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Dream Pool Essays

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141-525: The Dream Pool Essays (or Dream Torrent Essays ) was an extensive book written by the Chinese polymath and statesman Shen Kuo (1031–1095), published in 1088 during the Song dynasty (960–1279) of China . Shen compiled this encyclopedic work while living in forced retirement from government office, naming the book after his private estate near modern Zhenjiang , Jiangsu province. The Dream Pool Essays

282-644: A Chinese reprint was produced in 1305. In 1631 another edition was printed, but it was heavily reorganized into three broad chapters. In modern times, Zhang Jiaju's biographical work Shen Kuo (1962) contains selected translations of the Dream Pool Essays from Middle Chinese into modern Vernacular Chinese . The Dream Pool Essays has also been translated from Chinese into various foreign languages. Various volumes of Joseph Needham 's Science and Civilization in China series published since 1954 contain

423-495: A phonemic split of their tone categories. Syllables with voiced initials tended to be pronounced with a lower pitch, and by the late Tang dynasty , each of the tones had split into two registers conditioned by the initials, known as the "upper" and "lower". When voicing was lost in most varieties (except in the Wu and Old Xiang groups and some Gan dialects), this distinction became phonemic, yielding up to eight tonal categories, with

564-400: A specialist —is used to describe a person with a general approach to knowledge. The term universal genius or versatile genius is also used, with Leonardo da Vinci as the prime example again. The term is used especially for people who made lasting contributions in at least one of the fields in which they were actively involved and when they took a universality of approach. When a person

705-557: A Late Middle Chinese koiné and cannot very easily be used to determine the pronunciation of Early Middle Chinese. During the Early Middle Chinese period, large amounts of Chinese vocabulary were systematically borrowed by Vietnamese, Korean and Japanese (collectively the Sino-Xenic pronunciations ), but many distinctions were inevitably lost in mapping Chinese phonology onto foreign phonological systems. For example,

846-528: A Song Chinese military defeat by the Tangut -led Western Xia dynasty in 1081 during the Song–Xia wars . When Shen compiled and published The Dream Pool Essays ( Meng Xi Bi Tan , 《梦溪笔谈》) in 1088, he was living in retirement and relative isolation on his lavish garden estate near modern-day Zhenjiang , Jiangsu province. He titled the book after the name he gave to his private estate, the "Dream Brook". In English

987-462: A better understanding and analysis of Classical Chinese poetry , such as the study of Tang poetry . The reconstruction of Middle Chinese phonology is largely dependent upon detailed descriptions in a few original sources. The most important of these is the Qieyun rime dictionary (601) and its revisions. The Qieyun is often used together with interpretations in Song dynasty rime tables such as

1128-482: A close analysis of regularities in the system and co-occurrence relationships between the initials and finals indicated by the fanqie characters. However, the analysis inevitably shows some influence from LMC, which needs to be taken into account when interpreting difficult aspects of the system. The Yunjing is organized into 43 tables, each covering several Qieyun rhyme classes, and classified as: Each table has 23 columns, one for each initial consonant. Although

1269-516: A compact presentation. Each square in a table contains a character corresponding to a particular homophone class in the Qieyun , if any such character exists. From this arrangement, each homophone class can be placed in the above categories. The rime dictionaries and rime tables identify categories of phonetic distinctions but do not indicate the actual pronunciations of these categories. The varied pronunciations of words in modern varieties of Chinese can help, but most modern varieties descend from

1410-479: A comprehensive historical overview of the ascension and decline of the polymath as, what he calls, an "intellectual species". He observes that in ancient and medieval times, scholars did not have to specialize. However, from the 17th century on, the rapid rise of new knowledge in the Western world—both from the systematic investigation of the natural world and from the flow of information coming from other parts of

1551-499: A compromise between northern and southern reading and poetic traditions from the late Northern and Southern dynasties period. This composite system contains important information for the reconstruction of the preceding system of Old Chinese phonology (early 1st millennium BC). The fanqie method used to indicate pronunciation in these dictionaries, though an improvement on earlier methods, proved awkward in practice. The mid-12th-century Yunjing and other rime tables incorporate

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1692-562: A detrimental "craze". Older versions of the rime dictionaries and rime tables came to light over the first half of the 20th century, and were used by such linguists as Wang Li , Dong Tonghe and Li Rong in their own reconstructions. Edwin Pulleyblank argued that the systems of the Qieyun and the rime tables should be reconstructed as two separate (but related) systems, which he called Early and Late Middle Chinese, respectively. He further argued that his Late Middle Chinese reflected

1833-463: A full literal translation of the title is Brush Talks from a Dream Brook , and Shen Kuo is quoted as saying: Because I had only my writing brush and ink slab to converse with, I call it Brush Talks . As the historian Chen Dengyuan points out, much of Shen Kuo's written work was probably purged under the leadership of minister Cai Jing (1046–1126). For example, only six of Shen's books remain, and four of these have been significantly altered since

1974-422: A hierarchy of tone, rhyme and homophony. Characters with identical pronunciations are grouped into homophone classes, whose pronunciation is described using two fanqie characters, the first of which has the initial sound of the characters in the homophone class and second of which has the same sound as the rest of the syllable (the final). The use of fanqie was an important innovation of the Qieyun and allowed

2115-674: A large amount of selected English translations of the Dream Pool Essays . The Brush Talks from Dream Brook is the first complete English translation, presented in two volumes by translators Wang Hong and Zhao Zheng, and published in 2008 by the Sichuan People's Publishing House , China. A Japanese translation of the 1166 Chinese edition was prepared by the History of Science Seminar, Institute for Research in Humanities (Jimbun Kagaku Kenkyusho) for Kyoto University , and printed by

2256-428: A large number of consonants and vowels, many of them very unevenly distributed. Accepting Karlgren's reconstruction as a description of medieval speech, Chao Yuen Ren and Samuel E. Martin analysed its contrasts to extract a phonemic description. Hugh M. Stimson used a simplified version of Martin's system as an approximate indication of the pronunciation of Tang poetry. Karlgren himself viewed phonemic analysis as

2397-425: A man near Xingkai Lake observed this curious object; allegedly it: ...opened its door and a flood of intense light like sunbeams darted out of it, then the outer shell opened up, appearing as large as a bed with a big pearl the size of a fist illuminating the interior in silvery white. The intense silver-white light, shot from the interior, was too strong for human eyes to behold; it cast shadows of every tree within

2538-580: A mix of occupations or of intellectual interests, Ahmed urges a breaking of the "thinker"/"doer" dichotomy and the art/science dichotomy. He argues that an orientation towards action and towards thinking support each other, and that human beings flourish by pursuing a diversity of experiences as well as a diversity of knowledge. He observes that successful people in many fields have cited hobbies and other "peripheral" activities as supplying skills or insights that helped them succeed. Ahmed examines evidence suggesting that developing multiple talents and perspectives

