The Old Drunkard is a female seated statue from the Hellenistic period, which survives in two Roman marble copies. The original was probably also made of marble. This genre sculpture is notable for its stark realism .
117-800: The Greek original sculpture is long lost, but two Roman copies survive, one in the Capitoline Museum in Rome and the other in the Glyptothek in Munich . Scholarship considers the Old Drunkard to be a votive offering for the god Dionysus , whose attributes include both the wine jar and also the ivy. The statue of the Old Drunkard was created in the Hellenistic period, but the exact time of its creation cannot be determined. In scholarship
234-541: A strophion ( στρόφιον ) known as the kestos himas ( κεστὸς ἱμάς ), a saltire-shaped undergarment (usually translated as the girdle of Aphrodite ), which accentuated her breasts and made her even more irresistible to men. Such strophia were commonly used in depictions of the Near Eastern goddesses Ishtar and Atargatis . Aphrodite is almost always accompanied by Eros , the god of lust and sexual desire. In his Theogony , Hesiod describes Eros as one of
351-595: A Semitic deity, may have been influenced by the Indo-European dawn goddess. Both Aphrodite and Eos were known for their erotic beauty and aggressive sexuality and both had relationships with mortal lovers. Both goddesses were associated with the colors red, white, and gold. Michael Janda etymologizes Aphrodite's name as an epithet of Eos meaning "she who rises from the foam [of the ocean]" and points to Hesiod's Theogony account of Aphrodite's birth as an archaic reflex of Indo-European myth. Aphrodite rising out of
468-670: A suicide note to Theseus telling him that she killed herself because Hippolytus attempted to rape her. Theseus prays to Poseidon to kill Hippolytus for his transgression. Poseidon sends a wild bull to scare Hippolytus's horses as he is riding by the sea in his chariot, causing the horses to bolt and smash the chariot against the cliffs, dragging Hippolytus to a bloody death across the rocky shoreline. The play concludes with Artemis vowing to kill Aphrodite's own mortal beloved (presumably Adonis) in revenge. Glaucus of Corinth angered Aphrodite by refusing to let his horses for chariot racing mate, since doing so would hinder their speed. During
585-525: A Greek folk tale , originally independent of the Odyssey . In a much later interpolated detail, Ares put the young soldier Alectryon by the door to warn of Helios's arrival but Alectryon fell asleep on guard duty. Helios discovered the two and alerted Hephaestus; Ares in rage turned Alectryon into a rooster , which unfailingly crows to announce the sunrise. After exposing them, Hephaestus asks Zeus for his wedding gifts and dowry to be returned to him; by
702-579: A Near Eastern origin argued that Aphrodite originated as an aspect of the Greek dawn goddess Eos and that she was therefore ultimately derived from the Proto-Indo-European dawn goddess * H a éusōs (properly Greek Eos , Latin Aurora , Sanskrit Ushas ). Most modern scholars have now rejected the notion of a purely Indo-European Aphrodite, but it is possible that Aphrodite, originally
819-564: A collection of medieval and Renaissance art; and collections of jewels , coins , and other items. The museums are owned and operated by the municipality of Rome . The statue of a mounted rider in the centre of the piazza is of Emperor Marcus Aurelius . It is a copy, the original being housed on-site in the Capitoline museum. Opened to the public in 1734 under Clement XII , the Capitoline Museums are considered one of
936-455: A different aspect of the same goddess or used by a different local cult. Thus she was also known as Cytherea ( Lady of Cythera ) and Cypris ( Lady of Cyprus ), because both locations claimed to be the place of her birth. Sappho 's Ode to Aphrodite is one of the earliest poems dedicated to the goddess and survives from the Archaic period nearly complete. In Greek mythology , Aphrodite
1053-650: A festival on the anniversary of his death. In one version of the story, Aphrodite injured herself on a thorn from a rose bush and the rose, which had previously been white, was stained red by her blood. According to Lucian 's On the Syrian Goddess , each year during the festival of Adonis, the Adonis River in Lebanon (now known as the Abraham River ) ran red with blood. The myth of Adonis
1170-409: A few locks peep out under it, as if by accident. She wears two rings on her left hand, one on her pointing finger and one on her ringfinger, which implies that she was wealthy and had some social status. Paolo Alessandro Maffei thought the wine flask in the woman's lap was a lamp and interpreted the upraised head and the slightly open mouth as indicating that she was praying to the gods. He considered
1287-576: A figure of a satyr in honour of Dionysus. He believed that support for this position was found in depictions of satyrs, which he believed the Old Drunkard owed much to in terms of posture. Thus, in Kunze's opinion, no identification of the Old Drunkard with a specific role is correct - she remains an anonymous figure who pays tribute to the god through her intoxication and enters the word of the Dionysiac cult in this way. Other researchers have proposed that
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#17327765322291404-551: A fine, near invisible net. The next time Ares and Aphrodite had sex together, the net trapped them both. Hephaestus brought all the gods into the bedchamber to laugh at the captured adulterers, but Apollo , Hermes , and Poseidon had sympathy for Ares and Poseidon agreed to pay Hephaestus for Ares's release. Aphrodite returned to her temple in Cyprus, where she was attended by the Charites . This narrative probably originated as
1521-570: A group of art and archaeological museums in Piazza del Campidoglio , on top of the Capitoline Hill in Rome , Italy. The historic seats of the museums are Palazzo dei Conservatori and Palazzo Nuovo , facing on the central trapezoidal piazza in a plan conceived by Michelangelo in 1536 and executed over a period of more than 400 years. The Capitoline Museum was established in 1471 under
1638-401: A handsome mortal shepherd who lived in the foothills beneath Mount Ida near the city of Troy . Aphrodite appears to Anchises in the form of a tall, beautiful, mortal virgin while he is alone in his home. Anchises sees her dressed in bright clothing and gleaming jewelry, with her breasts shining with divine radiance. He asks her if she is Aphrodite and promises to build her an altar on top of
