52-415: Thrilling Publications , also known as Beacon Magazines (1936–37), Better Publications (1937–43) and Standard Magazines (1943–55), was a pulp magazine publisher run by Ned Pines , publishing such titles as Startling Stories and Thrilling Wonder Stories . Pines became the president of Pines Publications in 1928. Pines folded most of his magazines in 1955 but continued to lead
104-414: A continuation of his Hugo Award-winning ERB-dom which began in 1960. It ran for 75 issues and featured articles about the content and selected fiction from the pulps. It became Pulpdom Online in 2013 and continues quarterly publication. After 2000, several small independent publishers released magazines which published short fiction, either short stories or novel-length presentations, in the tradition of
156-424: A few quick dollars could bolster their income with sales to pulps. Additionally, some of the earlier pulps solicited stories from amateurs who were quite happy to see their words in print and could thus be paid token amounts. There were also career pulp writers, capable of turning out huge amounts of prose on a steady basis, often with the aid of dictation to stenographers , machines or typists . Before he became
208-399: A leopard, and that Leo has been injured. When the party returns, the furious Ayesha sentences Leo's retainers to death, but Leo is horrified by her cruelty and prevails on her to spare them. Soon after, Atene sends Ayesha an ultimatum, challenging her to battle. Ayesha marshalls her forces and marches out, but while they are camped at the foot of the mountain, Atene uses her magic to appear in
260-488: A magazine called Pulp Adventures reprinting old classics. It came out regularly until 2001, and then started up again in 2014. In 1994, Quentin Tarantino directed the film Pulp Fiction . The working title of the film was Black Mask , in homage to the pulp magazine of that name , and it embodied the seedy, violent, often crime-related spirit found in pulp magazines. In 1997 C. Cazadessus Jr. launched Pulpdom ,
312-435: A novelist, Upton Sinclair was turning out at least 8,000 words per day seven days a week for the pulps, keeping two stenographers fully employed. Pulps would often have their authors use multiple pen names so that they could use multiple stories by the same person in one issue, or use a given author's stories in three or more successive issues, while still appearing to have varied content. One advantage pulps provided to authors
364-454: A package that provided affordable entertainment to young working-class people. In six years, Argosy went from a few thousand copies per month to over half a million. Street & Smith , a dime novel and boys' weekly publisher, was next on the market. Seeing Argosy ' s success, they launched The Popular Magazine in 1903, which they billed as the "biggest magazine in the world" by virtue of its being two pages (the interior sides of
416-503: A rescuing hero . Cover art played a major part in the marketing of pulp magazines. The early pulp magazines could boast covers by some distinguished American artists; The Popular Magazine had covers by N. C. Wyeth , and Edgar Franklin Wittmack contributed cover art to Argosy and Short Stories . Later, many artists specialized in creating covers mainly for the pulps; a number of the most successful cover artists became as popular as
468-670: A similar format to American pulp magazines, in that it was printed on rough pulp paper and heavily illustrated. During the Second World War , paper shortages had a serious impact on pulp production, starting a steady rise in costs and the decline of the pulps. Following the model of Ellery Queen's Mystery Magazine in 1941, some magazines began to switch to digest size : smaller, sometimes thicker magazines. In 1949, Street & Smith closed most of their pulp magazines in order to move upmarket and produce slicks . Competition from comic-books and paperback novels further eroded
520-521: Is a collection of "pulp fiction" stories written by such current well-known authors as Stephen King , Nick Hornby , Aimee Bender and Dave Eggers . Explaining his vision for the project, Chabon wrote in the introduction, "I think that we have forgotten how much fun reading a short story can be, and I hope that if nothing else, this treasury goes some small distance toward reminding us of that lost but fundamental truth." The Scottish publisher DC Thomson publishes "My Weekly Compact Novel" every week. It
572-479: Is literally a pulp novel, though it does not fall into the hard-edged genre most associated with pulp fiction. From 2006 through 2019, Anthony Tollin's imprint Sanctum Books has reprinted all 182 Doc Savage pulp novels, all 24 of Paul Ernst's Avenger novels, the 14 Whisperer novels from the original pulp series and all but three novels of the entire run of The Shadow (most of his publications featuring two novels in one book). Ayesha (novel) Ayesha,
