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Den Danske Vitruvius

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Den Danske Vitruvius (English: The Danish Vitruvius ) is a richly illustrated 18th-century architectural work on Danish monumental buildings of the period, written by the Danish Baroque architect Lauritz de Thurah . It was commissioned by Christian VI in 1735 and published in two volumes between 1746 and 1749. The title refers to the Roman architect and engineer Vitruvius , who published De architectura in the 1st century AD, an authoritative treatise on the architecture of the time. The direct inspiration for de Thurah's Den Danske Vitruvius was Colen Campbell 's Vitruvius Britannicus .

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36-500: With its numerous illustrations, Den Danske Vitruvius is a valuable source of information on the many Danish buildings of the mid-18th century, which have since been demolished, rebuilt or lost in fires. A facsimile edition published in 1966–67 includes a third volume, based on an until then unpublished manuscript kept at the Royal Danish Library . It covers buildings completed later than 1749. Lauritz de Thurah had

72-571: A Dutch , a French , and a German edition) appeared before the end of 1572; twenty-five editions came out before Ortelius's death in 1598; and several others were published subsequently, for the atlas continued to be in demand until about 1612. Most of the maps were admittedly reproductions (a list of 87 authors is given in the first Theatrum by Ortelius himself, growing to 183 names in the 1601 Latin edition), and many discrepancies of delineation or nomenclature occur. Errors, of course, abound, both in general conceptions and in detail; thus South America

108-413: A computer. These are often available online in repositories that consist of manuscripts from a particular location or collection. Such digital facsimiles are considered separate objects from the manuscripts or books that they represent. They are an important research aid, especially for historians. Important illuminated manuscripts like Les Très Riches Heures du duc de Berry are not only on display to

144-547: A keen interest in and formed a fine collection of coins , medals and antiques , and this resulted in the book (also in 1573, published by Philippe Galle of Antwerp) Deorum dearumque capita ... ex Museo Ortelii ("Heads of the gods and goddesses... from the Ortelius Museum"); reprinted in 1582, 1602, 1612, 1680, 1683 and finally in 1699 by Gronovius, Thesaurus Graecarum Antiquitatum ("Treasury of Greek Antiquities", vol. vii). The Theatrum Orbis Terrarum inspired

180-463: A military education and was a self-taught architect who learned much of what he knew by studying the inspiring buildings he saw on his travels outside Denmark between 1729 and 1731. His architectural writings can be seen as a natural continuation of this interest. In 1735, de Thurah received a royal grant to collect information and to write a comprehensive work on architecture in Denmark, detailing all

216-493: A six-sheet map of Spain before the appearance of his atlas. In England Ortelius's contacts included William Camden , Richard Hakluyt , Thomas Penny , Puritan controversialist William Charke , and Humphrey Llwyd , who would contribute the map of England and Wales to Ortelius's 1573 edition of the Theatrum . In 1578, he laid the basis of a critical treatment of ancient geography by his Synonymia geographica (issued by

252-707: A six-volume work titled Civitates orbis terrarum , edited by Georg Braun and illustrated by Frans Hogenberg with the assistance of Ortelius himself, who visited England to see his friend John Dee in Mortlake in 1577, and Braun tells of Ortelius putting pebbles in cracks in Temple Church, Bristol, being crushed by the vibration of the bells. In 1579, Ortelius brought out his Nomenclator Ptolemaicus and started his Parergon (a series of maps illustrating ancient history, sacred and secular). He also published Itinerarium per nonnullas Galliae Belgicae partes (at

288-399: A trader named Jacob Cool Sr., whose son Jacob Cool Jr. (known as Ortelianus) would be the principal heir of Abraham Ortelius. Leonard Ortelius was well educated. He spoke Greek and Latin, and worked with his brother-in-law Jacob van Meteren on the translation of Miles Coverdale's English Bible. In 1535, they were both prosecuted for possessing suspicious books. Searches turned up nothing and

324-404: A volume of commentary. The term " fax " is a shortened form of "facsimile", though most faxes are not reproductions of the quality expected in a true facsimile. Advances in the art of facsimile are closely related to advances in printmaking . Maps, for instance, were the focus of early explorations in making facsimiles, although these examples often lack the rigidity to the original source that

360-464: Is also an important source of information on the landscape architecture of the time. It offers valuable, contemporary illustrated records of works by Johan Cornelius Krieger , the leading landscape architect of Frederik IV , who brought the Baroque garden to life in Denmark. De Thurah's work shows Fredensborg prior to the extensive modifications instituted by Nicolas-Henri Jardin in the 1760s under

396-518: Is also included in the world's largest commercially available jigsaw puzzle , which is of four world maps. This puzzle is made by Ravensburger , measures 6 feet (1.8 m) × 9 feet (2.7 m), and has over 18,000 pieces. Ortelius was the first to underline the geometrical similarity between the coasts of America and Europe-Africa and to propose continental drift as an explanation. Kious described Ortelius's thoughts in this way: Abraham Ortelius in his work Thesaurus Geographicus … suggested that

