observation deck in Frankfurt, the bell tower of Berlin Olympic stadium , whose platform is accessible by an elevator, the winding tower of the mining industry museum in Bochum, which has an open-air observation deck to which an elevator runs or a wind turbine in Holtriem wind park, which is equipped with a closed platform accessible over stairs. Also aerial tramway support towers, which serve as observation tower (and aerial tramway station), were realized, like Torre Jaume I in Barcelona. Even on

11524-501: The UHF / VHF range ( FM sound broadcasting , TV, public rural broadcasting service, and portable radio service). In some cases this usage of the tower is at least as important as its use as an observation tower. Such towers are usually called TV towers or telecommunication towers. Many towers are also equipped with a tower restaurant and allow visitors access via elevators. Also common is the usage of water towers as observation towers. As in

11696-511: The Union in the American Civil War , is supposed to have said: "If a monument should rise in the United States, as a memorial to their independence, I should think it only natural if it were built by united effort—a common work of both our nations." The National Park Service, in a 2000 report, however, deemed this a legend traced to an 1885 fundraising pamphlet, and that the statue was most likely conceived in 1870. In another essay on their website,

11868-504: The "many more unloved rotting wrecks that no one has the nerve to demolish". He postulated that the addition of stairs and a lift made Orbit less succinct than Kapoor's previous successful works, while ultimately he said "hard to see what the big idea is, beyond the idea of making something big". Fellow Guardian writer John Graham-Cumming rejected comparisons to icons like the Eiffel Tower, which had itself not been intended to be

12040-635: The Americas as an "Indian princess", which had come to be regarded as uncivilized and derogatory toward Americans. The other significant female icon in American culture was a representation of Liberty , derived from Libertas , the goddess of freedom widely worshipped in ancient Rome , especially among emancipated slaves . A Liberty figure adorned most American coins of the time, and representations of Liberty appeared in popular and civic art, including Thomas Crawford 's Statue of Freedom (1863) atop

12212-608: The Beattie Quarry in Branford, Connecticut . The concrete mass was the largest poured to that time. Norwegian immigrant civil engineer Joachim Goschen Giæver designed the structural framework for the Statue of Liberty. His work involved design computations, detailed fabrication and construction drawings, and oversight of construction. In completing his engineering for the statue's frame, Giæver worked from drawings and sketches produced by Gustave Eiffel. Fundraising in

12384-617: The French attempt to build the Panama Canal . The copper may have come from multiple sources and some of it is said to have come from a mine in Visnes , Norway, though this has not been conclusively determined after testing samples. According to Cara Sutherland in her book on the statue for the Museum of the City of New York , 200,000 pounds (91,000 kg) was needed to build the statue, and

12556-565: The French copper industrialist Eugène Secrétan donated 128,000 pounds (58,000 kg) of copper. Although plans for the statue had not been finalized, Bartholdi moved forward with fabrication of the right arm, bearing the torch, and the head. Work began at the Gaget, Gauthier & Co. workshop. In May 1876, Bartholdi traveled to the United States as a member of a French delegation to the Centennial Exhibition, and arranged for

12728-458: The French government had agreed to pay for its transport to New York. The statue remained intact in Paris pending sufficient progress on the pedestal; by January 1885, this had occurred and the statue was disassembled and crated for its ocean voyage. The committees in the United States faced great difficulties in obtaining funds for the construction of the pedestal. The Panic of 1873 had led to an economic depression that persisted through much of

12900-613: The London 2012 Olympic organisers, it would play a central part in the Game's role of leaving a lasting legacy and transformed landscape in east London. During the opening ceremony of the 2012 Summer Paralympics , Joe Townsend (a Royal Marine and double amputee) delivered the Paralympic flame into Olympic Stadium via a zipline that was attached to the top of Orbit . In 2016, a permanent slide designed by German artist Carsten Höller

13072-597: The March 2010 confirmation of the winning design, construction began in November 2010; it reached its full height in November 2011. Steel is the primary material used in the sculpture. According to Balmond, there was no feasible alternative, as steel was the only material that could give the minimum thickness and maximum strength represented in the coiling structure. It was built from approximately 2000 tonnes of steel, produced as much as possible from ArcelorMittal plants, with

13244-569: The Mayor's office was for a "tower of at least 100 metres (330 ft)", while Balmond said that he was told the Mayor was "looking for an icon to match the Eiffel Tower ". Kapoor said that one of the influences on his design was the Tower of Babel , the sense of "building the impossible" that "has something mythic about it", and that the form "straddles Eiffel and Tatlin ". Balmond, working on

13416-505: The New York committee commissioned Richard Morris Hunt to design the pedestal. Within months, Hunt submitted a detailed plan, indicating that he expected construction to take about nine months. He proposed a pedestal 114 feet (35 m) in height; faced with money problems, the committee reduced that to 89 feet (27 m). Hunt's pedestal design contains elements of classical architecture, including Doric portals, as well as some elements influenced by Aztec architecture . The large mass

