118-564: The Flying Lizards were an experimental English new wave band, formed in 1976. They are best known for their eccentric cover version of Barrett Strong 's " Money ", featuring Deborah Evans-Stickland on lead vocals, which reached the UK and North American record charts in 1979. They followed this with their self-titled album that year, which reached number 60 on the UK Albums Chart . Formed and led by record producer David Cunningham ,
236-470: A dressed-down style of T-shirts, jeans, combat boots or trainers, and crewcuts . Women in the hardcore scene typically wore army trousers, band T-shirts, and hooded jumpers. The style of the 1980s hardcore scene contrasted with the more provocative fashion styles of late 1970s punk rockers (elaborate hairdos , torn clothes, patches, safety pins, studs, spikes, etc.). Circle Jerks frontman Keith Morris described early hardcore fashion as "the...punk scene
354-501: A heavy metal and rock-dominated format. In a December 1982 Gallup poll , 14% of teenagers rated new wave as their favorite type of music, making it the third-most-popular genre. New wave had its greatest popularity on the West Coast. Unlike other genres, race was not a factor in the popularity of new wave music, according to the poll. Urban contemporary radio stations were the first to play dance-oriented new wave bands such as
472-621: A swastika for shock value; Vivienne Westwood's DESTROY shirt featured an upside-down crucified Jesus and a swastika, notably worn by members of the Sex Pistols. Most contemporary punks are staunchly anti-racist and are more likely to wear a crossed-out swastika symbol than a pro-Nazi symbol. Some punks cut their hair into mohawks or other dramatic shapes, style it to stand in spikes, and colour it with vibrant, unnatural hues. Some punks are anti-fashion , arguing that punk should be defined by music or ideology. Punk clothing choices challenge
590-497: A bra and underwear. Although that act can seem sexualised, to punks it was just a way of self-expression. Punk seemed to allow people to sexualise themselves and still be taken seriously. The nature of punk allowed many to create a non-gender-conforming style. Punks could be free to use femininity or masculinity to make what they were doing even more shocking to their audience. It became popular for some punks to accentuate societal norms. At one concert, Donita Sparks , lead singer of
708-488: A comprehensive exhibit, PUNK: Chaos to Couture , that examined the techniques of hardware, distress, and re-purposing in punk fashion. In the United Kingdom, the advent of punk in the late 1970s with its "anyone can do it" ethos led to women making significant contributions. In contrast to the rock music and heavy metal scenes of the 1970s, which were dominated by men, the anarchic, counter-cultural mindset of
826-467: A dichotomy. There was a notable amount of cross-dressing in the punk scene; it was not unusual to see men wearing ripped-up skirts, fishnet tights, and excessive makeup, or to see women with shaved heads wearing oversized plaid shirts and jean jackets and heavy combat boots. Punk created a new cultural space for androgyny and all kinds of gender expression. In trying to reject societal norms, punk embraced one societal norm by deciding that strength and anger
944-870: A distinctive visual style in music videos and fashion. According to Simon Reynolds , new wave music had a twitchy, agitated feel. New wave musicians often played choppy rhythm guitars with fast tempos; keyboards, and stop-start song structures and melodies are common. Reynolds noted new-wave vocalists sound high-pitched, geeky, and suburban. As new wave originated in Britain, many of the first new wave artists were British. These bands became popular in America, in part, because of channels like MTV, which would play British new wave music videos because most American hit records did not have music videos to play. British videos, according to head of S-Curve Records and music producer Steve Greenberg , "were easy to come by since they'd been
1062-404: A male framework." For some punks, the body was a symbol of opposition, a political statement expressing disgust of all that was "normal" and socially accepted. The idea was to make others outside of the subculture question their own views, which made gender presentation and gender identity a popular factor to be played with. In some ways, punk helped to tear apart the normalised view of gender as
1180-413: A new pop group. That's all." According to Stuart Borthwick and Ron Moy, authors of Popular Music Genres: an Introduction , the "height of popularity for new wave" coincided with the election of Margaret Thatcher in spring 1979. In the early 1980s, new wave gradually lost its associations with punk in popular perception among some Americans. Writing in 1989, music critic Bill Flanagan said; "Bit by bit
1298-410: A part of the punk subculture hold pro-Nazi or Fascist views, however, these Nazi/Fascist groups are rejected by almost all of the punk subculture. The belief that such views are opposed to the original ethos of the punk subculture, and its history, has led to internal conflicts and an active push against such views being considered part of punk subculture at all. Two examples of this are an incident during
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#17327906472651416-542: A person who adopts the dress, speech, and/or mannerisms of a particular subculture, yet who is deemed to not share or understand the values or philosophy of the subculture. Never one to shy away from criticising the music industry and even punk culture, in Chickenshit Conformist Dead Kennedys opined that "Punk's not dead It just deserves to die When it becomes another stale cartoon...Ideas don't matter, it's who you know.", saying punk
1534-402: A post-punk/new wave revival" while arguing it was "really more analogous to a continuum, one that could be traced back as early as the mid-'80s". Punk subculture The punk subculture includes a diverse and widely known array of music , ideologies , fashion , and other forms of expression, visual art , dance, literature , and film. Largely characterised by anti-establishment views,
1652-461: A punk style (spiked hair and a bondage belt ) to adopting a hardcore style (i.e. boots and a shaved head) as being based on a need for more functional clothing. A punk scholar states that "hardcore kids do not look like punks", since hardcore scene members wore basic clothing and short haircuts, in contrast to the "embellished leather jackets and pants" worn in the punk scene. In contrast to Morris' and Rollins' views, another punk scholar claims that
