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Horace Walpole

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Art history is, briefly, the history of art—or the study of a specific type of objects created in the past.

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153-528: Horatio Walpole, 4th Earl of Orford ( / ˈ w ɔː l p oʊ l / ; 24 September 1717 – 2 March 1797), better known as Horace Walpole , was an English writer, art historian , man of letters , antiquarian , and Whig politician. He had Strawberry Hill House built in Twickenham , southwest London, reviving the Gothic style some decades before his Victorian successors. His literary reputation rests on

306-414: A collective consciousness . Art historians do not commonly commit to any one particular brand of semiotics but rather construct an amalgamated version which they incorporate into their collection of analytical tools. For example, Meyer Schapiro borrowed Saussure 's differential meaning in effort to read signs as they exist within a system. According to Schapiro, to understand the meaning of frontality in

459-432: A "picturesque place", the travellers also unconsciously degraded Italy as a place of backwardness. This unconscious degradation is best reflected in the famous verses of Lamartine in which Italy is depicted as a "land of the past... where everything sleeps." In Rome, antiquaries like Thomas Jenkins were also dealers and were able to sell and advise on the purchase of marbles ; their price would rise if it were known that

612-489: A Constitution—it may be a brief one, and couched in one Law, "Thou shalt reverse every Precept of Morality and Justice, and do all the Wrong thou canst to all Mankind". He was not impressed with Thomas Paine 's reply to Burke, Rights of Man , writing that it was "so coarse, that you would think he means to degrade the language as much as the government". His father was created Earl of Orford in 1742. Horace's elder brother,

765-817: A Venetian masked ball. Material relating to this can be found in the Brian Sewell Archive held by the Paul Mellon Centre for Studies in British Art . In 2009, the Grand Tour featured prominently in a BBC/PBS miniseries based on Little Dorrit by Charles Dickens . Set mainly in Venice, it portrayed the Grand Tour as a rite of passage. Kevin McCloud presented Kevin McCloud's Grand Tour on Channel 4 in 2009 with McCloud retracing

918-516: A connection to the Walpole family. The new Lord Walpole, therefore, wrote to his cousin requesting that he stand for the seat, saying his friends "were all unanimously of opinion that you were the only person who from your near affinity to my grandfather, whose name is still in the greatest veneration, and your own known personal abilities and qualifications, could stand in the gap on this occasion and prevent opposition and expense and perhaps disgrace to

1071-465: A decade, scores of papers, articles, and essays sustained a growing momentum, fueled by the Second-wave feminist movement , of critical discourse surrounding women's interactions with the arts as both artists and subjects. In her pioneering essay, Nochlin applies a feminist critical framework to show systematic exclusion of women from art training, arguing that exclusion from practicing art as well as

1224-749: A friendship with Horace Mann , an assistant to the British Minister at the Court of Tuscany. In Florence he also wrote Epistle from Florence to Thomas Ashton, Esq., Tutor to the Earl of Plymouth , a mixture of Whig history and Middleton's teachings. In February 1740, Walpole and Gray left for Rome with the intention of witnessing the papal conclave upon the death of Pope Clement XII but never saw it. Walpole wanted to attend fashionable parties and Gray wanted to visit antiquities. At social occasions in Rome, he saw

1377-501: A full-blown art-historical methodology. Sedlmayr, in particular, rejected the minute study of iconography, patronage, and other approaches grounded in historical context, preferring instead to concentrate on the aesthetic qualities of a work of art. As a result, the Second Vienna School gained a reputation for unrestrained and irresponsible formalism , and was furthermore colored by Sedlmayr's overt racism and membership in

1530-407: A furious argument, although it is unknown what it was about. Gray went to Venice, leaving Walpole at Reggio. In later life Walpole admitted that the fault lay primarily with himself: I was too young, too fond of my own diversions, nay, I do not doubt, too much intoxicated by indulgence, vanity, and the insolence of my situation, as a Prime Minister's son, not to have been inattentive and insensible to

1683-1274: A letter to Conway that these offices gave him nearly £2,000 per annum; after 1745 when he was appointed Collectorship of Customs, his total income from these offices was around £3,400 per annum. Walpole went on the Grand Tour with Gray, but as Walpole recalled in later life: "We had not got to Calais before Gray was dissatisfied, for I was a boy, and he, though infinitely more a man, was not enough to make allowances". They left Dover on 29 March and arrived at Calais later that day. They then travelled through Boulogne , Amiens and Saint-Denis , arriving at Paris on 4 April. Here they met many aristocratic Englishmen. In early June they left Paris for Reims , then in September going to Dijon , Lyon , Dauphiné , Savoy, Aix-les-Bains , Geneva, and then back to Lyons. In October they left for Italy, arriving in Turin in November, then going to Genoa , Piacenza , Parma , Reggio , Modena , Bologna , and in December arriving at Florence . Here he struck up

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1836-464: A manifesto for the modern Gothic romance, stating that his work, now subtitled 'A Gothic Story', sought to restore the qualities of imagination and invention to contemporary fiction". However, there is a playfulness in the prefaces to both editions and in the narration within the text itself. The novel opens with the son of Manfred (the Prince of Otranto) being crushed under a massive helmet that appears as

1989-514: A more affirmative notion of leftover materials of capitalist culture. Greenberg now is well known for examining and criticizing the formal properties of modern art. [3] Meyer Schapiro is one of the best-remembered Marxist art historians of the mid-20th century. After his graduation from Columbia University in 1924, he returned to his alma mater to teach Byzantine, Early Christian, and medieval art along with art-historical theory. [4] Although he wrote about numerous time periods and themes in art, he

2142-471: A number of sources as lesbian. Many contemporaries described him as effeminate (one political opponent called him "a hermaphrodite horse"). Biographers, such as W. S. Lewis , Brian Fothergill, and Robert Wyndham Ketton-Cremer , interpreted Walpole as asexual . Walpole's father secured for him three sinecures which afforded him an income: in 1737 he was appointed Inspector of the Imports and Exports in

2295-561: A period of study at the universities in Ingolstadt or Heidelberg . From there, travellers could visit Holland and Flanders (with more gallery-going and art appreciation) before returning across the Channel to England. Published accounts of the Grand Tour provided illuminating detail and an often polished first-hand perspective of the experience. Examining some accounts offered by authors in their own lifetimes, Jeremy Black detects

2448-544: A political pamphlet—All other party writers act zeal for the public, but it never seems to flow from the heart". He admired the purple passage in the book on Marie Antoinette : "I know the tirade on the Queen of France is condemned and yet I must avow I admire it much. It paints her exactly as she appeared to me the first time I saw her when Dauphiness. She...shot through the room like an aerial being, all brightness and grace and without seeming to touch earth". After he heard of

2601-533: A regular feature of aristocratic education in Central Europe as well, although it was restricted to the higher nobility. The tradition declined in Europe as enthusiasm for classical culture waned, and with the advent of accessible rail and steamship travel—an era in which Thomas Cook made the "Cook's Tour" of early mass tourism a byword starting in the 1870s. However, with the rise of industrialization in