13588-467: The New York committee, Senator William M. Evarts . A French flag draped across the statue's face was to be lowered to unveil the statue at the close of Evarts's speech, but Bartholdi mistook a pause as the conclusion and let the flag fall prematurely. The ensuing cheers put an end to Evarts's address. President Cleveland spoke next, stating that the statue's "stream of light shall pierce the darkness of ignorance and man's oppression until Liberty enlightens

13760-436: The Olympic Park needed "something extra". Designers were asked for ideas for an "Olympic tower" at least 100 metres (330 ft) high: Orbit was the unanimous choice from proposals considered by a nine-person advisory panel . Kapoor and Balmond believed that Orbit represented a radical advance in the architectural field of combining sculpture and structural engineering , and that it combined both stability and instability in

13932-555: The Park Service suggested that Laboulaye was minded to honor the Union victory and its consequences, "With the abolition of slavery and the Union's victory in the Civil War in 1865, Laboulaye's wishes of freedom and democracy were turning into a reality in the United States. In order to honor these achievements, Laboulaye proposed that a gift be built for the United States on behalf of France. Laboulaye hoped that by calling attention to

14104-521: The Roman goddess of liberty Libertas . In a contrapposto pose, she holds a torch above her head with her right hand, and in her left hand carries a tabula ansata inscribed JULY IV MDCCLXXVI (July 4, 1776, in Roman numerals ), the date of the U.S. Declaration of Independence . With her left foot she steps on a broken chain and shackle , commemorating the national abolition of slavery following

14276-700: The Turbine Hall of the Tate Modern . As well as Orbit , in 2010 Kapoor and Balmond were also working on the Tees Valley Giants , a public art project in northern England. The sculpture was engineered by the Global engineer Arup, who developed the overall geometry, structural design and the building services including the lighting displayed extensively during the Olympic games. Architectural input by Kathryn Findlay ( Ushida Findlay Architects , as

14448-479: The U.S. for the pedestal had begun in 1882. The committee organized a large number of money-raising events. As part of one such effort, an auction of art and manuscripts, poet Emma Lazarus was asked to donate an original work. She initially declined, stating she could not write a poem about a statue. At the time, she was also involved in aiding refugees to New York who had fled antisemitic pogroms in eastern Europe . These refugees were forced to live in conditions that

14620-609: The UK's tallest sculpture, surpassing the 60-metre (200 ft) tall Aspire in Nottingham. On announcing the project, the Greater London Authority described Orbit ' s height in comparison with the Statue of Liberty , stating that it would be 22 metres (72 ft) taller – the Statue of Liberty is 93 metres (305 ft) high, including the 46-metre (151 ft) statue and its pedestal. The media picked up

14792-413: The United States in the late 19th and early 20th century; many entered through New York and saw the statue not as a symbol of enlightenment, as Bartholdi had intended, but as a sign of welcome to their new home. The association with immigration only became stronger when an immigrant processing station was opened on nearby Ellis Island. This view was consistent with Lazarus's vision in her sonnet—she described

14964-417: The United States, there once were over 5,000 fire lookout towers. Areas where birdlife congregates are often associated with bird observation towers to assist with viewing. Hyperboloid structures have a hyperboloid shape that is usually lattice framework and an observation deck on top. There are also some very different observation towers, which don't fit into other categories. Examples for this are

15136-467: The World . The French people were to finance the statue (contrary to the common misconception of it being funded by the French national government); and Americans would be expected to pay for the pedestal. The announcement provoked a generally favorable reaction in France, though many Frenchmen resented the United States for not coming to their aid during the war with Prussia . French monarchists opposed

15308-501: The apparent intention to cast the Orbit as London's answer to the Eiffel Tower , which is 324 metres (1,063 ft) tall. The Guardian related how it was "considerably shorter", also noting that it is even "20 metres (66 ft) shorter than the diminutive Blackpool Tower ". Its height was also compared in the media with other London landmarks. It was described as being "slightly taller" or "nearly 20 metres (66 ft) taller" than

15480-461: The architectural firm Caruso St John . According to The Times , Gormley's design was a 390-foot (120 m) steel colossus titled Olympian Man , a trademark piece of a statue of himself, rejected mainly on the grounds of its projected cost, estimated at £40   million. Johnson and Jowell agreed to issue a commission for Orbit in partnership with Mittal after it was chosen by a nine-person advisory panel brought together by them to advise on

15652-483: The arm proved popular in the exhibition's waning days, and visitors would climb up to the balcony of the torch to view the fairgrounds. After the exhibition closed, the arm was transported to New York City, where it remained on display in Madison Square Park for several years before it was returned to France to join the rest of the statue. During his second trip to the United States, Bartholdi addressed

15824-467: The bank, suspended work on the pedestal. With the project in jeopardy, groups from other American cities, including Boston and Philadelphia, offered to pay the full cost of erecting the statue in return for relocating it. Joseph Pulitzer , publisher of the New York World , a New York newspaper, announced a drive to raise $ 100,000 (equivalent to $ 3,391,000 in 2023). Pulitzer pledged to print

