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Culver Studios

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A film studio (also known as movie studio or simply studio ) is a major entertainment company that makes films . Today, they are mostly financing and distribution entities. Additionally, they may also have their own privately owned studio facility or facilities; however, most firms in the entertainment industry have never owned their own studios, but have rented space from other companies. The day-to-day filming operations are generally handled by their production company subsidiary.

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133-771: The Culver Studios is a film studio in Culver City, California . Originally created by silent movie pioneer Thomas H. Ince , classics from Hollywood's Golden Age were filmed there. It was purchased, in 2014, by Hackman Capital Partners, which completely modernized the lot over the next four years, while preserving the site's historic structures. The studios have operated under a multitude of names: Ince Studio (1918-1925), De Mille Studios (1925–1928), Pathé Studios (1928–1931), RKO-Pathé Studios (1931–1935), Selznick International Pictures (1935–1956), Desilu-Culver Studios (1956–1970), Culver City Studios (1970–1977), and Laird International Studios (1977–1986). Through all these name changes,

266-666: A hustler and that Cukor knew of his past, so Gable used his influence to have him discharged. Vivien Leigh and Olivia de Havilland learned of Cukor's firing on the day the Atlanta bazaar scene was filmed, and the pair went to Selznick's office in full costume and implored him to change his mind. Victor Fleming , who was directing The Wizard of Oz , was called in from MGM to complete the film. However, Cukor continued privately to coach Leigh and De Havilland. Another MGM director, Sam Wood , worked for two weeks in May when Fleming temporarily left

399-404: A security guard . The sound stage is the central component of a studio lot. Most studios have several; small studios may have as few as one, and large studios have as many as 20 to 30. Movie studios also provide office space for studio executives and production companies, and makeup rooms and rehearsal rooms for talent. If space allows, a studio may have an outside backlot . Finally, there

532-403: A "standout" as Melanie; Nugent was also especially taken with de Havilland's performance, describing it as a "gracious, dignified, tender gem of characterization". Hattie McDaniel's performance as Mammy was singled out for praise by many critics: Nugent believed she gave the best performance in the film after Vivien Leigh, with Flinn placing it third after Leigh's and Gable's performances. At

665-685: A daughter whom Rhett nicknames Bonnie Blue, but Scarlett still pines for Ashley and, chagrined at the perceived ruin of her figure, refuses to have any more children or share a bed with Rhett. One day at Frank's mill, Ashley's sister, India, sees Scarlett and Ashley embracing. Harboring an intense dislike of Scarlett, India eagerly spreads rumors. Later that evening, Rhett, having heard the rumors, forces Scarlett to attend Ashley's birthday party. Melanie, however, stands by Scarlett. After returning home, Scarlett finds Rhett downstairs drunk, and they argue about Ashley. Rhett kisses Scarlett against her will, stating his intent to have sex with her that night, and carries

798-613: A faster recovery, contributing to the increasing dominance of Hollywood over New York City. The Big 5 By the mid-1920s, the evolution of a handful of American production companies into wealthy motion picture industry conglomerates that owned their own studios, distribution divisions , and theaters , and contracted with performers and other filmmaking personnel led to the sometimes confusing equation of studio with production company in industry slang. Five large companies: RKO Radio Pictures , 20th Century Fox , Paramount Pictures , Warner Bros. , and Metro-Goldwyn-Mayer came to be known as

931-513: A fence with her pony. Scarlett and Rhett visit Melanie, who has suffered complications from a new pregnancy, on her deathbed. As Scarlett consoles Ashley, Rhett prepares to leave Atlanta. Having realized that it was Rhett, and not Ashley, whom she truly loved all along, Scarlett pleads with Rhett to stay, but he rebuffs her and walks away into the morning fog. A distraught Scarlett resolves to return home to Tara, vowing to one day win Rhett back. Before

1064-508: A gala "premiere" at the Loew's Grand Theater. It was attended by Selznick and many other stars of the film, including Vivien Leigh and Olivia de Havilland; Clark Gable had died the previous year. For its 1967 re-release, the film was blown up to 70mm , and issued with updated poster artwork featuring Gable—with his white shirt ripped open—holding Leigh against a backdrop of orange flames. There were further re-releases in 1971, 1974, and 1989; for

1197-656: A growing proportion of Hollywood movie revenue, with approximately 70% of total movie revenue coming from international ticket sales; and the Chinese domestic box-office revenue is projected to outpace those of US in 2020. The growth of film studios and filmmaking outside of Hollywood and the US has produced popular international film studio locations such as Hollywood North ( Vancouver and Toronto in Canada ), Bollywood ( Mumbai , India ), and Nollywood ( Lagos , Nigeria ). As

1330-407: A hurry. Hecht wrote, "After each scene had been performed and discussed, I sat down at the typewriter and wrote it out. Selznick and Fleming, eager to continue with their acting, kept hurrying me. We worked in this fashion for seven days, putting in eighteen to twenty hours a day. Selznick refused to let us eat lunch, arguing that food would slow us up. He provided bananas and salted peanuts ... thus on

1463-489: A limited number of theaters at prices upwards of $ 1—more than double the price of a regular first-run feature—with MGM collecting an unprecedented 70 percent of the box office receipts, as opposed to the typical 30–35 percent of the period. After reaching saturation as a roadshow, MGM revised its terms to a 50 percent cut and halved the prices before it finally entered general release in 1941 at "popular" prices. Including its distribution and advertising costs, total expenditure on

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1596-482: A long working relationship and who had spent almost two years in pre-production on Gone with the Wind , was replaced after less than three weeks of shooting. Selznick and Cukor had already disagreed over the pace of filming and the script, but other explanations put Cukor's departure down to Gable's discomfort at working with him. Emanuel Levy , Cukor's biographer, claimed that Gable had worked Hollywood's gay circuit as

1729-597: A motion picture of their own because they are not entertainment companies or motion picture companies; they are companies who sell only studio space. In 1893, Thomas Edison built the first movie studio in the United States when he constructed the Black Maria , a tarpaper-covered structure near his laboratories in West Orange , New Jersey , and asked circus, vaudeville, and dramatic actors to perform for

1862-588: A nearby plantation, Scarlett makes an advance on Ashley but is rebuffed; however, she catches the attention of another guest, Rhett Butler . The party is disrupted by news of President Lincoln's call for volunteers to fight the South , and the Southern men rush to enlist. Scarlett marries Melanie's younger brother, Charles, to arouse jealousy in Ashley before he leaves to fight. Following Charles's death while serving in