2754-477: A result of supernatural causes. However, that moment, along with the rest of the unfolding plot, includes a mixture of both ridiculous and sublime supernatural elements. The plot finally reveals how Manfred's family is tainted in a way that served as a model for successive Gothic plots. From 1762 on, Walpole published his Anecdotes of Painting in England , based on George Vertue 's manuscript notes. His memoirs of

2907-608: A rigid temperance failed to remove". Strawberry Hill had its own printing press , the Strawberry Hill Press , which supported Horace Walpole's intensive literary activity. In 1764, not using his own press, he anonymously published his Gothic novel , The Castle of Otranto , claiming on its title page that it was a translation "from the Original Italian of Onuphrio Muralto". The second edition's preface, according to James Watt, "has often been regarded as

3060-450: A schoolboy confederacy, the "Triumvirate", with Charles Lyttelton (later an antiquary and bishop) and George Montagu (later a member of parliament and Private Secretary to Lord North). More important were another group of friends dubbed the "Quadruple Alliance": Walpole, Thomas Gray , Richard West , and Thomas Ashton . At Cambridge, Walpole came under the influence of Conyers Middleton , an unorthodox theologian. Walpole came to accept

3213-465: A similar work by Franz Theodor Kugler . Heinrich Wölfflin (1864–1945), who studied under Burckhardt in Basel, is the "father" of modern art history. Wölfflin taught at the universities of Berlin, Basel, Munich, and Zurich. A number of students went on to distinguished careers in art history, including Jakob Rosenberg and Frida Schottmüller  [ de ] . He introduced a scientific approach to

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3366-426: A specific pictorial context, it must be differentiated from, or viewed in relation to, alternate possibilities such as a profile , or a three-quarter view . Schapiro combined this method with the work of Charles Sanders Peirce whose object, sign, and interpretant provided a structure for his approach. Alex Potts demonstrates the application of Peirce's concepts to visual representation by examining them in relation to

3519-400: A trip to Italy, with a spinster aunt as chaperone , was part of the upper-class women's education, as in E. M. Forster 's novel A Room with a View . British travellers were far from alone on the roads of Europe. On the contrary, from the mid-16th century, the grand tour was established as an ideal way to finish off the education of young men in countries such as Denmark, France, Germany,

3672-637: A very pretty Venetian of two and twenty — with great black eyes — she is married — and so am I — we have found & sworn an eternal attachment ... & I am more in love than ever... and I verily believe we are one of the happiest unlawful couples on this side of the Alps." Many tourists enjoyed sexual relations while abroad but to a great extent were well behaved, such as Thomas Pelham, and scholars, such as Richard Pococke , who wrote lengthy letters of their Grand Tour experiences. Inventor Sir Francis Ronalds ' journals and sketches of his 1818–20 tour to Europe and

3825-509: A wet floor. His summer dress of ceremony was usually a lavender suit, the waistcoat embroidered with a little silver, or of white silk worked in the tambour , partridge silk stockings, gold buckles, ruffles and lace frill. In the winter he wore powder ... His appearance at the breakfast table was proclaimed, and attended, by a fat and favourite little dog, the legacy of Madame du Deffand ; the dog and favourite squirrel partook of his breakfast. He generally dined at four ... His dinner when at home

3978-412: A work of art. Art historians employ a number of methods in their research into the ontology and history of objects. Art historians often examine work in the context of its time. At best, this is done in a manner which respects its creator's motivations and imperatives; with consideration of the desires and prejudices of its patrons and sponsors; with a comparative analysis of themes and approaches of

4131-454: Is an especially good example of this, as the Russian avant-garde and later Soviet art were attempts to define that country's identity. Napoleon Bonaparte was also well known for commissioning works that emphasized the strength of France with him as ruler. Western Romanticism provided a new appreciation for one's home country, or new home country. Caspar David Friedrich 's, Monk by

4284-401: Is an icon for all of womankind. This chain of interpretation, or "unlimited semiosis" is endless; the art historian's job is to place boundaries on possible interpretations as much as it is to reveal new possibilities. Semiotics operates under the theory that an image can only be understood from the viewer's perspective. The artist is supplanted by the viewer as the purveyor of meaning, even to

4437-455: Is best remembered for his commentary on sculpture from the late Middle Ages and early Renaissance. Arnold Hauser wrote the first Marxist survey of Western Art, entitled The Social History of Art . He attempted to show how class consciousness was reflected in major art periods. The book was controversial when published in 1951 because of its generalizations about entire eras, a strategy now called " vulgar Marxism ". [5] Marxist art history

4590-414: Is concerned with the fundamental nature of art. One branch of this area of study is aesthetics , which includes investigating the enigma of the sublime and determining the essence of beauty. Technically, art history is not these things, because the art historian uses historical method to answer the questions: How did the artist come to create the work?, Who were the patrons?, Who were their teachers?, Who

4743-471: Is non-representational or a work of expressionism . An iconographical analysis is one which focuses on particular design elements of an object. Through a close reading of such elements, it is possible to trace their lineage, and with it draw conclusions regarding the origins and trajectory of these motifs . In turn, it is possible to make any number of observations regarding the social, cultural, economic and aesthetic values of those responsible for producing

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4896-655: Is not likely to provide them with a Grand Tour, since they have been expelled from college again. Brent is not concerned, remarking, "What is there to see in Europe? I'll bet those foreigners can't show us a thing we haven't got right here in Georgia". Ashley Wilkes , on the other hand, enjoyed the scenery and music he encountered on his Grand Tour and was always talking about it. In 1998, the BBC produced an art history series Sister Wendy's Grand Tour presented by British Carmelite nun Sister Wendy . Ostensibly an art history series,

5049-482: Is possible to trace the ideas of Xenokrates of Sicyon ( c.  280 BC ), a Greek sculptor who was perhaps the first art historian. Pliny's work, while mainly an encyclopaedia of the sciences, has thus been influential from the Renaissance onwards. (Passages about techniques used by the painter Apelles c. (332–329 BC), have been especially well-known.) Similar, though independent, developments occurred in

5202-599: The MP for Norwich in 1735. At the 1741 general election Walpole was elected Whig Member of Parliament for the rotten borough of Callington, Cornwall . He held this seat for thirteen years although he never visited Callington. Walpole entered Parliament shortly before his father's fall from power. In December 1741 the Opposition won its first majority vote in the Commons for twenty years. In January 1742 Walpole's government

5355-599: The Mona Lisa . By seeing the Mona Lisa , for example, as something beyond its materiality is to identify it as a sign. It is then recognized as referring to an object outside of itself, a woman, or Mona Lisa . The image does not seem to denote religious meaning and can therefore be assumed to be a portrait. This interpretation leads to a chain of possible interpretations: who was the sitter in relation to Leonardo da Vinci ? What significance did she have to him? Or, maybe she

