Button Man is a comics series that appeared in the British comic 2000 AD , written by John Wagner and illustrated by Arthur Ranson . The series is unrelated to the earlier Bad City Blue featuring Button Men in 2000 AD #468-479.
124-410: Harry Exton, an ex-soldier, is a "Button Man", a hired killer pitted against others in an underground sport. Each works for a mysterious "Voice", a rich man of unknown identity. The object of the game is to defeat one's opponents, and take their marker – the first two joints of a finger. Button Men who lose three fingers are executed. While killing an opponent is generally acceptable, it is not always
248-471: A mythical realm. Since the 1940s, when Superman, Batman, and many of the company's other heroes began appearing in stories together, DC's characters have inhabited a shared continuity that was later dubbed the " DC Universe " by fans. With the story " Flash of Two Worlds ", in Flash No. 123 (September 1961), editor Schwartz (with writer Gardner Fox and artists Infantino and Joe Giella ) presented
372-434: A March 1937 cover date. The themed anthology that revolved originally around fictional detective stories became in modern times the longest-running ongoing comic series. A notable debut in the first issue was Slam Bradley , created in a collaboration between Wheeler-Nicholson, Siegel and Shuster. In 1937, in debt to printing-plant owner and magazine distributor Harry Donenfeld —who also published pulp magazines and operated as
496-508: A Saturday morning live action TV adaptation and gained a prominent position in the mainstream continuity of the DC Universe . As the popularity of superheroes faded in the late 1940s, DC Comics focused on such genres as science fiction, Westerns , humor , and romance . The company also published crime and horror titles, although relatively tame contributions that avoided the mid-1950s backlash against such comic genres. A handful of
620-476: A conceptual mechanism for slotting the 1930s and 1940s Golden Age heroes into this continuity using the explanation that they inhabited an other-dimensional "Earth 2", whilst the modern heroes exist on "Earth 1", consequently laying the foundations of what was later called the DC Multiverse . DC's introduction of the reimagined superheroes did not go unnoticed by their competitors. In 1961, with DC's JLA as
744-488: A copy of Superman. This extended to DC suing Fawcett Comics over Captain Marvel , who was at the time the top-selling comic character (see National Comics Publications, Inc. v. Fawcett Publications, Inc. ). Faced with declining sales and the prospect of bankruptcy if it lost the lawsuit, Fawcett capitulated in 1953 and ceased publishing comics. Years later, Fawcett sold the rights for Captain Marvel to DC Comics, and in 1972
868-568: A drug-fueled storyline in writer Dennis O'Neil and artist Neal Adams ' Green Lantern , beginning with the story " Snowbirds Don't Fly " in the retitled Green Lantern / Green Arrow No. 85 (September 1971), which depicted Speedy , the teen sidekick of superhero archer Green Arrow , as having become a heroin addict. Jenette Kahn , a former children's magazine publisher, replaced Infantino as editorial director in January 1976. As it happened, her first task even before being formally hired,
992-608: A fellow sub-editor, left to go freelance in 1971, and began submitting scripts to London's IPC , working from Mills' garden shed in Wormit , Fife. Starting with humour titles like Cor!! and Whizzer and Chips , they also went on to write for girls' and boys' adventure comics, including strips like "Yellowknife of the Yard", about a Native American detective in London, drawn by Doug Maxted , for Valiant ; "Partridge's Patch", about
1116-477: A few years, it yielded the popular animated series Static Shock . DC established Paradox Press to publish material such as the large-format Big Book of... series of multi-artist interpretations on individual themes, and such crime fiction as the graphic novel Road to Perdition . In 1998, DC purchased WildStorm Comics, Jim Lee 's imprint under the Image Comics banner, continuing it for many years as
1240-529: A friendly rural policeman and his dog, drawn by Mike Western , for Jet ; "The Can-Do Kids" for Lion , and boarding school serial "School for Snobs" for Tammy . IPC managers John Purdie and John Sanders began to take notice. After nine months their writing partnership broke up, and Wagner moved to London to join IPC's staff, editing girls' titles Sandie and Princess Tina until 1973, when both were merged into other titles. After that he quit comics for
1364-504: A handful of thematically-linked series he called collectively "The Fourth World" . In the existing series Superman's Pal Jimmy Olsen and in his own, newly-launched series New Gods , Mister Miracle , and The Forever People , Kirby introduced such enduring characters and concepts as arch-villain Darkseid and the other-dimensional realm Apokolips . Furthermore, Kirby intended their stories to be reprinted in collected editions, in
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#17327975452551488-578: A lot from the added discipline of life in Scotland." When he left school he joined a printing company, going to college on day release, until his aunt showed him an advert for editorial assistants at D. C. Thomson & Co. in Dundee. He got the job, starting in the Fiction department, and went on to become chief sub-editor of the romance comic Romeo , and also wrote horoscopes. He and Pat Mills ,
1612-456: A major slump, while manufactured " collectables " numbering in the millions replaced quality with quantity until fans and speculators alike deserted the medium in droves. DC's Piranha Press and other imprints (including the mature readers' line Vertigo , and Helix , a short-lived science fiction imprint) were introduced to facilitate compartmentalized diversification and allow for specialized marketing of individual product lines. They increased
1736-471: A more overt comedy side to his writing. He is well known for writing terse scripts, described by artist Dave Gibbons as being like "exciting telegrams". He says he does not think visually, but rather "in terms of plot developments [and] dialogue", preferring to leave the visual decisions to the artist. Described by Warren Ellis as "probably the single most influential writer in British comics", Wagner
1860-487: A mute Native American soldier in the Pacific Campaign, drawn by Eric Bradbury , and the naval series "HMS Nightshade" (1978–79), drawn by Western. For Mills' short-lived, controversial title Action he scripted the boxing strip "Blackjack". During this time he shared a flat on Camberwell New Road in London with future 2000 AD editor Steve MacManus . In 1976 Mills brought Wagner in as script adviser for