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432-642: Is initially very faulty in outline, but corrected in the 1587 French edition, and in Scotland , the Grampians lie between the Forth and the Clyde ; but, taken as a whole, this atlas with its accompanying text was a monument of rare erudition and industry. Its immediate precursor and prototype was a collection of thirty-eight maps of European lands, and of Asia , Africa , Tartary , and Egypt , gathered together by

468-580: Is now expected. An early example is the Abraham Ortelius map (1598). Innovations during the 18th century, especially in the realms of lithography and aquatint , facilitated an explosion in the number of facsimiles of old master drawings that could be studied from afar. In the past, techniques and devices such as the philograph (tracing an original through a transparent plane), photostat , hectograph , or lithograph were used to create facsimiles. More recently, facsimiles have been made by

504-632: Is specifically known to have traveled throughout the Habsburg Netherlands ; in southern, western, northern, and eastern Germany (e.g., 1560, 1575–1576); France (1559–1560); England and Ireland (1576); and Italy (1578, and perhaps two or three times between 1550 and 1558). Beginning as a map-engraver, in 1547 he entered the Antwerp Guild of Saint Luke as an illuminator of maps . He supplemented his income trading in books, prints, and maps, and his journeys included annual visits to

540-727: The Regio Patalis with Locach as a northward extension of the Terra Australis , reaching as far as New Guinea . This map subsequently appeared in reduced form in the Terrarum (the only extant copy is in now at Basel University Library ). He also published a two-sheet map of Egypt in 1565, a plan of the Brittenburg castle on the coast of the Netherlands in 1568, an eight-sheet map of Asia in 1567, and

576-803: The Aurei saeculi imago, sive Germanorum veterum vita, mores, ritus et religio. (Philippe Galle, Antwerp, 1596). He also aided Welser in his edition of the Peutinger Table in 1598. Contrary to popular belief, Abraham Ortelius, who had no children, never lived at the Mercator-Orteliushuis (Kloosterstraat 11–17, Antwerpen), but lived at his sister's house (Kloosterstraat 33–35, Antwerpen). Originals of Ortelius's maps are popular collectors' items and often sell for tens of thousands of dollars. Facsimiles of his maps are also available from many retailers. A map he made of North and South America

612-537: The Frankfurt book and print fair , where he met Gerardus Mercator in 1554. In 1560, however, when travelling with Mercator to Trier , Lorraine , and Poitiers , he seems to have been attracted, largely by Mercator's influence, towards the career of a scientific geographer. He died in Antwerp. In 1564, he published his first map, Typus Orbis Terrarum , an eight-leaved wall map of the world, on which he identified

648-491: The Plantin Press at Antwerp and republished in expanded form as Thesaurus geographicus in 1587 and again expanded in 1596; in the last edition, Ortelius considers the possibility of continental drift , a hypothesis that would be proved correct only centuries later). In 1596, he received a presentation from Antwerp, similar to that afterwards bestowed on Peter Paul Rubens . His death on 28 June 1598 and his burial in

684-501: The 18th and 19th centuries (for example, Antonio Snider-Pellegrini ) and later by Alfred Wegener , who published his hypothesis of continental drift in 1912 and in following years. Because his publications were widely available in German and English and because he adduced geological support for the idea, Wegener is credited by most geologists as the first to recognize the possibility of continental drift. Frank Bursley Taylor (in 1908)

720-484: The Americas were "torn away from Europe and Africa … by earthquakes and floods" and went on to say: "The vestiges of the rupture reveal themselves, if someone brings forward a map of the world and considers carefully the coasts of the three [continents]." Ortelius's observations of continental juxtaposition and his proposal of rupture and separation went unnoticed until the late 20th century. However, they were repeated in

756-754: The Plantin press in 1584, and reprinted in 1630, 1661 in Hegenitius, Itin. Frisio-Hoil., in 1667 by Verbiest, and finally in 1757 in Leuven), a record of a journey in Belgium and the Rhineland made in 1575. In 1589 he published Maris Pacifici , the first dedicated map of the Pacific to be printed. Among his last works were an edition of Caesar ( C. I. Caesaris omnia quae extant , Leiden, Raphelingen, 1593), and

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792-599: The age of discovery. The publication of his atlas in 1570 is often considered as the official beginning of the Golden Age of Netherlandish cartography . He was the first person proposing that the continents were joined before drifting to their present positions. Abraham Ortelius was born on either 4 April or 14 April 1527 in the city of Antwerp , which was then in the Spanish Netherlands . The Ortels or Wortels (latinized as Orthellius and Ortelius) family

828-669: The case was subsequently dismissed. Leonard Ortelius was a successful antique dealer. Following the death of his father, Abraham Ortelius' uncle Jacobus van Meteren returned from exile in England to take care of him. Abraham remained close to his cousin Emanuel van Meteren , who would later move to London . In 1575 Abraham was appointed geographer to the king of Spain, Philip II , on the recommendation of Arias Montanus , who vouched for his orthodoxy. He traveled extensively in Europe and

864-405: The church of St. Michael's Abbey, Antwerp , were marked by public mourning. The inscription on his tombstone reads: Quietis cultor sine lite, uxore, prole ("served quietly, without accusation, wife, and offspring"). On 20 May 1570, Gilles Coppens de Diest at Antwerp issued Ortelius's Theatrum Orbis Terrarum , the "first modern atlas" (of 53 maps). Three Latin editions of this (besides