1755-533: A highly contrived etymology, deriving Aphrodite from the compound habrodíaitos ( ἁβροδίαιτος ), "she who lives delicately", from habrós and díaita . The alteration from b to ph is explained as a "familiar" characteristic of Greek "obvious from the Macedonians ". In the Cypriot syllabary , a syllabic script used on the island of Cyprus from the eleventh until the fourth centuries BC, Aphrodite's name
1872-707: A power-station between the 1890s and 1930s) in southern Rome, between the Pyramid of Cestius and the Basilica of Saint Paul Outside the Walls , close to the Metro station Garbatella . In 1997, the Centrale Montemartini was adapted to temporarily accommodate a part of the antique sculpture collection of the Capitoline museums, at that time closed for renovation; the temporary exhibition was so appreciated that
1989-434: A public display of grief. In Hesiod's Works and Days , Zeus orders Aphrodite to make Pandora , the first woman, physically beautiful and sexually attractive, so that she may become "an evil men will love to embrace". Aphrodite "spills grace" over Pandora's head and equips her with "painful desire and knee-weakening anguish", thus making her the perfect vessel for evil to enter the world. Aphrodite's attendants, Peitho,
2106-480: A second possible location of the original on account of the lagynos which the old woman holds in front of herself. The lagynos was the source of the name of the lagynophoria , the flask-festival, which was founded by Ptolemy IV . The statue of the Old Drunkard in the Munich Glyptothek was in the possession of Cardinal Ottoboni in Rome from 1700. At that time it was among the best known antiquities in
2223-567: A temple to Aphrodite Hathor at Philae . Statuettes of Aphrodite for personal devotion became common in Egypt starting in the early Ptolemaic times and extending until long after Egypt became a Roman province . The ancient Romans identified Aphrodite with their goddess Venus , who was originally a goddess of agricultural fertility, vegetation, and springtime. According to the Roman historian Livy , Aphrodite and Venus were officially identified in
2340-463: A variety of quick-growing plants, such as lettuce and fennel , or even quick-sprouting grains such as wheat and barley . The women would then climb ladders to the roofs of their houses, where they would place the gardens out under the heat of the summer sun. The plants would sprout in the sunlight but wither quickly in the heat. Then the women would mourn and lament loudly over the death of Adonis, tearing their clothes and beating their breasts in
2457-547: Is Philommeidḗs ( φιλομμειδής ), which means "smile-loving", but is sometimes mistranslated as "laughter-loving". This epithet occurs throughout both of the Homeric epics and the First Homeric Hymn to Aphrodite . Hesiod references it once in his Theogony in the context of Aphrodite's birth, but interprets it as "genital-loving" rather than "smile-loving". Monica Cyrino notes that the epithet may relate to
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#17327765322292574-468: Is an ancient Greek goddess associated with love, lust, beauty, pleasure, passion, procreation, and as her syncretized Roman goddess counterpart Venus , desire, sex , fertility , prosperity, and victory. Aphrodite's major symbols include seashells, myrtles , roses, doves, sparrows, and swans. The cult of Aphrodite was largely derived from that of the Phoenician goddess Astarte , a cognate of
2691-403: Is associated with spiritual love, and Pandemos with physical love (desire). A representation of Ourania with her foot resting on a tortoise came to be seen as emblematic of discretion in conjugal love; it was the subject of a chryselephantine sculpture by Phidias for Elis , known only from a parenthetical comment by the geographer Pausanias . One of Aphrodite's most common literary epithets
2808-591: Is associated with the festival of the Adonia , which was celebrated by Greek women every year in midsummer. The festival, which was evidently already celebrated in Lesbos by Sappho's time, seems to have first become popular in Athens in the mid-fifth century BC. At the start of the festival, the women would plant a "garden of Adonis", a small garden planted inside a small basket or a shallow piece of broken pottery containing
2925-509: Is attested in the forms 𐠀𐠡𐠦𐠭𐠃𐠂 (a-po-ro-ta-o-i, read right-to-left), 𐠀𐠡𐠦𐠯𐠭𐠂 (a-po-ro-ti-ta-i, samewise), and finally 𐠀𐠡𐠦𐠯𐠪𐠈 (a-po-ro-ti-si-jo, " Aphrodisian ", "related to Aphrodite", in the context of a month). The cult of Aphrodite in Greece was imported from, or at least influenced by, the cult of Astarte in Phoenicia , which, in turn, was influenced by
3042-606: Is dated to the first century AD and is considered the better copy. The Capitoline copy is dated to the second century AD. A third copy in terracotta is stored in the Villa Romana del Casale in Piazza Armerina , Sicily ; it was found in the necropolis of Montagna di Marzo in Piazza Armerina and its head has been reconstructed in line with the Capitoline example. According to Pliny the original version of
3159-432: Is generally accepted to be of non-Greek (probably Semitic ) origin, but its exact derivation cannot be determined with confidence. Scholars in the late-nineteenth and early-twentieth centuries, accepting Hesiod's "foam" etymology as genuine, analyzed the second part of Aphrodite's name as * -odítē "wanderer" or as * -dítē "bright". More recently, Michael Janda, also accepting Hesiod's etymology, has argued in favor of
3276-672: Is located beneath the Palazzo dei Conservatori and the piazza itself, and links the three palazzos sitting on the piazza. The gallery was constructed in the 1930s. It contains in situ 2nd century ruins of ancient Roman dwellings, and also houses the Galleria Lapidaria, which displays the Museums' collection of epigraphs . The new great glass covered hall — the Sala Marco Aurelio — created by covering
3393-587: Is located in the attached Palazzo Caffarelli-Clementino. Statues, inscriptions, sarcophagi , busts, mosaics , and other ancient Roman artifacts occupy two floors of the Palazzo Nuovo. In the Hall of the Galatian can also be appreciated the marble statue of the " Dying Gaul " also called "Capitoline Gaul" and the statue of Cupid and Psyche . Also housed in this building are: The Galleria di Congiunzione
3510-437: Is often seen as Aphrodite's son, but this is actually a comparatively late innovation. A scholion on Theocritus 's Idylls remarks that the sixth-century BC poet Sappho had described Eros as the son of Aphrodite and Uranus, but the first surviving reference to Eros as Aphrodite's son comes from Apollonius of Rhodes 's Argonautica , written in the third century BC, which makes him the son of Aphrodite and Ares. Later,
