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106-510: Whereas the orders were essentially structural in Ancient Greek architecture , which made little use of the arch until its late period, in Roman architecture where the arch was often dominant, the orders became increasingly decorative elements except in porticos and similar uses. Columns shrank into half-columns emerging from walls or turned into pilasters . This treatment continued after

212-485: A base of stone which protected the more vulnerable elements from damp. The roofs were probably of thatch with eaves which overhung the permeable walls. Many larger houses, such as those at Delos, were built of stone and plastered. The roofing material for the substantial house was tile. Houses of the wealthy had mosaic floors and demonstrated the Classical style. Many houses centred on a wide passage or "pasta" which ran

318-418: A building in which each of these could be housed. This led to the development of temples. The ancient Greeks perceived order in the universe, and in turn, applied order and reason to their creations. Their humanist philosophy put mankind at the centre of things and promoted well-ordered societies and the development of democracy. At the same time, the respect for human intellect demanded a reason, and promoted

424-514: A large number of sites around the Eastern Mediterranean , including Mainland Greece , Western Asia Minor , Southern and Central Italy . Being more expensive and labour-intensive to produce than thatch, their introduction has been explained by the fact that their fireproof quality would have given desired protection to the costly temples. As a side-effect, it has been assumed that the new stone and tile construction also ushered in

530-399: A lintel, which in a stone building limited the possible width of the opening. The distance between columns was similarly affected by the nature of the lintel, columns on the exterior of buildings and carrying stone lintels being closer together than those on the interior, which carried wooden lintels. Door and window openings narrowed towards the top. Temples were constructed without windows,

636-473: A low pitched gable or pediment. The earliest temples, built to enshrine statues of deities, were probably of wooden construction, later replaced by the more durable stone temples many of which are still in evidence today. The signs of the original timber nature of the architecture were maintained in the stone buildings. A few of these temples are very large, with several, such as the Temple of Zeus Olympus and

742-401: A millennium of Greek pottery making, but also in the architecture that was to emerge in the 6th century. The major development that occurred was in the growing use of the human figure as the major decorative motif, and the increasing surety with which humanity, its mythology, activities and passions were depicted. The development in the depiction of the human form in pottery was accompanied by

848-400: A narrow band or strip, such as the ridge between flutes . An annulet is also a narrow flat architectural moulding , common in other parts of a column , viz. the bases, as well as the capital. It is so called, because it encompasses the column round. In this sense, annulet is frequently used for baguette or little astragal . This architectural element –related article is

954-406: A naturally occurring sloping site where people could sit, rather than a containing structure. Colonnades encircling buildings, or surrounding courtyards provided shelter from the sun and from sudden winter storms. The light of Greece may be another important factor in the development of the particular character of ancient Greek architecture. The light is often extremely bright, with both the sky and

1060-478: A necking or annulet , which is a simple ring. The echinus is convex, or circular cushion like stone, and the abacus is a square slab of stone. Above the capital is a square abacus connecting the capital to the entablature. The entablature is divided into three horizontal registers, the lower part of which is either smooth or divided by horizontal lines. The upper half is distinctive for the Doric order. The frieze of

1166-399: A passion for enquiry, logic, challenge, and problem-solving. The architecture of the ancient Greeks, and in particular, temple architecture, responds to these challenges with a passion for beauty, and for order and symmetry which is the product of a continual search for perfection, rather than a simple application of a set of working rules. There is a clear division between the architecture of

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1272-452: A plinth and a torus. The Roman versions of the Doric order have smaller proportions. As a result, they appear lighter than the Greek orders. The Ionic order came from eastern Greece, where its origins are entwined with the similar but little known Aeolic order . It is distinguished by slender, fluted pillars with a large base and two opposed volutes (also called "scrolls") in the echinus of

1378-431: A rectangular hall with a hearth in the centre, was the largest room in the palaces, and also larger houses. Sun-dried brick above rubble bases were the usual materials, with wooden columns and roof-beams. Rows of ashlar stone orthostats lined the base of walls in some prominent locations. The Minoan architecture of Crete was of the trabeated form like that of ancient Greece. It employed wooden columns with capitals, but

1484-597: A regular grid of paved streets and an agora or central market place surrounded by a colonnade or stoa . The completely restored Stoa of Attalos can be seen in Athens . Towns were also equipped with a public fountain where water could be collected for household use. The development of regular town plans is associated with Hippodamus of Miletus , a pupil of Pythagoras . Public buildings became "dignified and gracious structures", and were sited so that they related to each other architecturally. The propylon or porch, formed

1590-719: A result of Alexander's conquest of other lands, and later as a result of the rise of the Roman Empire, which adopted much of Greek culture. Before the Hellenic era, two major cultures had dominated the region: the Minoan ( c.  2800  – c.  1100 BC ), and the Mycenaean (c. 1500–1100 BC). Minoan is the name given by modern historians to the culture of the people of ancient Crete , known for its elaborate and richly decorated Minoan palaces , and for its pottery,

