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27-510: The Filmfare Best Comedian Award was given by Filmfare as part of its annual Filmfare Awards for Hindi films , to recognise an actor who had delivered an outstanding performance in a comic role. Although the awards started in 1954, awards for the best comedian category started only in 1967, and has been marked as obsolete since 2007. Anupam Kher , with 5 awards, has most wins than any other actor, followed by Mehmood with 4, and Deven Verma and Utpal Dutt with 3 awards each. Having won

54-525: A few pages dedicated to Malayalam , Tamil and Telugu cinema were begun and, as reported by The Quint in 2019, become commercial successes. Khalid Mohamed was appointed as the editor in 1993. In 2002, following Mohamed's nine-year tenure, Shashi Baliga replaced him as Filmfare 's editor; in an article published in Business Line , she described the occupation as "an opportunity that came unsought". BCCL announced their joint venture with

81-524: A fortnightly magazine on 7 March 1952 to "build awareness about filmmaking and films". It was launched by Sahu Shanti Prasad Jain and his wife Rama in Bombay , distributed by The Times of India newspaper, and promoted with the taglines, "Another name for 'Credibility ' " and "The first serious effort in film journalism in India". It contains short biography of rising actors at the time, film reviews, and

108-651: A good example of how the mainstream media marginalizes certain films as 'sleaze ' ". According to a 2004 article by The Economic Times , the magazine's monthly print circulation was 147,000. In 2008, the cinema and cultural analysis professor Rachel Dwyer estimated that it was 200,000. In a survey conducted by the Indian Readership Survey , the circulation of the magazine was 276,000 in 2013 and 342,000 in 2014. International Film Festival of India Ayam nijam paroveti gananā laghuchetasām, Udāracharitānām tu vasudhaiva kutumbakam (Extract from

135-464: A number of columns, including "The Fortnight in Films" and "Filmfacts". Published two months after the 1st International Film Festival of India , Neepa Majumdar (in her 2012 book Global Neorealism: The Transnational History of a Film Style ) wrote that the magazine "saw the festival as an opportunity for Indian film [actors] to be exposed to quality films" and established themselves as leading actors. In

162-775: Is an Indian English -language fortnightly magazine published by Worldwide Media. Acknowledged as one of India's most popular entertainment magazines, it publishes pieces involving news, interviews, photos, videos, reviews, events, and style. The magazine also annually gives the Filmfare Awards , the Filmfare Awards South , the Filmfare Awards East , the Filmfare Marathi Awards , the Filmfare Awards Punjabi ,

189-630: The BBC Worldwide , a company named Worldwide Media, on 1 December 2004; the new company later published the future issues of the magazine. In 2006, Jitesh Pillai was appointed as the new editor. Filmfare launched the Filmfare Awards East in 2014, the Filmfare Style & Glamour Awards and Filmfare Marathi Awards in 2015, the Filmfare Short Film Awards in 2016, the Filmfare Awards Punjabi in 2017, and

216-544: The Filmfare Awards Bangla , the Filmfare OTT Awards , the Filmfare Short Film Awards and the Filmfare Style & Glamour Awards. After the businessman Ramkrishna Dalmia (1893–1978) of Dalmia Group purchased Bennett, Coleman and Company Limited (BCCL) in 1946, J. C. Jain from Bharat Insurance Company was employed to help him in running the company in 1950. In this period, Jain conceived

243-493: The Filmfare OTT Awards in 2020. As of March 2021 , the magazine was published by Joji Varghese under The Times Group 's subsidiary Worldwide Media and Pillai served as the editor. Filmfare covers news, interviews, photos, videos, reviews, events, and style. It is considered one of the most popular and reputable magazines in India; The Illustrated Weekly of India referred to the magazine as "decorous", and British magazine The Spectator praised it for "[providing]

270-590: The Festival was subsequently taken to Madras , Delhi , Calcutta and Trivandrum . In all it had about 40 features and 100 short films. In Delhi, the IFFI was inaugurated by Prime Minister Pt Jawaharlal Nehru on 21 February 1952. The first edition was non-competitive, and had 23 countries including the United States participating with 40 feature films and about a hundred short films. The Indian entries for

297-485: The IFFI was moved to Goa from Trivandrum. Since then IFFI has been an annual event and competitive. The venue for the second festival held in 1961 which was also non-competitive was New Delhi. The third edition of the festival was chaired by Satyajit Ray . For the first time the festival became competitive, and was graded 'A' category by the Paris – based Federation International de Producers de Films . With this recognition

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324-643: The United Producers-Filmfare Talent Contest (also known as the All India Talent Contest) in 1965. In the 1970s, Rauf Ahmed worked as the editor of the magazine, replacing B. K. Karanjia who had filled the position for 18 years. Talking to Daily News and Analysis in 2015, Ahmed spoke of how the magazine nearly collapsed at the time as no gossip columns were written by its journalist. Following his quit, Bikram Singh (the actor K. N. Singh 's brother)

351-591: The Vedic scripture Maha Upanishad , meaning "This is for me and that is for other – is the thinking of a narrow-minded person. For those who are broad-minded, liberals, or noble people, the entire world is one big family.") The 1st edition of IFFI was organized by the Films Division, Government of India , with the patronage of the first Prime Minister of India. Held in Mumbai from 24 January to 1 February 1952,

