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44-621: Gidget Gets Married is a 1972 American made-for television comedy film produced by Screen Gems for ABC . It was written by John McGreevey, directed by E.W. Swackhamer and starred Monie Ellis as Gidget . Now that Jeff has completed his military service and landed a lucrative job as an engineer, he and Gidget marry and move to Woodlake, Florida , where his new job is. Gidget finds that Jeff's company exerts far too much control over their lives, deciding where they will live and even choosing their friends for them. Gidget 's rebellion against this lands Jeff in hot water, and their marriage

88-527: A multiple-camera setup , but are written to be easily broken up into individual 30- or 60-minute episodes for syndication . Many such movies relocate the cast of the show to an exotic overseas setting. However, although they may be advertised as movies, they are really simply extended episodes of television shows, such as the pilots and the finales of Star Trek: The Next Generation , Star Trek: Deep Space Nine and Star Trek: Voyager . Most of these are made and shown during sweeps period in order to attract

132-655: A "fatalistic masterpiece" and "a touchstone for the sci-fi genre" which spawned three remakes. For television, he directed two episodes of The Twilight Zone , " Uncle Simon " (1963) and " The Self-Improvement of Salvadore Ross " (1964), and was the producer of The Legend of Jesse James (1965). He worked with Eli Wallach in The Lineup , Elvis Presley and Dolores del Río in Flaming Star (1960), with Steve McQueen in Hell Is for Heroes , and Lee Marvin in

176-584: A 90-minute programming time slot (including commercials ), later expanded to two hours, and were usually broadcast as a weekly anthology television series (for example, the ABC Movie of the Week ). Many early television movies featured major stars, and some were accorded higher budgets than standard television series of the same length, including the major dramatic anthology programs which they came to replace. In 1996, 264 made-for-TV movies were made by five of

220-417: A film which deals with abortion in three different decades (the 1950s, the 1970s and the 1990s) became a huge success, and was HBO 's highest rated film on record. If a network orders a two-hour television pilot for a proposed show, it will usually broadcast it as a television movie to recoup some of the costs even if the network chooses to not order the show to series. Often a successful series may spawn

264-419: A film's expenses would be lessened by filming using video , as the movies were contracted by television studios, these films were required to be shot on 35 mm film . Various techniques are often employed to "pad" television movies with low budgets and underdeveloped scripts, such as music video -style montages, flashbacks, or repeated footage, and extended periods of dramatic slow motion footage. However,

308-531: A large television audience and boost viewership for a show. Crossover episodes containing a number of episodes of the characters of individual series interacting with characters across different shows (as has been done with the CSI , NCIS and Chicago franchises, along with between Murder, She Wrote and Magnum, P.I. , Scandal and How to Get Away with Murder , and Ally McBeal and The Practice ) also play as films, encouraging tune-in among all

352-643: A mandolin player. Siegel attended schools in New York and later graduated from Jesus College, Cambridge in England. For a short time, he studied at Beaux Arts in Paris , but left at age 20 and later went to Los Angeles. Siegel found work in the Warner Bros. film library after meeting producer Hal Wallis , and later rose to head of the montage department, where he directed thousands of montages , including

396-505: A rape victim in the drama A Case of Rape (1974). My Sweet Charlie (1970) with Patty Duke and Al Freeman Jr. dealt with racial prejudice, and That Certain Summer (1972), starring Hal Holbrook and Martin Sheen , although controversial, was considered the first television movie to approach the subject of homosexuality in a non-threatening manner. If These Walls Could Talk ,

440-559: A spin-off from a TV series including The Incredible Hulk Returns , The Trial of the Incredible Hulk and The Death of the Incredible Hulk . Occasionally, television movies are used as sequels to successful theatrical films. For example, only the first film in The Parent Trap series was released theatrically. The Parent Trap II , III and Hawaiian Honeymoon were produced for television, and similarly,

484-424: A television movie sequel after ending its run. For example, Babylon 5: The Gathering launched the science fiction series Babylon 5 and is considered to be distinct from the show's regular run of one-hour episodes. Babylon 5 also has several made-for-TV movie sequels set within the same fictional continuity. The 2003 remake of Battlestar Galactica began as a two-part miniseries that later continued as

