Misplaced Pages

Filmation

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.

Filmation Associates was an American production company founded by Lou Scheimer , Hal Sutherland and Norm Prescott in 1962, before closing by Group W Productions on February 3, 1989. Located in Reseda, California , Filmation produced animated and live-action productions for cinema and television.

#38961

141-719: Notable productions that the company produced included the DC Comics and Archie Comics animated adaptations, Fat Albert and the Cosby Kids , the animated version of Star Trek and He-Man and the Masters of the Universe . As of now, DreamWorks Animation , through DreamWorks Classics , owns all of the company's library (except third-party licensed properties). Lou Scheimer and Filmation's main director Hal Sutherland met in 1957 while working at Larry Harmon Pictures on

282-608: A Superman cartoon that premiered on CBS on September 10, 1966. This was followed by several of the other DC superheroes, and then, in 1968, the first Archie Show . Both series greatly helped Filmation's popularity to increase into the 1970s, when it scored big with several of its series. The Filmation studio was purchased by the TelePrompTer Corporation in 1969. Two years later, in 1971, Filmation and Warner Bros. signed an agreement to distribute cartoons for film and television. In 1981, while Prescott left

423-471: A mythical realm. Since the 1940s, when Superman, Batman, and many of the company's other heroes began appearing in stories together, DC's characters have inhabited a shared continuity that was later dubbed the " DC Universe " by fans. With the story " Flash of Two Worlds ", in Flash No.   123 (September 1961), editor Schwartz (with writer Gardner Fox and artists Infantino and Joe Giella ) presented

564-434: A March 1937 cover date. The themed anthology that revolved originally around fictional detective stories became in modern times the longest-running ongoing comic series. A notable debut in the first issue was Slam Bradley , created in a collaboration between Wheeler-Nicholson, Siegel and Shuster. In 1937, in debt to printing-plant owner and magazine distributor Harry Donenfeld —who also published pulp magazines and operated as

705-508: A Saturday morning live action TV adaptation and gained a prominent position in the mainstream continuity of the DC Universe . As the popularity of superheroes faded in the late 1940s, DC Comics focused on such genres as science fiction, Westerns , humor , and romance . The company also published crime and horror titles, although relatively tame contributions that avoided the mid-1950s backlash against such comic genres. A handful of

846-476: A conceptual mechanism for slotting the 1930s and 1940s Golden Age heroes into this continuity using the explanation that they inhabited an other-dimensional "Earth 2", whilst the modern heroes exist on "Earth 1", consequently laying the foundations of what was later called the DC Multiverse . DC's introduction of the reimagined superheroes did not go unnoticed by their competitors. In 1961, with DC's JLA as

987-488: A copy of Superman. This extended to DC suing Fawcett Comics over Captain Marvel , who was at the time the top-selling comic character (see National Comics Publications, Inc. v. Fawcett Publications, Inc. ). Faced with declining sales and the prospect of bankruptcy if it lost the lawsuit, Fawcett capitulated in 1953 and ceased publishing comics. Years later, Fawcett sold the rights for Captain Marvel to DC Comics, and in 1972

1128-435: A device that was supposedly created to allow Prescott and Scheimer to share equal billing. Previously, Scheimer's name had been placed above Prescott's. However, the later Filmation productions credited only Scheimer, in the form of his signature ("Lou Scheimer, (Executive) Producer"), starting with Gilligan's Planet (1982). Many of its series—particularly the productions of the late 1970s and 1980s—are notable for imparting

1269-457: A direct adaptation, was inspired by the film (and later TV series ) M*A*S*H . M*U*S*H is an acronym for Mangy Unwanted Shabby Heroes since all the character were dogs stationed in the Arctic . The studio's intellectual property assets have changed hands on a number of occasions. The in-house productions ( The Archie Show , Fat Albert and the Cosby Kids , etc.), which form a majority of

1410-568: A drug-fueled storyline in writer Dennis O'Neil and artist Neal Adams ' Green Lantern , beginning with the story " Snowbirds Don't Fly " in the retitled Green Lantern / Green Arrow No.   85 (September 1971), which depicted Speedy , the teen sidekick of superhero archer Green Arrow , as having become a heroin addict. Jenette Kahn , a former children's magazine publisher, replaced Infantino as editorial director in January 1976. As it happened, her first task even before being formally hired,

1551-477: A few years, it yielded the popular animated series Static Shock . DC established Paradox Press to publish material such as the large-format Big Book of... series of multi-artist interpretations on individual themes, and such crime fiction as the graphic novel Road to Perdition . In 1998, DC purchased WildStorm Comics, Jim Lee 's imprint under the Image Comics banner, continuing it for many years as

SECTION 10

#1732780020039

1692-566: A group of classic monsters. Directed by Sutherland and written by Len Janson and Chuck Menville , it aired on ABC as part of The ABC Saturday Superstar Movie on December 16, 1972 . While most of the Warner Bros. characters were drawn well (veteran Warners animator Virgil Ross was working there at the time, along with other animators that had worked for Warner Bros. Animation in the late 1960s, such as Laverne Harding and Ed Solomon ), and were voiced by veteran voice actor Mel Blanc ,

1833-504: A handful of thematically-linked series he called collectively "The Fourth World" . In the existing series Superman's Pal Jimmy Olsen and in his own, newly-launched series New Gods , Mister Miracle , and The Forever People , Kirby introduced such enduring characters and concepts as arch-villain Darkseid and the other-dimensional realm Apokolips . Furthermore, Kirby intended their stories to be reprinted in collected editions, in

1974-456: A major slump, while manufactured " collectables " numbering in the millions replaced quality with quantity until fans and speculators alike deserted the medium in droves. DC's Piranha Press and other imprints (including the mature readers' line Vertigo , and Helix , a short-lived science fiction imprint) were introduced to facilitate compartmentalized diversification and allow for specialized marketing of individual product lines. They increased

2115-527: A majority of Filmation's work in the 1980s), along with John Erwin (voice of Reggie Mantle, and later the voice of He-Man ), Alan Oppenheimer (character actor in TV and film), Ted Knight , George DiCenzo (John Blackstar , Hordak , Bow on She-Ra ), Bill Cosby (voice of Fat Albert and himself), Melendy Britt , Howard Morris , Pat Fraley , Charlie Adler , Ed Gilbert , Susan Blu , Peter Cullen , Frank Welker , and Lou Scheimer (either uncredited, or under

2256-493: A more successful medium, network television . For the next few years they made television commercials and some other projects for other companies and made an unsuccessful pilot film for a Marx Brothers cartoon series. They also tried to develop an original series named The Adventures of Stanley Stoutheart (later renamed Yank and Doodle ) about a boy and a dog, but they were never able to sell it and almost closed down; until approached by DC Comics editor Mort Weisinger to do

