14-484: [REDACTED] Look up बन्धन in Wiktionary, the free dictionary. Bandhan may refer to: Film [ edit ] Bandhan (1940 film) , an Indian Bollywood film directed by N.R. Acharya Bandhan (1956 film) , a Hindi drama film starring Meena Kumari Bandhan (1969 film) , a Hindi drama film starring Rajesh Khanna and Mumtaz Bandhan (1991 film) ,
28-647: A 1984 Indian film Bandhanam , a 1978 film Bandhani , a dyeing process in India Raksha Bandhan , an Indian religious festival Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title Bandhan . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Bandhan&oldid=1183280123 " Category : Disambiguation pages Hidden categories: Short description
42-498: A Hindi Zee TV production Bandhan (Pakistani TV series), an Urdu language PTV production Other uses [ edit ] Bandhan Bank , an Indian banking and financial services company Bandhan, Vikramgad , a village in the Palghar district of Maharashtra, India See also [ edit ] Bandan (disambiguation) Bandham (disambiguation) Bandh (disambiguation) Bandha (disambiguation) Bandhana ,
56-424: A Marathi film Bandhan (1998 film) , a Bollywood drama/action film starring Salman Khan, Rambha and Jackie Shroff Bandhan , a 2003 Assamese film Bandhan (2004 film) , a Bengali film starring Jee, Koyel Mullick, Victor Banerjee directed by Rabi Kinagi Television [ edit ] Bandhan (2000 TV series) , a Hindi Drama series produced by Balaji Telefilms Bandhan (Indian TV series) ,
70-406: A famous director. Following the outbreak of World War II in 1939, the company faced a number of problems. The most significant change for the studio involved Himanshu Rai, the studio's founder, suffering a nervous breakdown which ultimately resulted in his demise. Following the shock caused by his demise, control of the film company passed on to Devika Rani who was appointed as the key producer of
84-722: A local record for the longest continual showing of the same film. The movie continued to run for more than three and half years at the Roxy movie theater in Calcutta , India. Despite Devika Rani's success as the Bombay Talkies' head producer, in 1943 a rift arose between her and her managers Sashadhar Mukherjee and Ashok Kumar . Although reasons for the rift have never been made public and largely remain unclear to film industry observers, Sashadhar Mukheerjee and Ashok Kumar allegedly attempted to begin their own production house under
98-491: A number of other highly successful productions by the company. The studio was similarly recognized as having launched the careers of several prominent Indian film actors including Devika Rani , Ashok Kumar , Leela Chitnis , Mehmood Ali , Madhubala and Dilip Kumar . Madhubala and Dilip Kumar, who co-starred in four Bombay Talkies films, engaged in a long term, highly covert love affair. Raj Kapoor worked as an assistant to Amiya Chakravarty of Bombay Talkies, before becoming
112-410: Is different from Wikidata All article disambiguation pages All disambiguation pages Bandhan (1940 film) Bandhan is a 1940 Indian Hindi -language film directed by N.R. Acharya and starring Leela Chitnis , Ashok Kumar and Suresh. It was the second highest grossing Indian film of 1940. It was produced by Bombay Talkies . This article about a Hindi film of
126-528: The 1940s is a stub . You can help Misplaced Pages by expanding it . Bombay Talkies Bombay Talkies was a movie studio founded in 1934. During its period of operation, Bombay Talkies produced 40 movies in Malad , a suburb of the Indian city of Bombay . The studio was established in 1934 by Himanshu Rai and Devika Rani . After Rai's death in 1940, Rani took over the studio. Besides the founders, Ashok Kumar
140-472: The Bombay Talkies studios. Despite, or perhaps because of, her prior experience as an actress, Devika Rani was highly successful in sustaining the production values of the company, and the studio subsequently retained its dominance over the rapidly expanding Indian film industry. The most successful Bombay Talkies films produced during this period included Kangan and Bandhan , both of which featured Leela Chitnis and Ashok Kumar . In 1943, Kismet created
154-429: The guise of Bombay Talkies. Despite Devika Rani, Sashadhar Mukherjee, and Ashok Kumar attempting to create a working relationship which involved alternating production of major films between the two rival production camps, the relationship proved untenable and was fraught with allegations of sabotage, dramatic ego clashes, in-fighting, and the relentless circulation of malicious rumors. Negotiations between Devika Rani on
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#1732782481840168-688: The medium of movie making and acting, reputedly higher than standards set by rival Indian film production companies. Bombay Talkies acquired a reputation for changing the aesthetics and technology traditionally associated with Indian films. It was also renowned for producing films on (then) controversial topics such as those dealing with love between an untouchable lower caste girl and a high caste Hindu Brahmin boy e.g. ( Achhut Kanya ). Devika Rani , who became one of Bombay Talkies' most successful actresses, and India's first film diva , appeared in Jawani ki Hawa (1935) and Jeevan Naiya (1936), as well as
182-455: The studios' facilities included sound and echo-proof stages , laboratories, editing rooms and a preview theater . The reputation of Bombay Talkies was further enhanced by employing experienced European technicians, the most prominent of whom was Franz Osten. Bombay Talkies set a high technical standard for film making in India and was credited with introducing a level of professionalism to
196-526: Was the leading actor of the studio until 1943, when he founded another studio, Filmistan , with Shashadhar Mukherjee . After Rani's retirement, Kumar and Mukherjee took over Bombay Talkies. The company went out of business in 1953. A last film produced by the studio was released in June 1954. For the period in cinematic history it represented, Bombay Talkies was considered to be an innovative and highly resourced movie studio. In line with international standards,
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