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83-586: Karna Parva describes the appointment of Karna as the third commander-in-chief of the Kaurava alliance. The Parva recites how war begins to tire and frustrate everyone. This book describes how brutal war leads to horrifying behavior over the 16th and 17th day of the 18-day Kurukshetra War . Karna who is critically acclaimed as the hero of the Mahabharata is the greatest archers of all time equivalent to Parshurama and Lord Rama himself Karna Parva includes

166-447: A Sūta , while some other versions describe him failing to string the bow by the "breadth of a hair". In the end, Arjuna succeeds in the task, However Karna objects that the competition is only meant for Kshatriyas , and Brahmins such as "the mendicant who just strung the bow" should not be competing for the hand of Draupadi, a Kshatriya bride. Duryodhana supports him. The gathered Kshatriyas too angrily support Karna, for they against

249-469: A rakshasha lineage, and his powers of illusion to confuse the enemies grew to enormous proportions as the war dragged deeper into the fifteenth night. Duryodhana and Karna's Kaurava friends plead that they are finished unless Karna does whatever it takes to kill Ghatotkacha. Karna hurls the "Indra missile" to kill Ghatotkacha. Karna thus saves his reputation among his soldiers, launches the missile and kills Ghatotkacha. Duryodhana and Kaurava army rejoice with

332-406: A "choice between irreconcilable obligations", between two good or two poor choices, where complex circumstances must be considered. These circumstances make the evaluation of the choices complicated and a decision difficult, subjective. When circumstances lead to a conflict between two choices that are both right in their own premises, then following one duty becomes "contrary to the duty according to

415-402: A Brahmin to divest him of his earrings and breastplate, and thereby his immortality. Karna disregards this warning and says that if the king of gods Indra comes to beg before him, and if he charitably gives to Indra, it will bring him "renown and fame", then argues that "fame is more important to him than anything else". Indra appears as predicted, and Karna cuts his birthmarks of immortality with

498-553: A birth mother (Night) who abandons him in the Vedic texts and he too considers his adoptive mother (Dawn) who raises him to his bright self as the true mother just like Karna. This idea was first discussed by the philologist Georges Dumézil , who remarked that similar mythology and details are found in other ancient Indo-European stories. Karna resembles various famous characters found in Hindu texts. The attributed author of Mahabharata,

581-490: A brutal stage, according to the Mahabharata verses in sections 7.150–156. On the fourteenth day, Arjuna took revenge of his own son's death, while Bhima and his son Ghatotkacha wreaked havoc on numerous Kaurava battalions. The war that previously started after sunrise and stopped at sunset, did not stop on the fourteenth day's sunset as both armies continued a ferocious war to kill each other. Bhima's son Ghatotkacha had

664-470: A caring friend and resourceful supporter when almost everyone is bent on ridiculing and disowning him. Karna evolves into a character who shares Duryodhana's view that Pandavas are bad and enemies, though for different reasons. Karna participates with Duryodhana in schemes to effect the downfall of the Pandavas. Duryodhana provides the goals, Karna conspires the means to get there. In the final year of

747-447: A girl gives birth to a child before married are less likely to marry. So, she put the newborn baby in a padded basket, and set it adrift in the small river Ashvanadi by the palace. Later Kunti got blessed with children Yudhishtra, Bhima, and Arjuna, using this mantra. The same mantra was used by Kunti to allow her co-wife, Madri, to conceive Nakula and Sahdeva. The Spiritual "fathers" of the five Pandavas were Dharma , Vayu , Indra and

830-579: A knife, and gives the blood-soaked donation to disguised-as-a-Brahmin Indra. The leader of gods in return praises him and gives him a missile that can only be used once and will kill any mortal or immortal. Karna keeps the Indra's missile in reserve since it could only be used once, and aims to kill Arjuna with it. By the thirteenth day of the Mahabharata war, numerous soldiers, kings, brothers and sons of Kauravas (Karna's side) and Pandavas (Arjuna's side) had been killed, many by foul means. The war had entered