1696-436: A sculptural entity within the landscape, most often raised on high ground so that the elegance of its proportions and the effects of light on its surfaces might be viewed from all angles. Nikolaus Pevsner refers to "the plastic shape of the [Greek] temple [...] placed before us with a physical presence more intense, more alive than that of any later building". The formal vocabulary of ancient Greek architecture, in particular

1802-409: A series of solid stone cylinders or "drums" that rest on each other without mortar, but were sometimes centred with a bronze pin. The columns are wider at the base than at the top, tapering with an outward curve known as entasis . Each column has a capital of two parts, the upper, on which rests the lintels, being square and called the abacus . The part of the capital that rises from the column itself

1908-598: A similar development in sculpture. The tiny stylised bronzes of the Geometric period gave way to life-sized highly formalised monolithic representation in the Archaic period. The Classical period was marked by a rapid development towards idealised but increasingly lifelike depictions of gods in human form. This development had a direct effect on the sculptural decoration of temples, as many of the greatest extant works of ancient Greek sculpture once adorned temples, and many of

2014-453: A source of decorative motifs employed by ancient Greek architects as particularly in evidence in the volutes of capitals of the Ionic and Corinthian Orders. The ancient Greek architects took a philosophic approach to the rules and proportions. The determining factor in the mathematics of any notable work of architecture was its ultimate appearance. The architects calculated for perspective, for

2120-409: A treasury or repository for trophies and gifts. The chambers were lit by a single large doorway, fitted with a wrought iron grill. Some rooms appear to have been illuminated by skylights. On the stylobate, often completely surrounding the naos, stand rows of columns. Each temple is defined as being of a particular type, with two terms: one describing the number of columns across the entrance front, and

2226-449: A triangular structure called the pediment. The tympanum is the triangular space framed by the cornices and the location of the most significant sculptural decoration on the exterior of the building. Every temple rested on a masonry base called the crepidoma , generally of three steps, of which the upper one which carried the columns was the stylobate . Masonry walls were employed for temples from about 600 BC onwards. Masonry of all types

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2332-438: Is a second horizontal stage called the frieze . The frieze is one of the major decorative elements of the building and carries a sculptured relief. In the case of Ionic and Corinthian architecture, the relief decoration runs in a continuous band, but in the Doric order, it is divided into sections called metopes , which fill the spaces between vertical rectangular blocks called triglyphs . The triglyphs are vertically grooved like

2438-542: Is best known for its temples , many of which are found throughout the region, with the Parthenon regarded, now as in ancient times, as the prime example. Most remains are very incomplete ruins, but a number survive substantially intact, mostly outside modern Greece. The second important type of building that survives all over the Hellenic world is the open-air theatre , with the earliest dating from around 525–480 BC. Other architectural forms that are still in evidence are

2544-466: Is called the echinus. It differs according to the order, being plain in the Doric order, fluted in the Ionic and foliate in the Corinthian. Doric and usually Ionic capitals are cut with vertical grooves known as fluting . This fluting or grooving of the columns is a retention of an element of the original wooden architecture. The columns of a temple support a structure that rises in two main stages,

2650-471: Is characterized by columns that extend the height of two or more stories. The Tuscan order has a very plain design, with a plain shaft, and a simple capital, base, and frieze. It is a simplified adaptation of the Greeks' Doric order. The Tuscan order is characterized by an unfluted shaft and a capital that consists of only an echinus and an abacus. In proportions it is similar to the Doric order, but overall it

2756-462: Is eight diameters high. The architrave of the entablature commonly consists of three stepped bands ( fasciae ). The frieze comes without the Doric triglyph and metope. The frieze sometimes comes with a continuous ornament such as carved figures instead. The Corinthian order is the most elaborated of the Greek orders, characterized by a slender fluted column having an ornate capital decorated with two rows of acanthus leaves and four scrolls. The shaft of

2862-514: Is significantly plainer. The column is normally seven diameters high. Compared to the other orders, the Tuscan order looks the most solid. The Composite order is a mixed order, combining the volutes of the Ionic with the leaves of the Corinthian order. Until the Renaissance it was not ranked as a separate order. Instead it was considered as a late Roman form of the Corinthian order. The column of

2968-416: Is stone. Limestone was readily available and easily worked. There is an abundance of high quality white marble both on the mainland and islands, particularly Paros and Naxos . This finely grained material was a major contributing factor to precision of detail, both architectural and sculptural, that adorned ancient Greek architecture. Deposits of high-quality potter's clay were found throughout Greece and