3627-693: Is probably derived from the ancient Sumerian legend of Inanna and Dumuzid . The Greek name Ἄδωνις ( Adōnis , Greek pronunciation: [ádɔːnis] ) is derived from the Canaanite word ʼadōn , meaning "lord". The earliest known Greek reference to Adonis comes from a fragment of a poem by the Lesbian poet Sappho ( c. 630 – c. 570 BC ), in which a chorus of young girls asks Aphrodite what they can do to mourn Adonis's death. Aphrodite replies that they must beat their breasts and tear their tunics. Later references flesh out
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3744-514: Is the younger of the two goddesses: the common Aphrodite, born from the union of Zeus and Dione, and the inspiration of heterosexual desire and sexual promiscuity, the "lesser" of the two loves. Paphian (Παφία), was one of her epithets, after the Paphos in Cyprus where she had emerged from the sea at her birth. Among the Neoplatonists and, later, their Christian interpreters, Ourania
3861-570: Is unmarried and the wife of Hephaestus is Aglaea , the youngest of the three Charites . In Book Eight of the Odyssey , however, the blind singer Demodocus describes Aphrodite as the wife of Hephaestus and tells how she committed adultery with Ares during the Trojan War . The sun-god Helios saw Aphrodite and Ares having sex in Hephaestus's bed and warned Hephaestus, who fashioned
3978-461: The Bibliotheca of Pseudo-Apollodorus tells how, when the women of the island of Lemnos refused to sacrifice to Aphrodite, the goddess cursed them to stink horribly so that their husbands would never have sex with them. Instead, their husbands started having sex with their Thracian slave-girls . In anger, the women of Lemnos murdered the entire male population of the island, as well as all
4095-496: The Church of Aphrodite , Wicca , and Hellenism . Hesiod derives the name Aphrodite from aphrós ( ἀφρός ) "sea-foam", interpreting the name as "risen from the foam", but most modern scholars regard this as a spurious folk etymology . Early-modern scholars of classical mythology attempted to argue that Aphrodite's name was of Greek or Indo-European origin, but these efforts have mostly been abandoned. Aphrodite's name
4212-593: The East Semitic goddess Ishtar , whose cult was based on the Sumerian cult of Inanna . Aphrodite's main cult centers were Cythera , Cyprus , Corinth , and Athens . Her main festival was the Aphrodisia , which was celebrated annually in midsummer. In Laconia , Aphrodite was worshipped as a warrior goddess. She was also the patron goddess of prostitutes , an association which led early scholars to propose
4329-559: The Garden of the Hesperides and instructed him to toss them in front of Atalanta as he raced her. Hippomenes obeyed Aphrodite's order and Atalanta, seeing the beautiful, golden fruits, bent down to pick up each one, allowing Hippomenes to outrun her. In the version of the story from Ovid's Metamorphoses , Hippomenes forgets to repay Aphrodite for her aid, so she causes the couple to become inflamed with lust while they are staying at
4446-633: The Theogony , Hesiod describes Dione as an Oceanid , but Apollodorus makes her the thirteenth Titan , child of Gaia and Uranus. Aphrodite is consistently portrayed as a nubile, infinitely desirable adult, having had no childhood. She is often depicted nude. In the Iliad , Aphrodite is the apparently unmarried consort of Ares , the god of war, and the wife of Hephaestus is a different goddess named Charis . Likewise, in Hesiod's Theogony , Aphrodite
4563-530: The Vedic deity Ushas . Modern scholars, due to the believed Near Eastern origins of Aphrodite's worship, have since proposed Semitic origins for the name. Some scholars, such as Fritz Hommel , have suggested that Aphrodite's name is a hellenized pronunciation of the name " Astarte "; other scholars, however, reject this as being linguistically untenable. Martin West reconstructs a Cyprian Canaanite form of
4680-616: The bronze she-wolf nursing Romulus and Remus , which has become the emblem of Rome. The Conservator's Apartment is distinguished by elaborate interior decorations, including frescoes , stuccos , tapestries , and carved ceilings and doors. The third floor of the Palazzo dei Conservatori houses the Capitoline Art Gallery, housing the museums' painting and applied art galleries. The Capitoline Coin Cabinet, containing collections of coins , medals , jewels , and jewelry ,
4797-627: The "Roman gallery" rather than with the Greek sculpture. Today the sculpture is counted among the show-pieces of the collection, along with the Barberini Faun and the Boy with the Goose. The sculpture depicts an aged woman, who squats on the ground and holds an open flask in her lap. At a height of around 92 centimetres, the statue is about life size. The woman sits on the ground and extends her legs in front of herself and crosses her ankles such that
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4914-561: The Charites, and the Horae, adorn Pandora with gold and jewelry. According to one myth, Aphrodite aided Hippomenes , a noble youth who wished to marry Atalanta , a maiden who was renowned throughout the land for her beauty, but who refused to marry any man unless he could outrun her in a footrace . Atalanta was an exceedingly swift runner and she beheaded all of the men who lost to her. Aphrodite gave Hippomenes three golden apples from
5031-586: The Giardino Romano is similar to the one used for the Sala Ottagonale and British Museum Great Court . The 1996 design is by the architect Carlo Aymonino . Its volume recalls that of the oval space designed by Michelangelo for the piazza. Its centerpiece is the bronze equestrian statue of Marcus Aurelius, which was once in the centre of Piazza del Campidoglio and has been kept indoors ever since its modern restoration. Moving these statues out of
5148-633: The Old Drunkard is generally dated to the late third century BC on the basis of stylistic parallels. The bulky, blocky composition and the pyramidal structure is comparable to the Scythians of the Marsyas Flayer Group , which is dated to the first half of the second century BC and to the figure of the Goose strangler , which is dated to the middle or later third century BC. The copy in Munich
5265-423: The Old Drunkard is raised, her mouth is slightly open and her eyes stare off into space. Her skin is loose and hangs in folds over her cheeks and jaw. The Nasolabial fold is pronounced and crow's feet surround the eyes. The open mouth exposes two remaining teeth. The woman's hair is carefully styled, wrapped at the sides and gathered up with a band above the neck. Her headscarf is carefully wrapped around her head;
