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131-401: William Shakespeare (1564–1616) wrote sonnets on a variety of themes. When discussing or referring to Shakespeare's sonnets, it is almost always a reference to the 154 sonnets that were first published all together in a quarto in 1609. However, there are six additional sonnets that Shakespeare wrote and included in the plays Romeo and Juliet , Henry V and Love's Labour's Lost . There

262-745: A funerary monument was erected in his memory on the north wall, with a half-effigy of him in the act of writing. Its plaque compares him to Nestor , Socrates , and Virgil . In 1623, in conjunction with the publication of the First Folio , the Droeshout engraving was published. Shakespeare has been commemorated in many statues and memorials around the world, including funeral monuments in Southwark Cathedral and Poets' Corner in Westminster Abbey . Most playwrights of

393-598: A gatehouse in the former Blackfriars priory; and from November 1614, he was in London for several weeks with his son-in-law, John Hall . After 1610, Shakespeare wrote fewer plays, and none are attributed to him after 1613. His last three plays were collaborations, probably with John Fletcher , who succeeded him as the house playwright of the King's Men. He retired in 1613, before the Globe Theatre burned down during

524-668: A playing company called the Lord Chamberlain's Men , later known as the King's Men after the ascension of King James VI of Scotland to the English throne. At age 49 (around 1613), he appears to have retired to Stratford, where he died three years later. Few records of Shakespeare's private life survive; this has stimulated considerable speculation about such matters as his physical appearance , his sexuality , his religious beliefs and even certain fringe theories as to whether

655-427: A Stratford legend that Shakespeare fled the town for London to escape prosecution for deer poaching in the estate of local squire Thomas Lucy . Shakespeare is also supposed to have taken his revenge on Lucy by writing a scurrilous ballad about him. Another 18th-century story has Shakespeare starting his theatrical career minding the horses of theatre patrons in London. John Aubrey reported that Shakespeare had been

786-402: A change from the traditional to the freer style. Shakespeare combined the two throughout his career, with Romeo and Juliet perhaps the best example of the mixing of the styles. By the time of Romeo and Juliet , Richard II , and A Midsummer Night's Dream in the mid-1590s, Shakespeare had begun to write a more natural poetry. He increasingly tuned his metaphors and images to the needs of

917-602: A country schoolmaster. Some 20th-century scholars suggested that Shakespeare may have been employed as a schoolmaster by Alexander Hoghton of Lancashire , a Catholic landowner who named a certain "William Shakeshafte" in his will. Little evidence substantiates such stories other than hearsay collected after his death, and Shakeshafte was a common name in the Lancashire area. It is not known definitively when Shakespeare began writing, but contemporary allusions and records of performances show that several of his plays were on

1048-543: A failed attempt to print a work to which they did not have the rights, and the other, a successful such attempt of some work by Thomas Coryat . Thorpe and Eld's most significant project was the 1609 first edition of Shakespeare's Sonnets . In 1612, Thorpe and Eld also issued a work of modern Shakespearean controversy, the Funeral Elegy that Donald Foster proposed as a work by Shakespeare, without convincing most scholars and critics. More Shakespeare: Eld printed

1179-635: A final couplet . The sonnets are composed in iambic pentameter , the metre used in Shakespeare's plays. The rhyme scheme is ABAB CDCD EFEF GG. Sonnets using this scheme are known as Shakespearean sonnets, or English sonnets, or Elizabethan sonnets. Often, at the end of the third quatrain occurs the volta ("turn"), where the mood of the poem shifts, and the poet expresses a turn of thought. The exceptions are sonnets 99 , 126 , and 145 . Number 99 has fifteen lines. Number 126 consists of six couplets, and two blank lines marked with italic brackets; 145

1310-590: A former lover who pursued, seduced, and finally abandoned her. She recounts in detail the speech her lover gave to her which seduced her. She concludes her story by conceding that she would fall for the young man's false charms again. As the soule of Euphorbus was thought to live in Pythagoras: so the sweete wittie soule of Ouid liues in mellifluous & hony-tongued Shakespeare, witnes his Venus and Adonis, his Lucrece, his sugred Sonnets among his private friends, &c. In his plays, Shakespeare himself seemed to be

1441-431: A merry meeting and, it seems, drank too hard, for Shakespeare died of a fever there contracted", not an impossible scenario since Shakespeare knew Jonson and Drayton . Of the tributes from fellow authors, one refers to his relatively sudden death: "We wondered, Shakespeare, that thou went'st so soon / From the world's stage to the grave's tiring room." He was survived by his wife and two daughters. Susanna had married

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1572-448: A more serene view of life on Shakespeare's part, but it may merely reflect the theatrical fashion of the day. Shakespeare collaborated on two further surviving plays, Henry VIII and The Two Noble Kinsmen , probably with John Fletcher . Shakespeare's works include the 36 plays printed in the First Folio of 1623, listed according to their folio classification as comedies , histories , and tragedies . Two plays not included in

1703-431: A mystery. If Shakespeare's patron and friend was Pembroke, Shakespeare was not the only poet who praised his beauty; Francis Davison did in a sonnet that is the preface to Davison's quarto A Poetical Rhapsody (1608), which was published just before Shakespeare's Sonnets . John Davies of Hereford , Samuel Daniel , George Chapman , Christopher Marlowe , and Ben Jonson are also candidates that find support among clues in

1834-450: A naked new-born babe, Striding the blast, or heaven's cherubim, hors'd Upon the sightless couriers of the air." However, Shakespeare soon began to adapt the traditional styles to his own purposes. The opening soliloquy of Richard III has its roots in the self-declaration of Vice in medieval drama. At the same time, Richard's vivid self-awareness looks forward to the soliloquies of Shakespeare's mature plays. No single play marks

1965-814: A persuasive suitor, was printed in the first edition of the Sonnets in 1609. Most scholars now accept that Shakespeare wrote A Lover's Complaint . Critics consider that its fine qualities are marred by leaden effects. The Phoenix and the Turtle , printed in Robert Chester's 1601 Love's Martyr , mourns the deaths of the legendary phoenix and his lover, the faithful turtle dove . In 1599, two early drafts of sonnets 138 and 144 appeared in The Passionate Pilgrim , published under Shakespeare's name but without his permission. Published in 1609,

