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Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include indeterminacy , in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may approach a hybrid of disparate styles or incorporate unorthodox and unique elements.

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59-619: Flobots is an experimental hip hop band from Denver, Colorado , formed in 2005 by Jamie Laurie. The band's origins date back 5 years earlier to a similar project by Laurie. Flobots found mainstream success with their major label debut Fight with Tools (2007), featuring the single " Handlebars ", which became a popular hit on Modern Rock radio in April 2008. The band has released four studio albums and one EP, with their latest Noenemies being released in May 2017. The Flobots project started in

118-448: A "new definition that makes it possible to restrict to a laboratory, which is tolerated but subject to inspection, all attempts to corrupt musical morals. Once they have set limits to the danger, the good ostriches go to sleep again and wake only to stamp their feet with rage when they are obliged to accept the bitter fact of the periodical ravages caused by experiment." He concludes, "There is no such thing as experimental music ... but there

177-454: A certain exploratory attitude", experimental music requires a broad and inclusive definition, "a series of ands , if you will", encompassing such areas as "Cageian influences and work with low technology and improvisation and sound poetry and linguistics and new instrument building and multimedia and music theatre and work with high technology and community music, among others, when these activities are done with

236-411: A compositional resource. Free improvisation or free music is improvised music without any rules beyond the taste or inclination of the musician(s) involved; in many cases, the musicians make an active effort to avoid clichés ; i.e., overt references to recognizable musical conventions or genres. The Groupe de Recherches de Musique Concrète (GRMC), under the leadership of Pierre Schaeffer , organized

295-410: A corporate-looking symbol leading to a shadowed street, and the other labeled by a dove leading down a sunlit street. They hug and head their separate ways, the casual friend taking the path of the dove. The next part of the song centers on the casual friend. While describing his hobbies and skills, including things he can teach people, he walks along a cracked sidewalk and sees a chalk drawing depicting

354-403: A fist and submachine guns, proceeds to kill the entire crowd. The bandana-wearing man is killed first by a sniper, following many more deaths. The corporate friend looks on horrified as he sees his friend shot dead and lying on the ground. The video ends with a flashback of the two friends crisscrossing as they ride their bicycles, again without using their handlebars, off into a bright light in

413-430: Is improvised music without any rules beyond the taste or inclination of the musician(s) involved; in many cases the musicians make an active effort to avoid overt references to recognizable musical genres. Sources Handlebars (song) " Handlebars " is a song by Flobots . It was released as the first single from their debut album, Fight with Tools , and is the group's largest success, peaking at number 37 on

472-470: Is a very real distinction between sterility and invention". Starting in the 1960s, "experimental music" began to be used in America for almost the opposite purpose, in an attempt to establish an historical category to help legitimize a loosely identified group of radically innovative, " outsider " composers. Whatever success this might have had in academe, this attempt to construct a genre was as abortive as

531-479: Is by having 500 voices be on the same breath. That was the anchor for both our album and our activist work over the last few years. We started from the streets and used the songs in a community environment; then we took them to the studio. On November 8, 2016, Flobots have released a new track from the upcoming album on their official SoundCloud, "Rattle the Cage". The song was premiered earlier than planned in response to

590-420: Is not restricted to the inclusion of sonorities derived from musical instruments or voices , nor to elements traditionally thought of as "musical" ( melody , harmony , rhythm , metre and so on). The theoretical underpinnings of the aesthetic were developed by Pierre Schaeffer , beginning in the late 1940s. Fluxus was an artistic movement started in the 1960s, characterized by an increased theatricality and

649-469: Is unknown". David Cope also distinguishes between experimental and avant-garde, describing experimental music as that "which represents a refusal to accept the status quo ". David Nicholls, too, makes this distinction, saying that "...very generally, avant-garde music can be viewed as occupying an extreme position within the tradition, while experimental music lies outside it". Warren Burt cautions that, as "a combination of leading-edge techniques and

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708-597: Is walking down the street. Che Guevara , an iconic revolutionary, is referenced in the video when an image of Guevara's face appears on a man's T-shirt while the oppressed friend is rallying a crowd. Another reference is to the Abu Ghraib tortures during the Iraq War , seen in a flashing image identical to the iconic photograph of prisoner Abdou Hussain Saad Faleh. On May 17, 2008, the song peaked at number 3 on