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528-593: A weekly television program. Another example is the Showtime movie Sabrina, the Teenage Witch , which launched the sitcom of the same name that originally aired on ABC, and used the same actress ( Melissa Joan Hart ) for the lead role in both. The term "TV movie" is also frequently used as vehicles for "reunions" of long-departed series, as in Return to Mayberry and A Very Brady Christmas . They can also be

572-469: Is generally acknowledged to be See How They Run , which debuted on NBC on October 7, 1964. A previous film, The Killers , starring Lee Marvin and Ronald Reagan , was filmed as a TV-movie, although NBC decided it was too violent for television and it was released theatrically instead. The second film to be considered a television movie, Don Siegel 's The Hanged Man , was broadcast by NBC on November 18, 1964. These features originally filled

616-509: Is sorely tested. This article related to an American TV movie is a stub . You can help Misplaced Pages by expanding it . Television film Precursors of "television movies" include Talk Faster, Mister , which aired on WABD (now WNYW ) in New York City on December 18, 1944, and was produced by RKO Pictures , and the 1957 The Pied Piper of Hamelin , based on the poem by Robert Browning , and starring Van Johnson , one of

660-585: Is the High School Musical series , which aired its first two films on the Disney Channel . The first television movie was so successful that a sequel was produced, High School Musical 2 , that debuted in August 2007 to 17.2 million viewers (this made it the highest-rated non-sports program in the history of basic cable and the highest-rated made-for-cable movie premiere on record). Due to

704-622: The Midnight Run sequels have all been released as made-for-TV movies despite the first having a strong run in theaters. These types of films may be, and more commonly are, released direct-to-video ; there have been some films, such as The Dukes of Hazzard: The Beginning (a prequel to the film version of The Dukes of Hazzard ) and James A. Michener's Texas , which have been released near simultaneously on DVD and on television, but have never been released in theatres. Made-for-TV movie musicals have also become popular. One prime example

748-520: The Jesse Stone CBS television movies, "broadcast networks aren't investing in made-for-TV movies anymore". The slack has been taken up by cable networks such as Hallmark Channel , Syfy , Lifetime and HBO, with productions such as Temple Grandin and Recount , often utilizing top creative talent. High-calibre limited programming which would have been formerly scheduled solely as a two-hour film or miniseries also has been re-adapted to

792-590: The science-fiction horror film Invasion of the Body Snatchers (1956), as well as five films with Clint Eastwood , including the police thriller Dirty Harry (1971) and the prison drama Escape from Alcatraz (1979). He also directed John Wayne 's final film, the Western The Shootist (1976). Siegel was born in 1912 to a Jewish family in Chicago; his father was Samuel Siegel ,

836-442: The 1930s through the 1950s for short-term showings in movie theaters, usually as a double bill alongside a major studio release. Like made-for-TV movies, B movies were designed as a disposable product, had low production costs and featured second-tier actors. ABC 's Battlestar Galactica: Saga of a Star World premiered to an audience of over 60 million people on September 17, 1978. The most-watched television movie of all time

880-470: The 1970s and 1980s before realizing that the proceeds from his first theatrical film, A Christmas Story (released in 1983), far exceeded anything he had ever done in television. Nonetheless, notable exceptions exist of high production quality and well-known casts and crews that even earned awards, such as The Diamond Fleece , a 1992 Canadian TV film directed by Al Waxman and starring Ben Cross , Kate Nelligan and Brian Dennehy . It earned Nelligan

924-405: The 1970s were a source of controversy, such as Linda Blair 's 1974 film Born Innocent and 1975's Sarah T. - Portrait of a Teenage Alcoholic , as well as 1976's Dawn: Portrait of a Teenage Runaway and its 1977 sequel , Alexander: The Other Side of Dawn , which were vehicles for former Brady Bunch actress Eve Plumb . Another significant film was Elizabeth Montgomery 's portrayal of

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968-407: The 1993 Gemini Award for "Best Performance by an Actress in a Leading Role in a Dramatic Program or Mini-Series". Occasionally, a long-running television series is used as the basis for television movies that air during the show's run (as opposed to the above-mentioned "reunion specials"). Typically, such movies employ a filmed single-camera setup even if the television series is videotaped using