913-401: A quieter moment with Krishna such as in section 5.139.45, and to his lifelong friend Duryodhana in section 8.1.7, Karna confides he was wrong in insulting Draupadi and the Pandavas, it is his past karma that haunts him and is a source of his private suffering. Book 5 of the Mahabharata describes two meetings where Karna discovers information about his birth. The first meeting is with Krishna,

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996-801: A study of the Bombay edition, the Poona edition, the Calcutta edition and the south Indian editions of the Mahabharata manuscripts. The most accepted version is one prepared by scholars led by Vishnu Sukthankar at the Bhandarkar Oriental Research Institute , preserved at the Kyoto University , the Cambridge University and various Indian universities. According to the legend, there was a king of

1079-529: A treatise by Aswatthama which focuses on the motive of the deeds of human life. The crowning incident of this Parva is the final confrontation between Karna and Arjuna, in which Karna is killed. This Parva (book) traditionally has 96 adhyayas (chapters). The following are the sub-parvas: Karna Parva was composed in Sanskrit. Several translations of the book in English are available. Two translations from

1162-492: Is a complex concept in the Indian religions. It is not an atomistic or compartmentalized concept, rather incorporates "ways of living, ways of seeing and ways of relating to life's ultimate issues", according to Matilal. Of those issues, ones relating to right or wrong behaviour, duties, rights, and expectations from others are the domain of dharma-ethics . Karna's story raises the dharma-ethics questions both while Karna acts in

1245-402: Is a key participant in insulting the Pandavas and Draupadi . He humiliates the Pandavas with his gift of speech and mocks Draupadi, then calls her a "whore" and asks Duhshasana to strip her off her clothes. It is Karna's language and insults that hurt the Pandavas and Draupadi the most, a sentiment that is noted in numerous verses of the Mahabharata such as 3.13.113 and 5.93.11. Yet, states

1328-405: Is a matter of interpretation. For example, the first part of this line from Shakespeare's Troilus and Cressida (in iambic pentameter ) would normally be interpreted as two spondees: Crý, crý! Tróy búrns, or élse let Hélen gó. The effect of spondees in verse is often to slow the line down and to represent slow movement. Thus Alexander Pope writes, in a poem illustrating how the sound of

1411-399: Is a symbol of someone who is rejected by those who should love him but do not given the circumstances, yet becomes a man of exceptional abilities willing to give his love and life as a loyal friend. His character is developed in the epic to raise and discuss major emotional and dharma (duty, ethics, moral) dilemmas. His story has inspired many secondary works, poetry and dramatic plays in

1494-421: Is found by a charioteer's wife Radha, who takes the baby Karna to her husband Adhiratha Nandana. They adopt him right away and name him Vasushena. They love him and raise him just like their own son. While he was growing up, his adopting parents let Karna know that they had found and adopted him. This knowledge affects Karna, he feels ashamed that he was abandoned, and this frames his sense of self-identity through

1577-495: Is from the love and affection and "not scripture" that he knows Adhiratha to be his real father. He is already married, says Karna, he has two sons and now grandsons, all because his father Adhiratha helped him settle into his married life. What matters most in life are the "bonds of love", according to Karna, and not power over the world. He shall betray no one, remain loyal to those who love him, including his friend Duryodhana, with whom he has been in allegiance for thirteen years. It

1660-585: Is mentioned that he married a Suta woman chosen by Adhiratha. She is later referenced in the Stri Parva as the mother of Vrishasena and Sushena, the two most prominent sons of Karna. Marital details of Karna's life are expanded and reimagined in later adaptations of the Mahabharata . In the modern day version of the Mahabharata , nine sons of Karna are mentioned— Vrishasena , Chitrasena, Satyasena, Sushena, Shatrunjaya, Dvipata, Banasena, Prasena and Vrishaketu . The Karna-Arjuna story has parallels in

1743-533: Is moral that keeps creatures from injuries. An untruth spoken to save creatures from injuries is in the cause of morality, and does not amount to a falsehood. Karna Karna ( Sanskrit : कर्ण, IAST : Karṇa ), also known as Vasusena , Anga-Raja , Sutaputra and Radheya , is one of the major characters in the Hindu epic Mahābhārata . He is the son of Surya (the Sun deity) and princess Kunti (later