1995-469: A one-off airing, and it was broadcast in two parts on successive evenings. It became at that time the highest-rated television program ever presented on a single network, watched by 47.5 percent of the households sampled in America, and 65 percent of television viewers, still the record for the highest-rated film to ever air on television. In 1978, CBS signed a deal worth $ 35 million to broadcast

2128-457: A parade of limousines featuring stars from the film, receptions, thousands of Confederate flags, and a costume ball. Eurith D. Rivers , the governor of Georgia, declared December 15 a state holiday. An estimated 300,000 Atlanta residents and visitors lined the streets for seven miles to view the procession of limousines that brought stars from the airport. Only Leslie Howard and Victor Fleming chose not to attend: Howard had returned to England due to

2261-604: A poet and educator, wrote " Birth of a Nation was such a barefaced lie that a moron could see through it. Gone with the Wind is such a subtle lie that it will be swallowed as truth by millions of whites and blacks alike." Following Hattie McDaniel's Oscar win, Walter Francis White , leader of the National Association for the Advancement of Colored People , accused her of being an Uncle Tom . McDaniel responded that she would "rather make seven hundred dollars

2394-563: A quotation from a literary work, provided that no such use shall be permitted which is intrinsically objectionable or offends good taste". With that amendment, the Production Code Administration had no further objection to Rhett's closing line. Selznick chose Max Steiner to compose the score, with whom he had worked at RKO Pictures in the early 1930s. Warner Bros.—who had contracted Steiner in 1936—agreed to lend him to Selznick. Steiner spent twelve weeks working on

2527-518: A residential space for Clark Gable and Vivien Leigh during filming of Gone With the Wind . Other bungalows have been connected to Olivia de Havilland , Lucille Ball , Gloria Swanson and Orson Welles . As part of the expansion project undertaken by Hackman Capital Partners, the bungalows were moved to the front of the lot, behind the mansion house. They are used as production spaces and offices for writers, producers, production staff, and talent. Built by producer Cecil B. DeMille in 1927 when he owned

2660-458: A stake in the studio as well as filmmakers Cecil B. DeMille and David O. Selznick . The Culver Studios was founded in 1918 by silent movie actor, director, and producer Thomas H. Ince after he acquired land from real estate developer Harry Culver . The Thomas H. Ince Studio, as it was originally known, was designed and constructed by the architectural firm of Meyer & Holler . Ince had grand ambitions to create his own studio unique from all

2793-654: A tram tour of the backlot where films such as Psycho and Back to the Future were once shot. In fall 2019, movie mogul Tyler Perry opened Tyler Perry Studios in Atlanta . The studio lot is claimed to be larger than any movie-studio lot in Hollywood. In the 1980s and 1990s, as the cost of professional 16mm film equipment decreased, along with the emergence of non-film innovations such as S-VHS and Mini-DV cameras, many young filmmakers began to make films outside

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2926-593: A triangular plot of land a few blocks from the main lot. It was initially leased from landowner Harry Culver during Cecil B. DeMille's tenure and was continuously used to build the plantation Tara, the Atlanta Depot, and other Atlanta buildings in Gone With the Wind . The Back Forty also provided the backdrop for several television shows broadcast during the 1960s, including Hogan's Heroes , The Andy Griffith Show , Star Trek , and Bonanza . The land

3059-498: A troubled production. The start of filming was delayed for two years until January 1939 because Selznick was determined to secure Gable for the role of Rhett, and filming concluded in July. The role of Scarlett was challenging to cast, and 1,400 unknown women were interviewed for the part. Sidney Howard 's original screenplay underwent many revisions by several writers to reduce it to a suitable length. The original director, George Cukor ,

3192-519: A week playing a maid than seven dollars being one"; she further questioned White's qualification to speak on behalf of black people since he was light-skinned and only one-eighth black. Opinion in the black community was generally divided upon release, with the film being called by some a "weapon of terror against black America" and an insult to black audiences, and demonstrations were held in various cities. Malcolm X later recalled that "when Butterfly McQueen went into her act, I felt like crawling under

3325-407: Is a secure compound enclosed by a tall perimeter wall. This is necessary to protect filmmaking operations from unwanted interference from paparazzi and crazed fans of leading movie stars . Movement in and out of the studio lot is normally limited to specific gates (often capped with grand decorative arches), where visitors must stop at a boom barrier and explain the purpose of their visit to

3458-733: Is a studio "commissary", which is the traditional term in the movie industry for what other industries call a company cafeteria . In addition to these basic components, the largest film studios are full-service enterprises offering the entire range of production and post-production services necessary to create a motion picture, including costumes, props, cameras, sound recording, crafts, sets, lighting, special effects , cutting, editing, mixing, scoring, automated dialogue replacement (ADR), re-recording, and foley . Independent suppliers of all these services and more (e.g., photographic processing labs) are often found in clusters in close proximity to film studios. Nitrate film , manufactured until 1951,

3591-517: Is most associated with the film today is the melody that accompanies Tara, the O'Hara plantation; in the early 1940s, "Tara's Theme" formed the musical basis of the song "My Own True Love" by Mack David . In all, there are ninety-nine separate pieces of music featured in the score. Due to the pressure of completing on time, Steiner received some assistance in composing from Friedhofer, Deutsch, and Heinz Roemheld , and in addition, two short cues—by Franz Waxman and William Axt —were taken from scores in

3724-458: Is no Scarlett and Rhett love theme. Steiner drew considerably on folk and patriotic music, which included Stephen Foster tunes such as "Louisiana Belle", "Dolly Day", "Ringo De Banjo", " Beautiful Dreamer ", " Old Folks at Home ", and "Katie Belle", which formed the basis of Scarlett's theme; other tunes that feature prominently are: "Marching through Georgia" by Henry Clay Work , " Dixie ", " Garryowen ", and " The Bonnie Blue Flag ." The theme that

3857-518: Is no longer connected to the Culver Studios and currently serves as an office park. Culver Studios helped spawn the career of numerous movie and television stars. In the lot's earlier days, the site was used to film Hollywood classics like Hitchcock's Spellbound (1945) before a plethora of television shows began to lease the stages in the 1950s to create programs like The Andy Griffith Show and Hogan's Heroes . In more recent decades,

3990-490: Is the centerpiece of the Culver Studios lot and has landmark status. It is a classic example of 1920s Colonial Revival architecture and was the first building to go up on the site shortly after Thomas H. Ince's acquisition of the land in 1918. Modeled after George Washington's home at Mount Vernon, Virginia, it serves as the main administrative building on the lot. Famous producers including Ince, Cecil B. DeMille, and David O. Selznick once had offices there. One long corridor runs