15996-504: The bell of a giant french horn", adding that it "seems like an awful lot of trouble just to look at East London", in comparison to a music hall comedian's refrain at the $ 16 million cost of the Brooklyn Bridge . Morrison not only compared Johnson to Ozymandias, but also to the 20th century dictators Adolf Hitler , Joseph Stalin and Nicolae Ceaușescu , in their acts of "phallic politics" in building grandiose monuments. Criticising

16168-674: The case of TV towers the visitor will usually reach the observation deck by elevator, which is usually at a lower height above ground The typical height of the observation deck of water towers is 20 metres up to 50 metres, while the typical height of the platform of TV towers is from 80 metres up to 200 metres. Finally, some church towers may have observation decks, albeit often without an elevator. Many other buildings may have towers which allow for observation. In particular prior to World War I rambler associations, and some municipalities, built observation towers on numerous summits. Usually these towers were built of stone, however sometimes wood or iron

16340-444: The classical Colossus of Rhodes as a frightening symbol, with the new "American colossus" as a "beacon to the lost and hopeless". Even with these efforts, fundraising lagged. Grover Cleveland , the governor of New York , vetoed a bill to provide $ 50,000 for the statue project in 1884. An attempt the next year to have Congress provide $ 100,000, sufficient to complete the project, also failed. The New York committee, with only $ 3,000 in

16512-451: The committee resumed work on the pedestal. France raised about $ 250,000 to build the statue, while the United States had to raise up to $ 300,000 to build the pedestal. On June 17, 1885, the French steamer Isère arrived in New York with the crates holding the disassembled statue on board. New Yorkers displayed their newfound enthusiasm for the statue. Two hundred thousand people lined the docks and hundreds of boats put to sea to welcome

16684-437: The construction work. Construction on the 15-foot-deep (4.6 m) foundation began in 1883, and the pedestal's cornerstone was laid in 1884. In Hunt's original conception, the pedestal was to have been made of solid granite . Financial concerns again forced him to revise his plans; the final design called for poured concrete walls, up to 20 feet (6.1 m) thick, faced with granite blocks. This Stony Creek granite came from

16856-412: The copper skin and the iron support structure, Eiffel insulated the skin with asbestos impregnated with shellac . Eiffel's design made the statue one of the earliest examples of curtain wall construction, in which the exterior of the structure is not load bearing , but is instead supported by an interior framework. He included two interior spiral staircases , to make it easier for visitors to reach

17028-453: The copper skin to his proposed masonry pier. The following year, Bartholdi was able to obtain the services of the innovative designer and builder Gustave Eiffel . Eiffel and his structural engineer, Maurice Koechlin , decided to abandon the pier and instead build an iron truss tower. Eiffel opted not to use a completely rigid structure, which would force stresses to accumulate in the skin and lead eventually to cracking. A secondary skeleton

17200-465: The countryside, as they must rise over trees and other obstacles to ensure clear vision. Older control rooms have often been likened to medieval chambers. The heavy use of stone, iron, and wood in their construction helps to create this illusion. Modern towers frequently have observation decks or terraces with restaurants or on the roof of mountain stations of an aerial ropeway. Frequently observation towers are used also as location of radio services within

17372-445: The crush of people. The restriction offended area suffragists , who chartered a boat and got as close as they could to the island. The group's leaders made speeches applauding the embodiment of Liberty as a woman and advocating women's right to vote. A scheduled fireworks display was postponed until November 1 because of poor weather. Shortly after the dedication, The Cleveland Gazette , an African American newspaper, suggested that

17544-427: The curiosity and wonder of Londoners and visitors". A design competition held in 2009 called for designs for an "Olympic tower". It received about 50 submissions. Johnson has said that his early concept for the project was something more modest than Orbit , along the lines of "a kind of 21st-century Trajan's Column ", but this was dropped when more daring ideas were received. The media reported unconfirmed details of

17716-478: The decade. The Liberty statue project was not the only such undertaking that had difficulty raising money: construction of the obelisk later known as the Washington Monument sometimes stalled for years; it would ultimately take over three-and-a-half decades to complete. There was criticism both of Bartholdi's statue and of the fact that the gift required Americans to foot the bill for the pedestal. In

17888-435: The desire existed to provide these towers with a tower restaurant and an observation deck, in order to make the building of towers more economical via admission fees and increased notability. Several water towers were also built with this in mind, but many have not survived to the modern day. Statue of Liberty The Statue of Liberty ( Liberty Enlightening the World ; French : La Liberté éclairant le monde )

18060-760: The dome of the United States Capitol Building . The statue's design evokes iconography evident in ancient history including the Egyptian goddess Isis , the ancient Greek deity of the same name, the Roman Columbia and the Christian iconography of the Virgin Mary . Artists of the 18th and 19th centuries striving to evoke republican ideals commonly used representations of Libertas as an allegorical symbol. A figure of Liberty

