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99-665: The Glass House (or Johnson house ) is a historic house museum on Ponus Ridge Road in New Canaan, Connecticut , built in 1948–49. It was designed by architect Philip Johnson as his own residence. The New York Times has called the Glass House his "signature work". According to Alice T. Friedman, the Glass House may be derived from the Farnsworth House in Plano, Illinois , by Ludwig Mies van der Rohe ; however,

198-590: A Visitor Center in downtown New Canaan). The house was declared a National Historic Landmark in 1997. The house was the place of Philip Johnson's passing on January 25, 2005, at the age of 98. Whitney, his partner, died later the same year and left a bequest to support programming and maintenance of the site. Johnson passed on ownership of the Glass House to the National Trust for Historic Preservation , which opened it to visitors in April 2007. The trust expanded

297-585: A campaign to push the U.S. into the war. Gibson drew the Kaiser as a bloody madman, insulting Uncle Sam , sneering at crippled soldiers, and shooting Red Cross nurses. Following Mitchell's death in 1918, Gibson bought the magazine for $ 1 million. A little more than three years after purchasing Life , Gibson quit and turned the property over to publisher Clair Maxwell and treasurer Henry Richter. In 1920, Gibson had selected former Vanity Fair staffer Robert E. Sherwood as editor. A WWI veteran and member of

396-669: A collection consistent with the historical structure. Some museums choose to collect pieces original to the period, while not original to the house. Others, fill the home with replicas of the original pieces, reconstructed with the help of historic records. Still other museums adopt a more aesthetic approach and use the homes to display the architecture and artistic objects. Because historic homes have often existed through different generations and have been passed on from one family to another, volunteers and professionals also must decide which historical narrative to tell their visitors. Some museums grapple with this issue by displaying different eras in

495-536: A different theme, with a quotation from Johnson, Whitney, or their friends or colleagues. Along with regular tours, special tours are offered for architects and for artists and museum curators. The latter tours may spend extra time in the Painting Gallery and Sculpture Gallery. The Encyclopedia of American Architecture (1980) described the Glass House as being "still considered one of [Johnson's] best buildings". Nicolai Ouroussoff wrote that Glass House

594-455: A distracted world that does not know which way to turn nor what will happen to it next. A wonderful time for a new voice to make a noise that needs to be heard! In 1936, publisher Henry Luce purchased Life magazine for US$ 92,000 ($ 2.02 million in 2023) because he wanted the name for his company, Time Inc. , to use. Time Inc. sold Life 's subscription list, features, and goodwill to Judge . Convinced that pictures could tell

693-525: A large collection over 40 years, but much was donated to the Museum of Modern Art during their lifetime. The gallery still includes an 8-foot tall portrait of Johnson by Andy Warhol , which repeats the same pensive image of the architect nine times in a grid format. Whitney, an art curator and friend of Warhol, Johns, and Rauschenberg, took the lead in shaping the art collection. The red and black "Da Monsta", built without right angles and from modified gunite ,

792-402: A minimum of promotion, these issues sold between 500,000 and 1 million copies at cover prices of up to $ 2. Beginning with an October 1978 issue, Life was published as a monthly, with a new, modified logo. Although it remained a familiar red rectangle with the white type, the new version was larger, the lettering was closer together and the box surrounding it was smaller. Life continued for

891-521: A positive review of Mein Kampf , submitted articles where he decried the "decline in fertility...of the white race", described his visits to Hitler Youth camps, and gave favorable coverage of the Nazi invasion of Poland in 1939. Johnson Ian Volner wrote in his biography of Johnson that when being associated with Nazism was no longer advantageous for the architect he was able to "cover his tracks, [by] burning

990-486: A professor of history and political science, further adds to social history and its relationship to locations by saying – Following this historical movement, the concept of " open-air museums " became prominent. These particular types of museums had interpreters in costume re-enact the lives of communities in earlier eras, which would then be performed to modern audiences. They often occupied large wooden architecture buildings or outdoor sites and landscapes, that were true to

1089-417: A seating area of Glass House. The view through the glass walls to the landscaped grounds was strikingly similar, as Johnson designed it to resemble Poussin's picture. The estate overlooks the valley of the small Rippowam River to the west (seen from the back of Glass House, past a grassy rise). To the north and south are sloping scenery that particularly mimic the painting. Johnson spent three years designing

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1188-705: A stir that at one point a police officer was posted nearby to keep out trespassers, and Johnson put up a sign near the street, stating: "This House Is Now Occupied Please Respect the Privacy of the Owner. It will be Open to the Public on specified days ". New York Times architecture critic Nicolai Ouroussoff wrote in 2007 that Glass House was "once one of the most famous houses in the United States. [...] [I]ts celebrity may have done more to make Modernism palatable to