3074-423: Is the base of the system. All the other measurements are expressed in fractions or in multiples of this module. The result is an arithmetical model, and with its help each order, harmoniously proportioned, can easily be adapted to any given height, of a façade or an interior. From this point of view, Vignola's Regola is a remarkable intellectual achievement". In America, The American Builder's Companion , written in

3180-468: Is when successive stories of a building have different orders. The heaviest orders were at the bottom, whilst the lightest came at the top. This means that the Doric order was the order of the ground floor, the Ionic order was used for the middle story, while the Corinthian or the Composite order was used for the top story. The Giant order was invented by architects in the Renaissance . The Giant order

3286-682: The Capitol building in Washington, DC, designed a series of botanical American orders. Most famous is the Corinthian order substituting ears of corn and their husks for the acanthus leaves, which was executed by Giuseppe Franzoni and used in the small domed vestibule of the Senate. Only this vestibule survived the Burning of Washington in 1814, nearly intact. With peace restored, Latrobe designed an American order that substituted tobacco leaves for

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3392-603: The Palace of Versailles contains pilasters with bronze capitals in the "French order". Designed by Charles Le Brun , the capitals display the national emblems of the Kingdom of France : the royal sun between two Gallic roosters above a fleur-de-lis . Robert Adam 's brother James was in Rome in 1762, drawing antiquities under the direction of Clérisseau ; he invented a "British order" and published an engraving of it. Its capital

3498-534: The Panathinaiko Stadium in Athens, which seats 45,000 people, was restored in the 19th century and was used in the 1896, 1906 and 2004 Olympic Games . The architecture of ancient Greece is of a trabeated or " post and lintel " form, i.e. it is composed of upright beams (posts) supporting horizontal beams (lintels). Although the existent buildings of the era are constructed in stone, it is clear that

3604-529: The Parthenon , are between 60 and 80 metres (approx. 200–260 feet) in length. The largest temples, mainly Ionic and Corinthian, but including the Doric Temple of the Olympian Zeus, Agrigento , were between 90 and 120 metres (approx. 300–390 feet) in length. The temple rises from a stepped base or stylobate , which elevates the structure above the ground on which it stands. Early examples, such as

3710-465: The abacus , which is a square or shaped block that in turn supports the entablature. The entablature consists of three horizontal layers, all of which are visually separated from each other using moldings or bands. In Roman and post-Renaissance work, the entablature may be carried from column to column in the form of an arch that springs from the column that bears its weight, retaining its divisions and sculptural enrichment, if any. There are names for all

3816-421: The canon started circulating in Rome, at the beginning of the 16th century, probably during the studies of Vitruvius' text conducted and shared by Peruzzi , Raphael , and Sangallo. Ever since, the definition of the canon has been a collective endeavor that involved several generations of European architects, from Renaissance and Baroque periods, basing their theories both on the study of Vitruvius' writings and

3922-404: The entablature and the pediment . The entablature is the major horizontal structural element supporting the roof and encircling the entire building. It is composed of three parts. Resting on the columns is the architrave made of a series of stone "lintels" that spanned the space between the columns, and meet each other at a joint directly above the centre of each column. Above the architrave

4028-527: The "speaking architecture" ( architecture parlante ) that was taught in the Paris courses, most explicitly by Étienne-Louis Boullée , in which sculptural details of classical architecture could be enlisted to speak symbolically, the better to express the purpose of the structure and enrich its visual meaning with specific appropriateness. This idea was taken up strongly in the training of Beaux-Arts architecture , c.  1875–1915 . The Hall of Mirrors in

4134-407: The 15th century, Vitruvius came to be regarded as the ultimate authority on architecture. However, in his text the word order is not to be found. To describe the four species of columns (he only mentions: Tuscan, Doric, Ionic and Corinthian) he uses, in fact, various words such as: genus (gender), mos (habit, fashion, manner), opera (work). The term order , as well as the idea of redefining

4240-529: The 19th century. The Bauhaus promoted pure functionalism, stripped of superfluous ornament, and that has become one of the defining characteristics of modern architecture . There are some exceptions. Postmodernism introduced an ironic use of the orders as a cultural reference, divorced from the strict rules of composition. On the other hand, a number of practitioners such as Quinlan Terry in England, and Michael Dwyer , Richard Sammons , and Duncan Stroik in

4346-520: The 6th century BC, where the rows of columns supporting the roof the cella rise higher than the outer walls, unnecessary if roof trusses are employed as an integral part of the wooden roof. The indication is that initially all the rafters were supported directly by the entablature, walls and hypostyle, rather than on a trussed wooden frame, which came into use in Greek architecture only in the 3rd century BC. Ancient Greek buildings of timber, clay and plaster construction were probably roofed with thatch. With