2679-431: A mixture of pine resin, wax, and paper ashes. When he wished to print, he took an iron frame and set it on the iron plate. In this he placed the types, set close together. When the frame was full, the whole made one solid block of type. He then placed it near the fire to warm it. When the paste [at the back] was slightly melted, he took a smooth board and pressed it over the surface, so that the block of type became as even as

2820-474: A more sophisticated and convenient analysis of the Qieyun phonology. The rime tables attest to a number of sound changes that had occurred over the centuries following the publication of the Qieyun . Linguists sometimes refer to the system of the Qieyun as Early Middle Chinese and the variant revealed by the rime tables as Late Middle Chinese . The dictionaries and tables describe pronunciations in relative terms, but do not give their actual sounds. Karlgren

2961-436: A new model of education that better promotes creativity and innovation: "we must focus education on principles, methods, and skills that will serve them [students] in learning and creating across many disciplines, multiple careers, and succeeding life stages". Peter Burke , Professor Emeritus of Cultural History and Fellow of Emmanuel College at Cambridge, discussed the theme of polymathy in some of his works. He has presented

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3102-453: A prelude to his reconstruction of Old Chinese , produced a revision of Karlgren's notation , adding new notations for the few categories not distinguished by Karlgren, without assigning them pronunciations. This notation is still widely used, but its symbols, based on Johan August Lundell 's Swedish Dialect Alphabet , differ from the familiar International Phonetic Alphabet . To remedy this, William H. Baxter produced his own notation for

3243-436: A process now known as tonogenesis . Haudricourt further proposed that tone in the other languages, including Middle Chinese, had a similar origin. Other scholars have since uncovered transcriptional and other evidence for these consonants in early forms of Chinese, and many linguists now believe that Old Chinese was atonal. Around the end of the first millennium AD, Middle Chinese and the southeast Asian languages experienced

3384-520: A radius of ten miles. The spectacle was like the rising Sun, lighting up the distant sky and woods in red. Then all of a sudden, the object took off at a tremendous speed and descended upon the lake like the Sun setting. Shen went on to say that Yibo, a poet of Gaoyou , wrote a poem about this "pearl" after witnessing it. Shen wrote that since the "pearl" often made an appearance around Fanliang in Yangzhou,

3525-423: A single issue. Ahmed cites biologist E. O. Wilson 's view that reality is approached not by a single academic discipline but via a consilience between them. One argument for studying multiple approaches is that it leads to open-mindedness . Within any one perspective, a question may seem to have a straightforward, settled answer. Someone aware of different, contrasting answers will be more open-minded and aware of

3666-480: A six-way contrast in unchecked syllables and a two-way contrast in checked syllables. Cantonese maintains these tones and has developed an additional distinction in checked syllables, resulting in a total of nine tonal categories. However, most varieties have fewer tonal distinctions. For example, in Mandarin dialects the lower rising category merged with the departing category to form the modern falling tone, leaving

3807-416: A slightly different set of initials from the traditional set. Moreover, most scholars believe that some distinctions among the 36 initials were no longer current at the time of the rime tables, but were retained under the influence of the earlier dictionaries. Early Middle Chinese (EMC) had three types of stops: voiced, voiceless, and voiceless aspirated. There were five series of coronal obstruents , with

3948-408: A society, company, community, guild, corporation , etc". At this time, universities did not specialize in specific areas, but rather trained students in a broad array of science, philosophy, and theology. This universal education gave them a grounding from which they could continue into apprenticeship toward becoming a master of a specific field. When someone is called a "Renaissance man" today, it

4089-414: A three-way distinction between dental (or alveolar ), retroflex and palatal among fricatives and affricates , and a two-way dental/retroflex distinction among stop consonants . The following table shows the initials of Early Middle Chinese, with their traditional names and approximate values: Old Chinese had a simpler system with no palatal or retroflex consonants; the more complex system of EMC

4230-463: A typology of polymathy, ranging from the ubiquitous mini-c polymathy to the eminent but rare Big-C polymathy, as well as a model with some requirements for a person (polymath or not) to be able to reach the highest levels of creative accomplishment. They account for three general requirements—intelligence, motivation to be creative, and an environment that allows creative expression—that are needed for any attempt at creativity to succeed. Then, depending on

4371-428: A unit derived from the imperial litters. Steep ramps are ramps for ascending which the leading and trailing bearers have to extend their arms fully down and up respectively (ratio 3/35). Easy-going ramps are those for which the leaders use elbow length and the trailers shoulder height (ratio 1/38); intermediate ones are negotiated by the leaders with downstretched arms and trailers at shoulder height (ratio 2/18). These are

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4512-426: A vowel, an optional final consonant and a tone. Their reconstruction is much more difficult than the initials due to the combination of multiple phonemes into a single class. The generally accepted final consonants are semivowels /j/ and /w/ , nasals /m/ , /n/ and /ŋ/ , and stops /p/ , /t/ and /k/ . Some authors also propose codas /wŋ/ and /wk/ , based on the separate treatment of certain rhyme classes in

4653-403: A whetstone. If one were to print only two or three copies, this method would be neither simple nor easy. But for printing hundreds or thousands of copies, it was marvelously quick. As a rule he kept two forms going. While the impression was being made from the one form, the type was being put in place on the other. When the printing of the one form was finished, the other was then ready. In this way

4794-543: Is a very strange thing. When the Director of the Astronomical Observatory asked Shen Kuo if the shapes of the sun and moon were round like balls or flat like fans, Shen Kuo explained his reasoning for the former: If they were like balls they would surely obstruct each other when they met. I replied that these celestial bodies were certainly like balls. How do we know this? By the waxing and waning of

4935-437: Is an individual whose knowledge spans many different subjects, known to draw on complex bodies of knowledge to solve specific problems. Embodying a basic tenet of Renaissance humanism that humans are limitless in their capacity for development, the concept led to the notion that people should embrace all knowledge and develop their capacities as fully as possible. This is expressed in the term Renaissance man , often applied to

5076-418: Is considered the principal responsible for rekindling interest in polymathy in the scientific community. His works emphasize the contrast between the polymath and two other types: the specialist and the dilettante. The specialist demonstrates depth but lacks breadth of knowledge. The dilettante demonstrates superficial breadth but tends to acquire skills merely "for their own sake without regard to understanding

5217-411: Is contrasted with the idea of narrowness, specialization, and the restriction of one's expertise to a limited domain. The possession of comprehensive knowledge at very disparate areas is a hallmark of the greatest polymaths. Depth refers to the vertical accumulation of knowledge and the degree of elaboration or sophistication of one's sets of one's conceptual network. Like Robert Root-Bernstein, Araki uses