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1826-510: Is not "blood ties" that matter, but how someone treats you over a period of time that does. He made a promise to Duryodhana and he will keep it. It is his duty to fight Arjuna. Krishna then went to Kunti and asked her to meet Karna and tell him that he is her first born son and the Pandavas were his brothers. Krishna left it to her to choose between Karna and her five other sons. Kunti then went to meet Karna, finds him praying. She waits. After he finished his prayers to Surya, Karna meets Kunti for

1909-429: Is not content simply to point out the weaknesses of human beings. It criticizes society's flaws. It raises the question whether a person's social position should be defined by birth or by some other criterion, such as accomplishment of some sort. [...] Karna challenges their traditional understanding of dharma – as inherited status – and offers a new notion of dharma as deserved status. Karna has to be 'the wrong person in

1992-488: Is the name of a warrior character. Called Vasusena as a child by his foster parents, he became known by the name Karna because of the golden earrings of Surya he used to wear, according to the Sanskrit epics scholar David Slavitt. The word Karna, states the Indologist Kevin McGrath, signifies "eared, or the ear-ringed one". In section 3.290.5 of the Mahabharata , Karna is described as a baby born with

2075-434: Is time for Karna to present his lineage. If Karna were to announce his charioteer lineage, it would disqualify him from competing against Arjuna. Duryodhana steps in and says Karna is an Arajna (a non-king, but also a word play on Arjuna) but announces that he is offering to anoint Karna as the king of Angas (Bengal ). Once Karna is a king, states Duryodhana, Arjuna would not have the excuse to avoid Karna and not compete with

2158-568: The svayamvara competition of Draupadi, where she is expected to choose her husband, both Arjuna and Karna are present. Arjuna and his brothers, however, are disguised as mendicant Brahmins. They use this false identity in exile because Duryodhana had attempted to kill them using various schemes, including burning the lacquer house – custom built for the Pandavas by Duryodhana – along with the forest while they were sleeping. There are some variations regarding Karna's participation. Some renditions show Draupadi refusing to marry Karna on account of being

2241-519: The Adi Parvan . It is here that his earrings "that make his face shine", as well as the divine breastplate (body armor) he was born with, are mentioned for the first time. This sets him apart as someone special, with gifts no ordinary mortal has. However, later in the epic, the generous Karna gives the "earrings and breastplate" away in charity, thereby becomes a mortal and later dies in a battle with Arjuna. The story of his unmarried mother getting

2324-418: The Mahabharata scholar Alf Hiltebeitel , "remarkably, Karna regrets his harsh words to Draupadi and Pandavas", in verse 5.139.45, where he confesses he spoke so to please Duryodhana. Karna is portrayed in the Mahabharata as a skilled and valiant warrior, achieving several notable victories. One of his key successes was his defeat of Jarasandha , the powerful king of Magadha , during the s wayamvara of

2407-506: The Mahabharata . They become close friends not long after, when Karna and Arjuna are at a weapons trial competition. Duryodhana sees in Karna a man who is an equal of Arjuna in martial abilities, and someone to befriend to balance out Arjuna and thereby "diminish the Pandavas". Before the competition starts, the contestants must announce theirs lineage so that men of equal ranks are placed together. After Arjuna announces his royal lineage, it

2490-659: The Siddha mantra , telling her that if she ever wants, she can invoke any deity to give her a child. Teenage Pritha became curious, wondered if the mantra would really work and, as the sun rose one morning, she initiated the mantra through which she could invoke any divine God being to provide her a son. She called the sun god Surya. He came with a golden glow, dressed up in jewellery and breastplate, and provided her with her first son. Pritha felt confused and ashamed, worried what everyone will think and how she will embarrass her family. At that time, according to Vedic civilization, if

2573-458: The Yadava dynasty named Shurasena who had a beautiful young daughter named Pritha (later Kunti ). A rishi (Vedic scholar and seer) named Durvasa visited the king for a lengthy stay and was housed as his palace guest. Shurasena asked Pritha to ensure that Durvasa's stay was comfortable. On leaving, having been delighted with his stay and her diligent services, Durvasa thanked her and gave her

