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39-397: The guests themselves (referred to as guest artists , featured artists , guest stars , or guest fighters , depending on context), are distinguished from the other real artists or fictional characters by not being part of or fitting the usual theme of the cast. They are usually recognisable on their own and only appear once or rarely within that cast. In show business , a guest appearance

78-685: A character on a real person can use a person they know, a historical figure, a current figure whom they have not met, or themselves, with the latter being either an author-surrogate or an example of self-insertion . The use of a famous person easily identifiable with certain character traits as the base for a principal character is a feature of allegorical works, such as Animal Farm by George Orwell, which portrays Soviet revolutionaries as pigs. Other authors, especially for historical fiction , make use of real people and create fictional stories revolving around their lives, as with The Paris Wife which revolves around Ernest Hemingway . An author can create

117-438: A character using the basic character archetypes which are common to many cultural traditions: the father figure , mother figure, hero , and so on. Some writers make use of archetypes as presented by Carl Jung as the basis for character traits. Generally, when an archetype from some system (such as Jung's) is used, elements of the story also follow the system's expectations in terms of storyline . An author can also create

156-460: A distinction between the individuals represented in tragedy and in comedy arose: tragedy, along with epic poetry , is "a representation of serious people" (1449b9—10), while comedy is "a representation of people who are rather inferior" (1449a32—33). In the Tractatus coislinianus (which may or may not be by Aristotle), Ancient Greek comedy is defined as involving three types of characters:

195-429: A fictional character using generic stock characters , which are generally flat. They tend to be used for supporting or minor characters. However, some authors have used stock characters as the starting point for building richly detailed characters, such as William Shakespeare 's use of the boastful soldier character as the basis for John Falstaff . Some authors create charactonyms for their characters. A charactonym

234-402: A given performer—"starring," "guest star," "special guest star," "also starring," etc.—is a matter negotiated between the production and the performer or their agent. In a TV series , a guest star is an actor who appears in one or a few episodes (sometimes a story arc ). In some cases a guest star may play an important recurring character and may appear many times in a series, despite not being

273-454: A guest star benefits the receiving troupe, bringing new inspiration and technique. Audience would welcome diversity, and theatrical business benefits as well: theatre connoisseurs will come to see the same piece with a new star. Commercialization of guests policy may also have negative consequences. Local theatres may limit the growth opportunities for their performers in favor of guests. Sometimes rehearsal times are inadequate to fully integrate

312-443: A member of the main cast; they may ultimately be asked to join the main cast if their role continues. The title special guest star is typically used in television for a celebrity guest, but it is also occasionally used for a regular cast member—usually for an actor or actress who is featured heavily but joined the show after the rest of the cast was signed. The first regular cast member in a TV series to be credited as special guest star

351-475: A series " jumps the shark "; that is, a doomed attempt to reverse a decline in popularity. Show business Show business , sometimes shortened to show biz or showbiz (since c. 1945), is a vernacular term for all aspects of the entertainment industry . From the business side (including managers, agents, producers, and distributors), the term applies to the creative element (including artists, performers, writers, musicians, and technicians) and

390-739: Is a person or other being in a narrative (such as a novel , play , radio or television series , music , film , or video game ). The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. Derived from the Ancient Greek word χαρακτήρ , the English word dates from the Restoration , although it became widely used after its appearance in Tom Jones by Henry Fielding in 1749. From this,

429-458: Is a "walk-on", a term used by Seymour Chatman for characters that are not fully delineated and individualized; rather they are part of the background or the setting of the narrative. Dynamic characters are those that change over the course of the story, while static characters remain the same throughout. An example of a popular dynamic character in literature is Ebenezer Scrooge , the protagonist of A Christmas Carol by Charles Dickens. At

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468-598: Is a name that implies the psychological makeup of the person, makes an allegorical allusion, or makes reference to their appearance. For example, Shakespeare has an emotional young male character named Mercutio , John Steinbeck has a kind, sweet character named Candy in Of Mice and Men , and Mervyn Peake has a Machiavellian, manipulative, and murderous villain in Gormenghast named Steerpike . The charactonym can also indicate appearance. For example, François Rabelais gave

507-496: Is possible, therefore, to have stories that do not contain "characters" in Aristotle's sense of the word, since character necessarily involves making the ethical dispositions of those performing the action clear. If, in speeches, the speaker "decides or avoids nothing at all", then those speeches "do not have character" (1450b9—11). Aristotle argues for the primacy of plot ( mythos ) over character ( ethos ). He writes: But

