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Kullervo ( Finnish pronunciation: [ˈkulːerʋo] ) is an ill-fated character in the Kalevala , the Finnish national epic compiled by Elias Lönnrot .

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63-488: Growing up in the aftermath of the massacre of his entire tribe, he comes to realise that the same people who had brought him up, the tribe of Untamo, were also the ones who had slain his family. As a child, he is sold into slavery and mocked and tormented further. When he finally runs away from his masters, he discovers surviving members of his family, only to lose them again. He seduces a girl who turns out to be his own sister, having thought his sister dead. When she finds out it

126-520: A blacksmith and inventor in the Kalevala , is a god and archetypal artificer from Finnish mythology . He is immortal and capable of creating practically anything. In addition, he is described as working the known metals of the time, including brass, copper, iron, gold, and silver. The great works of Ilmarinen include the crafting of the dome of the sky and the forging of the Sampo . His usual epithet in

189-576: A Kullervo-like character in her modern story of Finland's struggle for independence from Tsarist Russia. The mother in the story is called "Suomi", a nickname based on the Finnish word for "Finland". Her two sons are Olof and Kryosti. Olof (a Lemminkäinen-figure) is killed by Russians. Kryosti (as a Kullervo-figure) is exiled to Siberia. When he returns, eighteen years later, during the Russian Revolution, he kills Olof's son, Sigurd, and then, in

252-468: A better son and brother to be born who is cleverer and more handsome. Finally, Kullervo asks his mother if she'll weep for him, and she replies that she will. Kullervo hardens his heart and refuses to reconsider, and goes to war full of haughty pride, singing and playing his horn. He becomes so obsessed with his revenge that even as he learns of the deaths of his family members during his journey, he doesn't even stop to honour their deaths, apart from weeping

315-428: A daughter named Ilmatar . One day, Ilmatar descended to the waters and became pregnant. She gestated for a very long time in the waters not being able to give birth. One day a goldeneye was seeking a resting place and flew to the knee of Ilmatar, where it laid its eggs. As the bird incubated its eggs Ilmatar's knee grew warmer and warmer. Eventually she was burned by the heat and responded by moving her leg, dislodging

378-407: A duck laid eggs on her knee. He possessed the wisdom of the ages from birth, for he was in his mother's womb for seven hundred and thirty years, while she was floating in the sea and while the earth was formed. It is after praying to the sun, the moon, and the great bear (the stars, referring to Ursa Major ) that he is able to leave his mother's womb and dive into the sea. Väinämöinen is presented as

441-414: A fit of remorse, Kryosti commits suicide. Following the incest-motif of the story of Kullervo, Sigurd and Anna are the twin children of Olof. Ignorant of the fact that they are brother and sister, they marry. But Anna dies in childbirth, and Sigurd is murdered by Kryosti, because of his insane jealousy of his own brother, Olof. In August 2024, it was announced that Antti Jokinen has been attached to direct

504-421: A kantele from a pike's jaw, like the great One once did?". The band's mascot, who appears on all their albums, also bears a similarity to traditional depictions of Väinämöinen. Another Finnish metal band named Amorphis released their tenth album The Beginning of Times in 2011. It is a concept album based on the myths and stories of Väinämöinen. Yet another well-known Finnish metal band, Korpiklaani has released

567-422: A little for his mother—yet he does not pause in his quest for revenge. He prays to the high god Ukko to get from him a magical broadsword, which he then uses to slay Untamo and his tribe, sparing no one, burning down his entire village. When he returns home, he finds the dead bodies of his own family littered about the estate. His mother's ghost speaks to him from her grave and advises him to take his dog and go to

630-403: A loaf of bread with stones baked into it. This chapter includes a lengthy magical poem invoking various deities to grant their protection over the herd and to keep the owners prosperous. Kullervo sits down to eat, but his beloved heirloom knife breaks on one of the stones in the bread. Kullervo is overwhelmed with rage. He drives the cows away to the fields, then summons up bears and wolves from

693-533: A song about the death of Väinämöinen, Tuonelan Tuvilla, as well as an English version named "At The Huts of the Underworld". A song on the album Archipelago by Scottish electronic jazz collective Hidden Orchestra is also named "Vainamoinen". Philadelphia based Black metal band Nihilistinen Barbaarisuus released a song about Väinämöinen simply called "Väinämöinen" on their second studio album The Child Must Die in 2015. In classical music, Väinämöinen appears as