767-543: The Billboard Hot 100 and number three on the Billboard Modern Rock Tracks chart. "Handlebars" was originally released in 2005 on the band's first EP, Flobots Present...Platypus , before being re-released on Fight with Tools two years later with re-recorded vocals. The song won in a fan-voted local radio station contest at the end of 2007, giving the song the chance to be played on

826-445: The Billboard Modern Rock Tracks . Fueled by radio airplay, including six straight weeks at the top of KROQ's most played list, it was the first single since Semisonic's " Closing Time " to chart in the top ten so quickly. It has had similar success on the digital landscape, having over 16.5 million total plays on the band's MySpace.com page and over 54 million views on YouTube. Digital download purchases have placed

885-529: The 2016 US presidential election , with the band saying "Wounds are raw. The pain is real. We wanted to share something a little earlier than planned. This is a song for all of us". On January 20, 2017, they released another new song, the politically charged "Pray", released on the same day as the Inauguration of Donald Trump . In March 2017, Flobots teamed up with Wonderbound to create a "Hip-hop ballet" set to Flobots music. On May 5, 2017, "Noenemies"

944-568: The "American Experimental School". These include Charles Ives, Charles and Ruth Crawford Seeger , Henry Cowell , Carl Ruggles , and John Becker . The New York School was an informal group of American poets, painters, dancers, and musicians active in the 1950s and 1960s in New York City. They often drew inspiration from Marcel Duchamp and Dada and contemporary avant-garde art movements, in particular conceptual art , pop art , jazz , improvisational theater, experimental music, and

1003-507: The 1950s, the term "experimental" was often applied by conservative music critics—along with a number of other words, such as "engineers art", "musical splitting of the atom", "alchemist's kitchen", "atonal", and "serial"—as a deprecating jargon term, which must be regarded as "abortive concepts", since they did not "grasp a subject". This was an attempt to marginalize, and thereby dismiss various kinds of music that did not conform to established conventions. In 1955, Pierre Boulez identified it as

1062-466: The 51st best independent band in all of Colorado in late 2007. Flobots entered a contest held by Denver radio station 93.3 ( KTCL ), called Hometown for the Holidays, which allowed fans to vote for their favorite songs from 35 local bands. Flobots subsequently won both the radio portion of the contest as well as the live performance award. As a result, the station put "Handlebars" into full rotation at

1121-645: The Billboard charts, the band's highest-charting album to date. They made their television debut on Last Call with Carson Daly on May 20, 2008. Also on May 20, Flobots spent two hours with Dr. Drew and Stryker answering sex questions on Loveline and re-released their album Fight With Tools to a wider audience after their newfound success. Flobots also appeared on The Tonight Show with Jay Leno on June 5, 2008, with their song " Handlebars ". They performed their second single " Rise " on Late Night with Conan O'Brien on October 13, 2008. On February 17, 2009,

1180-455: The European avant-garde of the time ( Boulez , Kagel , Xenakis , Birtwistle , Berio , Stockhausen , and Bussotti ), for whom "The identity of a composition is of paramount importance". The word "experimental" in the former cases "is apt, providing it is understood not as descriptive of an act to be later judged in terms of success or failure, but simply as of an act the outcome of which

1239-580: The First International Decade of Experimental Music between 8 and 18 June 1953. This appears to have been an attempt by Schaeffer to reverse the assimilation of musique concrète into the German elektronische Musik , and instead tried to subsume musique concrète, elektronische Musik , tape music, and world music under the rubric "musique experimentale". Publication of Schaeffer's manifesto was delayed by four years, by which time Schaeffer

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1298-510: The Flobots announced in a MySpace blog entry that they were "working really hard on their next album and plan to have it completed soon." In September 2009, the band finished recording their second album. The band announced on YouTube that the album was to be titled Survival Story . The album was released on March 16, 2010. The key single from that album is the song "White Flag Warrior", featuring Tim McIlrath of Rise Against . The album

1357-601: The Gallogly Events Center, UCCS, Colorado Springs, the Flobots announced that "they will be releasing an album in 2012 so they might as well name it Stop The Apocalypse ." They also performed a brand new song off the album titled The Circle in the Square . It was revealed via their official website on June 15, 2012, that the album would not be titled Stop the Apocalypse , but will be called The Circle in

1416-589: The Square and will be released on August 28, 2012. On June 20, the band posted a video for the title song The Circle in the Square on their YouTube channel. On August 28, 2012, their album The Circle in the Square was released. In 2013 and 2014, The Flobots performed a free concert for high school students in Jefferson County, Colorado for the annual A Day Without Hate rally. In an interview with Standley Lake High School 's news magazine The Lake , Jamie Laurie mentioned how he believed A Day Without Hate