4123-669: Is thrown from his horse and killed. Unable to pay the Reconstructionist taxes imposed on Tara, Scarlett unsuccessfully appeals to Rhett, then dupes her younger sister Suellen's fiancé, the middle-aged and wealthy general store owner Frank Kennedy, into marrying her. Frank, Ashley, Rhett, and several other accomplices make a night raid on a shanty town after Scarlett is attacked while driving through it alone, resulting in Frank's death. Shortly after Frank's funeral, Rhett proposes to Scarlett, and she accepts. Rhett and Scarlett have

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4256-422: The 12th Academy Awards , Gone with the Wind received ten Academy Awards (eight competitive, two honorary) from thirteen nominations, including wins for Best Picture , Best Director (Fleming), Best Adapted Screenplay (posthumously awarded to Sidney Howard), Best Actress (Leigh), and Best Supporting Actress ( Hattie McDaniel , becoming the first African American to win an Academy Award). It set records for

4389-455: The 12th Academy Awards , Gone with the Wind set a record for Academy Award wins and nominations, winning in eight of the competitive categories it was nominated in, from a total of thirteen nominations. It won for Best Picture, Best Actress, Best Supporting Actress, Best Director, Best Screenplay, Best Cinematography, Best Art Direction, and Best Editing, and received two further honorary awards for its use of equipment and color (it also became

4522-636: The American South against the backdrop of the American Civil War and the Reconstruction era , the film tells the story of Scarlett O'Hara ( Vivien Leigh ), the strong-willed daughter of a Georgia plantation owner, following her romantic pursuit of Ashley Wilkes ( Leslie Howard ), who is married to his cousin, Melanie Hamilton ( Olivia de Havilland ), and her subsequent marriage to Rhett Butler ( Clark Gable ). The film had

4655-770: The Confederate States Army , Scarlett's mother sends her to the Hamilton home in Atlanta. She creates a scene by attending a charity bazaar in mourning attire and waltzing with Rhett, now a blockade runner for the Confederacy . The tide of war turns against the Confederacy after the Battle of Gettysburg . Many of the men of Scarlett's town are killed. Eight months later, as the Union Army besieges

4788-679: The Hays Office fined Selznick $ 5,000 for using the word "damn" in Butler's exit line , in fact, the Motion Picture Association board passed an amendment to the Production Code on November 1, 1939, that forbade the use of the words "hell" or "damn" except when their use "shall be essential and required for portrayal, in proper historical context, of any scene or dialogue based upon historical fact or folklore ... or

4921-459: The Irving G. Thalberg Memorial Award for his career achievements. Black commentators have criticized the film since its release for its depiction of black people and "whitewashing" of the issue of slavery. Still, initially, newspapers controlled by white Americans did not report on these criticisms. Carlton Moss , a black dramatist, observed in an open letter that whereas The Birth of a Nation

5054-564: The most profitable film ever made up to that point . It eventually opened in Japan in September 1952 and became the highest-grossing foreign film there. Even though it earned its investors roughly twice as much as the previous record-holder, The Birth of a Nation , the box-office performances of the two films were likely much closer. The bulk of the earnings from Gone with the Wind came from its roadshow and first-run engagements, where

5187-459: The patents relevant to movie production at the time. Early movie producers relocated to Southern California to escape patent enforcement, thanks to more lenient local courts and physical distance from company detectives and mob allies. (Edison's patents expired in 1913.) The first movie studio in the Hollywood area was Nestor Studios , opened in 1911 by Al Christie for David Horsley . In

5320-407: The vertically integrated structure of the movie industry constituted an illegal monopoly . This decision, reached after twelve years of litigation, hastened the end of the studio system and Hollywood's "Golden Age". By the 1950s, the physical components of a typical movie studio had become standardized. Since then, a movie studio has usually been housed on a "studio lot." Physically, a studio lot

5453-417: The "pivot of the picture" and believed her to be "so perfectly designed for the part by art and nature that any other actress in the role would be inconceivable". Similarly, Hoellering found her "perfect" in "appearance and movements"; he felt her acting best when she was allowed to "accentuate the split personality she portrays" and thought she was particularly effective in such moments of characterization like

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5586-517: The 14-acre campus - increasing its total footprint to more than 720,000 square feet. Plans included two parking structures, with total accommodations for 1,930 vehicles. Amazon announced its move to The Culver Studios in late 2017. In addition, it leased the entirety of the adjacent Culver Steps development, also being built by Hackman Capital Partners. The combined 600,000 square feet of space houses Amazon subsidiaries Amazon MGM Studios , IMDb , and Amazon Prime Video . The picturesque mansion house

5719-640: The Big Five, the majors, or the Studios in trade publications such as Variety , and their management structures and practices collectively came to be known as the studio system . The Little 3 Although they owned few or no theaters to guarantee sales of their films, Universal Pictures , Columbia Pictures , and United Artists also fell under these rubrics, making a total of eight generally recognized major studios. United Artists, although its controlling partners owned not one but two production studios during

5852-568: The Golden Age, had an often-tenuous hold on the title of major and operated mainly as a backer and distributor of independently produced films. Smaller studios operated simultaneously with the majors. These included operations such as Republic Pictures , active from 1935, which produced films that occasionally matched the scale and ambition of the larger studio, and Monogram Pictures , which specialized in series and genre releases. Together with smaller outfits such as PRC TKO and Grand National,

5985-588: The MGM library. On September 9, 1939, Selznick, his wife, Irene , investor John "Jock" Whitney , and film editor Hal Kern drove out to Riverside, California to preview the film at the Fox Theatre . The film was still a rough cut at this stage, missing completed titles and needing special optical effects. It ran for four hours and twenty-five minutes; it was later cut to under four hours for its proper release. A double bill of Hawaiian Nights and Beau Geste

6118-507: The Selznick studio lot. For the burning of Atlanta, new false facades were built in front of the Selznick backlot's many old abandoned sets, and Selznick himself operated the controls for the explosives that burned them down. Sources at the time put the estimated production costs at $ 3.85 million, making it the second most expensive film made up to that point, with only Ben-Hur (1925) having cost more. Although legend persists that

6251-562: The United States National Film Registry . In 1861, on the eve of the American Civil War , Scarlett O'Hara lives at Tara , her family's cotton plantation in Georgia, with her parents, two sisters, and their black slaves. Scarlett is deeply attracted to Ashley Wilkes and learns he is to be married to his cousin , Melanie Hamilton . At an engagement party the next day at Ashley's home, Twelve Oaks ,

