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115-955: The company was known as the Homer Laughlin China Company (HLCC) until 2020, when it sold its food service divisions, along with the Homer Laughlin name, to Steelite , a British tableware manufacturer. HLCC in turn rebranded itself as the Fiesta Tableware Company, retaining its retail division, prominent Fiesta line, factories and headquarters in Newell, West Virginia. Fiesta's original shapes and glazes were designed by Frederick Hurten Rhead , Homer Laughlin's art director from 1927 until his death in 1942. Fiesta products before 1986 were semi-vitreous pottery, and after 1986 were vitreous china allowing marketing it for food service applications. Several of

230-842: A 20th-century adaptation of a classical subject. Other important works for Rockefeller Center were made by Lee Lawrie , including the sculptural façade and the Atlas statue . During the Great Depression in the United States, many sculptors were commissioned to make works for the decoration of federal government buildings, with funds provided by the WPA, or Works Progress Administration . They included sculptor Sidney Biehler Waugh, who created stylized and idealized images of workers and their tasks for federal government office buildings. In San Francisco, Ralph Stackpole provided sculpture for

345-618: A broadly applied stylistic label in 1968 when historian Bevis Hillier published the first major academic book on it, Art Deco of the 20s and 30s . He noted that the term was already being used by art dealers, and cites The Times (2 November 1966) and an essay named Les Arts Déco in Elle magazine (November 1967) as examples. In 1971, he organized an exhibition at the Minneapolis Institute of Arts , which he details in his book The World of Art Deco . In its time, Art Deco

460-540: A departure from) the undulating Art Nouveau style of Hector Guimard , so popular in Paris a few years earlier. Grasset stressed the principle that various simple geometric shapes like triangles and squares are the basis of all compositional arrangements. The reinforced-concrete buildings of Auguste Perret and Henri Sauvage, and particularly the Théâtre des Champs-Élysées , offered a new form of construction and decoration which

575-482: A floral chair with a parrot design for the hunting lodge of art collector Jacques Doucet . The furniture designers Louis Süe and André Mare made their first appearance at the 1912 exhibit, under the name of the Atelier français , combining polychromatic fabrics with exotic and expensive materials, including ebony and ivory. After World War I, they became one of the most prominent French interior design firms, producing

690-468: A modernist look. At its birth between 1910 and 1914, Art Deco was an explosion of colours, featuring bright and often clashing hues, frequently in floral designs, presented in furniture upholstery , carpets, screens, wallpaper and fabrics. Many colourful works, including chairs and a table by Maurice Dufrêne and a bright Gobelin carpet by Paul Follot were presented at the 1912 Salon des artistes décorateurs . In 1912–1913 designer Adrien Karbowsky made

805-443: A more contemporary appearance. The glaze colors were also changed, with the choices being limited to three colors for the place-setting pieces, and one color for the five major serving pieces. These were the remainder of the 64-piece assortment of shapes. Although essentially the same Red glaze as had then been available since 1959, it was renamed Mango Red. Replacing Yellow, Turquoise, and Medium Green, were two new glaze colors. One

920-463: A painting by Jean Dupas . The interior design followed the same principles of symmetry and geometric forms which set it apart from Art Nouveau, and bright colours, fine craftsmanship rare and expensive materials which set it apart from the strict functionality of the Modernist style. While most of the pavilions were lavishly decorated and filled with hand-made luxury furniture, two pavilions, those of

1035-399: A part in the resurgence of decorative arts, as French designers felt challenged by the increasing exports of less expensive German furnishings. In 1911, SAD proposed a major new international exposition of decorative arts in 1912. No copies of old styles would be permitted, only modern works. The exhibit was postponed until 1914; and then, because of the war, until 1925, when it gave its name to

1150-495: A predetermined glaze color. With World War II and the need for manufacturers to focus on production for that effort, non-war related production and public demand declined. Beginning in 1942, the number and variety of items in the Fiesta line began to be reduced. Over the next four years, the more unusual serving pieces were discontinued, and by 1946, the line's variety of items had been reduced by nearly one third. Overall sales of

1265-429: A premium price in the secondary market, both for its vibrancy in the mix of colors and for its scarcity due to limited years of production. While many collectors love all the colors, some only want those of the "Original 6" or "Fifties Colors". Brilliant red Fiesta (and indeed the red glazes produced by all U.S. potteries of the era) is known for having a detectable amount of uranium oxide in its glaze , which produced

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1380-518: A sixth color was added: With the exception of the Red, this color assortment remained in production until about 1950. The first known company price list showing the new colors is dated 1951. The original Red had been discontinued before 1944 (see below). The discontinuation of red, plus the general changes in society due to the United States' participation in World War II, caused a slump in sales of

1495-602: A style which flourished in Europe between 1895 and 1900, and coexisted with the Beaux-Arts and neoclassical that were predominant in European and American architecture. In 1905 Eugène Grasset wrote and published Méthode de Composition Ornementale, Éléments Rectilignes, in which he systematically explored the decorative (ornamental) aspects of geometric elements, forms, motifs and their variations, in contrast with (and as

1610-497: A total of 39 glaze colors, none of which matches exactly any of the thirteen colors of vintage Fiesta. As of early 2008, many Fiesta shapes exist in a total of 39 color glazes . In addition to the first five glazes, the names of the new color glazes, in order of introduction, are: Since the reintroduction of Fiesta in 1986, Homer Laughlin has introduced three colors which were each available for only two years: Lilac (1993–1995), Chartreuse (1997–1999) and Juniper (2000–2001). Sapphire