5358-399: Is described as having encyclopedic knowledge , they exhibit a vast scope of knowledge. However, this designation may be anachronistic in the case of persons such as Eratosthenes , whose reputation for having encyclopedic knowledge predates the existence of any encyclopedic object . Middle Chinese Middle Chinese (formerly known as Ancient Chinese ) or the Qieyun system (QYS) is

5499-403: Is further classified as follows: Each table also has 16 rows, with a group of 4 rows for each of the four tones of the traditional system in which finals ending in /p/ , /t/ or /k/ are considered to be checked tone variants of finals ending in /m/ , /n/ or /ŋ/ rather than separate finals in their own right. The significance of the 4 rows within each tone is difficult to interpret, and

5640-475: Is helpful for success in a highly specialised field. He cites a study of Nobel Prize-winning scientists which found them 25 times more likely to sing, dance, or act than average scientists. Another study found that children scored higher in IQ tests after having drum lessons, and he uses such research to argue that diversity of domains can enhance a person's general intelligence. Ahmed cites many historical claims for

5781-519: Is meant that rather than simply having broad interests or superficial knowledge in several fields, the individual possesses a more profound knowledge and a proficiency, or even an expertise, in at least some of those fields. Some dictionaries use the term "Renaissance man" to describe someone with many interests or talents, while others give a meaning restricted to the Renaissance and more closely related to Renaissance ideals. Robert Root-Bernstein

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5922-516: Is presented in a 2018 article with two main objectives: The model, which was designed to reflect a structural model, has five major components: Regarding the definition of the term polymathy, the researcher, through an analysis of the extant literature, concluded that although there are a multitude of perspectives on polymathy, most of them ascertain that polymathy entails three core elements: breadth, depth and integration. Breadth refers to comprehensiveness, extension and diversity of knowledge. It

6063-420: Is strongly debated. These rows are usually denoted I, II, III and IV, and are thought to relate to differences in palatalization or retroflexion of the syllable's initial or medial, or differences in the quality of similar main vowels (e.g. /ɑ/ , /a/ , /ɛ/ ). Other scholars do not view them not as phonetic categories, but instead as formal devices exploiting distributional patterns in the Qieyun to achieve

6204-681: Is the Upperwork Unit. Similarly, the dimensions of the foundations must match the dimensions of the columns to be used, as also those of the (side-) rafters , etc. For example, a column (11 ft) high will need a platform (4.5 ft) high. So also for all the other components, corbelled brackets, projecting rafters, other rafters, all have their fixed proportions. All these follow the Middlework Unit (2/24). Now below of ramps (and steps) there are three kinds, steep, easy-going, and intermediate. In places these gradients are based upon

6345-441: Is thought to have arisen from a combination of Old Chinese obstruents with a following /r/ and/or /j/ . Bernhard Karlgren developed the first modern reconstruction of Middle Chinese . The main differences between Karlgren and newer reconstructions of the initials are: Other sources from around the same time as the Qieyun reveal a slightly different system, which is believed to reflect southern pronunciation. In this system,

6486-610: Is why it is advisable to use nothing but combined steel. As for the yu-chhang (fish intestines) effect, it is what is now called the 'snake-coiling' steel sword, or alternatively, the 'pine tree design'. If you cook a fish fully and remove its bones, the shape of its guts will be seen to be like the lines on a 'snake-coiling sword'. Shen Kuo observed that the Chinese since some centuries prior had entirely adopted barbarian fashions. 中國衣冠,自北齊以來,乃全用胡服。窄袖、緋綠短衣、長靿靴、有鞢帶,皆胡服也。窄袖利於馳射,短衣、長靿皆便於涉草。胡人樂茂草,常寢處其間,予使北時皆見之。雖王庭亦在深荐中。予至胡庭日,新雨過,涉草,衣褲皆濡,唯胡人都無所沾。帶衣所垂蹀躞,蓋欲佩帶弓劍、帨、算囊、刀勵之類。 The clothing of China since

6627-592: The Yunjing , Qiyin lüe , and the later Qieyun zhizhangtu and Sisheng dengzi . The documentary sources are supplemented by comparison with modern Chinese varieties , pronunciation of Chinese words borrowed by other languages—particularly Japanese , Korean and Vietnamese — transcription into Chinese characters of foreign names, transcription of Chinese names in alphabetic scripts such as Brahmi , Tibetan and Uyghur, and evidence regarding rhyme and tone patterns from classical Chinese poetry . Chinese scholars of

6768-581: The Diatribae upon the first part of the late History of Tithes of Richard Montagu in 1621. Use in English of the similar term polyhistor dates from the late 16th century. The term "Renaissance man" was first recorded in written English in the early 20th century. It is used to refer to great thinkers living before, during, or after the Renaissance . Leonardo da Vinci has often been described as

6909-469: The Northern Qi [550–557] onward has been entirely made barbarian. Narrow sleeves, short dark red or green robes, tall boots and metal girdle ornaments are all barbarian garb. The narrow sleeves are useful when shooting while galloping. The short robes and tall boots are convenient when passing through tall grass. The barbarians all enjoy thick grass as they always sleep in it. I saw them all do it when I

7050-460: The Northern and Southern dynasties period were concerned with the correct recitation of the classics. Various schools produced dictionaries to codify reading pronunciations and the associated rhyme conventions of regulated verse. The Qieyun (601) was an attempt to merge the distinctions in six earlier dictionaries, which were eclipsed by its success and are no longer extant. It was accepted as

7191-484: The Qieyun and rime table categories for use in his reconstruction of Old Chinese. All reconstructions of Middle Chinese since Karlgren have followed his approach of beginning with the categories extracted from the rime dictionaries and tables, and using dialect and Sino-Xenic data (and in some cases transcription data) in a subsidiary role to fill in sound values for these categories. Jerry Norman and W. South Coblin have criticized this approach, arguing that viewing

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7332-473: The Qieyun are assumed to have the same nuclear vowel and coda, but often have different medials. Middle Chinese reconstructions by different modern linguists vary. These differences are minor and fairly uncontroversial in terms of consonants; however, there is a more significant difference as to the vowels. The most widely used transcriptions are Li Fang-Kuei's modification of Karlgren's reconstruction and William Baxter's typeable notation . The preface of

7473-431: The Qieyun system is no longer viewed as describing a single form of speech, linguists argue that this enhances its value in reconstructing earlier forms of Chinese, just as a cross-dialectal description of English pronunciations contains more information about earlier forms of English than any single modern form. The emphasis has shifted from precise phones to the structure of the phonological system. Li Fang-Kuei , as

