Thami El Glaoui ( Arabic : التهامي الكلاوي ; 1879–23 January 1956) was the Pasha of Marrakesh from 1912 to 1956. His family name was el Mezouari, from a title given an ancestor by Ismail Ibn Sharif in 1700, while El Glaoui refers to his chieftainship of the Glaoua (Glawa) tribe of the Berbers of southern Morocco , based at the Kasbah of Telouet in the High Atlas and at Marrakesh. El Glaoui became head of the Glaoua upon the death of his elder brother, Si el-Madani , and as an ally of the French protectorate in Morocco , conspired with them in the overthrow of Sultan Mohammed V .
58-734: On October 25 of 1955, El-Glaoui announced his acceptance of Mohammed V's restoration as well as Morocco's independence. Thami was born in 1879 in the Imezouaren family, in the Ait Telouet tribe, a clan of the Southern Glaoua . His family was originally in a place called Tigemmi n'Imezouaren in the Fatwaka tribe, near the Tassaout river . His father was the qaid of Telouet , Mohammed ben Hammou, known as Tibibit , and his mother
116-569: A "Council of the Throne" as a caretaker government. T'hami now no longer believed in anything the French said, and pointedly refused them support to suppress a student strike. By 17 October, T'hami had decided to notify the French and their Council that he supported the restoration of Mohammed V as Sultan. This notification was never sent, apparently because Brahim became aware of his intention and began his own negotiations with French interests. T'hami
174-607: A blizzard. They were rescued by Si Madani, and the grateful Sultan bestowed on Si Madani qaidats from Tafilalt to the Sous . In addition, he presented the Glaoua arsenal with a working 77-mm Krupp cannon, the only such weapon in Morocco outside the imperial army. The Glaoua army used this weapon to subdue rival warlords. In 1902, Madani, T'hami and the Glaoua force joined the imperial army of Moulay Abdelaziz as it marched against
232-499: A father might to his son. Suggesting that this was an acceptable way for a subject to speak to a king was in itself a breach of protocol which only made matters worse. When T'hami arrived back at the palace, the Grand Vizier told him that both he and his family were no longer welcome. T'hami then sent his assembled tribespeoples and subordinate qaids' home without waiting for the customary public demonstration of loyalty; this action
290-460: A much younger man. Chéri is the lover of Léa, a wealthy courtesan ; Léa is devastated when Chéri marries a girl his own age and delighted when he returns to her, but after one final night together, she sends him away again. Colette's marriage to Jouvenel ended in divorce in 1924, due partly to his infidelities and partly to her affair with her 16-year-old stepson, Bertrand de Jouvenel . In 1925, she met Maurice Goudeket, who became her final husband;
348-431: A pantomime entitled "Rêve d'Égypte" caused a near-riot, and as a result, they were no longer able to live together openly, although their relationship continued for another five years. In 1912, Colette married Henry de Jouvenel , the editor of Le Matin . A daughter, Colette de Jouvenel , nicknamed Bel-Gazou , was born to them in 1913. In 1920, Colette published Chéri , portraying love between an older woman and
406-718: A public school from the ages of 6 to 17. The family was initially well off, but poor financial management substantially reduced their income. In 1893, Colette married Henry Gauthier-Villars (1859–1931), an author and publisher who used the pen name "Willy". Her first four novels – the four Claudine stories : Claudine à l'école (1900), Claudine à Paris (1901), Claudine en ménage (1902), and Claudine s'en va (1903) – appeared under his name. (The four are published in English as Claudine at School , Claudine in Paris , Claudine Married , and Claudine and Annie .) The novels chart
464-476: A reporter: "You have to see and not invent, you have to touch, not imagine .. because, when you see the sheets [at a crime scene] drenched in fresh blood, they are a color you could never invent." In 1914, Colette was named Le Matin's literary editor. Colette's separation from Jouvenel in 1923 forced her to sever ties with Le Matin. Over the next three decades her articles appeared in over two dozen publications, including Vogue , Le Figaro , and Paris-Soir . During
522-518: A screenplay by Alan Jay Lerner and a score by Lerner and Frederick Loewe , won the Academy Award for Best Picture . In the postwar years, Colette became a famous public figure. She had become crippled by arthritis and was cared for by Goudeket, who supervised the preparation of her Œuvres Complètes (1948–1950). She continued to write during those years and published L'Etoile Vesper (1946) and Le Fanal Bleu (1949), in which she reflected on