1725-413: A year into Fiesta's production) was otherwise also in continuous production until the end of the original vintage era in 1969. Red, while an original color at the line's introduction, was removed from the market before 1944 (see below). Although it was brought back into production from 1959 to 1969, this was after most of the unusual serving pieces had long been discontinued. Red pieces also usually command

1840-675: Is Tamara de Lempicka . Born in Poland, she emigrated to Paris after the Russian Revolution . She studied under Maurice Denis and André Lhote , and borrowed many elements from their styles. She painted portraits in a realistic, dynamic and colourful Art Deco style. In the 1930s, a dramatic new form of Art Deco painting appeared in the United States. During the Great Depression, the Federal Art Project of

1955-613: Is a style of visual arts, architecture , and product design , that first appeared in Paris in the 1910s (just before World War I ), and flourished in the United States and Europe during the 1920s to early 1930s. Through styling and design of the exterior and interior of anything from large structures to small objects, including how people look (clothing, fashion, and jewelry), Art Deco has influenced bridges, buildings (from skyscrapers to cinemas), ships, ocean liners , trains, cars, trucks, buses, furniture, and everyday objects including radios and vacuum cleaners. Art Deco got its name after

2070-400: Is still owned by the Fiesta Tableware Company formerly called the Homer Laughlin China Company of Newell , West Virginia , which was the original company that produced and marketed it. Except for minor adjustments due to manufacturing requirements, the design of the original shapes remained virtually unchanged from 1936 to 1969. As home decorating color styles changed, the company did change

2185-755: Is the Christ the Redeemer by the French sculptor Paul Landowski , completed between 1922 and 1931, located on a mountain top overlooking Rio de Janeiro , Brazil. Many early Art Deco sculptures were small, designed to decorate salons. One genre of this sculpture was called the Chryselephantine statuette, named for a style of ancient Greek temple statues made of gold and ivory. They were sometimes made of bronze, or sometimes with much more lavish materials, such as ivory, onyx , alabaster, and gold leaf. One of

2300-446: Is very smooth, hard and much more glossy than the original Fiesta. Since its introduction, new Fiesta has remained popular. In addition, it has increased collector interest in all the lines. Many people are collecting vintage pieces, as well as purchasing new items from department stores and catalog retailers. Fiesta collectors often add this new ware to existing collections of vintage Fiesta, while others concentrate on buying only from

2415-491: The Empire State Building , Chrysler Building , and other buildings from the 1920s and 1930s are monuments to the style. In the 1930s, during the Great Depression , Art Deco gradually became more subdued. A sleeker form of the style, called Streamline Moderne , appeared in the 1930s, featuring curving forms and smooth, polished surfaces. Art Deco was a truly international style, but its dominance ended with

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2530-528: The Musée d'Orsay in Paris. Parallel with these Art Deco sculptors, more avant-garde and abstract modernist sculptors were at work in Paris and New York City. The most prominent were Constantin Brâncuși , Joseph Csaky , Alexander Archipenko , Henri Laurens , Jacques Lipchitz , Gustave Miklos , Jean Lambert-Rucki , Jan et Joël Martel , Chana Orloff and Pablo Gargallo . The Art Deco style appeared early in

2645-496: The Works Progress Administration was created to give work to unemployed artists. Many were given the task of decorating government buildings, hospitals and schools. There was no specific Art Deco style used in the murals; artists engaged to paint murals in government buildings came from many different schools, from American regionalism to social realism ; they included Reginald Marsh , Rockwell Kent and

2760-434: The hospitality industry . The company had a turnover of £117 million in 2016. In 2017, it supplied tableware to more than 140 countries, and employed more than 1,000 people. Production output was reported to be around 550,000 pieces per week. Steelite International plc was established in 1983, when David Edward Dunn Johnson bought the hotelware division of Royal Doulton . The company operates from Dale Hall Works and

2875-430: The École royale gratuite de dessin (Royal Free School of Design), founded in 1766 under King Louis XVI to train artists and artisans in crafts relating to the fine arts, was renamed the École nationale des arts décoratifs ( National School of Decorative Arts). It took its present name, ENSAD ( École nationale supérieure des arts décoratifs ), in 1920.. The actual term art déco did not appear in print until 1966, in

2990-901: The 1912 Salon d'Automne was entrusted to the department store Printemps , and that year it created its own workshop, Primavera . By 1920 Primavera employed more than 300 artists, whose styles ranged from updated versions of Louis XIV , Louis XVI , and especially Louis Philippe furniture made by Louis Süe and the Primavera workshop, to more modern forms from the workshop of the Au Louvre department store. Other designers, including Émile-Jacques Ruhlmann and Paul Follot, refused to use mass production, insisting that each piece be made individually. The early Art Deco style featured luxurious and exotic materials such as ebony , ivory and silk, very bright colours and stylized motifs , particularly baskets and bouquets of flowers of all colours, giving

3105-424: The 1920s, the look changed; the fashions stressed were more casual, sportive and daring, with the woman models usually smoking cigarettes. American fashion magazines such as Vogue , Vanity Fair and Harper's Bazaar quickly picked up the new style and popularized it in the United States. It also influenced the work of American book illustrators such as Rockwell Kent. In Germany, the most famous poster artist of

3220-556: The 1920s. The art movement known as Cubism appeared in France between 1907 and 1912, influencing the development of Art Deco. In Art Deco Complete: The Definitive Guide to the Decorative Arts of the 1920s and 1930s Alastair Duncan writes "Cubism, in some bastardized form or other, became the lingua franca of the era's decorative artists." The Cubists, themselves under the influence of Paul Cézanne , were interested in