546-428: Is the participation of an outsider performer (such as a musician or actor ) in an event such as a music record or concert , show , etc., when the performer does not belong to the regular band, cast, or other performing group. In music, such an outside performer is often referred to as a guest artist. Guest appearances have been known in theatre , ballet , and classical music for centuries, with guests both from

585-467: The buffoon ( bômolochus ), the ironist ( eirōn ), and the imposter or boaster ( alazṓn ). All three are central to Aristophanes ' Old Comedy . By the time the Roman comic playwright Plautus wrote his plays two centuries later, the use of characters to define dramatic genres was well established. His Amphitryon begins with a prologue in which Mercury claims that since

624-480: The record label of the guest and make sure that proper credits are delivered to the host record label. Often credits appear in the form " Artist name , courtesy of Record Label name. " The guests are often referred to as featured artists or featured guests. Such a performer may be annotated in credits or even in song titles by the abbreviation feat. or further abbreviation ft. ; or by the word with or abbreviation w/ . The specific credit and billing given to

663-452: The social relations of class and gender , such that the conflicts between the characters reveal ideological conflicts. The study of a character requires an analysis of its relations with all of the other characters in the work. The individual status of a character is defined through the network of oppositions (proairetic, pragmatic , linguistic , proxemic ) that it forms with the other characters. The relation between characters and

702-452: The action of the story shifts historically, often miming shifts in society and its ideas about human individuality, self-determination , and the social order . In fiction writing , authors create dynamic characters using various methods. Sometimes characters are conjured up from imagination; in other instances, they are created by amplifying the character trait of a real person into a new fictional creation. An author or creator basing

741-627: The case of specific crossovers already being the main theme, guest characters may be those who do not fit within that theme. The inclusion of stars, particularly those from older generations near the end of their career arcs, may bring benefits to the stars themselves. In rap, mutual and multiple guest starring was recognized as a way to diversify the performance. In theatre and ballet, guest appearances diversify actors' repertory and experience under different choreographers, and give more acting opportunities. Even for established stars, prestigious overseas engagements increase their home status. Conversely,

780-453: The characters, but they include the characters for the sake of their actions" (1450a15-23). Aristotle suggests that works were distinguished in the first instance according to the nature of the person who created them: "the grander people represented fine actions, i.e. those of fine persons" by producing "hymns and praise-poems", while "ordinary people represented those of inferior ones" by "composing invectives" (1448b20—1449a5). On this basis,

819-586: The earliest surviving work of dramatic theory , Poetics ( c.  335 BCE ), the Classical Greek philosopher Aristotle states that character ( ethos ) is one of six qualitative parts of Athenian tragedy and one of the three objects that it represents (1450a12). He understands character not to denote a fictional person, but the quality of the person acting in the story and reacting to its situations (1450a5). He defines character as "that which reveals decision , of whatever sort" (1450b8). It

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858-683: The end of the 18th century, the phrase " in character " has been used to describe an effective impersonation by an actor. Since the 19th century, the art of creating characters, as practiced by actors or writers , has been called characterization . A character who stands as a representative of a particular class or group of people is known as a type. Types include both stock characters and those that are more fully individualized . The characters in Henrik Ibsen 's Hedda Gabler (1891) and August Strindberg 's Miss Julie (1888), for example, are representative of specific positions in

897-417: The guest takes part in the act of the resident staff. The duration of involvement of a guest artist may vary, from separate short-term acts with fees per concert to fixed temporary contracts for several seasons. In the early days of the pop music industry the bands were relatively stable units, and while guests were not uncommon, they were seldom given credits on album covers. For example, Eric Clapton

936-410: The home and guest styles. Touring increases physical load on an actor. It is also associated with multiple stress factors: from jet lags to close calls due to unanticipated travel delays. With a television series, the appearance of a special guest star, or depending on an overabundance of guest star appearances to the frustration and demerit of the regular cast of the series, could mark the moment when

975-407: The home country and from abroad. The advent of air transport has made this practice much more practical and global. In classical music, guest orchestra conductors are a common practice. Guest artists should not be confused with touring groups, troupes, orchestra, or even individual artists, although the distinction may be blurred. In the case of touring, their act is independent in itself, while

1014-409: The invested research in the entertainment business. The global media and entertainment (M&E) market, including film, television shows and advertising , streaming media , music, broadcasting, radio, book publishing , video games, and ancillary services and products was worth US$ 1.72 trillion in 2015, $ 1.9 trillion in 2016, and estimated at $ 2.14 trillion in 2020. About one third of

