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75-641: As a Taiwan-based music streaming software, KKBOX caters mainly to Mandarin-speaking users by collaborating with record companies in the Taiwanese music industry. KKBOX also has close links with Taiwanese artists, and mainstream Mandopop artists like Jay Chou , Eric Chou and Bii . After launching KKBOX in Taiwan , the company expanded the music streaming service to Hong Kong and Macau in 2009, Japan in 2011, Malaysia , and Singapore in 2013. Starting from 2011, KKBOX received investment from KDDI Corporation,

150-429: A third symphony , although he died before he could complete any more than initial sketches. (They were eventually "elaborated" into a symphonic shape by the composer Anthony Payne four decades later.) Gaisberg refused offers of a directorship at HMV, preferring to remain a link between the artists and the company. At age 66, in 1939, he retired but continued on as a consultant at EMI, exerting considerable influence on

225-649: A Chinese composition set to a Latin dance beat. In 1931, the first sound film was made in China in a cooperation between the Mingxing Film Company and Pathé. The film industry took advantage of the sound era and engaged singers for acting and soundtrack roles, and Li Jinhui's Bright Moonlight Song and Dance Troup became the first modern musical division to be integrated into the Chinese film industry when it joined Lianhua Film Company in 1931. Amongst

300-567: A Japanese telecom who holds 76% of the stocks; HTC Corporation , a smartphone company, and; GIC, a Singaporean Government fund. KKBOX has operated on Windows , Windows Media Center , Mac OS X , iOS , Android , Symbian , Bada , partly Java , and since 2015 Apple Watch . In 2006, the first KKBOX Music Awards ceremony was held in Taiwan . Various artists that have performed and been honored including Eason Chan , Jay Chou , Jolin Tsai , Apink , Sekai No Owari . In January 2017, KKBOX announced

375-717: A new style known as China Wind music ( zhongguofeng ), influencing many Chinese singers worldwide. Popular music record labels includes independent labels such as JVR Music, Linfair Records, B'In Music and subsidiaries of major labels such as Sony Music Taiwan, Universal Music Taiwan, Warner Music Taiwan. In the past few years, mainland labels such as EE-Media, Huayi Brothers, Taihe Rye Music, Show City Times, Idol Entertainment, and Tian Hao Entertainment have also emerged. Mandopop titles are also available outside of Asia. Chinese communities established in North America have made Mandopop music accessible through local businesses. In

450-506: A number of trips to pre-Revolutionary Russia, where his recordings helped develop one of recorded music's largest early markets. He made the first recordings of the Russian tenor Vladimir Rosing . Unlike his successors Legge and Culshaw, Gaisberg did not generally regard it as part of his function to influence the way performers performed. He found the best artists he could, signed them up and faithfully captured their performances on disc in

525-602: A strong impact in mainland China where revolutionary songs were previously prevalent. A common expression then was "By day, Deng Xiaoping rules China. But by night, Deng Lijun (Teresa Teng) rules". The ban on Teng was lifted in 1986 and songs from Hong Kong and Taiwan, called gangtai music, became more popular within mainland China. During the 1970s and early 1980s, a different generation of Taiwanese singers and/or songwriters such as Chyi Yu , Hou Dejian , and Lo Ta-yu emerged, some of whom were influenced by folk rock and whose music may be termed "campus folk music" . One of

600-425: A type of music containing both Chinese and Western elements that characterized shidaiqu . Popular songs of the time may range from those that were composed in the traditional Chinese idiom but followed a Western principle of composition to those that were done largely in a Western style, and they may be accompanied by traditional Chinese or Western instrumentation. An example is "The Evening Primrose" by Li Xianglan ,

675-573: Is not in my heart", "我的心裡沒有他"). As the style evolved, the sound of popular songs from the Hong Kong era therefore became distinct from Shanghai's. Among the recording artists of note to emerge in this period were Tsui Ping , Tsin Ting , Grace Chang (葛蘭), Fong Tsin Ying (方靜音) and Liu Yun  [ zh ] , some of whom were also actresses. While some actresses continued to sing in their films, some of

750-465: Is the most popular music ranking. It was first officially published on 7 July 2005, and compiled the top physically sold CD releases in Taiwan (including both albums and physically released singles). Only the top 20 positions are published, and instead of sales, a percentage ranking is listed next to each release. Fred Gaisberg Frederick William Gaisberg (1 January 1873 – 2 September 1951)

