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J. Paul Getty Museum

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Kore  ( Greek : κόρη "maiden"; plural  korai ) is the modern term given to a type of free-standing  ancient Greek sculpture  of the  Archaic period  depicting female figures, always of a young age. Kouroi  are the youthful male equivalent of kore statues.

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68-699: The J. Paul Getty Museum , commonly referred to as the Getty , is an art museum in Los Angeles , California housed on two campuses: the Getty Center and Getty Villa . It is operated by the J. Paul Getty Trust , the world's wealthiest art institution. The Getty Center is located in the Brentwood neighborhood of Los Angeles and features pre-20th-century European paintings, drawings, illuminated manuscripts, sculpture, decorative arts, and photographs from

136-470: A sword , could be hired from shops outside. The treasuries of cathedrals and large churches, or parts of them, were often set out for public display and veneration. Many of the grander English country houses could be toured by the respectable for a tip to the housekeeper, during the long periods when the family were not in residence. Special arrangements were made to allow the public to see many royal or private collections placed in galleries, as with most of

204-537: A bequest. The Kunstmuseum Basel , through its lineage which extends back to the Amerbach Cabinet , which included a collection of works by Hans Holbein the Younger and purchased by the city of Basel in 1661, is considered to be the first museum of art open to the public in the world. In the second half of the 18th century, many private collections of art were opened to the public, and during and after

272-449: A collaboration of museums and galleries that are more interested with the categorization of art. They are interested in the potential use of folksonomy within museums and the requirements for post-processing of terms that have been gathered, both to test their utility and to deploy them in useful ways. The steve.museum is one example of a site that is experimenting with this collaborative philosophy. The participating institutions include

340-496: A kore used as a votive offering is the Antenor Kore that was dedicated by Nearkhos . Ancient Greeks also used korai for funerary purposes. They were grave markers and offerings for the deceased. It is suggested by historians that the funerary kore portray the appearance of the dead. This became evident with their names being inscribed on the bases of the statues. An example would be the statue of Phrasikleia unearthed from

408-433: A major factor in social mobility (for example, getting a higher-paid, higher-status job). The argument states that certain art museums are aimed at perpetuating aristocratic and upper class ideals of taste and excludes segments of society without the social opportunities to develop such interest. The fine arts thus perpetuate social inequality by creating divisions between different social groups. This argument also ties in with

476-609: A marble votive relief dating from about 490 BC were also returned. In November 2006, the director of the museum, Michael Brand , announced that 26 disputed pieces were to be returned to Italy, but not the Victorious Youth , which is still claimed by the Italian authorities. In 2007, the Los Angeles J. Paul Getty Museum was forced to return 40 artifacts, including a 5th-century BC statue of the goddess Aphrodite , which

544-402: A number of online art catalogues and galleries that have been developed independently of the support of any individual museum. Many of these, like American Art Gallery, are attempts to develop galleries of artwork that are encyclopedic or historical in focus, while others are commercial efforts to sell the work of contemporary artists. A limited number of such sites have independent importance in

612-521: A torso of the god Mithra from the 2nd-century AD, and the head of a youth by the Greek sculptor Polykleitos . In 2016, the terracotta head of the Greek god Hades was returned to Sicily ( Italy ). The archaeological artifact was looted from Morgantina in the 1970s. The Getty museum purchased the terracotta head of Hades in 1985 from the New York collector Maurice Tempelsman, who had purchased it from

680-567: Is a building or space for the display of art , usually from the museum 's own collection . It might be in public or private ownership, be accessible to all, or have restrictions in place. Although primarily concerned with visual art , art museums are often used as a venue for other cultural exchanges and artistic activities, such as lectures, jewelry, performance arts , music concerts, or poetry readings. Art museums also frequently host themed temporary exhibitions, which often include items on loan from other collections. An institution dedicated to

748-424: Is an aesthetic misconception that the sculptures were pure white marble. Since the times of Michelangelo, it has been believed that ancient Greek and Roman sculptures were sculpted to be only white marble. This stereotype influenced many viewers of ancient art and created biases. Johann Joachim Winckelmann , who pioneered the study of Greco-Roman art history in 1755, held the belief that color in ancient sculpture

