Misplaced Pages

#475524

120-492: Frontier Gal is a 1945 American Western film directed by Charles Lamont and starring Yvonne De Carlo and Rod Cameron . Johnny Hart heads for Red Gulch, looking for the mystery man who murdered his partner. He quickly meets Lorena Dumont, a beautiful barkeep who is loved by Blackie, a jealous crook who doesn't like her interest in Johnny one bit. After he resists her seduction by saying he has another girl back home, Johnny

240-561: A "mythic vision of the plains and deserts of the American West". Specific settings include ranches, small frontier towns, saloons, railways, wilderness, and isolated military forts of the Wild West. Many Westerns use a stock plot of depicting a crime, then showing the pursuit of the wrongdoer, ending in revenge and retribution, which is often dispensed through a shootout or quick draw duel. The Western genre sometimes portrays

360-470: A child with Lorena who's now five years old. Blackie takes the little girl hostage, but Johnny kills him and reunites a grateful Lorena with their little girl. The film was to have starred Maria Montez and Rod Cameron. In April 1945 Montez refused to play the role. She was replaced by Yvonne De Carlo who had just played her first leading role in Salome, Where She Danced . De Carlo says Montez turned down

480-434: A cumbersome Latin loanword. The first vice character on stage, Mischief, immediately picks up on Mercy's excessive Latinisms and continues with this end rhyme in order to mock Mercy's ornate speech: I beseche yow hertyly, leve yowr calcacyon. Leve yowr chaffe, leve yowr corn, leve yowr dalyacyon. Yowr wytt ys lytyll, yowr hede ys mekyll, ye are full of predycacyon (ll. 45-47). Shortly thereafter Mischief fully switches to

600-450: A drake. (As devil doughty, like a dragon on my sack.) I champe and I chafe, I chocke on my chynne, (I champ and I chew and I thrust out my chin;) I am boystous and bold, as Belyal the blake. (I am boisterous and bold as Belial the black!) What folk that I grope thei gapyn and grenne, (The folk that I grasp they gasp and they groan,) Iwys, fro Carlylle into Kent my carpynge thei take, (From Carlisle to Kent, my carping they take!) Bothe

720-467: A four stress line to a faster and more excited two stress line (ll. 610–646), before returning to the four stress line after a scene change. Alliteration is put to wonderful effect in The Castle of Perseverance . It appears in every stanza of more than four lines, though this is not evenly distributed, with later debate scenes employing less alliteration and the characters World, Belial, Flesh, and

840-447: A horse and is armed with a revolver or rifle . The male characters typically wear broad-brimmed and high-crowned Stetson hats, neckerchief bandannas , vests , and cowboy boots with spurs . While many wear conventional shirts and trousers, alternatives include buckskins and dusters . Women are generally cast in secondary roles as love interests for the male lead; or in supporting roles as saloon girls, prostitutes or as

960-477: A human faculty; supporting characters are personifications of abstract concepts, each aligned with either good or evil, virtue or vice. The clashes between the supporting characters often catalyze a process of experiential learning for the protagonist, and, as a result, provide audience members and/or readers with moral guidance, reminding them to meditate and think upon their relationship to God, as well as their social and/or religious community. Many, but not all, of

1080-496: A literary form that unites the moralities, the Oxford Dictionary of Literary Terms offers this definition: "Morality plays are dramatized allegories, in which personified virtues, vices, diseases, and temptations struggle for the soul of Man." The same book defines allegory as "a story or visual image with a second distinct meaning partially hidden behind its literal or visible meaning. The principal technique of allegory

1200-426: A literary form. The plays also resemble each other in regard to thematic content. They feature other common characteristics that are not necessarily common to all texts within the genre. Particularly notable thematic commonalities include: the transitoriness of life in relation to the afterlife, the importance of divine mercy, the use of misprision by vice characters, and the inevitable cycle of sin and penitence found in

1320-479: A medieval morality play, continue to pull at the genre's incohesive threading. There are points of distinction in morality plays, beginning with Everyman , which can generally be attributed to humanism. According to Thomas Betteridge and Greg Walker, the majority of English dramas were religious in some form. However, plays are increasingly divorced from religion, and in particular, the staging of God and priests. While drama continued to contain religious themes, it

SECTION 10

#1732800982476

1440-408: A much smaller generic portion of humanity, '"every merchant," in juxtaposition to Mankind's earlier, full representation of all humanity. In Skelton's Magnyfycence , Magnificence and the vices that corrupt him represent a particular person, King Henry VIII, and his court 'minions' who were expelled for their poor behaviour. Scholars have long noted that the medieval morality plays were written after

1560-460: A nonsense mixture of Latin and English to continue mocking Mercy's Latinizing, as well as to mangle Mercy's earlier reference to the parable of the wheat and tares: "Corn servit bredibus, chaffe horsibus, straw fyrybusque" (l. 57, translated: Corn serves bread, chaff horses, straw fires). The result of this is not only to show that the formal structures of Latin are nothing more than formal structures that can be spoofed and misused, but also to create

1680-481: A number of occasions, famous examples being Support Your Local Sheriff! , Cat Ballou , Mel Brooks 's Blazing Saddles , and Rustler's Rhapsody . George Lucas 's Star Wars films use many elements of a Western, and Lucas has said he intended for Star Wars to revitalize cinematic mythology, a part the Western once held. The Jedi , who take their name from Jidaigeki , are modeled after samurai, showing

1800-491: A peculiar trait that one will likely notice while reading these plays is the tendency of characters to describe in speech the actions they are (presumably) simultaneously performing as a way of verbally encoding stage directions. For example, in Mankind , the character Mankind says, "Thys earth wyth my spade I shall assay to delffe" (l. 328); this line, meaning, "This earth with my spade I will attempt to dig," appears to serve as