825-605: The New Enlightenment movment in the 1980s. The song was written by Ma Jinghua and Zhang Peiji, but was briefly banned by the Chinese authorities due to criticisms from some critics and audiences who labelled the song as "decadent music". In 1983, Li Guyi performed the song at the China Central Television 's first Spring Festival Gala , when the ban was lifted and the song became widely popular in

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900-913: The rhythm and blues and rap music genre, popularising a new fusion style of music known as zhongguofeng . Other successful singers included JJ Lin , Eason Chan , Mayday , Stefanie Sun , G.E.M. and Jolin Tsai . The burgeoning number of contests brought a new wave of idol genre to the Mandopop industry. Nationwide singing competitions in mainland China, such as the Super Girl , Super Boy , The Voice of China , Chinese Idol , and The X Factor: Zhongguo Zui Qiang Yin , greatly boosted Mandopop's influence. Many contestants emerged as successful singers in Mainland China, such as Joker Xue , Jane Zhang , Li Yuchun , Jason Zhang , Laure Shang Wenjie , etc. The same phenomenon also occurred in Taiwan. From

975-511: The swing era were common in the early years. Chinese and Western instruments were also combined in some recordings. In the 1960s, the electric guitar began to be used. Starting around the 1970s, electronic organs / synthesizers began to be heavily featured, which characterized the Mandopop music of the era. Today's Mandopop arrangements are generally westernized, covering many musical styles, including R&B , hip hop , ballads, and Pop . Mandopop switched from simple imitation to adjusting

1050-472: The tenor Enrico Caruso and the recordings became a sensation. By 1921, Gaisberg was artistic director of HMV 's 'international artistes' department. After 1925, he concentrated on artist management. In 1939, he retired from his position but continued as a consultant in the industry through the 1940s. Gaisberg was born in Washington, D.C. His father Wilhelm was the son of German immigrants. Gaisberg

1125-727: The " Four Heavenly Kings " - Aaron Kwok , Leon Lai , Andy Lau and Jacky Cheung - also began to dominate Mandopop. Many Cantopop songs of the period were also sung in Mandarin by the same singers, say Faye Wong. One of the best-selling Mandarin albums was the 1993 album The Goodbye Kiss by Jacky Cheung which sold over 1 million in Taiwan and 4 million in total Asia-wide. Nonetheless, Taiwan has their own popular singers such as Stella Chang , Sky Wu , Wakin Chau (formerly Emil Chau) and Jeff Chang . Independent labels such as Rock Records began to establish themselves in this period as some of

1200-528: The 1960s were adaptations of Japanese songs, for example "Hard to Forget the Thought" ("意難忘", originally "Tokyo Serenade" ( 東京夜曲 ) ) and "Hate you to the Bone" ("恨你入骨", from "Hone made aishite" ( 骨まで愛して ) ). Popular songs were necessarily sung in Mandarin as Taiwan's new rulers, which imposed martial law in Taiwan in 1949, mandated its use as well as restricting the use of Taiwanese Hokkien and forbidding

1275-458: The 1960s. The 1960s however was a highly politically tense era, many songs such as "Not Going Home Today" ("今天不回家") by Yao Su-jung were banned in Taiwan. In the 1960s, regional centres of Chinese pop music also started to emerge in overseas Chinese communities in Malaysia and Singapore, and singers from the region such as Poon Sow Keng  [ zh ] also achieved wider success. In

1350-515: The 1970s, Taipei began to take center stage for Mandopop while Cantopop took hold in Hong Kong. In 1966, the Taiwan music industry was generating US$ 4.7 million annually, and this had grown exponentially through the 1970s and 1980s, and by 1996, it peaked at just under US$ 500 million before declining. The success of the Taiwanese film industry also helped with the popularity of its singers. Taiwanese stars such as Tsai Chin , Fei Yu-ching , and Fong Fei Fei became increasingly popular, with Teresa Teng

1425-553: The 1970s. "Mandopop" may be used as a general term to describe popular songs performed in Mandarin. Though Mandopop predates Cantopop, the English term was coined around 1980 after " Cantopop " became a popular term for describing popular songs in Cantonese . "Mandopop" was used to describe Mandarin-language popular songs of that time, some of which were versions of Cantopop songs sung by the same singers with different lyrics to suit