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4452-436: The Composite order is typically ten diameters high. The Renaissance period saw renewed interest in the literary sources of the ancient cultures of Greece and Rome, and the fertile development of a new architecture based on classical principles. The treatise De architectura by Roman theoretician, architect and engineer Vitruvius , is the only architectural writing that survived from Antiquity. Effectively rediscovered in

4558-635: The Corinthian order by William Donthorne that used turnip leaves and mangelwurzel is termed the Agricultural order. Sir Edwin Lutyens , who from 1912 laid out New Delhi as the new seat of government for the British Empire in India , designed a Delhi order having a capital displaying a band of vertical ridges, and with bells hanging at each corner as a replacement for volutes. His design for

4664-468: The Corinthian order has 24 flutes. The column is commonly ten diameters high. The Roman writer Vitruvius credited the invention of the Corinthian order to Callimachus , a Greek sculptor of the 5th century BC. The oldest known building built according to this order is the Choragic Monument of Lysicrates in Athens, constructed from 335 to 334 BC. The Corinthian order was raised to rank by

4770-718: The Dorian people who lived on the Greek mainland. Following these events, there was a period from which only a village level of culture seems to have existed. This period is thus often referred to as the Greek Dark Age . The art history of the Hellenic era is generally subdivided into four periods: the Protogeometric (1100–900 BC), the Geometric (900–700 BC), the Archaic (700–500 BC) and the Classical (500–323 BC) with sculpture being further divided into Severe Classical, High Classical and Late Classical. The first signs of

4876-399: The Doric columns, and retain the form of the wooden beams that would once have supported the roof. The upper band of the entablature is called the cornice , which is generally ornately decorated on its lower edge. The cornice retains the shape of the beams that would once have supported the wooden roof at each end of the building. At the front and rear of each temple, the entablature supports

4982-407: The Doric entablature is divided into triglyphs and metopes . A triglyph is a unit consisting of three vertical bands which are separated by grooves. Metopes are the plain or carved reliefs between two triglyphs. The Greek forms of the Doric order come without an individual base. They instead are placed directly on the stylobate . Later forms, however, came with the conventional base consisting of

5088-462: The Doric order is considered the earliest order, but there is no evidence to support this. Rather, the Doric and Ionic orders seem to have appeared at around the same time, the Ionic in eastern Greece and the Doric in the west and mainland. Both the Doric and the Ionic order appear to have originated in wood. The Temple of Hera in Olympia is the oldest well-preserved temple of Doric architecture. It

5194-406: The Greek style. The Doric order originated on the mainland and western Greece . It is the simplest of the orders, characterized by short, organized, heavy columns with plain, round capitals (tops) and no base. With a height that is only four to eight times its diameter, the columns are the most squat of all orders. The shaft of the Doric order is channeled with 20 flutes. The capital consists of

5300-534: The Islands, with major deposits near Athens. It was used not only for pottery vessels but also roof tiles and architectural decoration. The climate of Greece is maritime, with both the coldness of winter and the heat of summer tempered by sea breezes. This led to a lifestyle where many activities took place outdoors. Hence temples were placed on hilltops, their exteriors designed as a visual focus of gatherings and processions, while theatres were often an enhancement of

5406-464: The Olympians at Athens being well over 300 feet in length, but most were less than half this size. It appears that some of the large temples began as wooden constructions in which the columns were replaced piecemeal as stone became available. This, at least was the interpretation of the historian Pausanias looking at the Temple of Hera at Olympia in the 2nd century AD. The stone columns are made of

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5512-475: The Temple of Zeus at Olympus, have two steps, but the majority, like the Parthenon, have three, with the exceptional example of the Temple of Apollo at Didyma having six. The core of the building is a masonry-built "naos" within which is a cella, a windowless room originally housing the statue of the god. The cella generally has a porch or "pronaos" before it, and perhaps a second chamber or "antenaos" serving as

5618-486: The United States, continue the classical tradition, and use the classical orders in their work. Several orders, usually based upon the composite order and only varying in the design of the capitals, have been invented under the inspiration of specific occasions, but have not been used again. They are termed " nonce orders " by analogy to nonce words ; several examples follow below. These nonce orders all express

5724-416: The acanthus, of which he sent a sketch to Thomas Jefferson in a letter, 5 November 1816. He was encouraged to send a model of it, which remains at Monticello . In the 1830s Alexander Jackson Davis admired it enough to make a drawing of it. In 1809 Latrobe invented a second American order, employing magnolia flowers constrained within the profile of classical mouldings, as his drawing demonstrates. It

5830-519: The architect Polykleitos the Younger . Greek towns of substantial size also had a palaestra or a gymnasium , the social centre for male citizens which included spectator areas, baths, toilets and club rooms. Other buildings associated with sports include the hippodrome for horse racing, of which only remnants have survived, and the stadium for foot racing, 600 feet in length, of which examples exist at Olympia, Delphi, Epidaurus and Ephesus, while