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#1732786811574624-539: Is spelled in the book). Taking refuge over winter in a remote lamasery, they meet the old Abbot Kou-En, who claims to recall a past-life encounter with a witch queen from the time of Alexander the Great . The Abbot tries to dissuade them from going on and warns them that, however beautiful, nothing is immortal. He believes the Queen is holding on to the distractions of life, which will lead them away from peace of mind. Despite
676-527: The Nobel Prize in Literature , worked as an editor for Adventure , writing filler paragraphs (brief facts or amusing anecdotes designed to fill small gaps in page layout), advertising copy and a few stories. The term pulp fiction is often used for massmarket paperbacks since the 1950s. The Browne Popular Culture Library News noted: Many of the paperback houses that contributed to the decline of
728-448: The wood pulp paper on which the magazines were printed, due to their cheap nature. In contrast, magazines printed on higher-quality paper were called "glossies" or "slicks". The typical pulp magazine had 128 pages; it was 7 inches (18 cm) wide by 10 inches (25 cm) high, and 0.5 inches (1.3 cm) thick, with ragged, untrimmed edges. Pulps were the successors to the penny dreadfuls , dime novels , and short-fiction magazines of
780-692: The 1920s–1940s, the most successful pulps sold up to one million copies per issue. In 1934, Frank Gruber said there were some 150 pulp titles. The most successful pulp magazines were Argosy , Adventure , Blue Book and Short Stories , collectively described by some pulp historians as "The Big Four". Among the best-known other titles of this period were Amazing Stories , Black Mask , Dime Detective , Flying Aces , Horror Stories , Love Story Magazine , Marvel Tales , Oriental Stories , Planet Stories , Spicy Detective , Startling Stories , Thrilling Wonder Stories , Unknown , Weird Tales and Western Story Magazine . During
832-535: The 1950s. Pulp magazines often contained a wide variety of genre fiction , including, but not limited to: The American Old West was a mainstay genre of early turn of the 20th-century novels as well as later pulp magazines, and lasted longest of all the traditional pulps. In many ways, the later men's adventure ("the sweats") was the replacement of pulps. Many classic science fiction and crime novels were originally serialized in pulp magazines such as Weird Tales , Amazing Stories , and Black Mask . While
884-585: The 19th century. Although many respected writers wrote for pulps, the magazines were best known for their lurid, exploitative , and sensational subject matter, even though this was but a small part of what existed in the pulps. Digest magazines and men's adventure magazines were also regarded as pulps. Modern superhero comic books are sometimes considered descendants of "hero pulps"; pulp magazines often featured illustrated novel-length stories of heroic characters, such as Flash Gordon , The Shadow , Doc Savage , and The Phantom Detective . The pulps gave rise to
936-594: The Abbot's warning, Leo is compelled to press on and Holly will not abandon his adopted son. When spring breaks, they travel out into the uncharted region beyond the monastery; after a perilous journey and many narrow escapes, they arrive in the city of Kaloon, which is ruled by the evil Khan Rassen and his imperious wife, the Khania Atene, who claim to be descendants of Alexander the Great 's ancient Hellenist generals. The people of Kaloon live under an uneasy truce with
988-527: The Amazon Queen by E.A. Guest, their first contribution to a "New Pulp Era", featuring the hallmarks of pulp fiction for contemporary mature readers: violence, horror and sex. E.A. Guest was likened to a blend of pulp era icon Talbot Mundy and Stephen King by real-life explorer David Hatcher Childress. In 2002, the tenth issue of McSweeney's Quarterly was guest edited by Michael Chabon . Published as McSweeney's Mammoth Treasury of Thrilling Tales , it
1040-594: The Khan and his hounds. As Leo and Holly ascend the Mountain they are intercepted by the people of Hes, who are then joined by a ghost-like Messenger, who leads them up the mountain. After they arrive at the vast temple-palace complex near the summit, they are taken into the presence of the veiled Hesea, who admits that she is the Messenger who guided them up the Mountain. In accordance with ancient custom, Atene comes to
1092-658: The Return of She is a gothic -fantasy novel by the English Victorian author H. Rider Haggard , published in 1905 as a sequel to his 1887 novel She . Chronologically, it is the final novel of the Ayesha and Allan Quatermain series. It was serialised in issues 120 (December 1904) to 130 (October 1905) of the Windsor Magazine , where it was illustrated by Maurice Greiffenhagen . In his introduction to
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#17327868115741144-488: The Return of She was adapted into the 1935 film She . In the prologue the book's anonymous "Editor" receives a parcel. Opening it, he finds a letter from Horace Holly, with an enclosed manuscript containing a second memoir about She. There is also a second letter, from Holly's doctor, to whom Holly has entrusted his letter and manuscript, along with a wooden box, which contains an ancient sistrum . The doctor recounts how, when attending Holly in his last hours, he arrived at