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816-695: Is generally considered to have been the first art museum in the United States. It was originally housed in the Renwick Gallery , built in 1859. Now a part of the Smithsonian Institution , the Renwick housed William Wilson Corcoran 's collection of American and European art. The building was designed by James Renwick Jr. and finally completed in 1874. It is located at 1661 Pennsylvania Avenue NW. Renwick designed it after

884-559: Is provided by a dedicated print room located within the museum. Murals or mosaics often remain where they have been created ( in situ ), although many have also been removed to galleries. Various forms of 20th-century art, such as land art and performance art , also usually exist outside a gallery. Photographic records of these kinds of art are often shown in galleries, however. Most museums and large art galleries own more works than they have room to display. The rest are held in reserve collections , on or off-site. A sculpture garden

952-620: Is quite certainly the most important that was in private hands." In 1997, the museum moved to its current location in the Brentwood neighborhood of Los Angeles. The Malibu museum, renamed the " Getty Villa ", was renovated and reopened in 2006. Many museums turned to their existing social media presences to engage their audience online during the COVID-19 pandemic . Inspired by the Rijksmuseum in Amsterdam and Instagram accounts such as

1020-557: Is similar to an art gallery, presenting sculpture in an outdoor space. Sculpture has grown in popularity with sculptures installed in open spaces on both a permanent and temporary basis. Most larger paintings from about 1530 onwards were designed to be seen either in churches or palaces, and many buildings built as palaces now function successfully as art museums. By the 18th century additions to palaces and country houses were sometimes intended specifically as galleries for viewing art, and designed with that in mind. The architectural form of

1088-502: Is to shape identity and memory, cultural heritage, distilled narratives and treasured stories. Many art museums throughout history have been designed with a cultural purpose or been subject to political intervention. In particular, national art galleries have been thought to incite feelings of nationalism . This has occurred in both democratic and non-democratic countries, although authoritarian regimes have historically exercised more control over administration of art museums. Ludwig Justi

1156-768: The Alte Pinakothek , Munich) was opened to the public in 1779 and the Medici collection in Florence around 1789 (as the Uffizi Gallery). The opening of the Musée du Louvre during the French Revolution in 1793 as a public museum for much of the former French royal collection marked an important stage in the development of public access to art by transferring the ownership to a republican state; but it

1224-649: The French Revolution and Napoleonic Wars , many royal collections were nationalized, even where the monarchy remained in place, as in Spain and Bavaria . In 1753, the British Museum was established and the Old Royal Library collection of manuscripts was donated to it for public viewing. In 1777, a proposal to the British government was put forward by MP John Wilkes to buy the art collection of

1292-772: The Guggenheim Museum in New York City by Frank Lloyd Wright , the Guggenheim Museum Bilbao by Frank Gehry , Centre Pompidou-Metz by Shigeru Ban , and the redesign of the San Francisco Museum of Modern Art by Mario Botta . Some critics argue these galleries defeat their purposes because their dramatic interior spaces distract the eye from the paintings they are supposed to exhibit. Museums are more than just mere 'fixed structures designed to house collections.' Their purpose

1360-592: The Guggenheim Museum , the Cleveland Museum of Art , the Metropolitan Museum of Art , and the San Francisco Museum of Modern Art . There are relatively few local/regional/national organizations dedicated specifically to art museums. Most art museums are associated with local/regional/national organizations for the arts , humanities or museums in general. Many of these organizations are listed as follows: Kore (sculpture) Korai show

1428-551: The Late Medieval period onwards, areas in royal palaces, castles , and large country houses of the social elite were often made partially accessible to sections of the public, where art collections could be viewed. At the Palace of Versailles , entrance was restricted to people of certain social classes who were required to wear the proper apparel, which typically included the appropriate accessories, silver shoe buckles and

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1496-540: The National Museum of Western Art in Tokyo . The phrase "art gallery" is also sometimes used to describe businesses which display art for sale, but these are not art museums. Throughout history, large and expensive works of art have generally been commissioned by religious institutions or political leaders and been displayed in temples, churches, and palaces . Although these collections of art were not open to