5382-596: The Old Drunkard is some kind of priestess, on account of her fancy clothing and especially her headscarf, though recent research has argued that the headscarf is not limited to this context, but is in fact common in depictions of wet nurses, old women in religious contexts, old hetairai, and citizen women. Elizabeth Pollard has argued that the Old Drunkard stereotype is consistent with the contemporary Roman imaginings of how witches might look and how their community would have experienced them. Capitoline Museum The Capitoline Museums ( Italian : Musei Capitolini ) are
5499-430: The Old Drunkard to be a priestess of Dionysos. Heinrich Bulle argued in a catalogue of the display pieces of the Munich Glyptothek that the Old Drunkard was conceived as an artistic exercise and was created for the garden of a rich and whimsical worshiper of Dionysos. In the 1970s interpretations which stressed the socially problematic nature of the figure prevailed. It was asserted that the sculptor had striven to make
5616-525: The Romans, who saw Venus as a mother goddess, seized on this idea of Eros as Aphrodite's son and popularized it, making it the predominant portrayal in works on mythology until the present day. Aphrodite's main attendants were the three Charites , whom Hesiod identifies as the daughters of Zeus and Eurynome and names as Aglaea ("Splendor"), Euphrosyne ("Good Cheer"), and Thalia ("Abundance"). The Charites had been worshipped as goddesses in Greece since
5733-519: The Thracian slaves. When Jason and his crew of Argonauts arrived on Lemnos, they mated with the sex-starved women under Aphrodite's approval and repopulated the island. From then on, the women of Lemnos never disrespected Aphrodite again. In Euripides 's tragedy Hippolytus , which was first performed at the City Dionysia in 428 BC, Theseus's son Hippolytus worships only Artemis ,
5850-456: The beginning of Greek history, long before Aphrodite was introduced to the pantheon. Aphrodite's other set of attendants was the three Horae (the "Hours"), whom Hesiod identifies as the daughters of Zeus and Themis and names as Eunomia ("Good Order"), Dike ("Justice"), and Eirene ("Peace"). Aphrodite was also sometimes accompanied by Harmonia , her daughter by Ares, and Hebe , the daughter of Zeus and Hera. The fertility god Priapus
5967-464: The buildings themselves. For the history of their design and construction, see Capitoline Hill#Michelangelo . The Capitoline Museums are composed of three main buildings surrounding the Piazza del Campidoglio and interlinked by an underground gallery beneath the piazza. The three main buildings of the Capitoline Museums are: In addition, the 16th century Palazzo Caffarelli-Clementino , located off
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#17327765322296084-471: The chariot race at the funeral games of King Pelias , Aphrodite drove his horses mad and they tore him apart. Polyphonte was a young woman who chose a virginal life with Artemis instead of marriage and children, as favoured by Aphrodite. Aphrodite cursed her, causing her to have children by a bear. The resulting bear-like offspring Agrius and Oreius were wild cannibals who incurred the hatred of Zeus for attacking traveling strangers. Ultimately, Ares (who
6201-413: The city. Arsinoe II introduced the cult of Adonis to Alexandria and many of the women there partook in it. The Tessarakonteres , a gigantic catamaran galley designed by Archimedes for Ptolemy IV Philopator , had a circular temple to Aphrodite on it with a marble statue of the goddess herself. In the second century BC, Ptolemy VIII Physcon and his wives Cleopatra II and Cleopatra III dedicated
6318-466: The city. Domenico de Rossi included it in his Raccolta di statue antiche e moderne (Collection of Ancient & Modern Statues) in 1704, which he published together with Paolo Alessandro Maffei . The Old Drunkard was esteemed at that time mostly on account of her ecstatic expression. In 1714 Ottoboni sent the statue to Düsseldorf as a gift for Elector Johann Wilhelm . After a period in Mannheim it
6435-472: The concept of " sacred prostitution " in Greco-Roman culture, an idea which is now generally seen as erroneous. A major goddess in the Greek pantheon, Aphrodite featured prominently in ancient Greek literature . In Hesiod 's Theogony , Aphrodite is born off the coast of Cythera from the foam ( ἀφρός , aphrós ) produced by Uranus 's genitals, which his son Cronus had severed and thrown into
6552-752: The cult of the Mesopotamian goddess known as "Ishtar" to the East Semitic peoples and as " Inanna " to the Sumerians . Pausanias states that the first to establish a cult of Aphrodite were the Assyrians , followed by the Paphians of Cyprus and then the Phoenicians at Ascalon . The Phoenicians, in turn, taught her worship to the people of Cythera . Aphrodite took on Inanna-Ishtar's associations with sexuality and procreation. Furthermore, she
6669-422: The fact that, in many artistic depictions of Aphrodite, she is shown smiling. Other epithets of her include Mechanitis meaning skilled in inventing and Automata because, according to Servius , she was the source of spontaneous love. Common literary epithets of Aphrodite are Cypris and Cythereia , which derive from her associations with the islands of Cyprus and Cythera respectively. On Cyprus, Aphrodite
6786-466: The foundation of the temple (6th century BC). In the three halls adjacent to the Appartamento dei Conservatori are to be found the showcases of the famous Castellani Collection with a part of the set of Greek and Etruscan vases that was donated to the municipality of Rome by Augusto Castellani in the mid-19th century. The Centrale Montemartini is a former power station of Acea (active as
6903-448: The four original primeval forces born at the beginning of time, but, after the birth of Aphrodite from the sea foam, he is joined by Himeros and, together, they become Aphrodite's constant companions. In early Greek art, Eros and Himeros are both shown as idealized handsome youths with wings. The Greek lyric poets regarded the power of Eros and Himeros as dangerous, compulsive, and impossible for anyone to resist. In modern times, Eros
7020-471: The goddess of virginity, and refuses to engage in any form of sexual contact. Aphrodite is infuriated by his prideful behavior and, in the prologue to the play, she declares that, by honoring only Artemis and refusing to venerate her, Hippolytus has directly challenged her authority. Aphrodite therefore causes Hippolytus's stepmother, Phaedra , to fall in love with him, knowing Hippolytus will reject her. After being rejected, Phaedra commits suicide and leaves