1984-695: A new comic for BHP Comics . Drawn by Dan Cornwell "Rok of the Reds" tells the story of a dangerous intergalactic outlaw, Rok of Arkadi, who, while on the run, hides on the planet earth by taking over the body and life of troubled football star Kyle Dixon. A father of two, Wagner lives with his wife near Shrewsbury , Shropshire. Pat Mills describes Wagner's writing as "romantic but not emotional". His depictions of violent action, from "Darkie's Mob" to "Judge Dredd" to A History of Violence , are unsentimental and laced with mordant humour. Other strips, like "Robo-Hunter", "Ace Trucking Co." and "The Balls Brothers", reveal
2108-528: A primer. They would get artists ... and they taught them the ABCs, which amounted to learning Jack Kirby ... Jack was like the Holy Scripture and they simply had to follow him without deviation. That's what was told to me ... It was how they taught everyone to reconcile all those opposing attitudes to one single master point of view. Given carte blanche to write and illustrate his own stories, he created
2232-416: A principal in the magazine distributorship Independent News —Wheeler-Nicholson had to enter into partnership with Donenfeld to publish Detective Comics No. 1, and Detective Comics, Inc. (which helped inspire the abbreviation DC) was formed, with Wheeler-Nicholson and Donenfeld's accountant Jack S. Liebowitz listed as owners. As the company continued to experience cash-flow problems, Wheeler-Nicholson
2356-415: A publishing format that was later called the trade paperback , which became a standard industry practice decades later. While sales were respectable, they did not meet DC management's initially high expectations, and also suffered from a lack of comprehension and internal support from Infantino. By 1973 the "Fourth World" was all cancelled, although Kirby's conceptions soon became integral to the broadening of
2480-658: A romantic interest for Batman named Julie Madison , as well as the Batarang weapon that Batman commonly uses, and the fictional aircraft called the Batplane . The story of Batman's origin was first shown in Detective Comics No. 33 (November 1939), which depicted the death of Thomas Wayne and Martha Wayne by a mugger . The origin story remained crucial for the fictional character after its inception. The Daily Planet (a common setting of Superman)
2604-523: A subsidiary of Time Warner. In June, the first Tim Burton-directed Batman film was released, and DC began publishing its hardcover series of DC Archive Editions ; these were collections of many of their early, key comics series, featuring rare and expensive stories previously unseen by the majority of modern fans. Much of the restoration work was handled by Rick Keene, with colour restoration performed by DC's long-time resident colourist Bob LeRose . The Archive Editions attempted to retroactively credit many of
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#17327975452552728-469: A superhero origin story with the reveal of an unnamed planet, later known as Krypton , where he is said to have originated . The issue also contained the first essential supporting character and one of the earliest female characters in any comic, with Lois Lane as Superman's first depicted romantic interest . The Green Hornet -inspired character known as the Crimson Avenger by Jim Chamber
2852-569: A supporting character called James Gordon , the police commissioner of what would later become Gotham City Police Department . Despite being a parody, All-American Publications introduced the earliest female character who became the female superhero Red Tornado (though disguised as a male) in Ma Hunkel who first appeared in the "Scribbly" stories in All-American Comics No. 3 (June 1939). Another important Batman debut
2976-583: A time, taking a variety of jobs, including as caretaker of an estate in the Scottish Highlands and dredging on a barge. In the autumn of 1974 Pat Mills had been tasked with developing Battle Picture Weekly , a new war-themed title for IPC to compete with D. C. Thomson's Warlord . He asked Wagner to join him and help develop characters. Mills and Wagner were dissatisfied with the sanitised nature of boys' comics and wanted to make them harder-hitting, with more working-class heroes. They devised
3100-565: A violent series about a renegade British captain leading a group of lost soldiers in a personal war against the Japanese in Burma during World War II, drawn by Mike Western , which became one of the comic's most popular strips, although Wagner has since said he regrets "some of the jingoistic, racist language" used. A collected edition was published by Titan Books in 2011. Other strips he wrote for Battle included "Joe Two Beans" (1977), about
3224-501: A wholly separate imprint (and fictional universe) with its own unique style and audience. As part of this purchase, DC also began to publish titles under the fledgling WildStorm sub-imprint America's Best Comics (ABC), a series of titles created by Alan Moore which included The League of Extraordinary Gentlemen , Tom Strong , and Promethea . Moore strongly opposed this move, and DC eventually stopped publishing ABC. In March 2003, DC acquired publishing and merchandising rights to
3348-578: Is named as an influence by writers such as Alan Grant , who says he "taught me almost all I know about comic writing", Garth Ennis , Andy Diggle and Rob Williams . Alan Moore was inspired by the work of Wagner and Pat Mills in 2000 AD to try and express his ideas in mainstream comics. Wagner's own influences include the comics of D. C. Thomson & Co. of the '60s and '70s. Outside of comics, authors he admires include John Steinbeck , Patrick O'Brian and Michael Connelly . See also Category:Comics by John Wagner A TV film of The Bogie Man
3472-502: Is one of the largest and oldest American comic book companies, the first comic under the DC banner being published in 1937. The majority of its publications are set in the fictional DC Universe and feature numerous culturally iconic heroic characters , such as Superman , Batman , Wonder Woman , Green Lantern , the Flash , Cyborg , and Aquaman ; as well as famous fictional teams, including
3596-516: Is still being used. The company created a second recurring title called New Comics , first released in December 1935, which was the start of the long-running Adventure Comics series that also featured many anthology titles. By 1936, the group had became Nicholson Publishing. Wheeler-Nicholson's next and final title, Detective Comics , was advertised with a cover illustration dated December 1936 but eventually premiered three months late with
3720-444: Is third. In 1934, entrepreneur Major Malcolm Wheeler-Nicholson founded National Allied Publications , intended as an American comic book publishing company. Its debut publication was the tabloid -sized New Fun: The Big Comic Magazine #1 (the first of a comic series later called More Fun Comics ) with a February 1935 cover date . An anthology title, essentially for original stories not reprinted from newspaper strips , it
3844-539: The Infinite Crisis limited series. Immediately after this event, DC's ongoing series jumped forward a full year in their in-story continuity, as DC launched a weekly series, 52 , to gradually fill in the missing time. Concurrently, DC lost the copyright to "Superboy" (while retaining the trademark) when the heirs of Jerry Siegel used a provision of the 1976 revision to the copyright law to regain ownership. In 2005, DC launched its " All-Star " line (evoking