2397-409: A movie for theatrical release, Flash Gordon: The Greatest Adventure of All . The original film edit was only aired three times on NBC , years after the series was cancelled. Fat Albert and the Cosby Kids was another hailed series created by and starring Bill Cosby with an explicit educational focus. He-Man and the Masters of the Universe , based on the popular line of Mattel toys, opened up

2538-423: A new Tom and Jerry series as well. Filmation also ventured into the feature film business. With their success in television firmly established by 1970, the company became profitable enough to return to the shelved Journey Back to Oz project, completing the animation and some minor voiceover work begun in 1962, and finished the film in 1971. It would take another year for Journey to be released theatrically in

2679-519: A new North American market for first-run television syndication for animation in the 1980s. The animated adaptations of the Archie Comics characters were also noteworthy for the original pop music produced for it, particularly the song " Sugar, Sugar ", which was a No. 1 hit single. In addition, certain episodes of He-Man and BraveStarr , in substance, and often animation, were pioneers in children's animated series of their time and paved

2820-440: A number of attempts to rise above the standard animated fare and produce reasonably well-written cartoons. The best-known example of this is its animated adaptation Star Trek: The Animated Series , which included scripts contributed by well-known science fiction writers and starred most of the original cast. Other favorably remembered Filmation series included a 16-part animated serial of Flash Gordon , originally intended as

2961-528: A primer. They would get artists ... and they taught them the ABCs, which amounted to learning Jack Kirby ... Jack was like the Holy Scripture and they simply had to follow him without deviation. That's what was told to me ... It was how they taught everyone to reconcile all those opposing attitudes to one single master point of view. Given carte blanche to write and illustrate his own stories, he created

SECTION 20

#1732780020039

3102-416: A principal in the magazine distributorship Independent News —Wheeler-Nicholson had to enter into partnership with Donenfeld to publish Detective Comics No.   1, and Detective Comics, Inc. (which helped inspire the abbreviation DC) was formed, with Wheeler-Nicholson and Donenfeld's accountant Jack S. Liebowitz listed as owners. As the company continued to experience cash-flow problems, Wheeler-Nicholson

3243-415: A publishing format that was later called the trade paperback , which became a standard industry practice decades later. While sales were respectable, they did not meet DC management's initially high expectations, and also suffered from a lack of comprehension and internal support from Infantino. By 1973 the "Fourth World" was all cancelled, although Kirby's conceptions soon became integral to the broadening of

3384-546: A rare denunciation from the National Association of Broadcasters , which accused Filmation of corrupting the Lassie franchise with "violence, crime and stupidity." A trademark of the company's productions, beginning in 1969, was a rotating, circular "Produced by" (and on some series, "Executive Producers") credit seen in the ending credits (and in later productions, the opening sequences) of Filmation programs, as

3525-658: A romantic interest for Batman named Julie Madison , as well as the Batarang weapon that Batman commonly uses, and the fictional aircraft called the Batplane . The story of Batman's origin was first shown in Detective Comics No.   33 (November 1939), which depicted the death of Thomas Wayne and Martha Wayne by a mugger . The origin story remained crucial for the fictional character after its inception. The Daily Planet (a common setting of Superman)

3666-400: A simple moral or life-lesson (explained by a key character, in a child-friendly manner) in the epilogue. The studio created very few original animated characters. Two examples were Fraidy Cat , a timid feline who has lost eight of his nine lives, which come back to haunt him; and Wacky and Packy, a caveman and his pet mammoth (Packy refers to the latter character being a "pachyderm") who enter

3807-523: A subsidiary of Time Warner. In June, the first Tim Burton-directed Batman film was released, and DC began publishing its hardcover series of DC Archive Editions ; these were collections of many of their early, key comics series, featuring rare and expensive stories previously unseen by the majority of modern fans. Much of the restoration work was handled by Rick Keene, with colour restoration performed by DC's long-time resident colourist Bob LeRose . The Archive Editions attempted to retroactively credit many of

3948-469: A superhero origin story with the reveal of an unnamed planet, later known as Krypton , where he is said to have originated . The issue also contained the first essential supporting character and one of the earliest female characters in any comic, with Lois Lane as Superman's first depicted romantic interest . The Green Hornet -inspired character known as the Crimson Avenger by Jim Chamber

4089-569: A supporting character called James Gordon , the police commissioner of what would later become Gotham City Police Department . Despite being a parody, All-American Publications introduced the earliest female character who became the female superhero Red Tornado (though disguised as a male) in Ma Hunkel who first appeared in the "Scribbly" stories in All-American Comics No.   3 (June 1939). Another important Batman debut

4230-501: A wholly separate imprint (and fictional universe) with its own unique style and audience. As part of this purchase, DC also began to publish titles under the fledgling WildStorm sub-imprint America's Best Comics (ABC), a series of titles created by Alan Moore which included The League of Extraordinary Gentlemen , Tom Strong , and Promethea . Moore strongly opposed this move, and DC eventually stopped publishing ABC. In March 2003, DC acquired publishing and merchandising rights to

4371-468: Is beginning to serve as representative for three animated films at the MIFED, in order to cleaning up unsold territories on various Filmation productions, which accordingly hit by a lawsuit from The Walt Disney Company back in 1985 in order to prevent making films that the company claims to be based on Disney classics. Like other animation studios, Filmation had its stock company of voiceover actors. Some of

Filmation - Misplaced Pages Continue

4512-516: Is still being used. The company created a second recurring title called New Comics , first released in December 1935, which was the start of the long-running Adventure Comics series that also featured many anthology titles. By 1936, the group had became Nicholson Publishing. Wheeler-Nicholson's next and final title, Detective Comics , was advertised with a cover illustration dated December 1936 but eventually premiered three months late with

4653-444: Is third. In 1934, entrepreneur Major Malcolm Wheeler-Nicholson founded National Allied Publications , intended as an American comic book publishing company. Its debut publication was the tabloid -sized New Fun: The Big Comic Magazine #1 (the first of a comic series later called More Fun Comics ) with a February 1935 cover date . An anthology title, essentially for original stories not reprinted from newspaper strips , it

4794-539: The Infinite Crisis limited series. Immediately after this event, DC's ongoing series jumped forward a full year in their in-story continuity, as DC launched a weekly series, 52 , to gradually fill in the missing time. Concurrently, DC lost the copyright to "Superboy" (while retaining the trademark) when the heirs of Jerry Siegel used a provision of the 1976 revision to the copyright law to regain ownership. In 2005, DC launched its " All-Star " line (evoking

4935-508: The BraveStarr episode "The Price", which includes the death of a character due to drug addiction. The 1985 Fat Albert episode "Busted" was a direct homage to the primetime Scared Straight! specials. A first for American children's cartoons, the original airing of this episode included mild profanity that has, however, been edited out of re-airings and home video versions. Likewise, the scripts for Star Trek , which were often written by