2096-475: A physician, John Hall, in 1607, and Judith had married Thomas Quiney , a vintner , two months before Shakespeare's death. Shakespeare signed his last will and testament on 25 March 1616; the following day, Thomas Quiney, his new son-in-law, was found guilty of fathering an illegitimate son by Margaret Wheeler, both of whom had died during childbirth. Thomas was ordered by the church court to do public penance, which would have caused much shame and embarrassment for

2227-454: A possessive form in its title, which is followed by its own assertion of the author's name. This time the possessive word, "Lover's", refers to a woman, who becomes the primary "speaker" of the work. "A Lover's Complaint" begins with a young woman weeping at the edge of a river, into which she throws torn-up letters, rings, and other tokens of love. An old man nearby approaches her and asks the reason for her sorrow. She responds by telling him of

2358-588: A practical sense of the theatre. Like all playwrights of the time, he dramatised stories from sources such as Plutarch and Holinshed . He reshaped each plot to create several centres of interest and to show as many sides of a narrative to the audience as possible. This strength of design ensures that a Shakespeare play can survive translation, cutting, and wide interpretation without loss to its core drama. As Shakespeare's mastery grew, he gave his characters clearer and more varied motivations and distinctive patterns of speech. He preserved aspects of his earlier style in

2489-414: A satiric critic of sonnets—the allusions to them are often scornful. Then he went on to create one of the longest sonnet-sequences of his era, a sequence that took some sharp turns away from the tradition. He may have been inspired out of literary ambition, and a desire to carve new paths apart from the well-worn tradition. Or he may have been inspired by biographical elements in his life. It is thought that

2620-486: A selling point and began to appear on the title pages . Shakespeare continued to act in his own and other plays after his success as a playwright. The 1616 edition of Ben Jonson 's Works names him on the cast lists for Every Man in His Humour (1598) and Sejanus His Fall (1603). The absence of his name from the 1605 cast list for Jonson's Volpone is taken by some scholars as a sign that his acting career

2751-499: A sonnet, which serves as proof that they have fallen in love. In All’s Well that Ends Well , a partial sonnet is read, and Bertram comments, "He shall be whipp'd through the army with this rhyme in's forehead." In Henry V , the Dauphin suggests he will compose a sonnet to his horse. The sonnets that Shakespeare satirizes in his plays are sonnets written in the tradition of Petrarch and Sidney, whereas Shakespeare's sonnets published in

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2882-461: A woman's hide" from Shakespeare's Henry VI, Part 3 , along with the pun "Shake-scene", clearly identify Shakespeare as Greene's target. As used here, Johannes Factotum ("Jack of all trades") refers to a second-rate tinkerer with the work of others, rather than the more common "universal genius". Greene's attack is the earliest surviving mention of Shakespeare's work in the theatre. Biographers suggest that his career may have begun any time from

3013-401: Is a good example – Eld also published work on his own authority. He was active in drama here too: Eld published beyond the confines of Jacobean drama as well, with works like John Healey 's 1610 translation of The City of God by St. Augustine . (That volume bore a dedication to William Herbert, 3rd Earl of Pembroke , signed by Thorpe.) In 1622 he issued a volume of satires by John Taylor

3144-468: Is a quarto published in 1609 titled Shake-speare's Sonnets. It contains 154 sonnets, which are followed by the long poem " A Lover's Complaint ". Thirteen copies of the quarto have survived in fairly good shape. There is evidence in a note on the title page of one of the extant copies that the great Elizabethan actor Edward Alleyn bought a copy in June 1609 for one shilling. The sonnets cover such themes as

3275-470: Is also a partial sonnet found in the play Edward III . Shakespeare's sonnets are considered a continuation of the sonnet tradition that swept through the Renaissance from Petrarch in 14th-century Italy and was finally introduced in 16th-century England by Thomas Wyatt and was given its rhyming metre and division into quatrains by Henry Howard . With few exceptions, Shakespeare's sonnets observe

3406-592: Is definitively classed as a tragedy. It is not clear for which companies Shakespeare wrote his early plays. The title page of the 1594 edition of Titus Andronicus reveals that the play had been acted by three different troupes. After the plagues of 1592–93, Shakespeare's plays were performed by his own company at The Theatre and the Curtain in Shoreditch , north of the Thames. Londoners flocked there to see

3537-461: Is holy palmers' kiss. ROMEO Have not saints lips, and holy palmers too? JULIET Ay, pilgrim, lips that they must use in prayer. ROMEO O, then, dear saint, let lips do what hands do; They pray, grant thou, lest faith turn to despair. JULIET Saints do not move, though grant for prayers' sake. ROMEO Then move not, while my prayer's effect I take. William Shakespeare William Shakespeare ( c. 23 April 1564 – 23 April 1616)

3668-406: Is in iambic tetrameters , not pentameters. In one other variation on the standard structure, found for example in sonnet 29 , the rhyme scheme is changed by repeating the second (B) rhyme of quatrain one as the second (F) rhyme of quatrain three. Apart from rhyme, and considering only the arrangement of ideas, and the placement of the volta, a number of sonnets maintain the two-part organization of

3799-417: Is in his own conceit the only Shake-scene in a country. Scholars differ on the exact meaning of Greene's words, but most agree that Greene was accusing Shakespeare of reaching above his rank in trying to match such university-educated writers as Christopher Marlowe , Thomas Nashe , and Greene himself (the so-called " University Wits "). The italicised phrase parodying the line "Oh, tiger's heart wrapped in

3930-526: Is in the context of the culture and literature that surrounds them. Gerald Hammond, in his book The Reader and the Young Man Sonnets , suggests that the non-expert reader, who is thoughtful and engaged, does not need that much help in understanding the sonnets: though, he states, the reader may often feel mystified when trying to decide, for example, if a word or passage has a concrete meaning or an abstract meaning; laying that kind of perplexity in

4061-403: Is not written in the sonnet form, but is composed of 47 seven-line stanzas written in rhyme royal . It is an example of a normal feature of the two-part poetic form, in which the first part expresses the male point of view, and the second part contrasts or complements the first part with the female's point of view. The first part of the quarto, the 154 sonnets, considers frustrated male desire, and

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4192-525: Is often used. In 1896, Frederick S. Boas coined the term " problem plays " to describe four plays: All's Well That Ends Well , Measure for Measure , Troilus and Cressida , and Hamlet . "Dramas as singular in theme and temper cannot be strictly called comedies or tragedies", he wrote. "We may, therefore, borrow a convenient phrase from the theatre of today and class them together as Shakespeare's problem plays." The term, much debated and sometimes applied to other plays, remains in use, though Hamlet