6384-566: The United States to coincide with the film's 75th anniversary, and again over three days in 2024, to celebrate its 85th anniversary. The film received its U.S. television premiere on the HBO cable network on June 11, 1976, and played on the channel fourteen times throughout the rest of the month. Other cable channels also broadcast the film during June. It made its network television debut in November of that year; NBC paid $ 5 million for

6517-434: The Wind (1939) and entire abandoned sets on the backlot were set ablaze early in its production schedule to recreate the burning of Atlanta scenes. After 1946, RKO-Pathé resumed operation of the site and leased the space to David O. Selznick's new Vanguard Films Inc., as well as a variety of other independent production companies. Tycoon and movie producer Howard Hughes bought the studio in 1950 and continued to lease out

6650-564: The actress who came closest to winning her approval was Miriam Hopkins, whom Mitchell felt was just the right type of actress to play Scarlett as written in the book. However, Hopkins was in her mid-thirties at the time and was considered too old for the part. Four actresses, including Jean Arthur and Joan Bennett, were still under consideration by December 1938; however, only two finalists, Paulette Goddard, and Vivien Leigh, were tested in Technicolor , both on December 20. Goddard almost won

6783-629: The camera. He distributed these movies at vaudeville theaters, penny arcades, wax museums, and fairgrounds. The first film serial , What Happened to Mary , was released by the Edison company in 1912. The pioneering Thanhouser movie studio was founded in New Rochelle, New York in 1909 by American theatrical impresario Edwin Thanhouser . The company produced and released 1,086 movies between 1910 and 1917, successfully distributing them around

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6916-625: The changing needs of the movie industry. The major works took place between 1918 and 1946, during the tenures of Thomas H. Ince , Cecil B. DeMille , RKO Pictures , and David O. Selznick . Ince built the original studio, now known as The Culver Studios, on a 14-acre site. When the lot was bought by Cecil B. DeMille in 1925, large scale site renovations began. He reoriented the existing stages and moved numerous office bungalows and production service buildings. To match production needs, Stage 2 (now known as Stages 2/3/4), four new double-barrelled projection rooms, and seven new cutting rooms were added to

7049-445: The characterization was "as close to Miss Mitchell's conception—and the audience's—as might be imagined", a view which Nugent concurred with, although Hoellering felt that Gable did not quite convince in the closing scenes, as Rhett walks out on Scarlett in disgust. Of the other principal cast members, both Hoellering and Flinn found Leslie Howard to be "convincing" as the weak-willed Ashley, with Flinn identifying Olivia de Havilland as

7182-453: The characters dominate in the second part, he concluded this is where the main fault of the film lay, commenting that "the characters alone do not suffice". Despite many excellent scenes, he considered the drama to be unconvincing and that the "psychological development" had been neglected. Much of the praise was reserved for the casting, with Vivien Leigh, in particular, being singled out for her performance as Scarlett. Nugent described her as

7315-428: The city in the Atlanta campaign , Melanie gives birth with Scarlett's aid, and Rhett helps them flee the city. Rhett chooses to go off to fight, leaving Scarlett to make her own way back to Tara. She finds Tara deserted, except for her father, sisters, and former slaves, Mammy and Pork. Scarlett learns that her mother has just died of typhoid fever , and her father has lost his mind. With Tara pillaged by Union troops and

7448-399: The construction of one sequence." According to Hecht's biographer William MacAdams, "At dawn on Sunday, February 20, 1939, David Selznick ... and director Victor Fleming shook Hecht awake to inform him he was on loan from MGM and must come with them immediately and go to work on Gone with the Wind , which Selznick had begun shooting five weeks before. It was costing Selznick $ 50,000 each day

7581-479: The distributor received 70 percent and 50 percent of the box-office gross, respectively, rather than its general release, which at the time typically saw the distributor's share set at 30–35 percent of the gross. In the case of The Birth of a Nation , its distributor, Epoch, sold off many of its distribution territories on a "states rights" basis—which typically amounted to 10 percent of the box-office gross—and Epoch's accounts are only indicative of its own profits from

7714-433: The end of the week, had succeeded in revising the entire first half of the script. Selznick undertook to rewrite the second half himself but fell behind schedule, so Howard returned to work on the script for one week, reworking several key scenes in part two. "By the time of the film's release in 1939, there was some question as to who should receive screen credit", writes Yeck. "But despite the number of writers and changes,

7847-516: The event, but McDaniel persuaded him to attend. President Jimmy Carter later recalled it as "the biggest event to happen in the South in my lifetime". Premieres in New York and Los Angeles followed; the latter attended by some of the actresses who had been considered for the part of Scarlett, among them Paulette Goddard, Norma Shearer, and Joan Crawford. From December 1939 to July 1940, the film played only advance-ticket road show engagements at

7980-512: The eventual choice, Vivien Leigh, were actually tested for the role, including Ardis Ankerson ( Brenda Marshall ), Jean Arthur , Tallulah Bankhead, Diana Barrymore , Joan Bennett , Nancy Coleman , Frances Dee , Terry Ray ( Ellen Drew ), Paulette Goddard , Edythe Marrenner ( Susan Hayward ), Anita Louise , Haila Stoddard , Margaret Tallichet , Lana Turner , and Linda Watkins . Although Margaret Mitchell refused to publicly name her choice,

8113-422: The fields untended, Scarlett vows to ensure her and her family's survival. With the defeat of the Confederacy, the O'Haras toil in the cotton fields. Ashley returns but finds he is of little help to Tara. When Scarlett begs him to run away with her, he confesses his desire for her and kisses her passionately but says he cannot leave Melanie. Scarlett's father attempts to chase away a carpetbagger from his land but

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8246-470: The fiftieth-anniversary reissue in 1989, it was given a complete audio and video restoration. It was released in theaters one more time in the United States, in 1998, by Time Warner -owned New Line Cinema . In 2013, a 4K digital restoration was released in the United Kingdom to coincide with Vivien Leigh's centenary. In 2014, special screenings were scheduled over two days at theaters across

8379-539: The film as a reminder of the "limit" put on black aspiration by old prejudices. Upon its release, Gone with the Wind broke attendance records everywhere. At the Capitol Theatre in New York alone, it averaged eleven thousand admissions per day in late December, and within four years of its release had sold an estimated sixty million tickets across the United States—sales equivalent to just under half

8512-457: The film has been criticized as historical negationism , glorifying slavery and the Lost Cause of the Confederacy myth, it has been credited with triggering changes in the way in which African Americans were depicted cinematically. Gone with the Wind is regarded as one of the greatest films of all time , and in 1989, became one of the twenty-five inaugural films selected for preservation in