1053-406: The most important of these is the structure of the incidents. For (i) tragedy is a representation not of human beings but of action and life. Happiness and unhappiness lie in action, and the end [of life] is a sort of action, not a quality; people are of a certain sort according to their characters, but happy or the opposite according to their actions. So [the actors] do not act in order to represent

1092-642: The name Gargantua to a giant and the huge whale in Pinocchio (1940) is named Monstro . In his book Aspects of the Novel , E. M. Forster defined two basic types of characters, their qualities, functions, and importance for the development of the novel: flat characters and round characters. Flat characters are two-dimensional, in that they are relatively uncomplicated. By contrast, round characters are complex figures with many different characteristics, that undergo development, sometimes sufficiently to surprise

1131-406: The narrative structure, unlike core characters, for which any significant conflict must be traced during a considerable time, which is often seen as an unjustified waste of resources. There may also be a continuing or recurring guest character. Sometimes a guest or minor character may gain unanticipated popularity and turn into a regular or main one; this is known as a breakout character . In

1170-404: The play contains kings and gods, it cannot be a comedy and must be a tragicomedy . [...] is first used in English to denote 'a personality in a novel or a play' in 1749 ( The Shorter Oxford English Dictionary , s.v.). Its use as 'the sum of the qualities which constitute an individual' is a mC17 development. The modern literary and theatrical sense of 'an individual created in a fictitious work'

1209-481: The reader. In psychological terms, round or complex characters may be considered to have five personality dimensions under the Big Five model of personality. The five factors are: Stock characters are usually one-dimensional and thin. Mary Sues are characters that usually appear in fan fiction which are virtually devoid of flaws, and are therefore considered flat characters. Another type of flat character

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1248-504: The sense of "a part played by an actor " developed. (Before this development, the term dramatis personae , naturalized in English from Latin and meaning "masks of the drama", encapsulated the notion of characters from the literal aspect of masks .) Character, particularly when enacted by an actor in the theater or cinema, involves "the illusion of being a human person". In literature, characters guide readers through their stories, helping them to understand plots and ponder themes. Since

1287-400: The series' run. Recurring characters often play major roles in more than one episode, sometimes being the main focus. A guest or minor character is one who acts only in a few episodes or scenes. Unlike regular characters, the guest ones do not need to be carefully incorporated into the storyline with all its ramifications: they create a piece of drama and then disappear without consequences to

1326-450: The start of the story, he is a bitter miser, but by the end of the tale, he transforms into a kindhearted, generous man. In television, a regular, main or ongoing character is a character who appears in all or a majority of episodes, or in a significant chain of episodes of the series. Regular characters may be both core and secondary ones. A recurring character or supporting character often and frequently appears from time to time during

1365-436: The template set by the majority of the other characters (for non-playable characters this applies too, see Cameo appearance ). The premise of a playable character straying from a general theme may, for example, include the introduction of real-life personalities to a roster of fictional characters or the blending of characters originating from a different series, franchise or medium entirely (see crossovers in video games ). In

1404-529: The total ($ 735 billion in 2017) is made up by the U.S. entertainment industry, the largest M&E market in the world. The entertainment sector can be split up into the following subsectors: The industry segment is covered by class "R" of the International Standard Industrial Classification : "Arts, entertainment and recreation ". Character (arts) In fiction , a character or personage ,

1443-501: Was Jonathan Harris in Lost in Space . In a nonfiction television show , a guest star is a guest on the show who is a celebrity or other noteworthy interviewee or commentator. For a list of guest appearances in television, see Lists of guest appearances in television . In video games , the term denotes a playable character whose inclusion in that video game's roster does not follow

1482-494: Was in common usage throughout the 20th century, though the first known use in print dates from 1850. At that time and for several decades, it typically included an initial the . By the latter part of the century, it had acquired a slightly arcane quality associated with the era of variety, but the term is still in active use. In modern entertainment industry, it is also associated with the fashion industry (creating trend and fashion) and acquiring intellectual property rights from

1521-434: Was not credited in print for his guitar performance in the release of " While My Guitar Gently Weeps " of The Beatles . Gradually guest appearances have become a fully credited staple of music industry. The custom of guest appearance has become especially prominent in rap music , and this influenced rock musicians as well. To have a guest star on a record, a production coordinator must in many cases obtain permission from

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