580-473: A slave of Si Madani) was injured in another such attack, and on recovery came to oppose the French. Finally, an all-out war began in the Rif . T'hami was at first totally prepared to support the French, machine gun in hand if necessary. He was shaken, however, by the political "reforms" which the French began to demand to consolidate their hold on power, which would have had the same outcome as what he had feared from
638-402: A sultan in 1907 , which had been met with popular indifference. With this "ossified" memory, he never expected another dethronement would lead to an insurrection. The great mistake made by T'hami and his associated pashas and qaids, according to his son Abdessadeq, was that unlike Mohammed V they simply failed to realise that by 1950 Moroccan society had evolved to the stage where feudal government
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#1732772831390696-543: A tithe of the almond, saffron and olive harvests in his vast domain, owned huge blocks of stock in French-run mines and factories, and received a rebate on machinery and automobiles imported into his realm. El Glaoui's fortune was somewhere in the neighborhood of $ 50 million at the time, more than $ 880 million, adjusted for inflation. In the spring of 1933, Orson Welles , was the guest of El Glaoui. El Glaoui died during his night prayers on 23 January 1956, not long after
754-777: A very young man, a situation reflecting her relationship with Bertrand de Jouvenel and with her third husband, Goudeket, who was 16 years her junior. La Naissance du Jour (1928) is her explicit criticism of the conventional lives of women, expressed through a meditation on age and the renunciation of love by the character of her mother, Sido. By this time Colette was frequently acclaimed as France's greatest woman writer. "It... has no plot, and yet tells of three lives all that should be known", wrote Janet Flanner of Sido [ fr ] (1929). "Once again, and at greater length than usual, she has been hailed for her genius, humanities and perfect prose by those literary journals which years ago... lifted nothing at all in her direction except
812-411: A wide variety of publications, gaining considerable renown for her articles covering social trends, theater, fashion, and film, as well as crime reporting. In December 1910, Colette agreed to write a regular column in the Paris daily, Le Matin —at first under a pseudonym, then as "Colette Willy." One of her editors was Henry de Jouvenel, whom she married in 1912. By 1912, Colette had taught herself to be
870-629: A writer if it had not been for Willy. Fourteen years older than his wife and one of the most notorious libertines in Paris, he introduced his wife into avant-garde intellectual and artistic circles and encouraged her lesbian dalliances. And it was he who chose the titillating subject matter of the Claudine novels: "the secondary myth of Sappho ... the girls' school or convent ruled by a seductive female teacher." Willy "locked her [Colette] in her room until she produced enough pages to suit him." Colette and Willy separated in 1906, although their divorce
928-562: Is recalled in La Vagabonde (1910), which deals with women's independence in a male society, a theme to which she would regularly return in future works. During these years she embarked on a series of relationships with other women, notably with Natalie Clifford Barney and with Mathilde de Morny, the Marquise de Belbeuf ("Max"), with whom she sometimes shared the stage. On 3 January 1907, an onstage kiss between Max and Colette in
986-504: The German Occupation of France , Colette continued contributing to daily and weekly publications, a number of them collaborationist and pro-Nazi, including Le Petit Parisien , which became pro-Vichy after January 1941, and La Gerbe , a pro-Nazi weekly. Though her articles were not political in nature, Colette was sharply criticized at the time for lending her prestige to these publications and implicitly accommodating herself to
1044-520: The article wizard to submit a draft for review, or request a new article . Search for " Tassaout " in existing articles. Look for pages within Misplaced Pages that link to this title . Other reasons this message may be displayed: If a page was recently created here, it may not be visible yet because of a delay in updating the database; wait a few minutes or try the purge function . Titles on Misplaced Pages are case sensitive except for
1102-518: The Arts ( CalArts ) Feminist Art Program , and was the first public exhibition of art centered upon female empowerment. One of the rooms in it, Leah's Room by Karen LeCocq and Nancy Youdelman , was based on Colette’s Chéri . Karen and Nancy borrowed an antique dressing table and rug, made lace curtains and covered the bed with satin and lace to create the effect of a boudoir. They filled the closet with old-looking clothes and veiled hats, and wallpapered