7137-405: The goddess of virginity. Aphrodite tells Anchises that she is still a virgin and begs him to take her to his parents. Anchises immediately becomes overcome with mad lust for Aphrodite and swears that he will have sex with her. Anchises takes Aphrodite, with her eyes cast downwards, to his bed, which is covered in the furs of lions and bears. He then strips her naked and makes love to her. After
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#17327765322297254-475: The goddess to claim that Ourania and Pandemos are, in fact, separate goddesses. He asserts that Aphrodite Ourania is the celestial Aphrodite, born from the sea foam after Cronus castrated Uranus, and the older of the two goddesses. According to the Symposium , Aphrodite Ourania is the inspiration of male homosexual desire , specifically the ephebic eros , and pederasty . Aphrodite Pandemos , by contrast,
7371-631: The islands of Cyprus , Cythera , and Sicily . Aphrodite's Mesopotamian precursor Inanna-Ishtar was also closely associated with prostitution. Scholars in the nineteenth and twentieth centuries believed that the cult of Aphrodite may have involved ritual prostitution , an assumption based on ambiguous passages in certain ancient texts, particularly a fragment of a skolion by the Boeotian poet Pindar , which mentions prostitutes in Corinth in association with Aphrodite. Modern scholars now dismiss
7488-407: The later legends of Hermaphroditus . Aphrodite's main festival, the Aphrodisia , was celebrated across Greece, but particularly in Athens and Corinth . In Athens, the Aphrodisia was celebrated on the fourth day of the month of Hekatombaion in honor of Aphrodite's role in the unification of Attica. During this festival, the priests of Aphrodite would purify the temple of Aphrodite Pandemos on
7605-493: The latter of these interpretations and claims the story of a birth from the foam as an Indo-European mytheme . Similarly, Krzysztof Tomasz Witczak proposes an Indo-European compound *abʰor- "very" and *dʰei- "to shine", also referring to Eos , and Daniel Kölligan has interpreted Aphrodite's name as "shining up from the mist/foam". Other scholars have argued that these hypotheses are unlikely, since Aphrodite's attributes are entirely different from those of both Eos and
7722-487: The left leg sits in front of the right one. She holds the lagynos flask in her lap, grasping it tightly around the neck and belly. The flask which presumably holds unmixed wine, is decorated with an ivy vine pattern. The woman is dressed in a chiton (garment) which would be secured with metal pins and which is girded round the middle of the body with a belt. The right pin has slipped off her shoulder, leaving her upper body uncovered, without exposing her breast. The motif of
7839-500: The lovemaking is complete, Aphrodite reveals her true divine form. Anchises is terrified, but Aphrodite consoles him and promises that she will bear him a son. She prophesies that their son will be the demigod Aeneas , who will be raised by the nymphs of the wilderness for five years before going to Troy to become a nobleman like his father. The story of Aeneas's conception is also mentioned in Hesiod's Theogony and in Book II of Homer's Iliad . The myth of Aphrodite and Adonis
7956-413: The minor arts it is notable that the depictions include all of the elements of the stereotype, not just drunkenness. Kunze is therefore of the opinion that the sculpture of the Old Drunkard was distinct from the depictions in the minor arts and very unusual for the Hellenistic period in focussing solely on the theme of drunkenness. He sees this drunken behaviour being increased to superhuman levels, such that
8073-415: The misery of the woman notable and that a deep sympathy for this poor, old, rejected woman should be attributed to him. Since then, on the other hand, scholars like Ludger Alscher have seen indifference to suffering and mortality in the extreme stress on the age of the figure. Paul Zanker is of the opinion that the Old Drunkard depicts the comedic topos of the retired Hetaira . From the fifth century BC,
8190-451: The most famous story, Zeus hastily married Aphrodite to Hephaestus in order to prevent the other gods from fighting over her. In another version of the myth, Hephaestus gave his mother Hera a golden throne, but when she sat on it, she became trapped and he refused to let her go until she agreed to give him Aphrodite's hand in marriage. Hephaestus was overjoyed to be married to the goddess of beauty, and forged her beautiful jewelry, including
8307-641: The mother of the entire Roman nation. Julius Caesar claimed to be directly descended from Aeneas's son Iulus and became a strong proponent of the cult of Venus. This precedent was later followed by his nephew Augustus and the later emperors claiming succession from him. This syncretism greatly impacted Greek worship of Aphrodite. During the Roman era, the cults of Aphrodite in many Greek cities began to emphasize her relationship with Troy and Aeneas. They also began to adopt distinctively Roman elements, portraying Aphrodite as more maternal, more militaristic, and more concerned with administrative bureaucracy. She
8424-464: The mountain if she will bless him and his family. Aphrodite lies and tells him that she is not a goddess, but the daughter of one of the noble families of Phrygia . She claims to be able to understand the Trojan language because she had a Trojan nurse as a child and says that she found herself on the mountainside after she was snatched up by Hermes while dancing in a celebration in honor of Artemis ,
8541-424: The museum said that it had done so following a request from the prime minister's office, although Franceschini said that the government had not been informed of the matter in advance. Rouhani also denied asking Italian officials to cover up the artefacts but expressed his thanks to his hosts for making his visit "as pleasant as possible". This section contains collections sorted by building, and brief information on
8658-525: The museum to the public, making it the oldest public museum in the world, the first place in the world that allowed ordinary people to enjoy art. The history of the museum can be traced to 1471, when Pope Sixtus IV donated a collection of important ancient bronzes to the people of Rome and located them on the Capitoline Hill. Since then, the museums' collection has grown to include many ancient Roman statues, inscriptions, and other artifacts;