1500-507: The 1980s saw the beginning of rock music in China , with the emergence of singer-songwriters such as Cui Jian , followed by others such as He Yong and bands such as Tang Dynasty which became popular in the 1990s. After the Chinese Cultural Revolution (1966–1976), Homeland Love (乡恋) performed by Li Guyi in 1980 is considered to be the first pop song created within mainland China , which echoed humanism and

1575-468: The 2000s, the emergence of indie rock in mainland China and Taiwan had exploded into a flourishing indie music scene in mainland China and Taiwan, adding various new diversities into Mandopop. Entry of popular Taiwan-based bands such as Mayday and Sodagreen while in mainland Chinese-based bands such as SuperVC and Milk Coffee had brought a new phase of rock fusion into Mandopop. The music industry in Taiwan, however, began to suffer from music piracy in

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1650-587: The 20th century, people in China generally spoke in their own regional dialect. Although most people in Shanghai then spoke Shanghainese , the recordings of the pop music from Shanghai from the 1920s onwards were done in Standard Mandarin , which is based on the Beijing dialect . Mandarin was then considered as the language of the modern, educated class in China, and there was a movement to popularize

1725-518: The 20th century. The company established a recording studio, and the first record-pressing plant in the Shanghai French Concession in 1914, and became the principal record company to serve as the backbone for the young industry in China. It originally recorded mainly Peking opera , but later expanded to Mandarin popular music. Later other foreign as well as Chinese-own recording companies were also established in China. Early in

1800-423: The Chinese society. In 1986, Cui Jian , known as the "Father of Chinese rock ", debuted his rock song Nothing to My Name which is considered the birth of Chinese rock music. Nothing to My Name later became the unofficial anthem of students who protested on Tiananmen Square in 1989, and is considered a symbol of the 1980s of China. According to aesthetician Gao Ertai , Cui Jian and rock music may be

1875-553: The Four Heavenly Kings faded in the 2000s, but many other new artists such as Nicholas Tse and Eason Chan came to the fore. The 2000s also began with an explosion of pop idols, many of whom were from Taiwan . Mainland China also saw a rapid increase in the number of Mandopop singers, bands, and idol groups as pop music becomes increasingly mainstream by mid-2000s. The growing Mainland film industry and Chinese television drama also increased demand for Mandopop. Since

1950-733: The Gramophone Company as its first recording engineer. He landed in Liverpool with recording outfit, a bicycle, and introductions and instructions from Berliner. Among his first recordings in London were several made by Syria Lamonte, an Australian singer working at Rules Restaurant in Maiden Lane . Gaisberg made some of the first recordings of the tenor Enrico Caruso , in Milan on 11 April 1902. The voice recorded well even on

2025-587: The Gramophone Company's sales agent in China, the Moutrie (Moudeli) Foreign Firm. The Moudeli Company dominated the market before the 1910s until the Pathé Records ( Chinese : 百代 ; pinyin : Bǎidài ) took over the leading role. Pathé was founded in 1908 by a Frenchman named Labansat who had previously started a novelty entertainment business using phonograph in Shanghai around the beginning of

2100-533: The Hong Kong music industry were Filipinos , Mandarin pop music in Hong Kong began to move away from its Shanghai roots. Also partly as a consequence of having fewer good songwriters, some songs of this period were adaptation of English-language songs, as well as songs from other regions such as the Indonesian song " Bengawan Solo " (as "梭羅河之戀") and the Latin-American song " Historia de un Amor " (as "He

2175-686: The Mandarin pop songs. The era was a tumultuous period, with the occupation of Shanghai by the Japanese armies during the Second Sino-Japanese War from 1937 and to 1945, followed by continuation of the civil war between the Nationalists and Communists . In response to the turmoil, productions began to shift to Hong Kong, and after the Communist takeover in 1949, many stars moved to Hong Kong which then replaced Shanghai as

2250-423: The Mandopop scene. They were ranked among the top three most-streamed Chinese artists on Spotify in 2023. Jay's Greatest Works of Art was IFPI Global Album Sales Chart No. 1 album in 2022. Short video platforms like DouYin gained popularity and had increasing impact on the music market. In November 2021, Eason Chan released a new Mandarin single “Lonely Warrior” (孤勇者）, which became super hit not only among

2325-591: The Shanghai era are considered by scholars to be the first kind of modern popular music developed in China, and the prototype of later Chinese pop song. Li Jinhui is generally regarded as the "Father of Chinese Popular Music" who established the genre in the 1920s. Buck Clayton , the American jazz musician, also worked alongside Li. Li established the Bright Moon Song and Dance Troupe , and amongst their singing stars were Wang Renmei and Li Lili . There