4323-462: Is said. Soon the speaker rebukes her for enslaving his fair friend (sonnet 133). He can't abide the triangular relationship, and it ends with him rejecting her. As with the Fair Youth, there have been many attempts to identify her with a real historical individual. Lucy Negro, Mary Fitton , Emilia Lanier , Elizabeth Wriothesley , and others have been suggested. The Rival Poet's identity remains

4454-816: Is the "G. E." who printed William Camden 's Remains of a Greater Work (1605) for Simon Waterson, John Selden 's The Duello (1610) for John Helme, and Peter Gosselin's The State Mysteries of the Jesuits (1623) for Nicholas Bourne. Eld worked regularly for Thomas Thorpe ; the two produced more than twenty titles together. These included the first quartos of Jonson's Sejanus (1605), Volpone (1606), and The Masque of Blackness and The Masque of Beauty (in one volume, 1608). They also issued John Marston 's What You Will (1607), and George Chapman 's All Fools (1605) and The Conspiracy and Tragedy of Charles, Duke of Byron (1608). Thorpe and Eld were also involved in two "dubious publishing enterprises" – one,

4585-425: Is the question ". Unlike the introverted Hamlet, whose fatal flaw is hesitation, Othello and Lear are undone by hasty errors of judgement. The plots of Shakespeare's tragedies often hinge on such fatal errors or flaws, which overturn order and destroy the hero and those he loves. In Othello , Iago stokes Othello's sexual jealousy to the point where he murders the innocent wife who loves him. In King Lear ,

4716-590: The Sonnets were the last of Shakespeare's non-dramatic works to be printed. Scholars are not certain when each of the 154 sonnets was composed, but evidence suggests that Shakespeare wrote sonnets throughout his career for a private readership. Even before the two unauthorised sonnets appeared in The Passionate Pilgrim in 1599, Francis Meres had referred in 1598 to Shakespeare's "sugred Sonnets among his private friends". Few analysts believe that

4847-553: The Blackfriars indoor theatre . Extant records of Shakespeare's property purchases and investments indicate that his association with the company made him a wealthy man, and in 1597, he bought the second-largest house in Stratford, New Place , and in 1605, invested in a share of the parish tithes in Stratford. Some of Shakespeare's plays were published in quarto editions, beginning in 1594, and by 1598, his name had become

4978-510: The First Folio , a posthumous collected edition of Shakespeare's dramatic works that includes 36 of his plays. Its Preface was a prescient poem by Ben Jonson , a former rival of Shakespeare, who hailed Shakespeare with the now famous epithet: "not of an age, but for all time". Shakespeare was the son of John Shakespeare , an alderman and a successful glover (glove-maker) originally from Snitterfield in Warwickshire , and Mary Arden ,

5109-577: The First Folio . Thorpe would have been unlikely to have addressed a lord as "Mr", but there may be an explanation, perhaps that form of address came from the author, who wanted to refer to Herbert at an earlier time—when Herbert was a "younger man". There is a later dedication to Herbert in another quarto of verse, Ben Jonson's Epigrammes (1616), in which the text of Jonson's dedication begins, "MY LORD, While you cannot change your merit, I dare not change your title … " Jonson's emphasis on Pembroke's title, and his comment, seem to be chiding someone else who had

5240-536: The King's Men . All the world's a stage, and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts ... — As You Like It , Act II, Scene 7, 139–142 In 1599, a partnership of members of the company built their own theatre on the south bank of the River Thames , which they named the Globe . In 1608, the partnership also took over

5371-523: The Shrew ' s story of the taming of a woman's independent spirit by a man sometimes troubles modern critics, directors, and audiences. Shakespeare's early classical and Italianate comedies, containing tight double plots and precise comic sequences, give way in the mid-1590s to the romantic atmosphere of his most acclaimed comedies. A Midsummer Night's Dream is a witty mixture of romance, fairy magic, and comic lowlife scenes. Shakespeare's next comedy,

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5502-494: The end of lines , with the risk of monotony. Once Shakespeare mastered traditional blank verse, he began to interrupt and vary its flow. This technique releases the new power and flexibility of the poetry in plays such as Julius Caesar and Hamlet . Shakespeare uses it, for example, to convey the turmoil in Hamlet's mind: Sir, in my heart there was a kind of fighting That would not let me sleep. Methought I lay Worse than

5633-403: The "W.H." of Shakespeare's dedication is Sidney's nephew and heir, William Herbert . The idea that the persona referred to as the speaker of Shakespeare's sonnets might be Shakespeare himself, is aggressively repudiated by scholars; however, the title of the quarto does seem to encourage that kind of speculation. The first 17 poems, traditionally called the procreation sonnets , are addressed to

5764-713: The "little love-god" Cupid . The publisher, Thomas Thorpe , entered the book in the Stationers' Register on 20 May 1609: Whether Thorpe used an authorised manuscript from Shakespeare or an unauthorised copy is unknown. George Eld printed the quarto, and the run was divided between the booksellers William Aspley and John Wright . Shakespeare's Sonnets include a dedication to "Mr. W.H.": TO.THE.ONLIE.BEGETTER.OF. THESE.INSUING.SONNETS. Mr.W.H.   ALL.HAPPINESSE. AND.THAT.ETERNITIE. PROMISED. BY. OUR.EVER-LIVING.POET. WISHETH. THE.WELL-WISHING. ADVENTURER.IN. SETTING. FORTH. The upper case letters and

5895-556: The 154 sonnets published in the 1609, because they may lack the deep introspection, for example, and they are written to serve the needs of a performance, exposition or narrative. In Shakespeare's early comedies, the sonnets and sonnet-making of his characters are often objects of satire. In Two Gentlemen of Verona , sonnet-writing is portrayed cynically as a seduction technique. In Love's Labour's Lost , sonnets are portrayed as evidence that love can render men weak and foolish. In Much Ado About Nothing , Beatrice and Benedick each write

6026-432: The 1609 quarto of Troilus and Cressida , for Richard Bonian and Henry Walley. Some critics have complained that the text in this volume is so poor that it should be classed as a " bad quarto ;" how much blame for this should fall on Eld, and how much is due to a faulty manuscript source that Eld had to work with, is open to question. (Eld's Sejanus text, in contrast, is excellently printed.) Eld has also been identified as

6157-596: The Chorus in Henry V , though scholars doubt the sources of that information. Throughout his career, Shakespeare divided his time between London and Stratford. In 1596, the year before he bought New Place as his family home in Stratford, Shakespeare was living in the parish of St Helen's , Bishopsgate , north of the River Thames. He moved across the river to Southwark by 1599, the same year his company constructed