7614-561: The Qieyun system to cross-dialectal descriptions of English pronunciations, such as John C. Wells 's lexical sets , or the notation used in some dictionaries. For example, the words "trap", "bath", "palm", "lot", "cloth" and "thought" contain four different vowels in Received Pronunciation and three in General American ; these pronunciations and others can be specified in terms of these six cases. Although

7755-593: The Qieyun were known, and scholars relied on the Guangyun (1008), a much expanded edition from the Song dynasty. However, significant sections of a version of the Qieyun itself were subsequently discovered in the caves of Dunhuang , and a complete copy of Wang Renxu's 706 edition from the Palace Library was found in 1947. The rhyme dictionaries organize Chinese characters by their pronunciation, according to

7896-465: The Yunjing distinguishes 36 initials, they are placed in 23 columns by combining palatals, retroflexes, and dentals under the same column. This does not lead to cases where two homophone classes are conflated, as the grades (rows) are arranged so that all would-be minimal pairs distinguished only by the retroflex vs. palatal vs. alveolar character of the initial end up in different rows. Each initial

8037-572: The Yunjing identifies a traditional set of 36 initials , each named with an exemplary character. An earlier version comprising 30 initials is known from fragments among the Dunhuang manuscripts . In contrast, identifying the initials of the Qieyun required a painstaking analysis of fanqie relationships across the whole dictionary, a task first undertaken by the Cantonese scholar Chen Li in 1842 and refined by others since. This analysis revealed

8178-412: The fanqie spelling 德紅 , the pronunciation of 德 was given as 多特 , and the pronunciation of 多 was given as 德河 , from which we can conclude that the words 東 , 德 and 多 all had the same initial sound. The Qieyun classified homonyms under 193 rhyme classes, each of which is placed within one of the four tones. A single rhyme class may contain multiple finals, generally differing only in

8319-504: The gifted people of that age who sought to develop their abilities in all areas of accomplishment: intellectual, artistic, social, physical, and spiritual. In Western Europe, the first work to use the term polymathy in its title ( De Polymathia tractatio: integri operis de studiis veterum ) was published in 1603 by Johann von Wowern , a Hamburg philosopher. Von Wowern defined polymathy as "knowledge of various matters, drawn from all kinds of studies ... ranging freely through all

8460-515: The gou-he ("dog-grubs") which preyed upon the agricultural pest infestation of zi-fang , the moth Leucania separata : In the Yuan-Feng reign period (1078–1085), in the Qingzhou region, an outbreak of zi-fang insects caused serious damage to the crops in the fields in autumn. Suddenly another insect appeared in swarms of thousands and tens of thousands, covering the entire ground area. It

8601-403: The "even" or "level", "rising" and "departing" tones, occur in open syllables and syllables ending with nasal consonants . The remaining syllables, ending in stop consonants , were described as the " entering " tone counterparts of syllables ending with the corresponding nasals. The Qieyun and its successors were organized around these categories, with two volumes for the even tone, which had

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8742-483: The 'pole star' was really a circumpolar star . And this I stated in my detailed report to the emperor. On the methods of Bi Sheng 's invention of movable type printing between the years 1041 to 1048 AD, Shen Kuo wrote: [Bi Sheng] took sticky clay and cut in it characters as thin as the edge of a coin. Each character formed, as it were, a single type. He baked them in the fire to make them hard. He had previously prepared an iron plate and he had covered his plate with

8883-405: The Cantonese scholar Chen Li in a careful analysis published in his Qieyun kao (1842). Chen's method was to equate two fanqie initials (or finals) whenever one was used in the fanqie spelling of the pronunciation of the other, and to follow chains of such equivalences to identify groups of spellers for each initial or final. For example, the pronunciation of the character 東 was given using

9024-487: The Lowerwork Units. The book (of Yu Hao) had three chapters. But builders in recent years have become much more precise and skillful (yen shan) than formerly. Thus for some time past the old Timberwork Manual has fallen out of use. But (unfortunately) there is hardly anybody capable of writing a new one. To do that would be a masterpiece in itself! Shen Kuo described the natural predator insect similarly shaped to

9165-431: The advantages of polymathy. Some of these are about general intellectual abilities that polymaths apply across multiple domains. For example, Aristotle wrote that full understanding of a topic requires, in addition to subject knowledge, a general critical thinking ability that can assess how that knowledge was arrived at. Another advantage of a polymathic mindset is in the application of multiple approaches to understanding

9306-549: The aesthetic and structural/scientific connections between mathematics, arts and the sciences. In 2009, Sriraman published a paper reporting a 3-year study with 120 pre-service mathematics teachers and derived several implications for mathematics pre-service education as well as interdisciplinary education. He utilized a hermeneutic-phenomenological approach to recreate the emotions, voices and struggles of students as they tried to unravel Russell's paradox presented in its linguistic form. They found that those more engaged in solving

9447-522: The archetype of the Renaissance man, a man of "unquenchable curiosity" and "feverishly inventive imagination". Many notable polymaths lived during the Renaissance period, a cultural movement that spanned roughly the 14th through to the 17th century that began in Italy in the Late Middle Ages and later spread to the rest of Europe. These polymaths had a rounded approach to education that reflected

9588-721: The author Umehara Kaoru in his 3-volume edition of Bokei hitsudan (1978–1981). Quoted excerpts from the Dream Pool Essays in French were printed in the written works of J. Brenier in 1989 and J. F. Billeter in 1993. A complete German translation is offered in Shen Kuo: Pinselunterhaltungen am Traumbach. Das Gesamte Wissen des Alten China , translated and edited by Konrad Herrmann, and published in 1997 by Diederichs Verlag Munich (Gelbe Reihe Magnum, vol. I). With Shen's writings on fossils , geomorphology , and shifting geographical climates , he states in

9729-744: The basis of creative giftedness ask not 'who is creative?' but 'what is the basis of creative thinking?' From the polymathy perspective, giftedness is the ability to combine disparate (or even apparently contradictory) ideas, sets of problems, skills, talents, and knowledge in novel and useful ways. Polymathy is therefore the main source of any individual's creative potential". In "Life Stages of Creativity", Robert and Michèle Root-Bernstein suggest six typologies of creative life stages. These typologies are based on real creative production records first published by Root-Bernstein, Bernstein, and Garnier (1993). Finally, his studies suggest that understanding polymathy and learning from polymathic exemplars can help structure

9870-550: The big picture—and for analysis. He says: "It takes a polymath to 'mind the gap' and draw attention to the knowledges that may otherwise disappear into the spaces between disciplines, as they are currently defined and organized". Bharath Sriraman , of the University of Montana, also investigated the role of polymathy in education. He poses that an ideal education should nurture talent in the classroom and enable individuals to pursue multiple fields of research and appreciate both