1196-653: The annual pulp magazine convention that had begun in 1972. The magazine, devoted to the history and legacy of the pulp magazines, has published each year since. It now appears in connection with PulpFest , the summer pulp convention that grew out of and replaced Pulpcon. The Pulpster was originally edited by Tony Davis and is currently edited by William Lampkin, who also runs the website ThePulp.Net. Contributors have included Don Hutchison, Robert Sampson, Will Murray , Al Tonik, Nick Carr, Mike Resnick , Hugh B. Cave , Joseph Wrzos, Jessica Amanda Salmonson , Chet Williamson , and many others. In 1992, Rich W. Harvey came out with
1248-428: The art was black lines on the paper's background, but Finlay and a few others did some work that was primarily white lines against large dark areas. Another way pulps kept costs down was by paying authors less than other markets; thus many eminent authors started out in the pulps before they were successful enough to sell to better-paying markets, and similarly, well-known authors whose careers were slumping or who wanted
1300-518: The authors featured on the interior pages. Among the most famous pulp artists were Walter M. Baumhofer , Earle K. Bergey , Margaret Brundage , Edd Cartier , Virgil Finlay , Frank R. Paul , Norman Saunders , Emmett Watson , Nick Eggenhofer , (who specialized in Western illustrations), Hugh J. Ward , George Rozen , and Rudolph Belarski . Covers were important enough to sales that sometimes they would be designed first; authors would then be shown
1352-409: The change of seasons and the weather to clear, before they can travel. While waiting out the winter, Ayesha writes her memories (which are the basis for the fourth book in the series, Wisdom's Daughter ). Ayesha shows Holly and Leo how she commands mortals, spirits, and demons. She questions Holly at length about the modern world and expounds to him her plan that, once united with Leo, they will rule
1404-521: The characters' lives. It is set in Central Asia - partly in Tibet - reincarnation being a familiar tenet of Tibetan Buddhism ; however, the back story is set in the ancient Mediterranean. In her biography of her father Haggard's daughter Lilias Rider Haggard explains the origins of the names. "She-Who-Must-Be-Obeyed" was a doll in the author's nursery. "Ayesha" was borrowed from Arabic , being
1456-512: The city without the loss of a single man. When Ayesha and Holly burst into the room where Leo is confined, they discover that Atene has realised her utter defeat and taken poison. They see the wizard Simbri standing poised to kill Leo, but Ayesha paralyses him with her power, and Leo is released unharmed. Leo demands that Ayesha must give herself to him immediately, and she yields to his wish. They kiss, but Ayesha's power proves too great for his mortal body, and he dies in her arms. Ayesha then charges
1508-510: The company until 1961. Pines' cover artists included Earle K. Bergey , John Parker , George Rozen , and Rudolph Belarski . In 1942 Pines started Popular Library , a paperback publishing house, and devoted himself to that company after closing his other ventures. Popular reprinted materials from the pulps. Pulp magazine Pulp magazines (also referred to as " the pulps ") were inexpensive fiction magazines that were published from 1896 until around 1955. The term "pulp" derives from
1560-487: The cover art and asked to write a story to match. Later pulps began to feature interior illustrations, depicting elements of the stories. The drawings were printed in black ink on the same cream-colored paper used for the text, and had to use specific techniques to avoid blotting on the coarse texture of the cheap pulp. Thus, fine lines and heavy detail were usually not an option. Shading was by crosshatching or pointillism , and even that had to be limited and coarse. Usually
1612-426: The cover price rose to 15 cents and 30 pages were added to each issue; along with establishing a stable of authors for each magazine, this change proved successful and circulation began to approach that of Argosy . Street and Smith's next innovation was the introduction of specialized genre pulps, with each magazine focusing on a particular genre, such as detective stories, romance, etc. At their peak of popularity in
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1664-448: The direct precursors of pulp fiction. The first "pulp" was Frank Munsey 's revamped Argosy magazine of 1896, with about 135,000 words (192 pages) per issue, on pulp paper with untrimmed edges, and no illustrations, even on the cover. The steam-powered printing press had been in widespread use for some time, enabling the boom in dime novels; prior to Munsey, however, no one had combined cheap printing, cheap paper and cheap authors in