3335-415: The 1920s. Art Deco's development of Cubism's selective geometry into a wider array of shapes carried Cubism as a pictorial taxonomy to a much broader audience and wider appeal. (Richard Harrison Martin, Metropolitan Museum of Art) Art Deco was not a single style, but a collection of different and sometimes contradictory styles. In architecture, Art Deco was the successor to (and reaction against) Art Nouveau,

3450-969: The 1925 Exposition internationale des arts décoratifs et industriels modernes ( International Exhibition of Modern Decorative and Industrial Arts ) held in Paris . Art Deco has its origins in bold geometric forms of the Vienna Secession and Cubism . From its outset, it was influenced by the bright colors of Fauvism and of the Ballets Russes , and the exoticized styles of art from China , Japan , India , Persia , ancient Egypt , and Maya . During its heyday, Art Deco represented luxury, glamour, exuberance and faith in social and technological progress. The movement featured rare and expensive materials, such as ebony and ivory, and exquisite craftsmanship. It also introduced new materials such as chrome plating , stainless steel and plastic. In New York,

3565-487: The 1970s, a new appreciation for Art Deco designs from the 1920s and 1930s flourished. Along with this, the baby boomers were establishing their own households. They made Fiesta popular once again. Almost immediately after Fiesta was discontinued in January 1973, collectors began buying heavily in second-hand shops and the newly popular garage sales . Another avenue for acquiring pieces, and sometimes entire collections,

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3680-528: The 19th century were considered simply artisans. The term arts décoratifs had been invented in 1875 , giving the designers of furniture, textiles, and other decoration official status. The Société des artistes décorateurs (Society of Decorative Artists), or SAD, was founded in 1901, and decorative artists were given the same rights of authorship as painters and sculptors. A similar movement developed in Italy. The first international exhibition devoted entirely to

3795-653: The Art Deco aesthetic, when transposed from the canvas onto a textile material or wallpaper. Sonia Delaunay conceives her dress models in an abstract and geometric style, "as live paintings or sculptures of living forms". Cubist-like designs are created by Louis Barrilet in the stained-glass windows of the American bar at the Atrium Casino in Dax (1926), but also including names of fashionable cocktails. In architecture,

3910-523: The Crossroads (1933) for 30 Rockefeller Plaza featured an unauthorized portrait of Lenin . When Rivera refused to remove Lenin, the painting was destroyed and a new mural was painted by the Spanish artist Josep Maria Sert . Sculpture was a very common and integral feature of Art Deco architecture. In France, allegorical bas-reliefs representing dance and music by Antoine Bourdelle decorated

4025-523: The Mexican painter Diego Rivera . The murals were Art Deco because they were all decorative and related to the activities in the building or city where they were painted: Reginald Marsh and Rockwell Kent both decorated U.S. postal buildings, and showed postal employees at work while Diego Rivera depicted automobile factory workers for the Detroit Institute of Arts . Diego Rivera's mural Man at

4140-772: The Smithsonian Institution Press, Fiesta's appeal lies in its colors, design, and affordability. In 2002, The New York Times called Fiesta "the most collected brand of china in the United States". Fiesta was introduced at the annual Pottery and Glass Exhibit in Pittsburgh , Pennsylvania in January 1936. It was not the first solid color dinnerware in the US; smaller companies, especially Bauer Pottery in California , had been producing dinnerware , vases, and garden pottery, in solid color glazes for

4255-572: The Soviet Union and Pavilion de L'Esprit Nouveau , built by the magazine of that name run by Le Corbusier, were built in an austere style with plain white walls and no decoration; they were among the earliest examples of modernist architecture . In 1925, two different competing schools coexisted within Art Deco: the traditionalists, who had founded the Society of Decorative Artists; included

4370-553: The Soviet Union, Konstantin Melnikov ; the Irish designer Eileen Gray; the French designer Sonia Delaunay; and the jewellers Georges Fouquet and Jean Puiforcat . They fiercely attacked the traditional Art Deco style, which they said was created only for the wealthy, and insisted that well-constructed buildings should be available to everyone, and that form should follow function. The beauty of an object or building resided in whether it

4485-490: The United States during the Great Depression. The Federal Art Project hired American artists to create posters to promote tourism and cultural events. The architectural style of Art Deco made its debut in Paris in 1903–04, with the construction of two apartment buildings in Paris, one by Auguste Perret on rue Benjamin Franklin and the other on rue Trétaigne by Henri Sauvage. The two young architects used reinforced concrete for

4600-518: The United States in 1929, and reached Europe shortly afterwards, greatly reduced the number of wealthy clients who could pay for the furnishings and art objects. In the Depression economic climate, few companies were ready to build new skyscrapers. Even the Ruhlmann firm resorted to producing pieces of furniture in series, rather than individual hand-made items. The last buildings built in Paris in

4715-459: The United States, where, during the World War, he designed posters to encourage war production. The designer Charles Gesmar became famous making posters for the singer Mistinguett and for Air France . Among the best-known French Art Deco poster designers was Cassandre , who made the celebrated poster of the ocean liner SS Normandie in 1935. In the 1930s a new genre of posters appeared in

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4830-413: The activity on the secondary market. After a production lapse of 13 years, in 1986 the company marked the 50th anniversary of Fiesta by its reintroduction. Prior to mass production and promotion, Laughlin used the original semi-vitreous clay body on shapes taken mostly from the last incarnation of vintage Fiesta (1969–1973). The company then changed the body to a fully vitrified clay, to enable marketing to

4945-737: The adjacent Albany Works. Dale Hall Works was founded in 1790; from about 1937 to about 1998 it was operated by Dunn Bennett & Co Ltd (a company established in 1876 in Hanley ), then by Steelite International. In March 2020, the food service divisions of the Homer Laughlin China Company and its sister company, the Hall China Company, were acquired by Steelite. The former Homer Laughlin and Hall China manufacturing operations were subsequently renamed The Fiesta Tableware Company. Homer Laughlin's Fiesta retail line