8645-729: The film industry had once hoped—movie studios were increasingly being used to produce programming for the burgeoning medium. Some midsize film companies, such as Republic Pictures , eventually sold their studios to TV production concerns , which were eventually bought by larger studios, such as the American Broadcasting Company which was purchased by Disney in 1996. With the growing diversification of studios into such fields as video games , television stations , broadcast syndication , television , theme parks , home video and publishing , they have become multi-national corporations. International markets account for

8778-434: The film received a standing ovation. In his biography of Selznick, David Thomson wrote that the audience's response before the film had even started "was the greatest moment of [Selznick's] life, the greatest victory and redemption of all his failings", with Selznick describing the preview cards as "probably the most amazing any picture has ever had". When Selznick was asked by the press in early September how he felt about

8911-648: The film twenty times over as many years. Turner Entertainment acquired the MGM film library in 1986, but the deal did not include the television rights to Gone with the Wind , which were still held by CBS. An agreement was struck in which the rights were returned to Turner Entertainment, and CBS's broadcast rights to The Wizard of Oz were extended. The film was used to launch two cable channels owned by Turner Broadcasting System : Turner Network Television (1988) and Turner Classic Movies (1994). The film debuted on videocassette in March 1985, where it placed second in

9044-452: The film was as high as $ 7 million. In 1942, Selznick liquidated his company for tax reasons and sold his share in Gone with the Wind to his business partner, John Whitney, for $ 500,000. In turn, Whitney sold it to MGM for $ 2.8 million; thus, the studio owned the film outright. MGM immediately re-released the film in the spring of 1942, and again in 1947 and 1954. The 1954 reissue

9177-565: The film was on hold, waiting for a final screenplay rewrite, and time was of the essence. Hecht was in the middle of working on the film At the Circus for the Marx Brothers . Recalling the episode in a letter to screenwriter friend Gene Fowler , he said he hadn't read the novel, but Selznick and director Fleming could not wait for him to read it. They acted in scenes based on Sidney Howard's original script, which needed to be rewritten in

9310-512: The film, and not the local distributors. Carl E. Milliken , secretary of the Motion Picture Producers and Distributors Association , estimated that The Birth of a Nation had been seen by fifty million people by 1930. When re-released in 1947, it earned a $ 5 million rental in the United States and Canada and was one of the year's top ten releases. Successful re-releases in 1954 and 1961 enabled it to retain its position as

9443-468: The film, he said: "At noon I think it's divine, at midnight I think it's lousy. Sometimes I think it's the greatest picture ever made. But if it's only a great picture, I'll still be satisfied". About 300,000 people came out in Atlanta for the film's premiere at the Loew's Grand Theatre on December 15, 1939. It was the climax of three days of festivities hosted by Mayor William B. Hartsfield , which included

9576-497: The final script was remarkably close to Howard's version. The fact that Howard's name alone appears on the credits may have been as much a gesture to his memory as his writing, for in 1939, Sidney Howard died at age 48 in a farm-tractor accident, and before the movie's premiere." Selznick, in a memo written in October 1939, discussed the film's writing credits: "[Y]ou can say frankly that of the comparatively small amount of material in

9709-492: The first African-American to win an Academy Award—beating out her co-star Olivia de Havilland, who was also nominated in the same category—but was racially segregated from her co-stars at the awards ceremony at the Coconut Grove ; she and her escort were made to sit at a separate table at the back of the room. Meanwhile, screenwriter Sidney Howard became the first posthumous Oscar winner and Selznick personally received

9842-465: The first color film to win Best Picture). The film's record of eight competitive wins stood until Gigi (1958) won nine, and its overall record of ten was broken by Ben-Hur (1959) which won eleven. Gone with the Wind also held the record for most nominations until All About Eve (1950) secured fourteen. It was the longest American sound film made up to that point, and may still hold

9975-549: The first third of the film—mostly everything prior to Melanie having the baby—but did not receive a credit. Most of the filming was done on " the back forty " of Selznick International with all the location scenes being photographed in California, mostly in Los Angeles County or neighboring Ventura County . Tara, the fictional Southern plantation house, existed only as a plywood and papier-mâché facade built on

10108-478: The following year, his widow sold the property to Cecil B. DeMille, who renamed it DeMille Studios. DeMille ran the lot for two years, during which time the site underwent several large-scale expansions and renovations, including the construction of the DeMille theater and a replica of the streets of Jerusalem for his film The King of Kings (1927). Despite a couple of major box office hits, DeMille failed to make

10241-451: The general sentiment by acknowledging that while it was the most ambitious film production made up to that point, it probably was not the greatest film ever made, but he nevertheless found it to be an "interesting story beautifully told". Franz Hoellering of The Nation was of the same opinion: "The result is a film which is a major event in the history of the industry but only a minor achievement in motion-picture art. There are moments when

10374-428: The industry's top earner, despite substantial challenges from more recent films such as Ben-Hur , but it was finally overtaken by The Sound of Music in 1966. The 1967 reissue was unusual because MGM chose to roadshow it, which turned it into the most successful re-release in the industry's history. It generated a box-office gross of $ 68 million, making it MGM's most lucrative film after Doctor Zhivago from

10507-589: The latter half of the decade. MGM earned a rental of $ 41 million from the release, with the U.S. and Canadian share amounting to over $ 30 million, placing it second only to The Graduate for that year. Including its $ 6.7 million rental from the 1961 reissue, it was the fourth highest-earner of the decade in the North American market, with only The Sound of Music , The Graduate and Doctor Zhivago making more for their distributors. A further re-release in 1971 allowed it to briefly recapture

10640-496: The latter part of the story had been trimmed. The Manchester Guardian felt that the film's one serious drawback was that the story lacked the epic quality to justify the outlay of time and found the second half, which focuses on Scarlett's "irrelevant marriages" and "domestic squabbles", mostly superfluous, and the sole reason for their inclusion had been "simply because Margaret Mitchell wrote it that way." The Guardian believed that if "the story had been cut short and tidied up at

10773-498: The length of the 15,000 square foot structure, which has eight two-story high grand white columns. The facade looks out onto a manicured lawn. There is a common misconception that the mansion house was used as the site of Tara , the home of Scarlett O'Hara in Gone With the Wind . The building was seen in the film credits but Tara was a separate building constructed on the Forty Acres backlot by art director Lyle Wheeler , where