8775-532: The name as either *ʿAprodît or *ʿAproḏît , and cautiously suggests the latter as being an epithet with the meaning "She of the Villages". Aren Wilson-Wright suggests the Phoenician form *ʾAprodīt as an elative epithet meaning "unique, excellent, sublime". A number of improbable non-Greek etymologies have also been suggested. One Semitic etymology compares Aphrodite to the Assyrian barīrītu ,
8892-666: The name of a female demon that appears in Middle Babylonian and Late Babylonian texts. Hammarström looks to Etruscan , comparing (e)prθni "lord", an Etruscan honorific loaned into Greek as πρύτανις . This would make the theonym in origin an honorific, "the lady". Most scholars reject this etymology as implausible, especially since Aphrodite's name actually appears in Etruscan in the borrowed form Apru (from Greek Aphrō , clipped form of Aphrodite ). The medieval Etymologicum Magnum ( c. 1150 ) offers
9009-589: The notion of ritual prostitution in Greece as a "historiographic myth" with no factual basis. During the Hellenistic period , the Greeks identified Aphrodite with the ancient Egyptian goddesses Hathor and Isis . Aphrodite was the patron goddess of the Lagid queens and Queen Arsinoe II was identified as her mortal incarnation. Aphrodite was worshipped in Alexandria and had numerous temples in and around
9126-606: The observation of Pope Sixtus IV , who donated to the city a collection of important bronzes from the Lateran (including the Capitoline Wolf ), which he had placed in the courtyard of the Palazzo dei Conservatori and in the Campidoglio square. In 1734 Pope Clement XII purchased the prestigious collection of antiquities of Cardinal Alessandro Albani , which was about to be purchased by English collectors, and opened
9243-423: The old drunken woman had been a staple of Greek comedy . In comedy the old woman is always characterised as an ugly, greedy, man-crazy gossip and a drunkard. She appeared on stage mainly in two roles: the former wet nurse and the retired Hetaira or madame. This figure is not a full member of society, but a slave, servant or metic (resident foreigner), making her a safe figure of fun. Christian Kunze also saw
9360-432: The oldest museums in the world, understood as a place where art could be enjoyed by all and not only by the owners. In 2016, the museum enclosed several of its nude statues in white-colored wooden panels ahead of a meeting between Iranian president Hassan Rouhani and Italian Prime Minister Matteo Renzi that it hosted. The move was criticized by Italian Culture Minister Dario Franceschini as "incomprehensible," while
9477-472: The oldest strata of her worship and see it as an indication of her Near Eastern origins. Nineteenth-century classical scholars had a general aversion to the idea that ancient Greek religion was at all influenced by the cultures of the Near East, but, even Friedrich Gottlieb Welcker , who argued that Near Eastern influence on Greek culture was largely confined to material culture, admitted that Aphrodite
9594-509: The palazzo allows those sculptures temporarily moved to the Centrale Montemartini to be brought back. It also houses the remaining fragments of the bronze colossus of Constantine and the archaeological remains of the tuff foundations of the temple of Capitoline Jupiter, with a model, drawn and computer reconstructions and finds dating from the earliest occupation on the site (in the mid Bronze Age: 17th-14th centuries B.C.) to
9711-477: The piazza adjacent to the Palazzo dei Conservatori, was added to the museum complex in the early 20th century. The collections here are ancient sculpture, mostly Roman but also Greek and Egyptian . Features the relief from the honorary monument to Marcus Aurelius . The second floor of the building is occupied by the Conservator's Apartment, a space now open to the public and housing such famous works as
9828-418: The pin which has slipped off the shoulder traditionally had erotic connotations and appears especially in depictions of the goddess of love, Aphrodite . Over the chiton , the woman wore a heavy cloak, which has fallen to the ground and piles up around her. The woman's clothing recalls contemporary fashion. The same clothing is also found in depictions of Aphrodite and Nymphs , and also of distinguished women of
9945-406: The sea a long time, and white foam arose from the immortal flesh; with it a girl grew." After Aphrodite was born from the sea-foam, she washed up to shore in the presence of the other gods. Hesiod's account of Aphrodite's birth following Uranus's castration is probably derived from The Song of Kumarbi , an ancient Hittite epic poem in which the god Kumarbi overthrows his father Anu , the god of
10062-466: The sea. In Homer 's Iliad , however, she is the daughter of Zeus and Dione . In his Symposium , Plato asserts that these two origins actually belong to separate entities; Aphrodite Urania (a transcendent "Heavenly" Aphrodite) and Aphrodite Pandemos (Aphrodite common to "all the people"). The epithet Aphrodite Areia (the "Warlike") reveals her contrasting nature in ancient Greek religion . Aphrodite had many other epithets, each emphasizing
10179-541: The sky, and bites off his genitals, causing him to become pregnant and give birth to Anu's children, which include Ishtar and her brother Teshub , the Hittite storm god. In the Iliad , Aphrodite is described as the daughter of Zeus and Dione. Dione's name appears to be a feminine cognate to Dios and Dion , which are oblique forms of the name Zeus . Zeus and Dione shared a cult at Dodona in northwestern Greece. In
10296-617: The southwestern slope of the Acropolis with the blood of a sacrificed dove . Next, the altars would be anointed and the cult statues of Aphrodite Pandemos and Peitho would be escorted in a majestic procession to a place where they would be ritually bathed. Aphrodite was also honored in Athens as part of the Arrhephoria festival. The fourth day of every month was sacred to Aphrodite. Pausanias records that, in Sparta, Aphrodite
10413-464: The statue was displayed at Smyrna in Asia Minor . In book 36 of his Natural History , he lists 32 significant marble artworks which were not located in Rome , including an anus ebria (Latin for "Drunken crone"). She is said to have been made by Myron of Thebes which he incorrectly equates with the homonymous sculptor Myron who lived in the fifth century BC. Alexandria has been suggested as
10530-410: The story with more details. According to the retelling of the story found in the poem Metamorphoses by the Roman poet Ovid (43 BC – 17/18 AD), Adonis was the son of Myrrha , who was cursed by Aphrodite with insatiable lust for her own father, King Cinyras of Cyprus , after Myrrha's mother bragged that her daughter was more beautiful than the goddess. Driven out after becoming pregnant, Myrrha