1770-419: A quantity in a plastic bag and "huffing" (inhaling) the vapour. Liquid solvents were typically inhaled by soaking a rag with the solvent and inhaling the vapour. While users inhale solvents for the intoxicating effects, the practice can be harmful or fatal. Straight edge is a philosophy of hardcore punk culture, adherents of which refrain from using alcohol, tobacco, and other recreational drugs, in reaction to
1888-444: A role in many punk communities, providing shelter and other forms of support. Squats in abandoned or condemned housing, and communal " punk houses " often provide bands a place to stay while they are touring. There are some punk communes , such as Essex's Dial House . The Internet has been playing an increasingly large role in punk, specifically in the form of virtual communities and file sharing programs for trading music files. In
2006-534: A similarly deliberately emotionless, and robotic, style (described by the NME at the time as " Sloane Rap"), including two singles, James Brown 's " Sex Machine " and " Dizzy, Miss Lizzy ", as well as an album track of Leonard Cohen 's " Suzanne ". Cunningham and Peterson worked together on music production for film and advertising after Top Ten was released, including a re-recording of "Money". The Flying Lizards version of Barrett Strong's "Money" remained popular, and
2124-496: A small town, or as many as thousands of in a major city. A local scene usually has a small group of dedicated punks surrounded by a more casual periphery. A typical punk scene is made up of punk and hardcore bands, fans who attend concerts, protests, and other events, zine publishers, reviewers, and other writers, visual artists illustrating zines, and creating posters and album covers, show promoters, and people who work at music venues or independent record labels . Squatting plays
2242-468: A staple of UK pop music TV programs like Top of the Pops since the mid-70s." This rise in technology made the visual style of new wave musicians important for their success. A nervous, nerdy persona was a common characteristic of new wave fans, and acts such as Talking Heads , Devo , and Elvis Costello . This took the forms of robotic dancing, jittery high-pitched vocals, and clothing fashions that hid
2360-721: A stigma—especially in the United States—that made the music virtually unmarketable. At the same time, a number of bands, such as the Cars , the Police and Elvis Costello and the Attractions , soon emerged who combined the energy and rebellious attitude of punk with a more accessible and sophisticated radio-friendly sound. These groups were lumped together and marketed exclusively under the label of new wave. As early as 1973, critics including Nick Kent and Dave Marsh were using
2478-453: A unique style of punk rock, although not every style of punk rock has its own associated subculture. The earliest form of music to be called "punk rock" was 1960s garage rock , and the term was applied to the genre retroactively by influential rock critics in the early 1970s. In the late 1960s, music now referred to as protopunk originated as a garage rock revival in the northeastern United States. The first distinct music scene to claim
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#17327906472652596-419: Is a dance in which the dancers jump up and down, while either remaining on the spot or moving around; the dance takes its name from its resemblance to the use of a pogo stick, especially in a common version of the dance, where an individual keeps their torso stiff, their arms rigid, and their legs close together. Pogo dancing is closely associated with punk rock and is a precursor to moshing. Moshing or slamdancing
2714-440: Is a later development influenced by all of the above-mentioned styles. Psychobillies prefer to "wreck", a form of slam dancing that involves people punching each other in the chest and arms as they move around the circle pit. Punk has generated a considerable amount of poetry and prose . Punk has its own underground press in the form of punk zines , which feature news, gossip, cultural criticism, and interviews. Some zines take
2832-757: Is a standout example. Early British punks expressed nihilistic and anarchist views with the slogan No Future , which came from the Sex Pistols song " God Save the Queen ". In the United States, punks had a different approach to nihilism which was less anarchistic than the British punks. Punk nihilism was expressed in the use of "harder, more self-destructive, consciousness-obliterating substances like heroin, or methamphetamine". Early punk fashion adapted everyday objects for aesthetic effect: ripped clothing
2950-434: Is a style of dance where participants push or slam into each other, typically during a live music show. It is usually associated with "aggressive" music genres, such as hardcore punk and thrash metal . Stage diving and crowd surfing were originally associated with protopunk bands such as The Stooges, and have appeared at punk, metal, and rock concerts. Ska punk promoted an updated version of skanking . Hardcore dancing
3068-424: Is still popular with punks. The New York City punk rock scene arose from a subcultural underground promoted by artists, reporters, musicians, and a wide variety of non-mainstream enthusiasts. The Velvet Underground 's harsh and experimental yet often melodic sound in the mid to late-1960s, much of it relating to transgressive media work by visual artist Andy Warhol , is credited for influencing 1970s bands such as
3186-838: The Misfits , Black Flag , Suicidal Tendencies , and the Circle Jerks . My Rules was a photo zine that included photos of hardcore shows from across the US. In Effect , which began in 1988, described the New York City scene. Punk poets include: Richard Hell , Jim Carroll , Patti Smith , John Cooper Clarke , Seething Wells , Raegan Butcher , and Attila the Stockbroker . The Medway Poets performance group included punk musician Billy Childish and had an influence on Tracey Emin . Jim Carroll's autobiographical works are among
3304-533: The New Romantic movement. In 1981, Rolling Stone contrasted the movement with the previous new wave era, writing that "the natty Anglo-dandies of Japan ", having been "reviled in the New Wave era", seemed "made to order for the age of the clothes-conscious New Romantic bands." MTV continued its heavy rotation of videos by "post-New Wave pop" acts "with a British orientation" until 1987, when it changed to
3422-586: The New York Dolls , the Stooges , and the Ramones . Punk political ideologies are mostly concerned with individual freedom and anti-establishment views. Common punk viewpoints include individual liberty , anti-authoritarianism , a DIY ethic , non-conformity, anti- corporatism , anti-government, direct action , and not " selling out ". Some groups and individuals that try to self-identify as being