5936-434: The capital. The echinus itself is decorated with an egg-and-dart motif . The Ionic shaft comes with four more flutes than the Doric counterpart (totalling 24). The Ionic base has two convex moldings called tori , which are separated by a scotia. The Ionic order is also marked by an entasis , a curved tapering in the column shaft. A column of the Ionic order is nine times more tall than its lower diameter. The shaft itself

6042-515: The complete human form, and very human behaviour. The home of the gods was thought to be Olympus , the highest mountain in Greece. The most important deities were: Zeus , the supreme god and ruler of the sky; Hera , his wife and goddess of marriage; Athena , goddess of wisdom; Poseidon , the god of the sea; Demeter , goddess of the harvest; Apollo , the god of the sun, law, healing, plague, reason, music and poetry; Artemis , goddess of chastity,

6148-481: The conscious and "correct" use of the orders, initially following exclusively Roman models, returned in the Italian Renaissance . Greek Revival architecture , inspired by increasing knowledge of Greek originals, returned to more authentic models, including ones from relatively early periods. Each style has distinctive capitals at the top of columns and horizontal entablatures which it supports, while

6254-702: The division of architectural style into three defined orders: the Doric Order , the Ionic Order and the Corinthian Order , was to have a profound effect on Western architecture of later periods. The architecture of ancient Rome grew out of that of Greece and maintained its influence in Italy unbroken until the present day. From the Renaissance , revivals of Classicism have kept alive not only

6360-470: The earlier mudbrick and wood walls, were strong enough to support the weight of a tiled roof. The earliest finds of roof tiles of the Archaic period in Greece are documented from a very restricted area around Corinth , where fired tiles began to replace thatched roofs at the temples of Apollo and Poseidon between 700 and 650 BC. Spreading rapidly, roof tiles were within fifty years in evidence for

6466-527: The early 19th century by the architect Asher Benjamin , influenced many builders in the eastern states, particularly those who developed what became known as the Federal style . The last American re-interpretation of Vignola's Regola , was edited in 1904 by William Robert Ware. The break from the classical mode came first with the Gothic Revival architecture , then the development of modernism during

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6572-714: The end of overhanging eaves in Greek architecture, as they made the need for an extended roof as rain protection for the mudbrick walls obsolete. Vaults and arches were not generally used, but begin to appear in tombs (in a "beehive" or cantilevered form such as used in Mycenaea) and occasionally, as an external feature, exedrae of voussoired construction from the 5th century BC. The dome and vault never became significant structural features, as they were to become in ancient Roman architecture . Most ancient Greek temples were rectangular, and were approximately twice as long as they were wide, with some notable exceptions such as

6678-460: The enormous Temple of Olympian Zeus, Athens with a length of nearly 2 1 ⁄ 2 times its width. A number of surviving temple-like structures are circular, and are referred to as tholos . The smallest temples are less than 25 metres (approx. 75 feet) in length, or in the case of the circular tholos , in diameter. The great majority of temples are between 30 and 60 metres (approx. 100–200 feet) in length. A small group of Doric temples, including

6784-654: The entrance to temple sanctuaries and other significant sites with the best-surviving example being the Propylaea on the Acropolis of Athens . The bouleuterion was a large public building with a hypostyle hall that served as a court house and as a meeting place for the town council ( boule ). Remnants of bouleuterion survive at Athens, Olympia and Miletus, the latter having held up to 1,200 people. Every Greek town had an open-air theatre . These were used for both public meetings as well as dramatic performances. The theatre

6890-468: The examples of Vitruvius and the five books of the Regole generali di architettura sopra le cinque maniere de gli edifici by Sebastiano Serlio published from 1537 onwards, Giacomo Barozzi da Vignola produced an architecture rule book that was not only more practical than the previous two treatises, but also was systematically and consistently adopting, for the first time, the term 'order' to define each of

6996-585: The five different species of columns inherited from antiquity. A first publication of the various plates, as separate sheets, appeared in Rome in 1562, with the title: Regola delli cinque ordini d'architettura ("Canon of the Five Orders of Architecture"). As David Watkin has pointed out, Vignola's book "was to have an astonishing publishing history of over 500 editions in 400 years in ten languages, Italian, Dutch, English, Flemish, French, German, Portuguese, Russian, Spanish, Swedish, during which it became perhaps

7102-482: The form, proportions, details and relationships of the columns, entablature , pediment , and the stylobate . The different orders were applied to the whole range of buildings and monuments. Annulet (architecture) An annulet is a small square component in the Doric capital , under the quarter-round . It is also called a fillet or listel , although fillet and listel are also more general terms for