1475-469: The aim of finding those musics 'we don't like, yet', [citing Herbert Brün ] in a 'problem-seeking environment' [citing Chris Mann ]". Benjamin Piekut argues that this "consensus view of experimentalism" is based on an a priori "grouping", rather than asking the question "How have these composers been collected together in the first place, that they can now be the subject of a description?" That is, "for

1534-476: The alias "Jonny 5 + Yak", and the title track ended up in a compilation by the MIT Songwriting Club at Yahktoe's alma mater. In that compilation the band was still credited as "Flobots" (and as "Flobots (a.k.a. Jonny5 and Yak)" in the liner notes). The title track featured guitar player David Gralow, cello player Terrence Favors, and bass player Jaymz Haynes. After the release of Onomatopoeia ,

1593-462: The backlash towards "No Handlebars". Flobots sued Paul for copyright infringement in 2019, which was settled and Flobots was compensated. Paul has deleted the song from YouTube. Current members Former members Session members Touring members Experimental music The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage

1652-416: The category it purports to explain is an exercise in metaphysics , not ontology". Leonard B. Meyer , on the other hand, includes under "experimental music" composers rejected by Nyman, such as Berio, Boulez and Stockhausen, as well as the techniques of "total serialism ", holding that "there is no single, or even pre-eminent, experimental music, but rather a plethora of different methods and kinds". In

1711-407: The corporate friend hangs up and walks down the industrial street. He lists his accomplishments per the song's lyrics before stopping in front of and looking up at the same tower that appeared in the beginning of the video. In the next scene, he is completing a transaction with a man in a board room, after which he holds a meeting with some executives. A graph displays profits zigzagging up a board with

1770-444: The corporate logo on it before ending in what resembles a spatter of blood. The camera zooms out, revealing that he was inside the tower. He then gives a televised speech behind a podium, while the background changes from a corporate to a political setting with two American flags. The casual friend sees it, disappointedly shaking his head. The world becomes more bleak and oppressive, with security cameras and smokestacks, emblazoned with

1829-448: The corporate logo, spewing toxic fumes into the air. A hawk kills a dove, and a fighter jet soars overhead. The casual friend begins rallying a crowd of oppressed-looking people. A man wearing a bandana sprays an X over a poster displaying a picture of the now-dictator-like friend and the word "LIAR" below that. The rebellious friend leads the crowd towards the tower, but a line of heavily armed riot-control officers, with shields displaying

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1888-415: The distance. Several times in the video, the dove is used to symbolize peace, while the hawk represents oppressive power destroying that peace. A hawk kills an actual dove, and a wrecking ball destroys a wall with a dove painted on it, located next to a billboard displaying the corporate symbol and a cityscape again featuring the tower. In addition, a hawk flies over the head of the corporate friend when he

1947-503: The early musique concrète work of Schaeffer and Henry in France. There is a considerable overlap between Downtown music and what is more generally called experimental music, especially as that term was defined at length by Nyman in his book Experimental Music: Cage and Beyond (1974, second edition 1999). A number of early 20th-century American composers, seen as precedents to and influences on John Cage, are sometimes referred to as

2006-718: The end of January due to the immense popularity of the song during the contest. In February 2008, Flobots held a show at the Gothic Theatre in Englewood called "The Heart Attack" featuring local bands The Hot IQs and Paper Bird. It was after this show that the group was approached by and subsequently signed to Universal Republic on a two CD major label deal. On March 31, the band announced that they would be playing Tucson , Arizona's major alternative rock festival, KFMA Day, with Metallica , Apocalyptica , Chiodos , and Scars on Broadway on May 16. Flobots were also part of

2065-421: The first scene of the video, with the bicycling friends represented by stick figures . He picks up an apple off of the ground and returns it to its barrel. He walks past a street corner that shows a path to the corporate street, unaware of the blood on that street's walls. Observing a group of young girls playing jump rope , he picks up his cellphone and sees the corporate friend's face. After their conversation,

2124-420: The interaction of friends in the New York City art world's vanguard circle . Composers/Musicians included John Cage , Earle Brown , Christian Wolff , Morton Feldman , David Tudor among others. Dance related: Merce Cunningham Musique concrète ( French ; literally, "concrete music"), is a form of electroacoustic music that utilises acousmatic sound as a compositional resource. The compositional material