3540-600: The gutter punk lifestyle in the 1990s. Loren Cass is another example of the punk subculture represented in film. The Japanese cyberpunk movement has roots in the J-rock subculture that arose in the 1970s. The filmmaker Sogo Ishii introduced this subculture to Japanese cinema with his punk films Panic High School (1978) and Crazy Thunder Road (1980), which portrayed the rebellion and anarchy associated with punk, and went on to become highly influential in underground film circles. Crazy Thunder Road in particular
3658-559: The music press as a "reaction against the opulence/corpulence of nouveau rich New Pop" and "part of the move back to guitar-driven music after the keyboard washes of the New Romantics". In the aftermath of grunge , the British music press launched a campaign to promote the new wave of new wave that involved overtly punk and new-wave-influenced acts such as Elastica , but it was eclipsed by Britpop , which took influences from both 1960s rock and 1970s punk and new wave. During
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3776-659: The punk label appeared in New York City between 1974 and 1976. Around the same time or soon afterward, a punk scene developed in London. Los Angeles subsequently became home to the third major punk scene. These three cities formed the backbone of the burgeoning movement, but there were also other punk scenes in cities such as Brisbane , Melbourne , and Sydney in Australia, Toronto , Vancouver , and Montreal in Canada, and Boston , Detroit , Cleveland , and San Francisco in
3894-514: The "'90s, zines were the primary way to stay up on punk and hardcore." They were the "blogs, comment sections, and social networks of their day." In the American Midwest, the zine Touch and Go described the regional hardcore scene from 1979 to 1983. We Got Power described the LA scene from 1981 to 1984, and included show reviews of and interviews with such bands as Vancouver's D.O.A. ,
4012-545: The 1960s mod influences of the Jam . Paul Weller , who called new wave "the pop music of the Seventies", explained to Chas de Whalley in 1977: It's just pop music and that's why I like it. It's all about hooks and guitar riffs. That's what the new wave is all about. It's not heavy and negative like all that Iggy and New York stuff. The new wave is today's pop music for today's kids, it's as simple as that. And you can count
4130-480: The 1980s, rejecting potentially more lucrative careers from signing to a major label. In the UK, new wave "survived through the post-punk years, but after the turn of the decade found itself overwhelmed by the more outrageous style of the New Romantics." In response, many British indie bands adopted "the kind of jangling guitar work that had typified New Wave music", with the arrival of the Smiths characterised by
4248-513: The 1980s, said in a 2011 interview that by the time of British new pop acts' popularity on MTV, "New Wave had already been over by then. New wave was not synth music; it wasn't even this sort of funny-haircut music. It was the guy in the Boomtown Rats wearing pajamas." Similarly in Britain, journalists and music critics largely abandoned the term "new wave" with the rise of synth-pop. According to authors Stuart Borthwick and Ron Moy, "After
4366-422: The 2000s, a number of acts that exploited a diversity of new wave and post-punk influences emerged. These acts were sometimes labeled "New New Wave". According to British music journalist Chris Nickson , Scottish band Franz Ferdinand revived both Britpop and the music of the late 1970s "with their New Wave influenced sound". AllMusic notes the emergence of these acts "led journalists and music fans to talk about
4484-512: The 2016 American Music Awards, where the band Green Day chanted anti-racist and anti-fascist messages, and an incident at a show by the Dropkick Murphys , when bassist and singer Ken Casey tackled an individual for giving a Nazi-style salute and later stated that Nazis are not welcome at a Dropkick Murphys show. Band member Tim Brennan later reaffirmed this sentiment. The song " Nazi Punks Fuck Off " by hardcore punk band Dead Kennedys
4602-616: The B-52's , Culture Club , Duran Duran, and ABC . New wave soundtracks were used in mainstream Brat Pack films such as Sixteen Candles , Pretty in Pink , and The Breakfast Club , as well as in the low-budget hit Valley Girl . John Hughes , the director of several of these films, was enthralled with British new wave music, and placed songs from acts such as the Psychedelic Furs , Simple Minds , Orchestral Manoeuvres in
4720-635: The Dark , and Echo and the Bunnymen in his films, helping to keep new wave in the mainstream. Several of these songs remain standards of the era. Critics described the MTV acts of the period as shallow or vapid. Homophobic slurs were used to describe some of the new wave musicians. Despite the criticism, the danceable quality of the music and the quirky fashion sense associated with new wave musicians appealed to audiences. Peter Ivers , who started his career in
4838-448: The Jam as "British New Wave at its most quintessential and successful", remarked that the band broke up "just as British pop was being overrun by the preposterous leisurewear and over-budgeted videos of Culture Club, Duran Duran and ABC, all of which were anathema to the puritanical Weller ." Scholar Russ Bestley noted that while punk, new wave, and post-punk songs had featured on the Top of
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4956-548: The Modern Lovers debuted even earlier. CBGB owner Hilly Kristal , referring to the first show by Television at his club in March 1974, said; "I think of that as the beginning of new wave". Many musicians who would have originally been classified as punk were also termed new wave. A 1977 Phonogram Records compilation album of the same name ( New Wave ) includes American bands Dead Boys , Ramones , Talking Heads , and
5074-533: The Police, and the Cars charted during this period. " My Sharona ", a single from the Knack , was Billboard magazine's number-one single of 1979; its success, combined with new wave albums being much cheaper to produce during the music industry's worst slump in decades, prompted record companies to sign new wave groups. At the end of 1979, Dave Marsh wrote in Time that the Knack's success confirmed rather than began
5192-448: The Pops album series between mid-1977 and early 1982, by the time of the first Now That's What I Call Music! compilation in 1983 punk and new wave was "largely dead and buried as a commercial force". New wave was closely tied to punk, and came and went more quickly in the UK and Western Europe than in the US. At the time punk began, it was a major phenomenon in the UK and a minor one in the US. When new wave acts started being noticed in