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3968-549: The 2005 film of the same name . Wagner continues to write for 2000 AD and Judge Dredd Megazine . Wagner was born in Pennsylvania , U.S., in 1949, the product of a war marriage. When Wagner was twelve his parents separated and his mother returned to Greenock in Scotland with the children. Wagner describes himself as "a pretty badly adjusted youth" in America, fighting and getting into trouble, and says he "benefited
4092-709: The BBC for the TV series Doctor Who in the 1970s, but Wagner eventually dropped out, tired of the endless rewrites requested, an experience which turned him off TV writing. Mills' involvement came to an end when the show's script editor changed. Artist Dave Gibbons was aware of this, and when he was offered the chance to draw the lead strip in Doctor Who Weekly in 1979, he suggested them as writers. The pair wrote four eight-part serials, based on their unmade TV scripts. They adapted them separately, Wagner scripting "City of
4216-667: The Green Lantern character, the introduction of the modern all-star team Justice League of America (JLA), and many more superheroes, heralding what historians and fans call the Silver Age of Comic Books . National radically overhauled its continuing characters—primarily Superman, Batman, and Wonder Woman—rather than just reimagining them. The Superman family of titles, under editor Mort Weisinger , introduced such enduring characters as Supergirl , Bizarro , and Brainiac . The Batman titles, under editor Jack Schiff , introduced
4340-771: The Justice League , the Justice Society of America , the Teen Titans , and the Suicide Squad . The universe contains an assortment of well-known supervillains , such as the Joker , Lex Luthor , Deathstroke , the Reverse-Flash , Brainiac , and Darkseid . The company has published non-DC Universe-related material, including Watchmen , V for Vendetta , Fables , and many other titles, under
4464-549: The Megazine , Wagner took a break from writing the character in 2000 AD , replaced by Garth Ennis , Grant Morrison , Mark Millar and others. He did not resume writing for 2000 AD for more than three years. Wagner was initially involved in Toxic! , an independent weekly anthology launched in 1991, but, aside from two Bogie Man serials co-written with Grant, most of his proposed stories were rejected and he withdrew from
4588-565: The Paradox Press imprint of DC Comics . It was nominated for the Angoulême International Comics Festival Prize for Scenario in 2006. In 2000 Wagner and Carlos Ezquerra revived " Strontium Dog " (main character Johnny Alpha had been killed off in 1990 in a story written by Alan Grant), based on a treatment Wagner had written for an abortive TV pilot. Initially, stories were set before
4712-483: The Phantom Stranger ) rose from art director to become DC's editorial director. With the growing popularity of upstart rival Marvel Comics threatening to topple DC from its longtime number-one position in the comics industry, he tried to direct DC's focus towards marketing new and existing titles and characters with more adult sensibilities, aimed at an emerging older age group of superhero comic book fans; this
4836-795: The Silver Age , the comics of the 1970s and 1980s became known as the Bronze Age, as fantasy gave way to more naturalistic and sometimes darker themes. Illegal drug use, banned by the Comics Code Authority , explicitly appeared in comics for the first time in Marvel Comics' story " Green Goblin Reborn! " in The Amazing Spider-Man No. 96 (May 1971), and after the Code's updating in response, DC offered
4960-557: The line further, increasing the number of titles and story pages, and raising the price from 35 cents to 50 cents. Most series received eight-page back-up features while some had full-length twenty-five-page stories. This was a move the company called the "DC Explosion". The move was not successful, however, and corporate parent Warner dramatically cut back on these largely unsuccessful titles, firing many staffers in what industry watchers dubbed "the DC Implosion ". In September 1978,
5084-500: The 1980s, he and co-writer Alan Grant wrote prolifically for IPC's 2000 AD , Battle , Eagle , Scream! and Roy of the Rovers . They also wrote for DC Comics ' Batman in the U.S., created a series of Batman and Judge Dredd team-up comics, and started the British independent comic The Bogie Man . Judge Dredd has twice been adapted for film, and David Cronenberg adapted Wagner's graphic novel A History of Violence into
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5208-461: The American comic book market was shared by DC Comics and its long-time major competitor Marvel Comics (acquired in 2009 by Warner Bros. Discovery's main competitor, The Walt Disney Company ), though this figure may be distorted by the fact that sales of graphic novels are excluded. When all book sales are included, DC is the second largest publisher of comic books, after Viz Media ; and Marvel
5332-490: The Bible as the foundation of his own new company, EC Comics . At that point, "Liebowitz promptly orchestrated the merger of All-American and Detective Comics into National Comics... Next he took charge of organizing National Comics, [the self-distributorship] Independent News, and their affiliated firms into a single corporate entity, National Periodical Publications ". National Periodical Publications became publicly traded on
5456-472: The Changing Man , as well as an increasing array of non-superhero titles, in an attempt to recapture the pre- Wertham days of post-War comicdom. In 1977, the company officially changed its name to DC Comics . It had used the brand "Superman-DC" since the 1950s, and was colloquially known as DC Comics for years. In June 1978, five months before the release of the first Superman film , Kahn expanded
5580-544: The DC Universe, especially after the major toy-company, Kenner Products , judged them ideal for their action-figure adaptation of the DC Universe , the Super Powers Collection . Obligated by his contract, Kirby created other unrelated series for DC, including Kamandi , The Demon , and OMAC , before ultimately returning to Marvel Comics in 1976. Following the science-fiction innovations of
5704-551: The Damned" and "Dogs of Doom", and Mills scripting "The Iron Legion" and "The Star Beast", although all were credited to "Mills & Wagner". From 1980 to 1988 he wrote in partnership with Alan Grant , an old friend and former D. C. Thomson and 2000 AD sub-editor with whom he was sharing an old farmhouse in Essex, although most stories were credited to Wagner alone (under one of his pseudonyms) or Grant alone – whichever of them typed