1287-528: A story instead of just illustrating text, Luce launched the new Life on November 23, 1936, with John Shaw Billings and Daniel Longwell as founding editors. The third magazine published by Luce, after Time in 1923 and Fortune in 1930, Life developed as the definitive photo magazine in the U.S., giving as much space and importance to images as to words. The first issue of this version of Life , which sold for ten cents (worth $ 2.2 in 2023), had five pages of Alfred Eisenstaedt's photographs. In planning

1386-508: A world still friendly." For Life 's final issue in its original format, 80-year-old Edward Sandford Martin was recalled from editorial retirement to compose its obituary. He wrote: That Life should be passing into the hands of new owners and directors is of the liveliest interest to the sole survivor of the little group that saw it born in January 1883 ... As for me, I wish it all good fortune; grace, mercy and peace and usefulness to

1485-400: A year, more than fifty percent of historic house museums received fewer than 5,000 visitors per year. These museums are also unique in that the actual structure belongs to the museum collection as a historical object. While some historic home museums are fortunate to possess a collection containing many of the original furnishings once present in the home, many face the challenge of displaying

1584-516: Is a pure glass tour that only visits the house and is an hour long. Extended tours last two hours and cost more. Tours at twilight and "personalized" tours are also offered. Special Events include a "Dine with Design" picnic and film festival, as well as regularly scheduled Conversations in Context which feature prominent figures in the architecture and design community and take place for a limited number inside The Glass House. The Visitor Center, which

1683-525: Is an American magazine originally launched in 1883 as a weekly publication. In 1972 it transitioned to publishing "special" issues before running as a monthly from 1978, until 2000. Since 2000 Life has transitioned to irregularly publishing "special" issues. Originally published from 1883 to 1936 as a general-interest and humour publication, it featured contributions from many important writers, illustrators and cartoonists of its time including Charles Dana Gibson and Norman Rockwell . Henry Luce purchased

1782-551: Is not only associated with the individual but is a shared experience. It also focused on the way individual memory is influenced by social structures, as a way of continuing socialisation by producing memory as collective experience. An example of a site that utilizes collective memory is the Hiroshima Peace Memorial Park in Japan. It was restored and is based on the dialectics of memory, however it also has

1881-433: Is one of the few structures visible from the road. Near it is a 20-foot (6.1 m)-high entrance gate, fashioned out of a sailboat boom. In the 1997 documentary, Philip Johnson: Diary of an Eccentric Architect , Johnson discusses the buildings he built on the property (his "diary") with a focus on "Da Monsta", at that time the latest structure. Philip Johnson was a friend and supporter of both Frank Gehry and Peter Eisenman –

1980-723: The Algonquin Round Table , Sherwood tried to inject sophisticated humor onto the pages. Life published Ivy League jokes, cartoons, flapper sayings and all-burlesque issues. Beginning in 1920, Life undertook a crusade against Prohibition . It also tapped the humorous writings of Frank Sullivan , Robert Benchley , Dorothy Parker , Franklin Pierce Adams and Corey Ford . Among the illustrators and cartoonists were Ralph Barton , Percy Crosby , Don Herold , Ellison Hoover , H. T. Webster , Art Young and John Held, Jr. Life had 250,000 readers in 1920, but as

2079-537: The Fort Peck Dam in Montana , a Works Progress Administration project, photographed by Margaret Bourke-White . The format of Life in 1936 was a success: the text was condensed into captions for 50 pages of photographs. The magazine was printed on heavily coated paper and cost readers only a dime ($ 2.20 in 2023). The magazine's circulation was beyond the company's predictions, going from 380,000 copies of

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2178-633: The Jazz Age rolled into the Great Depression , the magazine lost money and subscribers. By the time editor George Eggleston took over, Life had switched from publishing weekly to monthly. Maxwell and Eggleston went to work revamping its editorial style to meet the times, which resulted in improved readership. However, Life had passed its prime and was sliding toward financial ruin. The New Yorker , debuting in February 1925, copied many of

2277-546: The United States Army Art Program . Each week during World War II, the magazine brought photographs of the war to Americans; it had photographers from all theaters of war. The magazine was imitated in enemy propaganda using contrasting images of Life and Death . In August 1942, writing about labor and racial unrest in Detroit , Life warned that "the morale situation is perhaps the worst in

2376-743: The "Brick House" (1949–1950), which serves as a guest house, the Pavilion on the Pond (1962), Painting Gallery (1965) with 20th-century American art, Sculpture Gallery (1970) with 20th-century American art, the Study (1980), the Ghost House (1982), the Kirstein Tower (1985) (named for Johnson's friend dance choreographer Lincoln Kirstein ), and "Da Monsta" (1995). The collection of structures vary between rectangular and circular. The rectangularity of