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2400-515: The United States, Canada and Australia they are easily found in many major urban areas, such as San Francisco Bay Area , Los Angeles , San Diego , New York City, Vancouver , Toronto , Sydney , and Melbourne . The Global Chinese Pop Chart is a record chart organised since 2001 by 7 radio stations from Beijing, Shanghai, Guangdong, Hong Kong, Singapore, Taipei and Kuala Lumpur. In Taiwan , G-Music Chart (Chinese: 風雲榜 fēngyúnbǎng)

2475-459: The best known songs were dubbed by other singers, for example " Unforgettable Love " ("不了情") in the film of the same name starring Lin Dai was sung by Koo Mei  [ zh ] . The song was also recorded with piano and strings orchestration popular at that time. Shanghai-style Mandarin pop songs however began to decline in popularity around the mid-1960s as Western pop music became popular among

2550-561: The best known. Teresa Teng made Mandopop a true mainstay by crossing over to mainland China after Deng Xiaoping came to power and instituted the open door policy in 1978 that allowed cultural products from Hong Kong and Taiwan to enter China. Teng's song became popular there despite an early ban on her songs by the PRC government for being " Bourgeois Music". Her "soft, sweet, often whispery and restrained" singing style in romantic songs such as " The Moon Represents My Heart " (月亮代表我的心) made

2625-420: The best possible sound available at the time of recording. He told a colleague that he saw his task simply as one of making as many sound photographs or gramophone (78-rpm) disc sides as possible during each recording session. In 1921, Gaisberg became HMV's artistic director in the newly formed 'international artistes' department. After the introduction of electrical ( microphone ) recording in 1925, he delegated

2700-435: The best-known of the singer-actress to emerge in the 1930s were Zhou Xuan , Gong Qiuxia , and Bai Hong . Although later singing stars need not also have an acting career, the close relationship between the recording and film industries continued for many decades. Later Yao Lee , Bai Guang , Li Xianglan , Wu Yingyin also became popular, and collectively these seven stars became known as the " Seven Great Singing Stars " of

2775-677: The center of the entertainment industry in the 1950s. In 1949, the People's Republic of China was established by the Communist party , and in 1952 popular music was denounced by the PRC government as Yellow Music , a form of pornography . In the mainland, the communist regime began to suppress popular music and promote revolutionary marches. China Record Corporation became the only music recording industry body in China, and for many years Minyue (National Music) and revolutionary music were about

2850-437: The court held that the case was considered as a civil dispute and the defendants were acquitted. Mandopop Mandopop or Mandapop refers to Mandarin popular music . The genre has its origin in the jazz-influenced popular music of 1930s Shanghai known as Shidaiqu ; later influences came from Japanese enka , Hong Kong's Cantopop , Taiwan's Hokkien pop , and in particular the campus folk song folk movement of

2925-470: The different rhyme and tonal patterns of Mandarin. Mandopop is categorized as a subgenre of commercial Chinese-language music within C-pop . Popular music sung in Mandarin was the first variety of popular music in Chinese to establish itself as a viable industry . It originated in Shanghai ; later, Hong Kong , Taipei and Beijing also emerged as important centers of the Mandopop music industry. Among

3000-553: The digital age, and its revenue plummeted to $ US95 million in 2005. The primary revenue sources in Taiwan music industry shifted to advertising, concerts, KTV (karaoke) and movie. The dramatic decline of CD sales shifted the market in favour of mainland China. While piracy was also severe in mainland China, the percentage of its digital sales is higher compared to most countries. 2005 was known as 'The First Year of Digital Music' in China as its digital music sales of $ US57 million overtook CDs in 2005, and it also overtook Taiwan in term of

3075-401: The early 1930s were made in Mandarin because of a ban on the use of dialects in films by the then Nanjing government , consequently popular songs from films were also performed in Mandarin. Mandarin popular songs that started in the 1920s were called shidaiqu (時代曲 – meaning music of the time, thus popular music), and Shanghai was the center of its production. The Mandarin popular songs of

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3150-608: The first of the recording industry's format wars was taking place, with the original cylinder recordings gradually being ousted by the more convenient Berliner flat disc. Gaisberg played an important role in this war, helping to establish 78 revolutions per minute as the standard playing speed and shellac as the standard material for making discs. In 1898, the Gramophone Company was formed in London. Gaisberg, by then working as piano accompanist and recording supervisor for Emile Berliner , left New York for London to join