18232-486: The elevator in the late 19th century made taller observation decks possible. Most notably, the Eiffel Tower and the Blackpool Tower were built in this era. Radio towers developed as combined sending and observation tower between 1924 and 1926 in the city of Berlin . After World War II , a great need for tall observation towers arose, due to their dual usage as television and radio transmitters. In large cities,

18404-550: The exact sourcing being determined by the grades of steel required and the technical requirements of the project. Of this, 60% was recycled steel produced by the Esch Belval steel plant in Luxembourg . On 14 March 2011, with construction already underway on the main pylon, The One Show broadcast footage of the on-site status of project, and profiled the four-man team putting it together, comprising two steel erectors ,

18576-496: The figure with austere face and a strong, uncomplicated silhouette, which would be set off well by its dramatic harbor placement and allow passengers on vessels entering New York Bay to experience a changing perspective on the statue as they proceeded toward Manhattan. He gave it bold classical contours and applied simplified modeling, reflecting the huge scale of the project and its solemn purpose. Bartholdi wrote of his technique: The surfaces should be broad and simple, defined by

18748-405: The final name and prepend ArcelorMittal (as the project supporter). On the public announcement of the design Johnson conceded that it might become known by something other than its official name, suggesting "Colossus of Stratford" or the "Hubble Bubble", in reference to his belief that it resembles a giant shisha pipe , or a variant on people's perceptions that it resembled a "giant treble clef ",

18920-492: The foreigners here. Give me a chance to prove that I am worth it, to do something, to be someone in America." And always that statue was on my mind. The statue rapidly became a landmark. Originally, it was a dull copper color, but shortly after 1900 a green patina , also called verdigris , caused by the oxidation of the copper skin, began to spread. As early as 1902 it was mentioned in the press; by 1906 it had entirely covered

19092-586: The future governor of New York and president of the United States. On March 3, 1877, on his final full day in office, President Grant signed a joint resolution that authorized the President to accept the statue when it was presented by France and to select a site for it. President Rutherford B. Hayes , who took office the following day, selected the Bedloe's Island site that Bartholdi had proposed. On his return to Paris in 1877, Bartholdi concentrated on completing

19264-770: The games. Felicity Carus of The Guardian's environment blog questioned whether ArcelorMittal's record on carbon emissions was good enough to mean Orbit represented a fitting monument for the 2012 Olympics, billed as a 'world's first sustainable Olympics'. In 2024, The New York Times ' architecture critic Michael Kimmelman called Orbit "possibly the worst public sculpture of the 21st century." Observation tower Observation towers that are used as guard posts or observation posts over an extended period to overlook an area are commonly called watchtowers instead. Similar instances of observation towers are recognised as crow's nests , observatories , viewing platforms , etc. Observation towers are an easily visible sight on

19436-590: The head, which was exhibited at the 1878 Paris World's Fair . Fundraising continued, with models of the statue put on sale. Tickets to view the construction activity at the Gaget, Gauthier & Co. workshop were also offered. The French government authorized a lottery; among the prizes were valuable silver plate and a terracotta model of the statue. By the end of 1879, about 250,000 francs had been raised. The head and arm had been built with assistance from Viollet-le-Duc , who fell ill in 1879. He soon died, leaving no indication of how he intended to transition from

19608-618: The idea as a vanity project of Johnson's, with a design "matching his bravado", built to "seal his legacy", surmising it would be compared to other similar vanity projects such as the "wedding cake", the Monument to Vittorio Emanuele II built in Rome, or the Neutrality Arch , a rotating golden statue erected by Turkmenistan's President Saparmurat Niyazov , while comparing Johnson to Ozymandias . Art critic Brian Sewell said "Our country

19780-464: The idea except to discuss it with Laboulaye. Bartholdi was in any event busy with other possible projects. In 1856, he traveled to Egypt to study ancient works. In the late 1860s, he approached Isma'il Pasha , Khedive of Egypt , with a plan to build Progress or Egypt Carrying the Light to Asia , a huge lighthouse in the form of an ancient Egyptian female fellah or peasant, robed and holding

19952-475: The idea of American liberty. In early American history, two female figures were frequently used as cultural symbols of the nation. One of these symbols, the personified Columbia , was seen as an embodiment of the United States in the manner that Britannia was identified with the United Kingdom, and Marianne came to represent France. Columbia had supplanted the traditional European Personification of

20124-464: The impression of violence in the Delacroix work, Bartholdi wished to give the statue a peaceful appearance and chose a torch, representing progress, for the figure to hold. Its second toe on both feet is longer than its big toe, a condition known as Morton's toe or 'Greek foot'. This was an aesthetic staple of ancient Greek art and reflects the classical influences on the statue. Crawford's statue

20296-703: The lack of public involvement, he described how it would be an "undesired intrusion by the few into the consciousness of the many". He feared that it could become one of the many "thousands of naff eyesores" of recent public art in Britain, citing the embracing couple at St Pancras station ( The Meeting Place ), the Dockland's Traffic Light tree , and the proposed Rotherhithe Tunnel 'match-stick man' tribute to Isambard Kingdom Brunel , as London-based examples. Fellow Times writer Tom Dyckhoff, while calling it "a gift to