5508-438: The 2nd Earl of Orford ( c.  1701–1751 ), passed the title on to his son, the 3rd Earl of Orford (1730–1791). When the 3rd Earl died unmarried, Horace Walpole became, at the age of 74, the 4th Earl of Orford, and the title died with him in 1797. The massive amount of correspondence he left behind has been published in many volumes, starting in 1798. Likewise, a large collection of his works, including historical writings,

5661-662: The Alps ), or he could opt to make the trip by riverboat as far as the Alps, either travelling up the Seine to Paris, or up the Rhine to Basel . Upon hiring a French-speaking guide, as French was the dominant language of the elite in Europe during the 17th and 18th centuries, the tourist and his entourage would travel to Paris . There the traveller might undertake lessons in French, dancing , fencing , and riding . The appeal of Paris lay in

5814-495: The Holy Land , which he chronicled in his highly popular satire Innocents Abroad in 1867. Not only was it the best-selling of Twain's works during his lifetime, it became one of the best-selling travel books of all time. Margaret Mitchell 's American Civil War -based novel, Gone With The Wind , makes reference to the Grand Tour. Stuart Tartleton, in a conversation with his twin brother, Brent, suspects that their mother

5967-409: The ethical (by the opportunity of drawing moral instruction from all the traveller saw), and the political . As a young man at the outset of his account of a repeat Grand Tour, the historian Edward Gibbon remarked that "According to the law of custom, and perhaps of reason, foreign travel completes the education of an English gentleman." Consciously adapted for intellectual self-improvement, Gibbon

6120-525: The psyche through exploring the worlds of dreams , art, mythology , world religion and philosophy . Much of his life's work was spent exploring Eastern and Western philosophy, alchemy , astrology , sociology , as well as literature and the arts. His most notable contributions include his concept of the psychological archetype , the collective unconscious , and his theory of synchronicity . Jung believed that many experiences perceived as coincidence were not merely due to chance but, instead, suggested

6273-532: The three dimensions of sculptural or architectural space to create their art. The way these individual elements are employed results in representational or non-representational art. Is the artist imitating an object or can the image be found in nature? If so, it is representational. The closer the art hews to perfect imitation, the more the art is realistic . Is the artist not imitating, but instead relying on symbolism or in an important way striving to capture nature's essence, rather than copy it directly? If so

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6426-561: The 'Collector' Earl of Arundel , with his wife and children in 1613–14 that established the most significant precedent. This is partly because he asked Inigo Jones , not yet established as an architect but already known as a 'great traveller' and masque designer, to act as his cicerone (guide). Larger numbers of tourists began their tours after the Peace of Münster in 1648. According to the Oxford English Dictionary ,

6579-563: The 14th. By 1735, Walpole was a student at King's College, Cambridge . He had long periods of absence from the college, often returning to Norwich to live at Houghton Hall , in Norfolk . Interested in local politics, he and the "wealthy" Mayor of Norwich , Philip Meadows, encouraged local merchant Thomas Vere to run for a seat in Parliament "in the Whig interest" with Vere becoming

6732-473: The 1840s and was associated with a standard itinerary—served as an educational rite of passage . Though it was primarily associated with the British nobility and wealthy landed gentry , similar trips were made by wealthy young men of other Protestant Northern European nations, and, from the second half of the 18th century, by some South and North Americans. By the mid-18th century, the Grand Tour had become

6885-579: The 19th century.) From there the traveller would endure a difficult crossing over the Alps (such as at the Great St Bernard Pass ), which required dismantling the carriage and larger luggage. If wealthy enough, he might be carried over the hard terrain by servants. Once in Italy , the tourist would visit Turin (and sometimes Milan ), then might spend a few months in Florence , where there

7038-473: The 6th century China, where a canon of worthy artists was established by writers in the scholar-official class. These writers, being necessarily proficient in calligraphy, were artists themselves. The artists are described in the Six Principles of Painting formulated by Xie He . While personal reminiscences of art and artists have long been written and read (see Lorenzo Ghiberti Commentarii , for

7191-783: The British tourist usually began in Dover , England , and crossed the English Channel to Ostend in Belgium , or to Calais or Le Havre in France . From there the tourist, usually accompanied by a tutor (known colloquially as a " bear-leader ") and (if wealthy enough) a troop of servants, could rent or acquire a coach (which could be resold in any city – as in Giacomo Casanova 's travels – or disassembled and packed across

7344-625: The Custom House, which he resigned to become Usher of the Exchequer, which gave him at first £3900 per annum but this increased over the years. Upon coming of age he became Comptroller of the Pipe and Clerk of the Estreats which gave him an income of £300 per annum. Walpole decided to go travelling with Thomas Gray and wrote a will in which he left Gray all his belongings. In 1744, he wrote in

7497-592: The Customs (worth £1,000 per annum). However, he had died in debt, the total of which was in between £40,000 and £50,000. In late 1745 Walpole and Gray resumed their friendship. Also that year the Jacobite Rising began. The position of Walpole was the fruit of his father's support for the Hanoverian dynasty and he knew that he was in danger: Walpole's lasting architectural creation is Strawberry Hill ,

7650-485: The English-speaking academy in the 1930s. These scholars were largely responsible for establishing art history as a legitimate field of study in the English-speaking world, and the influence of Panofsky's methodology, in particular, determined the course of American art history for a generation. Heinrich Wölfflin was not the only scholar to invoke psychological theories in the study of art. An unexpected turn in

7803-514: The Georgian social and political scene, though heavily biased, are a useful primary source for historians. Art historian Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture , including the various visual and conceptual outcomes related to an ever-evolving definition of art. Art history encompasses

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7956-426: The Grand Tour derided its lack of adventure. "The tour of Europe is a paltry thing", said one 18th century critic, "a tame, uniform, unvaried prospect". The Grand Tour was said to reinforce the old preconceptions and prejudices about national characteristics, as Jean Gailhard 's Compleat Gentleman (1678) observes: "French courteous. Spanish lordly. Italian amorous. German clownish." The deep suspicion with which Tour

8109-465: The Grand Tour lay in its exposure to the cultural legacy of classical antiquity and the Renaissance , and to the aristocratic and fashionably polite society of the European continent. It also provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last anywhere from several months to several years. It was commonly undertaken in

8262-628: The Grand Tour, especially portraits of the traveller painted in continental settings, became the obligatory emblems of worldliness, gravitas and influence. Artists who particularly thrived on the Grand Tour market included Carlo Maratti , who was first patronised by John Evelyn as early as 1645, Pompeo Batoni the portraitist , and the vedutisti such as Canaletto , Pannini and Guardi . The less well-off could return with an album of Piranesi etchings. The "perhaps" in Gibbon's opening remark cast an ironic shadow over his resounding statement. Critics of

8415-403: The Grand Tour. From Venice the traveller went to Rome to study the ancient ruins and the masterpieces of painting, sculpture, and architecture of Rome's Medieval, Renaissance, and Baroque periods. Some travellers also visited Naples to study music, and (after the mid-18th century) to appreciate the recently discovered archaeological sites of Herculaneum and Pompeii , and perhaps (for