900-404: The direction of Frederik V , who made Fredensborg the favoured royal summer residence. Facsimile A facsimile (from Latin fac simile , "to make alike") is a copy or reproduction of an old book , manuscript , map , art print , or other item of historical value that is as true to the original source as possible. It differs from other forms of reproduction by attempting to replicate

936-558: The most important buildings in Copenhagen within all categories, down to two burgouis houses at Kongens Nytorv . The second volume has 161 plates and covers all royal palaces and other buildings of note in the rest of Denmark. Buildings are shown in plan, section and elevation as well as many bird's-eye perspective. All prospects are drawn by Johan Jacob Bruun. Many of the plates were executed by Michael Keyl and C.L. Wüst, two German engravers who were commissioned by Thurah especially for

972-443: The project. Den Danske Vitruvius is a valuable source of knowledge about the design of many buildings and landscaped gardens in mid-18th century Denmark, many of which no longer exist. Some, like Copenhagen's city gates , have been demolished, while others, such as the first Christiansborg , were destroyed by fire. Still others have simply been redesigned or otherwise altered to satisfy contemporary tastes and functions. The book

1008-659: The public as facsimiles, but available in high quality to scholars. However, unlike normal book reproductions, facsimiles remain truer to the original colors—which is especially important for illuminated manuscripts—and preserve defects. Facsimiles are best suited to printed or hand-written documents, and not to items such as three-dimensional objects or oil paintings with unique surface texture. Reproductions of those latter objects are often referred to as replicas . Abraham Ortelius Abraham Ortelius ( / ɔːr ˈ t iː l i ə s / ; also Ortels , Orthellius , Wortels ; 4 or 14 April 1527 – 28 June 1598)

1044-642: The royal buildings in the country. It appeared between 1746 and 1749, published at the King's expense, and printed by the best Danish printer at that time, Ernst Henrich Berling . Den Danske Vitruvius provides a richly illustrated documentation of monumental Danish buildings of the period. Like Campbell's work, it is not a treatise in the empirical vein but basically a cateloque of designs. Descriptions are short and text appears in Danish, French, and German in parallel columns. The first volume, with 121 plates, covers

1080-449: The source as accurately as possible in scale, color, condition, and other material qualities. For books and manuscripts, this also entails a complete copy of all pages; hence, an incomplete copy is a "partial facsimile". Facsimiles are sometimes used by scholars to research a source that they do not have access to otherwise, and by museums and archives for media preservation and conservation . Many are sold commercially, often accompanied by

1116-408: The use of some form of photographic technique. For documents, a facsimile most often refers to document reproduction by a photocopy machine. In the digital age, an image scanner , a personal computer , and a desktop printer can be used to make a facsimile. A separate category consists of the so-called digital facsimiles, which are meant to be stored, viewed, and sometimes edited or annotated on

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1152-554: The wealth and enterprise, and through the agents, of Ortelius's friend and patron, Gillis Hooftman (1521–1581), lord of Cleydael and Aertselaar: most of these were printed in Rome , eight or nine only in the Southern Netherlands. In 1573, Ortelius published seventeen supplementary maps under the title Additamentum Theatri Orbis Terrarum . Four more Additamenta were to follow, the last one appearing in 1597. He also had

1188-699: Was a cartographer , geographer , and cosmographer from Antwerp in the Spanish Netherlands . He is recognized as the creator of the first modern atlas , the Theatrum Orbis Terrarum ( Theatre of the World ). Along with Gemma Frisius and Gerardus Mercator , Ortelius is generally considered one of the founders of the Netherlandish school of cartography and geography . He was a notable figure of this school in its golden age (approximately 1570s–1670s) and an important geographer of Spain during

1224-507: Was a Protestant and supervised the printing of English versions of the bible in England, Leonard (born in 1500 and father of Abraham Ortelius) and Josef. From his second marriage with Maria Antheard a son called Willem was born. The family lived in the Kipdorp street in Antwerp and was fairly well off. Leonard Ortelius married Anna Herwayers and they had three children, Abraham, Anna who would stay on her brother's side and Elisabeth who married

1260-451: Was also an early advocate of continental drift. During the 1960s geophysical and geological evidence for seafloor spreading at mid-oceanic ridges became increasingly compelling to geologists (e.g. Harry H. Hess , 1960) and finally established continental drift as an ongoing global mechanism (e.g. by the work of W. Jason Morgan by 1967 and Dan McKenzie in 1968). After more than three centuries, Ortelius's supposition of continental drift

1296-581: Was originally from Augsburg , a Free imperial city of the Holy Roman Empire . Abraham's grandfather, Willem Ortels, was a pharmacist. He had moved in 1460 to Antwerp where he married Mathilde 's Jagers, alias Reynaerts. They had five children: Imbert who inherited his father's pharmacy, Anna, Odille (or Ottilia of Odilia), who married Nicolaes van der Voorden, a merchant in Brussels, and, in her second marriage, Jacobus van Meteren from Breda, who

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