2475-451: The 1920s ("Glasarchitektur"). In a house of glass, the views of the landscape are its "wallpaper" ("I have very expensive wallpaper," Johnson once said.) Johnson was also inspired by the design of Mies van der Rohe 's Farnsworth House . The Glass House contains a collection of Bauhaus items including furniture designed by Mies. Johnson is quoted as saying that his idea for Glass House grew from "a burnt wooden village I saw once where nothing

2574-625: The 1967 National Magazine Award , chosen by the Columbia University Graduate School of Journalism . Despite the industry's accolades and its coverage of the U.S. mission to the Moon in 1969, the magazine continued to lose circulation. Time Inc. announced in January 1971 its decision to reduce circulation from 8.5 million to 7 million, in an effort to offset shrinking advertising revenues. The following year, Life cut its circulation further, to 5.5 million beginning with

2673-551: The 1970s and 1980s, as the Revolutionary War's bicentennial set off a wave of patriotism and alerted Americans to the destruction of their physical heritage. The tradition of restoring homes of the past and designating them as museums draws on the English custom of preserving ancient buildings and monuments. Initially homes were considered worthy of saving because of their associations with important individuals, usually of

2772-628: The Farnsworth House was not completed until 1951, two years after the Glass House. Johnson curated an exhibit of Mies van der Rohe work at the Museum of Modern Art in 1947, featuring a model of the glass Farnsworth House. It was an important and influential project for Johnson and for modern architecture. The building is an example of minimal structure, geometry, proportion, and the effects of transparency and reflection. The estate includes other buildings designed by Johnson that span his career. It

2871-435: The Glass House itself is complemented with a circular brick fireplace. The Brick House, also rectangular, faces the Glass House, but a nearby concrete, circular sculpture by Donald Judd (untitled, 1971) and small circular pools on either side of it serve to soften the rectangular effect, although structures and objects throughout the estate are arranged to show patterns or repetitions of curves and angles. Several buildings on

2970-484: The January 14, 1972 issue. Life was reportedly not losing money, but its costs were rising faster than its profits. Life lost credibility with many readers when it supported author Clifford Irving , whose fraudulent autobiography of Howard Hughes was revealed as a hoax in January 1972. The magazine had purchased serialization rights to Irving's manuscript. Industry figures showed that some 96% of Life' s circulation went to mail subscribers, with only 4% coming from

3069-450: The Museum of Modern Art in 1947, featuring a model of the glass Farnsworth House. Before beginning his architectural career, from 1934 Johnson was a follower of the radical populist Louisiana Governor Huey Long , and, then, after Long was assassinated, of Father Charles Coughlin , an extreme anti-Semitic priest who detested President Roosevelt. Johnson became a correspondent of Coughlin's newspaper. During his trips to Germany, Johnson wrote

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3168-458: The U.S. ... It is time for the rest of the country to sit up and take notice. For Detroit can either blow up Hitler or it can blow up the U.S." Mayor Edward Jeffries was outraged: "I'll match Detroit's patriotism against any other city's in the country. The whole story in Life is scurrilous ... I'd just call it a yellow magazine and let it go at that." The article was considered so dangerous to

3267-411: The U.S. entered World War II in 1941, Life covered the war closely. By 1944, of the 40 Time and Life war correspondents, seven were women: Americans Mary Welsh Hemingway , Margaret Bourke-White , Lael Tucker, Peggy Durdin, Shelley Smith Mydans , Annalee Jacoby, and Jacqueline Saix, an Englishwoman. (Saix's name is often omitted from the list, but she and Welsh are the only women listed as part of

3366-491: The United States, its circulation regularly reaching a quarter of the American population. Life was founded on January 4, 1883, in a New York City artist's studio at 1155 Broadway , as a partnership between John Ames Mitchell and Andrew Miller . Mitchell held a 75% interest in the magazine with the remaining 25% held by Miller. Both men retained their holdings until their deaths. Miller served as secretary-treasurer of

3465-565: The best offer. Beginning in 1953, a Spanish-language edition was published, titled Life en español. It had a circulation of over 300,000 in Latin America. For his 1955 Museum of Modern Art traveling exhibition The Family of Man , which was to be seen by nine million visitors worldwide, curator Edward Steichen relied heavily on photographs from Life; 111 of the 503 pictures shown, constituting more than 20% as counted by Abigail Solomon-Godeau . His assistant Wayne Miller entered

3564-430: The brick guest house. Later, the glass-walled building was used only for entertaining. The exterior sides of the Glass House utilize charcoal-painted steel and glass. The brick floor is 10 inches above the ground. The interior is open with the space divided by low walnut cabinets; a brick cylinder contains the bathroom and is the only object to reach floor-to-ceiling. The house builds on ideas of German architects from