5828-546: The Diner his girlfriend works at, and notices that one is missing two markers. Exton kills all the other operatives apart from one with whom he makes a deal - he cuts off his own finger and gives it to the surviving Button Man before dropping a tracking device (inserted into a filling by the jealous husband) into a lake. This convinces the Voices that Exton is dead, and the hunt is called off. Later Exton reneges on his deal and kills
5952-556: The Silver Age Teen Titans led DC's editors to seek the same for the wider DC Universe . The result, the Wolfman/Pérez 12-issue limited series Crisis on Infinite Earths , gave the company an opportunity to realign and jettison some of the characters' complicated backstory and continuity discrepancies. A companion publication, two volumes entitled The History of the DC Universe , set out the revised history of
6076-649: The TV series. This change in tone coincided with the prominent "Go-Go Checks" cover-dress that featured a black-and-white checkered strip at the top of each DC comic (all cover dates between February 1966 and August 1967), a misguided attempt by then-managing editor Irwin Donenfeld to make DC's output "stand out on the newsracks". In particular, DC artist Carmine Infantino complained that the distinctive cover made it easier for readers to spot DC's titles and avoid them in favor of Marvel's titles. In 1967, Infantino (who had designed popular Silver Age characters Batgirl and
6200-676: The alternative imprint Vertigo and DC Black Label . Originally at 432 Fourth Avenue in Manhattan , New York City, the company offices have been located at 480 and later 575 Lexington Avenue , 909 Third Avenue , 75 Rockefeller Plaza , 666 Fifth Avenue , and 1325 Avenue of the Americas . DC Comics was located at 1700 Broadway in Midtown Manhattan until April 2015, when DC Entertainment transferred its headquarters to Burbank, California . DC Comics books are distributed to
6324-587: The antihero. These titles helped pave the way for comics to be more widely accepted in literary-criticism circles and to make inroads into the book industry, with collected editions of these series as commercially successful trade paperbacks . The mid-1980s also saw the end of many long-running DC war comics , including series that had been in print since the 1960s. These titles, all with over 100 issues, included Sgt. Rock , G.I. Combat , The Unknown Soldier , and Weird War Tales . In March 1989, Warner Communications merged with Time Inc. , making DC Comics
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#17327975452556448-571: The bookstore market by Penguin Random House Publisher Services . The comics shop direct market was supplied by Diamond Comic Distributors until June 2020, when Lunar Distribution and UCS Comic Distributors (who were by then dominating direct market distribution on account of the disruption to Diamond caused by the COVID-19 pandemic ) replaced Diamond as the direct market distributor. In 2017, approximately 70% of
6572-413: The brand's popularity, like the presence of the color red or word balloons on the cover, or that the perceived crudeness of the interior art was somehow more appealing to readers. When Lee learned about DC's subsequent experimental attempts to imitate these perceived details, he amused himself by arranging direct defiance of those assumptions in Marvel's publications as sales strengthened further to frustrate
6696-538: The character Judge Dredd . Wagner started his career in editorial with D. C. Thomson & Co. in the late 1960s before becoming a freelance writer and a staff editor at IPC in the 1970s. He has worked in children's humour and girls' adventure comics, but is most notable for his boys' adventure comics; he helped launch Battle Picture Weekly (1975), for which he wrote "Darkie's Mob", and 2000 AD (1977), for which he created numerous characters, including Judge Dredd, Strontium Dog , Robo-Hunter and Button Man . In
6820-481: The character from issue 9, and has written the majority of Judge Dredd stories since. Ezquerra returned in 1982 to draw the " Apocalypse War " storyline, and continued to draw the character semi-regularly until his death in 2018. Wagner created two long-running series in 1978. One, " Robo-Hunter ", a private detective-style character who specialised in robot-related cases, was initially drawn by José Ferrer, but his pages were partly redrawn by Ian Gibson , who became
6944-424: The character was revived in DC's new title Shazam! , which featured artwork by Captain Marvel's creator C. C. Beck . In the meantime, the abandoned 'Marvel' trademark had been seized by Marvel Comics in 1967, with the creation of their Captain Marvel , preventing DC from using the name in the title of their own comic series. While DC's Captain Marvel failed to recapture his earlier popularity, he later appeared in
7068-484: The character with other writers, including Gordon Rennie , Robbie Morrison , Si Spurrier , Al Ewing and Michael Carroll . Major storylines he has contributed include " Origins " (2006–2007), exploring how the Judge system was established, and " Day of Chaos " (2011–2012), in which many of the institutions of Dredd's world are destroyed, leaving a more dangerous city. In 2016 Wagner teamed up with Grant to create
7192-554: The character's death in a revised continuity, but 2010's "The Life and Death of Johnny Alpha" brought Johnny back from the dead. Wagner has continued to be the main writer of "Judge Dredd" in 2000 AD and the Judge Dredd Megazine . In 2003 he co-wrote the Judge Dredd/ Aliens crossover, " Incubus ", with Andy Diggle , which was co-published by Dark Horse Comics and 2000 AD . Since 2005 he has shared
7316-429: The comic book limited series . This publishing format allowed for the deliberate creation of finite storylines within a more flexible publishing format that could showcase creations without forcing the talent into unsustainable open-ended commitments. The first such title was World of Krypton in 1979, and its positive results led to subsequent similar titles and later more ambitious productions like Camelot 3000 for
7440-482: The company. The resulting influx of sophisticated horror-fantasy material led to DC in 1993 establishing the Vertigo mature-readers imprint, which did not subscribe to the Comics Code Authority . Two DC limited series, Batman: The Dark Knight Returns by Frank Miller and Watchmen by Moore and artist Dave Gibbons , drew attention in the mainstream press for their dark psychological complexity and promotion of
7564-488: The competition. However, this ignorance of Marvel's true appeal did not extend to some of the writing talent during this period, and attempts were made to emulate Marvel's narrative approach. For instance, there was the Doom Patrol series by Arnold Drake (who had previously warned DC's management about Marvel's strength), a superhero team of outsiders who resented their freakish powers, which Drake later speculated
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#17327975452557688-525: The development work, and wrote three of the five strips in the opening line-up, including " America ", illustrated by Colin MacNeil , which examined the totalitarian nature of the Judge system through the story of a young woman who becomes a pro-democracy terrorist, and "Young Death: Boyhood of a Superfiend", with art by Peter Doherty , which told the origin of Dredd's arch-enemy Judge Death in humorous style. While his efforts were concentrated on Dredd in
