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Bismarck Mausoleum

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The Bismarck Mausoleum is the mausoleum of Prince Otto von Bismarck and his wife Johanna von Puttkamer . It is on the Schneckenberg hill just outside Friedrichsruh , Schleswig-Holstein , in northern Germany . Bismarck was the first Chancellor of Germany (1871–1890). The chapel is now a protected monument.

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33-456: In the upper part of the chapel is the grave of Otto von Bismarck. The epitaph is in his own words: "A faithful German servant of Emperor Wilhelm I." In the lower part, which is not accessible to the public, is the place of the family grave of the Bismarcks. His son, Herbert von Bismarck , and grandson, Otto Christian Archibald von Bismarck , along with their wives, are laid to rest there. In

66-440: A Hampshire Grenadier Who caught his early death by drinking cold small beer. Soldiers, be wise at his untimely fall, And when you're hot, drink strong or none at all. To save your world you asked this man to die: Would this man, could he see you now, ask why? When you go home, tell them of us and say, For your tomorrow, we gave our today There is borne an empty hearse covered over for such as appear not. Heroes have

99-625: A grave marked by a rough cross while serving in the British Army as a chaplain on the Western Front , which bore the pencil-written legend "An Unknown British Soldier". He suggested (together with the French in their own country) the creation at a national level of a symbolic funeral and burial of an "Unknown Warrior", proposing that the grave should in the UK include a national monument in

132-577: A movement arose to commemorate these soldiers with a single tomb , containing the body of one such unidentified soldier. A shrine in Jinju , Korea , which commemorated those who died in defense of Korea during the Imjin War in 1592, has been described as the first Tomb of the Unknown Soldier. It is, however, more inclusive, in that it is a memorial to all who died in defense of the city against

165-523: A mural monument or plaque erected in a church, often close to, but not directly over, a person's place of burial. Examples include German Epitaph ; Dutch epitaaf ; Hungarian epitáfium ; Polish epitafium ; Danish epitafium ; Swedish epitafium ; and Estonian epitaaf . The history of epitaphs extends as far back as the ancient Egyptians and have differed in delivery. The ancient Greeks utilised emotive expression, written in elegiac verse , later in prose. Ancient Romans ' use of epitaphs

198-420: A short text honoring a deceased person. Strictly speaking, it refers to text that is inscribed on a tombstone or plaque, but it may also be used in a figurative sense. Some epitaphs are specified by the person themselves before their death, while others are chosen by those responsible for the burial. An epitaph may be written in prose or in poem verse . Most epitaphs are brief records of the family, and perhaps

231-491: A tribute to the memory of his father William Waterhouse . The South African poet Gert Vlok Nel wrote an (originally) untitled song, which appeared on his first music album "Beaufort-Wes se Beautiful Woorde" as "Epitaph", because his producer Eckard Potgieter told him that the song sounded like an epitaph. David Bowie 's final album, Blackstar , released in 2016, is generally seen as his musical epitaph, with singles " Blackstar " and " Lazarus " often singled out. Tomb of

264-880: Is the Landsoldaten ( ' Valiant Soldier Square ' ) created in 1849 to commemorate the First Schleswig War , in Fredericia , Denmark . During the First World War, the British and French armies who were allies during the war jointly decided to bury soldiers themselves. In the UK, under the Imperial War Graves Commission (now Commonwealth War Graves Commission ), the Reverend David Railton had seen

297-495: Is to request the reader to get off their resting place, inasmuch as the reader would have to be standing on the ground above the coffin to read the inscription. Some record achievements (e.g., past politicians note the years of their terms of office). Nearly all (excepting those where this is impossible by definition, such as the Tomb of the Unknown Soldier ) note name, year or date of birth, and date of death. Many list family members and

330-750: The Panthéon . A formal bill was presented in Parliament in November 1918. The decision was voted into law in September 1919. The United Kingdom and France conducted services connected with their 'monumental' graves (as presumably newly conceived, and in any case approved, by their respective armies) on Armistice Day 1920 (the burial itself taking place later in January of the following year in France). In

363-566: The 16th century, epitaphs had become more literary in nature and those written in verse were involved in trade. In America and Britain, comedic epitaphs are common in the form of acrostics, palindromes, riddles, and puns on names and professions – Robert Burns , the most prolific pre-Romantic epitaphist, wrote 35 pieces, them being largely satirical. The rate of literary epitaphs has been historically overshadowed by "popular sepulchral inscriptions which are produced in countless numbers at all time"; "strictly literary" epitaphs were most present during