3663-643: The bulk of his incriminating letters and articles in the brick-clad fireplace of his landmark Glass House.” In 1940, with the war looming, Johnson abruptly abandoned journalism and fascism, and entered architecture school. He was investigated by the FBI for his earlier contacts with the Nazis, was eventually cleared for military service, and served in the Army until the end of the War. For many Yale University architecture students, it

3762-472: The captions that the photos were fuzzy because Capa's hands were shaking. He denied it, claiming that the darkroom had ruined his negatives. Later he poked fun at Life by titling his war memoir Slightly Out of Focus (1947). In 1954, Capa was killed after stepping on a land mine , while working for the magazine covering the First Indochina War . Life photographer Bob Landry also went in with

3861-414: The casual cheerfulness that is drifting about in an unfriendly world...We shall have something to say about religion, about politics, fashion, society, literature, the stage, the stock exchange, and the police station, and we will speak out what is in our mind as fairly, as truthfully, and as decently as we know how. The magazine was a success and soon attracted the industry's leading contributors, of which

3960-527: The country's social elites than any other structure of the 20th century." The home also created a stir for Mies van der Rohe, who "stormed out in a huff when he saw it", Ouroussoff wrote. Obviously derived from Mies's Farnsworth House, the fact that it was finished earlier could easily have made the German architect wonder whether others would get the impression that Johnson had instead done pioneering work for Mies, and it could be seen that "Johnson's vision lacked

4059-489: The country. Life in the 1950s earned a measure of respect by commissioning work from top authors. After Life 's publication in 1952 of Ernest Hemingway 's The Old Man and the Sea , the magazine contracted with the author for a 4,000-word piece on bullfighting. Hemingway sent the editors a 10,000-word article, following his last visit to Spain in 1959 to cover a series of contests between two top matadors . The article

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4158-562: The election. Dewey was expected to win the election, and this mistake was also made by the Chicago Tribune . On May 10, 1950, the council of ministers in Cairo banned Life from Egypt forever. All issues on sale were confiscated. No reason was given, but Egyptian officials expressed indignation over the April 10, 1950 story about King Farouk of Egypt, entitled the "Problem King of Egypt". The government considered it insulting to

4257-403: The elite classes, like former presidents, authors, or businessmen. Increasingly, Americans have fought to preserve structures characteristic of a more typical American past that represents the lives of everyday people. Historic house museums usually operate with small staffs and on limited budgets. Many are run entirely by volunteers and often do not meet the professional standards established by

4356-420: The era, adding to authenticity. Collective memory is sometimes used in the resurrection of historic house museums; however, not all historic house museums use this approach. The notion of collective memory originated from philosopher and sociologist Maurice Halbwachs , in "La Memoire Collective" ("On Collective Memory", 1950). This extended thesis examines the role of people and place, and how collective memory

4455-409: The estate (Popestead, Grainger, and Calluna Farms) were remodeled by Johnson. The Painting Gallery building is built underground with an entrance modeled on Agamemnon's Tomb . Large-scale 20th-century paintings by Frank Stella, Robert Rauschenberg, Julian Schnabel, Andy Warhol, and Cindy Sherman and more are displayed on a system of three revolving racks of carpeted panels. Johnson and Whitney acquired

4554-564: The features and styles of Life ; it recruited staff from its editorial and art departments. Another blow to Life 's circulation came from raunchy humor periodicals such as Ballyhoo and Hooey , which ran what can be termed " outhouse " gags. In 1933, Esquire joined Life 's competitors. In its final years, Life struggled to make a profit. Announcing the end of Life , Maxwell stated: "We cannot claim, like Mr. Gene Tunney , that we resigned our championship undefeated in our prime. But at least we hope to retire gracefully from

4653-470: The fire of war of everything but its architectural 'essence'". The pastoral landscape surrounding the buildings was designed by Johnson and Whitney, with manicured areas of gravel or grass, trees grouped in what Johnson called outdoor "vestibules", and with care taken in the shape of the slopes and curves of the ground. In part, the landscape was a reflection of a landscape painting, The Funeral of Phocion by School of Nicolas Poussin (circa 1648) placed in

4752-494: The first issue to more than one million a week four months later. It soon challenged The Saturday Evening Post , then the largest-circulation weekly in the country. The magazine's success stimulated many imitators, such as Look , which was founded a year later in 1937 and ran until 1971. Luce moved Life into its own building at 19 West 31st Street, a Beaux-Arts building constructed in 1894. Later Life moved its editorial offices to 9 Rockefeller Plaza . A co-founder of

4851-454: The first wave at D-Day, "but all of Landry's film was lost, and his shoes to boot." In a notable mistake, in its final edition just before the 1948 U.S. presidential election , the magazine printed a large photo showing U.S. presidential candidate Thomas E. Dewey and his staff riding across San Francisco , California harbor entitled "Our Next President Rides by Ferryboat over San Francisco Bay ". Incumbent President Harry S. Truman won