8568-574: The Grand Tour. Boswell notes "Yesterday morning with her. Pulled up petticoat and showed whole knees... Touched with her goodness. All other liberties exquisite." He describes his time with the Italian women he encounters and shares a part of history in his written accounts. Lord Byron 's letters to his mother with the accounts of his travels have also been published from the early 19th century. Byron spoke of his first enduring Venetian love, his landlord's wife, mentioning that he has "fallen in love with

8721-567: The Hervey family, encouraged these rumours. Peter Cunningham , in his introduction to the letters of Horace Walpole (1857), vol. 1, p. x, wrote: "[Lady Louisa Stuart] has related it in print in the Introductory Anecdotes to Lady Mary's Works ; and there is too much reason to believe that what she tells is true. Horace was born eleven years after the birth of any other child that Sir Robert had by his wife; in every respect he

8874-474: The House of Commons, Walpole represented one of the many rotten boroughs , Castle Rising , which consisted of underlying freeholds in four villages near Kings Lynn , Norfolk, from 1754 until 1757. At his home, he hung a copy of the warrant for the execution of King Charles I with the inscription "Major Charta" and wrote of "the least bad of all murders, that of a King". In 1756 he wrote: I am sensible that from

9027-692: The Litany , The Expanding Discourse: Feminism and Art History , and Reclaiming Feminist Agency: Feminist Art History After Postmodernism are substantial efforts to bring feminist perspectives into the discourse of art history. The pair also co-founded the Feminist Art History Conference. As opposed to iconography which seeks to identify meaning, semiotics is concerned with how meaning is created. Roland Barthes 's connoted and denoted meanings are paramount to this examination. In any particular work of art, an interpretation depends on

9180-528: The Modern era. Some of this scholarship centers on the feminist art movement , which referred specifically to the experience of women. Often, feminist art history offers a critical "re-reading" of the Western art canon, such as Carol Duncan 's re-interpretation of Les Demoiselles d'Avignon . Two pioneers of the field are Mary Garrard and Norma Broude . Their anthologies Feminism and Art History: Questioning

9333-613: The Nazi party. This latter tendency was, however, by no means shared by all members of the school; Pächt, for example, was himself Jewish, and was forced to leave Vienna in the 1930s. Our 21st-century understanding of the symbolic content of art comes from a group of scholars who gathered in Hamburg in the 1920s. The most prominent among them were Erwin Panofsky , Aby Warburg , Fritz Saxl and Gertrud Bing . Together they developed much of

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9486-588: The Near East have been published online. The letters written by sisters Mary and Ida Saxton of Canton, Ohio in 1869 while on a six-month tour offer insight into the Grand Tour tradition from an American perspective. Immediately following the American Civil War U.S. author and humorist Mark Twain undertook a decidedly modest yet greatly aspiring "grand tour" of Europe, the Middle East, and

9639-469: The Netherlands, Poland and Sweden. In spite of this the bulk of research conducted on the Grand Tour has been on British travellers. Dutch scholar Frank-van Westrienen Anna has made note of this historiographic focus, claiming that the scholarly understanding of the Grand Tour would have been more complex if more comparative studies had been carried out on continental travellers. Recent scholarship on

9792-540: The Old Pretender, James Francis Edward Stuart , and his two sons, Charles Edward Stuart and Henry Stuart , although there is no record of them conversing. Walpole and Gray returned to Florence in July. However, Gray disliked the idleness of Florence as compared to the educational pursuits in Rome, and animosity grew between them, eventually leading to an end to their friendship. On their way back to England they had

9945-499: The Russian Revolution and the communist ideals. Artist Isaak Brodsky 's work of art Shock Workers from Dnieprostroi in 1932 shows his political involvement within art. This piece of art can be analysed to show the internal troubles Soviet Russia was experiencing at the time. Perhaps the best-known Marxist was Clement Greenberg , who came to prominence during the late 1930s with his essay " Avant-Garde and Kitsch ". In

10098-802: The Sea (1808 or 1810) sets a sublime scene representing the overwhelming beauty and strength of the German shoreline at the Baltic Sea. In the infancy of the American colonies, the people believed it was their destiny to explore the Western, "untamed", wilderness. Artists who had been training at the Hudson River School in New York, took on the task of presenting the unknown land as both picturesque and sublime. Grand Tour The Grand Tour

10251-521: The Swedish aristocracy has demonstrated that Swedish aristocrats, though being relatively poorer than their British peers, from around 1620 and onwards in many ways acted as their British counterparts. After studies at one or two renowned universities, preferably those of Leiden and Heidelberg, the Swedish grand tourists set off to France and Italy, where they spent time in Paris, Rome and Venice and completed

10404-471: The Tourists were interested. Coins and medals , which formed more portable souvenirs and a respected gentleman's guide to ancient history were also popular. Pompeo Batoni made a career of painting the English milordi posed with graceful ease among Roman antiquities. Many continued on to Naples , where they also viewed Herculaneum and Pompeii , but few ventured far into Southern Italy , and fewer still to Greece , then still under Turkish rule . After

10557-402: The United States in the 19th century, American Gilded Age nouveau riche adopted the Grand Tour for both sexes and among those of more advanced years as a means of gaining both exposure and association with the sophistication of Europe. Even those of lesser means sought to mimic the pilgrimage, as satirized in Mark Twain 's enormously popular Innocents Abroad in 1869. The primary value of

10710-477: The World War in 1914, wanted to create artworks which were nonconforming and aimed to destroy traditional art styles. [2] These two movements helped other artists to create pieces that were not viewed as traditional art. Some examples of styles that branched off the anti-art movement would be Neo-Dadaism, Surrealism, and Constructivism. These styles and artists did not want to surrender to traditional ways of art. This way of thinking provoked political movements such as

10863-483: The activities of the East India Company on 13 July 1773: What is England now? – A sink of Indian wealth, filled by nabobs and emptied by Maccaronis! A senate sold and despised! A country overrun by horse-races! A gaming, robbing, wrangling, railing nation without principles, genius, character or allies. He opposed the recent Catholic accommodative measures , writing to Mann in 1784: "You know I have ever been averse to toleration of an intolerant religion". He wrote to

11016-417: The advent of steam-powered transportation around 1825, the Grand Tour custom continued, but it was of a qualitative difference — cheaper to undertake, safer, easier, open to anyone. During much of the 19th century, most educated young men of privilege undertook the Grand Tour. Germany and Switzerland came to be included in a more broadly defined circuit. Later, it became fashionable for young women as well ;

11169-574: The adventurous) an ascent of Mount Vesuvius . Later in the period, the more adventurous, especially if provided with a yacht , might attempt Sicily to see its archeological sites, volcanoes and its baroque architecture, Malta or even Greece itself. But Naples – or later Paestum further south – was the usual terminus. Returning northward, the tourist might recross the Alps to the German-speaking parts of Europe, visiting Innsbruck , Vienna , Dresden , Berlin and Potsdam , with perhaps