7208-596: The heraldic lion and unicorn take the place of the Composite's volutes, a Byzantine or Romanesque conception, but expressed in terms of neoclassical realism. Adam's ink-and-wash rendering with red highlighting is at the Avery Library , Columbia University . In 1789 George Dance invented an Ammonite order , a variant of Ionic, substituting volutes in the form of fossil ammonites for John Boydell 's Shakespeare Gallery in Pall Mall, London . An adaptation of

7314-406: The hunt and the wilderness; Aphrodite , goddess of love; Ares , God of war; Hermes , the god of commerce and travellers, Hephaestus , the god of fire and metalwork; and Dionysus , the god of wine and fruit-bearing plants. Worship, like many other activities, was done in the community, in the open. However, by 600 BC, the gods were often represented by large statues and it was necessary to provide

7420-688: The interior of large monumental tombs such as the Lion Tomb at Knidos (c. 350 BC). The Greek word for the family or household, oikos , is also the name for the house. Houses followed several different types. It is probable that many of the earliest houses were simple structures of two rooms, with an open porch or pronaos , above which rose a low pitched gable or pediment . This form is thought to have contributed to temple architecture. The construction of many houses employed walls of sun-dried clay bricks or wooden framework filled with fibrous material such as straw or seaweed covered with clay or plaster, on

7526-498: The largest recorded statues of the age, such as the lost chryselephantine statues of Zeus at the Temple of Zeus at Olympia and Athena at the Parthenon, Athens, both over 40 feet high, were once housed in them. The religion of ancient Greece was a form of nature worship that grew out of the beliefs of earlier cultures. However, unlike earlier cultures, man was no longer perceived as being threatened by nature, but as its sublime product. The natural elements were personified as gods of

7632-449: The length of the house and opened at one side onto a small courtyard which admitted light and air. Larger houses had a fully developed peristyle (courtyard) at the centre, with the rooms arranged around it. Some houses had an upper floor which appears to have been reserved for the use of the women of the family. City houses were built with adjoining walls and were divided into small blocks by narrow streets. Shops were sometimes located in

7738-522: The light to the naos entering through the door. It has been suggested that some temples were lit from openings in the roof. A door of the Ionic Order at the Erechtheion (17 feet high and 7.5 feet wide at the top) retains many of its features intact, including mouldings, and an entablature supported on console brackets. (See Architectural Decoration, below) The widest span of a temple roof

7844-402: The longer sides. A slightly greater adjustment has been made to the entablature. The columns at the ends of the building are not vertical but are inclined towards the centre, with those at the corners being out of plumb by about 65 mm (2.6 in). These outer columns are both slightly wider than their neighbours and are slightly closer than any of the others. Ancient Greek architecture of

7950-417: The many parts of the orders. The heights of columns are calculated in terms of a ratio between the diameter of the shaft at its base and the height of the column. A Doric column can be described as seven diameters high, an Ionic column as eight diameters high, and a Corinthian column nine diameters high, although the actual ratios used vary considerably in both ancient and revived examples, but still keeping to

8056-525: The most famous of which painted with floral and motifs of sea life . The Mycenaean culture, which flourished on the Peloponnesus , was different in character. Its people built citadels, fortifications and tombs, and decorated their pottery with bands of marching soldiers rather than octopus and seaweed. Both these civilizations came to an end around 1100 BC, that of Crete possibly because of volcanic devastation, and that of Mycenae because of an invasion by

8162-576: The most formal type, for temples and other public buildings, is divided stylistically into three Classical orders , first described by the Roman architectural writer Vitruvius . These are: the Doric order , the Ionic order , and the Corinthian order , the names reflecting their regional origins within the Greek world. While the three orders are most easily recognizable by their capitals, they also governed

8268-482: The most influential book of all times". The book consisted simply of an introduction followed by 32 annotated plates, highlighting the proportional system with all the minute details of the Five Architectural Orders. According to Christof Thoenes, the main expert of Renaissance architectural treatises, "in accordance with Vitruvius's example, Vignola chose a "module" equal to a half-diameter which

8374-537: The narrowing is not regular, but gently curved so that each column appears to have a slight swelling, called entasis below the middle. The entasis is never sufficiently pronounced as to make the swelling wider than the base; it is controlled by a slight reduction in the rate of decrease of diameter. The Parthenon , the Temple to the Goddess Athena on the Acropolis in Athens, is referred to by many as

8480-552: The new city's central palace, Viceroy's House, now the Presidential residence Rashtrapati Bhavan , was a thorough integration of elements of Indian architecture into a building of classical forms and proportions, and made use of the order throughout. The Delhi Order reappears in some later Lutyens buildings including Campion Hall, Oxford . In the United States Benjamin Latrobe , the architect of

