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Audio description (AD), also referred to as a video description , described video , or visual description , is a form of narration used to provide information surrounding key visual elements in a media work (such as a film or television program , or theatrical performance ) for the benefit of blind and visually impaired consumers. These narrations are typically placed during natural pauses in the audio, and sometimes overlap dialogue if deemed necessary. Occasionally when a film briefly has subtitled dialogue in a different language, such as Greedo 's confrontation with Han Solo in the 1977 film Star Wars: A New Hope , the narrator will read out the dialogue in character.

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127-420: In museums or visual art exhibitions, audio described tours (or universally designed tours that include description or the augmentation of existing recorded programs on audio- or videotape), are used to provide access to visitors who are blind or have low vision. Docents or tour guides can be trained to employ audio description in their presentations. In film and television, description is typically delivered via

254-515: A Spanish SAP dub for Jane the Virgin through the series' entire run, and audio description is available and passed through for their Saturday morning One Magnificent Morning E/I block, which is done for all of the blocks produced for the major broadcast networks by Litton Entertainment . In 2019, the first primetime series with DVS for the network, In the Dark (which has a blind protagonist),

381-453: A contractor when necessary. The cultural property stored in museums is threatened in many countries by natural disaster , war , terrorist attacks or other emergencies. To this end, an internationally important aspect is a strong bundling of existing resources and the networking of existing specialist competencies in order to prevent any loss or damage to cultural property or to keep damage as low as possible. International partner for museums

508-471: A culture. As historian Steven Conn writes, "To see the thing itself, with one's own eyes and in a public place, surrounded by other people having some version of the same experience, can be enchanting." Museum purposes vary from institution to institution. Some favor education over conservation, or vice versa. For example, in the 1970s, the Canada Science and Technology Museum favored education over

635-718: A full-time director to whom authority is delegated for day-to-day operations; Have the financial resources sufficient to operate effectively; Demonstrate that it meets the Core Standards for Museums; Successfully complete the Core Documents Verification Program". Additionally, there is a legal definition of museum in United States legislation authorizing the establishment of the Institute of Museum and Library Services : "Museum means

762-471: A good view of the performance. They make their description which is fed to a small radio transmitter. In 2006, on the occasion of the 2006 FIFA World Cup in Germany , a project was launched with the aim of making the live commentary of a match available to blind and visually impaired football fans in the stadium. The project was very well-received and had great success. In 2008, audio description in football

889-610: A history of developing closed captioning of programs for hearing-impaired viewers, WGBH considered the viability of using the new audio channel for narrated descriptions of key visual elements, much like those being done for live theatre in Washington, D.C. , by Margaret Pfanstiehl, who had been experimenting with television description as part of her Washington Ear radio reading service. After reviewing and conducting various studies, which found that blind and visually impaired people were consuming more television than ever but finding

1016-556: A major United States producer of audio description. DVS often is used to describe the product itself. In 1985, PBS member television station WGBH-TV in Boston , Massachusetts , began investigating uses for the new technology of stereophonic television broadcasting , particularly multichannel television sound (MTS), which allowed for a third audio channel, called the Secondary Audio Program ( SAP ). With

1143-427: A much wider range of objects than a library , and usually focus on a specific theme, such as the arts , science , natural history or local history . Public museums that host exhibitions and interactive demonstrations are often tourist attractions , and many attract large numbers of visitors from outside their host country, with the most visited museums in the world attracting millions of visitors annually. Since

1270-459: A museum and on display, they not only got to show their fantastic finds but also used the museum as a way to sort and "manage the empirical explosion of materials that wider dissemination of ancient texts, increased travel, voyages of discovery, and more systematic forms of communication and exchange had produced". One of these naturalists and collectors was Ulisse Aldrovandi , whose collection policy of gathering as many objects and facts about them

1397-554: A museum is successful, as happened in Bilbao, others continue especially if a museum struggles to attract visitors. The Taubman Museum of Art is an example of an expensive museum (eventually $ 66 million) that attained little success and continues to have a low endowment for its size. Some museum activists see this method of museum use as a deeply flawed model for such institutions. Steven Conn, one such museum proponent, believes that "to ask museums to solve our political and economic problems

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1524-402: A museum's collection typically determines the museum's size, whereas its collection reflects the type of museum it is. Many museums normally display a "permanent collection" of important selected objects in its area of specialization, and may periodically display "special collections" on a temporary basis. The following is a list to give an idea of the major museum types. While comprehensive, it

1651-509: A notable person, or a given period of time. Museums also can be based on the main source of funding: central or federal government, provinces, regions, universities; towns and communities; other subsidised; nonsubsidised and private. It may sometimes be useful to distinguish between diachronic museums which interpret the way its subject matter has developed and evolved through time (e.g., Lower East Side Tenement Museum and Diachronic Museum of Larissa ), and synchronic museums which interpret

1778-508: A palace of Henry VIII , in England opened the council room to the general public to create an interactive environment for visitors. Rather than allowing visitors to handle 500-year-old objects, however, the museum created replicas, as well as replica costumes. The daily activities, historic clothing, and even temperature changes immerse the visitor in an impression of what Tudor life may have been. Major professional organizations from around

1905-407: A public, tribal, or private nonprofit institution which is organized on a permanent basis for essentially educational, cultural heritage, or aesthetic purposes and which, using a professional staff: Owns or uses tangible objects, either animate or inanimate; Cares for these objects; and Exhibits them to the general public on a regular basis" (Museum Services Act 1976). One of the oldest museums known

2032-573: A push to make the cinema accessible to the visually impaired . The New York Times documented the "first talking picture ever shown especially for the blind"—a 1929 screening of Bulldog Drummond attended by members of the New York Association for the Blind and New York League for the Hard of Hearing, which offered a live description for the visually-impaired portion of the audience. In