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396-528: The Sun for narrator, chamber choir, piano, flute, clarinet and percussion. In 1969, King Crimson released the song Epitaph , giving a reference to epitaphs within the song. Bronius Kutavičius composed in 1998 Epitaphium temporum pereunti . Valentin Silvestrov composed in 1999 Epitaph L.B. (Епітафія Л.Б.) for viola (or cello) and piano. In 2007 Graham Waterhouse composed Epitaphium for string trio as

429-673: The UK, the Tomb of the Unknown Warrior was created at Westminster Abbey , while in France La tombe du soldat inconnu was placed in the Arc de Triomphe . The idea of a symbolic Tomb of the Unknown Soldier then spread to other countries. In 1921, the United States unveiled its own Tomb of the Unknown Soldier , Portugal its Túmulo do Soldado Desconhecido , and Italy its Tomba del Milite Ignoto . Other nations have followed

462-411: The Unknown Soldier A Tomb of the Unknown Soldier or Tomb of the Unknown Warrior is a monument dedicated to the services of an unknown soldier and to the common memories of all soldiers killed in war. Such tombs are located in many nations and are usually high-profile national monuments . Throughout history, many soldiers have died in war with their remains being unidentified. Following World War I ,

495-504: The Unknown Soldiers typically contain the remains of a soldier who is unidentified (or "known but to God" as the stone is sometimes inscribed). These remains are considered impossible to identify, and so serve as a symbol for all of a country's unknown dead wherever they fell in the war being remembered. The anonymity of the entombed soldier is the key symbolism of the monument; it could be the tomb of anyone who fell in service of

528-457: The adventurer Against you I will fling myself, unvanquished and unyielding, O Death! Oh God ( Devanagari : हे राम ) I've finally stopped getting dumber. ( Hungarian : Végre nem butulok tovább. ) We must know. We will know. ( German : Wir müssen wissen. Wir werden wissen. ) Go tell the Spartans, stranger passing by that here, obedient to their law, we lie. Here sleeps at peace

561-724: The area around the chapel lies the grave of another grandson, Gottfried Graf von Bismarck-Schönhausen . The chapel and the site are still owned by the Bismarck family, but can be visited and rented for private tours. Under the Gastein Convention negotiated by Bismarck in 1865, Prussia obtained the Duchy of Saxe-Lauenburg from the Austrian Empire. When Prussia established the German Empire in 1871, Bismarck

594-631: The career, of the deceased, often with a common expression of love or respect—for example, "beloved father of ..."—but others are more ambitious. From the Renaissance to the 19th century in Western culture, epitaphs for notable people became increasingly lengthy and pompous descriptions of their family origins, career, virtues and immediate family, often in Latin. Notably, the Laudatio Turiae ,

627-722: The dvst encloased heare. Bleste be yͤ man yͭ spares thes stones, And cvrst be he yͭ moves my bones. (In modern spelling): Good friend, for Jesus's sake forbear To dig the dust enclosed here. Blessed be the man that spares these stones, And cursed be he that moves my bones. Here lies One whose Name was writ in Water Cast a cold eye On life, on death. Horseman, pass by! Heroes and Kings your distance keep; In peace let one poor poet sleep, Who never flattered folks like you; Let Horace blush and Virgil too. Sleep after toyle, port after stormie seas, Ease after warre, death after life, does greatly please. Homo sum!

660-521: The forces of Toyotomi Hideyoshi , civilian as well as soldier. Beginning in 1593, when the Ministry of Rites received permission to perform a sacrifice for all who died in the battle, not only the identifiable bodies, the state offered sacrifices for the dead twice a year in spring and autumn until 1908, when the practice was ended by royal edict. The first known monument of an unknown soldier in Europe

693-512: The form of what is usually, but not in this particular case, a headstone. The idea received the support of the Dean of Westminster , Prime Minister David Lloyd George , and later from King George V , responding to a wave of public support. At the same time, a similar concern grew in France. In November 1916, a local officer of Le Souvenir français proposed the idea of burying "an unknown soldier" in

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726-459: The longest known Ancient Roman epitaph, exceeds almost all of these at 180 lines; it celebrates the virtues of an honored wife (sometimes identified, but not generally accepted, as the Wife of consul Quintus Lucretius Vespillo ). Some are quotes from holy texts, or aphorisms . One approach of many epitaphs is to "speak" to the reader and warn them about their own mortality. A wry trick of others

