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83-476: Aura Lea was published by Poulton, an Englishman who had come to the USA with his family as a boy in 1838, and Fosdick in 1861. It was a sentimental ballad at a time when upbeat and cheerful songs were more popular in the music halls . It became popular as a minstrel song , and the tune was also taken up by the U.S. Military Academy as a graduating class song, called "Army Blue"; new lyrics by L. W. Becklaw were sung to

166-484: A Girdled Cage" (cf. " She's only a bird in a gilded cage "). The television western The Young Riders used the song in its series finale, which took place in 1861 and showed how the American Civil War was affecting its characters' lives. It is the running theme music in the background of the 1954 John Ford film The Long Gray Line . Allan Sherman topicalized the song in his "Shticks of One and

249-469: A Half Dozen of the Other" (on the album My Son, The Celebrity, 1963 Warner Records Inc) with this polio -based version: Every time you take vaccine , take it orally [a pun on "Aura Lea"] As you know the other way is more painfully! An episode of The Rockford Files is called "Aura Lee Farewell". However the few lyrics that are recited are actually from the poem " Annabel Lee " by Edgar Allan Poe . On

332-685: A brand name for music-halls all over the British Empire. During 1892, the Royal English Opera House, which had been a financial failure in Shaftesbury Avenue , applied for a music hall licence and was converted by Walter Emden into a grand music hall and renamed the Palace Theatre of Varieties , managed by Charles Morton . Denied by the newly created LCC permission to construct the promenade, which

415-504: A few of the many types of entertainments the audiences could expect to find over the next forty years. The Music Hall Strike of 1907 was an important industrial conflict. It was a dispute between artists and stage hands on one hand, and theatre managers on the other. The halls had recovered by the start of the First World War and were used to stage charity events in aid of the war effort. Music hall entertainment continued after

498-579: A fire in 1898. The construction of Weston's Music Hall , High Holborn (1857), built up on the site of the Six Cans and Punch Bowl Tavern by the licensed victualler of the premises, Henry Weston, signalled that the West End was fruitful territory for the music hall. During 1906 it was rebuilt as a variety theatre and renamed as the Holborn Empire . It was closed as a result of German action in

581-486: A home, having spent their working lives living in digs between performances. Stage and film musicals, however, continued to be influenced by the music hall idiom, including Oliver! , Dr Dolittle and My Fair Lady . The BBC series The Good Old Days , which ran for thirty years, recreated the music hall for the modern audience, and the Paul Daniels Magic Show allowed several speciality acts

664-471: A legitimate cultural form was established by the first Royal Variety Performance before King George V during 1912 at the Palace Theatre. However, consistent with this new respectability the best-known music hall entertainer of the time, Marie Lloyd , was not invited, being deemed too "saucy" for presentation to the monarchy. The development of syndicates controlling a number of theatres, such as

747-551: A music hall song consists of a series of verses sung by the performer alone, and a repeated chorus which carries the principal melody, and in which the audience is encouraged to join. Cartoon Planet Cartoon Planet is an American television programming block that originally ran from 1995 to 1998 and 2012 to 2014 on Cartoon Network . A spin-off of Space Ghost Coast to Coast , the series centered on Space Ghost recruiting his imprisoned evil nemesis Zorak and his loud and dimwitted archenemy Brak to assist him in hosting

830-458: A petting zoo, getting a haircut (although he kept his mask on), playing tennis, or visiting a gift shop. Intros of the show during the early years featured Merrill in the costume performing an amateur dance to the mambo-style theme music, or sitting in a chair reading a newspaper, falling asleep to lullaby music. For the first season of the show, the opening and closing theme songs were instrumental excerpts from "No One Knows My Plan" and "The End of

913-456: A reluctant Zorak and a confused Brak into the treacherous waters of sketch comedy." Cartoon Planet resulted in three soundtrack CDs: Modern Music for Swinging Superheroes in 1996 (a non-commercial promotional album), Space Ghost's Musical Bar-B-Que in 1997, and Space Ghost's Surf & Turf , the latter two published by Rhino Entertainment ) in 1998. The albums consisted of songs and dialogue skits with different background music not used in

