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40-518: The Green Room Awards are Australian peer awards which recognise excellence in cabaret , dance, theatre companies, independent theatre, musical theatre , contemporary and experimental performance, and opera . The awards, which were established in 1982, are based in Melbourne , Victoria . The Green Room Awards were established in 1982 by a group of theatre people, with the inaugural awards ceremony held in 1983. Blair Edgar and Steven Tandy formed

80-525: A Thé and Café Chantant event had been organised in 1900 in Edinburgh by Alice Low (suffragist) and an actor to raise money for a patriotic fund for Scottish soldiers. And later, a similar event for prisoners of war comforts fund, was organised by a 'tea committee' in Leamington Spa , during World War One in 1916. Le Café Concert , was a book published by L’Estampe originale in 1893 about

120-522: A cabaret called the Mouton Blanc on rue du Vieux-Colombier, and later the Croix de Lorraine on the modern rue Bourg-Tibourg. In 1773, French poets, painters, musicians and writers began to meet in a cabaret called Le Caveau on rue de Buci, where they composed and sang songs. The Caveau continued until 1816, when it was forced to close because its clients wrote songs mocking the royal government. In

160-470: A great deal of social commentary. When New York cabarets featured jazz, they tended to focus on famous vocalists like Nina Simone , Bette Midler , Eartha Kitt , Peggy Lee , and Hildegarde rather than instrumental musicians. Julius Monk 's annual revues established the standard for New York cabaret during the late 1950s and '60s. Cabaret in the United States began to decline in the 1960s, due to

200-576: A revival of American cabaret, particularly in New Orleans , Chicago , Seattle , Portland , Philadelphia , Orlando , Tulsa , Asheville, North Carolina , and Kansas City, Missouri , as new generations of performers reinterpret the old forms in both music and theater. Many contemporary cabaret groups in the United States and elsewhere feature a combination of original music, burlesque and political satire. In New York City, since 1985, successful, enduring or innovative cabaret acts have been honored by

240-561: Is a type of musical establishment associated with the Belle Époque in France. The music was generally lighthearted and sometimes risqué or even bawdy but, as opposed to the cabaret tradition, not particularly political or confrontational. Although there is much overlap of definition with cabaret , music hall , vaudeville , etc., the café chantant was originally an outdoor café where small groups of performers performed popular music for

280-536: Is the Kleinkunstacademie (English: Cabaret Academy). It is often a mixture of (stand-up) comedy, theatre, and music and often includes social themes and political satire. In the mid twentieth century, "the big three" were Wim Sonneveld , Wim Kan , and Toon Hermans . Nowadays, many cabaret shows of popular "cabaretiers" (performers of cabaret) are broadcast on national television, especially on New Year's Eve, when several special cabaret shows are aired where

320-781: The Cabaret des noctambules on Rue Champollion on the Left Bank; the Lapin Agile at Montmartre; and Le Soleil d'or at the corner of the quai Saint-Michel and boulevard Saint-Michel, where poets including Guillaume Apollinaire and André Salmon met to share their work. The music hall , first invented in London, appeared in Paris in 1862. It offered more lavish musical and theatrical productions, with elaborate costumes, singing, and dancing. The theaters of Paris, fearing competition from

360-521: The Boite a Fursy (1899), specialized in current events, politics and satire. Some were purely theatrical, producing short scenes of plays. Some focused on the macabre or erotic. The Caberet de la fin du Monde had servers dressed as Greek and Roman gods and presented living tableaus that were between erotic and pornographic. By the end of the century, there were only a few cabarets of the old style remaining where artists and bohemians gathered. They included

400-536: The Grateful Dead . A handful of music halls exist today in Paris, attended mostly by visitors to the city; and a number of more traditional cabarets, with music and satire, can be found. In the Netherlands, cabaret or kleinkunst (literally: "small art") is a popular form of entertainment, usually performed in theatres. The birth date of Dutch cabaret is usually set at August 19, 1895. In Amsterdam, there

440-706: The Ottoman Era as early as 1554. Hundreds of them were opened continually, most of them with a social club status. In the Russian Empire , the term was taken wholesale into the Russian language as " kafe-shantan " (кафе-шантан). Odessa was the city best known for its numerous kafe-shantany . In the twentieth century, Cafe Chantant events were held across the UK by the women's suffrage movement to bring together their supporters and to raise funds. The organization of