1160-542: The French to protect their citizens and financial interests. As the situation worsened, a scapegoat once again had to be found, and again it was the Glaoua. Moulay Hafid accused Madani of keeping back tax money, and in 1911 stripped all Glaoua family members of their positions. In 1912 the Sultan was forced to sign the Treaty of Fez , which gave the French immense control over the Sultan, his pashas and qaids. Later that year,
1218-509: The Sultan continued his silence so T'hami left the palace. The Sultan then conferred with his Grand Vizier and Moulay Larbi and gave orders that T'hami was barred from appearing before him until further notice. After the Grand Vizier left to recall T'hami to receive this order, the next two qaids were admitted for their audience. As it happened these were Brahim and Mohammed, T'hami's sons, who were qaids in their own right. Brahim attempted to smooth things over by saying that T'hami had only spoken as
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#17327728313901276-546: The Vichy regime. Her 26 November 1942 article, "Ma Bourgogne Pauvre" ("My Poor Burgundy"), has been singled out by some historians as tacitly accepting some ultra-nationalist goals that hardline Vichyist writers espoused. After 1945, her journalism was sporadic, and her final pieces were more personal essays than reported stories. Over the course of her writing career, Colette published over 1200 articles for newspapers, magazines, and journals. Upon her death, on 3 August 1954, she
1334-532: The announcement was read out by Abdessadeq to a waiting crowd and simultaneously released to the media by nationalists in Cairo. The whole of Morocco was now united in the demand for the Sultan's restoration, and the French had no choice but to capitulate. T'hami flew to France and on 8 November 1955 knelt in submission before Mohammed V, who forgave him his past mistakes. El Glaoui was one of Morocco's richest men, after Pacha Boujemaa Mesfioui of Beni Mellal . He took
1392-505: The annual Feast of Mouloud it was customary for the Sultan's subjects to renew their vows of loyalty to him. This was done in private audiences with the pashas and qaids, and by a public demonstration by their assembled tribe. T'hami's audience took place on 23 December 1950. Prior to this, Moulay Larbi El Alaoui, a member of the Makhzen had reportedly primed the Sultan to expect trouble from T'hami. The Sultan let it be known that he expected
1450-418: The approaching French army. The French scattered El Hiba 's warriors, and Driss Mennou ordered his men to overpower El Hiba 's guards and liberate the hostages. These then went to T'hami's place to collect their belongings, and were found there by the French army in circumstances which suggested T'hami alone had saved them. T'hami was restored to his position as Pasha on the spot. Seeing that the French were now
1508-534: The audience to conform to the traditional pledges of loyalty with no political content. T'hami, however, started off by blaming the Mesfioua and Laghzaoui incidents on the nationalists. When the Sultan calmly responded that he considered the nationalists to be loyal Moroccans, T'hami exploded into a diatribe to which the Sultan could only sit speechless, judging it was better not to provoke a man who clearly had lost control of his passions. After T'hami exhausted himself,
1566-426: The coming of age and young adulthood of their titular heroine, Claudine, from an unconventional 15-year old in a Burgundian village to a doyenne of the literary salons of turn-of-the-century Paris. The story they tell is semi-autobiographical, although Claudine, unlike Colette, is motherless. The marriage to Gauthier-Villars allowed Colette to devote her time to writing. She later said she would never have become
1624-603: The couple stayed together until her death. Colette was by then an established writer ( The Vagabond had received three votes for the prestigious Prix Goncourt ). The decades of the 1920s and 1930s were her most productive and innovative period. Set mostly in Burgundy or Paris during the Belle Époque , her work focused on married life and sexuality. It was frequently quasi-autobiographical: Chéri (1920) and Le Blé en Herbe (1923) both deal with love between an aging woman and
1682-473: The decades. Initially considered a limited if talented novelist (despite the outspoken admiration in her lifetime of figures such as André Gide and Henry de Montherlant ), she has been increasingly recognised as an important voice in women's writing. Before Colette's death, Katherine Anne Porter wrote in the New York Times that Colette "is the greatest living French writer of fiction; and that she