4950-452: The gestures of the proud; to see strange things—machines, armies, multitudes, shadows in the jungle and on the moon; to see man's work—his paintings, towers and discoveries; to see things thousands of miles away, things hidden behind walls and within rooms, things dangerous to come to; the women that men love and many children; to see and take pleasure in seeing; to see and be amazed; to see and be instructed... Luce's first issue cover depicted

5049-469: The history of the Russian Revolution. As the 1950s drew to a close and television became more popular, the magazine was losing readers. In May 1959 it announced plans to reduce its regular news-stand price from 25 cents a copy to 20. With the increase in television sales and viewership, interest in news magazines was waning. Life had to try to create a new form. In the 1960s, the magazine

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5148-415: The home's history within different rooms or sections of the structure. Others choose one particular narrative, usually the one deemed most historically significant, and restore the home to that particular period. There are a number of organizations around the world that dedicate themselves to the preservation, restoration, or promotion of historic house museums. They include: Life (magazine) Life

5247-537: The house had the quality of a living thing. Tour groups are limited to 15 people and include a 3/4-mile walk through the estate. Tours begin and end at the Visitor Center in downtown New Canaan, Connecticut (across from the train station ), where vehicles transport each group to the site near the New Canaan– Stamford border. "Standard" tours last 90 minutes and flash photography is not allowed. There

5346-446: The inclusion of joyous festivals to mask the turmoil. The Hiroshima Traces (1999) text takes a look at the importance of collective memory and how it is embedded in culture and place. Thus, collective memory does not only reside in a house or building, but it also resonates in outdoor space – particularly when a monumental event has occurred, such as war. Problematic creation of collective memory occurs within historic house museums when

5445-503: The influence of both seems evident in the form of Da Monsta. However, Johnson claimed that his original inspiration for Da Monsta came from the design for a museum in Dresden by artist and friend Frank Stella . In fact, when Johnson first made a model of this structure, he named it “Dresden Zwei,” or “Dresden Two,” and presented it to Stella. The name was chosen after a conversation with architecture critic Herbert Muschamp , as Johnson felt

5544-625: The intellectual rigor and exquisite detailing that were so critical to Mies's genius", according to Ouroussoff. As a curator at the Museum of Modern Art, Johnson had publicized Mies' work, and the American acknowledged his debt to the German architect, particularly in a 1950 interview in Architectural Digest magazine. Even though Johnson's building was completed a year before Mies's glass house, Johnson's building "was universally viewed as having been derived from it", according to Alice T. Friedman. Johnson curated an exhibit of Mies work at

5643-524: The landscaping and largely collected the art displayed there. The house is mostly hidden from the street. It is behind a stone wall at the edge of a crest in Johnson's estate overlooking a pond. Grass and gravel strips lead toward the building. The house is 56 feet (17 m) long, 32 feet (9.8 m) wide and 10.5 feet (3.2 m) high. The kitchen, dining and sleeping areas were all in one glass-enclosed room, which Johnson initially lived in, together with

5742-445: The magazine and managed the business side of the operation. Mitchell, a 37-year-old illustrator who used a $ 10,000 inheritance to invest in the weekly magazine, served as its publisher. He also created the first Life name-plate with cupids as mascots and later on, drew its masthead of a knight leveling his lance at the posterior of a fleeing devil. Then he took advantage of a new printing process using zinc-coated plates, which improved

5841-427: The magazine in 1936 and with this the publication was relaunched, becoming the first all-photographic American news magazine. Its role in the history of photojournalism is considered one of its most important contributions to the world of publishing. From 1936 to the 1960s, Life was a wide-ranging general-interest magazine known for its photojournalism . During this period it was one of the most popular magazines in

5940-410: The magazine's archive in late 1953 and spent an estimated nine months there. He searched through 3.5 million images, most in the form of original negatives (only in the last years of the war did the picture department start to print contact sheets of all assignments) and submitted to Steichen for selection many that had not been published in the magazine. In November 1954, the actress Dorothy Dandridge

6039-532: The magazine's team in a Times 's publisher's letter, dated May 8, 1944.) Life backed the war effort each week. In July 1942, Life launched its first art contest for soldiers and drew more than 1,500 entries, submitted by all ranks. Judges sorted out the best and awarded $ 1,000 in prizes. Life picked 16 for reproduction in the magazine. The National Gallery in Washington, D.C. agreed to put 117 entries on exhibition that summer. Life , also supported

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6138-567: The military's efforts to use artists to document the war. When Congress forbade the armed forces from using government money to fund artists in the field, Life privatized the programs, hiring many of the artists being let go by the Department of War (which would later become the Department of Defense ). On December 7, 1960, Life managers later donated many of the works by such artists to the Department of War and its art programs, such as