5076-753: The DC Comics character Captain Marvel ), The Ghost Busters and The Secrets of Isis . Filmation produced a live-action series called The Ghost Busters (1975), starring former F Troop stars Larry Storch and Forrest Tucker , with noted science-fiction fan and collector Bob Burns as "Tracy the Gorilla". The characters worked as paranormal investigators, working for an unseen "Chief" named "Zero" who delivered their "Ghost Busting Assignments" in whimsical disguised recording devices as in Mission: Impossible . Nine years later, Columbia Pictures , who produced an unrelated 1984 movie of almost

5217-905: The Flash , Cyborg , and Aquaman ; as well as famous fictional teams, including the Justice League , the Justice Society of America , the Teen Titans , and the Suicide Squad . The universe contains an assortment of well-known supervillains , such as the Joker , Lex Luthor , Deathstroke , the Reverse-Flash , Brainiac , and Darkseid . The company has published non-DC Universe-related material, including Watchmen , V for Vendetta , Fables , and many other titles, under

5358-667: The Green Lantern character, the introduction of the modern all-star team Justice League of America (JLA), and many more superheroes, heralding what historians and fans call the Silver Age of Comic Books . National radically overhauled its continuing characters—primarily Superman, Batman, and Wonder Woman—rather than just reimagining them. The Superman family of titles, under editor Mort Weisinger , introduced such enduring characters as Supergirl , Bizarro , and Brainiac . The Batman titles, under editor Jack Schiff , introduced

5499-483: The Phantom Stranger ) rose from art director to become DC's editorial director. With the growing popularity of upstart rival Marvel Comics threatening to topple DC from its longtime number-one position in the comics industry, he tried to direct DC's focus towards marketing new and existing titles and characters with more adult sensibilities, aimed at an emerging older age group of superhero comic book fans; this

5640-795: The Silver Age , the comics of the 1970s and 1980s became known as the Bronze Age, as fantasy gave way to more naturalistic and sometimes darker themes. Illegal drug use, banned by the Comics Code Authority , explicitly appeared in comics for the first time in Marvel Comics' story " Green Goblin Reborn! " in The Amazing Spider-Man No.   96 (May 1971), and after the Code's updating in response, DC offered

5781-536: The Spirit which it then used, along with some DC heroes, as part of the First Wave comics line launched in 2010 and lasting through fall 2011. In May 2011, DC announced it would begin releasing digital versions of their comics on the same day as paper versions. TelePrompTer Corporation TelePrompTer Corporation was an American media company that existed from approximately 1950 until 1981. The company

Filmation - Misplaced Pages Continue

5922-557: The line further, increasing the number of titles and story pages, and raising the price from 35 cents to 50 cents. Most series received eight-page back-up features while some had full-length twenty-five-page stories. This was a move the company called the "DC Explosion". The move was not successful, however, and corporate parent Warner dramatically cut back on these largely unsuccessful titles, firing many staffers in what industry watchers dubbed "the DC Implosion ". In September 1978,

6063-530: The portmanteau "Filmation". Both Rod Rocket and the Life of Christ series credited "Filmation Associates" with "Production Design" in addition to Scheimer and Sutherland as directors. (SIB Productions, whose logo bore a resemblance to the original Filmation logo designed by Ted Littlefield, would soon go on to become "Sib-Tower 12 Productions" and produce the first few of Chuck Jones ' Tom and Jerry films for MGM , until becoming MGM Animation/Visual Arts for

6204-511: The pseudonym of "Erik (sometimes "Eric") Gunden"). For the company's 1960s superhero efforts, composer John Gart (under the stage name John Marion) and music supervisor Gordon Zahler created strong themes and backing cues using a large orchestra, until the Batman entry in 1968, which used sparser production and jazzier themes. The company's 1960s adventure series Journey to the Center of

6345-461: The American comic book market was shared by DC Comics and its long-time major competitor Marvel Comics (acquired in 2009 by Warner Bros. Discovery's main competitor, The Walt Disney Company ), though this figure may be distorted by the fact that sales of graphic novels are excluded. When all book sales are included, DC is the second largest publisher of comic books, after Viz Media ; and Marvel

6486-490: The Bible as the foundation of his own new company, EC Comics . At that point, "Liebowitz promptly orchestrated the merger of All-American and Detective Comics into National Comics... Next he took charge of organizing National Comics, [the self-distributorship] Independent News, and their affiliated firms into a single corporate entity, National Periodical Publications ". National Periodical Publications became publicly traded on

6627-472: The Changing Man , as well as an increasing array of non-superhero titles, in an attempt to recapture the pre- Wertham days of post-War comicdom. In 1977, the company officially changed its name to DC Comics . It had used the brand "Superman-DC" since the 1950s, and was colloquially known as DC Comics for years. In June 1978, five months before the release of the first Superman film , Kahn expanded

6768-544: The DC Universe, especially after the major toy-company, Kenner Products , judged them ideal for their action-figure adaptation of the DC Universe , the Super Powers Collection . Obligated by his contract, Kirby created other unrelated series for DC, including Kamandi , The Demon , and OMAC , before ultimately returning to Marvel Comics in 1976. Following the science-fiction innovations of

6909-525: The Earth (1967) and Fantastic Voyage (1968) likewise used sparser music production. Journey made heavier emphasis on guitar than the company's previous series, while Voyage made use of deliberately haunting woodwinds to create a science fiction flavor. According to the booklets accompanying some of the DVDs of Filmation's shows, composer Ray Ellis (who was assisted by his son Marc Ellis) had produced

7050-469: The Filmation back catalog, were sold to Hallmark Cards in 1995, and were managed by its Hallmark Entertainment subsidiary. However, since the rest of Filmation's output was based on characters licensed from other companies, such titles are under the control of other studios (such as CBS Media Ventures and Warner Bros. via Turner Entertainment Co. and DC Entertainment ). In March 2004, ownership of

7191-461: The Filmation in-house library, which was under the ownership of Hallmark, was sold to UK-based Entertainment Rights . Entertainment Rights has since made the revelation that when Hallmark converted all of its Filmation series to digital format in the 1990s, only PAL-format copies were made, with the original film negatives and print rolls apparently discarded, as well as the original sound masters and other archival material belonging to Filmation. This

SECTION 50

#1732780020039

7332-565: The French cosmetics company L'Oréal . Before that sale was complete, Westinghouse shuttered the film studio on February 3, 1989, which left L'Oréal with only the Filmation library. This happened a day before the WARN Act went into effect requiring companies to give employees 60 days' notice before a mass layoff. Like other producers of Saturday-morning cartoons , Filmation was more concerned with quantity rather than quality; however, it did make

7473-486: The Hanna-Barbera sound effects were of a distinctively lower quality), though the company's DC Comics cartoons of 1966–67 used more realistic sound effects. Filmation received particular criticism for Lassie's Rescue Rangers , an animated continuation of the long-running live-action series Lassie . Lassie's co-creator and trainer, Rudd Weatherwax , said of the show: "That's not Lassie. That's trash." It drew