10647-641: The story, the boar was either sent by Ares, who was jealous that Aphrodite was spending so much time with Adonis, or by Artemis, who wanted revenge against Aphrodite for having killed her devoted follower Hippolytus . In another version, Apollo in fury changed himself into a boar and killed Adonis because Aphrodite had blinded his son Erymanthus when he stumbled upon Aphrodite naked as she was bathing after intercourse with Adonis. The story also provides an etiology for Aphrodite's associations with certain flowers. Reportedly, as she mourned Adonis's death, she caused anemones to grow wherever his blood fell and declared
10764-456: The temple of Cybele . The couple desecrate the temple by having sex in it, leading Cybele to turn them into lions as punishment. The myth of Pygmalion is first mentioned by the third-century BC Greek writer Philostephanus of Cyrene , but is first recounted in detail in Ovid's Metamorphoses . According to Ovid, Pygmalion was an exceedingly handsome sculptor from the island of Cyprus, who
10881-527: The third century BC when the cult of Venus Erycina was introduced to Rome from the Greek sanctuary of Aphrodite on Mount Eryx in Sicily. After this point, Romans adopted Aphrodite's iconography and myths and applied them to Venus. Because Aphrodite was the mother of the Trojan hero Aeneas in Greek mythology and Roman tradition claimed Aeneas as the founder of Rome, Venus became venerated as Venus Genetrix ,
10998-706: The time of the Trojan War , he is married to Charis / Aglaea , one of the Graces , apparently divorced from Aphrodite. Afterwards, it was generally Ares who was regarded as the husband or official consort of the goddess; on the François Vase , the two arrive at the wedding of Peleus and Thetis on the same chariot, as do Zeus with Hera and Poseidon with Amphitrite . The poets Pindar and Aeschylus refer to Ares as Aphrodite's husband. Later stories were invented to explain Aphrodite's marriage to Hephaestus. In
11115-587: The time. On the exposed upper body, the collar bone and ribs emerge from the Décolletage , as do the shoulder blades and the spinal column at the back. The skin is stretched in a thin sheet over the skeleton and the underlying muscles, veins and tendons are depicted in an anatomically correct way. A thick vein runs up her neck directly under the skin and disappears into a jowl under her chin. Pierced ears indicate golden earrings, which would have been inserted. A headscarf holds her hair out of her face. The head of
11232-415: The trope of the drunken old woman, but he did not accept Zanker's identification of her with an elderly hetaira. Instead, he pointed to similar depictions in the minor arts and in contemporary literary sources, which include epigrams composed by poets in which old women are described simply as alcoholics . The depictions in the minor arts include wet-nurses and hetairai, but also fat, talkative drunkards. In
11349-555: The venue was eventually converted into a permanent museum. Its permanent collection comprises 400 ancient statues, moved here during the reorganisation of the Capitoline Museums in 1997, along with tombs, busts, and mosaics. Many of them were excavated in the ancient Roman horti (e.g. the Gardens of Sallust ) between the 1890s and 1930s, a fruitful period for Roman archaeology. Aphrodite Aphrodite ( / ˌ æ f r ə ˈ d aɪ t iː / , AF -rə- DY -tee )
11466-569: The version of her birth recounted by Hesiod in his Theogony , Cronus severed Uranus' genitals and threw them behind him into the sea. The foam from his genitals gave rise to Aphrodite (hence her name, which Hesiod interprets as "foam-arisen"), while the Giants , the Erinyes (furies), and the Meliae emerged from the drops of his blood. Hesiod states that the genitals "were carried over
11583-461: The waters after Cronus defeats Uranus as a mytheme would then be directly cognate to the Rigvedic myth of Indra defeating Vrtra , liberating Ushas . Another key similarity between Aphrodite and the Indo-European dawn goddess is her close kinship to the Greek sky deity, since both of the main claimants to her paternity (Zeus and Uranus) are sky deities. Aphrodite's most common cultic epithet
11700-410: The woman's only desire is her immense thirst for wine. Thus, he considers the sculpture to be a focussed depiction of uninhibited drunkenness. Reduced to just this facet and possessed by the supernatural force of unlimited thirst, he considers the old woman to become the mortal counterpart of the satyrs , the mythic companions of Dionysus. Kunze thus saw the Old Drunkard as equivalent to the dedication of
11817-660: The year with Aphrodite, one third with Persephone, and one third with whomever he chose. Adonis chose to spend that time with Aphrodite. Then, one day, while Adonis was hunting, he was wounded by a wild boar and bled to death in Aphrodite's arms. In a semi-mocking work, the Dialogues of the Gods , the satirical author Lucian comedically relates how a frustrated Aphrodite complains to the moon goddess Selene about her son Eros making Persephone fall in love with Adonis and now she has to share him with her. In different versions of
11934-593: Was Ourania , meaning "heavenly", but this epithet almost never occurs in literary texts, indicating a purely cultic significance. Another common name for Aphrodite was Pandemos ("For All the Folk"). In her role as Aphrodite Pandemos, Aphrodite was associated with Peithō ( Πείθω ), meaning "persuasion", and could be prayed to for aid in seduction. The character of Pausanias in Plato 's Symposium , takes differing cult-practices associated with different epithets of
12051-518: Was a place of pilgrimage in the ancient world for centuries. Other versions of her myth have her born near the island of Cythera , hence another of her names, "Cytherea". Cythera was a stopping place for trade and culture between Crete and the Peloponesus , so these stories may preserve traces of the migration of Aphrodite's cult from the Middle East to mainland Greece . According to
12168-449: Was changed into a myrrh tree, but still gave birth to Adonis. Aphrodite found the baby and took him to the underworld to be fostered by Persephone . She returned for him once he was grown and discovered him to be strikingly handsome. Persephone wanted to keep Adonis, resulting in a custody battle between the two goddesses over whom should rightly possess Adonis. Zeus settled the dispute by decreeing that Adonis would spend one third of