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756-510: Is a demigod , hero and the central character in Finnish folklore and the main character in the national epic Kalevala by Elias Lönnrot . Väinämöinen was described as an old and wise man, and he possessed a potent, magical singing voice. The first extant mention of Väinämöinen in literature is in a list of Tavastian gods by Mikael Agricola in 1551, where it says: "Aeinemöinen wirdhet tacoi." ( lit.   ' "Väinämöinen forged

819-532: Is actually still alive except for his sister, who has disappeared and is feared dead. Kullervo's father has no more success than Untamo in finding work suited for his son, and thus sends the young man to collect taxes due to his tribe. On his way back home in his sleigh, Kullervo propositions several girls he sees on the way: all of them reject him. Finally, he meets a beggar-girl who also rejects him at first, struggling and screaming when he pulls her into his sleigh. But he starts talking to her sweetly and shows her all

882-484: Is an eponymous 1860 play by Aleksis Kivi . An English translation, by Douglas Robinson, was published in 1993: Aleksis Kivi's Heath Cobblers and Kullervo . Kullervo is an eponymous 1892 choral symphony in five movements for full orchestra , two vocal soloists , and male choir by Jean Sibelius . It was opus 7 for Sibelius and his first successful work. Kullervo's Curse (1899) and Kullervo Rides to War (1901) are two paintings by Akseli Gallen-Kallela on

945-441: Is called Vanemuine . In neighbouring Scandinavia, Odin shares many attributes with Väinämöinen, such as connections to magic and poetry. The Kalevala has been translated into English and many other languages, in both verse and prose, in complete and abridged forms. For more details see list of Kalevala translations . Väinämöinen has been identified as a source for Gandalf , the wizard in J. R. R. Tolkien 's novel The Lord of

1008-562: Is famous. Unlike the dagger in Macbeth, Kullervo's sword replies, bursting into song: it affirms that if it gladly participated in his other foul deeds, it would gladly drink of his blood also. This interrogation has been duplicated in J.R.R. Tolkien's The Children of Húrin with Túrin Turambar talking to his black sword, Gurthang , before committing suicide . (Túrin also, like Kullervo, unwittingly fell in love with his own sister and

1071-488: Is raised in isolation because of his status as a slave, his fierce temper, and because people fear his growing magical skills. The only memento that the boy retains from his previous life in a loving family is an old knife that had been passed along to him as an infant. Pohjan Neito/Tytär (Maiden/Daughter of the North), wife of Ilmarinen , enjoys tormenting the slave boy, now a youth, and sends Kullervo out to herd her cows with

1134-499: The Finnic languages , suggesting that proto-Finno-Ugric likewise had a sky god credited with creating the sky called * Ilma . In Proto-Finnic, the suffix - r(i) , which is used to form words for people associated with the root word, was added to * ilma to give the god-name * Ilmar(i) ('Sky-being'); rare attestations of similar forms such as Udmurt Ilmar and Sámi Ilmaris seem to be loans from Finnic. In Kalevala metre poetry,

1197-511: The Kalevala tells the story of the maiden Marjatta, who becomes pregnant after eating a berry, giving birth to a baby boy. This child is brought to Väinämöinen to examine and judge. His verdict is that such a strangely born infant needs to be put to death. In reply, the newborn child, mere two weeks old, chides the old sage for his sins and transgressions, such as allowing the maiden Aino , sister of Joukahainen , to drown herself. Following this,

1260-564: The Kultamorsian (Golden Bride) rune have been collected. In Matti Kuusi 's opinion, the warning reproduced above is a secondary element that was probably added during the Christian period. Rather than serving as a cautionary tale, the original runes probably expressed the widespread myth of a Golden Woman found throughout Arctic Eurasia . Wainamoinen Väinämöinen ( Finnish pronunciation: [ˈʋæi̯næˌmøi̯nen] )

1323-497: The chants ." ' ) He and other writers described Väinämöinen as the god of chants, songs and poetry; in many stories Väinämöinen was the central figure at the birth of the world. The Karelian and Finnish national epic, the Kalevala , tells of his birth in the course of a creation story in its opening sections. This myth has elements of creation from chaos and from a cosmic egg , as well as of earth diver creation. At first there were only primal waters and Sky. But Sky also had