6288-463: The Dark Lady. The speaker expresses admiration for the Fair Youth's beauty, and—if reading the sonnets in chronological order as published—later has an affair with the Dark Lady, then so does the Fair Youth. Current linguistic analysis and historical evidence suggests, however, that the sonnets to the Dark Lady were composed first (around 1591–95), the procreation sonnets next, and the later sonnets to

6419-480: The Fair Youth last (1597–1603). It is not known whether the poems and their characters are fiction or autobiographical; scholars who find the sonnets to be autobiographical have attempted to identify the characters with historical individuals. The "Fair Youth" is the unnamed young man addressed by the devoted poet in the greatest sequence of the sonnets ( 1 – 126 ). The young man is handsome, self-centred, universally admired and much sought after. The sequence begins with

6550-506: The First Folio, The Two Noble Kinsmen and Pericles, Prince of Tyre , are now accepted as part of the canon, with today's scholars agreeing that Shakespeare made major contributions to the writing of both. No Shakespearean poems were included in the First Folio. In the late 19th century, Edward Dowden classified four of the late comedies as romances , and though many scholars prefer to call them tragicomedies , Dowden's term

6681-496: The Globe Theatre there. By 1604, he had moved north of the river again, to an area north of St Paul's Cathedral with many fine houses. There, he rented rooms from a French Huguenot named Christopher Mountjoy, a maker of women's wigs and other headgear. Nicholas Rowe was the first biographer to record the tradition, repeated by Samuel Johnson , that Shakespeare retired to Stratford "some years before his death". He

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6812-518: The Italian sonnet. In that case the term "octave" and "sestet" are commonly used to refer to the sonnet's first eight lines followed by the remaining six lines. There are other line-groupings as well, as Shakespeare finds inventive ways with the content of the fourteen-line poems. When analysed as characters, the subjects of the sonnets are usually referred to as the Fair Youth, the Rival Poet, and

6943-448: The King's Men, published the First Folio , a collected edition of Shakespeare's plays. It contained 36 texts, including 18 printed for the first time. The others had already appeared in quarto versions—flimsy books made from sheets of paper folded twice to make four leaves. No evidence suggests that Shakespeare approved these editions, which the First Folio describes as "stol'n and surreptitious copies". Alfred Pollard termed some of

7074-421: The London stage by 1592. By then, he was sufficiently known in London to be attacked in print by the playwright Robert Greene in his Groats-Worth of Wit from that year: ... there is an upstart Crow, beautified with our feathers, that with his Tiger's heart wrapped in a Player's hide , supposes he is as well able to bombast out a blank verse as the best of you: and being an absolute Johannes factotum ,

7205-441: The Shakespeare family. Shakespeare bequeathed the bulk of his large estate to his elder daughter Susanna under stipulations that she pass it down intact to "the first son of her body". The Quineys had three children, all of whom died without marrying. The Halls had one child, Elizabeth, who married twice but died without children in 1670, ending Shakespeare's direct line. Shakespeare's will scarcely mentions his wife, Anne, who

7336-518: The Shrew , and The Two Gentlemen of Verona may also belong to Shakespeare's earliest period. His first histories , which draw heavily on the 1587 edition of Raphael Holinshed's Chronicles of England, Scotland, and Ireland , dramatise the destructive results of weak or corrupt rule and have been interpreted as a justification for the origins of the Tudor dynasty . The early plays were influenced by

7467-532: The Sonnets are the fall of Essex and then the gunpowder plotters' executions in 1606, which puts Southampton at the age of 33, and then 39 when the sonnets were published, when he would be past the age when he would be referred to as a "lovely boy" or "fair youth". Authors such as Thomas Tyrwhitt and Oscar Wilde proposed that the Fair Youth was William Hughes, a seductive young actor who played female roles in Shakespeare's plays. Particularly, Wilde claimed that he

7598-524: The Water Poet called The Water Cormorant His Complaint . He published the types of religious books that were so common in his era, like Bishop Gervase Babington 's Works, Containing Comfortable Notes on the Five Books of Moses (1615). And inevitably, Eld published and printed many now-obscure works by forgotten authors. The title page of his 1606 edition of Robert Pricket's Time's Anatomy bears

7729-499: The act of writing, began to infuse each other". In the early 17th century, Shakespeare wrote the so-called " problem plays " Measure for Measure , Troilus and Cressida , and All's Well That Ends Well and a number of his best known tragedies . Many critics believe that Shakespeare's tragedies represent the peak of his art. Hamlet has probably been analysed more than any other Shakespearean character, especially for his famous soliloquy which begins " To be or not to be; that

7860-646: The age of 11 and was buried 11 August 1596. After the birth of the twins, Shakespeare left few historical traces until he is mentioned as part of the London theatre scene in 1592. The exception is the appearance of his name in the "complaints bill" of a law case before the Queen's Bench court at Westminster dated Michaelmas Term 1588 and 9 October 1589. Scholars refer to the years between 1585 and 1592 as Shakespeare's "lost years". Biographers attempting to account for this period have reported many apocryphal stories. Nicholas Rowe , Shakespeare's first biographer, recounted

7991-550: The audacity to use the wrong title, as perhaps is the case in Shakespeare's dedication. Henry Wriothesley (the Earl of Southampton ), with initials reversed, has received a great deal of consideration as a likely possibility. He was the dedicatee of Shakespeare's poems Venus and Adonis and The Rape of Lucrece . Southampton was also known for his good looks. Other suggestions include: The sonnets are almost all constructed using three quatrains (four-line stanzas ) followed by

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8122-419: The author was out of the country or dead, which suggests that Shakespeare was not in London during the last stage of printing. However, Thorpe's entire corpus of such consists of only four dedications and three prefaces. It has been suggested that Thorpe signing the dedication, rather than the author, might indicate that Thorpe published the work without obtaining Shakespeare's permission. Though Thorpe's taking on

8253-469: The biographical aspects have been over-explored and over-speculated on, especially in the face of a paucity of evidence. The critical focus has turned instead (through New Criticism and by scholars such as Stephen Booth and Helen Vendler) to the text itself, which is studied and appreciated linguistically as a "highly complex structure of language and ideas". Besides the biographic and the linguistic approaches, another way of considering Shakespeare's sonnets