7812-547: The direct market in 1982. These changes in policy shaped the future of the medium as a whole, and in the short term allowed DC to entice creators away from rival Marvel, and encourage stability on individual titles. In November 1980 DC launched the ongoing series The New Teen Titans , by writer Marv Wolfman and artist George Pérez , two popular talents with a history of success. Their superhero-team comic, superficially similar to Marvel's ensemble series X-Men , but rooted in DC history, earned significant sales in part due to
7936-512: The distribution of NPP's shows. A 1966 Batman TV show on the ABC network sparked a temporary spike in comic book sales and a brief fad for superheroes in Saturday morning animation ( Filmation produced most of DC's initial cartoons) and other media. DC significantly lightened the tone of many of its comics—particularly Batman and Detective Comics —to better complement the "camp" tone of
8060-540: The documentary strip "Fight for the Falklands" for Battle , without Grant who had no interest in war stories, and " Dan Dare " with Pat Mills for Eagle . Wagner and Grant became part of the so-called " British Invasion " of American comics during the 1980s. In 1987 their first title, a mini-series called Outcasts , was published by DC Comics with Cam Kennedy as artist. Outcasts was well received, though it never sold in great quantities, and this success led to
8184-723: The end of 2009. By 2007, DC was licensing characters from the Archie Comics imprint Red Circle Comics . They appeared in the Red Circle line, based in the DC Universe, with a series of one-shots followed by a miniseries that led into two ongoing titles that each lasted for ten issues. In 2011, DC rebooted all of its running titles following the Flashpoint storyline. The reboot called The New 52 gave new origin stories and costume designs to many of DC's characters. DC licensed pulp characters including Doc Savage and
8308-471: The ending of the Judge Dredd story " Oz " led to the end of their writing partnership and they split their work between them: Wagner kept "Judge Dredd", while Grant continued "Strontium Dog" and "Anderson, Psi Division" and became the sole writer of Detective Comics . Although the two continued to collaborate from time to time, they never resumed a full-time partnership. In 1987, IPC's comics division
8432-450: The example of Atlas/Seaboard Comics and such independent companies as Eclipse Comics —DC began to offer royalties in place of the industry-standard work-for-hire agreement in which creators worked for a flat fee and signed away all rights, giving talent a financial incentive tied to the success of their work. As it happened, the implementation of these incentives proved opportune considering Marvel Comics' Editor-in-Chief, Jim Shooter ,
8556-508: The final Button Man to ensure that there are no loose ends. Button Man ran for four series. The series outings, all written by John Wagner , are: The stories are being collected into trade paperbacks : In an interview with the Class of '79 fanzine, John Wagner said the original movie option rights were negotiated by the book's original US publisher, Kitchen Sink . For some years, the film rights were owned by DreamWorks , which co-opted
8680-463: The first comic book to feature the character archetype later known as the "superhero", Action Comics was a sales hit that brought to life a new age of comic books, now affectionately termed the "Golden Age" . Action Comics #1 is credited as featuring the first appearance of Superman, both on the cover illustration and inside the issue, and is now one of the most valuable and sought-after comic book issues of all time. The first Superman tale included
8804-590: The first film, a true representation of Judge Dredd". In 2005 his graphic novel A History of Violence was adapted into a film , directed by David Cronenberg and starring Viggo Mortensen and Ed Harris . Wagner had backed the film once he saw the group of actors Cronenberg had gathered. The film was nominated for the Palme D'Or at the Cannes Film Festival in May 2005, and the script, by Josh Olson ,
8928-686: The first mention of Batman's utility belt by Gardner Fox . Outside of DC's publishing, a character later integrated as DC was introduced by Fox Feature Syndicate named the Blue Beetle released in August 1939. Fictional cities were a common theme of DC; the first revealed city was Superman's home city of Metropolis , originally named in Action Comics No. 16 (September 1939). Detective Comics No. 31 (September 1939) by Gardner Fox, Bob Kane and Sheldon Moldoff introduced
9052-639: The first recurring Superman enemy referred to as the Ultra-Humanite ; created by Siegel and Shuster, this is commonly cited as one of the earliest supervillains in comic books. The Superman character had another breakthrough when he was given his own comic book series , which was previously unheard of. The first issue, published in June 1939, helped directly introduce Superman's adoptive parents, Jonathan and Martha Kent , also created by Siegel and Shuster. Detective Comics No. 29 (July 1939) included
9176-503: The groundwork for a full continuity-reshuffling sequel to Crisis on Infinite Earths , promising substantial changes to the DC Universe (and side-stepping the 1994 Zero Hour event which similarly tried to ret-con the history of the DCU). In 2005, the critically lauded Batman Begins film was released; also, the company published several limited series establishing increasingly escalating conflicts among DC's heroes, with events climaxing in
9300-513: The insistence of publisher John Sanders, to disguise how prolific the two writers were. For the revived Eagle they wrote " Doomlord ", "Joe Soap", "Rebel the Police Dog", " Computer Warrior ", "The Fists of Danny Pyke", " Manix " and " The House of Daemon "; for Scream! they wrote " The Thirteenth Floor ", for Roy of the Rovers they wrote "Dan Harker's War", and for Battle they wrote "Invasion 1984". During this time Wagner wrote
9424-446: The line was dramatically reduced and standard-size books returned to 17-page stories but for a still increased 40 cents. By 1980, the books returned to 50 cents with a 25-page story count but the story pages replaced house ads in the books. Seeking new ways to boost market share , the new team of publisher Kahn, vice president Paul Levitz , and managing editor Giordano addressed the issue of talent instability. To that end—and following
9548-547: The long-running fantasy series Elfquest , previously self-published by creators Wendy and Richard Pini under their WaRP Graphics publication banner. This series then followed another non-DC title, Tower Comics ' series T.H.U.N.D.E.R. Agents , in collection into DC Archive Editions. In 2004, DC temporarily acquired the North American publishing rights to graphic novels from European publishers 2000 AD and Humanoids . It also rebranded its younger-audience titles with