10011-404: The broader applications or implications and without integrating it". Conversely, the polymath is a person with a level of expertise that is able to "put a significant amount of time and effort into their avocations and find ways to use their multiple interests to inform their vocations". A key point in the work of Root-Bernstein and colleagues is the argument in favor of the universality of

10152-565: The celestial bodies attempt to know by depending on mathematical astronomy; but astronomy is nothing more than the outcome of conjecture. Below are two passages from Shen's book outlining the basics contained in Yu Hao 's Timberwork Manual . Yu Hao was a Chinese architect of the earlier 10th, and Kuo was one to praise his work. In the first quote, Shen Kuo describes a scene where Yu Hao gives advice to another artisan architect about slanting struts for diagonal wind bracing: When Mr. Qian (Wei-yan)

10293-447: The concept of dilettancy as a contrast to the idea of profound learning that polymathy entails. Integration, although not explicit in most definitions of polymathy, is also a core component of polymathy according to the author. Integration involves the capacity of connecting, articulating, concatenating or synthesizing different conceptual networks, which in non-polymathic persons might be segregated. In addition, integration can happen at

10434-499: The creative process. That is, although creative products, such as a painting, a mathematical model or a poem, can be domain-specific, at the level of the creative process, the mental tools that lead to the generation of creative ideas are the same, be it in the arts or science. These mental tools are sometimes called intuitive tools of thinking. It is therefore not surprising that many of the most innovative scientists have serious hobbies or interests in artistic activities, and that some of

10575-436: The damaging effects of lightning to buildings and to the specific materials of objects within. Taking an objective and speculative viewpoint, he stated: A house belonging to Li Shunju was struck by lightning. Brilliant sparkling light was seen under the eaves. Everyone thought that the hall would be burnt, and those who were inside rushed out. After the thunder had abated, the house was found to be alright, though its walls and

10716-439: The dialect data through the rime dictionaries and rime tables distorts the evidence. They argue for a full application of the comparative method to the modern varieties, supplemented by systematic use of transcription data. The traditional analysis of the Chinese syllable , derived from the fanqie method, is into an initial consonant, or "initial", ( shēngmǔ 聲母 ) and a final ( yùnmǔ 韻母 ). Modern linguists subdivide

10857-423: The dictionaries. Finals with vocalic and nasal codas may have one of three tones , named level, rising and departing. Finals with stop codas are distributed in the same way as corresponding nasal finals, and are described as their entering tone counterparts. There is much less agreement regarding the medials and vowels. It is generally agreed that "closed" finals had a rounded glide /w/ or vowel /u/ , and that

10998-548: The different languages. In 1954, André-Georges Haudricourt showed that Vietnamese counterparts of the rising and departing tones corresponded to final /ʔ/ and /s/ , respectively, in other (atonal) Austroasiatic languages . He thus argued that the Austroasiatic proto-language had been atonal, and that the development of tones in Vietnamese had been conditioned by these consonants, which had subsequently disappeared,

11139-555: The domain of choice, more specific abilities will be required. The more that one's abilities and interests match the requirements of a domain, the better. While some will develop their specific skills and motivations for specific domains, polymathic people will display intrinsic motivation (and the ability) to pursue a variety of subject matters across different domains. Regarding the interplay of polymathy and education, they suggest that rather than asking whether every student has multicreative potential, educators might more actively nurture

11280-474: The earlier palatal consonants. The remainder of a syllable after the initial consonant is the final, represented in the Qieyun by several equivalent second fanqie spellers. Each final is contained within a single rhyme class, but a rhyme class may contain between one and four finals. Finals are usually analysed as consisting of an optional medial, either a semivowel , reduced vowel or some combination of these,

11421-431: The effect. So then they put on all the tiles, but the sway continued as before. Being at a loss what to do, he privately sent his wife to see the wife of Yu Hao with a present of golden hair pins , and enquire about the cause of the motion. (Yu) Hao laughed and said: 'That's easy, just fit in struts (pan) to settle the work, fixed with (iron) nails , and it will not move any more.' The Master-Builder followed his advice, and

11562-540: The end of the 19th century, European students of Chinese sought to solve this problem by applying the methods of historical linguistics that had been used in reconstructing Proto-Indo-European . Volpicelli (1896) and Schaank (1897) compared the rime tables at the front of the Kangxi Dictionary with modern pronunciations in several varieties, but had little knowledge of linguistics. Bernhard Karlgren , trained in transcription of Swedish dialects, carried out

11703-504: The entering tone was short (as the syllable ended in a voiceless stop) and probably high. The tone system of Middle Chinese is strikingly similar to those of its neighbours in the Mainland Southeast Asia linguistic area — proto-Hmong–Mien , proto-Tai and early Vietnamese —none of which is genetically related to Chinese. Moreover, the earliest strata of loans display a regular correspondence between tonal categories in

11844-519: The expertise thus shown. In this next quote, Shen Kuo describes the dimensions and types of architecture outlined in Yu Hao's book: Methods of building construction are described in the Timberwork Manual , which, some say, was written by Yu Hao . (According to that book), buildings have three basic units of proportion, what is above the cross-beams follows the Upperwork Unit, what is above

11985-476: The fields of the disciplines, as far as the human mind, with unwearied industry, is able to pursue them". Von Wowern lists erudition, literature, philology , philomathy , and polyhistory as synonyms. The earliest recorded use of the term in the English language is from 1624, in the second edition of The Anatomy of Melancholy by Robert Burton ; the form polymathist is slightly older, first appearing in

12126-532: The final into an optional "medial" glide ( yùntóu 韻頭 ), a main vowel or "nucleus" ( yùnfù 韻腹 ) and an optional final consonant or "coda" ( yùnwěi 韻尾 ). Most reconstructions of Middle Chinese include the glides /j/ and /w/ , as well as a combination /jw/ , but many also include vocalic "glides" such as /i̯/ in a diphthong /i̯e/ . Final consonants /j/ , /w/ , /m/ , /n/ , /ŋ/ , /p/ , /t/ and /k/ are widely accepted, sometimes with additional codas such as /wk/ or /wŋ/ . Rhyming syllables in

12267-473: The first systematic survey of modern varieties of Chinese. He used the oldest known rime tables as descriptions of the sounds of the rime dictionaries, and also studied the Guangyun , at that time the oldest known rime dictionary. Unaware of Chen Li's study, he repeated the analysis of the fanqie required to identify the initials and finals of the dictionary. He believed that the resulting categories reflected