759-506: The matter, possibly contributing towards its flourishing in the latter half of the 18th century. Epitaphs never became a major poetic form and, according to Romantic scholar Ernest Bernhardt-Kabisch, they had "virtually disappeared" by 1810. "The art of the epitaph was largely lost in the 20th century", wrote the Encyclopedia Britannica . Sarcophagi and coffins were the choice of ancient Egyptians for epitaphs; brasses

792-508: The nation, and therefore serves as a monument symbolizing all of the sacrifices. Many soldiers have been identified by DNA analysis. The first one to be analyzed was an airman from the Vietnam War . Tombs of the Unknown Soldiers from around the world and various wars include the following: Think not of those who are slain in God 's Way as dead. Nay, they live, finding their sustenance in

825-555: The newspaper on 3 August 1898, four days after Bismarck's death. Half a year after his death, on 16 March 1899, the coffins of Otto von Bismarck and his wife, who had been buried at the Bismarck estate in Varzin , Pomerania (now Warcino , Poland), were ceremonially interred in two marble sarcophagi in the Friedrichsruh chapel. This date was chosen because it was the 11th anniversary of the funeral of Kaiser Wilhelm I . The funeral

858-722: The practice and created their own tombs. In Chile and Ukraine, the second 'unknown tombs' were unveiled to commemorate The Unknown Sailor . In Serbia, soldiers of World War I are commemorated by the Monument to the Unknown Hero on the mountain of Avala . In the Philippines, the Tomb of the Unknown Soldier at the Libingan ng mga Bayani ("Cemetery of the Heroes") is the cemetery's most prominent structure. The Tombs of

891-414: The relationship of the deceased to them (for example, "Father / Mother / Son / Daughter of"). In English, and in accordance with the word's etymology, the word "epitaph" refers to a textual commemoration of a person, which may or may not be inscribed on a monument. In many European languages, however, the meaning of the word (or its close equivalent) has broadened to mean the monument itself, specifically

924-498: The start of the Romantic period . The Lake Poets have been credited with providing success to epitaph-writing adjacent to that of poetry significance – Robert Southey, in focusing simultaneously upon transience and eternity, contributed substantially. General interest for epitaphs was waning at the cusp of the 19th century, in contrast to a considerable burgeoning intellectual interest. Critical essays had been published before on

957-619: The whole earth for their tomb. And the beat goes on. That's all folks! I told you I was ill. ( Irish : Dúirt mé leat go raibh mé breoite. ) Free at last, Free at last, Thank God Almighty I'm Free at last. He never killed a man that did not need killing. In a more figurative sense, the term may be used for music composed in memory of the deceased. Igor Stravinsky composed in 1958 Epitaphium for flute, clarinet and harp. In 1967 Krzysztof Meyer called his Symphony No. 2 for choir and orchestra Epitaphium Stanisław Wiechowicz in memoriam . Jeffrey Lewis composed Epitaphium – Children of

990-399: Was attended by Wilhelm II , with his wife and a large entourage. 53°31′40″N 10°20′10″E  /  53.5277°N 10.3361°E  / 53.5277; 10.3361 Epitaph An epitaph (from Ancient Greek ἐπιτάφιος (epitáphios)  'a funeral oration'; from ἐπι- (epi-)  'at, over' and τάφος (táphos)  'tomb') is

1023-692: Was awarded the Saxony Forest as an endowment by Emperor Wilhelm I . Bismarck built his retirement home there, next to the Berlin–Hamburg Railway . He chose the site so that when he died he could be carried in state from his manor house down the railway to the mausoleum. Initially, Wilhelm II considered entombing Bismarck in the royal crypt of Berlin Cathedral . The poet Theodor Fontane argued against this, with his poem " Wo Bismarck liegen soll " ("Where Bismarck should lie"), which appeared in

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1056-537: Was more blunt and uniform, typically detailing facts of the deceased – as did the earliest epitaphs in English churches. "May the earth lie light upon thee" was a common inscription for them. Due to the influence of Roman occupiers, the dominant language of epitaphs was Latin, evidenced by the oldest existing epitaphs in Britain. French and English came into fashion around the 13th and 14th centuries, respectively. By

1089-620: Was the prominent format for a significant period of time. Epitaphs upon stone monuments became a common feature by the Elizabethan era . Stock phrases or standard elements present in epitaphs on mediaeval church monuments and ledger stones in England include: While you live, shine have no grief at all life exists only for a short while and Time demands his due. This is my father's crime against me, which I myself committed against none. Good frend for İesvs sake forebeare, To digg

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