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1386-419: The 'eternal bard ', who exerts order over chaos and established the land of Kaleva , and around whom revolve so many of the events in Kalevala . His search for a wife brings the land of Kaleva into, at first friendly, but later hostile contact with its dark and threatening neighbour in the north, Pohjola . This conflict culminates in the creation and theft of the Sampo , a magical artifact made by Ilmarinen ,

1449-666: The Kalevala is seppä or seppo ("smith"), which is the source of the given name Seppo . Cognates of the Finnish word ilma ('air') are attested in almost all the main Finno-Ugric languages apart from the Mari and Mordvinic languages , allowing the reconstruction of proto-Finno-Ugric * ilma meaning something like 'sky'. This noun is also attested as the name of a god in Khanty ( Num-Iləm ), Komi ( Jen ), Udmurt ( Inmar ) and

1512-576: The Kullervo cycle originally existed as an independent series of runes. In his effort to create a homogeneous narrative, Lönnrot presented Kullervo as Ilmarinen's slave in order to insert Kullervo into the Sampo cycle of runes. However, some scholars are convinced that the Golden Bride was originally an independent rune that was eventually added to the Sampo cycle. Furthermore, independent variants of

1575-489: The Maiden of Pohjola, and having seen the maiden's beauty, consents to build a Sampo. For three days, he sought a place to build a great forge. In that forge he placed metals and started working, tending the magic fire with help of the slaves of Pohjola. On the first day, Ilmarinen looked down into the flames and saw that the metal had taken the form of a crossbow with a golden arch, a copper shaft and quarrel-tips of silver. But

1638-496: The Maiden of the North. Ilmarinen's portrayal as "unlucky in love" in the Kalevala is primarily due to Lönnrot's own choices while revising and compiling the original runes to form a cohesive narrative. In another example from an original rune entitled Kosinta (The Courtship), ( Kuusi, Bosley & Branch 1977 , rune 17) Ilmarinen takes a journey to compete for Hiisi's daughter. He again succeeds in obtaining his wife after completing

1701-507: The North. In return for giving him safe passage from the land of Pohjola back to his native country, the enchantress Louhi of Pohjola wanted to have made the Sampo , a magic artifact. Väinämöinen replied that he could not make her one, but that Ilmarinen could, and promised to send the great smith to Pohjola to do just that. In return for this wondrous device, Louhi would also give Ilmarinen her daughter's hand in marriage. On having returned home, Väinämöinen tries to awe Ilmarinen with tales of

1764-502: The Rings . Another Tolkienian character with great similarities to Väinämöinen is Tom Bombadil . Like Väinämöinen, he is one of the most powerful beings in his world, and both are ancient and natural beings in their setting. Both Tom Bombadil and Väinämöinen rely on the power of song and lore. Likewise, Treebeard and the Ents in general have been compared to Väinämöinen. In art (such as

1827-470: The Slavic thunder god Perun , O'Sullivan, a werewolf , a vampire , Finnish folk legend Väinämöinen, and Taoist fangshi Zhang Guolao - into Asgard to kill Norse thunder god Thor , all for their own varied reasons. There is a Finnish comic strip called "Väinämöisen paluu" (The Return of Väinämöinen) by Petri Hiltunen , where Väinämöinen returns from thousand-year exile to modern Finland to comment on

1890-460: The accompanying picture by Akseli Gallen-Kallela ), Väinämöinen is described as an old man with a long white beard, which is also a popular appearance for wizards in fantasy literature . In music, Finnish folk metal band Ensiferum wrote three songs based on/about Väinämöinen, called "Old Man", "Little Dreamer" and "Cold Northland". There is also a direct reference to him in their song "One More Magic Potion", where they have written "Who can shape

1953-419: The baby is baptized and named king of Kalevala . Defeated, Väinämöinen goes to the shores of the sea, where he sings for himself a boat of copper, with which he sails away from the mortal realms. In his final words, he promises that there shall be a time when he shall return, when his crafts and might shall once again be needed. Thematically, the 50th poem thus echoes the arrival of Christianity to Finland and

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2016-402: The bow had an evil spirit, asking for a new victim each day, and so Ilmarinen broke it and cast the pieces back into the fire. On the second day, there came a metal ship from the fire, with ribs of gold and copper oars. Though beautiful to behold, it too was evil at heart, being too eager to rush towards battle, and so, Ilmarinen broke the magic boat apart and cast back the pieces once more. On