10906-483: The lot would be replaced by condominiums, HCP CEO Michael Hackman debunked those claims. However, Hackman said that the studio will be renovated to take advantage of modern technology, as well as adding extra parking and production space. The Culver Studios formerly had 13 sound stages, on-site offices, a screening theatre, fitness facility, medical services, and parking. Throughout its history, Culver Studios continued to undergo numerous expansions and adaptations to meet

11039-408: The lot. Sets were also used in the original version of King Kong (1933). RKO rented out the lot for virtually the entirety of its ownership and seldom used the space to shoot its own productions. From 1935 to 1946, the site was leased to Selznick International Pictures , owned by David O. Selznick, and it underwent more renovations. Selznick is best remembered for being the producer of Gone With

11172-414: The main objective of casting the role, but created "priceless" publicity. Early frontrunners included Miriam Hopkins and Tallulah Bankhead , who were regarded as possibilities by Selznick prior to the purchase of the film rights; Joan Crawford , who was signed to MGM, was also considered as a potential pairing with Gable. After a deal was struck with MGM, Selznick held discussions with Norma Shearer —who

11305-475: The minor studios filled the demand for B movies and are sometimes collectively referred to as Poverty Row . The Big Five's ownership of movie theaters was eventually opposed by eight independent producers, including Samuel Goldwyn , David O. Selznick , Walt Disney , Hal Roach , and Walter Wanger . In 1948, the federal government won a case against Paramount in the Supreme Court , which ruled that

11438-482: The morning after the marital rape scene. Flinn also found Leigh suited to the role physically and felt she was best in the scenes where she displays courage and determination, such as the escape from Atlanta and when Scarlett kills a Yankee deserter. Leigh won in the Best Actress category for her performance at the 1939 New York Film Critics Circle Awards . Of Clark Gable's performance as Rhett Butler, Flinn felt

11571-493: The others. The first building to go up on the lot was "The Mansion" - a picturesque Colonial-styled administrative building with a white facade and grand columns overlooking manicured lawns. It was modeled after George Washington's home at Mount Vernon, Virginia . The studio became the second major motion picture concern in Culver City acquired by Amazon Studios . Ince operated the studio until his early death in 1924, and

11704-424: The outbreak of World War II , and Fleming had fallen out with Selznick and declined to attend any of the premieres. Hattie McDaniel was also absent, as she and the other black cast members were prevented from attending the premiere due to Georgia's Jim Crow laws, which kept them from sitting with their white colleagues. Upon learning that McDaniel had been barred from the premiere, Clark Gable threatened to boycott

11837-517: The owners of Selznick International), and she had requested in February that her name be submitted for consideration as Scarlett. By the summer of 1938, the Selznicks were negotiating with Alexander Korda , to whom Leigh was under contract, for her services later that year. Selznick's brother arranged for them to meet for the first time on the night of December 10, 1938, when the burning of Atlanta

11970-480: The picture which is not from the book, most is my own personally, and the only original lines of dialog which are not my own are a few from Sidney Howard and a few from Ben Hecht and a couple more from John Van Druten . Offhand I doubt that there are ten original words of [Oliver] Garrett's in the whole script. As to construction, this is about eighty per cent my own, and the rest divided between Jo Swerling and Sidney Howard, with Hecht having contributed materially to

12103-534: The point marked by the interval, and if the personal drama had been made subservient to a cinematic treatment of the central theme—the collapse and devastation of the Old South—then Gone With the Wind might have been a really great film". Likewise, Hoellering also found the second half of the film to be weaker than the first half: identifying the Civil War to be the driving force of the first part while

12236-694: The population at the time . It repeated its success overseas, and was a sensational hit during the Blitz in London, opening in April 1940 and playing for four years at the Little Ritz in Leicester Square . By the time MGM withdrew it from circulation, at the end of 1943, its worldwide distribution had returned a gross rental (the studio's share of the box office gross) of $ 32 million, making it

12369-573: The production due to exhaustion. Although some of Cukor's scenes were later reshot, Selznick estimated that "three solid reels" of his work remained in the final cut. As of the end of principal photography, Cukor had undertaken eighteen days of filming, Fleming ninety-three, and Wood twenty-four. Cinematographer Lee Garmes began the production, but on March 11, 1939—after a month of shooting footage that Selznick and his associates regarded as "too dark"—was replaced with Ernest Haller , working with Technicolor cinematographer Ray Rennahan . Garmes completed

12502-426: The publication of the novel, several Hollywood executives and studios declined to create a film based on it, including Louis B. Mayer and Irving Thalberg at Metro-Goldwyn-Mayer (MGM), Pandro S. Berman at RKO Radio Pictures , and David O. Selznick of Selznick International Pictures . Jack L. Warner of Warner Bros. considered purchasing the rights after reading the synopsis, but his biggest star Bette Davis

12635-553: The record of the longest Best Picture winner depending on how it is interpreted. The running time for Gone with the Wind is just under 221 minutes, while Lawrence of Arabia (1962) runs for just over 222 minutes; however, including the overture , intermission , entr'acte , and exit music, Gone with the Wind lasts for 234 minutes (although some sources put its full length at 238 minutes) while Lawrence of Arabia comes in slightly shorter at 232 minutes with its additional components. Hattie McDaniel became

12768-421: The role of Rhett Butler, Selznick from the start wanted Clark Gable , but Gable was under contract to MGM, which never loaned him to other studios. Gary Cooper was considered, but Samuel Goldwyn —to whom Cooper was under contract—refused to loan him out. Warner offered a package of Bette Davis, Errol Flynn , and Olivia de Havilland for lead roles in return for the distribution rights. By this time, Selznick

12901-600: The role, but controversy over her marriage to Charlie Chaplin caused Selznick to change his mind. Selznick had been quietly considering Vivien Leigh, a young English actress who was still little known in America, for the role of Scarlett since February 1938 when Selznick saw her in Fire Over England and A Yank at Oxford . Leigh's American agent was the London representative of the Myron Selznick talent agency (headed by David Selznick's brother, one of

13034-475: The rug". Even so, some sections of the black community recognized McDaniel's achievements to be representative of progress: some African-Americans crossed picket lines and praised McDaniel's warm and witty characterization, and others hoped that the industry's recognition of her work would lead to increased visibility on screen for other black actors. In its editorial congratulation to McDaniel on winning her Academy Award, Opportunity: A Journal of Negro Life used

13167-455: The sales charts, and has since been released on DVD and Blu-ray Disc formats. Upon its release, consumer magazines and newspapers generally gave Gone with the Wind excellent reviews; however, while its production values, technical achievements, and scale of ambition were universally recognized, some reviewers of the time found the film to be too long and dramatically unconvincing. Frank S. Nugent for The New York Times best summed up