8384-476: The blast, or heaven's cherubim, hors'd/ Upon the sightless couriers of the air ..." (1.7.21–25). The listener is challenged to complete the sense. The late romances, with their shifts in time and surprising turns of plot, inspired a last poetic style in which long and short sentences are set against one another, clauses are piled up, subject and object are reversed, and words are omitted, creating an effect of spontaneity. Shakespeare combined poetic genius with

8515-496: The daughter of an affluent landowning family . He was born in Stratford-upon-Avon , where he was baptised on 26 April 1564. His date of birth is unknown but is traditionally observed on 23 April, Saint George's Day . This date, which can be traced to William Oldys and George Steevens , has proved appealing to biographers because Shakespeare died on the same date in 1616. He was the third of eight children, and

8646-415: The dedication may be explained by the great demands of business and travel that Shakespeare was facing at this time, which may have caused him to deal with the printing production in haste before rushing out of town. After all, May 1609 was an extraordinary time: That month saw a serious outbreak of the plague, which shut down the theatres, and also caused many to flee London. Plus Shakespeare's theatre company

8777-415: The drama itself. Shakespeare's standard poetic form was blank verse , composed in iambic pentameter . In practice, this meant that his verse was usually unrhymed and consisted of ten syllables to a line, spoken with a stress on every second syllable. The blank verse of his early plays is quite different from that of his later ones. It is often beautiful, but its sentences tend to start, pause, and finish at

8908-470: The eldest surviving son. Although no attendance records for the period survive, most biographers agree that Shakespeare was probably educated at the King's New School in Stratford, a free school chartered in 1553, about a quarter-mile (400 m) from his home. Grammar schools varied in quality during the Elizabethan era, but grammar school curricula were largely similar: the basic Latin text

9039-468: The end of the nineteenth century, Shakespeare and Milton seemed to be on an equal footing, but critics, burdened by an over-emphasis on biographical explorations, continued to contend with each other for decades on this point. Like all Shakespeare's works, Shakespeare's Sonnets have been reprinted many times. Prominent editions include: There are sonnets written by Shakespeare that occur in his plays, and these include his earliest sonnets. They differ from

9170-412: The end of the play Henry V is written in the form of a sonnet ("Thus far with rough, and all-unable pen…"). Formal epilogues were established as a theatrical tradition, and occur in 13 of Shakespeare's plays. In Henry V , the character of Chorus, who has addressed the audience a few times during the play, speaks the wide-ranging epilogue/sonnet. It begins by allowing that the play may not have presented

9301-415: The equally romantic The Merchant of Venice , contains a portrayal of the vengeful Jewish moneylender Shylock , which reflects dominant Elizabethan views but may appear derogatory to modern audiences. The wit and wordplay of Much Ado About Nothing , the charming rural setting of As You Like It , and the lively merrymaking of Twelfth Night complete Shakespeare's sequence of great comedies. After

9432-404: The fair youth (sonnet 152). The identity of the Fair Youth has been the subject of speculation among scholars. One popular theory is that he was Henry Wriothesley , the 3rd Earl of Southampton; this is based in part on the idea that his physical features, age, and personality might fairly match the young man in the sonnets. He was both an admirer and patron of Shakespeare and was considered one of

9563-686: The famous Richard Burbage , William Kempe , Henry Condell and John Heminges . Burbage played the leading role in the first performances of many of Shakespeare's plays, including Richard III , Hamlet , Othello , and King Lear . The popular comic actor Will Kempe played the servant Peter in Romeo and Juliet and Dogberry in Much Ado About Nothing , among other characters. He was replaced around 1600 by Robert Armin , who played roles such as Touchstone in As You Like It and

9694-473: The famous romantic tragedy of sexually charged adolescence, love, and death; and Julius Caesar —based on Sir Thomas North 's 1579 translation of Plutarch 's Parallel Lives —which introduced a new kind of drama. According to Shakespearean scholar James Shapiro , in Julius Caesar , "the various strands of politics, character, inwardness, contemporary events, even Shakespeare's own reflections on

9825-456: The first part of Henry IV , Leonard Digges recording, "Let but Falstaff come, Hal, Poins, the rest ... and you scarce shall have a room". When the company found themselves in dispute with their landlord, they pulled The Theatre down and used the timbers to construct the Globe Theatre , the first playhouse built by actors for actors, on the south bank of the Thames at Southwark . The Globe opened in autumn 1599, with Julius Caesar one of

9956-646: The first plays staged. Most of Shakespeare's greatest post-1599 plays were written for the Globe, including Hamlet , Othello, and King Lear . After the Lord Chamberlain's Men were renamed the King's Men in 1603, they entered a special relationship with the new King James . Although the performance records are patchy, the King's Men performed seven of Shakespeare's plays at court between 1 November 1604, and 31 October 1605, including two performances of The Merchant of Venice . After 1608, they performed at

10087-477: The fool in King Lear . In 1613, Sir Henry Wotton recorded that Henry VIII "was set forth with many extraordinary circumstances of pomp and ceremony". On 29 June, however, a cannon set fire to the thatch of the Globe and burned the theatre to the ground, an event which pinpoints the date of a Shakespeare play with rare precision. In 1623, John Heminges and Henry Condell , two of Shakespeare's friends from

10218-433: The foot of the dedication page; nor is it known who Mr. W.H. was, despite numerous theories, or whether Shakespeare even authorised the publication. Critics praise the Sonnets as a profound meditation on the nature of love, sexual passion, procreation, death, and time. Shakespeare's first plays were written in the conventional style of the day. He wrote them in a stylised language that does not always spring naturally from

10349-495: The indoor Blackfriars Theatre during the winter and the Globe during the summer. The indoor setting, combined with the Jacobean fashion for lavishly staged masques , allowed Shakespeare to introduce more elaborate stage devices. In Cymbeline , for example, Jupiter descends "in thunder and lightning, sitting upon an eagle: he throws a thunderbolt. The ghosts fall on their knees." The actors in Shakespeare's company included

10480-657: The inscription "to be sold by John Hodgets" – another demonstration of the printer/publisher's need for a retail outlet for his products. In 1607, Eld printed and published Edward Grimeston 's A General Inventory of the History of France, the book that provided Chapman source material for his tragedies on then-recent French history (including the Byron plays cited above). Eld followed this with several other large histories by Grimeston, partnering with fellow stationers Adam Islip, M. Flesher, and William Stansby : A General History of