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996-507: A sense of grim humour ("When they wipe my face with sponges / and they feed me on blancmanges / I'm glad I've got a bit of a blighty one"). Tilley became more popular than ever during this time, when she and her husband, Walter de Frece , managed a military recruitment drive. In the guise of characters like 'Tommy in the Trench' and 'Jack Tar Home from Sea', Tilley performed songs such as "The army of today's all right" and "Jolly Good Luck to

1079-570: A sexualized parody of this song about their college days and their fraternity's conquest of various women on locations at campus, with the refrain changed to "Constance Frye." The television show How I Met Your Mother 2009 episode " Robots Versus Wrestlers " (season 5, episode 22) features Ted Mosby at an upper-class party singing the Trading Places "Constance Frye" version along with film director Peter Bogdanovich and The New York Times crossword editor Will Shortz . In Revenge of

1162-549: A show called La Revue Nègre at the Théâtre des Champs-Élysées . She became an immediate success for her erotic dancing , and for appearing practically nude on stage. After a successful tour of Europe, she returned to France to star at the Folies Bergère . Baker performed the 'Danse sauvage,' wearing a costume consisting of a skirt made of a string of artificial bananas. The music-halls suffered growing hardships in

1245-462: A television presence from 1979 to 1994. Aimed at a younger audience, but still owing a lot to the music hall heritage, was the late-1970s’ television series, The Muppet Show . The music hall was first imported into France in its British form in 1862, but under the French law protecting the state theatres, performers could not wear costumes or recite dialogue, something only allowed in theaters. When

1328-639: A theatre rather than a music hall, this establishment later hosted music-hall variety acts. The establishment often regarded as the first true music hall was the Canterbury , 143 Westminster Bridge Road , Lambeth built by Charles Morton , afterwards dubbed "the Father of the Halls", on the site of a skittle alley next to his pub, the Canterbury Tavern. It opened on 17 May 1852 and was described by

1411-494: A variety show. Cartoon Planet began as an hour-long block of cartoons hosted by Space Ghost, Zorak, and Brak. They would introduce full cartoons from the Turner Entertainment library, such as old theatrical shorts and Hanna-Barbera cartoons, including the original 1960s Space Ghost episodes. The host segments were often original songs and ad-libbed skits. New material ceased being made in 1997, and most of

1494-609: The Bristol Canterbury, which was built in 1850s as the first purpose-built music hall in the city. Another early music hall was The Middlesex, Drury Lane (1851). Popularly known as the 'Old Mo', it was built on the site of the Mogul Saloon. Later converted into a theatre it was demolished in 1965. The New London Theatre stands on its site. Several large music halls were built in the East End . These included

1577-545: The Champs-Élysées , was frequented by the upper and lower classes alike. He persuaded her to sing despite her extreme nervousness. Leplée taught her the basics of stage presence and told her to wear a black dress, which became her trademark apparel. Leplée ran an intense publicity campaign leading up to her opening night, attracting the presence of many celebrities, including Maurice Chevalier. Her nightclub appearance led to her first two records produced that same year, and

1660-485: The interwar period from the most popular new form of entertainment, the cinema . They responded by offering more complex and lavish shows. In 1911, the Olympia had introduced the giant stairway as a set for its productions, an idea copied by other music halls. Gaby Deslys rose in popularity and created, with her dance partner Harry Pilcer , her most famous dance The Gaby Glide . The singer Mistinguett made her debut

1743-549: The interwar period , no longer the single dominant form of popular entertainment in Britain. The improvement of cinema, the development of radio, and the cheapening of the gramophone damaged its popularity greatly. It now had to compete with jazz , swing and big band dance music. Licensing restrictions also changed its character. In 1914, the London County Council (LCC) enacted that drinking be banished from

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1826-424: The 1850s a distinct musical style. Subject matter became more contemporary and humorous, and accompaniment was provided by larger house-orchestras, as increasing affluence gave the lower classes more access to commercial entertainment, and to a wider range of musical instruments, including the piano. The consequent change in musical taste from traditional to more professional forms of entertainment, arose in response to