2183-428: The meaningless namecalling noted by Metzger, since by the "genre's" own definition the work it includes is "radically different and highly individualistic". It is therefore not a genre, but an open category, "because any attempt to classify a phenomenon as unclassifiable and (often) elusive as experimental music must be partial". Furthermore, the characteristic indeterminacy in performance "guarantees that two versions of

2242-455: The mid-1990s, with two albums self-released on cassette tape in 1996 and 1998. The personnel and aliases varied between the albums, but by the second album James Laurie was using the alias "Johnny Five". In 2000 James Laurie, now going by "Jonny 5", teamed up with producer Farhad Ebrahimi, a.k.a. Yahktoe (who had contributed to the previous Flobots cassette as musician, producer and cover designer). Together they released Onomatopoeia in 2001 under

2301-446: The most part, experimental music studies describes [ sic ] a category without really explaining it". He finds laudable exceptions in the work of David Nicholls and, especially, Amy Beal, and concludes from their work that "The fundamental ontological shift that marks experimentalism as an achievement is that from representationalism to performativity ", so that "an explanation of experimentalism that already assumes

2360-448: The music of the Flobots along in a science fiction context. On November 23, 2017, Logan Paul released his new single, "No Handlebars", a track that draws heavily on an interpolated sample of the song " Handlebars ". The song was heavily criticized for its perceived sexual objectification of women. Flobots would later go on to release a track with lyrics deriding Paul, titled "Handle Your Bars". Paul did not respond to Laurie's comments nor

2419-487: The new name Flobots Present...Platypus , which went on to sell more than 3,000 copies over the next two years. After the release of Platypus , Flobots began work on their next album. After a year of writing and producing, the Flobots released their proper debut album Fight with Tools and sold out their CD release show at the Gothic Theatre in Englewood, Colorado . A Denver Post survey of music critics ranked Flobots

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2478-420: The project went on a hiatus. In 2005, Laurie reformed the project under the name The Flobots. Joining Laurie was MC/vocalist Stephen "Brer Rabbit" Brackett, bassist Jesse Walker, guitarist Andy Guerrero, trumpet player Joe Ferrone, viola player Mackenzie Gault, and drummer Kenny Ortiz. Guerrero and Ferrone were previously in the band Bop Skizzum together. With a revamped lineup, Flobots released their debut EP under

2537-444: The same piece will have virtually no perceptible musical 'facts' in common". In the late 1950s, Lejaren Hiller and L. M. Isaacson used the term in connection with computer-controlled composition, in the scientific sense of "experiment": making predictions for new compositions based on established musical technique ( Mauceri 1997 , 194–195). The term "experimental music" was used contemporaneously for electronic music , particularly in

2596-433: The same seriousness. ... at the same time, I knew there were people at that moment who were being bombed by our own country. And I thought that was incredibly powerful. It is the contrast between these "little moments of creativity, these bursts of innovation," and the way these ideas are put to use "to oppress and destroy people" that the singer feels is "beautiful and tragic at the same time." The animated video for

2655-1035: The sixteenth annual KROQ Weenie Roast on May 17, along with Atreyu , Bad Religion , Flogging Molly , Metallica , The Offspring , Pennywise , The Raconteurs , Rise Against , Scars on Broadway and Seether . On July 20, 2008, Flobots played at the Mile High Music Festival in Commerce City, Colorado with headliners Dave Matthews Band and John Mayer. On July 26, 2008, Flobots played 93.3's Big Gig at Coors Amphitheater in Greenwood Village, Colorado with Offspring. On September 1, 2008, they performed at Bumbershoot Music and Arts Festival in Seattle, Washington. The single " Handlebars " became popular on alternative rock radio in April 2008 and peaked at No. 3 on Billboard's Modern Rock Tracks chart. Fight With Tools peaked at #15 on

2714-751: The song at number 4 on certain rap and hip-hop charts on Amazon.com . "Handlebars" also performed well on the Billboard charts . Peaking at number three on the Modern Rock Tracks chart, number twenty-two on the Hot Digital Songs chart, number thirty-five on the Pop 100 chart, number thirty-seven on the Hot 100 chart, number sixty-three on the Canadian Hot 100 . On September 7, 2008,

2773-431: The song opens with two young friends, one wearing casual clothes and the other in a businesslike suit, seated on their bicycles on a hill looking over a city. Prominent in the city is a crystalline tower with part of its framework showing. The friends ride their bikes down the hill without their hands on the handlebars, while the casual friend smiles widely. They arrive at a sign that points in two directions, one labeled with