11322-475: The aggrandizement of the Crown to the dignity of presiding over a great and puissant free kingdom, threw away one predominant source of our potency by aspiring to enslave America —and would now compensate for that blunder and its consequence by assuming a despotic tone at home. It has found a tool in the light and juvenile son of the great minister who carried our glory to its highest pitch—but it shall never have

11475-480: The ambitious, the murderer, the tyrant, may not aspire to it; in short, who approves the name of a King, when it excludes the essence. Walpole worried that while his fellow Whigs fought amongst themselves, the Tories were gaining power, the result of which would be England delivered to an unlimited, absolute monarchy, "that authority, that torrent which I should in vain extend a feeble arm to stem". In 1757, he wrote

11628-428: The anonymous pamphlet A Letter from Xo Ho, a Chinese Philosopher at London, to his Friend Lien Chi at Peking , the first of his works to be widely reviewed. In early 1757, old Horace Walpole of Wolterton died and was succeeded in the peerage by his son, who was then an MP for King's Lynn , thereby creating a vacancy. The electors of King's Lynn did not wish to be represented by a stranger and instead wanted someone with

11781-403: The art is non-representational—also called abstract . Realism and abstraction exist on a continuum. Impressionism is an example of a representational style that was not directly imitative, but strove to create an "impression" of nature. If the work is not representational and is an expression of the artist's feelings, longings and aspirations or is a search for ideals of beauty and form, the work

11934-457: The article anonymously. Though the use of posthumous material to perform psychoanalysis is controversial among art historians, especially as the sexual mores of Michelangelo's and Leonardo's time and Freud's are different, it is often attempted. Carl Jung also applied psychoanalytic theory to art. Jung was a Swiss psychiatrist , an influential thinker, and founder of analytical psychology . Jung's approach to psychology emphasized understanding

12087-705: The artists themselves, the elite considered travel to such centres as necessary rites of passage. For gentlemen, some works of art were essential to demonstrate the breadth and polish they had received from their tour. The Grand Tour offered a liberal education , and the opportunity to acquire things otherwise unavailable, lending an air of accomplishment and prestige to the traveller. Grand Tourists would return with crates full of books, works of art, scientific instruments, and cultural artefacts – from snuff boxes and paperweights to altars, fountains, and statuary – to be displayed in libraries, cabinets , gardens, drawing rooms , and galleries built for that purpose. The trappings of

12240-663: The best early example), it was Giorgio Vasari, the Tuscan painter, sculptor and author of the Lives of the Most Excellent Painters, Sculptors, and Architects , who wrote the first true history of art. He emphasized art's progression and development, which was a milestone in this field. His was a personal and a historical account, featuring biographies of individual Italian artists, many of whom were his contemporaries and personal acquaintances. The most renowned of these

12393-462: The canonical history of art was the consequence of cultural conditions which curtailed and restricted women from art producing fields. The few who did succeed were treated as anomalies and did not provide a model for subsequent success. Griselda Pollock is another prominent feminist art historian, whose use of psychoanalytic theory is described above. While feminist art history can focus on any time period and location, much attention has been given to

12546-417: The circle of the palace; and though fluctuating ministers by turns exercise the deposit, yet there it is; and whenever a prince of design and spirit shall sit in the regal chair, he will find a bank, a hoard of power, which he may lay off most fatally against this constitution. [I am] a quiet republican, who does not dislike to see the shadow of monarchy, like Banquo 's ghost, fill the empty chair of state, that

12699-607: The company of a cicerone , a knowledgeable guide or tutor. Rome for many centuries had already been the destination of pilgrims, especially during Jubilee when European clergy visited the Seven Pilgrim Churches of Rome . In Britain, Thomas Coryat 's travel book Coryat's Crudities (1611), published during the Twelve Years' Truce , was an early influence on the Grand Tour but it was the far more extensive tour through Italy as far as Naples undertaken by

12852-432: The creator's colleagues and teachers; and with consideration of iconography and symbolism . In short, this approach examines the work of art in the context of the world within which it was created. Art historians also often examine work through an analysis of form; that is, the creator's use of line , shape , color , texture and composition. This approach examines how the artist uses a two-dimensional picture plane or

13005-560: The direct inspiration for Karl Schnaase 's work. Schnaase's Niederländische Briefe established the theoretical foundations for art history as an autonomous discipline, and his Geschichte der bildenden Künste , one of the first historical surveys of the history of art from antiquity to the Renaissance, facilitated the teaching of art history in German-speaking universities. Schnaase's survey was published contemporaneously with

13158-532: The discipline. As in literary studies, there is an interest among scholars in nature and the environment, but the direction that this will take in the discipline has yet to be determined. The earliest surviving writing on art that can be classified as art history are the passages in Pliny the Elder 's Natural History ( c.  AD 77 –79), concerning the development of Greek sculpture and painting . From them it

13311-584: The element of literary artifice in these and cautions that they should be approached as travel literature rather than unvarnished accounts. He lists as examples Joseph Addison , John Andrews, William Thomas Beckford (whose Dreams, Waking Thoughts, and Incidents was a published account of his letters back home in 1780–1781, embellished with stream-of-consciousness associations), William Coxe , Elizabeth Craven , John Moore , tutor to successive dukes of Hamilton, Samuel Jackson Pratt , Tobias Smollett , Philip Thicknesse , and Arthur Young . Although Italy

13464-427: The enlightened eighteenth century to baffle language and invent horrors that can be found in no vocabulary. What tongue could be prepared to paint a Nation that should avow Atheism, profess Assassination, and practice Massacres on Massacres for four years together: and who, as if they had destroyed God as well as their King, and established Incredulity by law, give no symptoms of repentance! These Monsters talk of settling

13617-471: The essay Greenberg claimed that the avant-garde arose in order to defend aesthetic standards from the decline of taste involved in consumer society , and seeing kitsch and art as opposites. Greenberg further claimed that avant-garde and Modernist art was a means to resist the leveling of culture produced by capitalist propaganda . Greenberg appropriated the German word ' kitsch ' to describe this consumerism, although its connotations have since changed to

13770-493: The execution of King Louis XVI he wrote to Lady Ossory on 29 January 1793: Indeed, Madam, I write unwillingly; there is not a word left in my Dictionary that can express what I feel. Savages , barbarians , &c., were terms for poor ignorant Indians and Blacks and Hyaenas, or, with some superlative epithets, for Spaniards in Peru and Mexico, for Inquisitors, or for Enthusiasts of every breed in religious wars. It remained for

13923-463: The extent that an interpretation is still valid regardless of whether the creator had intended it. Rosalind Krauss espoused this concept in her essay "In the Name of Picasso." She denounced the artist's monopoly on meaning and insisted that meaning can only be derived after the work has been removed from its historical and social context. Mieke Bal argued similarly that meaning does not even exist until