1012-558: The Candelabra (which featured established film actors Michael Douglas and Matt Damon in the lead roles) and a limited range of scene settings and camera setups. Even Spielberg's Duel , while having decent production values, features a very small cast (apart from Dennis Weaver, all other actors appearing in the film play smaller roles) and mostly outdoor shooting locations in the desert. The movies typically employ smaller crews, and rarely feature expensive special effects . Although

1056-596: The United States and Canada. The 1971 made-for-TV movie Brian's Song was also briefly released to theatres after its success on television, and was even remade in 2001. In some instances, television movies of the period had more explicit content included in the versions prepared to be exhibited theatrically in Europe. Examples of this include The Legend of Lizzie Borden , Helter Skelter , Prince of Bel Air and Spectre . Many television movies released in

1100-697: The actor), he has a cameo as a ping-pong player. He also appears in the 1985 John Landis film Into the Night . Siegel also has a small role in The Killers . Siegel and actress Viveca Lindfors were married from 1948 to 1953. They had a son, Kristoffer Tabori . Siegel married Doe Avedon in 1957. They adopted four children and then divorced in 1975. Siegel married Carol Rydall, a former secretary to Clint Eastwood. Siegel and Rydall remained together until he died at age 78 from cancer in Nipomo, California. Siegel

1144-673: The film made a lasting impression on Peckinpah. He worked as a dialogue coach on four additional Siegel films: Private Hell 36 (1954), An Annapolis Story (1955), Invasion of the Body Snatchers (1956), and Crime in the Streets (1956). Twenty-five years later, Peckinpah was all but banished from the industry due to his troubled film productions. Siegel gave the director a chance to return to filmmaking. He asked Peckinpah if he would be interested in directing 12 days of second unit on Siegel's Jinxed! film. Peckinpah immediately accepted, and his earnest collaboration with his longtime friend

1188-472: The first filmed "family musicals" made directly for television . That film was made in Technicolor , a first for television, which ordinarily used color processes originated by specific networks. Most "family musicals" of the time, such as Peter Pan , were not filmed but broadcast live and preserved on kinescope , a recording of a television program made by filming the picture from a video monitor – and

1232-539: The influential The Killers (1964) before directing five of Eastwood's films that were commercially successful in addition to being well received by critics. These included the action films Coogan's Bluff and Dirty Harry , the Albert Maltz -scripted Western Two Mules for Sister Sara , the American Civil War melodrama The Beguiled , and the prison-break picture Escape from Alcatraz . He

1276-450: The less expensive digital 24p video format has made some quality improvements on the television movie market. Part of the reason for the lower budgets comes from the lack of revenue streams from them; whereas a theatrical film can make money from ticket sales, ancillary markets , and syndication, most television films lacked those revenue streams, and the films are seldom rerun . Raconteur Jean Shepherd produced several television films in

1320-562: The made-for-television movie". Network-made television movies in the United States have tended to be inexpensively-produced and perceived to be of low quality. Stylistically, these films often resemble single episodes of dramatic television series. Often, television films are made to "cash in" on the interest centering on stories currently prominent in the news, as the films based on the "Long Island Lolita" scandal involving Joey Buttafuoco and Amy Fisher were in 1993. The stories are written to reach periodic semi- cliffhangers coinciding with

1364-509: The most valuable prime time slots available for programming, so syndicators of independent television films had to settle for fewer television markets and less desirable time periods. This meant much smaller advertising revenues and license fees compared with network-supplied programming. The term "made-for-TV movie" was coined in the United States in the early 1960s as an incentive for movie audiences to stay home and watch what

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1408-569: The network-scheduled times for the insertion of commercials , and are further managed to fill, but not exceed, the fixed running times allotted by the network to each movie "series". In the case of films made for cable channels, they may rely on common, repetitive tropes (Hallmark Channel, for example, is notorious for its formulaic holiday romances, while Lifetime movies are well known for their common use of damsel in distress storylines). The movies tend to rely on smaller casts, one such exception being those produced for premium cable , such as Behind

1452-478: The newer "limited series" format over a period of weeks (rather than the consecutive days usually defined by a miniseries) where a conclusion is assured; an example of such would be The People v. O. J. Simpson: American Crime Story , and these are most often seen on cable networks and streaming services such as Netflix . In a 1991 New York Times article, television critic John J. O'Connor wrote that "few artifacts of popular culture invite more condescension than