2079-603: The characters from the legend though but may have been inspired by them. That book is the sequel to her Hugo Award -winning novel The Snow Queen . Väinämöinen is also a major character in The Iron Druid Chronicles novel, Hammered by Kevin Hearne . The series follows the Tempe, Arizona-based 2,100 year-old Irish Druid, Atticus O'Sullivan . This book's main plot is the ingress of several characters -

2142-634: The diminutive suffix - nen enabled the formation of the name Ilmarinen , which neatly fills two trochaic feet and so became the dominant form of the name in that tradition. Ilmari(nen) is believed to have taken on the qualities of a smith through the Proto-Finnic contact with iron-working cultures, such as the Indo-European Balts or speakers of Common Germanic . Ilmarinen is also directly appealed to for aid in several incantation runes. Insofar as Elias Lönnrot heavily redacted

2205-759: The effects of child abuse. Canto 36 ends with Väinämöinen stating that an abused child will never attain a healthy state of mind even as an adult, but will instead grow up to be a very disturbed person. Then the aged Väinämöinen, When he heard that he had perished, And that Kullervo had fallen, Spoke his mind in words that follow: "Never, people, in the future, Rear a child in crooked fashion, Rocking them in stupid fashion, Soothing them to sleep like strangers. Children reared in crooked fashion, Boys thus rocked in stupid fashion, Grow not up with understanding, Nor attain to man's discretion, Though they live till they are aged, And in body well-developed." "Kullervo" from Kalevala , [1] Kullervo

2268-430: The eggs that then fell and shattered in the waters. Land was formed from the lower part of one of the eggshells, while sky formed from the top. The egg whites turned into the moon and stars, and the yolk became the sun. Ilmatar continued to float in the waters. Her footprints became pools for fish, and by pointing she created contours in the land. In this way she made all that is. Then one day she gave birth to Väinämöinen,

2331-448: The first man. Väinämöinen swam until he found land, but the land was barren. With Sampsa Pellervoinen he spread life over the land. In the eighteenth century folk tale collected by Cristfried Ganander , Väinämöinen is said to be son of Kaleva and thus brother of Ilmarinen . His name is believed to come from the Finnish word väinä , meaning stream pool . In the nineteenth century, some folklorists, most notably Elias Lönnrot ,

2394-487: The four winds to fan the flames. The winds blow for three days, until finally, the Sampo is born, taking the shape of a magic mill that produces grain, salt and gold. Pleased with his creation at last, Ilmarinen presents it to Louhi, who promptly locks it in a vault deep underground. Returning triumphant to the Maiden of Pohjola, Ilmarinen bids her to become his wife. To his dismay, she refuses to leave her native land, forcing him to return home alone and dejected. Variants of

2457-421: The fruitless path of evil and revenge. His mother asks what will become of her and Kullervo's father in their old age, and what will become of Kullervo's siblings if he's not there to take care of them, but Kullervo only replies that they can all die for all he cares about is revenge. As he leaves, he asks if his father, brother and sister will mourn him if he dies, but they say they won't—that they'd rather wait for

2520-409: The furnace and tells Ilmarinen to "forge from her a thousand trinkets". Speaking to all of his people, he further adds: "Never, youths, however wretched, Nor in future, upgrown heroes, Whether you have large possessions, Or are poor in your possessions, In the course of all your lifetime, While the golden moon is shining, May you woo a golden woman, Or distress yourselves for silver, For

2583-565: The gleam of gold is freezing, Only frost is breathed by silver." The tale of the Golden Wife can be seen as a cautionary tale based on the theme of "money cannot buy happiness". To a contemporary reader, there is also a similarity to the hubristic nature of the Golem legend, or to Frankenstein , in that even the most skilled of mortals cannot rival divine perfection when creating life. In another example of Lönnrot's editorial license,

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2646-402: The gold he's collected during his trip, bribing her into sleeping with him. Afterwards, she asks who he is, and as she realises he's her own brother, she commits suicide by throwing herself into the rapidly rushing river nearby. The distraught Kullervo returns to his family and tells his mother what happened. Kullervo vows revenge on Untamo. One by one, his family members try to dissuade him from