5060-621: The beginning of World War II and the rise of the strictly functional and unadorned styles of modern architecture and the International Style of architecture that followed. Art Deco took its name, short for Arts Décoratifs , from the International Exhibition of Modern Decorative and Industrial Arts held in Paris in 1925, though the diverse styles that characterised it had already appeared in Paris and Brussels before World War I . Arts décoratifs

5175-512: The best-known Art Deco salon sculptors was the Romanian-born Demétre Chiparus , who produced colourful small sculptures of dancers. Other notable salon sculptors included Ferdinand Preiss , Josef Lorenzl , Alexander Kelety, Dorothea Charol and Gustav Schmidtcassel. Another important American sculptor in the studio format was Harriet Whitney Frishmuth , who had studied with Auguste Rodin in Paris. Pierre Le Paguays

5290-559: The better part of a decade by the time Fiesta was introduced to the market . However, Fiesta was the first widely mass-promoted and marketed solid-color dinnerware in the US. When it was introduced, the decoration of dinnerware and kitchenware ceramics was still inspired by the Victorian era , based on full, predetermined sets of dinnerware, all decorated with the same decal designs. With its solid color glazes and mix-and-match concept, Fiesta represented something radically new to

5405-476: The building or room. The themes were usually selected by the patrons, not the artist. Abstract sculpture for decoration was extremely rare. In the United States, the most prominent Art Deco sculptor for public art was Paul Manship , who updated classical and mythological subjects and themes in an Art Deco style. His most famous work was the statue of Prometheus at Rockefeller Center in New York City,

5520-493: The clear contrast between horizontal and vertical volumes, specific both to Russian Constructivism and the Frank Lloyd Wright - Willem Marinus Dudok line, becomes a common device in articulating Art Deco façades, from individual homes and tenement buildings to cinemas or oil stations. Art Deco also used the clashing colours and designs of Fauvism, notably in the work of Henri Matisse and André Derain , inspired

5635-420: The company continued to offer six colors as it had done through most of Fiesta's first decade. Through the 1950s sales of Fiesta continued to decrease from its first boom years of the 1930s. The company reduced its offering of items. But when in 1959 the United States government released its block on uranium , which enabled the manufacturer to once again produce the original bright orange-red glaze (see below),

5750-531: The company saw an opportunity to revive sales. The company discontinued the four new glazes of the previous decade in favor of the re-introduced original bright orange-red color, which along with the original yellow and turquoise colors, and a newly introduced bright green color were the four glaze color assortment offered to the public in 1959. This new shade of green was officially simply called This final four color glaze assortment of original Fiesta continued in production until 1969. Although this color assortment

5865-652: The decorative arts, the Esposizione Internazionale d'Arte Decorativa Moderna , was held in Turin in 1902. Several new magazines devoted to decorative arts were founded in Paris, including Arts et décoration and L'Art décoratif moderne . Decorative arts sections were introduced into the annual salons of the Sociéte des artistes français , and later in the Salon d'Automne . French nationalism also played

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5980-646: The designs of Art Deco textiles, wallpaper, and painted ceramics. It took ideas from the high fashion vocabulary of the period, which featured geometric designs, chevrons, zigzags, and stylized bouquets of flowers. It was influenced by discoveries in Egyptology , and growing interest in the Orient and in African art. From 1925 onwards, it was often inspired by a passion for new machines, such as airships, automobiles and ocean liners, and by 1930 this influence resulted in

6095-470: The discontinuation of the square bowl (992) and the square mug (923). American Fiesta , a one-man play, refers to the central character's obsession with collecting vintage Fiesta dinnerware. Steelite International Steelite International is a British ceramics manufacturer based in Middleport , Staffordshire , England. They specialise in alumina-strengthened vitreous tableware for

6210-551: The dominant architectural style became the International Style pioneered by Le Corbusier, and Mies van der Rohe . A handful of Art Deco hotels were built in Miami Beach after World War II, but elsewhere the style largely vanished, except in industrial design, where it continued to be used in automobile styling and products such as jukeboxes. In the 1960s, it experienced a modest academic revival, thanks in part to

6325-447: The earliest Art Deco landmark in Paris, the Théâtre des Champs-Élysées , in 1912. The 1925 Exposition had major sculptural works placed around the site, pavilions were decorated with sculptural friezes, and several pavilions devoted to smaller studio sculpture. In the 1930s, a large group of prominent sculptors made works for the 1937 Exposition Internationale des Arts et Techniques dans la Vie Moderne at Chaillot. Alfred Janniot made

6440-402: The end of the second World War and with the housing boom of returning GIs, home decorating styles and colors had changed. The manufacturer decided to retire some original glaze colors and replace them with four new modern colors in keeping with the changing decorative style. The original Yellow and Turquoise of the prior decade remained in production but were augmented by four new colors: Thus

6555-625: The façade of the new San Francisco Stock Exchange building. In Washington D.C., Michael Lantz made works for the Federal Trade Commission building. In Britain, Deco public statuary was made by Eric Gill for the BBC Broadcasting House , while Ronald Atkinson decorated the lobby of the former Daily Express Building in London (1932). One of the best known and certainly the largest public Art Deco sculpture

6670-456: The fireplace in the Maison du Collectionneur exhibit at the 1925 Exposition, which featured furniture by Ruhlmann and other prominent Art Deco designers. His murals were also prominent in the décor of the French ocean liner SS Normandie . His work was purely decorative, designed as a background or accompaniment to other elements of the décor. The other painter closely associated with the style