3225-491: The island's recording industry was not initially strong. Taiwanese youth were drawn to popular styles from abroad; as Taiwan was ruled by Japan from 1895 to 1945, Taiwanese pop songs in the Hokkien language, the actual mother tongue of most of the island's residents, were particularly strongly influenced by the Japanese enka music. Popular Mandarin songs from Taiwan were similarly influenced, and many popular Mandarin songs of

3300-473: The mainland Chinese scene, such as the very commercially successful acts like S.H.E and Fahrenheit . Several new boybands and girl bands also have emerged in mainland China such as Top Combine , TFBOYS , NEXT and Idol Producer and Produce Camp boy and girl groups including Nine Percent , UNINE , R1SE , INTO1 , THE9 and Rocket Girls . In early 2020s, Jay Chou , JJ Lin and Eason Chan , who had debuted for more than 20 years, continued to lead

3375-576: The media. In the 1980s, a genre of Mandarin ballads called xinyao developed in Singapore by singers/songwriters such as Liang Wern Fook . In mainland China, the music industry was freed from state restriction in 1978, and regional recording companies were established in Guangzhou , Shanghai and Beijing in the 1980s with local singers. Pop music in China in this period was dominated by Mandopop songs from Taiwan and Cantopop from Hong Kong, however

3450-467: The melodies and lyrics creatively in short time. Some pop stars became famous because they were presented to meet the Chinese aesthetics standard and culture features. A few Chinese pop musicians—most notably Jay Chou , Lin Jun Jie , David Tao , Leehom Wang —have experimented with fusing traditional Chinese instruments with Western styles (such as hip hop beats and progressive rock) all over again in

3525-509: The mid-1980s, Taiwan's booming music industry was the source of around 90% of Mandopop sold in Southeast Asia. In South East Asia, popular local stars from the late 60s to the 80s included Sakura Teng (樱花), Chang Siao Ying (張小英) and Lena Lim (林竹君) from Singapore, and Wong Shiau Chuen (黃曉君) and Lee Yee (李逸) from Malaysia. Some such as Lena Lim achieved some success outside the region, and the local labels also signed singers from outside

3600-504: The most influential labels. Towards the end of the 90s, other singers such as Leehom Wang and David Tao became popular, and some also began to perform in the R&;B and/or hip-hop genres. In the period from the mid-1990s to early 2000s, Shanghai and Beijing became centers of the music industry in mainland China, with Shanghai focusing on music record publishing and distribution, while Beijing focused on music recording. In Hong Kong,

3675-425: The most notable Chinese pop star of the era for her highly successful singing and film career. This generation saw the rise in popularity of female singers from mere " song girls " to "stars", and for the next few decades, female singers would dominate the Mandarin popular music industry. In this period, Pathé Records dominated the recording industry. In the late 1930s to early 1940s, it held about 90% market share of

3750-589: The most successful songs of the era was Lo Ta-yu's 1985 song " Tomorrow Will Be Better ", which was inspired by the American song " We Are the World " and originally performed by 60 singers. It quickly became a hit throughout Chinese in Asia. Another song soon followed in 1986 in mainland China called "Let the World be filled with Love" (讓世界充滿愛). Hou Dejian's song " Descendants of the Dragon " (龍的傳人) also became an anthem for

3825-663: The only form of art that could have an "enlightening" effect at the time, and China needed Enlightenment . A number of singers originally from mainland China such as Faye Wong and Na Ying began to record in Hong Kong and Taiwan. Faye Wong, referred to in the media as the Diva, first recorded in Cantonese in Hong Kong, later recorded in Mandarin. She was one of the few Chinese singers to perform in Budokan , Japan. During this period, many Cantopop singers from Hong Kong such as

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3900-417: The only kinds of music to be recorded there. In 1952, Pathé Records moved its operation from Shanghai to Hong Kong. Stars from Shanghai continued to record songs in Hong Kong, and Shanghai-style music remained popular in Hong Kong until the mid-1960s. Although the music is a continuation of the shidaiqu style of Shanghai, many of its songwriters did not move to Hong Kong, and many of the musicians employed in

3975-523: The period. Other notable singers of this period include Li Lihua and Chang Loo (張露). In 1940 Yao Lee recorded " Rose, Rose, I Love You " which later became the first Chinese pop song to be covered by Western singers that was a hit. The " Seven Great Singing Stars " in the Republic of China period secured the place of the shidaiqu genre in East Asian society. Zhou Xuan is generally considered