2159-529: A second office in Los Angeles . The National Captioning Institute's work first became publicly well known on March 16, 1980, when ABC , NBC , and PBS collectively introduced closed-captioning of their television shows. At the time, CBS decided not the join the group at first because CBS preferred a different captioning system that was being used in Europe. John E.D. Ball was the founding president of

2286-468: A secondary audio track. In North America, Second audio program (SAP) is typically used to deliver audio description by television broadcasters. To promote accessibility , some countries (such as Canada and the United States) have implemented requirements for broadcasters to air specific quotas of programming containing audio description. The transition to " talkies " in the late 1920s resulted in

2413-903: A series of standards and best practices that help guide the management of museums. Various positions within the museum carry out the policies established by the Board and the Director. All museum employees should work together toward the museum's institutional goal. Here is a list of positions commonly found at museums: Other positions commonly found at museums include: building operator, public programming staff, photographer , librarian , archivist , groundskeeper , volunteer coordinator, preparator, security staff, development officer, membership officer, business officer, gift shop manager, public relations staff, and graphic designer . At smaller museums, staff members often fulfill multiple roles. Some of these positions are excluded entirely or may be carried out by

2540-587: A way that had previously been impossible. Also in 1982, the NCI provided the first real-time captioning for a live event, the Academy Awards. A court reporter trained as a captioner provided the captions using a Stenotype machine, which uses phonetic codes and allows the captioner to take down the spoken word at speeds of up to 250 words per minute. The ad-libs and the awarding of the Oscars were live captioned by

2667-416: A white shirt." The length of descriptions and their placement by a producer into the program are largely dictated by what can fit in natural pauses in dialogue (other producers of description may have other priorities, such as synchronization with the timing of a described element's appearance, which differ from DVS's priority for detail). Once recorded, placed and mixed with a copy of the original soundtrack,

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2794-565: Is Ennigaldi-Nanna's museum , built by Princess Ennigaldi in modern Iraq at the end of the Neo-Babylonian Empire . The site dates from c.  530 BC , and contained artifacts from earlier Mesopotamian civilizations . Notably, a clay drum label—written in three languages—was found at the site, referencing the history and discovery of a museum item. Ancient Greeks and Romans collected and displayed art and objects but perceived museums differently from modern-day views. In

2921-773: Is UNESCO and Blue Shield International in accordance with the Hague Convention for the Protection of Cultural Property from 1954 and its 2nd Protocol from 1999. For legal reasons, there are many international collaborations between museums, and the local Blue Shield organizations. Blue Shield has conducted extensive missions to protect museums and cultural assets in armed conflict, such as 2011 in Egypt and Libya, 2013 in Syria and 2014 in Mali and Iraq. During these operations,

3048-554: Is believed to be one of the earliest museums in the world. While it connected to the Library of Alexandria it is not clear if the museum was in a different building from the library or was part of the library complex. While little was known about the museum it was an inspiration for museums during the early Renaissance period. The royal palaces also functioned as a kind of museum outfitted with art and objects from conquered territories and gifts from ambassadors from other kingdoms allowing

3175-519: Is described by the Media Access Group under existing contracts with Walt Disney Pictures . NBC and their associated cable networks, along with outside productions by Universal Television such as Brooklyn Nine-Nine and The Mindy Project , solely use CaptionMax for description services; Netflix also utilizes CaptionMax for their original series, while going per studio for acquired programming. Most scripted programming on Fox, except for

3302-448: Is no longer a main purpose of most museums. While there is an ongoing debate about the purposes of interpretation of a museum's collection, there has been a consistent mission to protect and preserve cultural artifacts for future generations. Much care, expertise, and expense is invested in preservation efforts to retard decomposition in ageing documents, artifacts, artworks, and buildings. All museums display objects that are important to

3429-404: Is not a definitive list. Private museums are organized by individuals and managed by a board and museum officers, but public museums are created and managed by federal, state, or local governments. A government can charter a museum through legislative action but the museum can still be private as it is not part of the government. The distinction regulates the ownership and legal accountability for

3556-438: Is not necessarily a negative development; Dorothy Canfield Fisher observed that the reduction in objects has pushed museums to grow from institutions that artlessly showcased their many artifacts (in the style of early cabinets of curiosity) to instead "thinning out" the objects presented "for a general view of any given subject or period, and to put the rest away in archive-storage-rooms, where they could be consulted by students,

3683-400: Is occurring at the time and the plot as a whole. For example, in the opening credit sequence of the children's series Arthur on PBS, the description has been performed as follows: "Arthur is an 8-year-old aardvark. He wears round glasses with thick frames over his big eyes. He has two round ears on top of his oval-shaped head. He wears red sneakers and blue jeans, with a yellow sweater over

3810-634: Is particularly true in the case of postindustrial cities. Examples of museums fulfilling these economic roles exist around the world. For example, the Guggenheim Museum Bilbao was built in Bilbao, Spain in a move by the Basque regional government to revitalize the dilapidated old port area of that city. The Basque government agreed to pay $ 100 million for the construction of the museum, a price tag that caused many Bilbaoans to protest against

3937-401: Is received within 24 hours of its scheduled airing—provided that any future airings of the same program in prime-time contain descriptions. In addition, other licensed discretionary services would be expected to air at least four hours of DV programming per-week by the fourth year of their next license term. The Ofcom code on television access services requires broadcasters that have been on

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4064-417: Is to set them up for inevitable failure and to set us (the visitor) up for inevitable disappointment." Museums are facing funding shortages. Funding for museums comes from four major categories, and as of 2009 the breakdown for the United States is as follows: Government support (at all levels) 24.4%, private (charitable) giving 36.5%, earned income 27.6%, and investment income 11.5%. Government funding from

4191-453: Is typically delivered via an alternate audio track, either as a separate language track containing the narration only (which, if the playback device is capable of doing so, is mixed with the primary audio track automatically, and can have separate volume settings), or on a secondary audio track pre-mixed with the primary track, such as a secondary audio program (SAP). Many video on demand (VOD) and streaming platforms host separate assets for