6785-493: The first modern reinforced-concrete apartment building in Paris on rue Benjamin Franklin in 1903–04. Henri Sauvage , another important future Art Deco architect, built another in 1904 at 7, rue Trétaigne (1904). From 1908 to 1910, the 21-year-old Le Corbusier worked as a draftsman in Perret's office, learning the techniques of concrete construction. Perret's building had clean rectangular form, geometric decoration and straight lines,

6900-622: The furniture designer Emile-Jacques Ruhlmann, Jean Dunand , the sculptor Antoine Bourdelle, and designer Paul Poiret; they combined modern forms with traditional craftsmanship and expensive materials. On the other side were the modernists, who increasingly rejected the past and wanted a style based upon advances in new technologies, simplicity, a lack of decoration, inexpensive materials, and mass production. The modernists founded their own organisation, The French Union of Modern Artists , in 1929. Its members included architects Pierre Chareau , Francis Jourdain , Robert Mallet-Stevens , Corbusier, and, in

7015-502: The furniture for the first-class salons and cabins of the French transatlantic ocean liners . The vivid hues of Art Deco came from many sources, including the exotic set designs by Léon Bakst for the Ballets Russes , which caused a sensation in Paris just before World War I. Some of the colours were inspired by the earlier Fauvism movement led by Henri Matisse ; others by the Orphism of painters such as Sonia Delaunay ; others by

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7130-423: The future trademarks of Art Deco. The décor of the theatre was also revolutionary; the façade was decorated with high reliefs by Antoine Bourdelle , a dome by Maurice Denis , paintings by Édouard Vuillard , and an Art Deco curtain by Ker-Xavier Roussel . The theatre became the venue for many of the first performances of the Ballets Russes . Perret and Sauvage became the leading Art Deco architects in Paris in

7245-477: The general public. The forms and surfaces expressed an Art Deco influence. At introduction, the Fiesta line of dinnerware comprised some 37 different pieces, including such occasional pieces as candle holders in two designs, a bud vase, and an ash tray. A set of seven nested mixing bowls ranged in size, from the smallest at five inches in diameter up to a nearly twelve-inch diameter. The company sold basic table service sets for four, six and eight persons, made up of

7360-466: The graphic arts, in the years just before World War I. It appeared in Paris in the posters and the costume designs of Léon Bakst for the Ballets Russes, and in the catalogues of the fashion designers Paul Poiret. The illustrations of Georges Barbier , and Georges Lepape and the images in the fashion magazine La Gazette du bon ton perfectly captured the elegance and sensuality of the style. In

7475-465: The hostess the opportunity to create her own table effects ... Plates of one color, Cream Soups of another, contrasting Cups and Saucers ... it's FUN to set a table with Fiesta!" The Homer Laughlin Company quickly added several additional items to the line. During this period some items were modified, and several items were eliminated, including the covered onion soup bowl, and the mixing bowl covers. In

7590-555: The idea of strengthening the concrete with a mesh of iron rods in a grill pattern. In 1893, Auguste Perret built the first concrete garage in Paris, then an apartment building, house, then, in 1913, the Théâtre des Champs-Élysées . The theatre was denounced by one critic as the "Zeppelin of Avenue Montaigne", an alleged Germanic influence, copied from the Vienna Secession . Thereafter, the majority of Art Deco buildings were made of reinforced concrete, which gave greater freedom of form and less need for reinforcing pillars and columns. Perret

7705-450: The larger serving pieces from the early 1940s. Prior to this reduction in the number of shapes offered, only one or two very specialized shapes had been discontinued such as covered onion soup bowls and covers for the nested mixing bowls and those had been discontinued by 1938. These early discontinued items, especially the covered onion soup bowls in the turquoise glaze and mixing bowl covers in any color, are today quite rare. By 1950, after

7820-472: The late 1960s, the shapes of Fiesta were glazed in a dark 'bean-pot' brown, flat pieces were given an underglaze 'Mediterranean-style' geometric decal in black, and the line was marketed as "Amberstone" in a supermarket promotion. Later these shapes were glazed in Antique Gold, with a different stylized pattern under the glaze. This line was dubbed "Casualstone" for another supermarket promotion. During

7935-548: The left bank, and along the banks of the Seine. The Grand Palais, the largest hall in the city, was filled with exhibits of decorative arts from the participating countries. There were 15,000 exhibitors from twenty different countries, including Austria, Belgium, Czechoslovakia, Denmark, Great Britain, Italy, Japan, the Netherlands, Poland, Spain, Sweden, and the new Soviet Union . Germany was not invited because of tensions after

8050-503: The manufacturers add different decals to the shapes and give them new names. Throughout its long life (1936–1973), the item shapes of Fiesta were often decorated with decals and marketed under other names, or a name variation. One example was "Fiesta Casuals", which consisted of two patterns, one with yellow and brown florals and accented with solid color Fiesta yellow items, the other with turquoise and brown florals and accented with solid color Fiesta turquoise items. As another example, in

8165-604: The more typical place-setting pieces of Fiesta remained strong and reportedly peaked around 1948. The popularity of Fiesta was due to its bright colors, durable construction, stylized art deco shapes and designs, and its promotion through mass marketing. From its first introduction in 1936 and for over a decade, Fiesta products were a widespread fad. The dinnerware became something of a status symbol for late 1930s and pre-war 1940s middle-class households. Today, vintage Fiesta trades briskly on auction websites and at other antique/vintage product sales venues. The line name and design