14076-418: The family". In early 1757, Walpole was out of Parliament after vacating Castle Rising until his election that year to King's Lynn, a seat he would hold until his retirement from the Commons in 1768. Walpole became a prominent opponent of the 1757 decision to execute Admiral John Byng . Without a seat in Parliament, Walpole recognised his limitations as to political influence. He wrote to Mann critical of

14229-434: The feelings of one I thought below me; of one, I blush to say it, that I knew was obliged to me; of one whom presumption and folly perhaps made me deem not my superior then in parts, though I have since felt my infinite inferiority to him. Walpole then visited Venice , Genoa , Antibes , Toulon , Marseille , Aix, Montpellier , Toulouse , Orléans and Paris. He returned to England on 12 September 1741, reaching London on

14382-407: The first Gothic novel , The Castle of Otranto (1764), and his Letters , which are of significant social and political interest. They have been published by Yale University Press in 48 volumes. In 2017, a volume of Walpole's selected letters was published. The youngest son of the first British Prime Minister, Sir Robert Walpole , 1st Earl of Orford, he became the 4th and last Earl of Orford of

14535-461: The first recorded use of the term (perhaps its introduction to English) was by Richard Lassels ( c. 1603–1668), an expatriate Roman Catholic priest , in his book The Voyage of Italy , which was published posthumously in Paris in 1670 and then in London. Lassels's introduction listed four areas in which travel furnished "an accomplished, consummate Traveller": the intellectual , the social ,

14688-411: The founders of art history, noted that Winckelmann was 'the first to distinguish between the periods of ancient art and to link the history of style with world history'. From Winckelmann until the mid-20th century, the field of art history was dominated by German-speaking academics. Winckelmann's work thus marked the entry of art history into the high-philosophical discourse of German culture. Winckelmann

14841-529: The history of art criticism came in 1910 when psychoanalyst Sigmund Freud published a book on the artist Leonardo da Vinci , in which he used Leonardo's paintings to interrogate the artist's psyche and sexual orientation. Freud inferred from his analysis that Leonardo was probably homosexual . In 1914 Freud published a psychoanalytical interpretation of Michelangelo's Moses ( Der Moses des Michelangelo ). He published this work shortly after reading Vasari's Lives . For unknown reasons, he originally published

14994-442: The history of art, focusing on three concepts. Firstly, he attempted to study art using psychology, particularly by applying the work of Wilhelm Wundt . He argued, among other things, that art and architecture are good if they resemble the human body. For example, houses were good if their façades looked like faces. Secondly, he introduced the idea of studying art through comparison. By comparing individual paintings to each other, he

15147-678: The home he built from 1749 onward in Twickenham , southwest of London, which at the time overlooked the Thames . Here he revived the Gothic style many decades before his Victorian successors. Derided thereafter by his friends as "The Abbot of Strawberry", this fanciful neo-Gothic concoction began a new architectural trend. Long-connected with the Blue Stockings Society , Walpole played host to its members and associates at Strawberry Hill, including Anna Laetitia Barbauld in 1774. In

15300-406: The identification of denoted meaning —the recognition of a visual sign, and the connoted meaning —the instant cultural associations that come with recognition. The main concern of the semiotic art historian is to come up with ways to navigate and interpret connoted meaning. Semiotic art history seeks to uncover the codified meaning or meanings in an aesthetic object by examining its connectedness to

15453-427: The image is observed by the viewer. It is only after acknowledging this that meaning can become opened up to other possibilities such as feminism or psychoanalysis. Aspects of the subject which have come to the fore in recent decades include interest in the patronage and consumption of art, including the economics of the art market, the role of collectors, the intentions and aspirations of those commissioning works, and

15606-578: The insignificant approbation of an old and worn out son of another minister, who though less brilliant, maintained this country in the enjoyment of the twenty happiest years that England ever enjoyed. Walpole was horrified by the French Revolution and commended Edmund Burke 's Reflections on the Revolution in France : "Every page shows how sincerely he is in earnest — a wondrous merit in

15759-413: The internet or by other means, has transformed the study of many types of art, especially those covering objects existing in large numbers which are widely dispersed among collections, such as illuminated manuscripts and Persian miniatures , and many types of archaeological artworks. Concurrent to those technological advances, art historians have shown increasing interest in new theoretical approaches to

15912-558: The journey takes her from Madrid to Saint Petersburg with stop-offs to see the great masterpieces. In 2005, British art historian Brian Sewell followed in the footsteps of the Grand Tourists for a 10-part television series Brian Sewell's Grand Tour . Produced by UK's Channel Five, Sewell travelled by car and confined his attention solely to Italy stopping in Rome, Florence, Naples, Pompeii, Turin, Milan, Cremona, Siena, Bologna, Vicenza, Paestum, Urbino, Tivoli and concluding at

16065-673: The lack of it". Eighteenth- and nineteenth-century Italian women, with their unfamiliar methods and routines, were opposites to the western dress expected of European women in the eighteenth and nineteenth century; their "foreign" ways led to the documentation of encounters with them, providing published accounts of the Grand Tour. James Boswell in the 18th century courted noble ladies and recorded his progress with his relationships, mentioning that Madame Micheli "Talked of religion, philosophy... Kissed hand often." The promiscuity of Boswell's encounters with Italian elite are shared in his diary and provide further detail on events that occurred during

16218-570: The manifestation of parallel events or circumstances reflecting this governing dynamic. He argued that a collective unconscious and archetypal imagery were detectable in art. His ideas were particularly popular among American Abstract expressionists in the 1940s and 1950s. His work inspired the surrealist concept of drawing imagery from dreams and the unconscious. Jung emphasized the importance of balance and harmony. He cautioned that modern humans rely too heavily on science and logic and would benefit from integrating spirituality and appreciation of

16371-443: The mind of Horace Walpole. His writings, from youth to age, breathe the most affectionate love for his mother, and the most unbounded filial regard for Sir Robert Walpole." Walpole had formed a number of lifelong friendships with a number of men and women notable for their looks, wit or social standing. Principal amongst those in his inner circle was arguably Conway, who he had looked up to since his Eton days and corresponded with for

16524-457: The more famous John Hervey . T. H. White writes: "Catherine Shorter, Sir Robert Walpole's first wife, had five children. Four of them were born in a sequence after the marriage; the fifth, Horace, was born eleven years later, at a time when she was known to be on bad terms with Sir Robert, and known to be on romantic terms with Carr, Lord Hervey." The lack of physical resemblance between Horace and Sir Robert, and his close resemblance to members of

16677-492: The most important twentieth-century art historians, including Ernst Gombrich , received their degrees at Vienna at this time. The term "Second Vienna School" (or "New Vienna School") usually refers to the following generation of Viennese scholars, including Hans Sedlmayr , Otto Pächt, and Guido Kaschnitz von Weinberg. These scholars began in the 1930s to return to the work of the first generation, particularly to Riegl and his concept of Kunstwollen , and attempted to develop it into