20468-566: The landscaping and architecture for the Games "promises little to get excited about". He believed it would become a "genuine eyecatcher" for the Olympics television coverage, with its extraordinary form being a "strange and enticing marriage of sorts" between the Eiffel Tower and the un-built early Soviet era Tatlin's Tower , with the biblical Tower of Babel as " best man ". Richard Morrison of The Times described Orbit as "like an enormous wire-mesh fence that has got hopelessly snagged round

20640-419: The liberation of the nation's slaves. The Franco-Prussian War delayed progress until 1875, when Laboulaye proposed that the people of France finance the statue and the United States provide the site and build the pedestal. Bartholdi completed the head and the torch-bearing arm before the statue was fully designed, and these pieces were exhibited for publicity at international expositions. The torch-bearing arm

20812-571: The lift to the top and descend the 455-step staircase; this should allow them to appreciate the views around which Anish Kapoor arranged the sculpture. It is designed to cope with 700 visitors per hour. During the Olympic Games the entrance fee was £15 for adults and £7 for children. The tower does not include a dining area, however there is a cafe, shop and other facilities at the South Park Hub building, which opened in April 2014. The ambition

20984-464: The long -, medium and shortwave range, first after World War II with introduction of radio services in UHF/VHF-range required towers only acting as antenna carriers, radio towers with observation decks built. For this the closed reinforced concrete construction way was nearly always used. Radio towers with observation decks often serve for TV transmission or for radio relay link services and are called therefore usually TV tower or telecommunication tower. As

21156-400: The metaphor of an orbit, envisaged an electron cloud moving, to create a structure that appears unstable, propping itself up, "never centred, never quite vertical". Both believe that Orbit represents a new way of thinking, "a radical new piece of structure and architecture and art" that uses non-linearity – the use of "instabilities as stabilities." The spaces inside the structure, in between

21328-462: The name of every contributor, no matter how small the amount given. The drive captured the imagination of New Yorkers, especially when Pulitzer began publishing the notes he received from contributors. "A young girl alone in the world" donated "60 cents, the result of self denial." One donor gave "five cents as a poor office boy's mite toward the Pedestal Fund." A group of children sent

21500-420: The object was not just to supply steel but to complete the whole project. It took us almost 15 months of negotiation and discussion." Johnson has said that, "In reality, ArcelorMittal has given much more than the steel." Kapoor's and Balmond's Orbit was announced as the winner on 31 March 2010. According to The Guardian , Orbit was chosen from a short list of three, beating a design by Antony Gormley and one by

21672-410: The observation point in the crown. Access to an observation platform surrounding the torch was also provided, but the narrowness of the arm allowed for only a single ladder, 40 feet (12 m) long. As the pylon tower arose, Eiffel and Bartholdi coordinated their work carefully so that completed segments of skin would fit exactly on the support structure. The components of the pylon tower were built in

21844-693: The outlines of the Statue and made it beautiful." The statue was painted only on the inside. The Corps of Engineers also installed an elevator to take visitors from the base to the top of the pedestal. On July 30, 1916, during World War I, German saboteurs set off a disastrous explosion on the Black Tom peninsula in Jersey City, New Jersey , in what is now part of Liberty State Park , close to Bedloe's Island. Carloads of dynamite and other explosives that were being sent to Russia for its war efforts were detonated. The statue sustained minor damage, mostly to

22016-487: The parade passed the New York Stock Exchange, traders threw ticker tape from the windows, beginning the New York tradition of the ticker-tape parade . A nautical parade began at 12:45 p.m., and President Cleveland embarked on a yacht that took him across the harbor to Bedloe's Island for the dedication. Lesseps made the first speech, on behalf of the French committee, followed by the chairman of

22188-626: The post-Olympics regeneration of the Stratford area. Sited between London Stadium (formerly called the Olympic Stadium) and the Aquatics Centre , it allows visitors to view the whole Olympic Park from two observation platforms. Orbit was designed by Turner Prize –winning artist Anish Kapoor and Cecil Balmond of Arup Group , an engineering firm. Announced on 31 March 2010, it was expected to be completed by December 2011. The project came about after Mayor of London Boris Johnson and Olympics Minister Tessa Jowell decided in 2008 that

22360-459: The private hire of a dining area at the top, predicting it would become a "corporate money-making venture". Mittal said he was immediately interested in Orbit after he remembered the excitement that surrounded the announcement that London had won the Olympic bid. He saw it as an opportunity to leave a lasting legacy for London, showcase the "unique qualities of steel" and play a role in the regeneration of Stratford. Mittal said of his involvement in

22532-471: The procession, then stood in the reviewing stand to see bands and marchers from across America. General Stone was the grand marshal of the parade. The route began at Madison Square , once the venue for the arm, and proceeded to the Battery at the southern tip of Manhattan by way of Fifth Avenue and Broadway , with a slight detour so the parade could pass in front of the World building on Park Row . As