1909-591: The 1850s and were built in and on the grounds of public houses. Such establishments were distinguished from theatres by the fact that in a music hall you would be seated at a table in the auditorium and could drink alcohol and smoke tobacco whilst watching the show. In a theatre, by contrast, the audience was seated in stalls and there was a separate bar-room. An exception to this rule was the Britannia Theatre , Hoxton (1841) which somehow managed to evade this regulation and served drinks to its customers. Though

1992-576: The 1930s. The Olympia was converted into a movie theater, and others closed. Others however continued to thrive. In 1937 and 1930, the Casino de Paris presented shows with Maurice Chevalier , who had already achieved success as an actor and singer in Hollywood . In 1935, a twenty-year old singer named Édith Piaf was discovered in the Pigalle by nightclub owner Louis Leplée , whose club, Le Gerny, off

2075-524: The 1982 album “Love Over and Over” by Kate & Anna McGarrigle. First recorded by Maria Muldaur on her 1973 album “Maria Muldaur”. Also covered by Margaret RoadKnight and Justin Vivian Bond. Music hall Music hall is a type of British theatrical entertainment that was most popular from the early Victorian era , beginning around 1850, through the Great War . It faded away after 1918 as

2158-479: The Blitz on the night of 11–12 May 1941 and the building was pulled down in 1960. Significant West End music halls include: Other large suburban music halls included: A noted music hall entrepreneur of this time was Carlo Gatti who built a music hall, known as Gatti's, at Hungerford Market in 1857. He sold the music hall to South Eastern Railway in 1862, and the site became Charing Cross railway station . With

2241-615: The Casino de Paris in 1895, and continued to appear regularly in the 1920s and 1930s at the Folies Bergère , Moulin Rouge and Eldorado. Her risqué routines captivated Paris, and she became one of the most highly-paid and popular French entertainers of her time. One of the most popular entertainers in Paris during the period was the American singer Josephine Baker . Baker sailed to Paris, France. She first arrived in Paris in 1925 to perform in

2324-489: The Girl who Loves a Soldier". This is how she got the nickname Britain's best recruiting sergeant  – young men were sometimes asked to join the army on stage during her show. She also performed in hospitals and sold war bonds . Her husband was knighted in 1919 for his own services to the war effort, and Tilley became Lady de Frece. Once the reality of war began to sink home, the recruiting songs all but disappeared –

2407-564: The Greatest Hits collection for 1915 published by top music publisher Francis and Day contains no recruitment songs. After conscription was brought in 1916, songs dealing with the war spoke mostly of the desire to return home. Many also expressed anxiety about the new roles women were taking in society. Possibly the most notorious of music hall songs from the First World War was " Oh! It's a lovely war " ( 1917 ), popularised by male impersonator Ella Shields . Music hall continued during

2490-680: The London Music Hall, otherwise known as The Shoreditch Empire, 95–99 Shoreditch High Street , (1856–1935). This theatre was rebuilt during 1894 by Frank Matcham , the architect of the Hackney Empire . Another in this area was the Royal Cambridge Music Hall, 136 Commercial Street (1864–1936). Designed by William Finch Hill (the designer of the Britannia theatre in nearby Hoxton), it was rebuilt after

2573-509: The Nerds , Betty Childs and the other girls from her sorority sing a parody (though not the exact tune) to the Tri-Lambs . In Thomas Pynchon 's 1966 novel The Crying of Lot 49 , employees of Yoyodyne sing a parodic version of "Aura Lee", entitled "Glee", with lyrics about the company's position in the defense industry. Appears in the song “The Work Song” written by Kate McGarrigle on

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2656-554: The Old Mo. By the mid-19th century, the halls cried out for many new and catchy songs. As a result professional songwriters were enlisted to provide the music for a plethora of star performers, such as Marie Lloyd , Dan Leno , Little Tich , and George Leybourne . All manner of other entertainment was performed: male and female impersonators, lions comiques , mime artists and impressionists, trampoline acts, and comic pianists (such as John Orlando Parry and George Grossmith ) were just