1496-555: The only (relatively inexpensive) method of recording a television program until the invention of videotape . Many television networks were against film programming, fearing that it would loosen the network's arrangements with sponsors and affiliates by encouraging station managers to make independent deals with advertisers and film producers . Conversely, beginning in the 1950s episodes of American television series would be placed together and released as feature films in overseas cinemas. Television networks were in control of

1540-438: The opening montage for Casablanca . In 1945, two shorts he directed, Star in the Night and Hitler Lives , won Academy Awards , which launched his career as a feature director. Siegel directed whatever material came his way, often transcending the limitations of budget and script to produce interesting and adept works. He made the original Invasion of the Body Snatchers (1956), described by The Guardian in 2014 as

1584-430: The popularity of the first two films, the second HSM sequel, High School Musical 3: Senior Year , was released as a theatrical film in 2008 instead of airing on Disney Channel; High School Musical 3 became one of the highest-grossing movie musicals. Television movies traditionally were often broadcast by the major networks during sweeps season. Such offerings now are very rare; as Ken Tucker noted while reviewing

1628-484: The run up and aftermath of a nuclear war. The two are often compared on aspects such as realism. Another popular and critically acclaimed television movie was 1971's Duel , written by Richard Matheson , directed by Steven Spielberg and starring Dennis Weaver . Such was the quality and popularity of Duel that it was released to cinemas in Europe and Australia , and had a limited theatrical release to some venues in

1672-462: The series crossed over to effectively create a multiple-hour plot that plays as a film when watched as a whole. Don Siegel Donald Siegel ( / ˈ s iː ɡ əl / SEE -gəl ; October 26, 1912 – April 20, 1991) was an American film director and producer. Siegel was described by The New York Times as "a director of tough, cynical and forthright action-adventure films whose taut plots centered on individualistic loners". He directed

1716-413: The six largest American television networks at the time (CBS, NBC, Fox, ABC, and UPN ), averaging a 7.5 rating. By 2000, only 146 TV movies were made by those five networks, averaging a 5.4 rating, while the number of made-for-cable movies made annually in the U.S. doubled between 1990 and 2000. In several respects, television films resemble B movies , the low-budget films issued by major studios from

1760-609: Was ABC 's The Day After , which premiered on November 20, 1983, to an estimated audience of 100 million people. The film depicted America after a nuclear war with the Soviet Union , and was the subject of much controversy and discussion at the time of its release due to its graphic nature and subject matter. The BBC 's 1984 television film Threads earned a similar reputation in the United Kingdom as it followed two families and workers of Sheffield City Council in

1804-431: Was a considerable influence on Eastwood's own career as a director, and Eastwood's film Unforgiven is dedicated "for Don and Sergio ". Siegel had a long collaboration with composer Lalo Schifrin , who scored five of his films: Coogan's Bluff , The Beguiled , Dirty Harry , Charley Varrick , and Telefon . Schifrin composed and recorded what would have been his sixth score for Siegel on Jinxed! (1982), but it

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1848-604: Was noted within the industry. While Peckinpah's work was uncredited, it led to his hiring as the director of his final film The Osterman Weekend (1983). Siegel had a small role as a bartender in Eastwood's Play Misty for Me , and in Dirty Harry . In Philip Kaufman 's 1978 Invasion of the Body Snatchers , a remake of Siegel's 1956 film, he appears as a taxi driver. In Charley Varrick starring Walter Matthau (a film slated for Eastwood, but ultimately turned down by

1892-553: Was promoted as the equivalent of a first-run theatrical film. Beginning in 1961 with NBC Saturday Night at the Movies , a prime time network showing of a television premiere of a major theatrical film release, the other networks soon copied the format, with each of the networks having several [Day of the Week] Night at the Movies showcases which led to a shortage of movie studio product. The first of these made-for-TV movies

1936-518: Was rejected by the studio despite Siegel's objections. This conflict was one of several fights Siegel had on his last film. Siegel was also important to the career of director Sam Peckinpah . In 1954, Peckinpah was hired as a dialogue coach for Riot in Cell Block 11 . His job entailed acting as an assistant to the director, Siegel. The film was shot on location at Folsom Prison . Siegel's location work and his use of actual prisoners as extras in

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