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Bullets Over Broadway

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Janet R. Maslin (born August 12, 1949) is an American journalist, who served as a film critic for The New York Times from 1977 to 1999, serving as chief critic for the last six years, and then a literary critic from 2000 to 2015. In 2000, Maslin helped found the Jacob Burns Film Center in Pleasantville, New York . She is president of its board of directors.

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40-459: Bullets Over Broadway is a 1994 American black comedy crime film directed by Woody Allen , written by Allen and Douglas McGrath , and starring an ensemble cast including John Cusack , Dianne Wiest , Chazz Palminteri and Jennifer Tilly . Set in 1920s New York City , the film centers around a struggling playwright who is urged to cast the talentless girlfriend of a notorious mobster in his newest play in order to get it produced. The film

80-457: A New Baby". The musical closed on August 24, 2014, after 156 performances and 33 previews. Black comedy Black comedy , also known as black humor , bleak comedy , dark comedy , dark humor , gallows humor or morbid humor , is a style of comedy that makes light of subject matter that is generally considered taboo , particularly subjects that are normally considered serious or painful to discuss. Writers and comedians often use it as

120-405: A comic manner. Comedians like Lenny Bruce , who since the late 1950s have been labeled as using " sick comedy " by mainstream journalists, have also been labeled with "black comedy". Sigmund Freud , in his 1927 essay Humour ( Der Humor ), although not mentioning 'black humour' specifically, cites a literal instance of gallows humour before going on to write: "The ego refuses to be distressed by

160-514: A far ridere su un argomento talmente drammatico di cui si ride perché non c'è altra soluzione possibile, si ha quella che nei cabaret di Berlino degli Anni '20 veniva chiamata la "risata verde". È opportuno distinguere una satira ironica, che lavora per sottrazione, da una satira grottesca, che lavora per addizione. Questo secondo tipo di satira genera più spesso la risata verde. Ne erano maestri Kraus e Valentin. Janet Maslin Maslin graduated from

200-616: A man who grasped things by reason and never by feeling, and who enclosed himself in skepticism; [...] Swift can rightfully be considered the inventor of "savage" or "gallows" humor. Des termes parents du Galgenhumor sont: : comédie noire, plaisanterie macabre, rire jaune. (J'en offre un autre: gibêtises). humour macabre, humeur de désespéré, (action de) rire jaune Galgenhumor propos guilleret etwas freie, gewagte Äußerung Walter Redfern, discussing puns about death, remarks: 'Related terms to gallows humour are: black comedy, sick humour, rire jaune. In all, pain and pleasure are mixed, perhaps

240-543: A natural talent for playwriting, but is not interested in taking any credit. The cast members herald the revised script as genius, disparaging his initial draft as dull and pompous. Buoyed by their imminent success, David and the actors succumb to their vices. His partner, Ellen, catches him cheating on her with Helen. Warner indulges in overeating and begins an affair with Olive, which he attempts to break off when Cheech threatens his life. Growing increasingly frustrated with Olive's poor acting, Cheech tries to have her fired from

280-434: A positive response from critics. On the review aggregator website Rotten Tomatoes , the film holds an approval rating of 95% based on 60 reviews, with an average rating of 7.9/10. The website's critics consensus reads, "A gleefully entertaining backstage comedy, Bullets Over Broadway features some of Woody Allen's sharpest, most inspired late-period writing and direction." Janet Maslin of The New York Times described

320-399: A shared writing credit. In 1928, David Shayne is an idealistic young playwright newly arrived on Broadway from Pittsburgh. Desperate to gain financing for his play, God of Our Fathers , he is convinced by producer Julian Marx to cast actress Olive Neal, the girlfriend of gangster Nick Valenti, in a minor role. Compensating for his frustration with the demanding and talentless Olive, David

360-1308: A spese di chi è più ricco e potente di te. Io sono specialista nella risata verde, quella dei cabaret di Berlino degli anni Venti e Trenta. Nasce dalla disperazione. Esempio: l'Italia è un paese dove la commissione di vigilanza parlamentare Rai si comporta come la commissione stragi e viceversa. Oppure: il mistero di Ustica è irrisolto? Sono contento: il sistema funziona. racconto di satira grottesca [...] L'obiettivo del grottesco è far percepire l'orrore di una vicenda. Non è la satira cui siamo abituati in Italia: la si ritrova nel cabaret degli anni '20 e '30, poi è stata cancellata dal carico di sofferenze della guerra. Aggiungo che io avevo spiegato in apertura di serata che ci sarebbero stati momenti di satira molto diversi. Satira ironica, che fa ridere, e satira grottesca, che può far male. Perché porta alla risata della disperazione, dell'impotenza. La risata verde. Era forte, perché coinvolgeva in un colpo solo tutti i cardini satirici: politica, religione, sesso e morte. Quello che ho fatto è stato accentuare l'interazione tra gli elementi. Non era di buon gusto? Rabelais e Swift, che hanno esplorato questi lati oscuri della nostra personalità, non si sono mai posti il problema del buon gusto. Quando la satira poi riesce