12408-531: The first to record the use of a compass for navigation , the first to describe the invention of movable type printing by contemporary artisan Bi Sheng , and the first in China to describe a drydock for repairing boats out of water. Shen Kuo was a renowned government official and military general during the Northern Song period of China. However, he was impeached from office by chancellor Cai Que (蔡確; 1036–1093), who wrongly held him responsible for

12549-483: The following passages: In the Zhi-ping reign period [1064–67 AD] a man of Zezhou was digging a well in his garden, and unearthed something shaped like a squirming serpent, or dragon. He was so frightened by it that he dared not touch it, but after some time, seeing that it did not move, he examined it and found it to be stone. The ignorant country people smashed it, but Zheng Boshun, who was magistrate of Jincheng at

12690-400: The following table shows the pronunciation of the numerals in three modern Chinese varieties, as well as borrowed forms in Vietnamese, Korean and Japanese: Although the evidence from Chinese transcriptions of foreign words is much more limited, and is similarly obscured by the mapping of foreign pronunciations onto Chinese phonology, it serves as direct evidence of a sort that is lacking in all

12831-458: The ground a forest of bamboo shoots was thus revealed. It contained several hundred bamboo with their roots and trunks all complete, and all turned to stone...Now bamboos do not grow in Yanzhou. These were several dozens of feet below the present surface of the ground, and we do not know in what dynasty they could possibly have grown. Perhaps in very ancient times the climate was different so that

12972-514: The ground floor follows the Middlework Unit, and everything below that (platforms, foundations, paving, etc.) follows the Lowerwork Unit. The length of the cross-beams will naturally govern the lengths of the uppermost cross-beams as well as the rafters, etc. Thus for a (main) cross-beam of (8 ft) length, an uppermost cross-beam of (3.5 ft) length will be needed. (The proportions are maintained) in larger and smaller halls. This (2/28)

13113-507: The historical variety of Chinese recorded in the Qieyun , a rime dictionary first published in 601 and followed by several revised and expanded editions. The Swedish linguist Bernhard Karlgren believed that the dictionary recorded a speech standard of the capital Chang'an of the Sui and Tang dynasties . However, based on the preface of the Qieyun , most scholars now believe that it records

13254-436: The humanities: On natural sciences: Humanistic sciences: (Total number of paragraphs = 584) Polymath A polymath ( Greek : πολυμαθής , romanized :  polymathēs , lit.   'having learned much'; Latin : homo universalis , lit.   'universal human') or polyhistor ( Greek : πολυΐστωρ , romanized :  polyīstor , lit.   'well-learned')

13395-490: The ideals of the humanists of the time. A gentleman or courtier of that era was expected to speak several languages, play a musical instrument , write poetry , and so on; thus fulfilling the Renaissance ideal . The idea of a universal education was essential to achieving polymath ability, hence the word university was used to describe a seat of learning. However, the original Latin word universitas refers in general to "a number of persons associated into one body,

13536-702: The individual and wider society. It suggests that the complex problems of the 21st century need the versatility, creativity, and broad perspectives characteristic of polymaths. For individuals, Ahmed says, specialisation is dehumanising and stifles their full range of expression whereas polymathy "is a powerful means to social and intellectual emancipation" which enables a more fulfilling life. In terms of social progress, he argues that answers to specific problems often come from combining knowledge and skills from multiple areas, and that many important problems are multi-dimensional in nature and cannot be fully understood through one specialism. Rather than interpreting polymathy as

13677-445: The intellectual climate, it has since then been more common to find "passive polymaths", who consume knowledge in various domains but make their reputation in one single discipline, than "proper polymaths", who—through a feat of "intellectual heroism"—manage to make serious contributions to several disciplines. However, Burke warns that in the age of specialization, polymathic people are more necessary than ever, both for synthesis—to paint

13818-415: The level tone as mid ( ˧ or 33), the rising tone as mid rising ( ˧˥ or 35), the departing tone as high falling ( ˥˩ or 51), and the entering tone as ˧3ʔ. Some scholars have voiced doubts about the degree to which the names were descriptive, because they are also examples of the tone categories. Some descriptions from contemporaries and other data seem to suggest a somewhat different picture. For example,

13959-728: The limitations of their own knowledge. The importance of recognising these limitations is a theme that Ahmed finds in many thinkers, including Confucius , Ali ibn Abi Talib , and Nicolas of Cusa . He calls it "the essential mark of the polymath." A further argument for multiple approaches is that a polymath does not see diverse approaches as diverse, because they see connections where other people see differences. For example da Vinci advanced multiple fields by applying mathematical principles to each. Aside from Renaissance man , similar terms in use are homo universalis ( Latin ) and uomo universale ( Italian ), which translate to 'universal man'. The related term generalist —contrasted with

14100-596: The medial (especially when it is /w/ ) or in so-called chongniu doublets. The Yunjing ( c.  1150 AD ) is the oldest of the so-called rime tables , which provide a more detailed phonological analysis of the system contained in the Qieyun . The Yunjing was created centuries after the Qieyun , and the authors of the Yunjing were attempting to interpret a phonological system that differed in significant ways from that of their own Late Middle Chinese (LMC) dialect. They were aware of this, and attempted to reconstruct Qieyun phonology as well as possible through

14241-441: The moon. The moon itself gives forth no light, but is like a ball of silver; the light is the light of the sun (reflected). When the brightness is first seen, the sun(-light passes almost) alongside, so the side only is illuminated and looks like a crescent. When the sun gradually gets further away, the light shines slanting, and the moon is full, round like a bullet. If half of a sphere is covered with (white) powder and looked at from

14382-514: The most innovative artists have an interest or hobbies in the sciences. Root-Bernstein and colleagues' research is an important counterpoint to the claim by some psychologists that creativity is a domain-specific phenomenon. Through their research, Root-Bernstein and colleagues conclude that there are certain comprehensive thinking skills and tools that cross the barrier of different domains and can foster creative thinking: "[creativity researchers] who discuss integrating ideas from diverse fields as

14523-481: The most words, and one volume each for the other tones. The pitch contours of modern reflexes of the four Middle Chinese tones vary so widely that linguists have not been able to establish the probable Middle Chinese values by means of the comparative method . Karlgren interpreted the names of the first three tones literally as level, rising and falling pitch contours, respectively, and this interpretation remains widely accepted. Accordingly, Pan and Zhang reconstruct

14664-547: The multicreative potential of their students. As an example, the authors cite that teachers should encourage students to make connections across disciplines, use different forms of media to express their reasoning/understanding (e.g., drawings, movies, and other forms of visual media). In his 2018 book The Polymath , British author Waqas Ahmed defines polymaths as those who have made significant contributions to at least three different fields. Rather than seeing polymaths as exceptionally gifted, he argues that every human being has