4050-476: The period. Unlike previous eras dominated by female singers, male singers became popular. Other popular male singers included Liu Wen-cheng , Johnny Yin and Dave Wong . Wong released his debut album A Game A Dream (一場遊戲一場夢), which sold over 700,000-copies in three months in December 1987. By around 1980, the term Mandopop began to be used for the Chinese popular music that had emerged in this period, and by

4125-602: The primitive equipment of the time, and the entire enterprise paid off financially as well as artistically. It also sparked a long and happy transatlantic arrangement. In the US the recordings were issued under the label of the Victor Talking Machine Company , spearheading the March 1903 introduction of Victor's new premium Red Seal line. Caruso moved to the U.S. later in 1903, and recorded exclusively for Victor

4200-665: The recording industry in America as a young man, becoming a pioneer of early recording, and also worked as piano accompanist for the Berliner Gram-O-Phone Company, the inventors of the practical lateral-groove disc and associated playback apparatus, the Berliner Gramophone. In 1898, he joined the Gramophone Company in England as its first recording engineer. In 1902, he recorded music sung by

4275-485: The recording industry. In the late 1940s he argued in favour of long-play (LP) records, introduced by Columbia Records in 1948, and stereophonic recording, introduced in 1958 after his death. One of his last projects, in the early 1930s, was to conceive, and supervise the construction of, a major facility for classical recording, Abbey Road Studios. A banquet was given at the Savoy Hotel to mark his retirement. It

4350-516: The region such as Long Piao-Piao (龍飄飄) from Taiwan. The recording industry in Singapore in particular thrived. In 1979, Singapore launched the Speak Mandarin Campaign to promote the use of Mandarin over the range of Chinese dialects spoken by various segments of the ethnic-Chinese population. Mandarin songs, already a strong presence on radio stations and on television, further eroded the popularity of Hokkien and Cantonese songs in

4425-490: The regions and countries where Mandopop is most popular are mainland China , Hong Kong , Macau , Taiwan , Malaysia , and Singapore . The Chinese-language music industry began with the arrival of gramophone . The earliest gramophone recording in China was made in Shanghai in March 1903 by Fred Gaisberg , who was sent by the Victor Talking Machine Company (VTMC) in the U.S. to record local music in Asia. The recordings were then manufactured outside China and re-imported by

4500-583: The rest of his life. Many of those Victor recordings, issued in the UK under the Gramophone Company's label and in continental Europe under the labels of its several sister companies, were even more popular and profitable. Caruso himself said, "My Victor records will be my biography." Gaisberg's brother William worked with him. They signed up and/or recorded such international stars as Adelina Patti , Francesco Tamagno , Feodor Chaliapin , Beniamino Gigli , Nellie Melba , John McCormack and Fritz Kreisler . Gaisberg

4575-418: The retail value of its music sales. However, while mainland China became increasingly important in generating revenue, the pop music industry itself in mainland China was still relatively small in the decade of 2000s compared to Taiwan and Hong Kong as popstars from Taiwan and other overseas Chinese communities were still popular in mainland China. Mandopop singers such as Jay Chou were popular performing in

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4650-548: The role of producer and concentrated on artist-and-repertoire management. He remained as artistic director after the HMV and Columbia firms merged in 1931, creating Electric and Musical Industries (EMI). The recordings made under his supervision include Sir Edward Elgar 's series of records of his symphonies, concertos and other major works. With Bernard Shaw , the BBC and others, Gaisberg was partly responsible for persuading Elgar to write

4725-412: The show One Million Star and Super Idol , new talented singers entered the Mandopop market, including Aska Yang , Yoga Lin , Lala Hsu and so on. In Taiwan, the new term "quality idol" (優質偶像) referred to artists who were good-looking, talented and highly educated, among them Wang Leehom and William Wei . There was increasing crossover appeal of Taiwanese bubblegum pop boybands and girl bands in

4800-457: The song as background music, playing the song with various adaptations, and hand gestures dance etc. Children, in particular, were attached to these. The popularity spread from children to parents, gaining widespread attention. Short video platform had emerged as contemporary media for music promotion. Shidaiqu originated as a fusion of Chinese traditional music and European popular music, and therefore instruments from both genres were used from