9672-562: The major DC characters. Crisis featured many key deaths that shaped the DC Universe for the following decades, and it separated the timeline of DC publications into pre- and post-"Crisis". Meanwhile, a parallel update had started in the non-superhero and horror titles. Since early 1984, the work of British writer Alan Moore had revitalized the horror series The Saga of the Swamp Thing , and soon numerous British writers, including Neil Gaiman and Grant Morrison , began freelancing for
9796-449: The mascot Johnny DC and established the CMX imprint to reprint translated manga . In 2006, CMX took over from Dark Horse Comics ' publication of the webcomic Megatokyo in print form. DC also took advantage of the demise of Kitchen Sink Press and acquired the rights to much of the work of Will Eisner , such as his The Spirit series and his graphic novels. In 2004, DC began laying
9920-622: The mid-1990s Wagner worked on a number of licensed properties for Dark Horse Comics in the US, including Aliens , Star Wars – notably solo stories starring Boba Fett and the comics strand of the multimedia project Shadows of the Empire – and Xena: Warrior Princess . In 1997 he wrote his first original graphic novel , A History of Violence , a contemporary thriller about an unassuming small-town man whose background in gang crime comes back to haunt him, drawn by Vince Locke for
10044-408: The most popular superhero titles continued publication, including Action Comics and Detective Comics , the medium's two longest-running titles. In the mid-1950s, editorial director Irwin Donenfeld and publisher Liebowitz directed editor Julius Schwartz (whose roots lay in the science-fiction book market) to produce a one-shot Flash story in the try-out title Showcase . Instead of reviving
10168-492: The new science fiction comic he was developing, 2000 AD . Wagner suggested the new title needed a cop story, and his proposal, " Judge Dredd ", took the Dirty Harry archetype further, imagining a violent lawman, empowered to dispense justice on the spot in a future New York. Artist Carlos Ezquerra was asked to visualise the character, but Wagner initially hated the elaborate look Ezquerra came up with, thinking it "way over
10292-526: The old character, Schwartz had writers Robert Kanigher and John Broome , penciler Carmine Infantino , and inker Joe Kubert create an entirely new super-speedster, updating and modernizing the Flash's civilian identity, costume, and origin with a science-fiction bent. The Flash's reimagining in Showcase No. 4 (October 1956) proved sufficiently popular that it soon led to a similar revamping of
10416-480: The opening line-up themselves, with the assistance of Gerry Finley-Day , before farming the stories out to other writers. The title was launched with a cover date of 8 March 1975, and was a hit. Wagner continued to write for girls' comics, including scripting gymnastics strip "Bella at the Bar" for Tammy , and was appointed editor of the ailing boys' weekly Valiant . Characters he created for this title included
10540-469: The other imprints was Impact Comics from 1991 to 1992 in which the Archie Comics superheroes were licensed and revamped. The stories in the line were part of its own shared universe. DC entered into a publishing agreement with Milestone Media that gave DC a line of comics featuring a culturally and racially diverse range of superhero characters. Although the Milestone line ceased publication after
10664-539: The pair writing Batman in the pages of Detective Comics from issue 583, largely with Norm Breyfogle on art duties. Grant and Wagner introduced the Ventriloquist in their first Batman story and the Ratcatcher in their third. The pair also created the bleak nuclear dystopia The Last American for Epic Comics with longtime Dredd artist Mike McMahon . Arguments over the direction of that title and
10788-462: The preferred outcome of a match - on one occasion Exton's Voice loses a wager when Exton kills his opponent rather than taking his marker, thus beginning the souring of the relationship between Exton and his Voice. The Voices profit from the game by gambling on the outcome, and a ruthless killer such as Harry Exton can make a modestly wealthy man extremely rich. The Button Men themselves are paid well for their tasks. Despite being exceptionally good at
10912-503: The producer of the initial adaptation are not aware of this remake. The movie is a smash hit and crossed 50 million dollars worldwide in 7 days. DC Comics This is an accepted version of this page DC Comics, Inc. (later simply known as DC ) is an American comic book publisher and the flagship unit of DC Entertainment , a subsidiary of Warner Bros. Discovery . DC is an initialism for "Detective Comics", an American comic book series first published in 1937. DC Comics
11036-434: The producers of Wagner's A History of Violence . The film was initially rumoured to be planned for release in 2008 . In late May 2012, Deadline Hollywood reported that Nicolas Winding Refn was in talks with DreamWorks about directing. In March 2019, Netflix announced they'd hired Brian Helgeland to write and direct an adaptation of Button Man as a feature-length film. In April 2021 artist Arthur Ranson confirmed
11160-433: The project had again been shelved. A television adaptation was put into development in May 2024. John Wagner John Wagner (born 1949) is an American-born British comics writer . Alongside Pat Mills , he helped revitalise British comics in the 1970s, and continues to be active in the British comics industry, occasionally also working in American comics. He is the co-creator, with artist Carlos Ezquerra , of
11284-621: The project. One such proposal, "Al's Baby", a comedy about a male mob hitman who becomes pregnant, drawn by Carlos Ezquerra , ran in the Judge Dredd Megazine in 1991. Another, " Button Man ", a contemporary urban gladiator thriller drawn by Arthur Ranson , was published in 2000 AD in 1992. Both spawned sequels. Wagner and Grant reunited in 1992 for Judgement on Gotham , a hit graphic novel teaming up Judge Dredd and Batman , co-published by Fleetway and DC and featuring painted art by Simon Bisley . Further team-ups between Dredd and Batman followed, but were beset by production delays. In
11408-491: The script up got the cheque. Wagner (as John Howard or T. B. Grover) was credited with "Judge Dredd", and Grant with the less frequent "Robo-Hunter", "Strontium Dog", and the Judge Dredd spin-off " Anderson, Psi Division ", while some strips, like the CB -inspired space haulage comedy " Ace Trucking Co. ", were credited to "Grant/Grover". "Judge Dredd" was credited to "Wagner/Grant" starting in 1986. Other pseudonyms were created, at
11532-552: The series, unsuccessfully, to DC before writing Outcasts . It was first published as a four-part miniseries by the Scottish independent Fat Man Press in 1989, intending to tie in with Glasgow 's position as European City of Culture in 1990, and further stories followed from other publishers. Wagner and Grant were named as consulting editors on a new title, the Judge Dredd Megazine , in 1990. Wagner did most of