5310-631: The Runaways . Between 1976 and 1977, the terms "new wave" and "punk" were used somewhat interchangeably. Music historian Vernon Joynson said new wave emerged in the UK in late 1976, when many bands began disassociating themselves from punk. That year, the term gained currency when it appeared in UK punk fanzines such as Sniffin' Glue , and music weeklies such as Melody Maker and New Musical Express . In November 1976, Caroline Coon used Malcolm McLaren's term "new wave" to designate music by bands that were not exactly punk but were related to
5428-617: The Sex Pistols in The Great Rock 'n' Roll Swindle , and Social Distortion in Another State of Mind . Derek Jarman and Don Letts are notable punk filmmakers. Penelope Spheeris ' first instalment of the documentary trilogy " The Decline of Western Civilization " (1981) focuses on the early Los Angeles punk scene through interviews and early concert footage from bands including Black Flag , Circle Jerks , Germs , and Fear . The Decline of Western Civilization III " explores
5546-632: The UK top 40 , and was the band's only single to do so. New wave music New wave is a music genre that encompasses pop -oriented styles from the 1970s through the 1980s. It is considered a lighter and more melodic "broadening of punk culture ". It was originally used as a catch-all for the various styles of music that emerged after punk rock . Later, critical consensus favored "new wave" as an umbrella term involving many contemporary popular music styles, including synth-pop , alternative dance and post-punk . The main new wave movement coincided with late 1970s punk and continued into
5664-405: The UK. In early 1978, XTC released the single " This Is Pop " as a direct response to tags such as "new wave". Songwriter Andy Partridge later stated of bands such as themselves who were given those labels; "Let's be honest about this. This is pop, what we're playing ... don't try to give it any fancy new names, or any words that you've made up, because it's blatantly just pop music. We were
5782-454: The US, the term "punk" meant little to mainstream audiences, and it was common for rock clubs and discos to play British dance mixes and videos between live sets by American guitar acts. Illustrating the varied meanings of "new wave" in the UK and the US, Collins recalled how growing up in the 1970s he considered the Photos , who released one album in 1980 before splitting up a year later, as
5900-416: The United States. The punk subculture advocates a do-it-yourself (DIY) ethic. During the subculture's infancy members were almost all from a lower economic class, and had become tired of the affluence that was associated with popular rock music at the time. Punks would publish their own music or sign with small independent labels, in hopes to combat what they saw as a money-hungry music industry. The DIY ethic
6018-403: The acts on which reflected a wide variety of stylistic influences. New wave's legacy remained in the large influx of acts from the UK, and acts that were popular in rock discos, as well as the chart's name, which reflects the way new wave was marketed as "modern". According to Steve Graves, new wave's indie spirit was crucial to the development of college rock and grunge / alternative rock in
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#17327906472656136-562: The band L7 , pulled out her tampon and threw it into the audience. Riot grrrl is an underground feminist hardcore punk movement that originated in the early 1990s in Washington, D.C., and the Pacific Northwest , especially Olympia, Washington . It is often associated with third-wave feminism , which is sometimes seen as its starting point. It has also been described as a musical genre that came out of indie rock, with
6254-560: The band's recording contract after the success of "Money". The group released their début album The Flying Lizards in 1979. The album included two songs – "Her Story" and "The Window" – written and sung by Goldman. Their single issues included their postmodern cover versions of songs such as Eddie Cochran 's " Summertime Blues " and "Money". The 1981 album Fourth Wall received praise from critics but did not sell well. Top Ten (1984), with vocalist Sally Peterson, released by Statik records, consisted entirely of covers, done in
6372-428: The bands that do it well and are going to last on one hand. The Pistols , The Damned , The Clash , The Ramones – and The Jam. Although new wave shares punk's do-it-yourself artistic philosophy, the musicians were more influenced by the light strains of 1960s pop while opposed to mainstream "corporate" rock , which they considered creatively stagnant, and the generally abrasive and political bents of punk rock. In
6490-462: The beginning of the 2000s, militant straight edge punks had largely left the broader straight edge culture and movement. Punks come from all culture and economic classes. Compared to some subcultures, punk ideology is much closer to gender equality . Although the punk subculture is mostly anti-racist , it is overwhelmingly white. However, members of other groups (such as African Americans, other black people , Latinos, and Asians) have contributed to
6608-464: The body such as suits and big glasses. This seemed radical to audiences accustomed to post-counterculture genres such as disco dancing and macho " cock rock " that emphasized a "hang loose" philosophy, open sexuality, and sexual bravado. New wave may be seen as an attempt to reconcile "the energy and rebellious attitude of punk" with traditional forms of pop songwriting, as seen in the rockabilly riffs and classic craftsmanship of Elvis Costello and
6726-529: The contrast between "the American audience's lack of interest in New Wave music" compared to critics, with a "stunning two-thirds of the Top 30 acts" in the 1978 Pazz & Jop poll falling into the "New Wave-to-rock 'n' roll revivalist spectrum". A month later, the same columnist called Elvis Costello the "Best Shot of the New Wave" in America, speculating that "If New Wave is to take hold here, it will be through
6844-399: The development of the subculture. Substance abuse has sometimes been a part of the punk scene, with the notable exception of the straight edge movement. Violence has also sometimes appeared in the punk subculture, but has been opposed by some subsets of the subculture, such as the pacifist strain anarcho-punk . Punks often form a local scene, which can have as few as half a dozen members in
6962-635: The early 1980s, particularly in the United States, notable new wave acts embraced a crossover of pop and rock music with African and African-American styles. Adam and the Ants and Bow Wow Wow , both acts with ties to former Sex Pistols manager Malcolm McLaren , used Burundi -style drumming. Talking Heads' album Remain in Light was marketed and positively reviewed as a breakthrough melding of new wave and African styles, although drummer Chris Frantz said he found out about this supposed African influence after