1920-452: A popular art form. Western films commonly feature protagonists such as cowboys, gunslingers, and bounty hunters, who are often depicted as seminomadic wanderers who wear Stetson hats, bandannas , spurs, and buckskins , use revolvers or rifles as everyday tools of survival and as a means to settle disputes using frontier justice. Protagonists ride between dusty towns and cattle ranches on their trusty steeds. The first films that belong to

2040-443: A printed text, in four different sources. Two of these four sources were printed by Pynson and two were printed by John Skot. Pamela King notes how Everyman's status as a printed text pushes the boundaries of the medieval morality genre; she writes, "It was also one of the very first plays to be printed, and in some respects belongs more to the early Tudor tradition than that of the late Middle Ages." Other English moralities include

2160-570: A setting, where it tasked players to lead a party of settlers moving westward in a covered wagon from Independence, Missouri to Oregon City, Oregon. The game only grew popular in the 1980s and 1990s as an educational game. The first video game Westerns to engage the mass public arrived in arcade games focused on the gunfighter in Westerns based on depictions in television shows, films and Electro-mechanical games such as Dale Six Shooter (1950), and Sega 's Gun Fight (1970). The first of these games

2280-688: A sheriff in fictional Absaroka County, Wyoming . Originally aired on the A&;E network from 2012 to 2014, it was picked up by Netflix in 2015 until the show's conclusion in 2017. AMC and Vince Gilligan's critically acclaimed Breaking Bad is a much more modern take on the Western genre. Set in New Mexico from 2008 through 2013, it follows Walter White ( Bryan Cranston ), a chemistry teacher diagnosed with Stage III Lung Cancer who cooks and sells crystal meth to provide money for his family after he dies, while slowly growing further and further into

2400-689: A single manuscript called the Macro Manuscript , named after its first known owner, Cox Macro of Bury St Edmunds. A second copy of the first 752 lines of Wisdom is preserved in MS Digby 133. It is possible that the Macro version was copied from the Digby manuscript, but there is also the possibility that both were copied from elsewhere. Unlike The Pride of Life and the Macro plays, all of which survive only in manuscript form, Everyman exists as

2520-606: A stage direction for Mankind's actor to literally dig. Besides simple actions, the same thing occurs in slapstick comedy or action scenes: when Mankind fights the vice-characters Nowadays, New Guise, and Nought, Mankind threatens to hit them with his shovel, saying, "Go and do yowr labur! Gode lett yow never the! / Or wyth my spade I shall yow dynge, by the Holy Trinyté!" (ll. 377–376); in response, New Guise says, "Alas, my jewellys! I shall be schent of my wyff!" (l. 381), directly indicating that Mankind has hit him as or right after he

SECTION 20

#1732800982476

2640-419: A tone shift from stuffy seriousness to an amusement that "is central to the contemplative logic of the play" by showing how even Latin can be "dragged from the reaches of the church and into the mess of everyday life." There are many such examples of amusing nonsense Latin throughout the play. In what is possibly most memorable of the vices' use of puns to twist good into bad, at one point in Mankind belt out

2760-514: A vibrant ditty on defecation that concludes, in a clear echo of 'holy holy holy,' with "Hoylyke, holyke, holyke! Holyke, holyke, holyke!", quite possibly a pun on 'hole-lick' or 'hole-leak'. Because of how this spoofs liturgical call-and-response worship as well as Nought's invitation, "Now I prey all the yemandry that ys here / To synge wyth us wyth a mery chere" (ll. 333–4), this is likely a moment of audience participation to highlight their own "susceptibilities to seduction by frivolity." Finally,

2880-679: Is a genre of fiction typically set in the American frontier (commonly referred to as the "Old West" or the "Wild West") between the California Gold Rush of 1849 and the closing of the frontier in 1890, and commonly associated with folk tales of the Western United States , particularly the Southwestern United States , as well as Northern Mexico and Western Canada . The frontier

3000-589: Is a genre of literature set in the American Old West, most commonly between 1860 and 1900. The first critically recognized Western was The Virginian (1902) by Owen Wister . Other well-known writers of Western fiction include Zane Grey , from the early 1900s, Ernest Haycox , Luke Short , and Louis L'Amour , from the mid 20th century. Many writers better known in other genres, such as Leigh Brackett , Elmore Leonard , and Larry McMurtry , have also written Western novels. The genre's popularity peaked in

3120-512: Is a series of seven books that meshes themes of Westerns, high fantasy , science fiction, and horror. The protagonist Roland Deschain is a gunslinger whose image and personality are largely inspired by the Man with No Name from Sergio Leone's films. In addition, the superhero fantasy genre has been described as having been derived from the cowboy hero, only powered up to omnipotence in a primarily urban setting. The Western genre has been parodied on

3240-443: Is a war film, but its action and characters are Western-like. The character played by Humphrey Bogart in noir films such as Casablanca and To Have and Have Not —an individual bound only by his own private code of honor—has a lot in common with the classic Western hero. In turn, the Western has also explored noir elements, as with films such as Colorado Territory and Pursued . In many of Robert A. Heinlein 's books,

3360-549: Is also quite rich: for an explanation of French medieval morality plays, visit the French Misplaced Pages page . While scholars refer to these works as morality plays, the play texts do not refer to themselves as such; rather, the genre and its nomenclature have been retroactively conceived by scholarship as a way for modern scholars to understand a series of texts that share enough commonalities that they may be better understood together. Thus, as scholar Pamela King has noted,

3480-606: Is depicted in Western media as a sparsely populated hostile region patrolled by cowboys , outlaws , sheriffs , and numerous other stock gunslinger characters. Western narratives often concern the gradual attempts to tame the crime-ridden American West using wider themes of justice , freedom, rugged individualism, manifest destiny , and the national history and identity of the United States . Native American populations were often portrayed as averse foes or savages . Originating in vaquero heritage and Western fiction ,

3600-528: Is during this transitional period where one begins to see Justice begin to assume more and more the qualities of a judge. The Justice in Respublica begins to concern himself with administering justice on "the criminal element", rather than with the divine pronouncement on a generic representative of mankind. This is the first instance where one may observe a direct divergence from the theological virtues and concerns that were previously exerted by Justice in