8280-530: The movement known as Les Nabis , and in the work of symbolist painter Odilon Redon, who designed fireplace screens and other decorative objects. Bright shades were a feature of the work of fashion designer Paul Poiret , whose work influenced both Art Deco fashion and interior design. The Théâtre des Champs-Élysées (1910–1913), by Auguste Perret , was the first landmark Art Deco building completed in Paris. Previously, reinforced concrete had been used only for industrial and apartment buildings, Perret had built

8395-670: The new assortment. Early in Fiesta's second incarnation, the Homer Laughlin Company marketed it as a new collectible . The manufacturer has maintained interest in Fiesta and manipulated the collectors' market over the past 34 years by discontinuing glaze colors, and by limiting production quantities on some items, or controlling production time frames. Similar techniques have been used by numerous other housewares, china, silver, toy, ornament, etc. companies. The Homer Laughlin China Company has produced new Fiesta in

8510-652: The new style were the Museum of Public Works by Auguste Perret (now the French Economic, Social and Environmental Council ), the Palais de Chaillot by Louis-Hippolyte Boileau , Jacques Carlu and Léon Azéma , and the Palais de Tokyo of the 1937 Paris International Exposition ; they looked out at the grandiose pavilion of Nazi Germany, designed by Albert Speer , which faced the equally grandiose socialist-realist pavilion of Stalin's Soviet Union. After World War II,

8625-527: The orange-red color . During World War II , the government took control of uranium for development of the atom bomb , and confiscated the company's stocks. Homer Laughlin discontinued Fiesta red in 1944. The company reintroduced Fiesta red in 1959 using depleted uranium (rather than the original natural uranium), after the Atomic Energy Commission relaxed its restrictions on uranium oxide. In addition to pottery glazing, uranium oxide

8740-421: The original shapes had to be modified due to this change in material and other new shapes were added by Jonathan O. Parry, who became Homer Laughlin's art director in 1984. Since its inception, Fiesta has been sold in sets or from "open stock", where customers can select, mix and match pieces from the entire color range. Notably, certain early glazes resulted in pieces that were slightly radioactive. According to

8855-519: The period was Ludwig Hohlwein , who created colourful and dramatic posters for music festivals, beers, and, late in his career, for the Nazi Party. During the Art Nouveau period, posters usually advertised theatrical products or cabarets. In the 1920s, travel posters, made for steamship lines and airlines, became extremely popular. The style changed notably in the 1920s, to focus attention on

8970-522: The possibility of leaching of uranium or other heavy metals (often present in some colored glazes) into food, especially acidic foods. Consumption of uranium from regular use of such dishware, estimated by the U.S. Nuclear Regulatory Commission , amounted to potential doses of about 0.4 mSv per year. By 1969 home decorating tastes had again changed. The company restyled the shapes of Fiesta to try to modernize it. Finials on covers, handles on cups, bowl contours and shapes, were all modified to give Fiesta

9085-423: The product being advertised. The images became simpler, precise, more linear, more dynamic, and were often placed against a single-color background. In France, popular Art Deco designers included Charles Loupot and Paul Colin , who became famous for his posters of American singer and dancer Josephine Baker . Jean Carlu designed posters for Charlie Chaplin movies, soaps, and theatres; in the late 1930s he emigrated to

9200-522: The production of the 500 millionth piece of dinnerware carrying the name Fiesta produced by the Homer Laughlin China Company since 1936. In anticipation of Fiesta's 75th anniversary in 2011, Homer Laughlin announced its 75th anniversary color: Marigold. In addition, it introduced the first of a line of specially backstamped annual anniversary items, a set of three baking bowls, at the 2008 International Home and Housewares Show in Chicago , Illinois. This

9315-527: The products, all the major Paris department stores, and major designers had their own pavilions. The Exposition had a secondary purpose in promoting products from French colonies in Africa and Asia, including ivory and exotic woods. The Hôtel du Collectionneur was a popular attraction at the Exposition; it displayed the new furniture designs of Emile-Jacques Ruhlmann, as well as Art Deco fabrics, carpets, and

9430-515: The relief sculptures on the façade of the Palais de Tokyo. The Musée d'Art Moderne de la Ville de Paris , and the esplanade in front of the Palais de Chaillot, facing the Eiffel Tower, was crowded with new statuary by Charles Malfray , Henry Arnold, and many others. Public Art Deco sculpture was almost always representational, usually of heroic or allegorical figures related to the purpose of

9545-459: The restaurant and service industry, as this clay was more durable. Many original shapes required a redesign because of shrinkage associated with the new clay. Although old and new runs appear similar, direct comparison demonstrates the newer pieces (made with the fully vitrified clay body) are noticeably smaller. In addition to redesigns, new shapes were added to the line. In 1986, Laughlin offered five colors: The glaze texture on this new Fiesta

9660-450: The salon passed through the full-scale model. The façade of the house, designed by Duchamp-Villon, was not very radical by modern standards; the lintels and pediments had prismatic shapes, but otherwise the façade resembled an ordinary house of the period. For the two rooms, Mare designed the wallpaper, which featured stylized roses and floral patterns, along with upholstery, furniture and carpets, all with flamboyant and colourful motifs. It

9775-557: The simplification of forms to their geometric essentials: the cylinder, the sphere, the cone. In 1912, the artists of the Section d'Or exhibited works considerably more accessible to the general public than the analytical Cubism of Picasso and Braque. The Cubist vocabulary was poised to attract fashion, furniture and interior designers. In the Art Décoratif section of the 1912 Salon d'Automne, an architectural installation

9890-450: The solid color glaze assortment offered. The texture of the original glazes, and throughout the life of vintage Fiesta, was semi-opaque. This is smooth and glossy, but without any shining glare, rather more like an eggshell. The ware sometimes shows "glaze curtains", areas of uneven glazing where a heavier application meets a lighter one. At its introduction in 1936, Fiesta was produced in five colors: By 1938, two years into production,