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2656-412: The story within a story style of narration, the account of Karna's birth has been narrated four times. Karna appears for the first time in the Mahabharata in the verse 1.1.65 of Adi Parvan (first book) where he is briefly mentioned through the metaphor of a tree, as someone who is refusing to fight or help in the capture of Krishna. He is presented again in sections 1.2.127–148, and chapter 1.57 of

2739-490: The 19th century, now in public domain, are those by Kisari Mohan Ganguli and Manmatha Nath Dutt. The translations vary with each translator's interpretations. Clay Sanskrit Library has published a 15 volume set of the Mahabharata which includes a translation of Karna Parva by Adam Bowles. This translation is modern and uses an old manuscript of the Epic. Karna Parva , Chapter 6: Passion, engagement, skill and policy - these are

2822-599: The Brahmastra at the critical moment when he wishes to use it against his enemy. The third Pandava prince Arjuna was Karna's peer and equal. At school and in episodes where his character appears, he is repeatedly rejected, subjected to ridicule and bullied for being the son of a poor family, and particularly for his low birth. The boy Karna came to be known for his solitary habits, hard work, pious yoga before Surya every day, compassion and eager generosity to help anyone in need particularly Brahmins, his gift of speech, and for

2905-701: The Gandharva episode during the Pandavas' exile, Karna fled from battle after Kauravas were captured by Chitrasena , the Gandharva king, after being defeated in battle. The relationship between Karna and the Pandavas, particularly Arjuna, were hostile. The Mahabharata mentions Karna as the main challenger of Arjuna at sporting and skills competitions. At martial sporting events, Arjuna and Karna were often equal, though in his self-bragging style Karna once announced, states McGrath, that "he will perform any feat that Arjuna has accomplished and do it better". At

2988-560: The Ganges. The basket is discovered floating on the Ganges River . He is adopted and raised by foster Suta parents named Radha and Adhiratha Nandana of the charioteer and poet profession working for king Dhritarashtra . Karna grows up to be an accomplished warrior of extraordinary abilities, a gifted speaker and becomes a loyal friend of Duryodhana . He is appointed the king of Anga ( Bihar - Bengal ) by Duryodhana. Karna joins

3071-575: The Hindu arts tradition, both in India and in southeast Asia. A regional tradition believes that Karna founded the city of Karnal , in contemporary Haryana . Karṇa (कर्ण) is a word found in the Vedic literature, where it means "the ear", "chaff or husk of a grain" or the "helm or rudder". In another context, it refers to a spondee in Sanskrit prosody. In the Mahabharata and the Puranas, it

3154-522: The Kurukshetra battlefield is presented as the Makara movement (an arrangement of soldiers in the sea-monster pattern). As Duryodhana's army crumbles each day, the sea and vessel metaphor repeatedly appears in the epic, particularly when Karna is mentioned. As a newborn, Karna's life begins in a basket without a rudder on a river, in circumstances that he neither chose nor had a say. In Book 1, again in

3237-461: The Pandava queen). Kunti was granted the boon to bear a child with desired divine qualities from the gods and without much knowledge, Kunti invoked the sun god to confirm it if it was true indeed. Karna was secretly born to an unmarried Kunti in her teenage years, and fearing outrage and backlash from society over her premarital pregnancy, Kunti had to abandon the newly born Karna adrift in a basket on

3320-434: The Pandavas" as the final solution. Karna persistently recommends violence and an all-out war, to settle things once and for all, by good brave warriors. Karna also accuses Bhisma and Drona as covetous materialists and dishonest in counselling Duryodhana with non-violent strategies. Duryodhana has evil intentions and is a bad king, but it is Karna who fuels Duryodhana's ambitions and fights his battles. With Duryodhana, Karna

3403-539: The Pandavas, ridicules him for his low status and calls him dog-like. The public insult of his father makes Karna hate the Pandavas. At the end of the competition, while everyone rejects Karna, Duryodhana expresses amity to Karna by "taking Karna by his hand". Karna feels Duryodhana is that friend who stood by him when everyone rejected him. Duryodhana becomes Karna's lifelong close friend. In Karna, Duryodhana finds an able man and talented commander who can help him gain and retain power over an empire. In Duryodhana, Karna finds