3720-450: Is forced to wed an angry Lorena at gunpoint. She then turns him over to the sheriff after learning that Johnny is a wanted fugitive with a price on his head. He escapes, spends a night of passion with Lorena, then is recaptured by the law. Six years in prison later, Johnny returns to Red Gulch seeking revenge. He now knows Blackie's the one who killed his partner. Johnny's former girlfriend is summoned to meet him, but it turns out he fathered

Frontier Gal - Misplaced Pages Continue

3840-413: Is maintained predominantly through relatively impersonal institutions such as courtrooms . The popular perception of the Western is a story that centers on the life of a seminomadic wanderer, usually a cowboy or a gunfighter. A showdown or duel at high noon featuring two or more gunfighters is a stereotypical scene in the popular conception of Westerns. In some ways, such protagonists may be considered

3960-401: Is only Everyman that explicitly describes itself as a moral play, both in its incipit ("Here begynneth a treatyse... in maner of a morall playe") and when a character, Messenger, states that this literary work will communicate "By fygure [of] a morall playe" (l. 3). However, one should not interpret these self-reflexive lines as simply moments that identify the genre of morality plays. Although

4080-439: Is personification, whereby abstract qualities are given human shape [...] allegory involves a continuous parallel between two (or more) levels of meaning in a story." While the Oxford Dictionary of Literary Terms uses the words allegory and personification in tandem with one another, the link between the two terms is a point of debate among scholars. Walter Melion and Bart M. Ramakers indicate that literary personifications are

4200-420: Is roughly contemporaneous with the Macro plays, suggesting that humanist trends are traceable in the morality play much earlier than Everyman . There is also a general, continuous increase in the individuation and complexity of characters. In Nature , a prostitute is given a regular name rather than the name of a concept. In Everyman , Everyman's mercantile language suggests a generic protagonist that represents

4320-757: Is the place to go for music (raucous piano playing), women (often prostitutes ), gambling (draw poker or five-card stud), drinking ( beer , whiskey , or tequila if set in Mexico), brawling, and shooting. In some Westerns, where civilization has arrived, the town has a church, a general store, a bank, and a school; in others, where frontier rules still hold sway, it is, as Sergio Leone said, "where life has no value". Author and screenwriter Frank Gruber identified seven basic plots for Westerns: Gruber said that good writers used dialogue and plot development to develop these basic plots into believable stories. The American Film Institute defines Western films as those "set in

4440-412: Is usually punctuated with a Western music score , including American folk music and Spanish / Mexican folk music such as country , Native American music , New Mexico music , and rancheras . Westerns often stress the harshness of the wilderness and frequently set the action in an arid , desolate landscape of deserts and mountains . Often, the vast landscape plays an important role, presenting

4560-430: Is vulnerable; this is not an untouchable, impregnable Mercy [...] but rather a strikingly vulnerable and human one". Additionally, scholars complicate the notion that morality plays allegorically parallel the audience with the dramatic characters, indicating that the moralities actually incorporate the audience into the dramatic community. For example, writing on The Castle of Perseverance , Andrea Louise Young argues that

4680-1342: The Atari 2600 and Gun Fight (1978) for the Bally Astrocade were derivative of Midway's Gun Fight . These early video games featured limited graphical capabilities , which had developers create Westerns to the most easily recognizable and popular tropes of the gunfighter shootouts. Western radio dramas were very popular from the 1930s to the 1960s. There were five types of Western radio dramas during this period: anthology programs, such as Empire Builders and Frontier Fighters ; juvenile adventure programs such as Red Ryder and Hopalong Cassidy ; legend and lore like Red Goose Indian Tales and Cowboy Tom's Round-Up ; adult Westerns like Fort Laramie and Frontier Gentleman ; and soap operas such as Cactus Kate . Some popular shows include The Lone Ranger (first broadcast in 1933), The Cisco Kid (first broadcast in 1942), Dr. Sixgun (first broadcast in 1954), Have Gun–Will Travel (first broadcast in 1958), and Gunsmoke (first broadcast in 1952). Many shows were done live, while others were transcribed. Westerns have been showcased in short-episodic web series. Examples include League of STEAM , Red Bird , and Arkansas Traveler . Within

4800-537: The Grand Canyon , Yosemite , and the giant redwoods , due in part to exhibitors' inability to switch over to widescreen during the Great Depression . After renewed commercial successes in the late 1930s, the popularity of Westerns continued to rise until its peak in the 1950s, when the number of Western films produced outnumbered all other genres combined. The period from 1940 to 1960 has been called

4920-557: The rhyme scheme ABABBCBC whereas "Lucifer prefers a tripping measure with two to five stress and only two rhymes." Other characters speak like Wisdom when under his influence and like Lucifer when under his. This system of contrastive verse is further refined in Mankind (Ramsay cxxxix). This is not the only use of variation in meter. For example, even without having to contrast with a good character's manner of talking, when Mankind ascends to World's scaffold in The Castle of Perseverance , Mundus, Voluptas, and Stultitia briefly switch from

Frontier Gal - Misplaced Pages Continue

5040-457: The space opera series Firefly used an explicitly Western theme for its portrayal of frontier worlds. Anime shows such as Cowboy Bebop , Trigun and Outlaw Star have been similar mixes of science-fiction and Western elements. The science fiction Western can be seen as a subgenre of either Westerns or science fiction. Elements of Western films can be found also in some films belonging essentially to other genres. For example, Kelly's Heroes

5160-419: The "Golden Age of the Western". It is epitomized by the work of several prominent directors including Robert Aldrich , Budd Boetticher , Delmer Daves , John Ford , and others. Some of the popular films during this era include Apache (1954), Broken Arrow (1950), and My Darling Clementine (1946). The changing popularity of the Western genre has influenced worldwide pop culture over time. During