7080-436: The early 1980s. The common characteristics of new wave music include a humorous or quirky pop approach, angular guitar riffs, jerky rhythms, the use of electronics, and a distinctive visual style in fashion. In the early 1980s, virtually every new pop and rock act – and particularly those that employed synthesizers – were tagged as "new wave" in the United States. Although new wave shares punk's do-it-yourself philosophy,
7198-403: The efforts of those furthest from the punk center" due to "inevitable" American middle class resistance to the "jarring rawness of New Wave and its working-class angst." Starting in late 1978 and continuing into 1979, acts associated with punk and acts that mixed punk with other genres began to make chart appearances and receive airplay on rock stations and rock discos. Blondie , Talking Heads,
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#17327906472657316-513: The entire New Wave." Lee Ferguson, a consultant to KWST , said in an interview Los Angeles radio stations were banning disc jockeys from using the term and noted; "Most of the people who call music new wave are the ones looking for a way not to play it". Second albums by new wave musicians who had successful debut albums, along with newly signed musicians, failed to sell and stations pulled most new wave programming, such as Devo's socially critical but widely misunderstood song " Whip It ". In 1981,
7434-517: The episode "Follow the Money" of Family Guy , and in a commercial for Taco Bell in 2011. An album of dub instrumentals , The Secret Dub Life of the Flying Lizards , recorded by David Cunningham mostly in 1978, was finally released in 1995. The first two albums, The Flying Lizards and Fourth Wall , were re-released by RPM in 2010, with the catalogue number RETROD883. "Money" reached
7552-458: The excesses of punk subculture. For some, this extends to refraining from engaging in promiscuous sex, following a vegetarian or vegan diet, and not drinking coffee or taking prescribed medicine. The term straight edge was adopted from the 1981 song " Straight Edge " by the hardcore punk band Minor Threat . Straight edge emerged amid the early-1980s hardcore punk scene. Since then, a wide variety of beliefs and ideas have been associated with
7670-1084: The extreme subgenres of heavy metal (mainly thrash metal , death metal , speed metal , and the NWOBHM ). The punk subculture is centered on a loud, aggressive genre of rock music called punk rock, usually played by bands consisting of a vocalist, one or two electric guitarists, an electric bassist, and a drummer. In some bands, the musicians contribute backup vocals, which typically consist of shouted slogans, choruses, or football-style chants . While most punk rock uses distorted guitars and noisy drumming sounds derived from 1960s garage rock and 1970s pub rock , some punk bands incorporate elements from other subgenres, such as surf rock , rockabilly , or reggae . Most punk rock songs are short, have simple and somewhat basic arrangements using relatively few chords, and typically have lyrics that express punk ideologies and values, although some punk lyrics are about lighter topics such as partying or romantic relationships . Different punk subcultures often distinguish themselves by having
7788-469: The fact. As the decade continued, new wave elements would be adopted by African-American musicians such as Grace Jones , Janet Jackson , and Prince , who in particular used new wave influences to lay the groundwork for the Minneapolis sound . The Velvet Underground have also been heralded for their influence on new wave, post-punk and alternative rock . Roxy Music were also influential to
7906-537: The first known examples of punk literature. The punk subculture has inspired the cyberpunk and steampunk literature genres, and has even contributed (through Iggy Pop) to classical scholarship. Many punk-themed films have been made. The No Wave Cinema and Remodernist film movements owe much to punk aesthetics. Several famous punk bands have participated in movies, such as the Ramones in Rock 'n' Roll High School ,
8024-466: The form of perzines . Important punk zines include Maximum RocknRoll , Punk Planet , No Cure , Cometbus , Flipside , and Search & Destroy . Several novels, biographies, autobiographies, and comic books have been written about punk. Love and Rockets is a comic with a plot involving the Los Angeles punk scene. Just as zines played an important role in spreading information in
8142-513: The genre as well as the works of David Bowie , Iggy Pop and Brian Eno . The term "new wave" is regarded as so loose and wide-ranging as to be "virtually meaningless", according to the New Rolling Stone Encyclopedia of Rock . It originated as a catch-all for the music that emerged after punk rock , including punk itself, in Britain. Scholar Theo Cateforis said that the term was used to commercialize punk groups in
8260-640: The group were a loose collective of avant-garde and freely improvising musicians, including David Toop and Steve Beresford as instrumentalists, with Deborah Evans-Stickland, Patti Palladin and Vivien Goldman as main vocalists. In August 1979 the Flying Lizards appeared twice on the BBC's Top of the Pops performing their hit single " Money (That's What I Want) ". They also appeared in February 1980, performing follow-up single "TV". Virgin Records extended
8378-420: The growing nostalgia for several new-wave-influenced musicians. New wave music encompassed a wide variety of styles that shared a quirky, lighthearted, and humorous tone that were popular in the late 1970s and early 1980s. New wave includes several pop -oriented styles from this time period. Common characteristics of new wave music include a humorous or quirky pop approach, the use of electronic sounds, and
8496-420: The hardcore scene typically wore clothing categorised as masculine. Punk aesthetics determine the type of art punks enjoy, which typically has underground , minimalist , iconoclastic , and satirical sensibilities. Punk has generated a considerable amount of poetry and prose , and has its own underground press in the form of zines . Many punk-themed films have been made. The punk subculture emerged in
8614-567: The larger punk scene. Queercore is an offshoot of the hardcore punk scene and draws its name from a combination of the words " queer " and "hardcore." As in the larger punk scene, DIY is an integral component of the queercore subculture. Many zines that came out of the riot grrrl movement explored issues of queer identity, contributing to the queercore subculture. The queercore and riot grrrl subcultures are often considered to be connected. These two punk scenes are intertwined, with many bands being both queercore and riot grrrl. Punk aesthetics determine