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480-635: The 18th century, the café-concert or café-chantant appeared, which offered food along with music, singers, or magicians. The most famous was the Cafe des Aveugles in the cellars of the Palais-Royal , which had a small orchestra of blind musicians. In the early 19th century, many cafés-chantants appeared around the city; the most famous were the Café des Ambassadeurs (1843) on the Champs-Élysées and

520-534: The Alhambra Music Hall in 1902, and the Printania in 1903. The Printania, open only in summer, had a large music garden which seated twelve thousand spectators, and produced dinner shows which presented twenty-three different acts, including singers, acrobats, horses, mimes, jugglers, lions, bears and elephants, with two shows a day. In the 20th century, the competition from motion pictures forced

560-512: The Champs-Élysées opened in 1946, presenting Édith Piaf, Laurel and Hardy , Shirley MacLaine , Marlene Dietrich , Maurice Chevalier , and Noël Coward . The Crazy Horse Saloon , featuring striptease, dance, and magic, opened in 1951. The Olympia Paris went through a number of years as a movie theater before being revived as a music hall and concert stage in 1954. Performers there included Piaf, Dietrich, Miles Davis , Judy Garland , and

600-603: The Conservatory, earned his living playing the piano at the Chat Noir . By 1896, there were 56 cabarets and cafes with music in Paris, along with a dozen music halls. The cabarets did not have a high reputation; one critic wrote in 1897 that "they sell drinks which are worth fifteen centimes along with verses which, for the most part, are worth nothing." The traditional cabarets, with monologues and songs and little decor, were replaced by more specialized venues; some, like

640-459: The Eldorado (1858) on boulevard Strasbourg. By 1900, there were more than 150 cafés-chantants in Paris. The first cabaret in the modern sense was Le Chat Noir in the bohemian neighborhood of Montmartre , created in 1881 by Rodolphe Salis , a theatrical agent and entrepreneur. It combined music and other entertainment with political commentary and satire. The Chat Noir brought together

680-712: The Green Room Awards Association. The Association's 40th awards ceremony, took place at Melbourne's Capitol Theatre to a sell-out audience on 29 May 2023. The Green Room Awards Association is composed of members of Melbourne's performing arts community, including journalists, performers, writers, directors, choreographers, academics, theatre technicians and administrators. It is based in Melbourne , Victoria . The Green Room Awards recognise excellence in cabaret , dance, theatre companies, independent theatre, musical theatre, contemporary and experimental performance, and opera. The current patron of

720-532: The Production award in each category include the following, with the year relating to the year of the award ceremony: Recipients include (year added where found): Cabaret The term originally came from Picard language or Walloon language words camberete or cambret for a small room (12th century). The first printed use of the word kaberet is found in a document from 1275 in Tournai . The term

760-708: The annual Bistro Awards. The Cabaret Theatre Club, later known as The Cave of the Golden Calf , was opened by Frida Strindberg (modelled on the Kaberett Fledermaus in Strindberg's native Vienna) in a basement at 9 Heddon Street, London, in 1912. She intended her club to be an avant-garde meeting place for bohemian writers and artists, with decorations by Jacob Epstein , Eric Gill , and Wyndham Lewis , but it rapidly came to be seen as an amusing place for high society and went bankrupt in 1914. The Cave

800-609: The association is Liz Jones . Former patrons include Uncle Jack Charles , Rachel Griffiths , and David Atkins . As at April 2023, the president of the association is Anton Berezin , vice president Dean Drieberg, secretary Weng Yi Wong and treasurer Emily Harvey. As of 2013, award categories include: Several named awards can be given: Previous winners of the awards include Dale Ferguson , David Hersey , Stephen Baynes , Greg Horsman , Eddie Perfect , Laurie Cadevida , Stephen Daldry , Genevieve Lemon , Michael Dameski , Julian Gavin , and Steve Mouzakis . Recipients of