5280-555: The "cultivation of self-conscious participation in God and of awareness of God's participation in man," while "creating literary experiences that initiate work of spiritual contemplation." Additionally, Julie Paulson explores the plays' investment in relating penitential ritual and community; she writes, "In the moralities, it is impossible to split an interior self from the exterior practices and institutions that define it [...] By dramatizing their protagonists' fall and recovery through penance,

5400-432: The 1960s and 1970s, Spaghetti Westerns from Italy became popular worldwide; this was due to the success of Sergio Leone 's storytelling method. After having been previously pronounced dead, a resurgence of Westerns occurred during the 1990s with films such as Dances with Wolves (1990), Unforgiven (1992), and Geronimo (1993), as Westerns once again increased in popularity. When television became popular in

5520-416: The 1960s, due in part to the shuttering of many pulp magazines, the popularity of televised Westerns , and the rise of the spy novel. Readership began to drop off in the mid- to late 1970s and reached a new low in the 2000s. Most bookstores, outside of a few Western states, now only carry a small number of Western novels and short-story collections. Literary forms that share similar themes include stories of

5640-458: The 1970s. These games and drew on the imagery of a mythic West portrayed in stories, films, television shows, and other assorted Western-themed toys. When game developers went to the imaginary West to create new experiences, they often drew consciously or unconsciously from Western stories and films. The 1971 text-based, Mainframe computer game The Oregon Trail was first game to use the West as

5760-582: The American West that [embody] the spirit, the struggle, and the demise of the new frontier ". Originally, these films were called "Wild West dramas", a reference to Wild West shows like Buffalo Bill Cody's . The term "Western", used to describe a narrative film genre, appears to have originated with a July 1912 article in Motion Picture World magazine. Most of the characteristics of Western films were part of 19th-century popular Western fiction , and were firmly in place before film became

5880-570: The American frontier, the gaucho literature of Argentina , and tales of the settlement of the Australian Outback. A number of visual artists focused their work on representations of the American Old West. American West-oriented art is sometimes referred to as "Western Art" by Americans. This relatively new category of art includes paintings, sculptures, and sometimes Native American crafts. Initially, subjects included exploration of

6000-672: The Eastern Bloc, or action films involving the Russian Revolution , the Russian Civil War , and the Basmachi rebellion. Many elements of space-travel series and films borrow extensively from the conventions of the Western genre. This is particularly the case in the space Western subgenre of science fiction. Peter Hyams 's Outland transferred the plot of High Noon to Io, moon of Jupiter. More recently,

6120-408: The Macro plays and Henry Medwall's Nature (c. 1495). The emphasis on death in these plays underscores how to live a good life; in the medieval moralities and Medwall's Nature in particular, virtue characters encourage the generic human protagonist to secure a good afterlife by performing good deeds, practicing penitence, or asking for divine mercy before their death. John Watkins also suggests that

SECTION 50

#1732800982476

6240-507: The Macro plays, show not only a mastery of language but also a light-hearted delight therein. All of the plays are written in some sort of end-rhymed verse, but with much variation, not only between the plays but in individual plays as well. Often verse is used to contrast the personalities of good and evil characters. For example, in Wisdom the characters Wysdom and Anima speak in "dignified, regular rhythm, almost always with four stresses" and

6360-505: The Marine Corps, and Universal became worried he was not up to it, so the role was given to Alan Curtis . Then Curtis refused to play the role and he was replaced by Sheldon Leonard . This 1940s Western film–related article is a stub . You can help Misplaced Pages by expanding it . This article related to an American film of the 1940s is a stub . You can help Misplaced Pages by expanding it . Western (genre) The Western

6480-524: The Prairie , McCloud , The Life and Times of Grizzly Adams , and the short-lived but highly acclaimed How the West Was Won that originated from a miniseries with the same name. In the 1990s and 2000s, hour-long Westerns and slickly packaged made-for-TV movie Westerns were introduced, such as Lonesome Dove (1989) and Dr. Quinn, Medicine Woman . Also, new elements were once again added to

6600-523: The Prolocutor uses the word game when asking his audience to listen attentively, stating, Lordinges and ladiis that beth hende, Herkenith al with mylde mode [How ou]re gam schal gyn and ende (l. 5-7, emphasis added). In the closing lines of The Castle of Perseverance , the character Pater (meaning The Father) tells the audience, "Thus endyth oure gamys" (l. 3645). While these plays appear to self-reflexively refer to their dramatic form, it

6720-602: The Virtues"), composed c. 1151 in Germany, is the earliest known morality play by more than a century, and it is the only medieval musical drama to survive with an attribution for both the text and the music. Because there are many formal differences between this play and later medieval moralities, as well as the fact that it only exists in two manuscripts, it is unlikely that the Ordo Virtutum had any direct influence on

6840-419: The Western formula, such as the space Western , Firefly , created by Joss Whedon in 2002. Deadwood was a critically acclaimed Western series that aired on HBO from 2004 through 2006. Hell on Wheels , a fictionalized story of the construction of the first transcontinental railroad , aired on AMC for five seasons between 2011 and 2016. Longmire is a Western series that centered on Walt Longmire ,

6960-881: The Western genre are a series of short single reel silents made in 1894 by Edison Studios at their Black Maria studio in West Orange, New Jersey . These featured veterans of Buffalo Bill's Wild West show exhibiting skills acquired by living in the Old West – they included Annie Oakley (shooting) and members of the Sioux (dancing). The earliest known Western narrative film is the British short Kidnapping by Indians , made by Mitchell and Kenyon in Blackburn , England, in 1899. The Great Train Robbery (1903, based on

7080-705: The Western states and cowboy themes. Frederic Remington and Charles M. Russell are two artists who captured the "Wild West" in paintings and sculpture. After the death of Remington Richard Lorenz became the preeminent artist painting in the Western genre. Some art museums, such as the Buffalo Bill Center of the West in Wyoming and the Autry National Center in Los Angeles, feature American Western Art. With anime and manga ,