8732-432: The last traces of Punk were drained from New Wave, as New Wave went from meaning Talking Heads to meaning the Cars to Squeeze to Duran Duran to, finally, Wham! ". Among many critics, however, new wave remained tied to the punk/new wave period of the late 1970s. Writing in 1990, the "Dean of American Rock Critics" Robert Christgau , who gave punk and new wave bands major coverage in his column for The Village Voice in
8850-411: The late 1960s, went on to become the host for the television program New Wave Theatre that showcased rising acts in the underground new wave scene. He has been described by NTS Radio as "a virtuosic songwriter and musician whose antics bridged not just 60s counterculture and New Wave music but also film, theater, and music television." In September 1988, Billboard launched its Modern Rock chart,
8968-408: The late 1970s, defined "new wave" as "a polite term devised to reassure people who were scared by punk, it enjoyed a two- or three-year run but was falling from favor as the '80s began." Lester Bangs , another critical promoter of punk and new wave in the 1970s, when asked if new wave was "still going on" in 1982, stated that "The only trouble with New Wave is that nobody followed up on it ... But it
9086-462: The latter half of the 1980s and onward. Conversely, according to Robert Christgau , "in America, the original New Wave was a blip commercially, barely touching the nascent alt-rock counterculture of the '80s." In the US, new wave continued into the mid-1980s but declined with the popularity of the New Romantic , new pop , and new music genres. Some new wave acts, particularly R.E.M. , maintained new wave's indie label orientation through most of
9204-439: The media: Punk rock or new wave bands overwhelmingly expressed their dissatisfaction with the prevailing rock trends of the day. They viewed bombastic progressive rock groups like Emerson Lake and Palmer and Pink Floyd with disdain, and instead channeled their energies into a more stripped back sound… The media, however, portrayed punk groups like the Sex Pistols and their fans as violent and unruly, and eventually punk acquired
9322-510: The mid-1970s; in New York in 1974 and in the United Kingdom in 1976. Some suggest the name " punk " was borrowed from prison slang. Early punk had an abundance of antecedents and influences, and Jon Savage describes the subculture as a " bricolage " of almost every previous youth culture in the Western world since World War II, "stuck together with safety pins". In the late 1970s,
9440-401: The monochrome blacks and greys of punk/new wave, synth-pop was promoted by a youth media interested in people who wanted to be pop stars, such as Boy George and Adam Ant ". In 2005, Andrew Collins of The Guardian offered the breakup of the Jam , and the formation of Duran Duran, as two possible dates marking the "death" of new wave. British rock critic Adam Sweeting , who described
9558-500: The most "truly definitive new wave band". In the same article, reviewing the American book This Ain't No Disco: New Wave Album Covers , Collins noted that the book's inclusion of such artists as Big Country , Roxy Music, Wham!, and Bronski Beat "strikes an Englishman as patently ridiculous", but that the term means "all things to all cultural commentators." By the 2000s, critical consensus favored "new wave" to be an umbrella term that encompasses power pop , synth-pop, ska revival , and
9676-492: The movement, including vegetarianism and animal rights. Ross Haenfler writes that as of the late 1990s, approximately three out of four straight edge participants were vegetarian or vegan. While the commonly expressed aspects of the straight edge subculture have been abstinence from alcohol, nicotine, and illegal drugs, there have been considerable variations on how far to take the interpretations of "abstaining from intoxicants" or "living drug-free". Disagreements often arise as to
9794-411: The musicians were more influenced by the styles of the 1950s along with the lighter strains of 1960s pop and were opposed to the generally abrasive, political bents of punk rock, as well as what was considered to be creatively stagnant " corporate rock ". New wave commercially peaked from the late 1970s into the early 1980s with numerous major musicians and an abundance of one-hit wonders . MTV , which
9912-608: The new wave circuit acts happening very big [in the US]. As a movement, we don't expect it to have much influence." A year earlier, Bart Mills of The Washington Post asked "Is England's New Wave All Washed Up?", writing that "The New Wave joined the Establishment, buying a few hits at the price of its anarchism. Not a single punk band broke through big in America, and in Britain John Travolta sold more albums than
10030-442: The new wave movement's commercial rise, which had been signaled in 1978 by hits for the Cars and Talking Heads. In 1980, there were brief forays into new wave-style music by non-new wave artists Billy Joel ( Glass Houses ), Donna Summer ( The Wanderer ), and Linda Ronstadt ( Mad Love ). Early in 1980, influential radio consultant Lee Abrams wrote a memo saying with a few exceptions, "we're not going to be seeing many of
10148-531: The notion of equal recognition, such as guitarist Viv Albertine , who stated that "the A&;R men, the bouncers, the sound mixers, no one took us seriously. So, no, we got no respect anywhere we went. People just didn't want us around." The anti-establishment stance of punk opened the space for women who were treated like outsiders in a male-dominated industry. Sonic Youth 's Kim Gordon states, "I think women are natural anarchists, because you're always operating in
10266-470: The popular image of young punk women musicians as focused on the fashion aspects of the scene (fishnet stockings, spiky blond hair, etc.) was stereotypical. She states that many, if not most women punks were more interested in the ideology and socio-political implications, rather than the fashion. Music historian Caroline Coon contends that before punk, women in rock music were virtually invisible; in contrast, in punk, she argues "[i]t would be possible to write
10384-465: The primary reasons for living straight edge. Straight edge politics are primarily left-wing and revolutionary but there have been conservative offshoots. In 1999, William Tsitsos wrote that straight edge had gone through three eras since its founding in the early 1980s. Bent edge began as a counter-movement to straight edge by members of the Washington, D.C. hardcore scene who were frustrated by