7614-556: The Silver Age Teen Titans led DC's editors to seek the same for the wider DC Universe . The result, the Wolfman/Pérez 12-issue limited series Crisis on Infinite Earths , gave the company an opportunity to realign and jettison some of the characters' complicated backstory and continuity discrepancies. A companion publication, two volumes entitled The History of the DC Universe , set out the revised history of

7755-581: The Sword ), as well as continuations to established stories, such as Pinocchio and the Emperor of the Night (1987) and Happily Ever After (1989; unreleased until 1993). In 1986, Omega Entertainment inked a worldwide television pact with Filmation in order to distribute the company's non-animated products, such as theatrical feature films, for worldwide TV distribution. Also that year, on October 22, Filmation

7896-649: The TV series. This change in tone coincided with the prominent "Go-Go Checks" cover-dress that featured a black-and-white checkered strip at the top of each DC comic (all cover dates between February 1966 and August 1967), a misguided attempt by then-managing editor Irwin Donenfeld to make DC's output "stand out on the newsracks". In particular, DC artist Carmine Infantino complained that the distinctive cover made it easier for readers to spot DC's titles and avoid them in favor of Marvel's titles. In 1967, Infantino (who had designed popular Silver Age characters Batgirl and

8037-564: The Teenage Witch credits and both "Ray Ellis", and "Jeff Michaels" appear side by side on Groovie Goolies credits, where "Ellis" is credited for "Sabrina background music", and "Michaels" is credited for "Groovie Goolies background music". Much of Ellis's background music in the late 1960s had a distinct, richly orchestrated sound not found on many other made-for-TV cartoon series of that period; though as time went on, it became more contemporary and often synthesized . Ellis's work at

8178-419: The U.S.A." strategy was comparable to the outsourced animation. Filmation did, however, rely on outsourcing once, when the company created its animated Zorro series. It was animated by Tokyo Movie Shinsha of Japan; however, the storyboards and graphics were made by Filmation itself. Filmation is also noteworthy for its background paintings under the direction of long-time department head Erv Kaplan, such as

8319-662: The United Kingdom, two more years before its 1974 U.S. release, and yet another two (1976) before it finally found its audience in network television, the very medium in which Filmation became successful. There, the film was expanded with live-action segments featuring Bill Cosby , who was in the midst of his success with the studio's Fat Albert and the Cosby Kids . A deal with Warner Bros. yielded Treasure Island and Oliver Twist , but left several others unproduced. In its final years, Filmation produced feature films of its He-Man and She-Ra franchises ( The Secret of

8460-676: The alternative imprint Vertigo and DC Black Label . Originally at 432 Fourth Avenue in Manhattan , New York City, the company offices have been located at 480 and later 575 Lexington Avenue , 909 Third Avenue , 75 Rockefeller Plaza , 666 Fifth Avenue , and 1325 Avenue of the Americas . DC Comics was located at 1700 Broadway in Midtown Manhattan until April 2015, when DC Entertainment transferred its headquarters to Burbank, California . DC Comics books are distributed to

8601-587: The antihero. These titles helped pave the way for comics to be more widely accepted in literary-criticism circles and to make inroads into the book industry, with collected editions of these series as commercially successful trade paperbacks . The mid-1980s also saw the end of many long-running DC war comics , including series that had been in print since the 1960s. These titles, all with over 100 issues, included Sgt. Rock , G.I. Combat , The Unknown Soldier , and Weird War Tales . In March 1989, Warner Communications merged with Time Inc. , making DC Comics

SECTION 60

#1732780020039

8742-507: The background music for most Filmation series under the pseudonyms "Yvette Blais and Jeff Michael". Yvette Blais was Ellis's wife, while "Jeff" and "Michael" were the names of producer Norm Prescott's two sons (exactly what role Prescott played in the music, other than hiring the composers and musicians, is unclear). The full-length features Treasure Island and Oliver Twist credit "George Blais". Ellis's name does appear in Archie and Sabrina

8883-517: The bands perform and Fat Albert had segments featuring series creator Bill Cosby . The Kid Super Power Hour with Shazam! , was more of a hybrid—a live-action variety show with animated segments. Actors appeared as characters from the Hero High portion of the series, singing songs and telling jokes. Filmation made six fully live-action series, including Space Academy , its spin-off Jason of Star Command , Ark II , Shazam! (based on

9024-571: The bookstore market by Penguin Random House Publisher Services . The comics shop direct market was supplied by Diamond Comic Distributors until June 2020, when Lunar Distribution and UCS Comic Distributors (who were by then dominating direct market distribution on account of the disruption to Diamond caused by the COVID-19 pandemic ) replaced Diamond as the direct market distributor. In 2017, approximately 70% of

9165-413: The brand's popularity, like the presence of the color red or word balloons on the cover, or that the perceived crudeness of the interior art was somehow more appealing to readers. When Lee learned about DC's subsequent experimental attempts to imitate these perceived details, he amused himself by arranging direct defiance of those assumptions in Marvel's publications as sales strengthened further to frustrate

9306-472: The character was revived in DC's new title Shazam! , which featured artwork by Captain Marvel's creator C. C. Beck . In the meantime, the abandoned 'Marvel' trademark had been seized by Marvel Comics in 1967, with the creation of their Captain Marvel , preventing DC from using the name in the title of their own comic series. While DC's Captain Marvel failed to recapture his earlier popularity, he later appeared in

9447-429: The comic book limited series . This publishing format allowed for the deliberate creation of finite storylines within a more flexible publishing format that could showcase creations without forcing the talent into unsustainable open-ended commitments. The first such title was World of Krypton in 1979, and its positive results led to subsequent similar titles and later more ambitious productions like Camelot 3000 for

9588-401: The company, Westinghouse Electric Corporation , through its Group W Productions division, acquired Filmation along with its purchase of TelePrompTer's cable and entertainment properties. The last shows produced by Filmation were Ghostbusters and BraveStarr , and the company's last production was the feature film Happily Ever After (a sequel to the story of Snow White ); this film

9729-482: The company. The resulting influx of sophisticated horror-fantasy material led to DC in 1993 establishing the Vertigo mature-readers imprint, which did not subscribe to the Comics Code Authority . Two DC limited series, Batman: The Dark Knight Returns by Frank Miller and Watchmen by Moore and artist Dave Gibbons , drew attention in the mainstream press for their dark psychological complexity and promotion of

9870-488: The competition. However, this ignorance of Marvel's true appeal did not extend to some of the writing talent during this period, and attempts were made to emulate Marvel's narrative approach. For instance, there was the Doom Patrol series by Arnold Drake (who had previously warned DC's management about Marvel's strength), a superhero team of outsiders who resented their freakish powers, which Drake later speculated

10011-556: The deficiency, resulting in a "jerky" motion. Filmation also made heavy use of rotoscoping in later years (beginning with its Tarzan and Flash Gordon series). It also re-used the same animated sequences over and over, many times, to the point where the Filmation style was instantly recognizable. One example of this can be seen in She-Ra's and He-Man's transformation sequences. This frequent use of stock footage saved production money, but often resulted in sacrifice of continuity. This