2832-429: The song, which has earned Paul over $ 1 million since 2017. Flobots vocalist Jamie Laurie stated that the song is about the idea that we have so much incredible potential as human beings to be destructive or to be creative. And it's tragic to me that the appetite for military innovation is endless, but when it comes to taking on a project like ending world hunger , it's seen as outlandish. It's not treated with

2891-418: The station. The song was so popular that it was put into full rotation at the station by the end of January, attracting the attention of record companies. The Flobots ultimately signed with Universal Republic off the back of the single's success. In May 2019, Flobots sued YouTube user Logan Paul for copyright infringement over his 2017 single "No Handlebars". The group has requested all royalties for

2950-481: The term "experimental" also to describe the work of other American composers ( Christian Wolff , Earle Brown , Meredith Monk , Malcolm Goldstein , Morton Feldman , Terry Riley , La Monte Young , Philip Glass , Steve Reich , etc.), as well as composers such as Gavin Bryars , John Cale , Toshi Ichiyanagi , Cornelius Cardew , John Tilbury , Frederic Rzewski , and Keith Rowe . Nyman opposes experimental music to

3009-419: The term was used in the late 1950s to describe computer-controlled composition associated with composers such as Lejaren Hiller . Harry Partch and Ivor Darreg worked with other tuning scales based on the physical laws for harmonic music. For this music they both developed a group of experimental musical instruments . Musique concrète is a form of electroacoustic music that utilises acousmatic sound as

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3068-738: The use of mixed media . Another known musical aspect appearing in the Fluxus movement was the use of Primal Scream at performances, derived from the primal therapy . Yoko Ono used this technique of expression. The term "experimental" has sometimes been applied to the mixture of recognizable music genres, especially those identified with specific ethnic groups, as found for example in the music of Laurie Anderson , Chou Wen-chung , Steve Reich , Kevin Volans , Martin Scherzinger, Michael Blake, and Rüdiger Meyer. Free improvisation or free music

3127-417: The whole methodology of the song-building, period. That's the philosophy of pretty much the last three years of the band. That's the reason why we looked in a very real way at how we bring music back to protest culture. How do we establish and build a culture that communicates emotions, that uses our emotional state as a basis for power? How do we have nonviolent representations of our strength? One of those ways

3186-429: Was "really inspiring." On May 7, 2013, the band released video for a previously unreleased song called "Rockmine." In 2015 it was announced that they were working on a new music project called Noenemies, which will focus on issues such as climate change and immigration reform. The band raised funds via Kickstarter to record two albums. How can we get people to come together for a cause through song? That influenced

3245-537: Was anticipated by several months in a lecture delivered by Wolfgang Edward Rebner at the Darmstädter Ferienkurse on 13 August 1954, titled "Amerikanische Experimentalmusik". Rebner's lecture extended the concept back in time to include Charles Ives , Edgard Varèse , and Henry Cowell , as well as Cage, due to their focus on sound as such rather than compositional method. Composer and critic Michael Nyman starts from Cage's definition, and develops

3304-420: Was favoring the term "recherche musicale" (music research), though he never wholly abandoned "musique expérimentale". John Cage was also using the term as early as 1955. According to Cage's definition, "an experimental action is one the outcome of which is not foreseen", and he was specifically interested in completed works that performed an unpredictable action . In Germany, the publication of Cage's article

3363-576: Was officially released. The album was influenced by the works of Vincent Harding , who was a mentor to the band. The group describes the album as "a body of protest songs that speak to the urgency of the current moment." The band intends to release a follow-up album soon afterwards, with new songs already debuted live. The webcomic series created by D.J. Coffman (13) Rise of the Flobots: Architects of Change launched on June 9, 2008, at flobots.net , and features stories inspired by fans and

3422-423: Was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had begun using the term musique expérimentale to describe compositional activities that incorporated tape music , musique concrète , and elektronische Musik . In America, a quite distinct sense of

3481-451: Was produced by Mario Caldato, Jr. , best known for his work with The Beastie Boys . In December 2010, the band parted ways with Universal Republic Records. Brer Rabbit mentioned that the split was a mutual decision between the band and the label. In the summer of 2011, lead guitarist Andy "Rok" Guerrero left the group due to "creative differences" and to focus on his previous project, Bop Skizzum. On September 17, 2011, while performing at

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