2709-399: The infant Kullervo is saved by his latent magical powers. Untamo allows the child to grow up, then tries three times to find employment for him as a servant in his household, but all three attempts fail as Kullervo's wanton and wild nature makes him unfit for any domestic task. In the end, Untamo decides to rid himself of the problem by selling Kullervo to Ilmarinen as a slave . The boy

2772-425: The maiden's beauty and so lure him to Pohjola. Ilmarinen sees through the ruse, however, and refuses. Not to be outdone, Väinämöinen tricks the smith into climbing a fir tree trying to bring down moonlight that is glimmering on the branches. Conjuring a storm-wind with his magical song, Väinämöinen then blows Ilmarinen away to Pohjola. Once there, Ilmarinen is approached by the toothless hag, Louhi , and her daughter,

2835-586: The main character in the first movement of Jean Sibelius' original music for the "Days of the Press" celebrations of 1899. The first tableaux in this music known as Väinämöinen's Song later became the first movement of Sibelius' 1911 orchestral suite Scènes Historiques . Väinämöinen is also the theme of a composition for choir and harp by Zoltán Kodály , "Wainamoinen makes music", premiered by David Watkins. Joan D. Vinge 's The Summer Queen contains characters named Vanamoinen, Ilmarinen, and Kullervo. They are not

2898-476: The modern lifestyle with humor. In the storyline "Love her to Death" of the web-comic Nukees , Gav, having died, arrives to an afterlife populated by gods. Among them is Väinämöinen, who, among other things, complains that one only gets women by playing the electric kantele . In the Uncle Scrooge comic " The Quest for Kalevala ", drawn by Don Rosa , Väinämöinen helps Scrooge and company to reassemble

2961-542: The myth. In the Jäger March (Jääkärin marssi) by Jean Sibelius one of the lines reads: Me nousemme kostona Kullervon , in English: We shall rise as Kullervo's revenge . Kullervo is the subject of a 1988 opera by Aulis Sallinen . Kullervo is also the subject of a symphonic poem composed in 1913 by Leevi Madetoja . In 2006, the Finnish metal band Amorphis released the album Eclipse , which tells

3024-531: The news, Väinämöinen comments that children should never be given away or ill-treated in their upbringing, lest like Kullervo they fail to attain understanding and a man's discretion. Kullervo is fairly ordinary in Finnish mythology , in being a naturally talented magician; however, he is the only irredeemably tragic example. He showed great potential, but being raised badly, he became an ignorant, implacable, immoral and vengeful man. The death poem of Kullervo in which he, like Macbeth , interrogates his blade,

3087-410: The original runes collected by him and others, it's valuable to differentiate between the Kalevala and the original poems sung by rune singers  [ fi ] . Other names for Ilmarinen that are found in rune variants include Ilmorinen and Ilmollini . When the old sage, Väinämöinen , was traveling wide in the search of a wife, he was captured by the old mistress of Pohjola , the land of

3150-416: The original runes used by Lönnrot in compiling the Kalevala present a different picture of Ilmarinen. In one variant of The Sampo ( Kuusi, Bosley & Branch 1977 , rune 12) for example, Ilmarinen goes willingly to Pohjola to forge the Sampo, not because he was tricked by Väinämöinen, but in order to redeem Väinämöinen from death. In addition, the same rune portrays Ilmarinen as returning home successfully with

3213-527: The story of Kullervo according to a play by Paavo Haavikko . The play has been translated into English by Anselm Hollo . The Hilliard Ensemble commissioned an English language setting of Kullervo's story, Kullervo's Message , from Veljo Tormis . In June 2023, the video game Warframe released a new playable character named for and inspired by Kullervo. The 1938 play Suomi by Elizabeth Goudge (1900-1984), in her Three Plays: Suomi; The Brontës of Haworth; Fanny Burney (Gerald Duckworth, 1939), includes

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3276-508: The strife between the brothers is fed by numerous petty disputes. Eventually Untamo's resentment turns into open warfare, and he kills all of Kalervo's tribe save for one pregnant girl called Untamala, whom Untamo enslaves as his maid. Shortly afterwards, Untamala gives birth to a baby boy she names Kullervo . When Kullervo is three months old, he can be heard vowing revenge and destruction upon Untamo's tribe. Untamo attempts to kill Kullervo three times (by drowning, fire, and hanging). Each time,