10611-486: The last lines of which contain Lucrece's complaint. Other examples are found in the works of Michael Drayton , Thomas Lodge , Richard Barnfield , and others. The young man of the sonnets and the young man of "A Lover's Complaint" provide a thematic link between the two parts. In each part the young man is handsome, wealthy and promiscuous, unreliable and admired by all. Like the sonnets, " A Lover's Complaint " also has

10742-424: The last phase of his career, Shakespeare adopted many techniques to achieve these effects. These included run-on lines , irregular pauses and stops, and extreme variations in sentence structure and length. In Macbeth , for example, the language darts from one unrelated metaphor or simile to another: "was the hope drunk/ Wherein you dressed yourself?" (1.7.35–38); "... pity, like a naked new-born babe/ Striding

10873-426: The last phase of his life, he wrote tragicomedies (also known as romances ) such as The Winter's Tale and The Tempest , and collaborated with other playwrights. Many of Shakespeare's plays were published in editions of varying quality and accuracy during his lifetime. However, in 1623, John Heminges and Henry Condell , two fellow actors and friends of Shakespeare's, published a more definitive text known as

11004-533: The later plays, however. In Shakespeare's late romances , he deliberately returned to a more artificial style, which emphasised the illusion of theatre. George Eld Eld was the son of a carpenter from Derbyshire . He served an eight-year apprenticeship to bookseller Robert Bolton, starting in 1592, and became a "freeman" (a full member) of the Stationers Company on 13 January 1600. He established himself in his own printing business in 1604, at

11135-501: The lyrical Richard II , written almost entirely in verse, Shakespeare introduced prose comedy into the histories of the late 1590s, Henry IV, Part 1 and 2 , and Henry V . Henry IV features Falstaff , rogue, wit and friend of Prince Hal. His characters become more complex and tender as he switches deftly between comic and serious scenes, prose and poetry, and achieves the narrative variety of his mature work. This period begins and ends with two tragedies: Romeo and Juliet ,

11266-478: The marriage. The ceremony may have been arranged in some haste since the Worcester chancellor allowed the marriage banns to be read once instead of the usual three times, and six months after the marriage Anne gave birth to a daughter, Susanna , baptised 26 May 1583. Twins, son Hamnet and daughter Judith , followed almost two years later and were baptised 2 February 1585. Hamnet died of unknown causes at

11397-417: The meter. After Berowne is caught breaking his vow, and exposed by the sonnet he composed, he passionately renounces speech that is affected, and vows to prefer plain country speech. Ironically, when proclaiming this he demonstrates that he can't seem to avoid rich courtly language, and his speech happens to fall into the meter and rhyme of a sonnet. ("O, never will I trust to speeches penned…") The epilogue at

11528-426: The mid-1580s to just before Greene's remarks. After 1594, Shakespeare's plays were performed at The Theatre , in Shoreditch , only by the Lord Chamberlain's Men , a company owned by a group of players, including Shakespeare, that soon became the leading playing company in London. After the death of Queen Elizabeth in 1603, the company was awarded a royal patent by the new King James I , and changed its name to

11659-428: The most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon , Warwickshire. At the age of 18, he married Anne Hathaway , with whom he had three children: Susanna , and twins Hamnet and Judith . Sometime between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner ("sharer") of

11790-433: The most prominent nobles of the period. It is also noted that Shakespeare's 1593 poem Venus and Adonis is dedicated to Southampton and, in that poem a young man, Adonis, is encouraged by the goddess of love, Venus, to beget a child, which is a theme in the sonnets. Here are the verses from Venus and Adonis : A problem with identifying the fair youth with Southampton is that the most certainly datable events referred to in

11921-433: The mutines in the bilboes. Rashly— And prais'd be rashness for it—let us know Our indiscretion sometimes serves us well ... After Hamlet , Shakespeare varied his poetic style further, particularly in the more emotional passages of the late tragedies. The literary critic A. C. Bradley described this style as "more concentrated, rapid, varied, and, in construction, less regular, not seldom twisted or elliptical". In

12052-547: The needs of the characters or the drama. The poetry depends on extended, sometimes elaborate metaphors and conceits, and the language is often rhetorical—written for actors to declaim rather than speak. The grand speeches in Titus Andronicus , in the view of some critics, often hold up the action, for example; and the verse in The Two Gentlemen of Verona has been described as stilted. "And pity, like

12183-552: The old king commits the tragic error of giving up his powers, initiating the events which lead to the torture and blinding of the Earl of Gloucester and the murder of Lear's youngest daughter, Cordelia . According to the critic Frank Kermode , "the play...offers neither its good characters nor its audience any relief from its cruelty". In Macbeth , the shortest and most compressed of Shakespeare's tragedies, uncontrollable ambition incites Macbeth and his wife, Lady Macbeth , to murder

12314-499: The passage of time, love, infidelity, jealousy, beauty and mortality. The first 126 are addressed to a young man; the last 28 are either addressed to, or refer to, a woman. (Sonnets 138 and 144 had previously been published in the 1599 miscellany The Passionate Pilgrim .) The title of the quarto, Shake-speare's Sonnets , is consistent with the entry in the Stationers' Register . The title appears in upper case lettering on

12445-408: The performance of Henry VIII on 29 June. Shakespeare died on 23 April 1616, at the age of 52. He died within a month of signing his will, a document which he begins by describing himself as being in "perfect health". No extant contemporary source explains how or why he died. Half a century later, John Ward , the vicar of Stratford, wrote in his notebook: "Shakespeare, Drayton, and Ben Jonson had

12576-463: The period typically collaborated with others at some point, as critics agree Shakespeare did, mostly early and late in his career. The first recorded works of Shakespeare are Richard III and the three parts of Henry VI , written in the early 1590s during a vogue for historical drama . Shakespeare's plays are difficult to date precisely, however, and studies of the texts suggest that Titus Andronicus , The Comedy of Errors , The Taming of

12707-468: The plague (a total of over 60 months closure between May 1603 and February 1610), which meant there was often no acting work. Retirement from all work was uncommon at that time. Shakespeare continued to visit London during the years 1611–1614. In 1612, he was called as a witness in Bellott v Mountjoy , a court case concerning the marriage settlement of Mountjoy's daughter, Mary. In March 1613, he bought

12838-461: The poet urging the young man to marry and father children (sonnets 1–17). It continues with the friendship developing with the poet's loving admiration, which at times is homoerotic in nature. Then comes a set of betrayals by the young man, as he is seduced by the Dark Lady, and they maintain a liaison (sonnets 133, 134 & 144), all of which the poet struggles to abide. It concludes with the poet's own act of betrayal, resulting in his independence from