7200-478: The Wild West and modern technology like cars and cellphones, while also focusing primarily on being a Crime drama makes the show a unique spin on both genres. Walter's reliance on the desert environment makes the Western-feel a pivotal role in the show, and would continue to be used in the spinoff series Better Call Saul . The neo-Western drama Yellowstone was streamed from 2018-2024. Western fiction

7320-486: The audiences and readers of the play. As one can see, different authors employ the literary terms allegory and personification to argue various conclusions about the plays' separation or unification of abstract and concrete realities. In early English dramas Justice was personified as an entity which exercised "theological virtue or grace, and was concerned with the divine pronouncement of judgment on man". However, as time progressed, more moralities began to emerge; it

SECTION 60

#1732800982476

7440-692: The back of a parchment account roll from June 30, 1343, to January 5, 1344, from the Priory of the Holy Trinity in Dublin. However, this textual record was incomplete. The play cut off mid-line, when the character Messenger, at the command of the King, called upon Death; the plot summary provided by the introductory banns, featured at the beginning of the play, indicated that the action continued. The Castle of Perseverance , Wisdom , and Mankind are all part of

7560-456: The bak and the buttoke brestyth al on brenne, (Both the back and the buttocks burst burning unbound,) Wyth werkys of wreche I werke hem mykyl wrake. (With works of vengeance, them wretched I make.) In this speech, many of the alliterated phonemes are "aggressively plosive " and the /tʃ/ of "I champe and I chafe, I choke on my chynne" "requires the speaker to part his lips and bare his teeth, bringing them together in an expression that resembles

7680-418: The biggest hits of the year. Released through United Artists, Stagecoach made John Wayne a mainstream screen star in the wake of a decade of headlining B Westerns. Wayne had been introduced to the screen 10 years earlier as the leading man in director Raoul Walsh 's spectacular widescreen The Big Trail , which failed at the box office in spite of being shot on location across the American West, including

7800-446: The building blocks for creating allegory: arguing for "personification as a mode of allegorical signification," Melion and Ramakers state, "As narrative, dramatic, or pictorial characters [personifications] develop a distinct reality," specifically, a reality that connects the literal and metaphorical interpretations of an allegory. However, Michael Silk insists that there is a fundamental difference between personification and allegory, as

7920-401: The character Mercy in Mankind , Pamela King notes, "Mercy the character begs God for the quality he represents, which is, strictly speaking, allegorical nonsense; he stands more for the human aegis by which mercy may be obtained, than for the quality itself." Similarly, Eleanor Johnson explains Mercy's humanity, implying his status as a personified concept: "Mercy suffers, Mercy trembles, Mercy

8040-618: The classic comics of the late 1940s and early 1950s (namely Kid Colt, Outlaw , Rawhide Kid , and Red Ryder ) or more modern ones as Blueberry ), cartoons, and parodies (such as Cocco Bill and Lucky Luke ). In the 1990s and 2000s, Western comics leaned towards the fantasy , horror and science fiction genres, usually involving supernatural monsters, or Christian iconography as in Preacher . More traditional Western comics are found throughout this period, though (e.g., Jonah Hex and Loveless ). Video game Westerns emerged in

8160-547: The clenched-tooth grimace of the devil in contemporary iconography." While mostly written in Middle English , some of the plays employ Latin and French to wonderful effect, both thematically significant and just plain humorous. Latin, of course, as the language of the Roman Catholic Church , was naturally important for the sort of religious discourse these plays engaged in. That does not mean that

8280-752: The conquest of the wilderness and the subordination of nature in the name of civilization or the confiscation of the territorial rights of the original, Native American, inhabitants of the frontier. The Western depicts a society organized around codes of honor and personal, direct or private justice–"frontier justice"–dispensed by gunfights. These honor codes are often played out through depictions of feuds or individuals seeking personal revenge or retribution against someone who has wronged them (e.g., True Grit has revenge and retribution as its main themes). This Western depiction of personal justice contrasts sharply with justice systems organized around rationalistic, abstract law that exist in cities, in which social order

8400-510: The context of a flamboyant style originating in Franco-Burgundian culture. But that is not all the playwright does with the effect. Clare Wright argues convincingly that alliteration among other formal structures encourages the actors to perform with a "devilish corporeal register." She uses Belyal's first speech as an example: Now I sytte, Satanas, in my sad synne, (Now sit I, Satan, steadfast in my sin,) As devyl dowty, in draf as

8520-499: The creation of Arundel's Constitutions in 1407, whereby the Archbishop Thomas Arundel and his legislation sought to limit the preaching and teaching of religious matters, and outlawed any biblical translations into the vernacular. His Constitutions were written in explicit response to the threat of Lollardy . Since the morality plays do contain aspects of religious doctrine, such as the importance of penance and

8640-428: The culture, such as spaghetti Westerns (Italy), meat pie Westerns (Australia), ramen Westerns (Asia), and masala Westerns (India). Being period drama pieces, both the Western and samurai genre influenced each other in style and themes throughout the years. The Magnificent Seven was a remake of Akira Kurosawa 's film Seven Samurai , and A Fistful of Dollars was a remake of Kurosawa's Yojimbo , which itself

8760-467: The detection, arrest, and punishment of Prodigality for the robbery and murder of Tenacity, a yeoman in the country of Middlesex. Virtue states, So horrible a fact can hardly pleaded for favour: Therefore go you, Equity, examine more diligently The manner of this outrageous robbery: And as the same by examination shall appear, Due justice may be done in presence here. ( Liberality and Prodigality 377) The meta phases that Justice undergoes during

8880-407: The earlier British film A Daring Daylight Burglary ), Edwin S. Porter 's film starring Broncho Billy Anderson , is often erroneously cited as the first Western, though George N. Fenin and William K. Everson point out (as mentioned above) that the "Edison company had played with Western material for several years prior to The Great Train Robbery ". Nonetheless, they concur that Porter's film "set