10152-547: The direct market in 1982. These changes in policy shaped the future of the medium as a whole, and in the short term allowed DC to entice creators away from rival Marvel, and encourage stability on individual titles. In November 1980 DC launched the ongoing series The New Teen Titans , by writer Marv Wolfman and artist George Pérez , two popular talents with a history of success. Their superhero-team comic, superficially similar to Marvel's ensemble series X-Men , but rooted in DC history, earned significant sales in part due to

10293-512: The distribution of NPP's shows. A 1966 Batman TV show on the ABC network sparked a temporary spike in comic book sales and a brief fad for superheroes in Saturday morning animation ( Filmation produced most of DC's initial cartoons) and other media. DC significantly lightened the tone of many of its comics—particularly Batman and Detective Comics —to better complement the "camp" tone of

10434-661: The end of 2009. By 2007, DC was licensing characters from the Archie Comics imprint Red Circle Comics . They appeared in the Red Circle line, based in the DC Universe, with a series of one-shots followed by a miniseries that led into two ongoing titles that each lasted for ten issues. In 2011, DC rebooted all of its running titles following the Flashpoint storyline. The reboot called The New 52 gave new origin stories and costume designs to many of DC's characters. DC licensed pulp characters including Doc Savage and

10575-583: The ending credits that they were "made entirely in the U.S.A." This occurred during a time when rival studio Hanna-Barbera shifted from saying in the final production credits (immediately before the production logo appearances) "A Hanna-Barbera Production" to "Produced in Association with: Wang Film Productions / Cuckoo's Nest Studios" which is located in Taiwan (along with H-B's own Philippines -based Fil-Cartoons). The quality of Filmation's "Made Entirely in

10716-450: The example of Atlas/Seaboard Comics and such independent companies as Eclipse Comics —DC began to offer royalties in place of the industry-standard work-for-hire agreement in which creators worked for a flat fee and signed away all rights, giving talent a financial incentive tied to the success of their work. As it happened, the implementation of these incentives proved opportune considering Marvel Comics' Editor-in-Chief, Jim Shooter ,

10857-489: The film was called The Real Ghostbusters . As a dig on the Filmation series, an episode was written about a group of fraudulent ghost fighters, trying to steal the "Real" Ghostbusters' business and thunder. Also of note is Daffy Duck and Porky Pig Meet the Groovie Goolies , a special featuring several of Warner Bros. ' Looney Tunes stars (except Bugs Bunny ) paired with Filmation's own Groovie Goolies ,

10998-463: The first comic book to feature the character archetype later known as the "superhero", Action Comics was a sales hit that brought to life a new age of comic books, now affectionately termed the "Golden Age" . Action Comics #1 is credited as featuring the first appearance of Superman, both on the cover illustration and inside the issue, and is now one of the most valuable and sought-after comic book issues of all time. The first Superman tale included

11139-686: The first mention of Batman's utility belt by Gardner Fox . Outside of DC's publishing, a character later integrated as DC was introduced by Fox Feature Syndicate named the Blue Beetle released in August 1939. Fictional cities were a common theme of DC; the first revealed city was Superman's home city of Metropolis , originally named in Action Comics No.   16 (September 1939). Detective Comics No.   31 (September 1939) by Gardner Fox, Bob Kane and Sheldon Moldoff introduced

11280-639: The first recurring Superman enemy referred to as the Ultra-Humanite ; created by Siegel and Shuster, this is commonly cited as one of the earliest supervillains in comic books. The Superman character had another breakthrough when he was given his own comic book series , which was previously unheard of. The first issue, published in June 1939, helped directly introduce Superman's adoptive parents, Jonathan and Martha Kent , also created by Siegel and Shuster. Detective Comics No.   29 (July 1939) included

11421-521: The flagship unit of DC Entertainment , a subsidiary of Warner Bros. Discovery . DC is an initialism for "Detective Comics", an American comic book series first published in 1937. DC Comics is one of the largest and oldest American comic book companies, the first comic under the DC banner being published in 1937. The majority of its publications are set in the fictional DC Universe and feature numerous culturally iconic heroic characters , such as Superman , Batman , Wonder Woman , Green Lantern ,

11562-503: The groundwork for a full continuity-reshuffling sequel to Crisis on Infinite Earths , promising substantial changes to the DC Universe (and side-stepping the 1994 Zero Hour event which similarly tried to ret-con the history of the DCU). In 2005, the critically lauded Batman Begins film was released; also, the company published several limited series establishing increasingly escalating conflicts among DC's heroes, with events climaxing in

11703-552: The largest cable television provider in the United States by 1973. The company was later sold to Westinghouse , merging the cable operations into Westinghouse Broadcasting . After the merger, TelePrompTer's cable systems were renamed Group W Cable , with the broadcasting division renamed "Westinghouse Broadcasting and Cable". The Filmation studios were also part of the deal. Westinghouse sold its cable operations in 1986 to Houston Industries, which became Paragon Cable ; 25%

11844-446: The line was dramatically reduced and standard-size books returned to 17-page stories but for a still increased 40 cents. By 1980, the books returned to 50 cents with a 25-page story count but the story pages replaced house ads in the books. Seeking new ways to boost market share , the new team of publisher Kahn, vice president Paul Levitz , and managing editor Giordano addressed the issue of talent instability. To that end—and following

11985-547: The long-running fantasy series Elfquest , previously self-published by creators Wendy and Richard Pini under their WaRP Graphics publication banner. This series then followed another non-DC title, Tower Comics ' series T.H.U.N.D.E.R. Agents , in collection into DC Archive Editions. In 2004, DC temporarily acquired the North American publishing rights to graphic novels from European publishers 2000 AD and Humanoids . It also rebranded its younger-audience titles with

12126-464: The made-for-TV Bozo and Popeye cartoons. Eventually Larry Harmon closed the studio by 1961. Scheimer and Sutherland went to work at a small company called True Line, one of whose owners was Marcus Lipsky, who then owned Reddi-wip whipped cream. SIB Productions, a Japanese firm with U.S. offices in Chicago, approached them about producing a cartoon called Rod Rocket . The two agreed to take on

12267-562: The major DC characters. Crisis featured many key deaths that shaped the DC Universe for the following decades, and it separated the timeline of DC publications into pre- and post-"Crisis". Meanwhile, a parallel update had started in the non-superhero and horror titles. Since early 1984, the work of British writer Alan Moore had revitalized the horror series The Saga of the Swamp Thing , and soon numerous British writers, including Neil Gaiman and Grant Morrison , began freelancing for

12408-449: The mascot Johnny DC and established the CMX imprint to reprint translated manga . In 2006, CMX took over from Dark Horse Comics ' publication of the webcomic Megatokyo in print form. DC also took advantage of the demise of Kitchen Sink Press and acquired the rights to much of the work of Will Eisner , such as his The Spirit series and his graphic novels. In 2004, DC began laying