1564-624: The Papacy , while the Vatican Museums , whose collections are still owned by the Pope, trace their foundation to 1506, when the recently discovered Laocoön and His Sons was put on public display. A series of museums on different subjects were opened over subsequent centuries, and many of the buildings of the Vatican were purpose-built as galleries. An early royal treasury opened to the public

1632-553: The mystification of fine arts . Research suggests that the context in which an artwork is being presented has significant influence on its reception by the audience, and viewers shown artworks in a museum rated them more highly than when displayed in a "laboratory" setting Most art museums have only limited online collections, but a few museums, as well as some libraries and government agencies, have developed substantial online catalogues. Museums, libraries, and government agencies with substantial online collections include: There are

1700-471: The "divinities" theory and "agalmata" theory. The "divinities" theory suggests that the korai represent goddesses, nymphs, and other types of female deities. This theory could only be true for some of the statues. The problem historians have with this theory is that not all of the statues share similar characteristics. If they represented a specific deity, then each kore would share traits to identify them as that particular individual. This became evident about

1768-401: The 1970s, a number of political theorists and social commentators have pointed to the political implications of art museums and social relations. Pierre Bourdieu , for instance, argued that in spite the apparent freedom of choice in the arts, people's artistic preferences (such as classical music, rock, traditional music) strongly tie in with their social position. So called cultural capital is

1836-476: The Acropolis, Athena. The evidence leans toward the goddess Artemis, but without the true coloring it is difficult to say for sure. The Phrasikleia Kore is another example of polychromy being an important part of the korai. When the sculptor designed this kore, the marble was incised, creating a light relief of a pattern. This is evident with the rosette and meander patterning in the dress. The technique used

1904-572: The Dutch Tussen Kunst & Quarantaine ("between art and quarantine") and Covid Classics , the Getty sponsored the Getty Museum Challenge , inviting people to use everyday objects to recreate works of art and share their creations on social media, prompting thousands of submissions. The museum was among those singled out for particular praise by industry analysts for their successful social media content strategy during

1972-492: The Getty's board of directors. True is currently under investigation by Greek authorities over the acquisition of a 2,500-year-old funerary wreath, that was illegally excavated and smuggled outside of Greece. The wreath, along with a 6th-century BC statue of a kore , have been returned to Greece and are currently exhibited at the Archaeological Museum of Thessaloniki . A 2,400-year-old, black limestone stele and

2040-544: The Getty, suspending all cultural cooperation," did the J. Paul Getty Museum return the antiquities. In another unrelated case in 1999, the Getty Museum had to hand over three antiquities to Italy after determining they were stolen. The objects included a Greek red-figure kylix from the 5th-century BC, signed by the painter Onesimos and the potter Euphronios as potter, looted from the Etruscan site of Cerveteri ;

2108-450: The Greek authorities. The primary evidence in the case came from the 1995 raid of a Geneva , Switzerland , warehouse which had contained a fortune in stolen artifacts. Italian art dealer Giacomo Medici was arrested in 1997. His operation was thought to be "one of the largest and most sophisticated antiquities networks in the world, responsible for illegally digging up and spiriting away thousands of top-drawer pieces and passing them on to

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2176-559: The London dealer Robin Symes. Getty records show the museum paid $ 530,000 for it. In December 2016, the head of Hades was added to the collection of the archaeological museum of Aidone , where it joined the statue of Demeter , the mother of his consort Persephone . Sicilian archaeologists found a blue curl that was missing from Hades' beard, and so it proved the origin of the terracotta head. Art museum An art museum or art gallery

2244-602: The Louvre's Tuileries addition. At the time of its construction, it was known as "the American Louvre". University art museums and galleries constitute collections of art developed, owned, and maintained by all kinds of schools, community colleges, colleges, and universities. This phenomenon exists in the West and East, making it a global practice. Although easily overlooked, there are over 700 university art museums in

2312-683: The Marxist theory of mystification and elite culture . Furthermore, certain art galleries, such as the National Gallery in London and the Louvre in Paris are situated in buildings of considerable emotional impact. The Louvre in Paris is for instance located in the former Royal Castle of the ancient regime , and is thus clearly designed with a political agenda. It has been argued that such buildings create feelings of subjugation and adds to