2739-607: The Stoll circuit, increased tensions between employees and employers. On 22 January 1907, a dispute between artists, stage hands and managers of the Holborn Empire worsened. Strikes in other London and suburban halls followed, organised by the Variety Artistes' Federation. The strike lasted for almost two weeks and was known as the Music Hall War . It became extremely well known, and was advocated enthusiastically by

2822-604: The Tour" by They Might Be Giants . Clips of numerous cartoons from the Turner library would often pop up spontaneously during segments of the show, especially during the music videos. These included Tom and Jerry , Popeye , Tex Avery cartoons, pre-August 1948 Looney Tunes / Merrie Melodies shorts, 2 Stupid Dogs , The Flintstones , The Jetsons , and other classic Hanna-Barbera cartoons. Clips from other Turner-owned properties were used as stock footage as well. At

2905-711: The West End was the Empire, Leicester Square , built as a theatre in 1884 but acquiring a music hall licence in 1887. Like the nearby Alhambra this theatre appealed to the men of leisure by featuring alluring ballet dancers, and had a notorious promenade which was the resort of courtesans. Another spectacular example of the new variety theatre was the Tivoli in the Strand built 1888–90 in an eclectic neo-Romanesque style with Baroque and Moorish-Indian embellishments. " The Tivoli " became

2988-715: The arches of the elevated railway line leading to Charing Cross station. He opened it as another music hall, known as " Gatti's-in-The-Arches ". After his death his family continued to operate the music hall, known for a period as the Hungerford or Gatti's Hungerford Palace of Varieties. It became a cinema in 1910, and the Players' Theatre in 1946. By 1865, there were 32 music halls in London seating between 500 and 5,000 people plus an unknown, but large, number of smaller venues. Numbers peaked in 1878, with 78 large music halls in

3071-412: The attention of an often jaded and unruly urban audience. In America, from the 1840s, Stephen Foster had reinvigorated folk song with the admixture of Negro spiritual to produce a new type of popular song. Songs like " Old Folks at Home " (1851) and " Oh, Dem Golden Slippers " (James Bland, 1879]) spread round the globe, taking with them the idiom and appurtenances of the minstrel song. Typically,

3154-422: The auditorium into a separate bar and, during 1923, the separate bar was abolished by parliamentary decree. The exemption of the theatres from this latter act prompted some critics to denounce this legislation as an attempt to deprive the working classes of their pleasures, as a form of social control, whilst sparing the supposedly more responsible upper classes who patronised the theatres (though this could be due to

3237-667: The auditorium while the entertainment took place, with the cheapest seats located in the gallery. This differed from the conventional type of theatre, which seats the audience in stalls with a separate bar-room. Major music halls were based around London. Early examples included: the Canterbury Music Hall in Lambeth , Wilton's Music Hall in Tower Hamlets , and The Middlesex in Drury Lane , otherwise known as

3320-519: The beginning of her career. Competition from movies and television largely brought an end to the Paris music hall. However, a few still flourish, with tourists as their primary audience. Major music halls include the Folies-Bergere , Crazy Horse Saloon , Casino de Paris , Olympia , and Moulin Rouge . The musical forms most associated with music hall evolved in part from traditional folk song and songs written for popular drama, becoming by

3403-474: The best examples are: A new era of variety theatre was developed by the rebuilding of the London Pavilion in 1885. Contemporary accounts noted: Hitherto the halls had borne unmistakeable evidence of their origins, but the last vestiges of their old connections were now thrown aside, and they emerged in all the splendour of their new-born glory. The highest efforts of the architect, the designer and

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3486-508: The block started airing on weekdays at 2:00 pm ET. The revival was animated in Flash , rather than cel animation , like the original Space Ghost series (several cels, mainly Brak's, were duplicated in Flash). It also included stop motion scenes, such as the "Make You Go Splat!" music video. The following are some of the skits that appeared on the 2012 revival: The show's first run