22704-501: The project in October 2009, describing the interest of the steel magnate Lakshmi Mittal , one of Britain's richest men, in funding a project that would cost around £15   million. Boris Johnson was believed to want something like the Eiffel Tower or the Statue of Liberty . At that time there were understood to be five artists being considered, including Antony Gormley . Early designs reportedly included 'Transmission' by Paul Fryer,

22876-452: The project, "I live in London – I’ve lived here since 1997 – and I think it’s a wonderful city. This project is an incredible opportunity to build something really spectacular for London, for the Olympic Games and something that will play a lasting role in the legacy of the Games." Advisory panel member and director of the Tate gallery, Nicholas Serota , said Orbit was "the perfect answer to

23048-415: The project. As chief engineer, Viollet-le-Duc proposed designing a brick pier filled with sand within the statue up to the hips, with iron bars like veins of a leaf to which the skin would be anchored. After consultations with the metalwork foundry Gaget, Gauthier & Co., Viollet-le-Duc chose the metal which would be used for the skin, copper sheets, and the method used to shape it, repoussé , in which

23220-417: The prospect platform can be open or in a closed room. An open platform is more favourable for photographing, since no reflexes at the disk arise, while closed platforms are for many visitors more pleasant. Prospect outlooks on TV towers are opened only at certain times and their entrance is possible only under payment of an admission fee. Also numerous highrise buildings have observation decks , sometimes even

23392-511: The pylons of suspension bridges were already observation decks installed, as the example of Nový Most in Bratislava shows. A very unusual observation tower is Pont basculant de la Seyne-sur-Mer . It was once a bascule bridge, now permanently put upright and used as observation tower. In Germany, observation towers first appeared on the countryside at the end of the 18th century. These early towers were often built by wealthy aristocrats . It

23564-511: The question of how sport and art come together", and praised Mittal's "really impressive piece of patronage" for supporting a "great commission". In October 2015 Len Duvall , a Labour member of the London Assembly , stated that the tower was losing £520,000 a year; LLDC said they had revised their visitor target from 350,000 to 150,000 per year. Overall reception to Orbit was mixed, but mostly negative. With regard to its potential as

23736-406: The recent achievements of the United States, the French people would be inspired to call for their own democracy in the face of a repressive monarchy." According to sculptor Bartholdi, who later recounted the story, Laboulaye's alleged comment was not intended as a proposal, but it inspired Bartholdi. Given the repressive nature of the regime of Napoleon III , Bartholdi took no immediate action on

23908-471: The sheets were heated and then struck with wooden hammers. An advantage of this choice was that the entire statue would be light for its volume, as the copper need be only 0.094 inches (2.4 mm) thick. Bartholdi had decided on a height of just over 151 feet (46 m) for the statue, double that of Italy's Sancarlone and the German statue of Arminius , both made with the same method. By 1875, France

24080-417: The ship. After five months' daily calls to donate to the statue fund, on August 11, 1885, the World announced that $ 102,000 had been raised from 120,000 donors, and that 80 percent of the total had been received in sums of less than one dollar (equivalent to $ 34 in 2023). Even with the success of the fund drive, the pedestal was not completed until April 1886. Immediately thereafter, reassembly of

24252-421: The site for the statue. Bartholdi crossed the United States twice by rail, and met many Americans whom he thought would be sympathetic to the project. But he remained concerned that popular opinion on both sides of the Atlantic was insufficiently supportive of the proposal, and he and Laboulaye decided to wait before mounting a public campaign. Bartholdi had made a first model of his concept in 1870. The son of

24424-456: The statue as "Mother of Exiles"—but her work had become obscure. In 1903, the sonnet was engraved on a plaque that was affixed to the base of the statue. Oral histories of immigrants record their feelings of exhilaration on first viewing the Statue of Liberty. One immigrant who arrived from Greece recalled: I saw the Statue of Liberty. And I said to myself, "Lady, you're such a beautiful! [ sic ] You opened your arms and you get all

24596-413: The statue began. Eiffel's iron framework was anchored to steel I-beams within the concrete pedestal and assembled. Once this was done, the sections of skin were carefully attached. Due to the width of the pedestal, it was not possible to erect scaffolding , and workers dangled from ropes while installing the skin sections. Bartholdi had planned to put floodlights on the torch's balcony to illuminate it;

24768-564: The statue's announced name. Initially focused on the elites, the Union was successful in raising funds from across French society. Schoolchildren and ordinary citizens gave, as did 181 French municipalities. Laboulaye's political allies supported the call, as did descendants of the French contingent in the American Revolutionary War . Less idealistically, contributions came from those who hoped for American support in

24940-514: The statue's torch not be lit until the United States became a free nation "in reality": "Liberty enlightening the world," indeed! The expression makes us sick. This government is a howling farce. It can not or rather does not protect its citizens within its own borders. Shove the Bartholdi statue, torch and all, into the ocean until the "liberty" of this country is such as to make it possible for an inoffensive and industrious colored man to earn