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3486-567: The Southern manuscripts more profuse and longer. The legends of Karna too appear in many versions, including some versions that have no support in surviving manuscripts. The manuscripts found in the North and South India for the Karna parvan book have "great divergence" in details, though the thematic essence is similar. Scholars have attempted to construct a critical edition , relying mostly on

3569-433: The Vedic literature and may have emerged from these more ancient themes. According to McGrath, the Vedic mythology is loaded with the legendary and symbolism-filled conflict between Surya (sun) and Indra (clouds, thunder, rain). Indra cripples Surya in the Vedic mythology by detaching his wheel, while Arjuna kills Karna while he tries to fix the wheel that is stuck in the ground. As another example of parallels, Surya too has

3652-406: The able warrior. Karna accepts the anointment, becomes a king that day. It also transforms him into a loyal friend to Duryodhana, with an eagerness to reciprocate the favour. Karna asks Duryodhana what he would want in return for the kingdom he just gave out of his empire, Duryodhana replies, "I want your endless friendship Karna". For the consecration ceremony, Karna's father arrives. Bhima, one of

3735-565: The above, are a mixture of dactyls and spondees. However, sometimes he will begin a line with three or four spondees for special effect, such as the following, which describes how Aeneas and his companion made their way slowly down a dark passage into the Underworld. In this line all the feet are spondaic except the fifth: Spondees can also add solemnity, as in the following lines where Dido , Queen of Carthage, curses Aeneas after he has abandoned her. The first line begins with three spondees,

3818-716: The affection or care from her as the firstborn. "You discarded me", says Karna to Kunti, "you destroyed me in a way that no enemy could ever do to him". It is too late. He reiterates that he loves the parents who raised him, they love him, and he will remain loyal to his lifelong relationships. No one should abandon those who give respect and affection, says Karna in these Mahabharata verses. The war momentum shall continue and he aims to kill Arjuna. Karna promised to Kunti that he will not kill any of his other four half-brothers, but either "Arjuna or I" shall die and she can still say she has five sons just as she did all her life. After these developments and pondering on Karna's life choices,

3901-429: The bitterness of Pandava for Karna to much more emotional level from what previously was a dispute about respective martial prowess. These are the sections of the epic when the Pandavas, Arjuna in particular, openly pledge to kill Karna. Karna retaliates with words too, stating that Arjuna's death is so near that he will "not wash his feet until Arjuna is slain". Karna is not proud of his anger and outbursts. Later, in

3984-622: The campaign against Drupada, launched as Gurudakshina for Drona , Karna and the Kauravas were unable to overcome Drupada’s forces. It was Arjuna who ultimately succeeded in capturing Drupada. Another notable loss occurred during the Pandavas’ Rajasuya Yajna, when Karna refused an alliance with Bhima , leading to a direct confrontation. Although Karna resisted fiercely, Bhima ultimately defeated him, with Karna’s divine armor ( Kavacha ) and earrings ( Kundala ) preventing his death. In

4067-614: The character of Karna in the ancient Hindu epic suggests a social debate between "inherited status" and "deserved status", a debate that remains relevant to the contemporary times. Das writes, Karna, like the other heroes in the Mahabharata, forces us to look at ourselves and at our frailties. When Karna is not allowed to train in weaponry because he is a suta, it makes one ask, ’What if my child had been denied entry into college because of her birth?’ [...] We want them [our children] to feel secure and confident about their position. We want them to be treated with respect as equals. The Mahabharata

4150-550: The chariot for the critical battle. Ultimately Shalya agrees. Since all previous commanders of Duryodhana had been killed, he anoints Karna as the senapati (commander of all his forces) for the first time. Karna and Shalya head into the battlefield together, though they keep insulting each other's abilities and intent, lack mutual devotion and teamwork. Together they reach Arjuna with Krishna. They battle that day, each showing his martial skills of attack as well as his ability to neutralize all weapons that reach their chariot. Then,

4233-432: The child due to her curiosity, his divine connection to the Hindu god Surya , then his birth appears for the first time in the epic in section 1.104.7. The epic uses glowing words to describe Karna, but the presentation here is compressed in 21 shlokas unlike the later books which expand the details. These later sections with more details on Karna's birth and childhood include 3.287, 5.142 and 15.38. According to McGrath,