1740-665: The finger of scorn." During the 1920s she was associated with the Jewish-Algerian writer Elissa Rhaïs , who adopted a Muslim persona to market her novels. Colette was 67 years old when France was occupied by the Germans . She remained in Paris, in her apartment in the Palais-Royal . Her husband Maurice Goudeket, who was Jewish, was arrested by the Gestapo in December ;1941, and although he
1798-468: The first character; please check alternative capitalizations and consider adding a redirect here to the correct title. If the page has been deleted, check the deletion log , and see Why was the page I created deleted? Retrieved from " https://en.wikipedia.org/wiki/Tassaout " Colette Sidonie-Gabrielle Colette ( French: [sidɔni ɡabʁijɛl kɔlɛt] ; 28 January 1873 – 3 August 1954), known mononymously as Colette ,
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1856-480: The gift, but “…when I protested that I couldn’t accept as a present something she so clearly adored, [she replied] 'My dear, really there is no point in giving a gift unless one also treasures it oneself.'” Womanhouse (January 30 – February 28, 1972) was a feminist art installation and performance space organized by Judy Chicago and Miriam Schapiro , co-founders of the California Institute of
1914-509: The international fashionable set of the day. He visited the European capitals often, while his visitors at Marrakesh included Winston Churchill , Colette , Maurice Ravel , Charlie Chaplin . The Pasha attended the coronation of Queen Elizabeth II as a private guest of Winston Churchill , the two had met during the latter's trips to Marrakech, often to paint. The Pasha's lavish gifts of a jeweled crown and an ornate dagger were refused as it
1972-473: The nationalists: the eventual removal of the pashas and qaids. The French government, unnerved by way the country was rapidly becoming ungovernable, slowly began to think about how it might undo what had happened. T'hami detected this and equally slowly became as receptive to his nationalist son Abdessadeq as he had formerly been to his pro-French son Brahim. Ben Arafa abdicated on 1 August 1955. The French brought Mohammed V to France from exile, but also created
2030-911: The only effective power, T'hami aligned himself with them. Madani died in 1918. The French immediately repaid T'hami's support by appointing him the head of the family ahead of Madani's sons. Only Si Hammou, Madani's son-in-law, managed to remain in his position as qaid of the Glawa (Aglaw in Tashelhit ), based in Telouet (and therefore in charge of its arsenal ). Not until Hammou died in 1934 did T'hami get full control of his legacy. From that time on, T'hami's wealth and influence grew. His position as Pasha enabled him to acquire great wealth by means which were often dubious, with interests in agriculture and mineral resources. His personal style and charm, as well as his prodigality with his wealth, made him many friends among
2088-418: The other pashas and qaids. Their opposition to the nationalists was based on conservatism: Thami was not opposed to nationalism (in the sense of being against French colonialism) in itself, but was offended that it seemed to be associated with an upset of the established temporal and spiritual authority of the Sultan. Two incidents led up to the rupture of relations between T'hami and Sultan Mohammed V . At
2146-562: The pretender Bou Hamara . The Sultan's forces were routed by the pretender. Madani became a scapegoat, and spent months of humiliation at court before being allowed to return home. He thereupon began to actively work to depose Moulay Abdelaziz . This was achieved in 1907 with the enthronement of Abdelhafid of Morocco , who rewarded the Glaoua by appointing Si Madani as his Grand Vizier, and T'hami as Pasha of Marrakesh. The ruinous reigns of Moulay Abdelaziz and Moulay Hafid bankrupted Morocco and led first to riots, then to armed intervention by
2204-418: The pretender El Hiba entered Marrakesh with his army and demanded of the new Pasha, Driss Mennou (who had replaced T'hami), that he hand over all foreign Christians as hostages. These had sought refuge with the former Pasha, T'hami, who had tried previously but failed to get them out of the district. T'hami handed over the hostages, except for a sergeant whom he hid and supplied with a line of communication with
2262-581: The problems of a writer whose inspiration is primarily autobiographical. She was nominated by Claude Farrère for the Nobel Prize in Literature in 1948. Colette's first pieces of journalism (1895–1900) were written in collaboration with her husband, Gauthier-Villars—music reviews for La Cocarde , a daily founded by Maurice Barres and a series of pieces for La Fronde . Following her divorce from Gauthier-Villars in 1910, she wrote independently for