16830-455: The nature of artworks as objects. Thing theory , actor–network theory , and object-oriented ontology have played an increasing role in art historical literature. The making of art, the academic history of art, and the history of art museums are closely intertwined with the rise of nationalism. Art created in the modern era, in fact, has often been an attempt to generate feelings of national superiority or love of one's country . Russian art

16983-478: The object. Many art historians use critical theory to frame their inquiries into objects. Theory is most often used when dealing with more recent objects, those from the late 19th century onward. Critical theory in art history is often borrowed from literary scholars and it involves the application of a non-artistic analytical framework to the study of art objects. Feminist , Marxist , critical race , queer and postcolonial theories are all well established in

17136-419: The original grand tour on the French countryside. King Gustav III of Sweden made his Grand Tour in 1783–84. The itinerary of the Grand Tour was not set in stone, but was subject to innumerable variations, depending on an individual's interests and finances, though Paris and Rome were popular destinations for most English tourists. The most common itinerary of the Grand Tour shifted across generations, but

17289-497: The philosophy of art (aesthetics) often hinders this inquiry. Art of Central Asia Art of East Asia Art of South Asia Art of Southeast Asia Art of Europe Art of Africa Art of the Americas Art of Oceania Art history is an interdisciplinary practice that analyzes the various factors—cultural, political, religious, economic or artistic—which contribute to visual appearance of

17442-422: The piece. Proper analysis of pigments used in paint is now possible, which has upset many attributions. Dendrochronology for panel paintings and radio-carbon dating for old objects in organic materials have allowed scientific methods of dating objects to confirm or upset dates derived from stylistic analysis or documentary evidence. The development of good color photography, now held digitally and available on

17595-555: The political and economic climates in which the art was created. Linda Nochlin 's essay " Why Have There Been No Great Women Artists? " helped to ignite feminist art history during the 1970s and remains one of the most widely read essays about female artists. This was then followed by a 1972 College Art Association Panel, chaired by Nochlin, entitled "Eroticism and the Image of Woman in Nineteenth-Century Art". Within

17748-600: The principles of the constitution as it was settled at the Revolution , the best form of government that I know of in the world, and which made us a free people, a rich people, and a victorious people, by diffusing liberty, protecting property and encouraging commerce; and by the combination of all, empowering us to resist the ambition of the House of Bourbon , and to place ourselves on a level with that formidable neighbour. The narrow plan of royalty , which had so often preferred

17901-466: The prostitution of patriotism, from the art of ministers who have had the address to exalt the semblance while they depressed the reality of royalty, and from the bent of the education of the young nobility, which verges to French maxims and to a military spirit, nay, from the ascendant which the nobility itself acquires each day in this country, from all these reflections, I am sensible, that prerogative and power have been exceedingly fortified of late within

18054-504: The reactions of contemporary and later viewers and owners. Museum studies , including the history of museum collecting and display, is now a specialized field of study, as is the history of collecting. Scientific advances have made possible much more accurate investigation of the materials and techniques used to create works, especially infra-red and x-ray photographic techniques which have allowed many underdrawings of paintings to be seen again, including figures that had been removed from

18207-461: The real emphasis in the study of art should be the views of the learned beholder and not the viewpoint of the artist. Winckelmann's writings thus were the beginnings of art criticism. His two most notable works that introduced the concept of art criticism were Gedanken über die Nachahmung der griechischen Werke in der Malerei und Bildhauerkunst , published in 1755, shortly before he left for Rome ( Fuseli published an English translation in 1765 under

18360-582: The rest of his life. He entertained himself with others who were like himself, and who possessed notoriety and wit, such as such as Etheldreda Townshend , and George Selwyn with whom he jousted and derided with streams of invective. The " Abbot of Strawberry " immortalised himself in his own words but also inspired the characters of Sir Benjamin Backbite in Richard Brinsley Sheridan 's The School for Scandal and Monsieur Le Sage in

18513-717: The same correspondent in 1785 that "as there are continually allusions to parliamentary speeches and events, they are often obscure to me till I get them explained; and besides, I do not know several of the satirized heroes even by sight". His political sympathies were with the Foxite Whigs, the successors of the Rockingham Whigs, who were themselves the successors of the Whig Party as revived by Walpole's father. He wrote to William Mason , expounding his political philosophy: I have for five and forty years acted upon

18666-427: The satire Ranelagh House: a Satire in prose after the manner of Monsieur Le Sage . The novelist Laetitia Matilda Hawkins , a younger contemporary of Walpole, wrote of him as follows: His entrance into a room was in that style of affected delicacy, which fashion had made almost natural, chapeau bras between his hands as if he wished to compress it, or under his arm; knees bent, and feet on tip-toe, as if afraid of

18819-424: The sceptical nature of Middleton's attitude to some essential Christian doctrines for the rest of his life, including a hatred of superstition and bigotry even though he was a nominal Anglican. Ceasing to reside at Cambridge at the end of 1738, Walpole left without taking a degree. In 1737, Walpole's mother died. According to one biographer, his love for his mother "was the most powerful emotion of his entire life ...

18972-537: The second creation on his nephew's death in 1791. Walpole was born in London, the youngest son of British Prime Minister Sir Robert Walpole and his wife, Catherine. Like his father, he received early education in Bexley ; in part under Edward Weston . He was also educated at Eton College and King's College, Cambridge . Walpole's first friends were probably his cousins Francis and Henry Conway , to whom he became strongly attached, especially Henry. At Eton he formed

19125-555: The sophisticated language and manners of French high society, including courtly behavior and fashion. This served to polish the young man's manners in preparation for a leadership position at home, often in government or diplomacy . From Paris he would typically sojourn in urban Switzerland , often in Geneva (the cradle of the Protestant Reformation ) or Lausanne . ("Alpinism" or mountaineering developed later, in

19278-472: The study of objects created by different cultures around the world and throughout history that convey meaning, importance or serve usefulness primarily through visual representations. As a discipline, art history is distinguished from art criticism , which is concerned with establishing a relative artistic value for individual works with respect to others of comparable style or sanctioning an entire style or movement; and art theory or " philosophy of art ", which

19431-527: The successful motion that a Secret Committee be set up to enquire into Sir Robert Walpole's last ten years as prime minister. For the next three years, Walpole spent most of his time with his father at his country house Houghton Hall in Norfolk. His father died in 1745 and left Walpole the remainder of the lease of his house in Arlington Street, London; £5,000 in cash; and the office of Collector of

19584-552: The theories of Riegl, but became eventually more preoccupied with iconography, and in particular with the transmission of themes related to classical antiquity in the Middle Ages and Renaissance. In this respect his interests coincided with those of Warburg, the son of a wealthy family who had assembled a library in Hamburg, devoted to the study of the classical tradition in later art and culture. Under Saxl's auspices, this library