6237-494: The more profitable newsstand sales. Gary Valk was publisher when, on December 8, 1972, the magazine announced it would cease publication by the end of the year and lay off hundreds of staff. The weekly Life magazine published its last issue on December 29, 1972. From 1972 to 1978, Time Inc. published ten Life Special Reports on such themes as "The Spirit of Israel", "Remarkable American Women" and "The Year in Pictures". With

6336-616: The most important was Charles Dana Gibson . Three years after the magazine was founded, the Massachusetts native first sold Life a drawing for $ 4: a dog outside his kennel howling at the Moon. Encouraged by a publisher, also an artist, Gibson was joined at Life by illustrators Palmer Cox , creator of the Brownie , A. B. Frost , Oliver Herford , and E. W. Kemble . Life ' s literary roster included John Kendrick Bangs , James Whitcomb Riley , and Brander Matthews . Mitchell

6435-403: The mural of life-size leathermen in the bar, which had been painted by Chuck Arnett in 1962. The article described San Francisco as "The Gay Capital of America" and inspired many gay leathermen to move there. On March 25, 1966, Life featured the drug LSD as its cover story. The drug had attracted attention among the counterculture and was not yet criminalized. In March 1967, Life won

6534-553: The museum industry. An independent survey conducted by Peggy Coats in 1990 revealed that sixty-five percent of historic house museums did not have a full-time staff, and 19 to 27 percent of historic homes employed only one full-time employee. Furthermore, the majority of these museums operated on less than $ 50,000 annually. The survey also revealed a significant disparity in the number of visitors between local house museums and national sites. While museums like Mount Vernon and Colonial Williamsburg were visited by over one million tourists

6633-425: The mushrooms, which were used in traditional religious rituals. Life ' s motto became "To see Life; to see the world." The magazine produced many popular science serials, such as The World We Live In and The Epic of Man in the early 1950s. The magazine continued to showcase the work of notable illustrators, such as Alton S. Tobey , whose contributions included the cover for a 1958 series of articles on

6732-403: The narrative of all people who lived there is dangerous. While some plantation museum narratives have changed following an outcry from the public and the academy, "plantation museums reflect, create, and contribute to racialized ways of understanding and organizing the world" by limiting or eliminating the narrative of the enslaved inhabitants. A degree of authenticity is also to be considered in

6831-491: The narrative of non-family members is dismissed, ignored, or completely rejected. Within the Southern United States, plantation museums (the former homes of enslavers) constitute a significant portion of the museum community and contribute to the racialized collective memory of the United States. Because museums are responsible for "the building of identity, cultural memory and community", neglecting to include

6930-410: The new Life magazine, Longwell served as managing editor from 1944 to 1946 and chairman of the board of editors until his retirement in 1954. He was credited for publishing Winston Churchill 's The Second World War and Ernest Hemingway 's The Old Man and the Sea . Luce also selected Edward Kramer Thompson , a stringer for Time , as assistant picture editor in 1937. From 1949 to 1961 he

7029-473: The next 22 years as general-interest, news features magazine. In 1986, it marked its 50th anniversary under the Time Inc. umbrella with a special issue showing every Life cover starting from 1936, which included the issues published during the six-year hiatus in the 1970s. The circulation in this era hovered around 1.5 million. The cover price in 1986 was $ 2.50 (equivalent to $ 6.95 in 2023). The publisher

7128-424: The people who lived there guides this approach, and dictates the manner in which it is completed. Another alternative approach, deployed by nonprofit organization House Museum , includes contemporary art integration, where artists are invited to respond to the physical and conceptual history of a site, thus injecting contemporary perspectives and value into historic places. In each kind of museum, visitors learn about

7227-426: The people who once lived there. It is often made up of the inhabitants' belongings and objects – this approach is mostly concerned with authenticity . Some museums are organised around the person who lived there or the social role the house had. Other historic house museums may be partially or completely reconstructed in order to tell the story of a particular area, social-class or historical period. The " narrative " of

7326-534: The people," he said. A June 1964 Paul Welch Life article, "Homosexuality In America", was the first time a national mainstream publication reported on gay issues. Life 's photographer was referred to the gay leather bar in San Francisco called the Tool Box for the article by Hal Call , who had long worked to dispel the myth that all gay men were effeminate. The article opened with a two-page spread of

7425-472: The previous inhabitants through an explanation and exploration of social history . The idea of a historic house museum derives from a branch of history called social history that is solely based on people and their way of living. It became very popular in the mid-twentieth century among scholars who were interested in the history of people, as opposed to political and economical issues. Social history remains an influential branch of history. Philip J. Ethington,