2320-465: The resistance against the French occupation, a political party, the Istiqlal had started up with a nationalist (i.e. anti-colonialist) policy. T'hami and his son Brahim were supporters of the French, but several of T'hami's other sons were nationalists. This could be risky; he had one of them imprisoned in a dungeon. T'hami had grown up and lived most of his life as a feudal warlord, and so had many of
2378-1096: The return of the Sultan. His properties and wealth were later seized by the state. [REDACTED] Media related to Thami El Glaoui at Wikimedia Commons Tassaout Look for Tassaout on one of Misplaced Pages's sister projects : [REDACTED] Wiktionary (dictionary) [REDACTED] Wikibooks (textbooks) [REDACTED] Wikiquote (quotations) [REDACTED] Wikisource (library) [REDACTED] Wikiversity (learning resources) [REDACTED] Commons (media) [REDACTED] Wikivoyage (travel guide) [REDACTED] Wikinews (news source) [REDACTED] Wikidata (linked database) [REDACTED] Wikispecies (species directory) Misplaced Pages does not have an article with this exact name. Please search for Tassaout in Misplaced Pages to check for alternative titles or spellings. You need to log in or create an account and be autoconfirmed to create new articles. Alternatively, you can use
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2436-644: The royal family named Ben Arafa . A revolt broke out in Oujda August 16, 1953, ten days after Glaoui's "electoral tour" passed through the city. On 17 August 1953, Kittani and the Glaoui unilaterally declared Ben Arafa to be the country's imām . On 25 August 1953, the French Resident had the Sultan and his family forcibly seized and deported to exile, and Ben Arafa was proclaimed the new sultan. T'hami had already participated in one dethronement of
2494-496: The story of the 16-year-old Gilberte ("Gigi") Alvar. Born into a family of demimondaines , Gigi is trained as a courtesan to captivate a wealthy lover but defies the tradition by marrying him instead. In 1949 it was made into a French film starring Danièle Delorme and Gaby Morlay , then in 1951 adapted for the stage with the then-unknown Audrey Hepburn (picked by Colette personally) in the title role. The 1958 Hollywood musical movie, starring Leslie Caron and Louis Jourdan , with
2552-655: The village of Saint-Sauveur-en-Puisaye in the department of Yonne , Burgundy . Her father, Captain Jules-Joseph Colette (1829–1905) was a war hero. He was a Zouave of the Saint-Cyr military school , who had lost a leg at Melegnano in the Second Italian War of Independence . He was awarded a post as tax collector in the village of Saint-Sauveur-en-Puisaye where his children were born. His wife, Adèle Eugénie Sidonie, née Landoy (1835–1912)
2610-564: The walls to add a feeling of nostalgia. LeCocq sat at the dressing table dressed in a nineteenth-century-style costume as Léa, studiously applying make-up over and over and then removing it, replicating the character’s attempts to save her fading beauty. "Lucette Stranded on the Island" by Julia Holter , from her 2015 album Have You in My Wilderness , is based on a minor character from Colette's short story Chance Acquaintances . In
2668-740: The waste of water, they were easily silenced by granting playing rights to the top officials. T'hami had two wives: Lalla Zineb, mother of his sons Hassan and Abdessadeq and widow of his brother Si Madani; and Lalla Fadna, by whom he had a son, Mehdi, and a daughter, Khaddouj. Mehdi was killed fighting in the French forces at the Battle of Monte Cassino . T'hami also had a number of concubines, of whom he had children by three: Lalla Kamar (sons Brahim, Abdellah, Ahmed and Madani), Lalla Nadida (son Mohammed and daughter Fattouma) and Lalla Zoubida (daughter Saadia). The first two of these had originally entered T'hami's harem as musicians imported from Turkey. As part of
2726-508: Was Zouhra Oum El Khaïr, a black slave. When Si Mohammed died on 4 August 1886, his eldest son Si Mhamed took over his father's position and then died the same year. After the death of Si M'hammed, his brother Si Madani took power and put his brother T'hami as his khalifat (assistant). In the autumn of 1893, Sultan Moulay Hassan and his army were crossing the High Atlas mountains after a tax-gathering expedition when they were caught in
2784-576: Was a French author and woman of letters . She was also a mime , actress, and journalist. Colette is best known in the English-speaking world for her 1944 novella Gigi , which was the basis for the 1958 film and the 1973 stage production of the same name. Her short story collection The Tendrils of the Vine is also famous in France. Sidonie-Gabrielle Colette was born on 28 January 1873 in