3569-859: The blocks one hour timeslot. In October 2012, Cartoon Planet celebrated Cartoon Network's 20th birthday to which it released a special two-minute song sung by Brak. The song paid tribute to the shows throughout the network's history. There have also been holiday-themed episodes, featuring several of the Cartoon Network programming presented in a holiday-themed episode, including Halloween and Christmas. Starting on January 11, 2013, several Cartoon Network shows that have been short-lived, permanent hiatus, canceled, or officially ended joined up to Cartoon Planet's programming block starting with Robotomy , Secret Mountain Fort Awesome , and The Problem Solverz , all of which have since been removed in

3652-567: The bottom of St Martin's Lane . This was followed by the London Palladium (1910) in Argyll Street . Both were designed by the prolific Frank Matcham . As music hall grew in popularity and respectability, and as the licensing authorities exercised ever firmer regulation, the original arrangement of a large hall with tables at which drink was served, changed to that of a drink-free auditorium . The acceptance of music hall as

3735-411: The decorator were enlisted in their service, and the gaudy and tawdry music hall of the past gave way to the resplendent "theatre of varieties" of the present day, with its classic exterior of marble and freestone, its lavishly appointed auditorium and its elegant and luxurious foyers and promenades brilliantly illuminated by myriad electric lights One of the most famous of these new palaces of pleasure in

3818-494: The entertainment provided in the new style saloon bars of pubs during the 1830s. These venues replaced earlier semi-rural amusements provided by fairs and suburban pleasure gardens such as Vauxhall Gardens and the Cremorne Gardens . These latter became subject to urban development and became fewer and less popular. From the mid-19th century music halls spread to the provincial cities, such as Bristol. The saloon

3901-589: The federation in whatever steps are taken. World War I may have been the high-water mark of music hall popularity. The artists and composers threw themselves into rallying public support and enthusiasm for the war effort. Patriotic music hall compositions such as "Keep the Home Fires Burning" ( 1914 ), "Pack up Your Troubles" ( 1915 ), " It's a Long Way to Tipperary " ( 1914 ) and " We Don't Want to Lose You (But We Think You Ought To Go) " ( 1914 ), were sung by music hall audiences, and sometimes by soldiers in

3984-432: The halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous music hall entertainment and subsequent, more respectable variety entertainment differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville

4067-424: The heart. (Chorus) When the mistletoe was green, Midst the winter's snows, Sunshine in thy face was seen, Kissing lips of rose. Aura Lea, Aura Lea, Take my golden ring; Love and light return with thee, And swallows with the spring. (Chorus) "Aura Lee" was sung by Frances Farmer and a male chorus in the 1936 film Come and Get It , based on Edna Ferber 's novel. Bing Crosby included

4150-579: The law changed in 1867, the Paris music hall flourished, and a half-dozen new halls opened, offering acrobats, singers, dancers, magicians, and trained animals. The first Paris music hall built specially for that purpose was the Folies-Bergere (1869); it was followed by the Moulin Rouge (1889), the Alhambra (1866), the first to be called a music hall, and the Olympia (1893). The Printania (1903)

4233-539: The licensing restrictions brought about due to the Defence of the Realm Act 1914 , which also applied to public houses). Even so, the music hall gave rise to such major stars as George Formby , Gracie Fields , Max Miller , Will Hay , and Flanagan and Allen during this period. In the mid-1950s, rock and roll , whose performers initially topped music hall bills, attracted a young audience who had little interest in

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4316-591: The main spokesmen of the trade union and Labour movement – Ben Tillett and Keir Hardie for example. Picket lines were organized outside the theatres by the artistes, while in the provinces theatre management attempted to oblige artistes to sign a document promising never to join a trade union. The strike ended in arbitration, which satisfied most of the main demands, including a minimum wage and maximum working week for musicians. Several music hall entertainers such as Marie Dainton , Marie Lloyd , Arthur Roberts , Joe Elvin and Gus Elen were strong advocates of

4399-475: The melody of "Aura Lea". The lyrics as written by Fosdick: When the blackbird in the Spring, Neath the willow tree, Sat and rock'd, I heard him sing, Sing of Aura Lea. Aura Lea, Aura Lea, Maid of golden hair; Sunshine came along with thee, And swallows in the air. Chorus: Aura Lea, Aura Lea, Maid of golden hair; Sunshine came along with thee, And swallows in the air. In thy blush