10005-470: The style called Streamline Moderne . The event that marked the zenith of the style and gave it its name was the International Exhibition of Modern Decorative and Industrial Arts which took place in Paris from April to October in 1925. This was officially sponsored by the French government, and covered a site in Paris of 55 acres, running from the Grand Palais on the right bank to Les Invalides on

10120-477: The title of the first modern exhibition on the subject, held by the Museum of Decorative Arts in Paris, Les Années 25 : Art déco, Bauhaus, Stijl, Esprit nouveau , which covered a variety of major styles in the 1920s and 1930s. The term was then used in a 1966 newspaper article by Hillary Gelson in The Times (London, 12 November), describing the different styles at the exhibit. Art Deco gained currency as

10235-405: The usual dinner plate, salad plate, soup bowl, and cup and saucer. But, the promotion and presentation of Fiesta from the start was as a line of open-stock items from which the individual purchaser could choose to combine serving and place pieces by personal preference and need. As an early Homer Laughlin Company brochure said: "COLOR! that's the trend today ..." and it went on to say, "It gives

10350-507: The war; the United States, misunderstanding the purpose of the exhibit, declined to participate. The event was visited by sixteen million people during its seven-month run. The rules of the exhibition required that all work be modern; no historical styles were allowed. The main purpose of the Exhibit was to promote the French manufacturers of luxury furniture, porcelain, glass, metalwork, textiles, and other decorative products. To further promote

10465-457: The whole family of styles known as "Déco". Parisian department stores and fashion designers also played an important part in the rise of Art Deco. Prominent businesses such as silverware firm Christofle , glass designer René Lalique , and the jewellers Louis Cartier and Boucheron began designing products in more modern styles. Beginning in 1900, department stores recruited decorative artists to work in their design studios. The decoration of

10580-471: The writings of architectural historians such as Bevis Hillier. In the 1970s efforts were made in the United States and Europe to preserve the best examples of Art Deco architecture, and many buildings were restored and repurposed. Postmodern architecture , which first appeared in the 1980s, like Art Deco, often includes purely decorative features. Deco continues to inspire designers, and is often used in contemporary fashion, jewellery, and toiletries. There

10695-459: The years up to 1940, the line was expanded by the production of more new items. At its most numerous, the Fiesta line comprised approximately 64 different items, including flower vases in three sizes, divided plates, water tumblers, carafes , teapots in two sizes, five part relish trays, and large chop plates in fifteen-inch and thirteen-inch diameters. In addition, it offered several unique promotional items for one dollar each, available only in

10810-423: Was Turf Green, which nearly matched the popular Avocado color of the day. The second color was Antique Gold, a brownish-yellow which nearly matched the popular Harvest Gold of the era. The line's name was changed to "Fiesta Ironstone". The shape redesigns and color changes did not restore Fiesta's popularity, and in January 1973 the company discontinued the Fiesta line. As is common with many dinnerware shapes,

10925-483: Was a brilliant publicist for modernist architecture; he stated that a house was simply "a machine to live in", and tirelessly promoted the idea that Art Deco was the past and modernism was the future. Le Corbusier's ideas were gradually adopted by architecture schools, and the aesthetics of Art Deco were abandoned. The same features that made Art Deco popular in the beginning, its craftsmanship, rich materials and ornament, led to its decline. The Great Depression that began in

11040-499: Was a distinct break from traditional décor. The critic Emile Sedeyn described Mare's work in the magazine Art et Décoration : "He does not embarrass himself with simplicity, for he multiplies flowers wherever they can be put. The effect he seeks is obviously one of picturesqueness and gaiety. He achieves it." The Cubist element was provided by the paintings. The installation was attacked by some critics as extremely radical, which helped make for its success. This architectural installation

11155-486: Was a prominent Art Deco studio sculptor, whose work was shown at the 1925 Exposition. He worked with bronze, marble, ivory, onyx, gold, alabaster and other precious materials. François Pompon was a pioneer of modern stylised animalier sculpture. He was not fully recognised for his artistic accomplishments until the age of 67 at the Salon d'Automne of 1922 with the work Ours blanc , also known as The White Bear , now in

11270-566: Was also a founder of the Wiener Werkstätte (1903–1932), an association of craftsmen and interior designers working in the new style. This became the model for the Compagnie des arts français , created in 1919, which brought together André Mare , and Louis Süe , the first leading French Art Deco designers and decorators. The emergence of Art Deco was closely connected with the rise in status of decorative artists, who until late in

11385-435: Was also a pioneer in covering the concrete with ceramic tiles , both for protection and decoration. The architect Le Corbusier first learned the uses of reinforced concrete working as a draftsman in Perret's studio. Other new technologies that were important to Art Deco were new methods in producing plate glass , which was less expensive and allowed much larger and stronger windows, and for mass-producing aluminium , which

11500-493: Was available and sold for ten years (1959–1969), the popularity of Fiesta had fallen. Because overall sales of the line had decreased, this newest shade of green is seen as in very short supply on the secondary market relative to the other glaze colors. Both Yellow and Turquoise had been in continuous production since the earliest days, and Red had previously been in production, so on the secondary market those colors were more easily available. The last glaze color, called Medium Green

11615-730: Was copied worldwide. In decoration, many different styles were borrowed and used by Art Deco. They included pre-modern art from around the world and observable at the Musée du Louvre , Musée de l'Homme and the Musée national des Arts d'Afrique et d'Océanie . There was also popular interest in archaeology due to excavations at Pompeii , Troy , and the tomb of the 18th dynasty Pharaoh Tutankhamun . Artists and designers integrated motifs from ancient Egypt , Africa , Mesopotamia , Greece , Rome , Asia, Mesoamerica and Oceania with Machine Age elements. Other styles borrowed included Futurism , Orphism, Functionalism , and Modernism in general. Cubism discovers its decorative potential within