11656-449: The specific inducement, Marvel Comics' writer-editor Stan Lee and artist Jack Kirby ushered in the sub-Silver Age "Marvel Age" of comics with the debut issue of The Fantastic Four . Reportedly, DC dismissed the initial success of Marvel's editorial change until its consistently strengthening sales—albeit also benefiting DC's parent company Independent News, as Marvel's distributor—made it impossible to ignore. This commercial situation
11780-545: The sport and not losing any markers during his involvement, Exton decides to quit, and tracks down his Voice killing him, thinking that will remove him from the sport. This grants him temporary freedom and he settles down anonymously in a small town, even starting an affair with a local waitress. He is himself tracked down by other Button Men (and a Button Woman) whose Voices view Exton as the ultimate sport due to his previous unparalleled success. Exton has advance warning of their presence when he spots them disguised as tourists in
11904-511: The stability of the creative team, who both continued with the title for six full years. In addition, Wolfman and Pérez took advantage of the limited-series option to create a spin-off title, Tales of the New Teen Titans , to present origin stories of their original characters without having to break the narrative flow of the main series or oblige them to double their work load with another ongoing title. This successful revitalization of
12028-490: The stock market in 1961. Despite the official names "National Comics" and "National Periodical Publications", the company began branding itself as "Superman-DC" as early as 1940 and became known colloquially as DC Comics for years before the official adoption of that name in 1977. DC Comics began to move aggressively against what it saw as copyright-violating imitations from other companies, such as Fox Comics ' Wonder Man , which (according to court testimony) Fox started as
12152-473: The strip's regular artist. The other, " Strontium Dog ", a sci-fi western about a bounty hunter in a future where mutants are an oppressed minority forced into doing such dirty work, was created by Wagner and Ezquerra for Starlord , a short-lived sister title to 2000 AD with higher production values. Starlord was later merged into 2000 AD , bringing "Strontium Dog" with it. During their writing partnership, Wagner and Mills had submitted story ideas to
12276-498: The successful Batwoman , Bat-Girl , Ace the Bat-Hound , and Bat-Mite in an attempt to modernize the strip with non-science-fiction elements. Schwartz and Infantino then revitalized Batman in what the company promoted as the "New Look", with relatively down-to-earth stories re-emphasizing Batman as a detective. Meanwhile, editor Kanigher successfully introduced a whole family of Wonder Woman characters having fantastic adventures in
12400-471: The title of the 1940s publication ), designed to feature some of the company's best-known characters in stories that eschewed the long and convoluted continuity of the DC Universe. The line began with All-Star Batman & Robin the Boy Wonder and All-Star Superman , and All-Star Wonder Woman and All-Star Batgirl was announced in 2006, but neither of these stories had been released or scheduled as of
12524-423: The top". When a proposed buy-out of 2000 AD that would have improved creators' terms and conditions fell through, Wagner walked away from the comic, leaving Mills to develop the character by commissioning stories from freelancers. The first published episode appeared in issue 2, based on a script by Peter Harris, rewritten by Mills and drawn by Mike McMahon , which alienated Ezquerra. Wagner returned to write
12648-569: The tough New York City cop " One-Eyed Jack ", drawn by John Cooper , which was inspired by the film Dirty Harry and became the comic's most popular character, and "Soldier Sharp", drawn by Joe Colquhoun , about a cunning coward in World War II . Both strips transferred to Battle when Valiant was merged into it in 1976, with One-Eyed Jack leaving the police and becoming a spy. Wagner then quit editorial and returned to freelance writing. In 1976–77 he wrote " Darkie's Mob " for Battle ,
12772-422: The use of non-traditional contractual arrangements, including the dramatic rise of creator-owned projects, leading to a significant increase in critically lauded work (much of it for Vertigo) and the licensing of material from other companies. DC also increased publication of book-store friendly formats, including trade paperback collections of individual serial comics, as well as original graphic novels . One of
12896-401: The writers and artists who had worked for DC without receiving much recognition during the early age of comic books when individual credits were rare. The comics industry experienced a brief boom in the early 1990s, thanks to a combination of speculative purchasing—mass purchase of the books as collectible items, with the intention to resell at a higher value (as the rising value of older issues
13020-412: Was alienating much of his company's creative staff with his authoritarian manner and major talents there went to DC like Roy Thomas , Gene Colan , Marv Wolfman , and George Pérez . In addition, emulating the era's new television form, the miniseries while addressing the matter of an excessive number of ongoing titles fizzling out within a few issues of their start, DC created the industry concept of
13144-444: Was charging fifteen cents. At this time, the senior DC staff were reportedly unable to explain how this small publishing house was achieving its increasingly threatening commercial strength. For instance, when Marvel's product was examined in a meeting, the emphasis on more sophisticated character-based narrative and artist-driven visual storytelling was apparently overlooked. Instead, superficial reasons were put forward to account for
13268-628: Was featured in Detective Comics No. 20 (October 1938). This character is known to be the first masked vigilante published by DC. An unnamed "office boy", retconned as Jimmy Olsen 's first appearance, was revealed in a Superman story by Siegel and Shuster in Action Comics No. 6 (November 1938). Starting in 1939, Siegel and Shuster's Superman was the first comic-derived character to appear in other formats, later featuring in his own newspaper comic strip , which first introduced his biological parents Jor-El and Lara . All-American Publications' debut comic series, All-American Comics ,
13392-740: Was first named in a Superman newspaper strip around November 1939. Doll Man was the first superhero to be produced by Quality Comics , which DC now owns. Fawcett Comics was formed around 1939 and became DC's original competitor company over the next decade. At the end of 1944, All-American titles began using its own logo to distinguish it from the National comics. All-American Publications , an affiliate concern co-owned by Gaines and Liebowitz, merged with Detective Comics, Inc. on September 30, 1946, forming National Comics Publications . The previous year, in June 1945, Gaines had allowed Liebowitz to buy him out and had retained only Picture Stories from