4482-537: The metropolis and 300 smaller venues. Thereafter numbers declined due to stricter licensing restrictions imposed by the Metropolitan Board of Works and London County Council , and because of commercial competition between popular large suburban halls and the smaller venues, which put the latter out of business. A few of the UK's music halls have survived and have retained many of their original features. Among

4565-525: The music hall acts, while driving the older audience away. The final demise was competition from television, which grew popular after the Queen's coronation was televised. Some music halls tried to retain an audience by putting on striptease acts. In 1957, the playwright John Osborne delivered this elegy: The music hall is dying, and with it, a significant part of England. Some of the heart of England has gone; something that once belonged to everyone, for this

4648-425: The musician and author Benny Green as being "the most significant date in all the history of music hall". The hall looked like most contemporary pub concert rooms, but its replacement in 1854 was of then unprecedented size. It was further extended in 1859, later rebuilt as a variety theatre and finally destroyed by German bombing in 1942. The Canterbury Hall became a model for music halls in other cities too, such as

4731-416: The nineteenth century, the first purpose-built music halls were being built in London. The halls created a demand for new and catchy popular songs, that could no longer be met from the traditional folk song repertoire. Professional songwriters were enlisted to fill the gap. The emergence of a distinct music hall style can be credited to a fusion of musical influences. Music hall songs needed to gain and hold

4814-451: The original melody. The Civil War began shortly after the song's release; "Aura Lea" was adopted by soldiers on both sides, and was often sung around campfires. The tune is familiar to modern audiences from the 1956 Elvis Presley #1 hit " Love Me Tender " with new lyrics by Ken Darby , a derivative adaptation of the original. A later Presley recording for the film The Trouble with Girls entitled "Violet (Flower of N.Y.U.)" also used

4897-645: The proceeds from selling his first music hall, Gatti acquired a restaurant in Westminster Bridge Road , opposite The Canterbury music hall. He converted the restaurant into a second Gatti's music hall, known as "Gatti's-in-the-Road", in 1865. It later became a cinema. The building was badly damaged in the Second World War, and was demolished in 1950. In 1867, he acquired a public house in Villiers Street named "The Arches", under

4980-474: The rapid industrialisation and urbanisation of previously rural populations during the Industrial Revolution . The newly created urban communities, cut off from their cultural roots, required new and readily accessible forms of entertainment. Music halls were originally tavern rooms which provided entertainment, in the form of music and speciality acts, for their patrons. By the middle years of

5063-504: The revival featured Cartoon Network's original programming, mostly Cartoon Cartoons , from the mid-1990s to late 2000s. Also, Zorak is not trapped behind a console, instead usually playing video games. Sometimes Zorak will get interrupted by Brak, causing him to lose the game. Airing in a format based on The Cartoon Cartoon Show , the revival aired a variety of classic Cartoon Network shows in 7 or 11-minute segments per-cartoon. This allowed for four or five different cartoons to be aired in

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5146-446: The rose was born, Music, when you spake, Through thine azure eye the morn, Sparkling seemed to break. Aura Lea, Aura Lea, Birds of crimson wing, Never song have sung to me, As in that sweet spring. (Chorus) Aura Lea! the bird may flee, The willow's golden hair Swing through winter fitfully, On the stormy air. Yet if thy blue eyes I see, Gloom will soon depart; For to me, sweet Aura Lea Is sunshine through

5229-484: The show Beverly Hills 90210 on the episode The Real McCoy (05/10/95), Dylan McKay ( Luke Perry ) was led into a past life in the wild wild west through hypnotic regression with his hypnotherapist. During his hypnosis session, he imagined that he walked into a saloon, where a hurdy gurdy girl was singing "Aura Lea." The tune is used by the Cartoon Planet Band in the song "I Love Almost Everybody", which

5312-440: The show's disappearance from 2001 to 2004 was due to Cartoon Network temporarily losing the rights of all the music videos to Rhino Records , who produced the soundtracks. Often, Cartoon Planet skits would be played after an 11-minute Space Ghost Coast to Coast episode in 2000 and 2001 as a time filler. The Cartoon Planet skits aired again on September 24, 2021, as part of Adult Swim's Pete Smith Day marathon. There are no plans for