2380-645: The Meogeia plain in Attica. The statue marked the grave of a young unwed girl according to the inscription found on the base. Whether korai were given as votive offerings or grave markers, according to historian Robin Osborne, they were allegoric symbols as “tokens of exchange”. Unlike the nude and distant kouroi, korai are completely clothed and engage with their viewer. Their arm is extended and offers gifts of fruit, flowers, and birds. Patrons used korai as offerings to

2448-540: The Nikandre Kore as a statue of Artemis. The agalmata theory proposes that many korai are generic maidens who represent the Archaic ideal of female beauty. Those maidens could be the priestesses, the donor of the statue, or young girls who served the goddess. The agalmata theory accepts that some, but not all of the korai might be goddesses or other female divinities. Art historian Jeffery M. Hurwit suggests that

2516-536: The US alone. This number, compared to other kinds of art museums, makes university art museums perhaps the largest category of art museums in the country. While the first of these collections can be traced to learning collections developed in art academies in Western Europe, they are now associated with and housed in centers of higher education of all types. The word gallery being originally an architectural term,

2584-433: The active lending-out of a museum's collected objects in order to enhance education at schools and to aid in the cultural development of individual members of the community. Finally, Dana saw branch museums throughout a city as a good method of making sure that every citizen has access to its benefits. Dana's view of the ideal museum sought to invest a wider variety of people in it, and was self-consciously not elitist. Since

2652-418: The art world. The large auction houses, such as Sotheby's , Bonhams , and Christie's , maintain large online databases of art which they have auctioned or are auctioning. Bridgeman Art Library serves as a central source of reproductions of artwork, with access limited to museums, art dealers , and other professionals or professional organizations. There are also online galleries that have been developed by

2720-611: The city of Athens including the Acropolis and many of its statues. After the attack the Athenians buried the korai, whether or not they were broken, in "graveyards" on the Acropolis (see: Perserschutt ). It was believed they did this to rid the reminder of the act of barbarianism done by the Persians and allow Athens to rebuild. The kore statue had two main purposes. Korai were used as votive offerings to deities, mainly goddesses such as Athena and Artemis. Both men and women offered

2788-420: The deities or the dead. Korai symbolize their function by narrating the scene of exchange. Identification has not been an easy task because of time or the lack of context for many korai. It has been difficult for historians and scholars to determine the identities of the korai statues, but they have theories of whom they might be. There are two theories that many historians are in agreement on for identification:

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2856-664: The display of art can be called an art museum or an art gallery, and the two terms may be used interchangeably. This is reflected in the names of institutions around the world, some of which are considered art galleries, such as the National Gallery in London and Neue Nationalgalerie in Berlin , and some of which are considered museums, including the Metropolitan Museum of Art and the Museum of Modern Art in New York City and

2924-695: The display rooms in museums are often called public galleries . Also frequently, a series of rooms dedicated to specific historic periods (e.g. Ancient Egypt ) or other significant themed groupings of works (e.g. the gypsotheque or collection of plaster casts as in the Ashmolean Museum ) within a museum with a more varied collection are referred to as specific galleries, e.g. Egyptian Gallery or Cast Gallery . Works on paper, such as drawings , pastels , watercolors , prints , and photographs are typically not permanently displayed for reasons of conservation . Instead, public access to these materials

2992-704: The entire building solely intended to be an art gallery was arguably established by Sir John Soane with his design for the Dulwich Picture Gallery in 1817. This established the gallery as a series of interconnected rooms with largely uninterrupted wall spaces for hanging pictures and indirect lighting from skylights or roof lanterns . The late 19th century saw a boom in the building of public art galleries in Europe and America, becoming an essential cultural feature of larger cities. More art galleries rose up alongside museums and public libraries as part of

3060-491: The founder of the Newark Museum , saw the traditional art museum as a useless public institution, one that focused more on fashion and conformity rather than education and uplift. Indeed, Dana's ideal museum would be one best suited for active and vigorous use by the average citizen, located near the center of their daily movement. In addition, Dana's conception of the perfect museum included a wider variety of objects than