12549-493: The miscellaneous item the Ghostbuster needs in a moment of despair, Eddie doing a number of clumsy/stupid things, etc.); although as previously mentioned, Filmation made various attempts to rise above the norm. Many of the sound effects used in its cartoons are also very familiar, the majority of them being recycled from Hanna-Barbera (this was, and still is, a common trait among animation companies, though Filmation's copies of

12690-556: The modern age through a time warp. Both of these originally aired as segments of the Uncle Croc's Block series on ABC (hosted by Charles Nelson Reilly ). In a period where comedy in cartoons was heavily scrutinized for violence and many shows duplicated the popular Scooby-Doo format, Filmation's strong point was its adaptations of popular television series, movies and other works, although at least one series, M*U*S*H (the first animated segment on Uncle Croc's Block ), while not

12831-465: The modern use of 3-D computer animation for vehicles in 2-D animated productions. However, it had a distinctive "flicker" to it, because some of the painted lines went in and out of visibility as the miniatures moved. Unlike many American studios, Filmation never relied on animation studios outside the United States for the bulk of its production; Ghostbusters and BraveStarr both state in

12972-724: The most famous included Larry Storch , Dallas McKennon (best known as the voice of Archie in the Archie cartoon and as Cincinnatus, in the Daniel Boone TV series), Bud Collyer , the original radio voice of Superman , reprised the role for Filmation for their late 1960s version of the Man of Steel; Adam West and Burt Ward (who recreated their roles as " Batman and Robin " from their 1960s live-action series for Filmation's 1977 animated incarnation), Jane Webb , and good friends and colleagues Edward Asner and Linda Gary (Gary voiced

13113-408: The most popular superhero titles continued publication, including Action Comics and Detective Comics , the medium's two longest-running titles. In the mid-1950s, editorial director Irwin Donenfeld and publisher Liebowitz directed editor Julius Schwartz (whose roots lay in the science-fiction book market) to produce a one-shot Flash story in the try-out title Showcase . Instead of reviving

13254-480: The officials and not bribery by the company. In 1969, TelePrompTer acquired the Filmation animation studio from its founders, Lou Scheimer , Hal Sutherland and Norm Prescott . Scheimer continued as an executive producer for the company until its dissolution. TelePrompTer merged with H & B American Corporation in 1970, creating the nation's largest cable company at the time. TelePrompTer grew to become

13395-526: The old character, Schwartz had writers Robert Kanigher and John Broome , penciler Carmine Infantino , and inker Joe Kubert create an entirely new super-speedster, updating and modernizing the Flash's civilian identity, costume, and origin with a science-fiction bent. The Flash's reimagining in Showcase No.   4 (October 1956) proved sufficiently popular that it soon led to a similar revamping of

13536-469: The other imprints was Impact Comics from 1991 to 1992 in which the Archie Comics superheroes were licensed and revamped. The stories in the line were part of its own shared universe. DC entered into a publishing agreement with Milestone Media that gave DC a line of comics featuring a culturally and racially diverse range of superhero characters. Although the Milestone line ceased publication after

13677-430: The position of musical director for The Kid Super Power Hour with Shazam! . Filmation routinely included a plug for its music publisher, Shermley Music ( ASCAP ), in the closing credits of most of its series. This has never been common practice on American television. DC Comics This is an accepted version of this page DC Comics, Inc. (later simply known as DC ) is an American comic book publisher and

13818-463: The purple-colored "night sky" backgrounds used in He-Man and She-Ra . Characters, as well as plots, were typically run-of-the-mill for the time. For example, most episodes of Ghostbusters had the same scheme (bad guys develop an evil plan, the heroes are needed but always absent, Ghost Buggy the talking car complains about their dangerous position, Tracy the Gorilla pulls out of his back pack exactly

13959-492: The remainder of the films). Norm Prescott brought in Filmation's first major project, Journey Back to Oz , an animated sequel to the MGM film The Wizard of Oz (1939). Begun in 1962, storyboarding, voice recording, and most of the music scoring and animation had been completed when financial challenges caused the project to be put on hold for nearly eight years. In the meantime, the new Filmation studio turned their attention to

14100-486: The same name , had to obtain the rights to the title from the company. Filmation capitalized on the popularity of the film by producing a new cartoon based on their earlier series. Like its other shows, it used stock footage heavily; in one episode, character designs and animation sequences were recycled from the Groovie Goolies series of nearly 15 years earlier. To avoid confusion, the animated series based on

14241-501: The same people who had written for the live-action version of the series, tended to be quite sophisticated, and garnered the first Emmy Award for the franchise. Filmation had a reputation for exploiting the technique of limited animation to produce a number of animated series with a distinct look. This technique involved limiting of the number of frames per second (fps) to fewer than the standard 24 fps seen on film or 25/30 fps seen on video. Frames would be repeated to compensate for

14382-409: The shows which were licensed properties, such as Star Trek: The Animated Series , which was owned by Paramount Television (now CBS Studios , which is now part of Paramount Global since 2019), and Shazam! (owned by Warner Bros./DC Comics), because the master elements for those shows were turned over to the owners of those licensed properties years before the sale to Hallmark. On April 1, 2009, it

14523-790: The so-called 576i speedup effect in which the soundtrack plays 4% too fast, which results in the pitch being a half-step higher than it was originally (see PAL and Telecine for more information). PAL- NTSC conversion artifacts also include softness and ghosting. The exception appears to be at least three titles from ER's library: Groovie Goolies , Ark II and the animated Ghostbusters series. These series appear to have been sourced from original NTSC transfers for their U.S. release by BCI. The live-action series was, unlike most Filmation shows, shot on NTSC format tape (rather than film), so even if those did come from PAL masters, they would not have exhibited 576i speedup, as that only applies to material sourced from film masters. Other exceptions included

14664-487: The special is not liked by many fans of classic Warner Bros. animation because of its limited animation, as well as a weak storyline. This was not Filmation's last dalliance with classic cartoon characters; in the late 1970s the company produced new series based on the characters from the Terrytoons archive ( Mighty Mouse and Heckle and Jeckle , titled The New Adventures of Mighty Mouse and Heckle & Jeckle ) and

14805-449: The specific inducement, Marvel Comics' writer-editor Stan Lee and artist Jack Kirby ushered in the sub-Silver Age "Marvel Age" of comics with the debut issue of The Fantastic Four . Reportedly, DC dismissed the initial success of Marvel's editorial change until its consistently strengthening sales—albeit also benefiting DC's parent company Independent News, as Marvel's distributor—made it impossible to ignore. This commercial situation

14946-511: The stability of the creative team, who both continued with the title for six full years. In addition, Wolfman and Pérez took advantage of the limited-series option to create a spin-off title, Tales of the New Teen Titans , to present origin stories of their original characters without having to break the narrative flow of the main series or oblige them to double their work load with another ongoing title. This successful revitalization of