3339-510: The subsequent fading into history of the old pagan beliefs. This is a common theme among epics, for in the tale of King Arthur , Arthur declares a similar promise before departing for Avalon . In the original 1888 translation of Kalevala into English by John Martin Crawford, Väinämöinen's name was anglicised as Wainamoinen . In the Estonian national epic Kalevipoeg , a similar hero

3402-416: The subsequent mission to recapture it, and a battle which ends up splintering the Sampo and dispersing its parts around the world to parts unknown. Väinämöinen also demonstrated his magical voice by sinking the impetuous Joukahainen into a bog by singing. Väinämöinen also slays a great pike and makes a magical kantele from its jawbones. Väinämöinen's end is a hubristic one. The 50th and final poem of

3465-426: The tasks of ploughing a field of vipers, bringing Tuoni's bear, and bringing the pike of Tuoni. After the loss of his first wife to Kullervo 's curse, the disheartened Ilmarinen attempts to craft a new one from gold and silver, but finds the golden wife hard and cold. Dismayed, he attempts to wed her to his brother Väinämöinen instead, but the old sage rejects her, saying that the golden wife ought to be cast back into

3528-490: The third day, a metal cow emerged, with golden horns and the sun and the stars on its brow. But alas, it was ill-tempered, and so the magical heifer was broken into pieces and melted down. On the fourth day, a golden plow is pulled from the forge, with a golden plowshare, a copper beam and silver handles. But it too is flawed, plowing up planted fields and furrowing meadows. In despair, Ilmarinen destroys his creation once more. Angered at his lack of success, Ilmarinen conjures

3591-494: The upcoming film Kalevala: The Story of Kullervo , and Elias Salonen  [ fi ] has been cast as the title character in the film. J. R. R. Tolkien wrote an interpretation of the Kullervo cycle in 1914; the piece was finally published in its unfinished form as The Story of Kullervo in Tolkien Studies in 2010, as edited by Verlyn Flieger . It was re-published in book form in 2015 by HarperCollins . It

3654-534: The wild woods for shelter. He does so, but instead of finding shelter, he only discovers the place by the river where he'd seduced his sister, the earth still mourning out loud of his ruining of her: no plants grow in the spot where he'd slept with her, either. Kullervo then asks of Ukko's sword if it will have his life. The sword eagerly accepts, noting that as a weapon it doesn't care whose blood it drinks—it's drunk both innocent and guilty blood before. Kullervo commits suicide by throwing himself on his sword. On hearing

3717-456: The woods, making them appear like cows instead. He herds these to Ilmarinen's house and tells the wicked mistress of the house to milk them, upon which they turn back into wolves and bears and maul her. As she lies there bleeding, she invokes the high god Ukko to kill Kullervo with a magic arrow, but Kullervo prays for the spell to kill her instead for her wickedness, which it indeed does. Kullervo then flees from slavery and finds that his family

3780-409: The writer of Kalevala , disputed Väinämöinen's mythological background, claiming that he was an ancient hero, or an influential shaman who lived perhaps in the ninth century. Stripping Väinämöinen from his direct godlike characteristics, Lönnrot turned Väinämöinen into the son of the primal goddess Ilmatar , whom Lönnrot had invented himself. In this story, it was she who was floating in the sea when

3843-414: Was devastated when he learned the truth, his sister also killing herself). Jääkärimarssi (Jäger March), a well-known Finnish military march, evokes Kullervo's bitterness in the lines me nousemme kostona Kullervon/soma on sodan kohtalot koittaa (We arise like the wrath of Kullervo/so sweet are the fates of war to undergo). The story of Kullervo is unique among ancient myths in its realistic depiction of

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3906-434: Was her own brother who seduced her, she commits suicide. Kullervo becomes mad with rage, returns to Untamo and his tribe, destroys them using his magical powers, and commits suicide. At the end of the poem the old sage Väinämöinen warns all parents against treating their children too harshly. The story of Kullervo is laid out in runes (chapters) 31 through 36 of the Kalevala. Untamo is jealous of his brother Kalervo, and

3969-615: Was his first attempt at writing an epic narrative but was never completed. The story acted as a seed for the epic tale of Túrin Turambar which features in The Silmarillion , the " Narn i Chîn Húrin " section of Unfinished Tales and, in a longer form, The Children of Húrin as well as the poem " The Lay of the Children of Húrin ". Ilmarinen Ilmarinen ( pronounced [ˈilmɑrinen] , also known as Ilmari and takoja iänikuinen or "the eternal hammerer"),

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