4318-518: The Age of Enlightenment saw their ideas of the museum as superior and based their natural history museums on "organization and taxonomy" rather than displaying everything in any order after the style of Aldrovandi. The first "public" museums were often accessible only for the middle and upper classes. It could be difficult to gain entrance. When the British Museum opened to the public in 1759, it

4445-466: The American Alliance of Museums does not have such a definition, their list of accreditation criteria to participate in their Accreditation Program states a museum must: "Be a legally organized nonprofit institution or part of a nonprofit organization or government entity; Be essentially educational in nature; Have a formally stated and approved mission; Use and interpret objects or a site for

4572-657: The Ancient Greek Μουσεῖον ( mouseion ), which denotes a place or temple dedicated to the muses (the patron divinities in Greek mythology of the arts), and hence was a building set apart for study and the arts, especially the Musaeum (institute) for philosophy and research at Alexandria , built under Ptolemy I Soter about 280 BC. The purpose of modern museums is to collect, preserve, interpret, and display objects of artistic, cultural, or scientific significance for

4699-662: The National Captioning Institute and CaptionMax have also begun to describe programs. Benefit Media, Inc., a subsidiary of DuArt Film and Video in New York City provides DVS services to USA Network . For the 2016 Summer Olympics , NBC is providing description of events during the network's primetime block. The 21st Century Communications and Video Accessibility Act of 2010 reinstates the FCC's involvement in providing rules for video description. Under

4826-538: The National Endowment for the Arts , the largest museum funder in the United States, decreased by 19.586 million between 2011 and 2015, adjusted for inflation. The average spent per visitor in an art museum in 2016 was $ 8 between admissions, store and restaurant, where the average expense per visitor was $ 55. Corporations , which fall into the private giving category, can be a good source of funding to make up

4953-617: The Newark Museum in a series of books in the early 20th century so that other museum founders could plan their museums. Dana suggested that potential founders of museums should form a committee first, and reach out to the community for input as to what the museum should supply or do for the community. According to Dana, museums should be planned according to community's needs: "The new museum ... does not build on an educational superstition. It examines its community's life first, and then straightway bends its energies to supplying some

5080-482: The Smithsonian Institution stated that he wanted to establish an institution "for the increase and diffusion of knowledge". In the late 19th century, museums of natural history exemplified the scientific drive for classifying life and interpreting the world. Their purpose was to gather examples from each field of knowledge for research and display. Concurrently, as American colleges expanded during

5207-629: The Titanic Belfast , built on disused shipyards in Belfast , Northern Ireland , incidentally for the same price as the Guggenheim Museum Bilbao and by the same architect, Frank Gehry , in time for the 100th anniversary of Titanic 's maiden voyage in 2012. Initially expecting modest visitor numbers of 425,000 annually, first year visitor numbers reached over 800,000, with almost 60% coming from outside Northern Ireland. In

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5334-617: The United States Holocaust Memorial Museum in Washington, D.C. uses many artifacts in their memorable exhibitions. Museums are laid out in a specific way for a specific reason and each person who enters the doors of a museum will see its collection completely differently to the person behind them- this is what makes museums fascinating because they are represented differently to each individual. In recent years, some cities have turned to museums as an avenue for economic development or rejuvenation. This

5461-834: The interpretive plan for an exhibit, determining the most effective, engaging and appropriate methods of communicating a message or telling a story. The process will often mirror the architectural process or schedule, moving from conceptual plan, through schematic design, design development, contract document, fabrication, and installation. Museums of all sizes may also contract the outside services of exhibit fabrication businesses. Some museum scholars have even begun to question whether museums truly need artifacts at all. Historian Steven Conn provocatively asks this question, suggesting that there are fewer objects in all museums now, as they have been progressively replaced by interactive technology. As educational programming has grown in museums, mass collections of objects have receded in importance. This

5588-499: The 1860s. The British Museum was described by one of their delegates as a 'hakubutsukan', a 'house of extensive things' – this would eventually become accepted as the equivalent word for 'museum' in Japan and China. American museums eventually joined European museums as the world's leading centers for the production of new knowledge in their fields of interest. A period of intense museum building, in both an intellectual and physical sense

5715-537: The 1940s and 1950s, Radio Nacional de España aired live audio simulcasts of films from cinemas with descriptions, framing these as a form of radio drama before the advent of television. In the 1980s, the Media Access Group of U.S. public television station WGBH-TV (which had already gained notability for their involvement in developing closed captioning ) developed an implementation of audio description for television programming via second audio program (SAP), which it branded as "Descriptive Video Service" (DVS). It

5842-520: The 19th century, they also developed their own natural history collections to support the education of their students. By the last quarter of the 19th century, scientific research in universities was shifting toward biological research on a cellular level, and cutting-edge research moved from museums to university laboratories. While many large museums, such as the Smithsonian Institution, are still respected as research centers, research

5969-665: The British Museum for its possession of rare antiquities from Egypt, Greece, and the Middle East. The roles associated with the management of a museum largely depend on the size of the institution. Together, the Board and the Director establish a system of governance that is guided by policies that set standards for the institution. Documents that set these standards include an institutional or strategic plan, institutional code of ethics, bylaws, and collections policy. The American Alliance of Museums (AAM) has also formulated

6096-468: The DVS organization permanently in 1988. After national testing, more feedback, more development of description technique, and additional grants, DVS became a regular feature of selected PBS programming in 1990. Later, DVS became an available feature in some films and home videos, including DVDs. DVS describers watch a program and write a script describing visual elements which are important in understanding what