1716-748: The economic hardships of the Great Depression , pulps provided affordable content to the masses, and were one of the primary forms of entertainment, along with film and radio . Although pulp magazines were primarily an American phenomenon, there were also a number of British pulp magazines published between the Edwardian era and World War II . Notable UK pulps included The Pall Mall Magazine , The Novel Magazine , Cassell's Magazine , The Story-Teller , The Sovereign Magazine , Hutchinson's Adventure-Story and Hutchinson's Mystery-Story . The German fantasy magazine Der Orchideengarten had
1768-466: The end of the "pulp era"; by that date, many of the famous pulps of the previous generation, including Black Mask, The Shadow , Doc Savage , and Weird Tales , were defunct (though some of those titles have been revived in various formats in the decades since). Almost all of the few remaining former pulp magazines are science fiction or mystery magazines, now in formats similar to " digest size ", such as Analog Science Fiction and Fact , though
1820-570: The front and back cover) longer than Argosy . Due to differences in page layout however, the magazine had substantially less text than Argosy . The Popular Magazine did introduce color covers to pulp publishing, and the magazine began to take off when in 1905 the publishers acquired the rights to serialize Ayesha (1905), by H. Rider Haggard , a sequel to his popular novel She (1887). Haggard's Lost World genre influenced several key pulp writers, including Edgar Rice Burroughs , Robert E. Howard , Talbot Mundy and Abraham Merritt . In 1907,
1872-971: The genre–Ace, Dell, Avon, among others–were actually started by pulp magazine publishers. They had the presses, the expertise, and the newsstand distribution networks which made the success of the mass-market paperback possible. These pulp-oriented paperback houses mined the old magazines for reprints. This kept pulp literature, if not pulp magazines, alive. The Return of the Continental Op reprints material first published in Black Mask ; Five Sinister Characters contains stories first published in Dime Detective ; and The Pocket Book of Science Fiction collects material from Thrilling Wonder Stories , Astounding Science Fiction and Amazing Stories . But note that mass market paperbacks are not pulps. In 1991, The Pulpster debuted at that year's Pulpcon ,
1924-450: The guise of Ayesha, luring Holly and Leo away from Ayesha's protection, and Leo is captured. Enraged, Ayesha declares that she will destroy Atene and rescue Leo. Although greatly outnumbered, she leads her men into battle, and when the two armies meet Ayesha reveals her power over the elements, summoning up a terrible lightning storm. In the ensuing holocaust, Ayesha obliterates Atene's army and lays waste to Kaloon, while her own army reaches
1976-582: The house to find that Holly had risen from his deathbed and made his way to a local ring of ancient standing stones. Following him, the doctor glimpsed a manifestation that appears to Holly, but as the vision vanished, Holly had let out a happy cry and died. The narrative of Holly's manuscript begins nearly twenty years after his first adventure in Africa. Holly and his ward Leo Vincey are convinced that Ayesha did not die. Following their dreams, they wander for years through Asia, eventually coming to " Thibet " (as it
2028-682: The majority of pulp magazines were anthology titles featuring many different authors, characters and settings, some of the most enduring magazines were those that featured a single recurring character. These were often referred to as "hero pulps" because the recurring character was almost always a larger-than-life hero in the mold of Doc Savage or The Shadow . Popular pulp characters that headlined in their own magazines: Popular pulp characters who appeared in anthology titles such as All-Story or Weird Tales : Pulp covers were printed in color on higher-quality (slick) paper. They were famous for their half-dressed damsels in distress , usually awaiting
2080-598: The most durable revival of Weird Tales began in pulp format, though published on good-quality paper. The old format is still in use for some lengthy serials, like the German science fiction weekly Perry Rhodan (over 3,000 issues as of 2019). Over the course of their evolution, there were a huge number of pulp magazine titles; Harry Steeger of Popular Publications claimed that his company alone had published over 300, and at their peak they were publishing 42 titles per month. Many titles of course survived only briefly. While
2132-519: The most popular titles were monthly, many were bimonthly and some were quarterly. The collapse of the pulp industry changed the landscape of publishing because pulps were the single largest sales outlet for short stories. Combined with the decrease in slick magazine fiction markets, writers trying to support themselves by creating fiction switched to novels and book-length anthologies of shorter pieces. Some ex-pulp writers like Hugh B. Cave and Robert Leslie Bellem had moved on to writing for television by
