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27-434: Ebony Concerto may refer to: Ebony Concerto (Taras) by John Taras, a ballet in the repertory of New York City Ballet Ebony Concerto (Woetzel) by Damian Woetzel, a ballet in the repertory of New York City Ballet Ebony Concerto (Stravinsky) by Igor Stravinsky Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with

54-422: A 1946 letter, Kirstein stated, "The only justification I have is to enable Balanchine to do exactly what he wants to do in the way he wants to do it." He served as the company's General Director from 1946 to 1989, developing and sustaining it by his organizational and fundraising abilities. The company was named New York City Ballet in 1948 when it became resident at City Center of Music and Drama . Its success

81-403: A 75-minute informal ballet class for adults ages 21 and up with little to no prior dance experience. These programs are all facilitated by NYCB dancers. New York City Ballet offers tickets for $ 30 to select performances for patrons ages 13 to 30 at the box office, or online or by phone with an account; sales for each performance week (Tue. evening through Sun. matinee) begin at 10:00 a.m. on

108-543: A Faun . The performers included Maria Calegari, Kyra Nichols, Heather Watts , Leonid Kozlov , Afshin Mofid, Patricia McBride , Helgi Tomasson , Karin von Aroldingen , Lourdes Lopez , Bart Cook, and Joseph Duell. After Balanchine's death in 1983, Peter Martins was selected as balletmaster of the company. After 30 years, Martins was judged to have maintained the New York City Ballet's financial security and

135-506: A summer residency at the Saratoga Performing Arts Center and regularly tour internationally. Introductory talks about a current performance, called First Position Discussions, are held before some performances or during some intervals in the fourth ring, house right; the docents are volunteers and include laymen as well as former dancers. Hour-long Inside NYCB events explore the history and inner workings of

162-431: Is a beautiful somnambulist. He loses his heart to her at once, unaware that she is married to the host who keeps her locked away from the world. They dance, and he sees to join her in her realm of dreaming sleep. But they are seen. The coquette, flushed with jealousy, steals out to tell the host....All too soon the marvelous sleep-walker drifts away. The poet would follow her but the guests reenter and their dancing forms

189-445: Is an important symphonic institution in its own right, having played for virtually all of the thousands of performances NYCB has given over the decades. It is one of the most versatile orchestras in the world, on any given week performing perhaps three or four times the repertoire that another symphony might be expected to do. Principal players of the orchestra also perform the majority of the concertos, other solos, and chamber music in

216-1001: Is the training school of the company. After the company's move to the State Theater, Balanchine's creativity as a choreographer flourished. He created works that were the basis of the company's repertory until his death in 1983. He worked closely with choreographer Jerome Robbins , who resumed his connection with the company in 1969 after having produced works for Broadway. NYCB still has the largest repertoire by far of any American ballet company. It often stages 60 ballets or more in its winter and spring seasons at Lincoln Center each year, and 20 or more in its summer season in Saratoga Springs. City Ballet has performed The Nutcracker , Romeo and Juliet , A Midsummer Night's Dream , and many more. City Ballet has trained and developed many great dancers since its formation. Many dancers with already developed reputations have also joined

243-564: The Ballet Russe de Monte Carlo on Wednesday, 27 February 1946 , at City Center of Music and Drama , New York, with sets and costumes designed by Dorothea Tanning and costumes executed by Karinska . It was first performed by the New York City Ballet on 6 January 1960 at City Center of Music and Drama . The ballet tells the story of a Coquette, a Poet, and a beautiful Sleepwalker. The original 1946 program describes

270-553: The Arts and Humanities School of American Ballet Conjunctive Point Westside School of Ballet School of American Ballet School of American Ballet Miami City Ballet Summer Program School of American Ballet Les Jeunes Danseurs Chautauqua Summer Dance Program School of American Ballet Westside Ballet School of American Ballet The following is the current artistic staff (except dancers, who are listed at List of New York City Ballet dancers ): The 66-member NYCB Orchestra

297-840: The Koch Theater. These have included the Australian Ballet in the Spring 2012, and the San Francisco Ballet in the Fall 2013. La Sonnambula (ballet) La Sonnambula (The Sleepwalker) is a ballet by the co-founder and ballet master of New York City Ballet , George Balanchine , made to Vittorio Rieti 's music using themes from the operas of Vincenzo Bellini including La Sonnambula , Norma , I Puritani and I Capuleti e i Montecchi (1830–35). The ballet premiered as The Night Shadow with

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324-515: The Monday of that week. New York City Ballet's Fourth Ring Society offered discounted tickets to all shows in the theater's Fourth Ring for a small annual fee. This program was closed to new members in 2011 and renamed Society NYCB to reflect an expanded offering of discounted seats in all sections of the theater, although over time a few ballet programs (e.g., Nutcracker) and individual dates became unavailable. City Ballet's Choreographic Institute

351-596: The NYCB repertory as well. The orchestra accompanies the ballet on all of its North American tours, and while the ballet uses local orchestras on its international tours, members of the NYCB Orchestra often go along as soloists or extras. Besides the members of the orchestra, the NYCB has six pianists on full-time staff. They all perform in the pit with the orchestra on a regular basis. The NYCB Orchestra also occasionally accompanies dance companies from other cities at

378-569: The Spring 2008 season was a celebration of Jerome Robbins ; major revivals were mounted of the following ballets: Friday, June 27, 2008, the first Dancers' Choice benefit was held for the Dancers' Emergency Fund. The program was initiated by Peter Martins , conceived and supervised by principal dancer Jonathan Stafford , assisted by Kyle Froman, Craig Hall, Amanda Hankes, Adam Hendrickson, Ask la Cour, Henry Seth, and Daniel Ulbricht, and consisted of:   and excerpts from: On June 14, 2009,