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4316-409: The common wife of the Pandavas – Draupadi too – says Krishna, may marry to him. after some time, were Karna to press his status as the eldest biological Pandava brother, end the war and rule the world. Karna declines the offer. Karna replies that though he was born from Kunti, it was the wife of a charioteer "Radha who gave him love and sustenance", and that makes her his real mother. Similarly, it

4399-498: The context of Karna, Duryodhana remarks, "the origins of heroes and rivers are indeed difficult to understand". The name Karna is also symbolically connected to the central aspect of Karna's character as the one who is intensely preoccupied with what others hear and think about him, about his fame, a weakness that others exploit to manipulate him. This "hearing" and "that which is heard", states McGrath makes "Karna" an apt name and subtle reminder of Karna's driving motivation. Karna

4482-486: The death of Bhima's son Ghatotkacha, but now Karna had exhausted the weapon that gave him an advantage over Arjuna. As the second last day of the war and Karna's day of death dawns, Karna asks Duryodhana to convince king Shalya to be his charioteer since he plans to kill Arjuna that day. The South Indian king considers it below his dignity to be a mere charioteer and starts insulting Karna, who retaliates with words. Duryodhana intervenes, praises both, presses Shalya to guide

4565-470: The divine Krishna, as well as a host of Mahabharata heroes, in private and after his death, honour Karna as a satpurusha (lit. "a true, honest, good man") and "the best among those who understand and uphold the dharma ". Karna was born with aspects of his divine father Surya – the earrings and armour breastplate – that made him an immortal at birth. However, despite being warned, Karna prefers to lose these natural gifts in order to uphold his reputation as

4648-483: The ear-rings and armoured breastplate, like his father Surya. The second meaning of Karna as "rudder and helm" is also an apt metaphor given Karna's role in steering the war in Book 8 of the epic, where the good Karna confronts the good Arjuna, one of the climax scenes wherein the Mahabharata authors repeatedly deploy the allegories of ocean and boat to embed layers of meanings in the poem. For example, his first entry into

4731-421: The early presentation of Karna in the Mahabharata is such as if the poets expect the audience to already know the story and love the character of Karna. The text does not belabour the details about Karna in the early sections, rather uses metaphors and metonyms to colourfully remind the audience of the fabric of a character they already are assumed to be aware of. The complete narrative of his life appears for

4814-400: The epic as well as after his death. These questions arise with the circumstances related to his birth and through his death. Karna chooses loyalty to his lifelong friend and "good policy based on his heart" to be of higher value than accepting Krishna's recommendation that he switch sides and become the king as the eldest son of Kunti based on dharmasastras . According to Gurcharan Das ,

4897-428: The epic, according to McGrath, Krishna states, "by law, Karna should be considered as the eldest born of Pandavas", that he can use this information to become the king. Through his relationship to his mother Kunti, all Vrishnis on Krishna's side will also recognize him and be his tributary, he can be the emperor with power over everyone. Yudhisthira will hold the fan for him as he sits in the throne, Bhima his umbrella, and

4980-467: The epic. Karna attends school in Hastinapura , where he studies martial arts under the sages Drona and Kripa . When Drona declines to teach him the knowledge of the Brahmastra weapon, Karna disguises himself as a Brahmin to become a student of Parashurama , an incarnation of the god Vishnu . Upon discovering Karna's deception, Parashurama curses him, declaring that he will forget the secret of

5063-411: The exile of the Pandavas, Duryodhana plans to sow dissension and keep the entire empire to himself. In contrast, Bhisma and Drona suggest a conciliation and dividing the kingdom into two, half for Kauravas and other for Pandavas. Karna, in contrast, adopts the hawkish approach and becomes the first to suggest a direct confrontation in the form of the Kurukshetra war. He calls for "together we should slay

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5146-569: The first time in chapter 1.125. The Mahabharata manuscripts exist in numerous versions, wherein the specifics and details of major characters and episodes vary, often significantly. Except for the sections containing the Bhagavad Gita which is remarkably consistent between the numerous manuscripts, the rest of the epic exists in many versions. The differences between the Northern and Southern recensions are particularly significant, with