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2184-416: The mountain temple for the funeral of Rassen. The Hesea now declares that she is indeed the reincarnation of Ayesha, and that Atene is the reincarnation of her ancient rival, Amenartas. To the horror of Leo and Holly, Ayesha reveals she has been reborn into the body of a wizened old crone. Atene challenges Ayesha, but Leo declares his love for Ayesha, regardless of the form in which she appears. With his choice,
2236-431: The mysterious Hesea, orders Atene to send Leo and Holly to her, or risk breaking their peace treaty. Atene vows to kill Leo, rather than let him go, but with the help of Rassen, they escape the city. They soon realise that Rassen has betrayed them and is hunting them with his monstrous Death-Hounds. They make a dash to the foot of the mountain, where they are caught by Rassen, but after a desperate struggle they manage to kill
2288-470: The mysterious life-force within the volcano reaches out and engulfs her – when it clears, her former beauty and majesty has been restored. Ayesha vows that if Leo still loves her, they will return to her ancient home in Africa. There they will both bathe in the Flame of Life, become immortal, and rule the world together. However she refuses Leo's entreaties to marry him right away, saying that they must wait for
2340-470: The novel, Haggard links the name Ayesha to the Arabic name of Muhammad's third wife ( عائشة , ʿĀʾisha ), stating that it should be pronounced "Assha" (i.e. / ˈ ɑː ʃ ə / AH -shə ), although the pronunciation "A·ye·sha" ( / ɑː ˈ j ɛ ʃ ə / ah- YESH -ə or / ɑː ˈ j iː ʃ ə / ah- YEE -shə ) is more common. Along with the other three novels in the series, Ayesha,
2392-508: The people who serve the Hesea, the Priestess of Hes, who dwells on the Mountain, a huge volcano that dominates the region, at the summit of which is a massive natural rock formation in the shape of an ankh . Atene declares her love for Leo, but the jealous and dissolute Rassen (who has been driven mad by the sorcery of Atene and her uncle, the wizard Simbri) wants to kill them. Atene's rival,
2444-433: The pulp magazines of the early 20th century. These included Blood 'N Thunder , High Adventure and a short-lived magazine which revived the title Argosy . These specialist publications, printed in limited press runs, were pointedly not printed on the brittle, high-acid wood pulp paper of the old publications and were not mass market publications targeted at a wide audience. In 2004, Lost Continent Library published Secret of
2496-539: The pulps' market share, but it has been suggested the widespread expansion of television also drew away the readership of the pulps. In a more affluent post-war America, the price gap compared to slick magazines was far less significant. In the 1950s, men's adventure magazines also began to draw some former pulp readers. The 1957 liquidation of the American News Company , then the primary distributor of pulp magazines, has sometimes been taken as marking
2548-464: The term pulp fiction in reference to run-of-the-mill, low-quality literature. Successors of pulps include paperback books, such as hardboiled detective stories and erotic fiction . Before pulp magazines, Newgate novels (1840s-1860s) fictionalized the exploits of real-life criminals. Later, British sensation novels gained peak popularity in the 1860s-1870s. Sensation novels focused on shocking stories that reflected modern-day anxieties, and were
2600-464: The wizard Simbri to go ahead into the realm of Death and carry a message to the departed spirits, and with these words Simbri falls dead where he stands. The distraught Ayesha takes Leo's body to the temple on the peak, where the flames rise up from the crater and consume their bodies. Holly is led down from the mountain and finds his way back to the lamasery. Haggard dedicated the novel to his friend Andrew Lang. Eighteen years pass between books, and in
2652-428: The world, conquering the existing Empires by flooding the world's gold supply with her alchemy . Appalled, Holly fears that Ayesha may succeed. Leo presses Ayesha to marry him without delay, but she is unwilling, insisting they must wait. Bored with his confinement, Leo goes hunting in the mountains but Ayesha, fearful for his safety, uses her psychic powers to watch him and sees that he and his men have been attacked by
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#17327868115742704-851: Was that they paid upon acceptance for material instead of on publication. Since a story might be accepted months or even years before publication, to a working writer this was a crucial difference in cash flow . Some pulp editors became known for cultivating good fiction and interesting features in their magazines. Preeminent pulp magazine editors included Arthur Sullivant Hoffman ( Adventure ), Robert H. Davis ( All-Story Weekly ), Harry E. Maule ( Short Stories ), Donald Kennicott ( Blue Book ), Joseph Shaw ( Black Mask ), Farnsworth Wright ( Weird Tales , Oriental Stories ), John W. Campbell ( Astounding Science Fiction , Unknown ) and Daisy Bacon ( Love Story Magazine , Detective Story Magazine ). Well-known authors who wrote for pulps include: Sinclair Lewis , first American winner of
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