6223-474: The DVS track for syndication, substituting in the Spanish dubbing track on SAP to reach more viewers, though as many stations affiliated with "netlets" like The CW and MyNetworkTV are not under the video description provision, do not have SAP channels and thus, neither an audio description or Spanish dub track can be heard. In some markets where SAP is activated on affiliate stations though, The CW had provided

6350-698: The DVS track is then "laid back" to the master tape on a separate audio track (for broadcast on the SAP) or to its own DVS master (for home video). For feature films, the descriptions are not mixed with the soundtrack, but kept separate as part of a DTS soundtrack. When the Federal Communications Commission (FCC) started establishing various requirements for broadcasters in larger markets to improve their accessibility to audiences with hearing and vision impairments, DVS branched out to non-PBS programming, and soon description could be heard on

6477-460: The Media Access Group. Some shows have lost their DVS during their original network runs due to outside factors or complications. For instance, American Dad! had a two-season interregnum in part of season 12 and all of season 13 without any DVS service during its move from Fox to TBS in late 2014, before it returned in November 2016 for its fourteenth season. The Mindy Project lost DVS at

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6604-558: The National Captioning Institute for developing the closed captioning system for television shows. In 1981, RCA / Columbia Pictures Home Video became the first video company to release movies on videotape that had closed captions. In 1982, the NCI developed real-time captioning, a process for captioning newscasts, sports events, and other live broadcasts as the events are being televised, thereby bringing thousands of households into national conversations in

6731-980: The National Captioning Institute terminated the employment of 14 employees who had joined the National Association of Employees and Transmission Technicians in an effort to have reasonable workloads, receive annual cost-of-living raises, and prevent cuts in employee benefit plans. In 2015–2016, National Captioning Institute employees attempted to organize with the Communication Workers of America (CWA), again in an effort to have reasonable workloads, receive annual cost-of-living raises, and prevent cuts in employee benefit plans. " [T]he National Association of Broadcast Employees & Technicians–Communication Workers of America, AFL–CIO (the Union) attempted to unionize NCI's TX and CA offices. [...] On June 26, [COO] Toschi sent this email to NCI management about

6858-538: The National Captioning Institute. Marc Okrand was the National Captioning Institute's first supervisor of captioning, overseeing the transcription of audio. At the time, employees of the National Captioning Institute used court-reporter steno machines to caption shows. Rosalynn Carter hosted a reception at the White House honoring the work of the National Captioning Institute on March 19, 1980. In 1981, Hollywood Radio and Television Society gave an award to

6985-732: The SAP for shows such as CSI: Crime Scene Investigation and The Simpsons . However, a federal court ruled in 2002 that the Federal Communications Commission had exceeded its jurisdiction by requiring broadcasters in the top 25 markets to carry video description. Since that time, the amount of new DVS television programming in the United States declined, as did access to information regarding upcoming described programming, while broadcasters like ABC and Fox instead decided to devote their SAP channels to Spanish language dubbing tracks of their shows rather than DVS due to

7112-591: The UK Audio Description services were made available on the BBC and ITV after a collaborative project with industry partners. In 2000, the BBC voluntarily committed to providing descriptions for at least 20% of its programming annually. In practice, the BBC has often exceeded these targets. In 2009, BBC iPlayer became the first streaming video on-demand service in the world to support AD where every programme that

7239-477: The Union:" [E]mployees have been attempting to [unionize] …. There are a considerable number of employees … that have expressed interest …. [The] union … will be holding a meeting on June 29…. [T]he threat is serious. NCI's position… is solidly against unionization. I will be sending a company-wide communication to this effect …. President and COO Jill Toschi, NCI responded with actions that according to

7366-697: The United States, several Native American tribes and advocacy groups have lobbied extensively for the repatriation of sacred objects and the reburial of human remains. In 1990, Congress passed the Native American Graves Protection and Repatriation Act (NAGPRA), which required federal agencies and federally funded institutions to repatriate Native American "cultural items" to culturally affiliate tribes and groups. Similarly, many European museum collections often contain objects and cultural artifacts acquired through imperialism and colonization . Some historians and scholars have criticized

7493-484: The United States, similar projects include the 81,000 square foot Taubman Museum of Art in Roanoke, Virginia and The Broad in Los Angeles . Museums being used as a cultural economic driver by city and local governments has proven to be controversial among museum activists and local populations alike. Public protests have occurred in numerous cities which have tried to employ museums in this way. While most subside if

7620-516: The United States. Under Canadian Radio-television and Telecommunications Commission (CRTC) rules, broadcast television stations and former Category A services that dedicated more than half of their programming to comedy, drama, or long-form documentary programs, were required to broadcast at least four hours of programming with audio descriptions (known in Canadian English as described video) per-week, with two hours of this "original" to

7747-488: The ability to browse content by availability of descriptions. On June 17, 2016, Pornhub announced that it would launch a collection of pornographic videos with audio descriptions. The initiative is sponsored by the website's philanthropic arm Pornhub Cares. In the late-2010s, Procter & Gamble began to add descriptions to some of its television commercials , first in the United Kingdom, and later Spain and

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7874-560: The activity problematic (often relying on sighted family and friends to describe for them), WGBH consulted more closely with Pfanstiehl and her husband, Cody, and then conducted its first tests of DVS in Boston in 1986. These tests (broadcasting to local groups of people of various ages and visual impairments) and further study were successful enough to merit a grant from the Corporation for Public Broadcasting to complete plans to establish

8001-572: The aforementioned genres. The requirement that a quota of DV programming be "original" to the network was also dropped. Citing the possibility that not enough imported U.S. programming may be supplied with descriptions for their first airing, and the burden this may place on their ability to carry these programs, the CRTC granted an exception to Bell Media , Corus Entertainment , and Rogers Media , along with minor companies DHX Media , CBC , Blue Ant Media , V , and TVA Group , for foreign programming that