840-568: The cabaretier usually reflects on large events of the past year. German Kabarett developed from 1901, with the creation of the Überbrettl ( Superstage ) venue, and by the Weimar era in the mid-1920s, the Kabarett performances were characterized by political satire and gallows humor . It shared the characteristic atmosphere of intimacy with the French cabaret from which it was imported, but

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880-1455: The club. . . . the question of the legality of these vouchers led to a famous visitation of the police. That was the night a certain Duke was got out by way of the kitchen lift . . . The visitation was a well-mannered affair' One of the main gathering centers of cabarets in Tehran (Iranian capital) was Laleh-Zar Street . Famous Persian cabarets were active in the city until 1979 . They also introduced many domestic artists. In common language, cabaret sometimes called by Iranians "home of dance" (In Persian : رقاص‌خانه ) or "dancing place". In Stockholm , an underground show called Fattighuskabarén ( Poor House Cabaret ) opened in 1974 and ran for 10 years. Performers of later celebrity and fame (in Sweden) such as Ted Åström , Örjan Ramberg , and Agneta Lindén began their careers there. Wild Side Story also had several runs in Stockholm, at Alexandra's (1976 with Ulla Jones and Christer Lindarw ), Camarillo (1997), Rosenlundsteatern/Teater Tre (2000), Wild Side Lounge at Bäckahästen (2003 with Helena Mattsson ) and Mango Bar (2004). Alexandra's had also hosted AlexCab in 1975, as had Compagniet in Gothenburg . In 2019

920-728: The dance halls to put on shows that were more spectacular and more complex. In 1911, the producer Jacques Charles of the Olympia Paris created the grand staircase as a setting for his shows, competing with its great rival, the Folies Bergère which had been founded in 1869. Its stars in the 1920s included the American singer and dancer Josephine Baker . The Casino de Paris , directed by Leon Volterra and then Henri Varna, presented many famous French singers, including Mistinguett, Maurice Chevalier , and Tino Rossi . Le Lido on

960-485: The events of musical and other performances held the movement were intended to be of a high standard (and unlikely to be risqué although unconventional), so that fundraising this way was successful. Starting in one branch, then rolling out across Scotland, this type of fundraising was led in 1908 by Jessie M.Soga , contralto. A programme for a London Cafe Chantant shows the variety of performances ranging from music or talks, to clairvoyance and jujitsu . Prior to that,

1000-518: The final years of the Partitions of Poland . In the interwar Poland there was a considerable number of Yiddish -language cabarets. This art form was called kleynkunst (lliterally "small art") in Yiddish. In post- war Poland, it is almost always associated with the troupe (often on tour ), not the venue ; pre-war revue shows (with female dancers) were long gone. American cabaret

1040-489: The first Serbian cabaret club Lafayette opened. Although Serbia and Belgrade had a rich nightlife and theater life there was no cabaret house until 2019. It retained the intimate atmosphere, entertainment platform, and improvisational character of the French cabaret but developed its own characteristic gallows humour. By the late 1920s the German cabaret gradually had come to feature mildly risque musical entertainment for

1080-510: The gallows humor was a distinct German aspect. The Polish kabaret is a popular form of live (often televised ) entertainment involving a comedy troupe, and consisting mostly of comedy sketches , monologues , stand up comedy , songs and political satire (often hidden behind double entendre to fool censors ). It traces its origins to Zielony Balonik , a famous literary cabaret founded in Kraków by local poets, writers and artists during

1120-595: The mid nineteenth century to the 1920s. Cafés chantants were known as كافشانتان ( kafeşantan ) in Turkish , and many were opened in the Beyoğlu/Péra district of Istanbul in the early years of the twentieth century. They are described in great detail in the memoirs of such authors as Ahmed Rasim and Sermet Muhtar Alus. Earlier versions of the kafeşantan , known as kahvehane in Turkish , appeared in Istanbul during

1160-550: The middle-class man, as well as biting political and social satire. It was also a centre for underground political and literary movements. [...] They were the centres of leftist of opposition to the rise of the German Nazi Party and often experienced Nazi retaliation for their criticism of the government. Caf%C3%A9-chantant Café chantant ( French pronunciation: [kafe ʃɑ̃tɑ̃] ; French: lit. 'singing café'), café-concert , or caf’conc