8586-551: The observation of Roman ruins (the Greek ruins became available only after Greek Independence, 1821–1823). What was added were rules for the use of the Architectural Orders, and the exact proportions of them in minute detail. Commentary on the appropriateness of the orders for temples devoted to particular deities (Vitruvius I.2.5) were elaborated by Renaissance theorists, with Doric characterized as bold and manly, Ionic as matronly, and Corinthian as maidenly. Following

8692-433: The optical illusions that make edges of objects appear concave and for the fact that columns that are viewed against the sky look different from those adjacent that are viewed against a shadowed wall. Because of these factors, the architects adjusted the plans so that the major lines of any significant building are rarely straight. The most obvious adjustment is to the profile of columns, which narrow from base to top. However,

8798-475: The origin of the style lies in simple wooden structures, with vertical posts supporting beams which carried a ridged roof. The posts and beams divided the walls into regular compartments which could be left as openings, or filled with sun dried bricks, lathes or straw and covered with clay daub or plaster. Alternately, the spaces might be filled with rubble. It is likely that many early houses and temples were constructed with an open porch or "pronaos" above which rose

8904-472: The other defining their distribution. Examples: The ideal of proportion that was used by ancient Greek architects in designing temples was not a simple mathematical progression using a square module. The math involved a more complex geometrical progression, the so-called golden mean . The ratio is similar to that of the growth patterns of many spiral forms that occur in nature such as rams' horns, nautilus shells, fern fronds, and vine tendrils and which were

9010-518: The particular artistic character that defines ancient Greek architecture are to be seen in the pottery of the Dorian Greeks from the 10th century BC. Already at this period it is created with a sense of proportion, symmetry and balance not apparent in similar pottery from Crete and Mycenae. The decoration is precisely geometric, and ordered neatly into zones on defined areas of each vessel. These qualities were to manifest themselves not only through

9116-442: The pinnacle of ancient Greek architecture. Helen Gardner refers to its "unsurpassable excellence", to be surveyed, studied and emulated by architects of later ages. Yet, as Gardner points out, there is hardly a straight line in the building. Banister Fletcher calculated that the stylobate curves upward so that its centres at either end rise about 65 millimetres (2.6 inches) above the outer corners, and 110 mm (4.3 in) on

9222-403: The preceding Mycenaean and Minoan cultures and that of the ancient Greeks, with much of the techniques and an understanding of their style being lost when these civilisations fell. Mycenaean architecture is marked by massive fortifications, typically surrounding a citadel with a royal palace, much smaller than the rambling Minoan "palaces", and relatively few other buildings. The megaron ,

9328-461: The precise forms and ordered details of Greek architecture, but also its concept of architectural beauty based on balance and proportion. The successive styles of Neoclassical architecture and Greek Revival architecture followed and adapted ancient Greek styles closely. The mainland and islands of Greece are very rocky, with deeply indented coastline, and rugged mountain ranges with few substantial forests. The most freely available building material

9434-461: The processional gateway ( propylon ), the public square ( agora ) surrounded by storied colonnade ( stoa ), the town council building ( bouleuterion ), the public monument, the monumental tomb ( mausoleum ) and the stadium . Ancient Greek architecture is distinguished by its highly formalised characteristics, both of structure and decoration. This is particularly so in the case of temples where each building appears to have been conceived as

9540-496: The rest of the building does not in itself vary between the orders. The column shaft and base also varies with the order, and is sometimes articulated with vertical concave grooves known as fluting . The shaft is wider at the bottom than at the top, because its entasis , beginning a third of the way up, imperceptibly makes the column slightly more slender at the top, although some Doric columns, especially early Greek ones, are visibly "flared", with straight profiles that narrow going up

9646-426: The rise of stone architecture came the appearance of fired ceramic roof tiles . These early roof tiles showed an S-shape, with the pan and cover tile forming one piece. They were much larger than modern roof tiles, being up to 90 cm (35.43 in) long, 70 cm (27.56 in) wide, 3–4 cm (1.18–1.57  in ) thick and weighing around 30 kg (66 lb) apiece. Only stone walls, which were replacing

9752-468: The rooms towards the street. City houses were inward-facing, with major openings looking onto the central courtyard, rather than the street. The rectangular temple is the most common and best-known form of Greek public architecture. This rectilinear structure borrows from the Late Helladic, Mycenaean megaron , which contained a central throne room, vestibule, and porch. The temple did not serve

9858-492: The same function as a modern church, since the altar stood under the open sky in the temenos or sacred precinct, often directly before the temple. Temples served as the location of a cult image and as a storage place or strong room for the treasury associated with the cult of the god in question, and as a place for devotees of the god to leave their votive offerings , such as statues, helmets and weapons. Some Greek temples appear to have been oriented astronomically. The temple