14805-407: The natural world included those of wildlife , meteorology , hypotheses advancing early ideas in geomorphology and climate change based on findings of petrification and natural erosion , and strange recorded phenomena such as the description of an unidentified flying object . In addition to establishing the theory of true north in magnetic declination towards the north pole , Shen was also

14946-460: The oldest known description of the tones, which is found in a Song dynasty quotation from the early 9th century Yuanhe Yunpu 元和韻譜 (no longer extant): Level tone is sad and stable. Rising tone is strident and rising. Departing tone is clear and distant. Entering tone is straight and abrupt. In 880, the Japanese monk Annen, citing an account from the early 8th century, stated the level tone

15087-517: The order of the emperor to take charge of the Bureau of the Calendar . I then tried to find the true pole by means of the tube. On the very first night I noticed that the star which could be seen through the tube moved after a while outside the field of view. I realized, therefore, that the tube was too small, so I increased the size of the tube by stages. After three months' trials I adjusted it so that

15228-569: The other types of data, since the pronunciation of the foreign languages borrowed from—especially Sanskrit and Gandhari —is known in great detail. For example, the nasal initials /m n ŋ/ were used to transcribe Sanskrit nasals in the early Tang, but later they were used for Sanskrit unaspirated voiced initials /b d ɡ/ , suggesting that they had become prenasalized stops [ᵐb] [ⁿd] [ᵑɡ] in some northwestern Chinese dialects. The rime dictionaries and rime tables yield phonological categories, but with little hint of what sounds they represent. At

15369-401: The other, but distant by a small amount. (If this obliquity did not exist), the sun would be eclipsed whenever the two bodies were in conjunction, and the moon would be eclipsed whenever they were exactly in position. But (in fact) though they may occupy the same degree, the two paths are not (always) near (each other), and so naturally the bodies do not (intrude) upon one another. On the use of

15510-403: The paper on the windows were blackened. On certain wooden shelves, certain lacquered vessels with silver mouths had been struck by the lightning, so that the silver had melted and dropped to the ground, but the lacquer was not even scorched. Also, a valuable sword made of strong steel had been melted to liquid, without the parts of the house nearby being affected. One would have thought that

15651-547: The paradox also displayed more polymathic thinking traits. He concludes by suggesting that fostering polymathy in the classroom may help students change beliefs, discover structures and open new avenues for interdisciplinary pedagogy. Michael Araki is a professor at the UNSW Business School at the University of New South Wales, Australia. He sought to formalize in a general model how the development of polymathy takes place. His Developmental Model of Polymathy (DMP)

15792-440: The people there erected a "Pearl Pavilion" on a wayside, where people came by boat in hopes to see the mysterious flying object. Around 1065 Shen Kuo wrote about the assembly methods for swords , and the patterns produced in the steel: Ancient people use chi kang , (combined steel), for the edge, and jou thieh (soft iron) for the back, otherwise it would often break. Too strong a weapon will cut and destroy its own edge; that

15933-430: The personality level, when the person is able to integrate their diverse activities in a synergic whole, which can also mean a psychic (motivational, emotional and cognitive) integration. Finally, the author also suggests that, via a psychoeconomic approach, polymathy can be seen as a "life project". That is, depending on a person's temperament, endowments, personality, social situation and opportunities (or lack thereof),

16074-540: The place was low, damp, gloomy, and suitable for bamboos. On the Jin-hua Shan in Wuzhou there are stone pine-cones, and stones formed from peach kernels, stone bulrush roots, stone fishes, crabs, and so on, but as these are all (modern) native products of that place, people are not very surprised at them. But these petrified bamboos appeared under the ground so deep, though they are not produced in that place today. This

16215-486: The potential to become one: that people naturally have multiple interests and talents. He contrasts this polymathic nature against what he calls "the cult of specialisation". For example, education systems stifle this nature by forcing learners to specialise in narrow topics. The book argues that specialisation encouraged by the production lines of the Industrial Revolution is counter-productive both to

16356-594: The project of a polymathic self-formation may present itself to the person as more or less alluring and more or less feasible to be pursued. James C. Kaufman , from the Neag School of Education at the University of Connecticut, and Ronald A. Beghetto, from the same university, investigated the possibility that everyone could have the potential for polymathy as well as the issue of the domain-generality or domain-specificity of creativity. Based on their earlier four-c model of creativity, Beghetto and Kaufman proposed

16497-405: The pronunciation of all characters to be described exactly; earlier dictionaries simply described the pronunciation of unfamiliar characters in terms of the most similar-sounding familiar character. The fanqie system uses multiple equivalent characters to represent each particular initial, and likewise for finals. The categories of initials and finals actually represented were first identified by

16638-420: The retroflex dentals are represented with the dentals, while elsewhere they have merged with the retroflex sibilants. In the south these have also merged with the dental sibilants, but the distinction is retained in most Mandarin dialects. The palatal series of modern Mandarin dialects, resulting from a merger of palatal allophones of dental sibilants and velars, is a much more recent development, unconnected with

16779-576: The scope of this are really quite numerous. How insecure it is to investigate natural principles using only the light of common knowledge, and subjective ideas. A passage called "Strange Happenings" contains a peculiar account of an unidentified flying object . Shen wrote that, during the reign of Emperor Renzong (1022–1063), an object as bright as a pearl occasionally hovered over the city of Yangzhou at night, but described first by local inhabitants of eastern Anhui and then in Jiangsu . Shen wrote that

16920-483: The second or fourth rows for some initials. Most linguists agree that division-III finals contained a /j/ medial and that division-I finals had no such medial, but further details vary between reconstructions. To account for the many rhyme classes distinguished by the Qieyun , Karlgren proposed 16 vowels and 4 medials. Later scholars have proposed numerous variations. The four tones of Middle Chinese were first listed by Shen Yue c.  500 AD . The first three,

17061-425: The side, the covered part will look like a crescent; if looked at from the front, it will appear round. Thus we know that the celestial bodies are spherical. When the director of the astronomical observatory asked Shen Kuo why eclipses occurred only on an occasional basis while in conjunction and opposition once a day, Shen Kuo wrote: I answered that the ecliptic and the moon's path are like two rings, lying one over

17202-474: The sighting tube to fix the position of the pole star , Shen Kuo wrote: Before Han times it was believed that the pole star was in the center of the sky, so it was called Jixing (Summit star). Zu Geng(-zhi) found out with the help of the sighting tube that the point in the sky which really does not move was a little more than 1 degree away from the summit star. In the Xining reign-period (1068–1077) I accepted

17343-568: The speech standard of the capital Chang'an of the Sui and Tang dynasties . He interpreted the many distinctions as a narrow transcription of the precise sounds of this language, which he sought to reconstruct by treating the Sino-Xenic and modern dialect pronunciations as reflexes of the Qieyun categories. A small number of Qieyun categories were not distinguished in any of the surviving pronunciations, and Karlgren assigned them identical reconstructions. Karlgren's transcription involved