12285-470: Was claimed as a divine guardian by many political magistrates. Appearances of Aphrodite in Greek literature also vastly proliferated, usually showing Aphrodite in a characteristically Roman manner. Aphrodite is usually said to have been born near her chief center of worship, Paphos , on the island of Cyprus , which is why she is sometimes called "Cyprian", especially in the poetic works of Sappho . The Sanctuary of Aphrodite Paphia , marking her birthplace,
12402-469: Was clearly of Phoenician origin. The significant influence of Near Eastern culture on early Greek religion in general, and on the cult of Aphrodite in particular, is now widely recognized as dating to a period of orientalization during the eighth century BC, when archaic Greece was on the fringes of the Neo-Assyrian Empire . Some early comparative mythologists opposed to the idea of
12519-579: Was horrified to see that the child had a massive, permanently erect penis , a potbelly , and a huge tongue. Aphrodite abandoned the infant to die in the wilderness, but a herdsman found him and raised him, later discovering that Priapus could use his massive penis to aid in the growth of plants. The First Homeric Hymn to Aphrodite ( Hymn 5 ), which was probably composed sometime in the mid-seventh century BC, describes how Zeus once became annoyed with Aphrodite for causing deities to fall in love with mortals, so he caused her to fall in love with Anchises ,
12636-462: Was killed by a wild boar . Along with Athena and Hera , Aphrodite was one of the three goddesses whose feud resulted in the beginning of the Trojan War and plays a major role throughout the Iliad . Aphrodite has been featured in Western art as a symbol of female beauty and has appeared in numerous works of Western literature . She is a major deity in modern Neopagan religions , including
12753-720: Was known as Ourania (Οὐρανία), which means "heavenly", a title corresponding to Inanna's role as the Queen of Heaven . Early artistic and literary portrayals of Aphrodite are extremely similar on Inanna-Ishtar. Like Inanna-Ishtar, Aphrodite was also a warrior goddess; the second-century AD Greek geographer Pausanias records that, in Sparta, Aphrodite was worshipped as Aphrodite Areia , which means "warlike". He also mentions that Aphrodite's most ancient cult statues in Sparta and on Cythera showed her bearing arms. Modern scholars note that Aphrodite's warrior-goddess aspects appear in
12870-469: Was married to Hephaestus , the god of fire, blacksmiths and metalworking. Aphrodite was frequently unfaithful to him and had many lovers; in the Odyssey , she is caught in the act of adultery with Ares , the god of war. In the First Homeric Hymn to Aphrodite , she seduces the mortal shepherd Anchises . Aphrodite was also the surrogate mother and lover of the mortal shepherd Adonis , who
12987-595: Was renowned throughout the ancient world for its many hetairai , who had a widespread reputation for being among the most skilled, but also the most expensive, prostitutes in the Greek world. Corinth also had a major temple to Aphrodite located on the Acrocorinth and was one of the main centers of her cult. Records of numerous dedications to Aphrodite made by successful courtesans have survived in poems and in pottery inscriptions. References to Aphrodite in association with prostitution are found in Corinth as well as on
13104-784: Was so sickened by the immorality of women that he refused to marry. He fell madly and passionately in love with the ivory cult statue he was carving of Aphrodite and longed to marry it. Because Pygmalion was extremely pious and devoted to Aphrodite, the goddess brought the statue to life. Pygmalion married the girl the statue became and they had a son named Paphos, after whom the capital of Cyprus received its name. Pseudo-Apollodorus later mentions "Metharme, daughter of Pygmalion, king of Cyprus". Aphrodite generously rewarded those who honored her, but also punished those who disrespected her, often quite brutally. A myth described in Apollonius of Rhodes's Argonautica and later summarized in
13221-785: Was sometimes called Eleemon ("the merciful"). In Athens, she was known as Aphrodite en kēpois (" Aphrodite of the Gardens "). At Cape Colias, a town along the Attic coast, she was venerated as Genetyllis "Mother". The Spartans worshipped her as Potnia "Mistress", Enoplios "Armed", Morpho "Shapely", Ambologera "She who Postpones Old Age". Across the Greek world, she was known under epithets such as Melainis in Corinth "Black or Dark One", Skotia "Dark One", Androphonos "Killer of Men", Anosia "Unholy", and Tymborychos "Gravedigger", all of which indicate her darker, more violent nature. A male version of Aphrodite known as Aphroditus
13338-496: Was transferred to the Munich Residenz by Elector Charles Theodore in 1803. Leo von Klenze refused to admit the Old Drunkard into the Glyptothek when it was established by King Ludwig I . After 1865 the Old Drunkard was transferred to Heinrich Brunn 's new replica collection and displayed in the museum's replica gallery. In 1895 the statue was finally put on display in the Munich Glyptothek by Adolf Furtwängler , in
13455-506: Was usually considered to be Aphrodite's son by Dionysus , but he was sometimes also described as her son by Hermes, Adonis, or even Zeus. A scholion on Apollonius of Rhodes 's Argonautica states that, while Aphrodite was pregnant with Priapus, Hera envied her and applied an evil potion to her belly while she was sleeping to ensure that the child would be hideous. In another version, Hera cursed Aphrodite's unborn son because he had been fathered by Zeus. When Aphrodite gave birth, she
13572-684: Was worshipped as Aphrodite Areia , which means "warlike". This epithet stresses Aphrodite's connections to Ares, with whom she had extramarital relations. Pausanias also records that, in Sparta and on Cythera, a number of extremely ancient cult statues of Aphrodite portrayed her bearing arms. Other cult statues showed her bound in chains. Aphrodite was the patron goddess of prostitutes of all varieties, ranging from pornai (cheap street prostitutes typically owned as slaves by wealthy pimps ) to hetairai (expensive, well-educated hired companions, who were usually self-employed and sometimes provided sex to their customers). The city of Corinth
13689-480: Was worshipped in the city of Amathus on Cyprus. Aphroditus was depicted with the figure and dress of a woman, but had a beard , and was shown lifting his dress to reveal an erect phallus . This gesture was believed to be an apotropaic symbol , and was thought to convey good fortune upon the viewer. Eventually, the popularity of Aphroditus waned as the mainstream, fully feminine version of Aphrodite became more popular, but traces of his cult are preserved in
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