8128-410: The air for at least five years to broadcast at least 10% of their programming with descriptions. Scrutiny has applied even to ESPN UK —a sports channel—which was fined £120,000 by Ofcom for not meeting an AD quota in 2012. The regulator rejected an argument by ESPN that AD was redundant to commentary , as it is "not provided with the needs of the visually impaired in mind". Initially, audio description

8255-609: The alternate audio. ABC, along with sister network Disney Channel has since added audio description to some of their programming (with a commensurate decline in Spanish-dubbed programming, though the ATSC standard allows more audio channels), but does not contract any of their shows to be described by the Media Access Group, instead going with commercial providers CaptionMax and Audio Eyes . Some special programming such as Toy Story of Terror! and Toy Story That Time Forgot

8382-429: The audio-described media, with the soundtrack pre-mixed. Despite AD typically being presented as something that can be enabled (as with subtitles ), users can encounter problems when trying to turn AD on or off because the underlying media version they require is unavailable. In movie theaters, audio description can be heard using DVS Theatrical and similar systems (including DTS-CSS and Dolby Screentalk). Users listen to

8509-468: The care of the collections. National Captioning Institute The National Captioning Institute, Inc. (NCI) is a 501(c)(3) nonprofit organization that provides real-time and off-line closed captioning , subtitling and translation, described video, web captioning, and Spanish captioning for television and films . Created in 1979 and headquartered in Chantilly, Virginia , the organization

8636-440: The channel per-week. These programs must have been drawn from children's, comedy, drama, long-form documentaries, general entertainment and human interest, reality , or variety genres. Broadcasters must also promote the availability of DV programming, including airing a standard audiovisual bumper and logo at the beginning of all programs offering description (the CRTC officially recommends that this announcement be repeated after

8763-431: The chosen artifacts. These elements of planning have their roots with John Cotton Dana, who was perturbed at the historical placement of museums outside of cities, and in areas that were not easily accessed by the public, in gloomy European style buildings. Questions of accessibility continue to the present day. Many museums strive to make their buildings, programming, ideas, and collections more publicly accessible than in

8890-404: The classical period, the museums were the temples and their precincts which housed collections of votive offerings. Paintings and sculptures were displayed in gardens, forums, theaters, and bathhouses. In the ancient past there was little differentiation between libraries and museums with both occupying the building and were frequently connected to a temple or royal palace. The Museum of Alexandria

9017-648: The conclusion of each commercial break, but this is not typically practiced). All television providers are also required to carry AMI-tv (formerly The Accessible Channel), a specialty channel that broadcasts all programming with descriptions on the primary audio track. On March 26, 2015, the CRTC announced that beginning September 1, 2019, most broadcast and specialty networks owned by vertically integrated conglomerates, as well as any channel previously subject to license conditions specifying minimums for DV, are required to supply described video for any prime-time programming (7:00 p.m. to 11:00 p.m.) that falls within

9144-495: The description on a wireless headset . Audio description is stored in the Digital Cinema Package as "Visually Impaired-Native" (VI-N) audio on Sound Track channel 8. In live theaters, patrons also receive the description via a wireless device, a discreet monaural receiver. However, the description is provided live by describers located in a booth acoustically insulated from the audience, but from where they have

9271-539: The development of more modern 19th-century museums was part of new strategies by Western governments to produce a citizenry that, rather than be directed by coercive or external forces, monitored and regulated its own conduct. To incorporate the masses in this strategy, the private space of museums that previously had been restricted and socially exclusive were made public. As such, objects and artifacts, particularly those related to high culture, became instruments for these "new tasks of social management". Universities became

9398-413: The establishment of the earliest known museum in ancient times , museums have been associated with academia and the preservation of rare items. Museums originated as private collections of interesting items, and not until much later did the emphasis on educating the public take root. The English word museum comes from Latin , and is pluralized as museums (or rarely, musea ). It is originally from

9525-534: The fall of 2017). Netflix committed in April 2015 to begin audio description of their original series, starting with Daredevil (which features a blind protagonist with other heightened senses) and the remainder of their original programming in the next few months, making their goal in that timeframe, along with providing the DVS tracks of existing series in their library; however some platforms (mainly older versions for devices that are now unsupported) do not provide

9652-678: The few with open captioning of news and public affairs shows since the early 1970s. The National Captioning Institute was incorporated on January 30, 1979, with millions of dollars of start-up funding from the federal government. On March 23, 1979, the United States Department of Health, Education, and Welfare announced plans for closed-captioning of twenty hours per week of television shows. The National Captioning Institute established its original headquarters in Bailey's Crossroads, Virginia , and later that year it established

9779-409: The former use and status of an object. Religious or holy objects, for instance, are handled according to cultural rules. Jewish objects that contain the name of God may not be discarded, but need to be buried. Although most museums do not allow physical contact with the associated artifacts, there are some that are interactive and encourage a more hands-on approach. In 2009, Hampton Court Palace ,

9906-697: The funding gap. The amount corporations currently give to museums accounts for just 5% of total funding. Corporate giving to the arts, however, was set to increase by 3.3% in 2017. Most mid-size and large museums employ exhibit design staff for graphic and environmental design projects, including exhibitions. In addition to traditional 2-D and 3-D designers and architects, these staff departments may include audio-visual specialists, software designers, audience research, evaluation specialists, writers, editors, and preparators or art handlers. These staff specialists may also be charged with supervising contract design or production services. The exhibit design process builds on

10033-692: The judge violated labor laws, "which included firing two workers, interrogating employees, searching employees' chat logs for union discussions, sending anti-union emails to employees, maintaining an unlawful social media policy, and maintaining an unacceptable behavior policy." "An NLRB administrative law judge in Fort Worth, Tex., found that the National Captioning Institute violated federal law when it fired two workers for their union activity, and committed other labor law violations. [...] [Judge Robert Ringler] ordered NCI to cease and desist all unlawful practices, rescind illegal and overbroad policies, and offer