3128-424: The general public, they were often made available for viewing for a section of the public. In classical times , religious institutions began to function as an early form of art gallery. Wealthy Roman collectors of engraved gems and other precious objects, such as Julius Caesar , often donated their collections to temples. It is unclear how easy it was in practice for the public to view these items. In Europe, from

3196-476: The generic maidens were symbols for ideal beauty that embellished the sanctuaries and pleased the deities. Their presence is meant to be a delightful gift for spectators to gaze upon. The main idea for the patrons was that if the korai were pleasurable to look at, then it would please the deity as well.  Originally, many of the korai were polychrome . Greeks used color to depict narrative value, characterize individuals, and create meaning behind korai. Color

3264-685: The inception of photography through present day from all over the world. The original Getty museum, the Getty Villa, is located in the Pacific Palisades neighborhood of Los Angeles and displays art from Ancient Greece , Rome , and Etruria . In 1974, J. Paul Getty opened a museum in a re-creation of the Villa of the Papyri at Herculaneum on his property in Malibu, California . In 1982,

3332-454: The korai found at the Acropolis in Athens. Not all of the korai could be identified as Athena, the patron goddess, because of their unique characteristics. According to Henri Lechat, in order for all of the korai to be goddesses, they would all be different female deities. That would be more divine beings than Greeks had in their pantheon . However, some of the korai are divine figures, such as

3400-409: The kore statues. Korai not only acted as an offering to a deity, but could be used to show off economic and social standing within a polis . How elaborate the statue was, varied. Korai demonstrated individual wealth and status because they were fairly expensive to create and limited to the upper class. To indicate their wealth, elite Greeks had their statues decorated in paint and jewels. An example of

3468-707: The late Sir Robert Walpole , who had amassed one of the greatest such collections in Europe , and house it in a specially built wing of the British Museum for public viewing. After much debate, the idea was eventually abandoned due to the great expense, and twenty years later, the collection was bought by Tsaritsa Catherine the Great of Russia and housed in the State Hermitage Museum in Saint Petersburg . The Bavarian royal collection (now in

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3536-572: The monarch, and the first purpose-built national art galleries were the Dulwich Picture Gallery , founded in 1814 and the National Gallery, London opened to the public a decade later in 1824. Similarly, the National Gallery in Prague was not formed by opening an existing royal or princely art collection to the public, but was created from scratch as a joint project of some Czech aristocrats in 1796. The Corcoran Gallery of Art in Washington, D.C.

3604-605: The most elite end of the international art market". In 2005 True was forced to tender her resignation by the Board of Trustees, which announced her early retirement. Italy allowed the statute of limitations of the charges filed against her to expire in October 2010. In a letter to the J. Paul Getty Trust in December 2006, True stated that she was being made to "carry the burden" for practices which were known, approved, and condoned by

3672-523: The municipal drive for literacy and public education. Over the middle and late twentieth century, earlier architectural styles employed for art museums (such as the Beaux-Arts style of the Metropolitan Museum of Art in New York City or the Gothic and Renaissance Revival architecture of Amsterdam's Rijksmuseum) succumbed to modern styles , such as Deconstructivism . Examples of this trend include

3740-588: The museum became the richest in the world when it inherited US$ 1.2 billion. In 1983, after an economic downturn in West Germany , the Getty Museum acquired 144 illuminated medieval manuscripts from the financially struggling Ludwig Collection in Aachen . In 1996, John Russell , writing in The New York Times , said of the collection, "One of the finest holdings of its kind ever assembled, it

3808-602: The paintings of the Orleans Collection , which were housed in a wing of the Palais-Royal in Paris and could be visited for most of the 18th century. In Italy, the art tourism of the Grand Tour became a major industry from the 18th century onwards, and cities made efforts to make their key works accessible. The Capitoline Museums began in 1471 with a donation of classical sculpture to the city of Rome by

3876-495: The restrained " archaic smile ", which did not demonstrate emotion. It was the symbol of the ideal, transcending the hardships of the world. Unlike the nude kouroi, korai are depicted in thick and sometimes elaborate drapery. As fashions changed, so did the type of clothing they wore. Over time, korai went from the heavy peplos to lighter garments such as the chiton . Their posture is rigid and column-like, sometimes with an extended arm. Some korai were painted colorfully to enhance