13300-555: The same year, another 15 independents settled in Hollywood. Other production companies eventually settled in the Los Angeles area in places such as Culver City , Burbank , and what would soon become known as Studio City in the San Fernando Valley . The stronger early public health response to the 1918 flu epidemic by Los Angeles compared to other American cities reduced the number of cases there and resulted in

13433-427: The scene depicting the burning of Atlanta was filmed. At the southern end of Culver Studios sat a collection of four bungalows, dating back to the 1920s and 1930s. They were occupied by a host of celebrated writers and actors over the years and are now considered locally significant structures. Alfred Hitchcock used one of the one-story buildings as his office for years. Another bungalow was built in 1935 and used as

13566-448: The score, the most prolonged period he had ever spent writing one, and at two hours and thirty-six minutes long, it was also the longest he had ever written. Five orchestrators were hired: Hugo Friedhofer , Maurice de Packh, Bernhard Kaun , Adolph Deutsch and Reginald Bassett. The score is characterized by two love themes, one for Ashley and Melanie's sweet love and another that evokes Scarlett's passion for Ashley, though notably, there

13699-485: The set to make revisions ... but Howard refused to leave New England [and] as a result, revisions were handled by a host of local writers". Selznick dismissed director George Cukor three weeks into filming and sought out Victor Fleming, who was directing The Wizard of Oz at the time. Fleming was dissatisfied with the script, so Selznick brought in the screenwriter Ben Hecht to rewrite the entire screenplay within five days. Hecht returned to Howard's original draft and, by

13832-735: The seventh day I had completed, unscathed, the first nine reels of the Civil War epic." MacAdams writes, "It is impossible to determine exactly how much Hecht scripted ... In the official credits filed with the Screen Writers Guild , Sidney Howard was of course awarded the sole screen credit, but four other writers were appended ... Jo Swerling for contributing to the treatment, Oliver H. P. Garrett and Barbara Keon to screenplay construction, and Hecht, to dialogue ..." Principal photography began on January 26, 1939, and ended on July 1, with post-production work continuing until November 11, 1939. Director George Cukor , with whom Selznick had

13965-459: The site has again become the setting for movies including The Matrix , Armageddon and I Am Legend while providing a home to popular television shows such as Arrested Development and Cougar Town . In 1992, Michael Jackson used the Stage to rehearse for his upcoming Dangerous Tour (1992-1993). Film studio There are also independently owned studio facilities, who have never produced

14098-578: The site was also commonly called "40 Acres" by entertainment industry insiders, although it was never actually 40 acres (16 hectares) in size. Many classics from Hollywood's Golden Age were filmed there, including Gone with the Wind (1939), A Star is Born (1937), Intermezzo (1939) and Rebecca (1940). The Culver Studios was also used for television shows such as The Andy Griffith Show , Lassie , Batman , The Nanny and, more recently, Scrubs , Arrested Development and Cougar Town . Eccentric businessman Howard Hughes once had

14231-509: The space to production companies until he sold RKO Pictures to General Tire . Desilu Productions , owned by Lucille Ball and Desi Arnaz , purchased the lot from General Tire for $ 6 million in 1957 (approximately $ 62 million in 2022 when adjusted for inflation) and television soon became the primary business conducted on the site. Perfect Film & Chemical Corporation purchased Desilu Studios from Gulf+Western in 1968, only to sell it to OSF Industries in 1969. In 1970, Desilu Studios

14364-399: The start of production until the end of 1938, when Selznick's distribution deal with United Artists concluded. Selznick used the delay to continue to revise the script and, more importantly, build publicity for the film through their endeavors to cast the role of Scarlett . Selznick began a nationwide casting call interviewing 1,400 unknowns. The effort cost $ 100,000 and proved useless for

14497-460: The struggling Scarlett to the bedroom. The next day, Rhett apologizes for his behavior and offers Scarlett a divorce, which she rejects, saying it would be a disgrace. When Rhett returns from an extended trip to London, England, Scarlett informs him that she is pregnant, but an argument ensues, resulting in her falling down a flight of stairs and suffering a miscarriage . While recovering, tragedy strikes again when Bonnie dies while attempting to jump

14630-593: The studio financially sustainable and merged his company with Pathé Exchange Inc. in 1928. DeMille signed a three-picture deal with Metro-Goldwyn-Mayer and the lot remained under the ownership of a conglomerate of companies. Another merger took place in 1932, when RKO (Radio-Keith-Orpheum) Pictures bought Pathé. To distinguish it from its Hollywood property, the site operated under the name RKO-Pathé studios. Further improvements took place and stars Bette Davis , Robert Mitchum , Cary Grant , and Katharine Hepburn all saw their careers continue to blossom while filming on

14763-429: The studio site. In 1930, under the ownership of Pathé Exchange , the area was again renovated and redesigned. The arrival of talking pictures brought a massive new growth to Hollywood and an increased demand for movies. RKO-Pathé Studios built two large stage facilities (stages 7/8/9 and 11/12/14) and several production service buildings. It was not until David O. Selznick 's time at the helm, from 1935 to 1946, that

14896-578: The studio system. Filmmakers and producers such as Mike Judge , Adam Sandler , Jim Jarmusch , Robert Rodriguez , Steven Soderbergh , Quentin Tarantino , Kevin Smith and Richard Linklater made films that pushed boundaries in ways the studios were then reluctant to do. In response to these films, many distributed by mini-studios like Miramax , the majors created their own in-house mini-studios meant to focus on edgier, independent content. Focus Features

15029-450: The studio, the theater is adjacent to the mansion house. It was dedicated to DeMille in 1984 and available for special screenings, fundraisers, and production daily viewings. The theater has 70 seats, a 24 ft x 11 ft screen, and digital and 35mm projectors. As the Culver Studios grew in size and stature, a 28.5-acre (11.5 ha) backlot was used to build full-scale outdoor sets. The Back Forty, also known as Forty Acres , sat on

15162-422: The studios became fully built out and included new on-site bungalows. A final stage facility was built (stages 15/16) and the main studio site was developed to closely resemble the current layout. In late 2018, Hackman Capital Partners broke ground on a $ 620-million expansion of The Culver Studios, which has become the new home of Amazon Studios . The expansion project added 413,000 square feet of rentable space to

15295-601: The studios increased in size they began to rely on production companies like J. J. Abrams ' Bad Robot to handle many of the creative and physical production details of their feature films. Instead, the studios transformed into financing and distribution entities for their films (generally made by their affiliated production companies). With the decreasing cost of CGI and visual effects , many studios sold large chunks of their once-massive studio spaces or backlots to private real-estate developers. Century City in Los Angeles