9000-463: The early 1960s, and their replacement by hour-long television shows, increasingly in color. Traditional Westerns died out in the late 1960s as a result of network changes in demographic targeting along with pressure from parental television groups. Future entries in the genre would incorporate elements from other genera, such as crime drama and mystery whodunit elements. Western shows from the 1970s included Hec Ramsey , Kung Fu , Little House on

9120-414: The early-fifteenth-century moralities as a performer playing the role of a theological virtue or grace, and then one sees him develop to a more serious figure, occupying the position of an arbiter of justice during the sixteenth century. It is a journey of discovery and great change on which Justice welcomes one to embark as one leafs through the pages of morality plays. All of the morality plays, especially

9240-693: The fifteenth-century plays Occupation & Idleness and Henry Medwall's Nature , as well as an array of sixteenth-century works like The World and the Child and John Skelton's Magnificence . Additionally, there are other sixteenth-century plays that take on the typical traits of morality plays as outlined above, such as Hickscorner , but they are not generally categorized as such. The characters in Hickscorner are personified vices and virtues: Pity, Perseverance, Imagination, Contemplation, Freewill, and Hickscorner. The French medieval morality play tradition

9360-475: The genre popularized the Western lifestyle , country - Western music , and Western wear globally. Throughout the history of the genre, it has seen popular revivals and been incorporated into various subgenres. The classic Western is a morality drama , presenting the conflict between wilderness and civilization . Stories commonly center on the life of a male drifter , cowboy , or gunslinger who rides

9480-426: The genre tends towards the science-fiction Western – e.g., Cowboy Bebop (1998 anime), Trigun (1995–2007 manga), and Outlaw Star (1996–1999 manga). Although contemporary Westerns also appear, such as Koya no Shonen Isamu , a 1971 shonen manga about a boy with a Japanese father and a Native American mother, or El Cazador de la Bruja , a 2007 anime television series set in modern-day Mexico. Part 7 of

9600-464: The harshness and isolation of the wilderness, and frequently set the action in an arid, desolate landscape. Western films generally have specific settings, such as isolated ranches, Native American villages, or small frontier towns with a saloon. Oftentimes, these settings appear deserted and without much structure. Apart from the wilderness, the saloon usually emphasizes that this is the Wild West ; it

9720-466: The heroes of Westerns frequently rescue damsels in distress . Similarly, the wandering protagonists of Westerns share many characteristics with the ronin in modern Japanese culture. The Western typically takes these elements and uses them to tell simple morality tales, although some notable examples (e.g. the later Westerns of John Ford or Clint Eastwood 's Unforgiven , about an old contract killer ) are more morally ambiguous. Westerns often stress

9840-401: The illicit drug market, eventually turning into a ruthless drug dealer and killer. While the show has scenes in a populated suburban neighborhood and nearby Albuquerque , much of the show takes place in the desert, where Walter often takes his RV car out into the open desert to cook his meth, and most action sequences occur in the desert, similar to old-fashioned Western movies. The clash between

9960-556: The implied staging of the play (which includes the positioning of characters, as well as the placement of scaffolds and banners) encourages audience members to actively engage with the drama in a physical manner: "In moving around the play space, spectators can change the meaning of the drama for themselves and the other spectators." Young notes that the play invites audience members to enter the dramatic space and consequently position themselves through both "their eyes and their bodies," through where they choose to look and move in relation to

10080-730: The influence of Kurosawa. The character Han Solo dressed like an archetypal gunslinger, and the Mos Eisley cantina is much like an Old West saloon. Meanwhile, films such as The Big Lebowski , which plucked actor Sam Elliott out of the Old West and into a Los Angeles bowling alley, and Midnight Cowboy , about a Southern-boy-turned-gigolo in New York (who disappoints a client when he does not measure up to Gary Cooper), transplanted Western themes into modern settings for both purposes of parody and homage. Morality drama Hildegard von Bingen 's Ordo Virtutum (English: "Order of

10200-403: The judiciary duties previously performed by Justice. This changing of rulers, or preceding justices, is done when Equity declares that his brother Justice has been banished from the country and that he (Equity) will from now on take on the duties of the former monarch, Justice. This change of ruling heads is portrayed in the morality play, Liberality and Prodigality , where Equity serves Virtue in

10320-469: The larger scope of the Western genre, there are several recognized subgenres. Some subgenres, such as spaghetti Westerns , maintain standard Western settings and plots, while others take the Western theme and archetypes into different supergenres, such as neo-Westerns or space Westerns . For a time, Westerns made in countries other than the United States were often labeled by foods associated with

10440-788: The late 1940s and 1950s, Television Westerns quickly became an audience favorite. Beginning with rebroadcasts of existing films, a number of movie cowboys had their own TV shows. As demand for the Western increased, new stories and stars were introduced. A number of long-running TV Westerns became classics in their own right, such as: The Lone Ranger (1949–1957), Death Valley Days (1952–1970), The Life and Legend of Wyatt Earp (1955–1961), Cheyenne (1955–1962), Gunsmoke (1955–1975), Maverick (1957–1962), Have Gun – Will Travel (1957–1963), Wagon Train (1957–1965), The Rifleman (1958–1963), Rawhide (1959–1966), Bonanza (1959–1973), The Virginian (1962–1971), and The Big Valley (1965–1969). The Life and Legend of Wyatt Earp

10560-500: The lines use the word "playe," scholarship remains unsure if Everyman was actually staged as a dramatic performance, or if the text was a literary work intended for reading. The 1901 modern revival of the play, staged by Willian Poem, is the earliest record of the play's production. Additionally, Everyman is a translation of the Dutch Elckerlijc , and, therefore, is not originally an English literary work. Thus, due to

10680-485: The literary descendants of the knights-errant , who stood at the center of earlier extensive genres such as the Arthurian romances . Like the cowboy or gunfighter of the Western, the knight-errant of the earlier European tales and poetry was wandering from place to place on his horse, fighting villains of various kinds, and bound to no fixed social structures, but only to his own innate code of honor. Like knights-errant,