17484-403: The spiritual processes described in the [ Book of Changes ] that "when they are stimulated, penetrate every situation in the realm," mere traces have nothing to do with them. This spiritual state by which foreknowledge is attained can hardly be sought through changes, of which in any case only the cruder sort are attainable. What I have called the subtlest aspect of these traces, those who discuss

17625-440: The standard language of the late Tang dynasty. The preface of the Qieyun recovered in 1947 indicates that it records a compromise between northern and southern reading and poetic traditions from the late Northern and Southern dynasties period (a diasystem ). Most linguists now believe that no single dialect contained all the distinctions recorded, but that each distinction did occur somewhere. Several scholars have compared

17766-453: The standard reading pronunciation during the Tang dynasty , and went through several revisions and expansions over the following centuries. The Qieyun is thus the oldest surviving rhyme dictionary and the main source for the pronunciation of characters in Early Middle Chinese (EMC). At the time of Bernhard Karlgren 's seminal work on Middle Chinese in the early 20th century, only fragments of

17907-426: The star would go round and round within the field of view without disappearing. In this way I found that the pole star was distant from the true pole somewhat more than 3 degrees. We used to make the diagrams of the field, plotting the positions of the star from the time when it entered the field of view, observing after nightfall, at midnight, and early in the morning before dawn. Two hundred of such diagrams showed that

18048-427: The thatch and wood would have been burnt up first, yet here were metals melted and no injury to thatch and wood. This is beyond the understanding of ordinary people. There are Buddhist books which speak of 'dragon fire' which burns more fiercely when it meets with water instead of being extinguished by water like 'human' fire. Most people can only judge of things by the experiences of ordinary life, but phenomena outside

18189-478: The time they were penned by the author. The Dream Pool Essays was first quoted in a Chinese written work of 1095 AD, showing that even towards the end of Shen's life his final book was becoming widely printed . The book was originally 30 chapters long, yet an unknown Chinese author's edition of 1166 AD edited and reorganized the work into 26 chapters. There is one surviving copy of this 1166 edition now in Japan, while

18330-504: The time, got hold of a large piece of it on which scale-like markings were to be seen exactly like those on a living creature. Thus a serpent or some kind of marine snake ( chhen ) had certainly been turned to stone, as happens with the 'stone-crabs'. In recent years [cca. 1080] there was a landslide on the bank of a large river in Yong-ning Guan near Yanzhou. The bank collapsed, opening a space of several dozens of feet, and under

18471-403: The tower stood quite firm. This is because the nailed struts filled in and bound together (all the members) up and down so that the six planes (above and below, front and back, left and right) were mutually linked like the cage of the thorax . Although people might walk on the struts, the six planes grasped and supported each other, so naturally there could be no more motion. Everybody acknowledged

18612-474: The two forms alternated and the printing was done with great rapidity. Of Taoism and the inability of empirical science to explain everything in the world, Shen Kuo wrote: Those in the world who speak of the regularities underlying the phenomena, it seems, manage to apprehend their crude traces. But these regularities have their very subtle aspect, which those who rely on mathematical astronomy cannot know of. Still even these are nothing more than traces. As for

18753-500: The voiced fricatives /z/ and /ʐ/ are not distinguished from the voiced affricates /dz/ and /ɖʐ/ , respectively, and the retroflex stops are not distinguished from the dental stops. Several changes occurred between the time of the Qieyun and the rime tables: The following table shows a representative account of the initials of Late Middle Chinese. The voicing distinction is retained in modern Wu and Old Xiang dialects, but has disappeared from other varieties. In Min dialects

18894-435: The vowels in "outer" finals were more open than those in "inner" finals. The interpretation of the "divisions" is more controversial. Three classes of Qieyun finals occur exclusively in the first, second or fourth rows of the rime tables, respectively, and have thus been labelled finals of divisions I, II and IV. The remaining finals are labelled division-III finals because they occur in the third row, but they may also occur in

19035-399: The world—was making it increasingly difficult for individual scholars to master as many disciplines as before. Thus, an intellectual retreat of the polymath species occurred: "from knowledge in every [academic] field to knowledge in several fields, and from making original contributions in many fields to a more passive consumption of what has been contributed by others". Given this change in

19176-597: Was Governor of the two Zhejiang provinces, he authorized the building of a wooden pagoda at the Fan-tian Si ( Brahma -Heaven Temple) in Hangzhou with a design of twice three stories. While it was under construction General Chhien went up to the top and was worried because it swayed a little. But the Master-Builder explained that as the tiles had not yet been put on, the upper part was still rather light, hence

19317-606: Was heavily reorganized in reprint editions by later Chinese authors from the late 11th to 17th centuries. In modern times it has been translated from Chinese into several languages. These include English, German, French, and Japanese translations. The Dream Pool Essays covers a range of topics including discoveries and advancements in Traditional Chinese medicine , mathematics , astronomy , science and technology , optics , architecture and civil engineering , metallurgy , and early archaeology . Observations of

19458-413: Was sent north. Even the king's court is in the deep grasses. On the day I had arrived at the barbarian court the new rains had passed and I waded through the grass. My robes and trousers were all soaked, but the barbarians were not at all wet. With things hanging from robe and belt they walk about. One perhaps might want to hang items like a bow and blade, handkerchief, coin purse or knife from the belt. On

19599-483: Was shaped like earth-burrowing gou-he (dog grubs), and its mouth was flanked by pincers. Whenever it met a zi-fang , it would seize it with the pincers and break the poor beast into two bits. Within ten days all the zi-fang had disappeared, so the locality had an abundant harvest. Such kinds of insects have been known since antiquity and the local people call them pang-bu-ken ("not allowing other [insects] to be"). Around 1078, Shen Kuo wrote an accurate description of

19740-407: Was straight and low, ... the rising tone was straight and high, ... the departing tone was slightly drawn out, ... the entering tone stops abruptly Based on Annen's description, other similar statements and related data, Mei Tsu-lin concluded that the level tone was long, level and low, the rising tone was short, level and high, the departing tone was somewhat long and probably high and rising, and

19881-625: Was the first to attempt a reconstruction of the sounds of Middle Chinese , comparing its categories with modern varieties of Chinese and the Sino-Xenic pronunciations used in the reading traditions of neighbouring countries. Several other scholars have produced their own reconstructions using similar methods. The Qieyun system is often used as a framework for Chinese dialectology. With the exception of Min varieties, which show independent developments from Old Chinese, modern Chinese varieties can be largely treated as divergent developments from Middle Chinese. The study of Middle Chinese also provides for

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