10160-422: The looting of the collection is to be prevented in particular. The design of museums has evolved throughout history. However, museum planning involves planning the actual mission of the museum along with planning the space that the collection of the museum will be housed in. Intentional museum planning has its beginnings with the museum founder and librarian John Cotton Dana . Dana detailed the process of founding

10287-567: The matches can be heard via audio description in every stadium in Switzerland . At St. Jakob-Park in Basel , even without delay via the Internet. In the meantime, the outdated technology of FM transmission has been abolished. Today, the games are broadcast via cell phone apps. In Germany , almost every stadium is also equipped with this technology. The Descriptive Video Service ( DVS ) is

10414-407: The material which that community needs, and to making that material's presence widely known, and to presenting it in such a way as to secure it for the maximum of use and the maximum efficiency of that use." The way that museums are planned and designed vary according to what collections they house, but overall, they adhere to planning a space that is easily accessed by the public and easily displays

10541-409: The museum landscape has become so varied, that it may not be sufficient to use traditional categories to comprehend fully the vast variety existing throughout the world. However, it may be useful to categorize museums in different ways under multiple perspectives. Museums can vary based on size, from large institutions, to very small institutions focusing on specific subjects, such as a specific location,

10668-617: The museum planning process. Some museum experiences have very few or no artifacts and do not necessarily call themselves museums, and their mission reflects this; the Griffith Observatory in Los Angeles and the National Constitution Center in Philadelphia , being notable examples where there are few artifacts, but strong, memorable stories are told or information is interpreted. In contrast,

10795-498: The new season of American Playhouse on January 24, 1990. In the 1990s at cinemas in California, RP International began to offer audio descriptions for theatrical films under the brand TheatreVision , relayed via earpieces to those who request it. A clip from Schindler's List was used to pitch the concept to the film's producers Gerald Molen and Branko Lustig , and one of the first films to be presented in this format

10922-525: The only people who really needed to see them". This phenomenon of disappearing objects is especially present in science museums like the Museum of Science and Industry in Chicago , which have a high visitorship of school-aged children who may benefit more from hands-on interactive technology than reading a label beside an artifact. There is no definitive standard as to the set types of museums. Additionally,

11049-907: The order faced a court challenge led by the MPAA , who questioned the FCC's jurisdiction on the matter. In November 2002, the Court of Appeals for the District of Columbia Circuit ruled that the FCC had no statutory jurisdiction to enforce such a rule. This was rectified in 2010 with the passing of the Twenty-First Century Communications and Video Accessibility Act , which gave the FCC jurisdiction to enforce video description requirements. The previously intended quotas were reinstated on July 1, 2012, and have been gradually increased to require more programming and wider participation since their implementation. Broadcast audio description

11176-582: The passage of the Television Decoder Circuitry Act in 1990, mandating that all new television sets 13 inches or larger manufactured for sale in the U.S. contain caption-decoding technology. In 1993, a federal law went into effect that required built-in capacity to display captions on all televisions 13 inches or larger, which would make purchasing separate decoders no longer necessary. Virtually all television shows were being broadcast with closed-captions at that point. In 2006,

11303-415: The past. Not every museum is participating in this trend, but that seems to be the trajectory of museums in the twenty-first century with its emphasis on inclusiveness. One pioneering way museums are attempting to make their collections more accessible is with open storage. Most of a museum's collection is typically locked away in a secure location to be preserved, but the result is most people never get to see

11430-570: The personal collection of Elias Ashmole , was set up in the University of Oxford to be open to the public and is considered by some to be the first modern public museum. The collection included that of Elias Ashmole which he had collected himself, including objects he had acquired from the gardeners, travellers and collectors John Tradescant the elder and his son of the same name . The collection included antique coins, books, engravings, geological specimens, and zoological specimens—one of which

11557-685: The preservation of their objects. They displayed objects as well as their functions. One exhibit featured a historical printing press that a staff member used for visitors to create museum memorabilia. Some museums seek to reach a wide audience, such as a national or state museum, while others have specific audiences, like the LDS Church History Museum or local history organizations. Generally speaking, museums collect objects of significance that comply with their mission statement for conservation and display. Apart from questions of provenance and conservation, museums take into consideration

11684-422: The primary centers for innovative research in the United States well before the start of World War II . Nevertheless, museums to this day contribute new knowledge to their fields and continue to build collections that are useful for both research and display. The late twentieth century witnessed intense debate concerning the repatriation of religious, ethnic, and cultural artifacts housed in museum collections. In

11811-442: The private collections of wealthy individuals, families or institutions of art and rare or curious natural objects and artifacts . These were often displayed in so-called "wonder rooms" or cabinets of curiosities . These contemporary museums first emerged in western Europe, then spread into other parts of the world. Public access to these museums was often possible for the "respectable", especially to private art collections, but at

11938-400: The project. Nonetheless, over 1.1 million people visited the museum in 2015, indicating it appeared to have paid off for the local government despite local backlash; key to this is the large demographic of foreign visitors to the museum, with 63% of the visitors residing outside of Spain and thus feeding foreign investment straight into Bilbao. A similar project to that undertaken in Bilbao was

12065-484: The public presentation of regularly scheduled programs and exhibits; Have a formal and appropriate program of documentation, care, and use of collections or objects; Carry out the above functions primarily at a physical facility or site; Have been open to the public for at least two years; Be open to the public at least 1,000 hours a year; Have accessioned 80 percent of its permanent collection; Have at least one paid professional staff with museum knowledge and experience; Have

12192-407: The public, accessible and inclusive, museums foster diversity and sustainability. They operate and communicate ethically, professionally and with the participation of communities, offering varied experiences for education, enjoyment, reflection and knowledge sharing." The Canadian Museums Association 's definition: "A museum is a non-profit, permanent establishment, that does not exist primarily for