4875-536: The style of a traditional pentatonic folk melody, but the instrumentation is similar to that of an American jazz orchestra. The song however was sung in a high-pitched childlike style, a style described uncharitably as sounding like "strangling cat" by the writer Lu Xun . This early style would soon be replaced by more sophisticated performances from better-trained singers. In the following decades, various popular Western music genres such as Latin dance music also become incorporated into Chinese popular music, producing

4950-514: The use of Japanese . The Mandarin pop music developed in Taiwan that would become modern Mandopop is a blend of traditional Chinese, Japanese, Taiwanese, as well as Western musical styles. Tzu Wei  [ zh ] was the earliest of the Taiwan-based stars who achieved success outside of Taiwan in the late 1950s with the song " Green Island Serenade ", followed by other singers such as Mei Tai  [ zh ] and Yao Su-jung in

5025-628: The use of Mandarin as a national language in the pursuit of national unity. Those involved in this movement included songwriters such as Li Jinhui working in Shanghai. The drive to impose linguistic uniformity in China started in the early 20th century when the Qing Ministry of Education proclaimed Mandarin as the official speech to be taught in modern schools, a policy the new leaders of the Chinese Republic formed in 1912 were also committed to. Sound films in Shanghai which started in

5100-451: The usual Mandopop fans, but also mega hit among the children, becoming an annual phenomenon in the Mandopop scene. Although Eason Chan did not make any appearance for promotion (except one online performance ten months after the release), this song still gained huge popularity in mainland China, Taiwan and Malaysia etc. Some said short videos on App like DouYin helped boost the popularity to a large extent. There were numerous short videos using

5175-442: The very beginning of Mandopop. Songs performed in the traditional style employed traditional Chinese instruments like the erhu , pipa , and sanxian , such as in the recording of " The Wandering Songstress " (天涯歌女) by Zhou Xuan , whereas more Western orchestral instruments such as trumpets, violins, and piano were used in songs like "Shanghai Nights" (夜上海), also by Zhou Xuan. Big band and jazz instruments and orchestrations from

5250-644: The winners of its 12th Annual KKBOX Music Awards. On September 15, 2023, KKBOX parent company, KKCompany, has acquired Taiwan Mobile myMusic streaming platform, in exchanged to have KKBOX available for Taiwan Mobile customers. On November 1, 2024, KKBOX announced KKBOX Malaysia will be ceasing its music streaming service on December 31, 2024. In 2007, KKBOX was suspected of reproducing musical works and allowed its members to download them without authorization. The works included 324 songs owned by HCM Music and songwriter Chan Kien Ming. KKBOX's owner and manager were prosecuted by Taipei District Prosecutors Office. In 2009,

5325-458: The young, and many Hong Kong performers copied Western songs and sang Hong Kong English pop songs. This in turn gave way to pop songs recorded in Cantonese as Cantopop became the dominant genre of music from Hong Kong in the 1970s. After the Communist victory in China, the Kuomintang retreated to Taiwan . There were local stars in Taiwan and Pathé Records did business there as well, but

5400-402: Was a close relationship between music and film industries and many of its singers also became actresses. Around 1927, Li composed the hit song "The Drizzle" ("毛毛雨") recorded by his daughter Li Minghui  [ zh ] , and this song is often regarded as the first Chinese pop song. The song, with its fusion of jazz and Chinese folk music, exemplifies the early shidaiqu – the tune is in

5475-416: Was an American musician, recording engineer and one of the earliest classical music producers for the gramophone . He did not use the term 'producer', and was not an impresario like his protégé Walter Legge of EMI or an innovator like John Culshaw of Decca . Gaisberg concentrated on talent-scouting and persuading performers to make recordings for the newly invented Gramophone. Gaisberg began working in

5550-564: Was educated in Washington and was a chorister at St. John's Episcopal Church . A musically talented youngster, he encountered the fledgling recording technology in the early 1890s and got a job working for the Berliner Gram-O-Phone Company in America. Poor sound quality and short playing time, however, meant that recordings were more of an amusing novelty than a serious means of reproducing music. In this decade

5625-587: Was the only record producer to record a castrato singer ( Alessandro Moreschi of the Sistine Chapel choir), and the first person to produce recordings in India and Japan . He cut India's first gramophone recordings, which featured Gauhar Jaan singing a khayal , on 2 November 1902. These sessions took place in a makeshift studio rigged up in two rooms of a Calcutta hotel. In Japan, he recorded more than 270 titles in one single month of 1903. Gaisberg made

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