11730-535: Was exhibited known as La Maison Cubiste . The façade was designed by Raymond Duchamp-Villon . The décor of the house was by André Mare . La Maison Cubiste was a furnished installation with a façade, a staircase, wrought iron banisters, a bedroom, a living room—the Salon Bourgeois , where paintings by Albert Gleizes , Jean Metzinger , Marie Laurencin , Marcel Duchamp , Fernand Léger and Roger de La Fresnaye were hung. Thousands of spectators at

11845-572: Was first used in France in 1858 in the Bulletin de la Société française de photographie . In 1868, the Le Figaro newspaper used the term objets d'art décoratifs for objects for stage scenery created for the Théâtre de l'Opéra . In 1875, furniture designers, textile, jewellers, glass-workers, and other craftsmen were officially given the status of artists by the French government. In response,

11960-557: Was followed by the introduction of a large serving platter in 2009 and a numbered soup tureen. Dinnerware and accessories were available in 2011–2012, with each introduction marketed for 75 weeks, beginning April 1, before being retired. As an indication of its influence, Fiesta was featured in a design exhibit at the Cooper-Hewitt Museum in New York City in 1988. In 2009, a new line of square Fiesta dinnerware

12075-429: Was introduced. Square is available as dinner, luncheon and salad plates, 19 oz. bowls and mugs, four-piece place settings, as well as a full line of accessories. Despite square silhouettes, pieces maintain a strong relationship to the company's established 'round' deco offering; coupe shape and height remain the same, along with the brand's signature concentric rings. In October 2016, the Homer Laughlin Company announced

12190-478: Was no section set aside for painting at the 1925 Exposition. Art deco painting was by definition decorative, designed to decorate a room or work of architecture, so few painters worked exclusively in the style, but two painters are closely associated with Art Deco. Jean Dupas painted Art Deco murals for the Bordeaux Pavilion at the 1925 Decorative Arts Exposition in Paris, and also painted the picture over

12305-634: Was not part of the sale and will continue to be manufactured at the existing plant in Newell, West Virginia, US. This article about a company of the UK is a stub . You can help Misplaced Pages by expanding it . This article about a manufacturing company in the United Kingdom is a stub . You can help Misplaced Pages by expanding it . Art deco Art Deco , short for the French Arts décoratifs ( lit.   ' Decorative Arts ' ),

12420-492: Was only produced during that decade, and so with less overall sales of the line, there was proportionally less product sold in this glaze color. As a consequence it has gained almost mythical status and, for certain pieces in this glaze, commands astronomical prices wholly disproportionate to the rest of the line. The Yellow glaze is the one glaze that was in production throughout the life of vintage Fiesta. Turquoise, while not strictly an original color (having been introduced about

12535-417: Was perfectly fit to fulfil its function. Modern industrial methods meant that furniture and buildings could be mass-produced, not made by hand. The Art Deco interior designer Paul Follot defended Art Deco in this way: "We know that man is never content with the indispensable and that the superfluous is always needed...If not, we would have to get rid of music, flowers, and perfumes..!" However, Le Corbusier

12650-454: Was sold exclusively at Bloomingdale's from 1996 to 1997. In November 2008, Homer Laughlin released the limited-edition color, Chocolate. The color of milk chocolate , the new shade added a second neutral tone to Fiesta's color palette. It was available for a limited period of time and on a limited number of pieces. In 1997, 500 limited-edition presentation bowls in an exclusive Raspberry (reddish maroon) colored glaze were made to commemorate

12765-409: Was subsequently exhibited at the 1913 Armory Show , New York City, Chicago and Boston. Thanks largely to the exhibition, the term "Cubist" began to be applied to anything modern, from women's haircuts to clothing to theater performances." The Cubist influence continued within Art Deco, even as Deco branched out in many other directions. Cubism's adumbrated geometry became coin of the realm in

12880-404: Was tagged with other names, like style moderne , Moderne , modernistic or style contemporain , and was not recognized as a distinct and homogenous style. New materials and technologies, especially reinforced concrete , were key to the development and appearance of Art Deco. The first concrete house was built in 1853 in the Paris suburbs by François Coignet. In 1877 Joseph Monier introduced

12995-436: Was through local auctions. Due to the enormous popularity of Fiesta in the secondary market, its prices skyrocketed. By the end of the 1970s and into the 1980s, some Fiesta items once costing pennies were commanding hundreds of U.S. dollars for scarcer items. By the mid-1980s, prices had climbed higher. Certain very rare pieces and colors were being traded for thousands of dollars. The Homer Laughlin China Company noticed

13110-490: Was used even more extensively in the tiling industry, producing uranium tile . Red is not the only color of vintage ceramic glaze that is radioactive; it is detectable from other colors, including ivory. The level of radioactivity of vintage fiestaware has been published and is available online. The U.S. Environmental Protection Agency warns consumers not to use radioactive glazed ceramics for food or drink use. Others recommend against using such pieces for food storage due to

13225-582: Was used for building and window frames and later, by Corbusier, Warren McArthur , and others, for lightweight furniture. The architects of the Vienna Secession (formed 1897), especially Josef Hoffmann , had a notable influence on Art Deco. His Stoclet Palace , in Brussels (1905–1911), was a prototype of the Art Deco style, featuring geometric volumes, symmetry, straight lines, concrete covered with marble plaques, finely-sculpted ornament, and lavish interiors, including mosaic friezes by Gustav Klimt . Hoffmann

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