400-610: A tool for exploring vulgar issues by provoking discomfort, serious thought, and amusement for their audience. Thus, in fiction , for example, the term black comedy can also refer to a genre in which dark humor is a core component. Cartoonist Charles Addams was famous for such humor, e.g. depicting a boy decorating his bedroom with stolen warning signs including "NO DIVING – POOL EMPTY", "STOP – BRIDGE OUT" and "SPRING CONDEMNED." Black comedy differs from both blue comedy —which focuses more on crude topics such as nudity , sex , and body fluids —and from straightforward obscenity . Whereas

440-459: A woman as the lead reviewer at The New York Times . In a 2005 interview with Aaron Aradillas at Rockcritics.com, Maslin explained she quit reviewing films because she experienced burnout, expressing gratitude it ended when it did. Filmmaker Harmony Korine , whose directorial debut feature Gummo (1997) Maslin famously called "worst film of the year", noted how Maslin stopped working as a movie critic not long after. From 1994 to 2003, Maslin

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480-620: Is an acknowledged coping mechanism. It has been encouraged within these professions to make note of the context in which these jokes are told, as outsiders may not react the way that those with mutual knowledge do. A 2017 study published in the journal Cognitive Processing concludes that people who appreciate dark humor "may have higher IQs, show lower aggression, and resist negative feelings more effectively than people who turn up their noses at it." Examples of black comedy in film include: Examples of black comedy in television include: Examples of gallows speeches include: Military life

520-429: Is full of gallows humor, as those in the services continuously live in the danger of being killed, especially in wartime. For example: Workers in the emergency services are also known for using black comedy: There are several titles such as It Only Hurts When I Laugh and Only When I Laugh , which allude to the punch line of a joke which exists in numerous versions since at least the 19th century. A typical setup

560-439: Is that someone badly hurt is asked "Does it hurt?" – "I am fine; it only hurts when I laugh." The term was part of the language before Freud wrote an essay on it—'gallows humor.' This is middle European humor, a response to hopeless situations. It's what a man says faced with a perfectly hopeless situation and he still manages to say something funny. Freud gives examples: A man being led out to be hanged at dawn says, 'Well,

600-482: Is thrilled to cast alcoholic faded star Helen Sinclair in the lead role, along with the dieting British thespian Warner Purcell. Rehearsals are soon thrown into chaos when Olive shows up escorted by Cheech, a mob henchman, who insists on watching rehearsals. Eventually Cheech starts giving notes on the script to David, who is initially angered by the intrusion but quickly realizes the ideas are excellent. Cheech, who barely learned to read before burning down his school, has

640-465: The Chicago Sun-Times praised, " Bullets Over Broadway shares a kinship with a more serious film by Allen, Crimes and Misdemeanors , in which a man committed murder and was able, somehow, to almost justify it. Now here is the comic side of the same coin. The movie is very funny and, in the way it follows its logic wherever it leads, surprisingly tough." The film grossed $ 13.4 million in

680-475: The University of Rochester in 1970 with a bachelor's degree in mathematics. Maslin began her career as a rock music critic for The Boston Phoenix and became a film editor and critic for that publication. She also worked as a freelancer for Rolling Stone and worked at Newsweek . Maslin became a film critic for The New York Times in 1977. From December 1, 1994, she replaced Vincent Canby as

720-665: The 1920s and 1930s. The new musical premiered on Broadway at the St. James Theatre on April 10, 2014. A staged reading was held in June 2013. The cast features Zach Braff as David Shayne, Brooks Ashmanskas , Betsy Wolfe, Lenny Wolpe , and Vincent Pastore. Marin Mazzie stars as Helen Sinclair, and Karen Ziemba appears as Eden Brent. Musical supervisor Glen Kelly has adapted and written additional lyrics for songs including "Tain't Nobody's Bus'ness", "Running Wild", "Let's Misbehave", and "I Found