15087-490: The stock market in 1961. Despite the official names "National Comics" and "National Periodical Publications", the company began branding itself as "Superman-DC" as early as 1940 and became known colloquially as DC Comics for years before the official adoption of that name in 1977. DC Comics began to move aggressively against what it saw as copyright-violating imitations from other companies, such as Fox Comics ' Wonder Man , which (according to court testimony) Fox started as

15228-517: The studio lasted from 1968 to 1982. Haim Saban and Shuki Levy composed and produced the studio's music for He-Man and She-Ra (during 1983–1986), along with the other studios for which they produced music scores. Frank W. Becker provided the music for Filmation's final animated series BraveStarr . In 1977, Dean Andre (Wallschlaeger), a 24-year-old composer/recording artist/producer, began writing theme and featured music for Filmation. His first series Archie's Bang-Shang Lalapalooza Show featured

15369-498: The successful Batwoman , Bat-Girl , Ace the Bat-Hound , and Bat-Mite in an attempt to modernize the strip with non-science-fiction elements. Schwartz and Infantino then revitalized Batman in what the company promoted as the "New Look", with relatively down-to-earth stories re-emphasizing Batman as a detective. Meanwhile, editor Kanigher successfully introduced a whole family of Wonder Woman characters having fantastic adventures in

15510-517: The teleprompter in order to help a soap opera actor who could not remember his lines. He unveiled the device on the set of the CBS soap opera The First Hundred Years in 1950. Initially, public relations personnel handled the teleprompters. TelePrompTer sold its eponymous business in the 1960s and invested in cable and satellite broadcast services. Schlafly went on to develop microwave video transmission services with Hughes Aircraft Company . Kahn

15651-471: The title of the 1940s publication ), designed to feature some of the company's best-known characters in stories that eschewed the long and convoluted continuity of the DC Universe. The line began with All-Star Batman & Robin the Boy Wonder and All-Star Superman , and All-Star Wonder Woman and All-Star Batgirl was announced in 2006, but neither of these stories had been released or scheduled as of

15792-422: The use of non-traditional contractual arrangements, including the dramatic rise of creator-owned projects, leading to a significant increase in critically lauded work (much of it for Vertigo) and the licensing of material from other companies. DC also increased publication of book-store friendly formats, including trade paperback collections of individual serial comics, as well as original graphic novels . One of

15933-432: The voice of Daws Butler. He went on to compose themes for The New Adventures of Mighty Mouse and Heckle & Jeckle and Fabulous Funnies (featuring the voices of June Foray and Alan Oppenheimer ). Dean also lent his vocal talents to Filmation for thematic and featured music that he composed and produced for A Snow White Christmas , Sport Billy and The Kid Super Power Hour with Shazam! In 1981, Dean also took on

16074-481: The way for broader storytelling. Examples include He-Man's "The Problem with Power" which dealt with He-Man believing he had killed an innocent bystander. Another is "Teela's Quest" which introduced a now-famous mythology on the Sorceress being Teela's mother, who is thus the heir to the mantle of safeguarding Grayskull, the versed continuity shared between He-Man and She-Ra, among others. Other notable examples include

16215-566: The work and also took on a project for Family Films, owned by the Lutheran Church–Missouri Synod , for ten short animated films based on the life of Christ . Paramount Pictures soon purchased SIB Productions, and True Line's staff increased, including the arrival of former radio disc jockey Norm Prescott, who became a partner in the firm. He had already been working on the animated feature Pinocchio in Outer Space which

16356-401: The writers and artists who had worked for DC without receiving much recognition during the early age of comic books when individual credits were rare. The comics industry experienced a brief boom in the early 1990s, thanks to a combination of speculative purchasing—mass purchase of the books as collectible items, with the intention to resell at a higher value (as the rising value of older issues

16497-412: Was alienating much of his company's creative staff with his authoritarian manner and major talents there went to DC like Roy Thomas , Gene Colan , Marv Wolfman , and George Pérez . In addition, emulating the era's new television form, the miniseries while addressing the matter of an excessive number of ongoing titles fizzling out within a few issues of their start, DC created the industry concept of

16638-836: Was announced that Entertainment Rights would be acquired by Boomerang Media and on May 11, 2009, it was announced that the subsidiaries and offices of Entertainment Rights would be absorbed under the name Classic Media . In 2012, it was announced that Classic Media, owner of the Filmation library, would be acquired by DreamWorks Animation . DreamWorks Animation and its programming library, including those of Filmation (not including shows whose rights are owned by other companies, such as The New Adventures of Gilligan and Star Trek: The Animated Series ), would later be acquired on August 22, 2016, by Universal Studios for $ 3.8 billion. Filmation incorporated live-action into some of its animated series. Series like The Hardy Boys and Archie's Funhouse featured live-action footage of an audience watching

16779-444: Was charging fifteen cents. At this time, the senior DC staff were reportedly unable to explain how this small publishing house was achieving its increasingly threatening commercial strength. For instance, when Marvel's product was examined in a meeting, the emphasis on more sophisticated character-based narrative and artist-driven visual storytelling was apparently overlooked. Instead, superficial reasons were put forward to account for

16920-461: Was convicted in federal court in 1971 and imprisoned for 20 months for trying to bribe members of the Johnstown, Pennsylvania city council to award his company a local cable franchise. He was also convicted of perjury. Kahn had stepped down as chairman of TelePrompTer several months before his conviction. Kahn maintained, before and after his 20-month prison term, that the issue was extortion by

17061-419: Was countered by cutting from one stock shot to another after only a second or two, long enough to set the scene but before the eye could notice all of the unexplained errors. This became part of the Filmation style during a period when most television and motion picture productions tended to run minimum shots of 4–5 seconds. In contrast to the rapid jump cuts during action sequences, another Filmation trademark

17202-470: Was due to Hallmark's previously unstated (but long-suspected) short-sighted policy of only distributing Filmation's in-house shows outside of the United States. As a result, many of Entertainment Rights' DVD releases (distributed by BCI Eclipse LLC in the United States prior to the latter company's folding) were based on the international versions (which have PAL prints). Because they were taken from PAL-based transfers, without correction, these releases exhibit

17343-628: Was featured in Detective Comics No.   20 (October 1938). This character is known to be the first masked vigilante published by DC. An unnamed "office boy", retconned as Jimmy Olsen 's first appearance, was revealed in a Superman story by Siegel and Shuster in Action Comics No.   6 (November 1938). Starting in 1939, Siegel and Shuster's Superman was the first comic-derived character to appear in other formats, later featuring in his own newspaper comic strip , which first introduced his biological parents Jor-El and Lara . All-American Publications' debut comic series, All-American Comics ,