5229-431: The first time in his adult life. He greets her (he now already knows her to be his biological mother). With folded hands , he introduces himself as the son of Radha and Adhiratha, and inquires about the purpose of her visit. Kunti then confesses that he is her firstborn. Surya also appears and confirms Kunti's story, and suggests that he follow her. Karna says that though he may have been the firstborn, he never received

5312-485: The following hymn by the Greek poet Terpander (7th century BC), which consists of 20 long syllables: Ζεῦ πάντων ἀρχά, πάντων ἀγήτωρ, Ζεῦ, σοὶ σπένδω ταύτᾱν ὕμνων ἀρχάν. Zeû pántōn arkhá, pántōn āgḗtōr, Zeû, soì spéndō taútān húmnōn arkhán. "Zeus, Beginning of all things, Leader of all things, Zeus, I make a libation to Thee this beginning of (my) hymns." However, in most Greek and Latin poetry,

5395-477: The line: Dirty British / coaster with a / salt-caked / smoke-stack Here the last four syllables make two spondees, contrasting with the eight short syllables in the first two feet. The length and weight of the last four syllables derives partly from the fact that all of them are closed by one or more consonants, and partly from the fact that all of them are stressed. Another Masefield poem, Sea Fever (1902), which includes spondees contains these lines: And

5478-476: The losing Duryodhana side of the Mahabharata war. He is a key antagonist who aims to kill Arjuna but dies in a battle with him during the Kurushetra war. He is a tragic hero in the Mahabharata , in a manner similar to Aristotle's literary category of "flawed good man". He meets his biological mother late in the epic then discovers that he is the older half-brother of those he is fighting against. Karna

5561-464: The means to accomplish objectives. Karna Parva, Chapter 69: Many people maintain that morality can be learned from the scriptures alone; I do not find fault with that, but then everything is not provided in the scriptures. Moral precepts have been made for the well bring of all creatures. Moral precepts have been made to free the creatures from all injuries. Dharma - morality - is so called because it protects all. Morality saves all creatures. That

5644-570: The mixing of varna (here, Brahmin-Kshatriya marriage). Arjuna maintains his calm, continues to hide his true identity, insists that he is a "Brahmin who fight". Arjuna's accomplishments and calmness win Draupadi's heart. Draupadi picks Arjuna and awards the garland to him, signify that she chooses to marry the disguised-Brahmin Arjuna. The varna-based discrimination and verbal insults on Arjuna, for lovely Draupadi's hand, one that Karna initiates at

5727-486: The one who always gives dāna (charity), particularly to Brahmins, as being more important than his own life. As the battle-to-death between Karna and Arjuna becomes certain, Kunti – the mother of both, faints and later weeps in sorrow that her boys are bent on killing each other. In parallel, Arjuna's brothers and Indra – the father of Arjuna and a major Vedic deity – plan ways to make Karna mortal. Surya meets Karna and warns him of Indra's plan to appear disguised as

5810-526: The other". Under these circumstances, there is an inherent subjective weighing of one moral duty against another. Spondee A spondee ( Latin : spondeus ) is a metrical foot consisting of two long syllables, as determined by syllable weight in classical meters, or two stressed syllables in modern meters. The word comes from the Greek σπονδή , spondḗ , ' libation '. Sometimes libations were accompanied by hymns in spondaic rhythm, as in

5893-438: The princess of Kalinga . Despite Jarasandha’s strength and reputation, Karna prevailed and, as a mark of respect, was gifted the territory of Malini by the defeated ruler. Additionally, Karna played a critical role during Duryodhana’s military campaigns, successfully defeating various kings like Drupada and Bhaggadatta and expanding the Kaurava domain. Karna also faced significant defeats that revealed his limitations. During

5976-491: The pursuit of excellence in whatever he did. Karna is also known as someone who craves for respect, love and attention, who is overly sensitive to criticism, who habitually brags about his skills and martial capabilities, yet is deeply thoughtful and dharmic in critical moments of the epic. Karna meets Duryodhana for the first time in Hastinapura during archery lessons from Drona, an event described in section 3.293 of