25112-674: The statue, allowing visitors to better appreciate Eiffel's design. In 1901, President Theodore Roosevelt, once a member of the New York committee, ordered the statue's transfer to the War Department , as it had proved useless as a lighthouse. A unit of the Army Signal Corps was stationed on Bedloe's Island until 1923, after which military police remained there while the island was under military jurisdiction. Wars and other upheavals in Europe prompted large-scale emigration to

25284-476: The statue, if for no other reason than it was proposed by the liberal Laboulaye, who had recently been elected a senator for life . Laboulaye arranged events designed to appeal to the rich and powerful, including a special performance at the Paris Opera on April 25, 1876, that featured a new cantata by the composer Charles Gounod . The piece was titled La Liberté éclairant le monde , the French version of

25456-604: The statue. Bartholdi was initially uncertain of what to place in Liberty's left hand; he settled on a tabula ansata , used to evoke the concept of law. Though Bartholdi greatly admired the United States Constitution , he chose to inscribe JULY IV MDCCLXXVI on the tablet, thus associating the date of the country's Declaration of Independence with the concept of liberty. Bartholdi interested his friend and mentor, architect Eugène Viollet-le-Duc , in

25628-417: The statue. Believing that the patina was evidence of corrosion, Congress authorized US$ 62,800 (equivalent to $ 2,130,000 in 2023) for various repairs, and to paint the statue both inside and out. There was considerable public protest against the proposed exterior painting. The Army Corps of Engineers studied the patina for any ill effects to the statue and concluded that it protected the skin, "softened

25800-563: The tabloids" and a "giant Mr. Messy ", questioned whether the Olympic site needed another pointless icon, postulating whether it would stand the test of time like the London Eye and become a true icon to match the Eiffel Tower, or a hopeless white elephant. Suggesting the project had echoes of Tatlin's Monument to the Third International, and especially Constant Nieuwenhuys ' utopian city New Babylon , he asked whether Orbit

25972-400: The torch-bearing right arm, and was closed for ten days. The cost to repair the statue and buildings on the island was about $ 100,000 (equivalent to about $ 2,800,000 in 2023). The narrow ascent to the torch was closed for public-safety reasons, and it has remained closed ever since. That same year, Ralph Pulitzer , who had succeeded his father Joseph as publisher of the World , began

26144-418: The twisting steel, are "cathedral like", according to Balmond, while according to Kapoor, the intention is that visitors will engage with the piece as they wind "up and up and in on oneself" on the spiral walkway. The Independent described Orbit as "a continuously looping lattice ... made up of eight strands winding into each other and combined by rings like a jagged knot". The Guardian describes it as

26316-408: The wealthy Lazarus had never experienced. She saw a way to express her empathy for these refugees in terms of the statue. The resulting sonnet , " The New Colossus ", including the lines "Give me your tired, your poor/Your huddled masses yearning to breathe free", is uniquely identified with the Statue of Liberty in American culture and is inscribed on a plaque in its museum. Lazarus's poem contrasted

26488-400: The whole figure' while they were about it, and given us statue and pedestal at once." The New York Times stated that "no true patriot can countenance any such expenditures for bronze females in the present state of our finances." Faced with these criticisms, the American committees took little action for several years. The foundation of Bartholdi's statue was to be laid inside Fort Wood ,

26660-443: The world". Bartholdi, observed near the dais, was called upon to speak, but he declined. Orator Chauncey M. Depew concluded the speechmaking with a lengthy address. No members of the general public were permitted on the island during the ceremonies, which were reserved entirely for dignitaries. The only women granted access were Bartholdi's wife and Lesseps's granddaughter; officials stated that they feared women might be injured in

26832-514: The worst British building completed in the past year, which was ultimately awarded to the Cutty Sark renovation. Jay Merrick of The Independent said that "[Orbit's] sculptural power lies in its ability to suggest an unfinished form in the process of becoming something else", describing how its artistic riskiness elevated it above the banal artworks of the public art movement that have been built elsewhere in Britain's towns and cities. Merrick

27004-566: The years following the Civil War, most Americans preferred realistic artworks depicting heroes and events from the nation's history, rather than allegorical works like the Liberty statue. There was also a feeling that Americans should design American public works—the selection of Italian-born Constantino Brumidi to decorate the Capitol had provoked intense criticism, even though he was a naturalized U.S. citizen. Harper's Weekly declared its wish that "M. Bartholdi and our French cousins had 'gone

27176-425: Was a tower with an interesting twist, with "the energy you might traditionally associate with this type of structure but in a surprisingly female form". According to Mittal, Orbit was already the working title, as it describes continuous action, a creative representation of the "extraordinary physical and emotional effort" that Olympians undertake in their continuous drive to do better. It was decided to keep this as