760-628: The 22nd floor of 5 Tudor City Place in Manhattan . The film's title may have been an homage to a lengthy sketch of the same title from the 1950s television show Caesar's Hour ; one of Allen's first jobs in television was writing for Sid Caesar specials after the initial run of the show. The film featured the last screen appearance of Benay Venuta . Allen cast her in a cameo role as a well-wishing wealthy theatre patron. She died of lung cancer in September 1995. Bullets Over Broadway received

800-604: The French humour noir ) was coined by the Surrealist theorist André Breton in 1935 while interpreting the writings of Jonathan Swift . Breton's preference was to identify some of Swift's writings as a subgenre of comedy and satire in which laughter arises from cynicism and skepticism , often relying on topics such as death. Breton coined the term for his 1940 book Anthology of Black Humor ( Anthologie de l'humour noir ), in which he credited Jonathan Swift as

840-574: The United States and Canada and $ 24.1 million internationally for a worldwide total of $ 37.5 million. Allen adapted the film as a stage jukebox musical , titled Bullets Over Broadway the Musical . The musical is directed and choreographed by Susan Stroman , produced by Julian Schlossberg and Allen's younger sister Letty Aronson , with a score from the American songbook using songs from

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880-465: The chief film critic. Maslin continued to review films for The Times until 1999, when she briefly left the newspaper. Her film criticism career, including her embrace of American independent cinema , is discussed in the documentary For the Love of Movies: The Story of American Film Criticism (2009). In the documentary, Entertainment Weekly critic Lisa Schwarzbaum recalls the excitement of having

920-445: The comedy is used to mock the victim. In the last cases, the victim's suffering is trivialized, which leads to sympathizing with the victimizer, as analogously found in the social commentary and social criticism of the writings of (for instance) Sade . Among the first American writers who employed black comedy in their works were Nathanael West and Vladimir Nabokov . The concept of black humor first came to nationwide attention after

960-505: The day is certainly starting well.' It's generally called Jewish humor in this country. Actually it's humor from the peasants' revolt, the forty years' war, and from the Napoleonic wars. It's small people being pushed this way and that way, enormous armies and plagues and so forth, and still hanging on in the face of hopelessness. Jewish jokes are middle European jokes and the black humorists are gallows humorists, as they try to be funny in

1000-890: The definitive recipe for all punning' (Puns, p. 127). En français on dit « rire jaune », en flamand « groen lachen » Les termes jaune, vert, bleu évoquent en français un certain nombre d'idées qui sont différentes de celles que suscitent les mots holandais correspondants geel, groen, blauw. Nous disons : rire jaune, le Hollandais dit : rire vert ( groen lachen ); ce que le Néerlandais appelle un vert (een groentje), c'est ce qu'en français on désigne du nom de bleu (un jeune soldat inexpéribenté)... On voit que des confrontations de ce genre permettent de concevoir une étude de la psychologie des peuples fondée sur les associations d'idées que révèlent les variations de sens (sémantique), les expressions figurées, les proverbes et les dictions. Q: Critiche feroci, interrogazioni parlamentari: momenti duri per la satira. A: Satira è far ridere

1040-399: The face of situations which they see as just horrible. At least, Swift's text is preserved, and so is a prefatory note by the French writer André Breton, which emphasizes Swift's importance as the originator of black humor, of laughter that arises from cynicism and scepticism. When it comes to black humor, everything designates him as the true initiator. In fact, it is impossible to coordinate

1080-487: The film as "a bright, energetic, sometimes side-splitting comedy with vital matters on its mind, precisely the kind of sharp-edged farce [Allen] has always done best." Todd McCarthy of Variety similarly called it "a backstage comedy bolstered by healthy shots of prohibition gangster melodrama and romantic entanglements" and wrote, "In its mixing of showbiz and gangsters, this is a nice companion piece to Allen's Broadway Danny Rose , and about as amusing." Roger Ebert of

1120-550: The fugitive traces of this kind of humor before him, not even in Heraclitus and the Cynics or in the works of Elizabethan dramatic poets. [...] historically justify his being presented as the first black humorist. Contrary to what Voltaire might have said, Swift was in no sense a "perfected Rabelais." He shared to the smallest possible degree Rabelais's taste for innocent, heavy-handed jokes and his constant drunken good humor. [...]