17484-740: Was first named in a Superman newspaper strip around November 1939. Doll Man was the first superhero to be produced by Quality Comics , which DC now owns. Fawcett Comics was formed around 1939 and became DC's original competitor company over the next decade. At the end of 1944, All-American titles began using its own logo to distinguish it from the National comics. All-American Publications , an affiliate concern co-owned by Gaines and Liebowitz, merged with Detective Comics, Inc. on September 30, 1946, forming National Comics Publications . The previous year, in June 1945, Gaines had allowed Liebowitz to buy him out and had retained only Picture Stories from

17625-573: Was first published in April 1939. The series Detective Comics made history as being the first to feature Batman —a Bob Kane and Bill Finger creation—in issue No.27 (March 1939) with the request of more superhero titles. Batman was depicted as a masked vigilante who wore a caped suit known as the Batsuit and drove a car that was later referred to as the Batmobile . The Batman story also included

17766-581: Was forced out after the first year. Shortly afterwards, Detective Comics, Inc. purchased the remains of National Allied (also known as Nicholson Publishing) at a bankruptcy auction and absorbed it. Meanwhile, Max Gaines formed the sister company All-American Publications in 1939. Detective Comics, Inc. soon launched a new anthology title called Action Comics ; the first issue , cover dated June 1938, featured new characters such as Superman by Siegel and Shuster, Zatara by Fred Guardineer , and Tex Thompson by Ken Finch and Bernard Baily . Considered as

17907-418: Was highlighted by Marvel's superior sell-through percentage numbers which were typically 70% to DC's roughly 50%, meaning that DC's publications were barely making a profit after returns from the distributors were factored in, while Marvel was making a healthy profit by comparison. Also in 1961, both DC and Marvel increased their cover price from ten cents to twelve cents, while the rival publisher Dell Comics

18048-457: Was in response to Marvel's efforts to market their superhero line to college-aged adults. Infantino also recruited major talents such as ex-Marvel artist and Spider-Man co-creator Steve Ditko , and promising newcomers Neal Adams and Denny O'Neil , and he replaced some existing DC editors with artist-editors, including Joe Kubert and Dick Giordano , to give DC's output a more artistic critical eye. In 1967, National Periodical Publications

18189-560: Was later used in He-Man and in She-Ra ). It also pioneered a unique method of generating 3-D vehicle animation by filming white-outlined black miniatures against black backgrounds using a computerized motion-control camera and high-contrast film, then printing the negatives onto acetate frame-by-frame, to create animation cels which were then hand-painted. This produced a three-dimensional effect that had been used by Disney in films such as One Hundred and One Dalmatians previously. It predated

18330-459: Was named for its eponymous primary product , a display device invented by Hubert Schlafly which scrolls text to people on video or giving speeches, replacing cue cards or scripts. Branded as the "TelePrompTer", the name has become a genericized trademark as "teleprompter". The company started around 1950 by businessman Irving B. Kahn ; Fred Barton, Jr., a Broadway theatre actor; and Schlafly, an electrical engineer. Schlafly had invented

18471-470: Was plagiarized by Stan Lee to create The X-Men . There was also the young Jim Shooter who purposely emulated Marvel's writing when he wrote for DC after studying both companies' styles, such as for the Legion of Super-Heroes feature. In 1966, National Periodical Publications established its own television arm, led by Allen Ducovny, to develop and produce TV projects, with Superman TV Corporation handling

18612-504: Was primarily produced by Belvision Studios . They eventually left True Line, and Scheimer began working on commercials, including for Gillette and others, which began what became Filmation. He met lawyer Ira Epstein, who had worked for Harmon but had left the firm, and now put together the new corporation with Scheimer and Sutherland. It officially became Filmation Associates as of September 1962, so named because "We were working on film, but doing animation"; so putting them together yielded

18753-470: Was produced from 1986 to 1988, and was theatrically released in the United States five years later, in 1993. Also, at the time of the closing, two new animated series, Bugzburg (a spin-off of Pinocchio and the Emperor of the Night , concerning insect characters who had shown up in that movie) and Bravo (a spin-off of BraveStarr ), were beginning production. In 1989, Westinghouse sold Filmation to Paravision International, an investment consortium led by

18894-456: Was purchased by Kinney National Company , which purchased Warner Bros.-Seven Arts in 1969. Kinney National spun off its non-entertainment assets in 1972 (as National Kinney Corporation ) and changed its name to Warner Communications Inc. In 1970, Jack Kirby moved from Marvel Comics to DC, at the end of the Silver Age of Comics , in which Kirby's contributions to Marvel played a large, integral role. As artist Gil Kane described: Jack

19035-407: Was sold to Comcast . In 1989, Westinghouse sold Filmation to Paravision International, an investment consortium led by the French cosmetics company L'Oréal . Before that sale was complete, Westinghouse shuttered the film studio on February 3, 1989, which left L'Oréal with only the Filmation library. Charter Communications owns and operates the cable systems previously run by TelePrompTer, with

19176-475: Was the introduction of the fictional mansion known as Wayne Manor first seen in Detective Comics No.   28 (June 1939). The series Adventure Comics followed in the footsteps of Action Comics and Detective Comics by featuring a new recurring superhero called Sandman who first appeared in Adventure Comics No.   40 (July 1939). Action Comics No.   13 (June 1939) introduced

19317-588: Was the recurring use of long establishing shots in which the camera would pan slowly across a very wide background painting, thus filling up screen time with sequences requiring little or no animation. Filmation also pioneered other animation technologies, particularly in Flash Gordon , which included backlighting effects for the first time in American animation (they were already in use in Japan), including moire effects to represent energy fields (a technique that

19458-417: Was the single most influential figure in the turnaround in Marvel's fortunes from the time he rejoined the company ... It wasn't merely that Jack conceived most of the characters that are being done, but ... Jack's point of view and philosophy of drawing became the governing philosophy of the entire publishing company and, beyond the publishing company, of the entire field ... [Marvel took] Jack and use[d] him as

19599-464: Was thought to imply that all comics would rise dramatically in price)—and several storylines gaining attention from the mainstream media. DC's extended storylines in which Superman was killed , Batman was crippled , and Green Lantern turned into the supervillain Parallax , resulted in dramatically increased sales. However, the increases were temporary, and sales dropped off as the industry went into

19740-421: Was to convince Bill Sarnoff, the head of Warner Publishing, to keep DC as a publishing concern, as opposed to simply managing their licensing of their properties. With that established, DC had attempted to compete with the now-surging Marvel by dramatically increasing its output and attempting to win the market by flooding it. This included launching series featuring such new characters as Firestorm and Shade,

19881-449: Was unlike many comic book series before it. While DC Comics is now primarily associated with superhero comics , the genres in the first anthology titles consisted of funnies , Western comics , and adventure-related stories. The character Doctor Occult —created by Jerry Siegel and Joe Shuster in December 1935 and included in issue No.   6 of New Fun Comics —is considered to be the earliest recurring superhero created by DC that

#38961