27348-447: Was added to the sculpture. The slide is reported to be the world's tallest and longest tunnel slide at 178 metres. Though it was originally reported that admission to the slide would cost around £5, the general adult price for entry to the slide and viewing platforms is £30.00 (£25.00 if bought in advance), as of March 2023. At the time of its public launch, the total cost of Orbit was announced as £19.1   million. ArcelorMittal

27520-652: Was also depicted on the Great Seal of France . However, Bartholdi and Laboulaye avoided an image of revolutionary liberty such as that depicted in Eugène Delacroix 's famed Liberty Leading the People (1830). In this painting, which commemorates France's July Revolution , a half-clothed Liberty leads an armed mob over the bodies of the fallen. Laboulaye had no sympathy for revolution, and so Bartholdi's figure would be fully dressed in flowing robes. Instead of

27692-657: Was also used. At nearly all these towers access to the observation deck , usually at a height of between 5 and 40 metres, is only possible by way of stairs. Most of these towers are used only for tourism, however some of these towers might also be used, at times of high forest fire risk, as fire observation posts or in times of war as military observation posts with anti-aircraft positions placed beside it. Further uses were not intended at most of these buildings, although some of these towers today now carry antennas for police/fire engine radios, portable radio or low power FM- and TV-transmitters. Older observation towers frequently have

27864-405: Was approached as a special consultant for the design of the steel cone and came up with a design for a cone built out of 117 individually shaped steel panels with a total surface area of 586 square metres. The entire cone weighs 84 tonnes . Early contradictory reports suggested the tower would be 120 metres (390 ft) tall. However, it finally measured in at 114.5 metres (376 ft), making it

28036-489: Was attached to the center pylon, then, to enable the statue to move slightly in the winds of New York Harbor, and, since the metal would expand on hot summer days, he loosely connected the support structure to the skin using flat iron bars or springs, which culminated in a mesh of metal straps, known as "saddles", that were riveted to the skin, providing firm support. In a labor-intensive process, each saddle had to be crafted individually. To prevent galvanic corrosion between

28208-494: Was designed in the early 1850s. It was originally to be crowned with a pileus or " liberty cap ", the cap given to emancipated slaves in ancient Rome. Secretary of War Jefferson Davis , a Southerner who would later serve as President of the Confederate States of America , was concerned that the pileus would be taken as an abolitionist symbol. He ordered that it be changed to a helmet. Delacroix's figure wears

28380-692: Was displayed at the Centennial Exposition in Philadelphia in 1876, and in Madison Square Park in Manhattan from 1876 to 1882. Fundraising proved difficult, especially for the Americans, and by 1885 work on the pedestal was threatened by lack of funds. Publisher Joseph Pulitzer , of the New York World , started a drive for donations to finish the project and attracted more than 120,000 contributors, most of whom gave less than

28552-411: Was enjoying improved political stability and a recovering postwar economy. Growing interest in the upcoming Centennial Exposition to be held in Philadelphia led Laboulaye to decide it was time to seek public support. In September 1875, he announced the project and the formation of the Franco-American Union as its fundraising arm. With the announcement, the statue was given a name, Liberty Enlightening

28724-543: Was familiar with the similar construction of the Vercingétorix monument by Aimé Millet ; the restoration of Millet's statue a century later called international attention to the Statue of Liberty's poor state. Copper was chosen over bronze or stone due to its lower cost, weight, and ease of transportation. Any large project was further delayed by the Franco-Prussian War , in which Bartholdi served as

28896-447: Was just as revolutionary or possessed the same ideological purpose, or whether it was merely "a giant advert for one of the world’s biggest multinationals, sweetened with a bit of fun". Rowan Moore of The Guardian questioned if it was going to be anything more than a folly , or whether it would be as eloquent as the Statue of Liberty. He speculated that the project might mark the time when society stops using large iconic projects as

29068-432: Was not done. Above that, a balcony was placed on each side, framed by pillars. Bartholdi placed an observation platform near the top of the pedestal, above which the statue itself rises. According to author Louis Auchincloss , the pedestal "craggily evokes the power of an ancient Europe over which rises the dominating figure of the Statue of Liberty". The committee hired former army General Charles Pomeroy Stone to oversee

29240-518: Was not until the mid-19th century that citizens took control of the construction of such towers. In Austria and Switzerland many observation towers were established by alpine and tourist associations, and continue to be cared for by them. In the Waldigen Mountains , many citizen committees were active. Because of the long reign of emperor Franz Joseph , many observation decks carry the name "anniversary observation platform". The invention of

29412-402: Was of the opinion that it would be either loved or hated, being a design which is "beautifully fractious, and not quite knowable". Jonathan Glancey of The Guardian described Orbit as "Olympian in ambition" and a "fusion between striking art and daring engineering", and said that, the Aquatics Centre apart, it represented the architecturally striking Joker in the pack, given that the rest of

29584-401: Was to fund up to £16   million, with the remaining £3.1   million being provided by the London Development Agency . This consists of a £10   million cash donation, and £6   million in underwriting of capital costs, which could be potentially recovered from profits generated after the Games. According to Johnson, the cost of the project would be recouped after the games through

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