1160-439: The joke: whether the joke is being told by the threatened person themselves or by someone else. Black comedy has the social effect of strengthening the morale of the oppressed and undermines the morale of the oppressors. According to Wylie Sypher , "to be able to laugh at evil and error means we have surmounted them." Black comedy is a natural human instinct and examples of it can be found in stories from antiquity. Its use

1200-450: The originator of black humor and gallows humor (particularly in his pieces Directions to Servants (1731), A Modest Proposal (1729), Meditation Upon a Broomstick (1710), and in a few aphorisms ). In his book, Breton also included excerpts from 45 other writers, including both examples in which the wit arises from a victim with which the audience empathizes, as is more typical in the tradition of gallows humor, and examples in which

1240-695: The particular type of laughter that it arouses ( risata verde or groen lachen ), and said that grotesque satire , as opposed to ironic satire, is the one that most often arouses this kind of laughter. In the Weimar era Kabaretts , this genre was particularly common, and according to Luttazzi, Karl Valentin and Karl Kraus were the major masters of it. Black comedy is common in professions and environments where workers routinely have to deal with dark subject matter. This includes police officers , firefighters , ambulance crews, military personnel, journalists, lawyers, and funeral directors , where it

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1280-410: The play is being performed, shooting him. With his dying words, Cheech gives David a new final line for the play. The play is a critical and commercial success, but David skips the after-party to confront Flender. He confesses his lack of talent and proposes marriage to Ellen, who accepts his newfound desire to leave high society and move back to Pittsburgh. The film's locales include the duplex co-op on

1320-516: The production. After David reminds him he cannot get rid of Olive, Cheech murders her and dumps her body in a river. Olive's murder is widely assumed to be part of an inter-gang conflict, but David immediately senses the truth and argues with Cheech. Regretting his mistakes, David is dismayed to learn that Ellen is leaving him for his hedonistic Marxist friend Sheldon Flender. On opening night, Valenti accuses Cheech of Olive's murder, which he denies. Henchmen Rocco and Aldo chase Cheech backstage while

1360-399: The provocations of reality, to let itself be compelled to suffer. It insists that it cannot be affected by the traumas of the external world; it shows, in fact, that such traumas are no more than occasions for it to gain pleasure." Some other sociologists elaborated this concept further. At the same time, Paul Lewis warns that this "relieving" aspect of gallows jokes depends on the context of

1400-476: The publication of a 1965 mass-market paperback titled Black Humor , edited by Bruce Jay Friedman . The paperback was one of the first American anthologies devoted to the concept of black humor as a literary genre. With the paperback, Friedman labeled as "black humorists" a variety of authors, such as J. P. Donleavy , Edward Albee , Joseph Heller , Thomas Pynchon , John Barth , Vladimir Nabokov, Bruce Jay Friedman himself, and Louis-Ferdinand Céline . Among

1440-504: The recent writers suggested as black humorists by journalists and literary critics are Roald Dahl , Kurt Vonnegut , Warren Zevon , Christopher Durang , Philip Roth , and Veikko Huovinen . Evelyn Waugh has been called "the first contemporary writer to produce the sustained black comic novel." The motive for applying the label black humorist to the writers cited above is that they have written novels, poems, stories, plays, and songs in which profound or horrific events were portrayed in

1480-454: The term black comedy is a relatively broad term covering humour relating to many serious subjects, gallows humor tends to be used more specifically in relation to death, or situations that are reminiscent of dying. Black humour can occasionally be related to the grotesque genre. Literary critics have associated black comedy and black humour with authors as early as the ancient Greeks with Aristophanes . The term black humour (from

1520-451: Was a frequent guest on Charlie Rose with 61 appearances on the program. From 2000 she worked as a book reviewer for The New York Times ; from 2015 as a contributor as opposed to being their full-time critic. As of 2023 , Maslin continues to review books for the newspaper, albeit sparsely. In her review for Dennis Lehane 's novel Small Mercies , she speculated it might be the author's last concluding with "As epitaphs go, you could do

1560-431: Was nominated for seven Academy Awards , including Allen for Best Director , Allen and McGrath for Best Original Screenplay , Palminteri for Best Supporting Actor , and both Tilly and Wiest for Best Supporting Actress , with the latter winning for her performance, the second time Allen directed her to an Academy Award. Considered one of his best works, Bullets Over Broadway is the most recent film directed by Allen with

1600-603: Was widespread in middle Europe , from where it was imported to the United States. It is rendered with the German expression Galgenhumor (cynical last words before getting hanged ). The concept of gallows humor is comparable to the French expression rire jaune (lit. yellow laughing ), which also has a Germanic equivalent in the Belgian Dutch expression groen lachen (lit. green laughing ). Italian comedian Daniele Luttazzi discussed gallows humour focusing on

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