10502-603: The promotion of individual freedom, and the DIY ethics , the culture originated from punk rock . The punk ethos is primarily made up of beliefs such as non-conformity, anti-authoritarianism , anti-corporatism , a do-it-yourself ethic , anti-consumerist , anti- corporate greed , direct action , and not " selling out ". There is a wide range of punk fashion, including T-shirts, leather jackets, Dr. Martens boots, hairstyles such as brightly coloured hair and spiked mohawks, cosmetics, tattoos, jewellery, and body modification . Women in
10620-409: The punk and hardcore subcultures, members of the scene are often evaluated in terms of the authenticity of their commitment to the values or philosophies of the scene, which may range from political beliefs to lifestyle practices. In the punk subculture, the epithet poseur (or "poser") is used to describe "a person who habitually pretends to be something [they are] not." The term is used to refer to
10738-556: The punk era (e.g. British fanzines like Mark Perry's Sniffin Glue and Shane MacGowan's Bondage ), zines also played an important role in the hardcore scene. In the pre-Internet era, zines enabled readers to learn about bands, shows, clubs, and record labels. Zines typically included reviews of shows and records, interviews with bands, letters to the editor, and advertisements for records and labels. Zines were DIY products, "proudly amateur, usually handmade, and always independent", and during
10856-420: The punk scene in mid- and late 1970s encouraged women to participate. "That was the beauty of the punk thing," Chrissie Hynde later said. "[Sexual] discrimination didn't exist in that scene." This participation played a role in the historical development of punk music, especially in the US and UK at that time, and continues to influence and enable future generations. Rock historian Helen Reddington states that
10974-399: The punk scene serving as an inspiration for a musical movement in which women could express themselves in the same way men had been doing for the past several years. Queercore is punk movement that focuses on LGBT issues. Queercore is an anti-establishment subculture based around a rejection of heteronormativity . This rejection extends beyond mainstream society and resists homophobia in
11092-502: The punk-music scene. The mid-1970s British pub rock scene was the source of many of the most-commercially-successful new wave acts, such as Ian Dury , Nick Lowe , Eddie and the Hot Rods , and Dr. Feelgood . In the US, Sire Records chairman Seymour Stein , believing the term "punk" would mean poor sales for Sire's acts who had frequently played the New York club CBGB , launched a "Don't Call It Punk" campaign designed to replace
11210-412: The punk/new wave movement. Acts associated with the movement received little or no radio airplay, or music industry support. Small scenes developed in major cities. Continuing into the next year, public support remained limited to select elements of the artistic, bohemian, and intellectual population as arena rock and disco dominated the charts. In early 1979, Eve Zibart of The Washington Post noted
11328-474: The revival of stencil art, spearheaded by Crass . The Situationists also influenced the look of punk art, particularly that of the Sex Pistols created by Jamie Reid . Punk art often uses collage , exemplified by the art of Jamie Reid, Crass, The Clash, Dead Kennedys , and Winston Smith . John Holmstrom was a punk cartoonist who created work for the Ramones and Punk . Two dance styles associated with punk are pogo dancing and moshing . The pogo
11446-479: The rigidity and intolerance in the scene. During the youth crew era, which started in the mid-1980s, the influence of music on the straight edge scene was at an all-time high. By the early 1990s, militant straight edge was a well-known part of the wider punk scene. In the early to mid-1990s, straight edge spread from the United States to Northern Europe, Eastern Europe, the Middle East, and South America. By
11564-523: The soft strains of punk rock. In the UK, some post-punk music developments became mainstream. According to music critic David Smay writing in 2001: Current critical thought discredits new wave as a genre, deriding it as a marketing ploy to soft-sell punk, a meaningless umbrella term covering bands too diverse to be considered alike. Powerpop, synth-pop, ska revival, art school novelties and rebranded pub rockers were all sold as "New Wave". In mid-1977, Time and Newsweek wrote favorable lead stories on
11682-718: The standard hardcore punk clothing and styles included torn jeans, leather jackets, spiked armbands and dog collars, mohawk hairstyles, and DIY ornamentation of clothes with studs, painted band names, political statements, and patches. Yet another punk scholar describes the look that was common in the San Francisco hardcore scene as consisting of biker-style leather jackets, chains, studded wristbands, pierced noses and multiple piercings, painted or tattooed statements (e.g. an anarchy symbol), and hairstyles ranging from military-style haircuts dyed black or blonde to mohawks and shaved heads. The Metropolitan Museum of Art in 2013 hosted
11800-407: The start of MTV began new wave's most successful era in the US. British musicians, unlike many of their American counterparts, had learned how to use the music video early on. Several British acts on independent labels were able to outmarket and outsell American musicians on major labels, a phenomenon journalists labeled the " Second British Invasion " of "new music" , which included many artists of
11918-442: The subculture began to diversify, which led to the proliferation of factions such as new wave , post-punk , 2 Tone , hardcore punk , no wave , street punk , and Oi! . Hardcore punk, street punk, and Oi! sought to do away with the frivolities introduced in the later years of the original punk movement. The punk subculture influenced other underground music scenes such as alternative rock , indie music , crossover thrash , and
12036-665: The term "new wave" to classify New York–based groups such as the Velvet Underground and New York Dolls . In the US, many of the first new wave groups were the not-so-punk acts associated with CBGB (e.g. Talking Heads, Mink DeVille and Blondie ), as well as the proto-punk scene in Ohio, which included Devo , the Electric Eels , Rocket from the Tombs , and Pere Ubu . Some important bands, such as Suicide and
12154-598: The term with "new wave". Because radio consultants in the US had advised their clients punk rock was a fad, they settled on the new term. Like the filmmakers of the French New Wave movement , after whom the genre was named, new wave bands such as Ramones and Talking Heads were anti-corporate and experimental. At first, most American writers used the term "new wave" exclusively in reference to British punk acts. Starting in December 1976, The New York Rocker , which