9964-452: The sea vividly blue. The clear light and sharp shadows give a precision to the details of the landscape, pale rocky outcrops and seashore. This clarity is alternated with periods of haze that varies in colour to the light on it. In this characteristic environment, the ancient Greek architects constructed buildings that were marked by the precision of detail. The gleaming marble surfaces were smooth, curved, fluted, or ornately sculpted to reflect

10070-401: The shaft. The capital rests on the shaft. It has a load-bearing function, which concentrates the weight of the entablature on the supportive column, but it primarily serves an aesthetic purpose. The necking is the continuation of the shaft, but is visually separated by one or many grooves. The echinus lies atop the necking. It is a circular block that bulges outwards towards the top to support

10176-558: The sun, cast graded shadows and change in colour with the ever-changing light of day. Historians divide ancient Greek civilization into two eras, the Hellenic period (from around 900 BC to the death of Alexander the Great in 323 BC), and the Hellenistic period (323 BC – 30 AD). During the earlier Hellenic period, substantial works of architecture began to appear around 600 BC. During the later (Hellenistic) period, Greek culture spread as

10282-705: The trend of increasing slimness between the orders. Sometimes this is phrased as "lower diameters high", to establish which part of the shaft has been measured. There are three distinct orders in Ancient Greek architecture: Doric, Ionic, and Corinthian. These three were adopted by the Romans, who modified their capitals. The Roman adoption of the Greek orders took place in the 1st century BC. The three ancient Greek orders have since been consistently used in European Neoclassical architecture . Sometimes

10388-455: The wooden columns were of a very different form to Doric columns, being narrow at the base and splaying upward. The earliest forms of columns in Greece seem to have developed independently. As with Minoan architecture, ancient Greek domestic architecture centred on open spaces or courtyards surrounded by colonnades . This form was adapted to the construction of hypostyle halls within the larger temples. The evolution that occurred in architecture

10494-524: The writings of Vitruvius in the 1st century BC. The Romans adapted all the Greek orders and also developed two orders of their own, basically modifications of Greek orders. However, it was not until the Renaissance that these were named and formalized as the Tuscan and Composite , respectively the plainest and most ornate of the orders. The Romans also invented the Superposed order . A superposed order

10600-412: Was across the cella , or inner chamber. In a large building, this space contains columns to support the roof, the architectural form being known as hypostyle . It appears that, although the architecture of ancient Greece was initially of wooden construction, the early builders did not have the concept of the diagonal truss as a stabilising member. This is evidenced by the nature of temple construction in

10706-441: Was built just after 600 BC. The Doric order later spread across Greece and into Sicily , where it was the chief order for monumental architecture for 800 years. Early Greeks were no doubt aware of the use of stone columns with bases and capitals in ancient Egyptian architecture , and that of other Near Eastern cultures, although there they were mostly used in interiors, rather than as a dominant feature of all or part of exteriors, in

10812-544: Was generally part of a religious precinct known as the acropolis . According to Aristotle , "the site should be a spot seen far and wide, which gives good elevation to virtue and towers over the neighbourhood". Small circular temples, tholoi were also constructed, as well as small temple-like buildings that served as treasuries for specific groups of donors. During the late 5th and 4th centuries BC, town planning became an important consideration of Greek builders, with towns such as Paestum and Priene being laid out with

10918-956: Was intended for "the Upper Columns in the Gallery of the Entrance of the Chamber of the Senate". Ancient Greek architecture Ancient Greek architecture came from the Greeks , or Hellenes, whose culture flourished on the Greek mainland, the Peloponnese , the Aegean Islands , and in colonies in Anatolia and Italy for a period from about 900 BC until the 1st century AD, with the earliest remaining architectural works dating from around 600 BC. Ancient Greek architecture

11024-551: Was towards the public building, first and foremost the temple, rather than towards grand domestic architecture such as had evolved in Crete, if the Cretan "palaces" were indeed domestic, which remains uncertain. Some Mycenaean tombs are marked by circular structures and tapered domes with flat-bedded, cantilevered courses. This architectural form did not carry over into the architecture of ancient Greece, but reappeared about 400 BC in

11130-574: Was used for ancient Greek buildings, including rubble, but the finest ashlar masonry was usually employed for temple walls, in regular courses and large sizes to minimise the joints. The blocks were rough hewn and hauled from quarries to be cut and bedded very precisely, with mortar hardly ever being used. Blocks, particularly those of columns and parts of the building bearing loads were sometimes fixed in place or reinforced with iron clamps, dowels and rods of wood, bronze or iron fixed in lead to minimise corrosion. Door and window openings were spanned with

11236-420: Was usually set in a hillside outside the town, and had rows of tiered seating set in a semicircle around the central performance area, the orchestra . Behind the orchestra was a low building called the skênê , which served as a store-room, a dressing room, and also as a backdrop to the action taking place in the orchestra. A number of Greek theatres survive almost intact, the best known being at Epidaurus by

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