10800-461: The major Hollywood studios rapidly abandoned Westerns, leaving the genre to smaller studios and producers. These smaller organizations churned out countless low-budget features and serials in the 1930s. An exception was The Big Trail, a 1930 American pre-Code Western early widescreen film shot on location across the American West starring 23-year-old John Wayne in his first leading role and directed by Raoul Walsh. The epic film noted for its authenticity

10920-683: The manga series JoJo's Bizarre Adventure is based in the American Western setting. The story follows racers in a transcontinental horse race, the "Steel Ball Run". Golden Kamuy (2014–2022) shifts its setting to the fallout of the Russo-Japanese War , specifically focusing on Hokkaido and Sakhalin , and featuring the Ainu people and other local tribes instead of Native Americans, as well other recognizable Western tropes. Western comics have included serious entries, (such as

11040-478: The moralities are not biblical or would not conceive of themselves as such. Although they do not explicitly label themselves with the genre title morality plays, some of the play texts self-reflexively refer to themselves with the term game. While the Middle English spelling of game varies, the noun generally refers to a joy, festivity, amusement, or play. In the opening lines of The Pride of Life ,

11160-432: The morality plays also encourage their audiences and/or readers to reflect upon the importance of penitential ritual. Several academics have written upon these common thematic characteristics. Considering the plays' investment in staging the audience's/reader's relationship to God, Eleanor Johnson writes that Wisdom and Mankind, among several other medieval literary works, dramatically stage acts of contemplation to encourage

11280-483: The morality plays of the fifteenth century. The Justice in Respublica is personified as a "civil force rather than a theological one". An evolution of sorts takes place within the morals and agendas of Justice: he begins to don the Judicial Robe of prosecutor and executioner. Another change envelops in the character of Justice during the sixteenth century in morality plays; Equity replaces Justice and assumes

11400-441: The morality plays' "absolute cohesion as a group" is "bound to be questioned in any attempt to define that form in its individual manifestations and theatrical contexts." As for the history of the term itself in modern usage, premodern plays were separated into 'moralities' and 'mysteries' by Robert Dodsley in the 18th century; he categorized moralities as allegorical plays and mysteries as biblical plays, though nothing suggests that

11520-469: The morality plays' formal depiction of the relationship between the abstract realm of concepts and everyday circumstances of human life. Pamela King notes the "broadly allegorical" form unifying the moralities. King suggests that the plays employ an allegorical framework of personification to metaphorically parallel, and conceptually separate, "the ephemeral and imperfect world of everyday existence" from an abstract "eternal reality". While King indicates that

11640-455: The other plays in the genre. That said, Everyman ' s straightforward focus on death, uninterested in the cycle of sin and penitence found in the Macro plays, resembles the Pride of Life . These two plays are less like the Macro plays than Medwall's Nature , which is not traditionally considered as a medieval morality play. Scholars such as Katherine Little, who claims that Everyman is not

11760-432: The pattern—of crime, pursuit, and retribution—for the Western film as a genre". The film's popularity opened the door for Anderson to become the screen's first Western star; he made several hundred Western film shorts. So popular was the genre that he soon faced competition from Tom Mix and William S. Hart . Western films were enormously popular in the silent film era (1894–1927). With the advent of sound in 1927–1928,

11880-600: The plays show the dramatic action to merely parallel and imitate eternal, abstract concepts, Julie Paulson argues that the moralities use personification allegory to reunite the concrete and the abstract. Paulson writes, "in giving a word such as 'wisdom' or 'mankind' a body and a voice, personification allegory instead returns us to the lived experiences and particular circumstances that give those words their meanings". Additionally, Paulson underscores that plays such as The Castle of Perseverance and Everyman employ protagonists that personify humankind in an allegorical parallel to

12000-471: The plays suggest how the experience of penitential ritual shapes penitents' understandings of the social and moral concepts central to the formation of Christian subjects." It is worth noting that Paulson, in making these summative comments, focuses her analysis on The Castle of Perseverance , the Macro plays, Everyman , and several moralities from the sixteenth century, and thus does not aim to characterize all moralities in her commentary. Working to pinpoint

12120-431: The playwrights were unwilling to play with Latin. For example, in Mankind , the character Mercy has a highly Latinizing manner of speech: in terms of vocabulary and meticulously tidy versification and sentence structure, all of which culminates in what one scholar calls " inkhorn and churchily pedagogical." (Johnson 172). Mercy ends his first speech saying "I besech yow hertyly, have this premedytacyon" (l. 44), ending with

12240-489: The principal vices in medieval morality plays, avarice, pride, extortion, and ambition, throw anxieties over class mobility into relief. Fifteenth-century plays like Occupation and Idleness and later morality plays (commonly considered Tudor interludes, like John Skelton's Magnyfycence ) portray class-mobility positively. Whether for or against class mobility, morality plays engage with the subject. Other, smaller commonalities include audience participation, elaborate costuming,

12360-837: The representational figures within literary works are personifications that retain allegorical qualities. Additionally, Silk notes that "Various medievalists correctly insist that in antiquity and the Middle Ages the connection [between allegory and personification] is not made," indirectly complicating the notion that morality plays are allegorical constructions employing personified concepts. While an allegorical literary form implies that literal and metaphorical elements must "continuously parallel" one another, these plays do not always allegorically parallel theological qualities/concepts and concrete action, but rather humanize abstract concepts—thereby emphasizing characters as personifications, but not allegorical constructions. For example, examining

12480-508: The role because she did not want to work with Rod Cameron and did not want to play the mother of a young girl. De Carlo later wrote "the studio knew I would play opposite Rin Tin Tin if they told me to, and would gladly agree to be the mother of the seven dwarfs." Filming started in April. The main villain role was meant to be played by Peter Coe. He had just received a medical discharge for