12319-708: The purpose of conducting temporary exhibitions and that is open to the public during regular hours and administered in the public interest for the purpose of conserving, preserving, studying, interpreting, assembling and exhibiting to the public for the instruction and enjoyment of the public, objects and specimens or educational and cultural value including artistic, scientific, historical and technological material." The United Kingdom's Museums Association 's definition: "Museums enable people to explore collections for inspiration, learning and enjoyment. They are institutions that collect, safeguard and make accessible artifacts and specimens, which they hold in trust for society." While

12446-578: The ruler to display the amassed collections to guests and to visiting dignitaries. Also in Alexandria from the time of Ptolemy II Philadelphus (r. 285–246 BCE), was the first zoological park. At first used by Philadelphus in an attempt to domesticate African elephants for use in war, the elephants were also used for show along with a menagerie of other animals specimens including hartebeests , ostriches , zebras , leopards , giraffes , rhinoceros , and pythons . Early museums began as

12573-425: The rules, affiliates in the top 25 markets and the top five-rated cable networks will have to provide at least 50 hours of video described programming per quarter; the rules took effect on July 1, 2012. However, this provision currently does not apply to syndicated programming; notably, many programs which have audio description in their network runs, such as those produced by Twentieth Century Fox Television , remove

12700-440: The shows of Gordon Ramsay ( Hell's Kitchen , Hotel Hell and Kitchen Nightmares ) is described by the Media Access Group; Ramsay's programs are contracted by his producing studio to have audio description done by Scottish-born voiceover artist Mhairi Morrison with Descriptive Video Works . Unique to most described shows, Fox's Empire uses actress Adrienne Barbeau for their description. CBS's described shows all use

12827-546: The start of their fourth season upon the move to Hulu, which does not yet provide DVS service. Cartoon Network and their time-share partner Adult Swim began to pass-through DVS for their syndicated content in the last quarter of 2018. Museums A museum is an institution dedicated to displaying and/or preserving culturally or scientifically significant objects. Many museums have exhibitions of these objects on public display, and some have private collections that are used by researchers and specialists. Museums host

12954-402: The steno captioner, while a production coordinator displays the prepared captions of the scripted portions of the broadcast. Later that year, ABC's " World News Tonight " was the first regularly-scheduled program to be real-time captioned. In 1989, the NCI partnered with ITT to develop the first caption-decoding microchip to be built directly into new television sets in the factory. It led to

13081-461: The study and education of the public. To city leaders, an active museum community can be seen as a gauge of the cultural or economic health of a city, and a way to increase the sophistication of its inhabitants. To museum professionals, a museum might be seen as a way to educate the public about the museum's mission, such as civil rights or environmentalism . Museums are, above all, storehouses of knowledge. In 1829, James Smithson's bequest funding

13208-451: The subject matter which now include content in the form of images, audio and visual effects, and interactive exhibits. Museum creation begins with a museum plan, created through a museum planning process. The process involves identifying the museum's vision and the resources, organization and experiences needed to realize this vision. A feasibility study, analysis of comparable facilities, and an interpretive plan are all developed as part of

13335-572: The subscription streaming service Netflix announced that it had added support for audio description, beginning with Daredevil —a series based on a comic book character who himself is blind, and would add descriptions to current and past original series on the platform over time. The following year, as part of a settlement with the American Council of the Blind , Netflix agreed to provide descriptions for its original series within 30 days of their premiere, and add screen reader support and

13462-429: The technical limitations of the analog NTSC standard. Description by DVS and other producers was still available in a limited form on television (the greatest percentage of DVS programming is still on PBS). WGBH's Media Access Group continues supporting description of feature films (known as DVS Theatrical) and DVS home videos/ DVDs are available from WGBH as well as other vendors and libraries. Commercial caption providers

13589-457: The technology to provide captions of television broadcasts without an unreasonably large financial burden on television networks or local television stations. Federal funding paid for the technology. Viewers would buy an adapter for their televisions that would decode and display the text while watching closed-captioned television programs. Up to that point, captioning of television shows was rare, with Boston television station WGBH being one of

13716-482: The title character, and for the 1994 remake of Little Women , stars from previous versions of the film volunteered, including June Allyson , Margaret O'Brien , and Janet Leigh (whose grandmother was blind) from the 1949 version of the film, as well as Katharine Hepburn —star of the 1933 version . Other companies emerged in providing descriptions for programming in the U.S., including the National Captioning Institute , Narrative Television Network, and others. In

13843-494: The type of collections they display, to include: fine arts , applied arts , craft , archaeology , anthropology and ethnology , biography , history , cultural history , science , technology , children's museums , natural history , botanical and zoological gardens . Within these categories, many museums specialize further, e.g., museums of modern art , folk art , local history , military history , aviation history , philately , agriculture , or geology . The size of

13970-471: The vast majority of collections. The Brooklyn Museum's Luce Center for American Art practices this open storage where the public can view items not on display, albeit with minimal interpretation. The practice of open storage is all part of an ongoing debate in the museum field of the role objects play and how accessible they should be. In terms of modern museums, interpretive museums, as opposed to art museums, have missions reflecting curatorial guidance through

14097-766: The way its subject matter existed at a certain point in time (e.g., the Anne Frank House and Colonial Williamsburg ). According to University of Florida Professor Eric Kilgerman, "While a museum in which a particular narrative unfolds within its halls is diachronic, those museums that limit their space to a single experience are called synchronic." In her book Civilizing the Museum , author Elaine Heumann Gurian proposes that there are five categories of museums based on intention and not content: object centered, narrative, client centered, community centered, and national. Museums can also be categorized into major groups by

14224-428: The whim of the owner and his staff. One way that elite men during this time period gained a higher social status in the world of elites was by becoming a collector of these curious objects and displaying them. Many of the items in these collections were new discoveries and these collectors or naturalists, since many of these people held interest in natural sciences, were eager to obtain them. By putting their collections in