5395-440: The show's tradition of only airing Cartoon Network original programming. They were subsequently removed. From June 27 to August 9, 2013, the block aired on Thursdays at 1:30 pm ET. On August 30, 2013, the block ran on a Friday night for the last time before it was replaced by Pizza Night with Pizza Steve . It aired on Saturdays at 11:30 am ET and Sundays at 11:00 am ET since September 7, 2013. Also, on November 4, 2013,

5478-456: The show. The revival of the series premiered on March 30, 2012, and ended on February 8, 2014, featuring a different format from the original series. Due to budget restrictions, Space Ghost did not appear in the revival, thus leaving Brak and Zorak to host the show as "roommates together in their own, stupid little apartment" (despite this, Brak made a mini clone of Space Ghost in one episode). Instead of classic 1960s-era cartoons being showcased,

5561-458: The song in a medley on his album Join Bing and Sing Along (1959) Diana Muldaur sings the song to David Carradine in the episode "The Elixir" of Kung Fu . Jerry Lanning performed the song in "Big Star", a 1962 episode of The Donna Reed Show . The television cavalry comedy F Troop used a variation of the song to welcome saloon singer Laura Lee in the episode "She's Only a Build in

5644-505: The songs and skits were re-packaged into 22 half-hour episodes without classic cartoon clips. Each episode included segments such as "Brak's School Daze," "Zorak's Horror Scopes," "Poets' Corner," "Brak's Monday Ratings Report," "The Top 5 Cartoon Countdown" (discontinued in 1997 after the show's Saturday-morning slot was shortened to a half-hour), "Vacation Spots Around the Universe" (pieced together from clips of Ultraseven episodes; at

5727-479: The strike, though they themselves earned enough not to be concerned personally in a material sense. Lloyd explained her advocacy: We (the stars) can dictate our own terms. We are fighting not for ourselves, but for the poorer members of the profession, earning thirty shillings to £3 a week. For this they have to do double turns, and now matinées have been added as well. These poor things have been compelled to submit to unfair terms of employment, and I mean to back up

5810-772: The time Turner owned the distribution rights to a dub created in 1985), "Messages from Outer Space" (also from Ultraseven , featuring the Hot Dog Men), "Mailbag Day", readings from "The Cartoon Planet Storybook," messages from Count Floyd ( Joe Flaherty 's local public-access television cable TV horror movie host from SCTV ; the segments were originally shown on Hanna-Barbera's The Completely Mental Misadventures of Ed Grimley ), "Learning to Talk Italian," Nuggets of Joy from Zorak," "Zorak's Helpful Hints," and "Cooking with Brak." The show also had short live-action segments featuring producer Andy Merrill wearing an ill-fitting Space Ghost costume doing various things like visiting

5893-481: The time, head writer/producer Pete Smith described Cartoon Planet "as a cross between The Sonny & Cher Comedy Hour , The Electric Company , and recess at the Richard M. Nixon School for Wayward Boys. ... Cartoon Planet skillfully steers clear of any semblance of sophisticated humor. Forced by network muckity-mucks to air his dirty spandex in front of millions of impressionable young minds, Space Ghost dragged

5976-585: The transition back to the Cartoon Cartoon format. Other short-lived series including Whatever Happened to... Robot Jones , Sheep in the Big City , Mike, Lu & Og , Time Squad , and Squirrel Boy did not air on the block. Starting on April 12, 2013, the block began airing YTV , Teletoon , and Warner Bros. Animation programming in which the first were Scaredy Squirrel , Almost Naked Animals , and Tom and Jerry Tales , breaking

6059-455: The trenches. Many songs promoted recruitment ("All the boys in khaki get the nice girls", 1915); others satirised particular elements of the war experience. "What did you do in the Great war, Daddy" ( 1919 ) criticised profiteers and slackers; Vesta Tilley 's "I've got a bit of a blighty one" ( 1916 ) showed a soldier delighted to have a wound just serious enough to be sent home. The rhymes give