6059-461: The sage Vyasa , was also born from an unwed union of Satyavati and sage Parashara . German Indologist Georg von Simson states that Karna of the Mahabharata resembles Kumbhakarna of the Ramayana , the demon brother of the main antagonist Ravana of the epic Ramayana in their powers to sway the war. Both Karna and Kumbhakarna did not take part in the great wars of their respective epics at

6142-515: The second where his biological mother Kunti comes to meet him for the first time. Krishna approaches Karna as an ambassador seeking to prevent violence and the war. Krishna starts by complimenting Karna for knowing "the Vedas and the subtlety of the dharmasastras ". He then requests his support to end the cascading cycle of violence and war. Krishna tells Karna that Kunti is his biological mother and Pandavas are his half-brothers. In section 5.138 of

6225-548: The second with four: Only two hexameter lines in Latin poetry use spondees throughout the verse. One is by Ennius : The other is in an elegiac couplet in the last poem of Catullus (116), perhaps mocking the poetic style of his addressee: In Latin and Greek meter spondees are easily identified because the distinction between long and short syllables is unambiguous. In English meter indisputable examples are harder to find because metrical feet are identified by stress, and stress

6308-481: The spondee typically does not provide the basis for a metrical line in poetry . Instead, spondees are found as irregular feet in meter based on another type of foot. For example, the epics of Homer and Virgil are written in dactylic hexameter . This term suggests a line of six dactyls , but a spondee can be substituted in most positions. The first line of Virgil's Aeneid has the pattern dactyl-dactyl-spondee-spondee-dactyl-spondee: Most of Virgil's lines, like

6391-454: The start. Scholars internationally have also drawn parallels with various European mythologies. Karna's kavacha (breastplate armour) has been compared with that of Achilles 's Styx -coated body and with Irish warrior Ferdiad 's skin that could not be pierced. He has been compared to the Greek mythological part divine, part human character Achilles on various occasions as they both have divine powers but lack corresponding status. Dharma

6474-407: The time of Draupadi's svayamvara competition comes back to haunt him many times through angry Bhima and others who remind Karna that he is merely a suta-putra (son of a charioteer). Draupadi too never likes Karna thereafter. Karna fights and berates the Pandavas at the legendary gambling match during the royal consecration ritual. There, Karna uses the choicest words to insult Draupadi that takes

6557-636: The twin Ashwini Kumaras . As the adolescent mother abandons her unwanted child on the river, she laments and the epic verses describe her emotions with heartbreaking poetry, according to the Indologist Patricia Greer. The basket floats, reaches the river Charmanwati , which carries it to the Yamuna River . The basket floats on and reaches the Ganges River and on it into the kingdom of Anga (ancient Bengal). There, it

6640-464: The wheel of Karna's chariot gets stuck in the ground. Karna steps out of his chariot and is distracted while trying to unstick it. Arjuna – whose own son was killed by the Kauravas a day ago while he was trying to unstick his chariot's wheel – takes this moment to launch the fatal attack. Karna dies. The Mahabharata provides scarce information on Karna's marital life. In the Udyoga Parva , it

6723-526: The words should imitate their meaning: When Ajax strives, some Rock's vast Weight to throw, The Line too labours, and the Words move slow; In the first line above, most of the syllables, even those in weak positions, are long and heavy: "A-jax strives some Rock's vast weight"; only the last foot, "to throw", is a true iamb. The final foot of the second line "move slow" is another spondee replacing an iamb. John Masefield also uses spondees effectively in

6806-409: The wrong place' – this is what Karna symbolizes to many minds today. Life may have been unfair to Karna but he rises above pity. Despite his flaws we admire him. As the Karna story unfolds, similar to other stories in epic, it raises moral dilemmas. With each dilemma, the Mahabharata presents various sides and shades of answers through the characters. According to Bimal Matilal , the characters face

6889-532: Was also called with many names. Some of them are: The story of Karna is told in the Mahābhārata , one of the Sanskrit epics from the Indian subcontinent. The work is written in Classical Sanskrit and is a composite work of revisions, editing and interpolations over many centuries. The oldest parts in the surviving version of the text probably date to about 400 BCE. Within Mahabharata, which follows

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