378-472: The actress Sharmila Tagore did a shot with her photographer Dhiren Chawda with only wearing a two-piece floral bikini for its 19 August 1966 issue. The first time for an Indian celebrity to pose with only a bikini for a magazine cover, she revealed that it was her personal choice but later admitted she had "no idea" why she wanted to. In association with United Producers (a group formed by G. P. Sippy , Shakti Samanta and B. R. Chopra ), Filmfare organised

405-423: The award thrice in a row (1992–1994), Kher also holds the record for most consecutive wins in this category. Mehmood, with 19 nominations, holds the record for the highest number of nominations in this category. He also holds the record for maximum nominations in a single year, having received 3 out of the 5 nominations of this category in 1975 (and eventually winning for Vardaan ). Filmfare Filmfare

432-414: The festival in India came on par with Cannes , Berlin , Venice , Karlovy Vary , and Moscow International film festivals. Following this recognition, India adopted, at its fifth festival in 1975, a permanent insignia. This comprises a representation of the peacock , India's national bird, with a permanent motto of the festival ' Vasudhaiva Kutumbakam ' (The whole world is a family). The same year it

459-533: The festival were Awara (Hindi), Pathala Bhairavi (Telugu), Amar Bhoopali (Marathi) and Babla (Bengali). This was the first International Film Festival held anywhere in Asia. The notable world panorama during the festival were Bicycle Thieves , Miracle in Milan , and Rome, Open City from Italy. Yukiwarisoo ( Japan ), The Dancing Fleese (UK), The River (US) and The Fall of Berlin (USSR). It

486-468: The first issue, a manifesto was declared: It is from this dual standpoint of its industry and its patrons, whom comprise the vast audience of movie fans, that Filmfare is primarily designed. This magazine represents the first serious effort in film journalism in India. It is a movie magazine—with a difference. The difference lies in our realisation that the film as a composite art medium calls for serious study and constructive criticism and appreciation from

513-404: The idea of Filmfare at the actress Kamini Kaushal 's house. The magazine was launched by the industrialist Sahu Shanti Prasad Jain alongside his wife Rama in Bombay on 7 March 1952. Its circulation started to decline in the early 1990s and to handle these problems, Filmfare started special monthly editions for Telugu , Tamil , and Malayalam cinema . In 2004, BCCL (who previously published

540-669: The industry as also from the public. In the following year, Filmfare instituted the Filmfare Awards (previously Clare Awards, named after Clare Mendonça ). Modelled after the Academy Awards , the winners were voted by a total of 20,000 of the magazine's readers. The first iteration 's ceremony took place at Metro Cinema in Bombay on 21 March 1954, and only five categories without nominations were presented: Best Film , Best Director , Best Actor , Best Actress , and Best Music Director . The award has been considered one of

567-690: The magazine) established a subsidiary, Worldwide Media , for publishing its future issues. Ramkrishna Dalmia (1893–1978) was born in Chirawa into a Marwari family. He had a brother, Jaidayal Dalmia , with whom he established Dalmia Group in the 1930s. In 1946, on the threshold of the independence of India from the United Kingdom , Ramkrishna Dalmia purchased Bennett, Coleman and Company Limited (BCCL) for ₹ 2 crore (equivalent to ₹ 286 crore or US$ 34 million in 2023). According to Sangita P. Menon Malhan's The TOI Story (2013),

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594-430: The oldest and most prominent film awards in India; Business Line called it "one such coveted award". In 1957, Filmfare published the "Self-portraits" series, where several well-known actors at the time, including Ashok Kumar , Dev Anand , Dilip Kumar , Meena Kumari , Nargis , Nutan and Raj Kapoor , were invited and accepted to talk about themselves and their experiences. The magazine faced controversy after

621-831: The period, as well as the dates for the festival, were fixed as 3–17 January every alternate year. The sixth festival was held in 1977 and silver peacock for best actor, actress, and director was awarded for the first time. A film market was also set up for the first time by the IMPEC. The Indian Panorama section was instituted from this edition. Following a decision taken in August 1988 by the Ministry of Information and Broadcasting that 3 more editions of festivals in future will be interim non-competitive, and all festivals would be called International Film Festival of India (IFFI). The "Filmotsavs" and IFFI 90-91-92 together constituted 23 editions of

648-472: The purchase was by him solely because he wanted to establish newspapers that could help him to "serve India effectively". While Dalmia was searching for a person to help him to run it, J. C. Jain, a former employee of Bharat Insurance Company, saw the opportunity and took it in March 1950; he became the company's general manager until 1963. During his term-of-office, Jain started the publication of Filmfare as

675-524: Was decided to hold a non-competitive festival of festival films (Filmotsav) alternating with IFFI. While the Filmotsavs were organized at major film – producing centres of India, IFFI was held in New Delhi only. The venue being the same for all festivals, the fourth and fifth festivals were held from 5–18 December 1969 and 30 December 1974-12 January 1975 respectively. From the sixth festival onwards

702-591: Was for the first time that the Indian Film Industry was exposed to a vast range of outstanding post-war era films. From the 3rd edition in January 1965, IFFI became competitive. It has since then moved to Trivandrum, the capital of Kerala. In 1975 the Filmotsav, non-competitive and to be held in other film-making cities in alternate years, was introduced. Later, Filmotsavs were merged into IFFI. In 2004

729-507: Was hired for the position until the early of the next decade. Pritish Nandy replaced him in 1984; the first issue he edited was published in July that year, titled "Unquestionably No. 1", which features the actress Sridevi on the cover. The circulation of Filmfare dropped in the early 1990s, prompting the publisher to attach free consumer products (such as soaps or shampoo sachets) to the magazine. Additionally, special monthly editions with

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