12969-478: The pre-1623 versions as " bad quartos " because of their adapted, paraphrased or garbled texts, which may in places have been reconstructed from memory. Where several versions of a play survive, each differs from the others . The differences may stem from copying or printing errors, from notes by actors or audience members, or from Shakespeare's own papers . In some cases, for example, Hamlet , Troilus and Cressida, and Othello , Shakespeare could have revised

13100-493: The printer of John Smethwick 's third quarto of Hamlet ( 1611 in literature ). Eld also printed the 1609 second quarto of Marlowe's Doctor Faustus for John Wright. And for William Aspley , he printed one of the most controversial plays of the period, Eastward Ho (three editions, 1605). Eld printed first editions of a range of other texts in Jacobean drama: Like some printers of his generation – Richard Field

13231-512: The prologue to the second act ("Now old desire doth in his death-bed lie…"), and set in the form of dialogue at the moment when Romeo and Juliet meet: ROMEO If I profane with my unworthiest hand This holy shrine, the gentle fine is this: My lips, two blushing pilgrims, ready stand To smooth that rough touch with a tender kiss. JULIET Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this; For saints have hands that pilgrims' hands do touch, And palm to palm

13362-452: The published collection follows Shakespeare's intended sequence. He seems to have planned two contrasting series: one about uncontrollable lust for a married woman of dark complexion (the "dark lady"), and one about conflicted love for a fair young man (the "fair youth"). It remains unclear if these figures represent real individuals, or if the authorial "I" who addresses them represents Shakespeare himself, though Wordsworth believed that with

13493-407: The quarto of 1609 take a radical turn away from that older style, and have none of the lovelorn qualities that are mocked in the plays. The sonnets published in 1609 seem to be rebelling against the tradition. In the play Love's Labour's Lost , the King and his three lords have all vowed to live like monks, to study, to give up worldly things, and to see no women. All of them break the last part of

13624-478: The reader's path for the reader to deal with is an essential part of reading the sonnets—the reader doesn't always benefit from having knots untangled and double-meanings simplified by the experts, according to Hammond. During the eighteenth century, The Sonnets ' reputation in England was relatively low; in 1805, The Critical Review credited John Milton with the perfection of the English sonnet. Towards

13755-466: The rightful king and usurp the throne until their own guilt destroys them in turn. In this play, Shakespeare adds a supernatural element to the tragic structure. His last major tragedies, Antony and Cleopatra and Coriolanus , contain some of Shakespeare's finest poetry and were considered his most successful tragedies by the poet and critic T. S. Eliot . Eliot wrote, "Shakespeare acquired more essential history from Plutarch than most men could from

13886-497: The second part, "A Lover's Complaint", expresses the misery of a woman victimized by male desire. The earliest Elizabethan example of this two-part structure is Samuel Daniel's Delia ... with the Complaint of Rosamund (1592)—a sonnet sequence that tells the story of a woman being threatened by a man of higher rank, followed by the woman's complaint. This was imitated by other poets, including Shakespeare with his Rape of Lucrece ,

14017-480: The sexual advances of Venus ; while in The Rape of Lucrece , the virtuous wife Lucrece is raped by the lustful Tarquin . Influenced by Ovid 's Metamorphoses , the poems show the guilt and moral confusion that result from uncontrolled lust. Both proved popular and were often reprinted during Shakespeare's lifetime. A third narrative poem, A Lover's Complaint , in which a young woman laments her seduction by

14148-569: The sign of the White Horse in Fleet Lane, by marrying the widow of not one but two master printers. His shop featured two or perhaps three presses, and four compositors – a substantial operation for the time. Eld entered into a partnership with Miles Fletcher in 1617; Fletcher took over the business after Eld died of plague in 1624. In Eld's historical era, most stationers concentrated on either printing or bookselling; and most publishing

14279-417: The sonnets "Shakespeare unlocked his heart". Shall I compare thee to a summer's day? Thou art more lovely and more temperate ... —Opening lines from Shakespeare's Sonnet 18 . The 1609 edition was dedicated to a "Mr. W.H.", credited as "the only begetter" of the poems. It is not known whether this was written by Shakespeare himself or by the publisher, Thomas Thorpe , whose initials appear at

14410-424: The sonnets. It may be that the Rival Poet is a composite of several poets through which Shakespeare explores his sense of being threatened by competing poets. The speaker sees the Rival Poet as competition for fame and patronage. The sonnets most commonly identified as the Rival Poet group exist within the Fair Youth sequence in sonnets 78 – 86 . "A Lover's Complaint" is part two of the quarto published in 1609. It

14541-482: The speaker of the sonnets, the poet, are in a sexual relationship. She is not aristocratic, young, beautiful, intelligent or chaste. Her complexion is muddy, her breath "reeks", and she is ungainly when she walks. The relationship strongly parallels Touchstone's pursuit of Audrey in As You Like It . The Dark Lady presents an adequate receptor for male desire. She is celebrated in cocky terms that would be offensive to her, not that she would be able to read or understand what

14672-489: The stone slab covering his grave includes a curse against moving his bones, which was carefully avoided during restoration of the church in 2008: Good frend for Iesvs sake forbeare, To digg the dvst encloased heare. Bleste be yͤ man yͭ spares thes stones, And cvrst be he yͭ moves my bones. Good friend, for Jesus' sake forbear, To dig the dust enclosed here. Blessed be the man that spares these stones, And cursed be he that moves my bones. Some time before 1623,

14803-527: The stops that follow each word of the dedication were probably intended to resemble an ancient Roman lapidary inscription or monumental brass , perhaps accentuating the declaration in Sonnet 55 that the work would confer immortality to the subjects of the work: Not marble, nor the gilded monuments Of princes shall outlive this pow'rful rhyme The initials "T.T." are taken to refer to the publisher, Thomas Thorpe. Thorpe usually signed prefatory matter only if

14934-559: The story in its full glory. It points out that the next king would be Henry VI, who was an infant when he succeeded Henry V, and who "lost France, and made his England bleed/ Which oft our stage hath shown." It refers to the three parts of Henry VI and to Richard III — connecting the Lancastrian and the Yorkist cycles. Three sonnets are found in Romeo and Juliet : The prologue to the play ("Two households, both alike in dignity…"),