405-476: The ballet as principal dancers: In 1960, Balanchine mounted City Ballet's Salute to Italy with premieres of Monumentum pro Gesualdo and Variations from Don Sebastian (called the Donizetti Variations since 1961), as well as performances of his La Sonnambula and Lew Christensen 's Con Amore . The performance was repeated in 1968. In 1972, Balanchine offered an eight-day tribute to

432-420: The company through performance and discussion, often with dancers and artistic staff. Other public programs include Family Saturdays, one-hour interactive programs for children 5 and up; Children's Workshops and In Motion Workshops, pre-performance explorations of the music, movement, and themes of a ballet featured in the matinee performance for children ages 5–8 and 9–11, respectively; and Ballet Essentials,

459-538: The composer, his great collaborator, who had died the year before. His programs included twenty-two new works of his own dances, plus works by choreographers Todd Bolender , John Clifford , Lorca Massine , Jerome Robbins, Richard Tanner , and John Taras , as well as repertory ballets by Balanchine and Robbins. Balanchine created Symphony in Three Movements , Duo Concertant , and Violin Concerto for

486-542: The following year. Balanchine's 50th Anniversary Celebration was held by the company in 2002. On April 26, 1984, NYCB celebrated the 20th anniversary of the New York State Theater. The program started with Igor Stravinsky 's Fanfare for a New Theater, followed by Stravinsky's arrangement of The Star-Spangled Banner . The ballets included three of Balanchine's works, Serenade , Stravinsky Violin Concerto , and Sonatine ; and Jerome Robbins' Afternoon of

513-828: The musicality and performance level of the dancers, but he has not emphasized the Balanchine style to the extent that many observers expected he would. Martins retired from his position in 2018. For the company's 40th anniversary, Martins held an American Music Festival, having commissioned dances from choreographers Laura Dean , Eliot Feld , William Forsythe , Lar Lubovitch , Paul Taylor . He also presented ballets by George Balanchine and Robbins. The programs included world premieres of more than twenty dances. Martins contributed Barber Violin Concerto , Black and White , The Chairman Dances , A Fool for You , Fred and George , Sophisticated Lady , Tanzspiel , Tea-Rose , and The Waltz Project . A major component of

540-780: The occasion. He and Robbins co-choreographed and performed in Pulcinella . Balanchine had produced an earlier Stravinsky festival in 1937 as balletmaster of the American Ballet while engaged by the Metropolitan Opera . The composer conducted the April 27th premiere of Card Party . In 1975, Balanchine paid his respects to the French composer Maurice Ravel with a two-week Hommage à Ravel . Balanchine, Robbins, Jacques d'Amboise , and Taras made sixteen new ballets for

567-605: The occasion. Repertory ballets were performed as well. High points included Balanchine's Le Tombeau de Couperin and Robbins' Mother Goose . In 1981, Balanchine planned a two-week NYCB festival honoring the Russian composer Peter Ilyitch Tschaikovsky . Balanchine, Joseph Duell , d'Amboise, Peter Martins , Robbins, and Taras created twelve new dances. In addition to presenting these and repertory ballets, Balanchine re-choreographed his Mozartiana from 1933. Philip Johnson and John Burgee 's stage setting of translucent tubing

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594-451: The second Dancers' Choice benefit was held at a special evening performance. The program included Sleeping Beauty and Union Jack . The program was supervised by principal dancer Jenifer Ringer. NYCB performs fall, winter and spring repertory seasons at the David H. Koch Theater at Lincoln Center as well as George Balanchine's Nutcracker during November and December; they have

621-444: The story as follows: Amid the somber walls of a decaying castle a masked ball has just begun. The host, an eccentric nobleman, receives his guests, among them a poet and a dazzling coquette. The poet, seduced by her charms, dances with her as the guests gradually leave the scene, then she too leaves. As the poet turns to follow, he sees a lovely white apparition gliding across the roofs toward him. It comes nearer and he sees that it

648-469: The title Ebony Concerto . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Ebony_Concerto&oldid=663632925 " Category : Disambiguation pages Hidden categories: Short description is different from Wikidata All article disambiguation pages All disambiguation pages New York City Ballet In

675-508: Was designed to be hung and lit in different architectural configurations throughout the entire festival. In 1982, Balanchine organized a centennial celebration in honor of his long-time collaborator Igor Stravinsky , during which the City Ballet performed twenty-five ballets set to the composer's music. Balanchine made three new ballets, Tango , Élégie , and Persephone , and a new version of Variations . The choreographer died

702-720: Was founded by Irene Diamond and Peter Martins in 2000. It has three main programmatic programs: choreographic sessions, providing choreographers with dancers and studio space; fellowship initiatives, annual awards in support of an emerging choreographer affiliated with a ballet company; and choreographic forums, symposia and round-table discussions on choreography, music, and design elements. School of American Ballet School of American Ballet Houston Ballet Academy (Houston Ballet II) School of American Ballet Ballet West Conservatory School of American Ballet San Francisco Ballet School Contra Costa Ballet School School of North Carolina Dance Theatre South Carolina Governor's School for

729-670: Was marked by its move to the New York State Theater, now David H. Koch Theater , designed by Philip Johnson to Balanchine's specifications. City Ballet became the first ballet company in the United States to have two permanent venue engagements: one at Lincoln Center 's David H. Koch Theater on 63rd Street in Manhattan , and another at the Saratoga Performing Arts Center , in Saratoga Springs, New York . The School of American Ballet (S.A.B.), which Balanchine founded,

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