13516-573: Was first published in April 1939. The series Detective Comics made history as being the first to feature Batman —a Bob Kane and Bill Finger creation—in issue No.27 (March 1939) with the request of more superhero titles. Batman was depicted as a masked vigilante who wore a caped suit known as the Batsuit and drove a car that was later referred to as the Batmobile . The Batman story also included
13640-581: Was forced out after the first year. Shortly afterwards, Detective Comics, Inc. purchased the remains of National Allied (also known as Nicholson Publishing) at a bankruptcy auction and absorbed it. Meanwhile, Max Gaines formed the sister company All-American Publications in 1939. Detective Comics, Inc. soon launched a new anthology title called Action Comics ; the first issue , cover dated June 1938, featured new characters such as Superman by Siegel and Shuster, Zatara by Fred Guardineer , and Tex Thompson by Ken Finch and Bernard Baily . Considered as
13764-418: Was highlighted by Marvel's superior sell-through percentage numbers which were typically 70% to DC's roughly 50%, meaning that DC's publications were barely making a profit after returns from the distributors were factored in, while Marvel was making a healthy profit by comparison. Also in 1961, both DC and Marvel increased their cover price from ten cents to twelve cents, while the rival publisher Dell Comics
13888-457: Was in response to Marvel's efforts to market their superhero line to college-aged adults. Infantino also recruited major talents such as ex-Marvel artist and Spider-Man co-creator Steve Ditko , and promising newcomers Neal Adams and Denny O'Neil , and he replaced some existing DC editors with artist-editors, including Joe Kubert and Dick Giordano , to give DC's output a more artistic critical eye. In 1967, National Periodical Publications
14012-424: Was made in 1992 by BBC Scotland starring Robbie Coltrane , but was not well received and a series was never made. Wagner and Grant made very little money out of it. Wagner felt that the screenwriter did a poor job adapting it, and Coltrane did not understand the character. 1995 saw the release of Judge Dredd , a big budget version of the comic directed by Danny Cannon and starring Sylvester Stallone . Wagner
14136-407: Was nominated for an Academy Award for Best Adapted Screenplay in 2005. It was reported in May 2012 that Danish director Nicolas Winding Refn was in talks with DreamWorks about a possible Button Man film. The 2023 Tamil movie, LEO, an official remake of the novel “A History of Violence” has put a thank you card at the beginning of the movie. There are rumours that the author Mr. Wagner nor
14260-470: Was plagiarized by Stan Lee to create The X-Men . There was also the young Jim Shooter who purposely emulated Marvel's writing when he wrote for DC after studying both companies' styles, such as for the Legion of Super-Heroes feature. In 1966, National Periodical Publications established its own television arm, led by Allen Ducovny, to develop and produce TV projects, with Superman TV Corporation handling
14384-456: Was purchased by Kinney National Company , which purchased Warner Bros.-Seven Arts in 1969. Kinney National spun off its non-entertainment assets in 1972 (as National Kinney Corporation ) and changed its name to Warner Communications Inc. In 1970, Jack Kirby moved from Marvel Comics to DC, at the end of the Silver Age of Comics , in which Kirby's contributions to Marvel played a large, integral role. As artist Gil Kane described: Jack
14508-463: Was shocked, and introduced written contracts and royalty payments for comic creators . One series Wagner and Grant did continue writing together was The Bogie Man , about an escaped mental patient who thinks he's Humphrey Bogart , or rather a composite of the characters he played, and constructs imaginary cases by associating random events with events in Bogart films. They had previously pitched
14632-405: Was sold to Robert Maxwell as Fleetway Publications . John Davidge was appointed as publishing director in 1989, and within a matter of weeks was confronted by Wagner, who emptied a large bag of Judge Dredd merchandise onto his desk, pointed out he had received no royalties for any of it, and threatened a creator walk-out over the issue. Davidge, whose background was in magazine and book publishing,
14756-475: Was the introduction of the fictional mansion known as Wayne Manor first seen in Detective Comics No. 28 (June 1939). The series Adventure Comics followed in the footsteps of Action Comics and Detective Comics by featuring a new recurring superhero called Sandman who first appeared in Adventure Comics No. 40 (July 1939). Action Comics No. 13 (June 1939) introduced
14880-417: Was the single most influential figure in the turnaround in Marvel's fortunes from the time he rejoined the company ... It wasn't merely that Jack conceived most of the characters that are being done, but ... Jack's point of view and philosophy of drawing became the governing philosophy of the entire publishing company and, beyond the publishing company, of the entire field ... [Marvel took] Jack and use[d] him as
15004-464: Was thought to imply that all comics would rise dramatically in price)—and several storylines gaining attention from the mainstream media. DC's extended storylines in which Superman was killed , Batman was crippled , and Green Lantern turned into the supervillain Parallax , resulted in dramatically increased sales. However, the increases were temporary, and sales dropped off as the industry went into
15128-421: Was to convince Bill Sarnoff, the head of Warner Publishing, to keep DC as a publishing concern, as opposed to simply managing their licensing of their properties. With that established, DC had attempted to compete with the now-surging Marvel by dramatically increasing its output and attempting to win the market by flooding it. This included launching series featuring such new characters as Firestorm and Shade,
15252-488: Was unhappy with the result, feeling they had filmed "the wrong script" and that "Stallone was badly advised". A second attempt at adapting the character to the screen, entitled Dredd , was released in September 2012, directed by Pete Travis from a script by Alex Garland , and starring Karl Urban . This time Wagner was consulted over the script, was involved in the promotion of the film, and has described it as "unlike
15376-449: Was unlike many comic book series before it. While DC Comics is now primarily associated with superhero comics , the genres in the first anthology titles consisted of funnies , Western comics , and adventure-related stories. The character Doctor Occult —created by Jerry Siegel and Joe Shuster in December 1935 and included in issue No. 6 of New Fun Comics —is considered to be the earliest recurring superhero created by DC that
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