7524-544: The property served specific functions: the Glass House served for entertaining, the study was used for work and the galleries for storing and displaying the art collection. Johnson called other buildings his " follies " because their size, their shape or both made them unusable, such as the low-ceilinged Pavilion on the Pond or the Ghost House, a structure built with chain-link fencing on the foundation of an old barn and with lilies planted inside, inspired by his friend architect Frank Gehry . Three other existing vernacular houses on

7623-468: The public good and the preservation of American history, especially centered on the first U.S. president, General George Washington. Since the establishment of the country's first historic site in 1850, Washington's Revolutionary headquarters in New York, Americans have found a penchant for preserving similar historical structures. The establishment of historic house museums increased in popularity through

7722-690: The reproduction of his illustrations and artwork. This edge helped because Life faced stiff competition from the best-selling humor magazines Judge and Puck , which were already established and successful. Edward Sandford Martin was brought on as Life ' s first literary editor; the recent Harvard University graduate was a founder of the Harvard Lampoon . The motto of the first issue of Life was: "While there's Life, there's hope." The new magazine set forth its principles and policies to its readers: We wish to have some fun in this paper...We shall try to domesticate as much as possible of

7821-405: The restoration and creation of a historic house museum. The space must be authentic in terms of truly replicating and representing the way it once stood in its original form and appear to be untouched and left in time. There are three steps when declaring if a space is authentic: The earliest projects for preserving historic homes began in the 1850s under the direction of individuals concerned with

7920-404: The scarlet woman because of my rather puritanical upbringing and beliefs. I couldn't just have a romance. It had to be a marriage." In the 1960s, the magazine printed photographs by Gordon Parks . "The camera is my weapon against the things I dislike about the universe and how I show the beautiful things about the universe," Parks recalled in 2000. "I didn't care about Life magazine. I cared about

8019-522: The screen star. "I'm not a 'sex queen' or a 'sex symbol,' " Taylor said. "I don't think I want to be one. Sex symbol kind of suggests bathrooms in hotels or something. I do know I'm a movie star and I like being a woman, and I think sex is absolutely gorgeous. But as far as a sex goddess, I don't worry myself that way... Richard is a very sexy man. He's got that sort of jungle essence that one can sense... When we look at each other, it's like our eyes have fingers and they grab ahold.... I think I ended up being

8118-411: The shadows cast by rafters beneath the skylights distorted the look of the sculpture—he thought the changing shadows enhanced the artwork. The poor energy efficiency of the Glass House has been discussed as well. Historic house museum Historic house museums are sometimes known as a "memory museum", which is a term used to suggest that the museum contains a collection of the traces of memory of

8217-543: The size of the property, buying adjacent lots which extended it to 200 acres (0.81 km). When the Glass House estate first opened for public tours in 2007, tickets sold out quickly. By July 2010, 15,000 visitors had taken the tour. The Brick House, the guesthouse next to the Glass House, was closed in 2008 and underwent a $ 1.8 million renovation starting in 2023. The Brick House reopened in May 2024. Johnson's rambling estate also includes 14 structures Johnson designed, including

8316-651: The structure, which was originally one of two buildings (along with the brick guest house) on what was then an 11-acre (45,000 m) tract. The Glass House resulted in recognition for Johnson, not just in architectural circles, but also among the public at large. The house was featured in Life magazine, and the New York Times Magazine published a set of cartoons about it. "What really sets Johnson apart [...]" Michael Sorkin wrote in 1978, "is his aptitude for publicity." The Glass House "established Johnson as

8415-430: The symmetrical proportions of its frame demonstrate the range of Johnson's historical knowledge." Ouroussoff criticized the underground picture gallery as too "dark and somber", and said the ability to flip the paintings on movable walls is a more rigid situation than it might first appear, since only six works can be seen at any one time. Ouroussoff praised the sculpture gallery as pleasingly open and rejected criticism that

8514-644: The titular leader" of Modernist style in 1949. "If it was Mies van der Rohe who provided the real inspiration for the Glass House [...] it was only Johnson who could have built the house and lived in it himself. Johnson's career began when he turned himself into the Man in the Glass House. In an instant, he became the austere apostle for modern architecture—or rather the modern apostle for austere architecture." As Life magazine put it in 1949: "Except when entertaining, Johnson lives alone, servant-less and accompanied only by weather, paintings and books." The building created such

8613-643: The war effort that it was censored from copies of the magazine sold outside North America. The magazine hired war photographer Robert Capa in July 1943 to cover the Sicilian and Italian campaigns. A veteran of Collier's magazine, Capa accompanied the first wave of the D-Day invasion in Normandy, France , on June 6, 1944, and returned with only a handful of images, many of them out of focus. The magazine wrote in