15065-586: The stylistic form of the English sonnet—the rhyme scheme , the 14 lines, and the metre . But, Shakespeare's sonnets introduce significant departures of content. Instead of expressing worshipful love for an almost goddess-like yet unobtainable female love-object, as Petrarch, Dante , and Philip Sidney had done, Shakespeare introduces a young man. He also introduces the Dark Lady . Shakespeare explores themes such as lust, homoeroticism, misogyny, infidelity, and acrimony. The primary source of Shakespeare's sonnets

15196-408: The subject of a great amount of speculation: That he was the author's patron, that he was both patron and the "faire youth" who is addressed in the sonnets, that the "faire youth" is based on Mr. W.H. in some sonnets but not others, and a number of other ideas. William Herbert , the Earl of Pembroke , is seen as perhaps the most likely identity of Mr. W.H. and the "young man". He was the dedicatee of

15327-662: The texts between the quarto and folio editions. In the case of King Lear , however, while most modern editions do conflate them, the 1623 folio version is so different from the 1608 quarto that the Oxford Shakespeare prints them both, arguing that they cannot be conflated without confusion. In 1593 and 1594, when the theatres were closed because of plague , Shakespeare published two narrative poems on sexual themes, Venus and Adonis and The Rape of Lucrece . He dedicated them to Henry Wriothesley, Earl of Southampton . In Venus and Adonis , an innocent Adonis rejects

15458-503: The title page, where it is followed by the phrase "Neuer before Imprinted". The title also appears every time the quarto is opened. That the author's name in a possessive form is part of the title sets it apart from all other sonnet collections of the time, except for one— Sir Philip Sidney's posthumous 1591 publication that is titled, Syr. P.S. his Astrophel and Stella , which is considered one of Shakespeare's most important models. Sidney's title may have inspired Shakespeare, particularly if

15589-479: The vow by falling in love. The lord Longaville expresses his love in a sonnet ("Did not the heavenly rhetoric of thine eye…"), and the lord Berowne does, too—a hexameter sonnet ("If love make me forsworn, how shall I swear to love?")–a form Sidney uses in six of the sonnets in Astrophel and Stella (Numbers 1, 6, 8, 76, and 102). These sonnets contain comic imperfections, including awkward phrasing, and problems with

15720-504: The whole British Museum ." In his final period, Shakespeare turned to romance or tragicomedy and completed three more major plays: Cymbeline , The Winter's Tale , and The Tempest , as well as the collaboration, Pericles, Prince of Tyre . Less bleak than the tragedies, these four plays are graver in tone than the comedies of the 1590s, but they end with reconciliation and the forgiveness of potentially tragic errors. Some commentators have seen this change in mood as evidence of

15851-429: The works attributed to him were written by others . Shakespeare produced most of his known works between 1589 and 1613. His early plays were primarily comedies and histories and are regarded as some of the best works produced in these genres. He then wrote mainly tragedies until 1608, among them Hamlet , Othello , King Lear and Macbeth , all considered to be among the finest works in English. In

15982-459: The works of other Elizabethan dramatists, especially Thomas Kyd and Christopher Marlowe , by the traditions of medieval drama, and by the plays of Seneca . The Comedy of Errors was also based on classical models, but no source for The Taming of the Shrew has been found, though it has an identical plot but different wording as another play with a similar name. Like The Two Gentlemen of Verona , in which two friends appear to approve of rape,

16113-472: The young man—urging him to marry and have children in order to immortalize his beauty by passing it to the next generation. Other sonnets express the speaker's love for the young man; brood upon loneliness, death, and the transience of life; seem to criticise the young man for preferring a rival poet; express ambiguous feelings for the speaker's mistress ; and pun on the poet's name. The final two sonnets are allegorical treatments of Greek epigrams referring to

16244-637: Was an English playwright , poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon " (or simply "the Bard"). His extant works, including collaborations , consist of some 39 plays , 154 sonnets , three long narrative poems and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare remains arguably

16375-431: Was done by the booksellers, who commissioned the printers to print their works. Eld was primarily a printer during his career, working on specific projects for specific booksellers. In his two-decade career, Eld printed a wide variety of works; when the printer is identified on title pages only with initials, researchers have used Eld's characteristic title-page device, "two volutes with foliage," for supporting evidence. He

16506-620: Was nearing its end. The First Folio of 1623, however, lists Shakespeare as one of "the Principal Actors in all these Plays", some of which were first staged after Volpone , although one cannot know for certain which roles he played. In 1610, John Davies of Hereford wrote that "good Will" played "kingly" roles. In 1709, Rowe passed down a tradition that Shakespeare played the ghost of Hamlet's father. Later traditions maintain that he also played Adam in As You Like It , and

16637-463: Was on tour from Ipswich to Oxford. In addition, Shakespeare had been away from Stratford and in the same month, May, was being called on to tend to family and business there, and deal with the litigation of a lawsuit in Warwickshire that involved a substantial amount of money. The identity of Mr. W.H., "the only begetter of Shakespeare's Sonnets ", is not known for certain. His identity has been

16768-544: Was probably entitled to one-third of his estate automatically. He did make a point, however, of leaving her "my second best bed", a bequest that has led to much speculation. Some scholars see the bequest as an insult to Anne, whereas others believe that the second-best bed would have been the matrimonial bed and therefore rich in significance. Shakespeare was buried in the chancel of the Holy Trinity Church two days after his death. The epitaph carved into

16899-465: Was standardised by royal decree, and the school would have provided an intensive education in grammar based upon Latin classical authors. At the age of 18, Shakespeare married 26-year-old Anne Hathaway . The consistory court of the Diocese of Worcester issued a marriage licence on 27 November 1582. The next day, two of Hathaway's neighbours posted bonds guaranteeing that no lawful claims impeded

17030-553: Was still working as an actor in London in 1608; in an answer to the sharers' petition in 1635, Cuthbert Burbage stated that after purchasing the lease of the Blackfriars Theatre in 1608 from Henry Evans , the King's Men "placed men players" there, "which were Heminges , Condell , Shakespeare, etc.". However, it is perhaps relevant that the bubonic plague raged in London throughout 1609. The London public playhouses were repeatedly closed during extended outbreaks of

17161-456: Was the Mr. W.H. referred to in the dedication attached to the manuscript of the Sonnets. The Dark Lady sequence (sonnets 127–152) is the most defiant of the sonnet tradition. The sequence distinguishes itself from the Fair Youth sequence with its overt sexuality ( Sonnet 151 ). The Dark Lady is so called because she has black hair and "dun" skin. The Dark Lady suddenly appears (Sonnet 127), and she and

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