15428-433: The total number of wins and nominations at the time. Gone with the Wind was immensely popular when first released. It became the highest-earning film made up to that point and held the record for over a quarter of a century. When adjusted for monetary inflation , it is still the highest-grossing film in history . It was re-released periodically throughout the 20th century and became ingrained in popular culture. Although

15561-441: The two categories meet on good terms, but the long stretches between are filled with mere spectacular efficiency." While the film was praised for its fidelity to the novel, this aspect was also singled out as the main factor contributing to the lengthy running time. John C. Flinn wrote for Variety that Selznick had "left too much in", and that as entertainment, the film would have benefited if repetitious scenes and dialog from

15694-421: The vocal work of the cast, noting the lack of criticism when the film came out. Of the original screenplay writer, Sidney Howard , film historian Joanne Yeck writes, "reducing the intricacies of Gone with the Wind ' s epic dimensions was a herculean task ... and Howard's first submission was far too long, and would have required at least six hours of film; ... [producer] Selznick wanted Howard to remain on

15827-584: The world. In the early 1900s, companies started moving to Los Angeles, California . Although electric lights were by then widely available, none were yet powerful enough to adequately expose film; the best source of illumination for motion picture production was natural sunlight. Some movies were shot on the roofs of buildings in Downtown Los Angeles . Edison's Motion Picture Patents Company , based in New York City, controlled almost all

15960-416: Was Hollywood's persistent failure to accurately portray Southern accents . The studio believed that if the accent was not accurately depicted, it could prove detrimental to the film's success. Selznick hired Susan Myrick (an expert on Southern speech, manners, and customs recommended to him by Mitchell) and Will A. Price to coach the actors on speaking with a Southern drawl . Mitchell was complimentary about

16093-411: Was MGM's top female star at the time—but she withdrew herself from consideration after negative feedback from movie fans. Katharine Hepburn lobbied hard for the role with the support of her friend, George Cukor, who had been hired to direct, but she was vetoed by Selznick, who felt she was not right for the part. Many actresses, both known and unknown, were considered, but only thirty, in addition to

16226-601: Was a "frontal attack on American history and the Negro people", Gone with the Wind was a "rear attack on the same". He went on to characterize it as a "nostalgic plea for sympathy for a still-living cause of Southern reaction". Moss further called out the stereotypical black characterizations, such as the "shiftless and dull-witted Pork", the "indolent and thoroughly irresponsible Prissy", Big Sam's "radiant acceptance of slavery", and Mammy with her "constant haranguing and doting on every wish of Scarlett". Similarly, Melvin B. Tolson ,

16359-446: Was bought by a private investment group called Studio City Los Angeles for $ 125 million. It included Lehman Brothers , Pacific Coast Capital, and Pacifica Ventures. In honor of its original owner, Thomas H. Ince, the street running through the middle of the studio has been named Ince Boulevard. In March 2014, the Culver Studios was purchased by another private investment group, Hackman Capital Partners (HCP). When rumors persisted that

16492-447: Was created by Universal Pictures and Fox Searchlight was created by 20th Century Fox for this purpose. Gone with the Wind (film) This is an accepted version of this page Gone with the Wind is a 1939 American epic historical romance film adapted from the 1936 novel by Margaret Mitchell . The film was produced by David O. Selznick of Selznick International Pictures and directed by Victor Fleming . Set in

16625-469: Was determined to get Gable, and in August 1938 he eventually struck a deal with his father-in-law, MGM chief Louis B. Mayer: MGM would provide Gable and $ 1,250,000 for half of the film's budget, and in return, Selznick would have to pay Gable's weekly salary; half the profits would go to MGM while Loew's, Inc —MGM's parent company—would release the film. The arrangement to release through MGM meant delaying

16758-501: Was filmed. In a letter to his wife two days later, Selznick admitted that Leigh was "the Scarlett dark horse", and after a series of screen tests, her casting was announced on January 13, 1939. Just before the shooting of the film, Selznick informed newspaper columnist Ed Sullivan : "Scarlett O'Hara's parents were French and Irish. Identically, Miss Leigh's parents are French and Irish." A pressing issue for Selznick throughout casting

16891-400: Was fired shortly after filming began and was replaced by Fleming, who in turn was briefly replaced by Sam Wood while taking some time off due to exhaustion. Post-production concluded in November 1939, just a month before its premiere. It received generally positive reviews upon its release on December 15, 1939. While the casting was widely praised, the long running-time received criticism. At

17024-435: Was highly flammable, and sets and backlots were and still are very flammable, which is why film studios built in the early-to-mid 20th century have water towers to facilitate firefighting . Water towers "somewhat inexplicably" evolved into "a most potent symbol ... of movie studios in general." Halfway through the 1950s, with television proving to be a lucrative enterprise not destined to disappear any time soon—as many in

17157-414: Was not interested at the time, and Darryl F. Zanuck of 20th Century-Fox had not offered enough money. However, Selznick changed his mind after his story editor Kay Brown and business partner John Hay Whitney urged him to buy the film rights. In July 1936—a month after it was published—Selznick bought the rights for $ 50,000. The casting of the two lead roles became a complex, two-year endeavor. For

17290-399: Was once part of the 20th Century Fox backlot, which was among the largest and most famous of the studio lots. In most cases, portions of the backlots were retained and are available for rental by various film and television productions. Some studios offer tours of their backlots , while Universal Pictures allows visitors to its adjacent Universal Studios Hollywood theme park to take

17423-409: Was playing, but after the first feature it was announced that instead of the second bill, the theater would be screening a preview of an unnamed upcoming film; the audience were informed they could leave but would not be readmitted once the film had begun, nor would phone calls be allowed once the theater had been sealed. When the title appeared on the screen, the audience cheered, and after it had ended,

17556-643: Was renamed The Culver City Studios. In 1977, the studio was renamed Laird International Studios, which was a rental facility. In a Chapter 11 bankruptcy in December 1986, the studio was purchased by GTG Entertainment, a joint venture between Grant Tinker and the Gannett Company for $ 24 million. GTG remodeled the studio and renamed the lot to The Culver Studios, which was acquired by Sony Pictures for $ 80 million in June 1991. In April 2004, The Culver Studios

17689-422: Was the first time the film was shown in widescreen , compromising the original Academy ratio and cropping the top and bottom to an aspect ratio of 1.75:1. In doing so, several shots were optically re-framed and cut into the three-strip camera negatives, forever altering five shots in the film. A 1961 release of the film commemorated the centennial anniversary of the start of the Civil War, and it also included

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