8712-400: The weekly news magazine, Luce circulated a confidential prospectus within Time Inc. in 1936, which described his vision for the new Life magazine, and what he viewed as its unique purpose. Life magazine was to be the first publication, with a focus on photographs, that enabled the American public, To see life; to see the world; to eyewitness great events; to watch the faces of the poor and

8811-767: Was accused of anti-Semitism at a time of high rates of immigration to New York of Eastern European Jews . When the magazine blamed the theatrical team of Klaw & Erlanger for Chicago 's Iroquois Theater Fire in 1903, many people complained. Life 's drama critic, James Stetson Metcalfe , was barred from the 47 Manhattan theatres controlled by the Theatrical Syndicate . Life published caricatures of Jews with large noses. Several individuals would publish their first major works in Life . In 1908 Robert Ripley published his first cartoon in Life , 20 years before his Believe It or Not! fame. Norman Rockwell 's first cover for Life magazine, Tain't You ,

8910-474: Was considered a rite of passage for decades after the house was built to sneak onto the property and see how long they could walk around until Whitney discovered them and told them to leave. Johnson wanted to preserve his estate as a public monument "with the aim of cementing his legacy", even building Da Monsta as a visitors pavilion, according to architecture critic Nicolai Ourousoff (although after Johnson's death, National Trust officials decided instead to build

9009-543: Was designated a National Historic Landmark in 1997. It is now owned by the National Trust for Historic Preservation and is open to the public for guided tours, which begin at a visitors center at 199 Elm Street in New Canaan. The house is an example of early use of industrial materials in home design, such as glass and steel. Johnson lived at the weekend retreat for 58 years; 45 years with his long time companion David Whitney , an art critic and curator who helped design

9108-444: Was designed to reflect Johnson's uncluttered aesthetic, includes a "media wall" with multiple video loops running simultaneously on a wall with 24 computer screens. The screens, not meant to be viewed in any order, are meant to reflect the many facets of the architecture, art, landscaping and other features of the estate. When the Visitor Center opened, each of the screens was running a video loop of between two and 20 minutes, centered on

9207-529: Was filled with color photos of movie stars, President John F. Kennedy and his family, the war in Vietnam , and the Apollo program . Typical of the magazine's editorial focus was a long 1964 feature on actress Elizabeth Taylor and her relationship with actor Richard Burton . Journalist Richard Meryman traveled with Taylor to New York , California , and Paris . Life ran a 6,000-word first-person article on

9306-474: Was inferior to Farnsworth House in "intellectual rigor" and exquisite detailing. He stated that the steel I-beams at the corners of Johnson's building "are clumsily detailed—especially disconcerting in a work of such purity." Nevertheless, the building is "a legitimate aesthetic triumph", with the glass walls beautifully layering silhouetted and reflected images layered on each other, the critic wrote. "[T]he classical references alluded to by its thin brick base and

9405-501: Was left but foundations and chimneys of brick." Mark Lamster , in his biography of Johnson The Man in the Glass House , notes that this was plausibly Johnson's attempt to "intentionally re-create the 'stirring spectacle' that was the burning of Jewish shtetls he had witnessed driving through Poland with the Wehrmacht ". Historian Anthony Vidler went further stating that the Glass House could be read as "a Polish farmhouse 'purified' by

9504-453: Was published May 10, 1917. His paintings were featured on Life 's cover 28 times between 1917 and 1924. Rea Irvin , the first art director of The New Yorker and creator of the character " Eustace Tilley ", began his career by drawing covers for Life . This version of Life took sides in politics and international affairs, and published pro-American editorials. After Germany attacked Belgium in 1914, Mitchell and Gibson undertook

9603-500: Was republished in 1985 as the novella, The Dangerous Summer . In February 1953, just a few weeks after leaving office, President Harry S. Truman announced that Life magazine would handle all rights to his memoirs. Truman said it was his belief that by 1954 he would be able to speak more fully on subjects pertaining to the role his administration played in world affairs. Truman observed that Life editors had presented other memoirs with great dignity; he added that Life had also made

9702-516: Was the first African-American woman to be featured on the cover of the magazine. In 1957, R. Gordon Wasson , a vice president at J. P. Morgan , published an article in Life extolling the virtues of magic mushrooms . This prompted Albert Hofmann to isolate psilocybin in 1958 for distribution by Sandoz alongside LSD in the U.S., further raising interest in LSD in the mass media. Following Wasson's report, Timothy Leary visited Mexico to try out

9801-441: Was the managing editor, and served as editor-in-chief for nearly a decade, until his retirement in 1970. His influence was significant during the magazine's heyday, which was roughly from 1936 until the mid-1960s. Thompson was known for the free rein he gave his editors, particularly a "trio of formidable and colorful women: Sally Kirkland , fashion editor; Mary Letherbee, movie editor; and Mary Hamman , modern living editor." When

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