14351-475: The world offer some definitions as to what constitutes a museum, and their purpose. Common themes in all the definitions are public good and the care, preservation, and interpretation of collections. The International Council of Museums ' current definition of a museum (adopted in 2022): "A museum is a not-for-profit, permanent institution in the service of society that researches, collects, conserves, interprets and exhibits tangible and intangible heritage. Open to

14478-468: Was Forrest Gump (1994). TheatreVision sought notable personalities and celebrities to volunteer in providing these narrations, such as sportscaster Vin Scully , William Shatner , Monty Hall , and former U.S. president George H. W. Bush (for It's a Wonderful Life ). Sometimes the narrator had ties to the film or was part of its cast; Irene Bedard described Pocahontas —a film where she had voiced

14605-540: Was "encyclopedic" in nature, reminiscent of that of Pliny, the Roman philosopher and naturalist. The idea was to consume and collect as much knowledge as possible, to put everything they collected and everything they knew in these displays. In time, however, museum philosophy would change and the encyclopedic nature of information that was so enjoyed by Aldrovandi and his cohorts would be dismissed as well as "the museums that contained this knowledge". The 18th-century scholars of

14732-435: Was a concern that large crowds could damage the artifacts. Prospective visitors to the British Museum had to apply in writing for admission, and small groups were allowed into the galleries each day. The British Museum became increasingly popular during the 19th century, amongst all age groups and social classes who visited the British Museum, especially on public holidays. The Ashmolean Museum , however, founded in 1677 from

14859-583: Was also adopted in Switzerland. The radio of FC Basel 1893 was the first club in Switzerland to take up this topic. First, FC Basel installed an antenna in St. Jakob Park , which was used to broadcast the radio's live commentary. The visually impaired and blind fans could then listen to the commentary via a VHF frequency. More and more clubs in the Swiss Super League adopted this concept and today

14986-555: Was broadcast with AD also had AD on BBC iPlayer. On January 29, 2009, The Accessible Channel was launched in Canada, which broadcasts "open" audio descriptions on all programming via the primary audio track. Audio description has also been extended to live events, including sporting events, the ceremonies of the Olympic and Paralympic Games , and the royal wedding of Prince William and Catherine Middleton , among others. In April 2015,

15113-496: Was charged with organizing the Louvre as a national public museum and the centerpiece of a planned national museum system. As Napoléon I conquered the great cities of Europe, confiscating art objects as he went, the collections grew and the organizational task became more and more complicated. After Napoleon was defeated in 1815, many of the treasures he had amassed were gradually returned to their owners (and many were not). His plan

15240-548: Was developed in consultation with Dr. Margaret Pfanstiehl of Washington, D.C. , who had performed descriptions at theatrical performances and had run a radio reading service known as the Washington Ear. After four years of development and on-air trials (which included a proof of concept that aired the descriptions on a radio station in simulcast with the television airing), WGBH officially launched audio description via 32 participating PBS member stations, beginning with

15367-622: Was launched (the series' description propagated to its Netflix run several weeks after it was placed on that service after the first-season finale). MyNetworkTV has no provisions for audio description or language dub tracks, despite many of its scripted series having DVS tracks. Online streaming services such as Hulu and the services of television networks themselves such as CBS All Access have yet to carry descriptive video service audio in most cases as they instead are currently focused on adding closed captioning to their libraries (the network app for ABC began to carry existing audio described shows in

15494-711: Was never fully realized, but his concept of a museum as an agent of nationalistic fervor had a profound influence throughout Europe. Chinese and Japanese visitors to Europe were fascinated by the museums they saw there, but had cultural difficulties in grasping their purpose and finding an equivalent Chinese or Japanese term for them. Chinese visitors in the early 19th century named these museums based on what they contained, so defined them as "bone amassing buildings" or "courtyards of treasures" or "painting pavilions" or "curio stores" or "halls of military feats" or "gardens of everything". Japan first encountered Western museum institutions when it participated in Europe's World's Fairs in

15621-463: Was provided as a public service. However, in 2000, the Federal Communications Commission would enact a policy effective April 1, 2002, requiring the affiliates of the four major television networks in the top 25 markets, and television providers with more than 50,000 subscribers via the top 5 cable networks as determined by Nielsen ratings , to offer 50 hours of programming with descriptions during primetime or children's programming per-quarter. However,

15748-649: Was realized in the late 19th and early 20th centuries (this is often called "The Museum Period" or "The Museum Age"). While many American museums, both natural history museums and art museums alike, were founded with the intention of focusing on the scientific discoveries and artistic developments in North America, many moved to emulate their European counterparts in certain ways (including the development of Classical collections from ancient Egypt , Greece , Mesopotamia , and Rome ). Drawing on Michel Foucault 's concept of liberal government, Tony Bennett has suggested

15875-807: Was the Louvre in Paris , opened in 1793 during the French Revolution , which enabled for the first time free access to the former French royal collections for people of all stations and status. The fabulous art treasures collected by the French monarchy over centuries were accessible to the public three days each " décade " (the 10-day unit which had replaced the week in the French Republican Calendar ). The Conservatoire du muséum national des Arts (National Museum of Arts's Conservatory)

16002-485: Was the first to caption live TV and home video, and holds the trademark on the display icon featuring a simple geometric rendering of a television set merged with a speech balloon to indicate that a program is captioned by National Captioning Institute. National Captioning Institute also has an office in Santa Clarita, California . The National Association of Broadcasters formed a task force in 1972 to create

16129-480: Was the stuffed body of the last dodo ever seen in Europe; but by 1755 the stuffed dodo was so moth-eaten that it was destroyed, except for its head and one claw. The museum opened on 24 May 1683, with naturalist Robert Plot as the first keeper. The first building, which became known as the Old Ashmolean , is sometimes attributed to Sir Christopher Wren or Thomas Wood. In France, the first public museum

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