1200-612: The music halls, had a law passed by the National Assembly forbidding music hall performers to wear costumes, dance, wear wigs, or recite dialogue. The law was challenged by the owner of the music hall Eldorado in 1867, who put a former famous actress from the Comédie-Française on stage to recite verse from Corneille and Racine. The public took the side of the music halls, and the law was repealed. The Moulin Rouge

1240-546: The public. The tradition of such establishments as a venue for music has its origins in Paris and London of the eighteenth century. Such establishments gained their widest popularity in the late nineteenth and early twentieth centuries with the growth of various other national "schools" of cafè chantant (besides French). Thus, one spoke of an Italian café chantant, German café chantant, or Austrian café chantant. For example, at least one Victorian era premises in England

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1280-458: The rising popularity of rock concert shows, television variety shows , and general comedy theaters. However, it remained in some Las Vegas-style dinner shows, such as the Tropicana , with fewer comedy segments. The art form still survives in various musical formats, as well as in the stand-up comedy format, and in popular drag show performances. The late 20th and early 21st century saw

1320-632: The table was covered with a cloth, and the price was charged by the plate, not the mug. They were not particularly associated with entertainment even if musicians sometimes performed in both. Early on, cabarets were considered better than taverns; by the end of the sixteenth century, they were the preferred place to dine out. In the 17th century, a clearer distinction emerged when taverns were limited to selling wine, and later to serving roast meats. Cabarets were frequently used as meeting places for writers, actors, friends and artists. Writers such as La Fontaine , Moliere and Jean Racine were known to frequent

1360-464: The wealthy and famous of Paris with the bohemians and artists of Montmartre and the Pigalle . Its clientele "was a mixture of writers and painters, of journalists and students, of employees and high-livers, as well as models, prostitutes and true grand dames searching for exotic experiences." The host was Salis himself, calling himself a gentleman- cabaretier ; he began each show with a monologue mocking

1400-417: The wealthy, ridiculing the deputies of the National Assembly, and making jokes about the events of the day. The cabaret was too small for the crowds trying to get in; at midnight on June 10, 1885, Salis and his customers moved down the street to a larger new club at 12 rue de Laval, which had a decor described as "A sort of Beirut with Chinese influences." The composer Eric Satie , after finishing his studies at

1440-510: Was imported from French cabaret by Jesse Louis Lasky in 1911. In the United States, cabaret diverged into several different styles of performance mostly due to the influence of jazz music. Chicago cabaret focused intensely on the larger band ensembles and reached its peak during Roaring Twenties , under the Prohibition Era , where it was featured in the speakeasies and steakhouses . New York cabaret never developed to feature

1480-522: Was known as a café chantant. One of the most famous performers in this medium was violinist Georges Boulanger , who performed in this style from 1910 until 1958, and singer Gorella Gori or Zaira Erba who died in 1963. In Spain, such an establishment was known as a café-concert (such as the Café de las Salesas in Madrid) or café cantante , and became the centre for professional flamenco performances from

1520-598: Was nevertheless an influential venture, which introduced the concept of cabaret to London. It provided a model for the generation of nightclubs that came after it. "The clubs that started the present vogue for dance clubs were the Cabaret Club in Heddon Street . . . . The Cabaret Club was the first club where members were expected to appear in evening clothes. . . . The Cabaret Club began a system of vouchers which friends of members could use to obtain admission to

1560-572: Was opened in 1889 by the Catalan Joseph Oller. It was greatly prominent because of the large red imitation windmill on its roof, and became the birthplace of the dance known as the French Cancan . It helped make famous the singers Mistinguett and Édith Piaf and the painter Toulouse-Lautrec , who made posters for the venue. The Olympia , also run by Oller, was the first to be called a music hall; it opened in 1893, followed by

1600-666: Was used since the 13th century in Middle Dutch to mean an inexpensive inn or restaurant ( caberet , cabret ). The word cambret , itself probably derived from an earlier form of chambrette , little room, or from the Norman French chamber meaning tavern, itself derived from the Late Latin word camera meaning an arched roof. Cabarets had appeared in Paris by at least the late 15th century. They were distinguished from taverns because they served food as well as wine,

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