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Berliner Liedertafel

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Carl Friedrich Zelter (11 December 1758  – 15 May 1832) was a German composer, conductor and teacher of music. Working in his father's bricklaying business, Zelter attained mastership in that profession, and was a musical autodidact .

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7-607: Berliner Liedertafel (Berlin choral society), as the name for a male-voice choir, was first used in December 1808 by Carl Friedrich Zelter , who established the first north German prototype for such male-voice choirs. In 1819 another society was founded by Ludwig Berger , Bernhard Klein , Gustav Reichardt and Ludwig Rellstab and In 1884, Adolf Zander founded the still active men's singing club Berliner Liedertafel e.V. The first Berlin choral society also known as "Zelter Liedertafel", named after its founder Carl Friedrich Zelter ,

14-693: The Lehrergesangverein of 1886. Carl Friedrich Zelter Zelter was born and died in Berlin . He became friendly with Johann Wolfgang von Goethe , and his works include settings of Goethe's poems. During his career, he composed about two hundred lieder , as well as cantatas , a viola concerto (performed as early as 1779) and piano music. Amongst Zelter's pupils (at different times) were Felix Mendelssohn , Fanny Mendelssohn , Giacomo Meyerbeer , Eduard Grell , Otto Nicolai , Johann Friedrich Naue , and Heinrich Dorn . Felix Mendelssohn

21-477: The city. It differed radically from the elitist, romantic Zelter's Round Table , once it was also based on a democratic statute. Here the generation of young veterans of the World War I gathered, bringing their liberal and patriotic ideas. In 1884 the new Berlin choral society, established by Adolf Zander, came to existence through a merger of several smaller choirs. The choir counted already with 117 singers by

28-758: The end of the founding year. In the Wilhelmian Liedertafel era, the Berlin Liedertafel counted with more than 250 singers, being the largest male-voice choir in Germany. The choir took long trips abroad (Austria, Romania, Sweden, France, Baltic states, Italy, Russia, Egypt, the United States, Japan), and along with the Berlin Philharmonic Orchestra it gave great concerts. This society gave rise to another,

35-665: The latter's death as leader of the Singakademie, but the post went instead to Carl Friedrich Rungenhagen . Zelter was married to Julie Pappritz in 1796, one year after his first wife, Sophie Eleonora Flöricke, née Kappel, had died. Pappritz was a well-known singer at the Berlin Opera. Zelter is buried at the Sophienkirche in Berlin. The violinist Daniel Hope (born 1973) is a direct descendant of Zelter. [1] Zelter

42-594: Was perhaps Zelter's favorite pupil and Zelter wrote to Goethe boasting of the 12-year old's abilities. Zelter communicated his strong love of the music of J. S. Bach to Mendelssohn, one consequence of which was Mendelssohn's 1829 revival of Bach's St Matthew Passion at the Sing-Akademie under Zelter's auspices. This epochal event sparked a general re-evaluation and revival of Bach's works, which were then largely forgotten and regarded as old-fashioned and beyond resuscitation. Mendelssohn had hoped to succeed Zelter on

49-499: Was the first male choral society of its kind and a model for similar groups. Composed of 25 men who wrote and performed works for each other, used Das Englische Haus (The English House) on Mohrenstraße as their meeting place. The 1819 "Younger Berlin Liedertafel" (or even younger Liedertafel of Berlin) founded by Ludwig Berger, Bernhard Klein, Gustav Reichardt and Ludwig Rellstab, continued tradition of popular choral music in

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