12272-416: The type of art punks enjoy, usually with underground , minimalistic , iconoclastic , and satirical sensibilities. Punk artwork graces album covers , flyers for concerts, and punk zines . Usually straightforward with clear messages, punk art is often concerned with political issues such as social injustice and economic disparity. The use of images of suffering to shock and create feelings of empathy in
12390-403: The viewer is common. Alternatively, punk artwork may contain images of selfishness, stupidity, or apathy to provoke contempt in the viewer. Much of the earlier artwork was black and white, because it was distributed in zines and reproduced by photocopying at work, school, or at copy shops. Punk art also uses the mass production aesthetic of Andy Warhol 's Factory studio. Punk played a hand in
12508-481: The way in which individuals in a nation dress, and the ideals of a traditionalist nation. This is most common in the post-1980s US hardcore punk scene, where members of the subculture often dressed in plain T-shirts and jeans, rather than the more elaborate outfits and spiked, dyed hair of their British counterparts. Many groups adopt a look based on street clothes and working-class outfits. Hardcore punk fans adopted
12626-520: The whole history of punk music without mentioning any male bands at all – and I think a lot of [people] would find that very surprising." Johnny Rotten wrote that 'During the Pistols era, women were out there playing with the men, taking us on in equal terms ... It wasn't combative, but compatible.' Women were involved in bands such as The Runaways , The Slits , The Raincoats , Mo-dettes , Dolly Mixture , and The Innocents . Others take issue with
12744-565: Was Vivienne Westwood , who made clothes for Malcolm McLaren 's boutique in the King's Road , which became famous as " SEX ". Many punks wear tight "drainpipe" jeans, plaid/tartan trousers, kilts or skirts, T-shirts, leather jackets (often decorated with painted band logos, pins and buttons, and metal studs, chains or spikes), and footwear such as high-cut Chuck Taylors , trainers , skate shoes , brothel creepers , Dr. Martens boots, and army boots . Early punks occasionally wore clothes displaying
12862-419: Was adopted by punks because public perceptions of sniffing fitted in with their self-image. Originally used experimentally and as a cheap high, adult disgust and hostility encouraged punks to use glue sniffing as a way of shocking society." Model aeroplane glue and contact cement were among the numerous solvents and inhalants used by punks to achieve euphoria and intoxication. Glue was typically inhaled by placing
12980-400: Was an influential biker film , with a punk biker gang aesthetic that paved the way for Katsuhiro Otomo 's manga and anime franchise Akira (1982 debut). Ishii's next film was the frenetic Shuffle (1981), an unofficial short film adaptation of a manga comic strip by Otomo. The documentary film Afro-Punk covers the black experience in the punk DIY scene. " [Glue] sniffing
13098-542: Was basically based on English fashion. But we had nothing to do with that. Black Flag and the Circle Jerks were so far from that. We looked like the kid who worked at the gas station or submarine shop." Henry Rollins echoes Morris' point, stating that for him getting dressed up meant putting on a black shirt and some dark pants; Rollins viewed an interest in fashion as being a distraction. Jimmy Gestapo from Murphy's Law describes his own transition from dressing in
13216-436: Was best expressed through masculinity, defining masculine as the "default", where gender did not exist or had no meaning. However, the main reasoning behind this argument equates femininity with popular conceptions of beauty. Everything that was normally supposed to be hidden was brought to the front, both literally and figuratively. This could mean anything from wearing bras and underwear on top of clothing to wearing nothing but
13334-434: Was coined to describe groups who were initially considered part of new wave but were more ambitious, serious, challenging, darker, and less pop-oriented. Some of these groups later adopted synthesizers. While punk rock wielded a major influence on the popular music scene in the UK, in the US it remained a fixture of the underground. By the end of 1977, "new wave" had replaced "punk" as the term for new underground music in
13452-443: Was held together by safety pins or wrapped with tape; ordinary clothing was customised by embellishing it with marker or adorning it with paint; a black bin liner became a dress, shirt or skirt; safety pins and razor blades were used as jewellery. Also popular have been leather, rubber, and PVC clothing that is often associated with transgressive sexuality , like BDSM and S&M . A designer associated with early UK punk fashion
13570-469: Was launched in 1981, heavily promoted new-wave acts, boosting the genre's popularity in the United States. In the UK, new wave faded at the beginning of the 1980s with the emergence of the New Romantic movement. In the US, new wave continued into the mid-1980s but declined with the popularity of the New Romantic, new pop , and new music genres. Since the 1990s, new wave resurged several times with
13688-487: Was really an exciting burst there for like a year, year and a half." Starting around 1983, the US music industry preferred the more generic term " new music ", which it used to categorize new movements like new pop and New Romanticism . In 1983, music journalist Parke Puterbaugh wrote that new music "does not so much describe a single style as it draws a line in time, distinguishing what came before from what has come after." Chuck Eddy , who wrote for The Village Voice in
13806-522: Was suspicious of the term "punk", became the first American journal to enthusiastically use the term, at first for British acts and later for acts associated with the CBGB scene. The music's stripped-back style and upbeat tempos, which Stein and others viewed as a much-needed return to the energetic rush of rock and roll and 1960s rock that had dwindled in the 1970s with progressive rock and stadium spectacles, attracted them to new wave. The term "post-punk"
13924-632: Was used in the film soundtracks for The Wedding Singer , Empire Records , Charlie's Angels and Lord of War , as well as in the Emmy and Golden Globe award-winning American television medical drama Nip/Tuck , documentary series People's Century , and in Ashes to Ashes , the follow-up to the UK TV drama Life on Mars . It was also used in the episode "Venus Rising" of WKRP in Cincinnati ,
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