2842-471: Was a traditional mutual distrust between the Fassis and those from Marrakesh. In T'hami's memory was the humiliation of himself and his brother Si Madani at the hands of a Fassi-dominated Makhzen during the reigns of Moulay Abdelaziz and Moulay Hafid . From that moment on he conspired with Abd El Hay Kittani [ ar ] and the French to replace Mohammed V with a new sultan, an elderly member of
2900-467: Was construed by the palace as open mutiny. On May 19, 1953, Thami El Glaoui published an announcement of his friendliness and loyalty to the French protectorate , asking the colonial government to drive out Sultan Muhammad V . T'hami regarded the Sultan's order as a personal insult that must be wiped out at all costs. In addition, the Makhzen was dominated by Fassis (those from the city of Fez ), and there
2958-536: Was nicknamed Sido . Colette's great-grandfather, Robert Landois, was a wealthy Martinican mulatto, who settled in Charleville in 1787. In an arranged first marriage to Jules Robineau Duclos, Colette's mother had two children: Juliette (1860–1908) and Achille (1863–1913). After she remarried Captain Colette, she had two other children: Leopold (1866–1940) and Sidonie-Gabrielle. Colette attended
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#17327728313903016-527: Was no longer acceptable to their subjects. A popular uprising began, directed mainly against the French but also against their Moroccan supporters. French citizens were massacred, the French forces responded with equal brutality, and French colonists began a campaign of terrorism against anyone (Moroccan or French) who expressed nationalist sympathies. T'hami was the target of a grenade attack, which did not however injure him. His chamberlain Haj Idder (formerly
3074-417: Was not customary for gifts to be received from individuals not representing a government. According to his son Abdessadeq, one of the principal means by which he acquired great landholdings was that he was able to buy land at cheap prices during times of drought. During one such drought, he constructed an irrigated private golf course at Marrakesh at which Churchill often played. When the French protested about
3132-483: Was not final until 1910. Colette had no access to the sizable earnings of the Claudine books – the copyright belonged to Willy – and until 1912 she conducted a stage career in music halls across France, sometimes playing Claudine in sketches from her own novels, earning barely enough to survive and often hungry and ill. To make ends meet, she turned more seriously to journalism in the 1910s. Around this time she also became an avid amateur photographer. This period of her life
3190-838: Was refused a religious funeral by the Catholic Church on account of her divorces , but given a state funeral , the first French woman of letters to be granted the honour, and interred in Père-Lachaise cemetery. Colette was elected to the Belgian Royal Academy (1935), the Académie Goncourt (1945, and President in 1949), and a Chevalier (1920) and Grand Officer (1953) of the Légion d'honneur . Colette's numerous biographers have proposed widely differing interpretations of her life and work over
3248-721: Was released after seven weeks through the intervention of the French wife of the German ambassador, Colette lived through the rest of the war years with the anxiety of a possible second arrest. During the Occupation she produced two volumes of memoirs, Journal à Rebours (1941) and De ma Fenêtre (1942); the two were issued in English in 1975 as Looking Backwards . She wrote lifestyle articles for several pro-Nazi newspapers. These, and her novel Julie de Carneilhan (1941), contain many anti-Semitic slurs. In 1944, Colette published what became her most famous work, Gigi , which tells
3306-459: Was shocked into a sudden suspicion that Brahim may have been planning to supersede him. To forestall this, Abdessadeq arranged a meeting between his father and leading nationalists, which took place over dinner on 25 October. At this meeting an announcement was drawn up in which T'hami recognized Mohammed V as rightful Sultan. The next day, as soon as T'hami had addressed the Council of the Throne,
3364-414: Was while Gide and Proust still lived." Singer-songwriter Rosanne Cash paid tribute to the writer in the song, "The Summer I Read Colette", on her 1996 album 10 Song Demo . Truman Capote wrote an essay in 1970 about meeting her, called "The White Rose". It tells how, when she saw him admiring a paperweight on a table (the "white rose" of the title), she insisted he take it; Capote initially refused
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