3944-463: The shutdown, both for the challenge and for incorporating its works into the popular video game Animal Crossing . In the 1970s and 1980s, the curator, Jiří Frel , designed a tax manipulation scheme which expanded the museum collection of antiquities, essentially buying artifacts of dubious provenance, as well as a number of artifacts generally considered fakes, such as the Getty kouros . In 1984, Frel

4012-399: The traditional art museum, including industrial tools and handicrafts that encourage imagination in areas traditionally considered mundane. This view of the art museum envisions it as one well-suited to an industrial world, indeed enhancing it. Dana viewed paintings and sculptures as much less useful than industrial products, comparing the museum to a department store. In addition, he encouraged

4080-484: The visual impact of the garments and for narrative purposes. There are multiple theories on whether the korai represent mortals or deities. Korai also functioned as offerings to the deities or the dead. The duration of the Archaic korai lasted between about sixth century to fifth century BC. Similar to the kouroi, historians believe that the korai was influenced by Egyptian convention. Since ancient Greeks and Egyptians had relations with one another, artistic influence

4148-626: Was a continuation of trends already well established. The building now occupied by the Prado in Madrid was built before the French Revolution for the public display of parts of the royal art collection, and similar royal galleries were opened to the public in Vienna , Munich and other capitals. In Great Britain, however, the corresponding Royal Collection remained in the private hands of

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4216-461: Was common among sculptors when planning out the coloring of the finished product. Color was also an indicator of wealth. The more prestigious the use of color indicated a higher social position due to the high cost of dyes. Clothes in bright colors were more expensive. In addition, color was used to depict jewelry or gems graphically on a kore. If the patron was wealthy, the sculptors could use jewelry and metals as aspects of their sculpture. There

4284-402: Was demoted, and in 1986, he resigned. The Getty is involved in a controversy regarding proper title to some of the artwork in its collection. The museum's previous curator of antiquities , Marion True , hired by Frel, was indicted in Italy in 2005, along with famed dealer Robert E. Hecht , on criminal charges relating to trafficking in stolen antiquities. Similar charges have been addressed by

4352-492: Was for example dismissed as director of the Alte Nationalgalerie (Old National Gallery) in Berlin in 1933 by the new Nazi authorities for not being politically suitable. The question of the place of the art museum in its community has long been under debate. Some see art museums as fundamentally elitist institutions, while others see them as institutions with the potential for societal education and uplift. John Cotton Dana , an American librarian and museum director, as well as

4420-446: Was looted from Morgantina , an ancient Greek settlement in Sicily . The Getty Museum resisted the requests of the Italian government for nearly two decades, only to admit later that "there might be 'problems'" attached to the acquisition." In 2006, Italian senior cultural official Giuseppe Proietti said: "The negotiations haven't made a single step forward." Only after he suggested the Italian government "to take cultural sanctions against

4488-459: Was possible. Korai have been found throughout Greece, such as in Athens , Ionia , Cyclades , and Corinth . This demonstrates that korai were not regionally isolated. The largest excavation of korai was at the Acropolis of Athens in the 1880s. They served their purpose as votive offerings to the patron goddess, Athena, on the Acropolis throughout the sixth and early fifth century BC. However, in 480/479 BC, Persians attacked and desecrated

4556-406: Was the Green Vault of the Kingdom of Saxony in the 1720s. Privately funded museums open to the public began to be established from the 17th century onwards, often based around a collection of the cabinet of curiosities type. The first such museum was the Ashmolean Museum in Oxford , opened in 1683 to house and display the artefacts of Elias Ashmole that were given to Oxford University in

4624-419: Was used to create patterns on the clothing of the korai. One example of patterning is seen on the Peplos Kore . Historians originally believed that the Peplos Kore was wearing a regular peplos, but in fact she was wearing an ependytes with animal friezes. This type of Oriental prestige garment was usually reserved for goddesses. Art historians debate whether the Peplos Kore is Artemis or the patron goddess of

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