6142-527: The war, but became less popular due to upcoming jazz , swing , and big-band dance music acts. Licensing restrictions had also changed, and drinking was banned from the auditorium. A new type of music hall entertainment had arrived, in the form of variety, and many music hall performers failed to make the transition. They were deemed old-fashioned, and with the closure of many halls, music hall entertainment ceased and modern-day variety began. Music-halls had their origins in 18th century London. They grew with

6225-667: Was Evans Music-and-Supper Rooms , 43 King Street, Covent Garden , established in the 1840s by W.H. Evans. This venue was also known as 'Evans Late Joys' – Joy being the name of the previous owner. Other song and supper rooms included the Coal Hole in The Strand , the Cyder Cellars in Maiden Lane, Covent Garden and the Mogul Saloon in Drury Lane . The music hall as we know it developed from such establishments during

6308-620: Was "the father and mother, the dry and wet nurse of the Music Hall". Later known as the Grecian Theatre, it was here that Marie Lloyd made her début at the age of 14 in 1884. It is still famous because of an English nursery rhyme, with the somewhat mysterious lyrics: Up and down the City Road In and out The Eagle That's the way the money goes Pop goes the weasel . Another famous "song and supper" room of this period

6391-580: Was a music-garden, open only in summer, with a theater, restaurant, circus, and horse-racing. Older theaters also transformed themselves into music halls, including the Bobino (1873), the Bataclan (1864), and the Alcazar (1858). At the beginning, music halls offered dance reviews, theater and songs, but gradually songs and singers became the main attraction. Paris music halls all faced stiff competition in

6474-687: Was a room where for an admission fee or a greater price at the bar, singing, dancing, drama or comedy was performed. The most famous London saloon of the early days was the Grecian Saloon , established in 1825, at The Eagle (a former tea-garden), 2 Shepherdess Walk, off the City Road in east London. According to John Hollingshead , proprietor of the Gaiety Theatre, London (originally the Strand Music Hall), this establishment

6557-585: Was also found on the associated album, Space Ghost's Musical Bar-B-Que . Caitlín R. Kiernan 's 2007 novel Daughter of Hounds has a character singing the winter verse of "Aura Lee" during a snowstorm. Oona Laurence sings the song in the Sofia Coppola film The Beguiled (2017). The melody is also used in the Welsh hymn "Os Wyt Eisiau Bod yn Llon" The 1983 film Trading Places includes Ivy League stockbrokers at their racquet club singing

6640-506: Was from 1995 to 1998, premiering on TBS in 1995 and then moving to Cartoon Network later that year. New material stopped being made around 1997 and the show was repackaged into 22 half hour episodes, consisting entirely of songs and skits. From September 24 to October 28, 2005, Cartoon Network briefly revived the show on its Adult Swim block, where it ran at 5:30 am Eastern time. The series ran again on Adult Swim from July 8 to October 29, 2006, on Sundays at 5:30 am Eastern time. The reason for

6723-454: Was in some ways analogous to British music hall, featuring rousing songs and comic acts. Originating in saloon bars within pubs during the 1830s, music hall entertainment became increasingly popular with audiences. So much so, that during the 1850s some public houses were demolished, and specialised music hall theatres developed in their place. These theatres were designed chiefly so that people could consume food and alcohol and smoke tobacco in

6806-621: Was such a popular feature of the Empire and Alhambra, the Palace compensated in the way of adult entertainment by featuring apparently nude women in tableaux vivants , though the concerned LCC hastened to reassure patrons that the girls who featured in these displays were actually wearing flesh-toned body stockings and were not naked at all. One of the grandest of these new halls was the Coliseum Theatre built by Oswald Stoll in 1904 at

6889-470: Was truly a folk art. Moss Empires , the largest British music hall chain, closed the majority of its theatres in 1960, closely followed by the death of music hall stalwart Max Miller in 1963, prompting one contemporary to write that: "Music-halls ... died this afternoon when they buried Max Miller". Miller himself had sometimes said that the genre would die with him. Many music hall performers, unable to find work, fell into poverty; some did not even have

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