12600-537: The role that morality plays themselves played in society, continue to be somewhat misunderstood. The recent trend in scholarship of the period in which morality plays were written is to admit the great degree of continuity between late medieval and Renaissance cultures of Europe. Nevertheless, although morality plays reach their apogee in the sixteenth century, religious drama of this sort and in general all but disappeared thereafter. The cause of this change can be traced to both changes in religious sensibilities related to

12720-486: The salvation of the soul, scholars have questioned how it is that morality plays, in both the play-text and play form, continued to thrive throughout the fifteenth century. While scholars have not arrived at a satisfying conclusion, they nonetheless agree the morality plays were not seriously affected by the Constitutions, which suggests that either Arundel's Constitutions, the divide between Lollardy and orthodoxy, or

12840-637: The settlement of other planets is depicted in ways explicitly modeled on American settlement of the West. For example, in his Tunnel in the Sky , settlers set out to the planet New Canaan, via an interstellar teleporter portal across the galaxy, in Conestoga wagons , their captain sporting mustaches and a little goatee and riding a Palomino horse—with Heinlein explaining that the colonists would need to survive on their own for some years, so horses are more practical than machines. Stephen King 's The Dark Tower

12960-438: The seven sins alliterating nearly all of their lines, a habit the character Mankind learns from them. This is not to imply that alliteration is purely the mark of an evil character, for the bad angel alliterates very little and the neutral flag bearers who provide a summary of events at the beginning of the play script make extensive use of alliteration. At many points this is for ornamental effect: Michael R. Kelley places this in

13080-402: The sixteenth century in morality plays, from "Justice" to "Equity" further illustrates the evolution of Justice; not only did Justice change from a "theological abstraction to a civil servant", but he experienced a corporeal change as well. One may readily observe the evolutionary progression of Justice as portrayed in the plays of the fifteenth and sixteenth centuries. One encounters Justice in

13200-444: The staged characters. King, Johnson, and Young indirectly show, without explicitly stating so, how the morality plays are not simply allegorical constructions, but rather fluid forms of personification that blur the distinctions between literal and metaphorical elements, characters and audience members/readers. Still, scholarship generally adopts the literary labels allegory , personification , and personification allegory to explain

13320-399: The uncertainty regarding the play's status as a dramatic work, as well as the play's non-English origins, Everyman ' s self-reflective identification as a "morall playe" cannot confirm that the medieval moralities explicitly name themselves as a cohesive medieval morality genre. Morality plays typically contain a protagonist who represents humanity as a whole, or an average layperson, or

13440-421: The virtue of labour, and the governance of the body/passions by the soul/reason in the service of Catholic virtue, money management, or the proper methods of governing a state. The cohesion of the medieval morality play genre in particular is questionable as their family resemblances are loose in some instances. Despite being treated as the archetypal morality play, Everyman ' s plot has little in common with

13560-486: The wives of pioneers and settlers . The wife character often provides a measure of comic relief . Other recurring characters include Native Americans of various tribes described as Indians or Red Indians, African Americans , Chinese Americans , Spaniards , Mexicans , law enforcement officers , bounty hunters , outlaws , bartenders , merchants , gamblers , soldiers (especially mounted cavalry ), and settlers ( farmers , ranchers , and townsfolk). The ambience

13680-519: The writing of its later English counterparts. Traditionally, scholars name only five surviving English morality plays from the medieval period: The Pride of Life (late 14th century), The Castle of Perseverance (c.1425); Wisdom , (1460–63); Mankind (c.1470); Everyman (1510). The Pride of Life was the earliest record of a morality play written in the English language; the text (destroyed by fire in 1922, but published earlier) existed on

13800-439: Was Midway 's Gun Fight , an adaptation of Taito 's Western Gun (1975) which featured two players against each other in a duel set on a sparse desert landscape with a few cacti and a moving covered wagon to hide behind. Atari 's Outlaw (1976) followed which explicitly framed the shootouts between "good guys" and "outlaws" also borrowing from gunfighter themes and imagery. Early console games such as Outlaw (1978) for

13920-635: Was a financial failure due to Depression era theatres not willing to invest in widescreen technology. By the late 1930s, the Western film was widely regarded as a pulp genre in Hollywood, but its popularity was dramatically revived in 1939 by major studio productions such as Dodge City starring Errol Flynn , Jesse James with Tyrone Power , Union Pacific with Joel McCrea , Destry Rides Again featuring James Stewart and Marlene Dietrich , and especially John Ford's landmark Western adventure Stagecoach starring John Wayne , which became one of

14040-470: Was inspired by Red Harvest , an American detective novel by Dashiell Hammett . Kurosawa was influenced by American Westerns and was a fan of the genre, most especially John Ford . Despite the Cold War , the Western was a strong influence on Eastern Bloc cinema, which had its own take on the genre, the so-called Red Western or Ostern. Generally, these took two forms: either straight Westerns shot in

14160-547: Was less and less often the case that religion was expressed directly. Betteridge and Walker also note that morality plays began to focus on the importance of education, specifically in regard to classical literature. In Medwall's Nature , the opening speech prompts readings of Ovid and Aristotle . However, a strong focus on education can be found in Occupation and Idleness as well, which stages an errant schoolboy being taught to respect and learn from his teacher—this play

14280-515: Was the first Western television series written for adults, premiering four days before Gunsmoke on September 6, 1955. The peak year for television Westerns was 1959, with 26 such shows airing during primetime. At least six of them were connected in some extent to Wyatt Earp : The Life and Legend of Wyatt Earp , Bat Masterson , Tombstone Territory , Broken Arrow , Johnny Ringo , and Gunsmoke . Increasing costs of American television production weeded out most action half-hour series in

14400-572: Was threatening. This is not a trait restricted in the period to morality plays: a reason for the existence of this trait suggested by one scholar while discussing the Chester plays is that "A spectator who could see the action without hearing the lines would not have a significantly different experience from someone who could hear them." What binds morality plays together as a genre are the strong family resemblances between them. These resemblances are most strong in regard to personification allegory as

#475524