19737-617: The title Reflections on the Painting and Sculpture of the Greeks ), and Geschichte der Kunst des Altertums ( History of Art in Antiquity ), published in 1764 (this is the first occurrence of the phrase 'history of art' in the title of a book). Winckelmann critiqued the artistic excesses of Baroque and Rococo forms, and was instrumental in reforming taste in favor of the more sober Neoclassicism . Jacob Burckhardt (1818–1897), one of

19890-632: The trappings of the Grand Tour—valets and coachmen, perhaps a cook, certainly a " bear-leader " or scholarly guide—were beyond their reach. The advent of popular guides, such as the book An Account of Some of the Statues, Bas-Reliefs, Drawings, and Pictures in Italy published in 1722 by Jonathan Richardson and his son Jonathan Richardson the Younger , did much to popularise such trips, and following

20043-803: The unconscious realm. His work not only triggered analytical work by art historians but became an integral part of art-making. Jackson Pollock , for example, famously created a series of drawings to accompany his sessions with his Jungian analyst, Joseph Henderson. Henderson, who later published the drawings in a text devoted to Pollock's sessions, realized how powerful the drawings were as a therapeutic tool. The legacy of psychoanalysis and analytical psychology in art history has been profound, and extends beyond Freud and Jung. The prominent feminist art historian Griselda Pollock, for example, draws upon psychoanalysis both in her reading into contemporary art and in her rereading of modernist art. With Griselda Pollock 's reading of French feminist psychoanalysis and in particular

20196-449: The vocabulary that continues to be used in the 21st century by art historians. "Iconography"—with roots meaning "symbols from writing" refers to subject matter of art derived from written sources—especially scripture and mythology. "Iconology" is a broader term that referred to all symbolism, whether derived from a specific text or not. Today art historians sometimes use these terms interchangeably. Panofsky, in his early work, also developed

20349-432: The whole of his psychological history was dominated by it". Walpole did not have any serious relationships with women; he has been called "a natural celibate". His sexual orientation has been the subject of speculation. He never married, engaging in a succession of unconsummated flirtations with unmarriageable women, and counted among his close friends a number of women such as Anne Seymour Damer and Mary Berry named by

20502-468: The writings of Julia Kristeva and Bracha L. Ettinger , as with Rosalind Krauss's readings of Jacques Lacan and Jean-François Lyotard and Catherine de Zegher's curatorial rereading of art, Feminist theory written in the fields of French feminism and Psychoanalysis has strongly informed the reframing of both men and women artists in art history. During the mid-20th century, art historians embraced social history by using critical approaches. The goal

20655-484: Was Michelangelo . Vasari's ideas about art were enormously influential, and served as a model for many, including in the north of Europe Karel van Mander 's Schilder-boeck and Joachim von Sandrart 's Teutsche Akademie . Vasari's approach held sway until the 18th century, when criticism was leveled at his biographical account of history. Scholars such as Johann Joachim Winckelmann (1717–1768) criticized Vasari's "cult" of artistic personality, and they argued that

20808-714: Was "revisiting the Continent on a larger and more liberal plan"; most Grand Tourists did not pause more than briefly in libraries. On the eve of the Romantic era he played a significant part in introducing, William Beckford wrote a vivid account of his Grand Tour that made Gibbon's unadventurous Italian tour look distinctly conventional. The typical 18th-century stance was that of the studious observer travelling through foreign lands reporting his findings on human nature for those unfortunates who stayed at home. Recounting one's observations to society at large to increase its welfare

20961-555: Was a considerable Anglo-Italian society accessible to travelling Englishmen "of quality" and where the Tribuna of the Uffizi gallery brought together in one space the monuments of High Renaissance paintings and Roman sculpture . After a side trip to Pisa , the tourist would move on to Padua , Bologna , and Venice . The British idea of Venice as the "locus of decadent Italianate allure" made it an epitome and cultural set piece of

21114-442: Was able to make distinctions of style. His book Renaissance and Baroque developed this idea, and was the first to show how these stylistic periods differed from one another. In contrast to Giorgio Vasari , Wölfflin was uninterested in the biographies of artists. In fact he proposed the creation of an "art history without names." Finally, he studied art based on ideas of nationhood . He was particularly interested in whether there

21267-545: Was an inherently "Italian" and an inherently " German " style. This last interest was most fully articulated in his monograph on the German artist Albrecht Dürer . Contemporaneous with Wölfflin's career, a major school of art-historical thought developed at the University of Vienna . The first generation of the Vienna School was dominated by Alois Riegl and Franz Wickhoff , both students of Moritz Thausing , and

21420-535: Was characterized by a tendency to reassess neglected or disparaged periods in the history of art. Riegl and Wickhoff both wrote extensively on the art of late antiquity , which before them had been considered as a period of decline from the classical ideal. Riegl also contributed to the revaluation of the Baroque. The next generation of professors at Vienna included Max Dvořák , Julius von Schlosser , Hans Tietze, Karl Maria Swoboda, and Josef Strzygowski . A number of

21573-581: Was considered an obligation; the Grand Tour flourished in this mindset. In essence, the Grand Tour was neither a scholarly pilgrimage nor a religious one, though a pleasurable stay in Venice and a cautious residence in Rome were essential. Catholic Grand Tourists followed the same routes as Protestant Whigs. Since the 17th century, a tour to such places was also considered essential for budding artists to understand proper painting and sculpture techniques, though

21726-650: Was developed into a research institute, affiliated with the University of Hamburg , where Panofsky taught. Warburg died in 1929, and in the 1930s Saxl and Panofsky, both Jewish, were forced to leave Hamburg. Saxl settled in London, bringing Warburg's library with him and establishing the Warburg Institute . Panofsky settled in Princeton at the Institute for Advanced Study . In this respect they were part of an extraordinary influx of German art historians into

21879-516: Was of chicken, pheasant, or any light food, of which he ate sparingly. Pastry he disliked, as difficult of digestion, though he would taste a morsel of venison pie. Iced water, then a London dislike, was his favourite drink. The scent of dinner was removed by a censer or pot of frankincense . The wine that was drunk during dinner. After his coffee he would take pinch of snuff, and nothing more that night. In his old age, according to G. G. Cunningham, he "was afflicted with fits of an hereditary gout which

22032-579: Was published immediately after his death. Horace Walpole was buried in the same location as his father Sir Robert Walpole, at the Church of St Martin at Tours on the Houghton Hall estate. After Walpole's death, Lady Louisa Stuart , in the introduction to the letters of her grandmother, Lady Mary Wortley Montagu (1837), wrote of rumours that Horace's biological father was not Sir Robert Walpole but Carr, Lord Hervey (1691–1723), elder half-brother of

22185-496: Was read avidly by Johann Wolfgang von Goethe and Friedrich Schiller , both of whom began to write on the history of art, and his account of the Laocoön group occasioned a response by Lessing . The emergence of art as a major subject of philosophical speculation was solidified by the appearance of Immanuel Kant 's Critique of Judgment in 1790, and was furthered by Hegel 's Lectures on Aesthetics . Hegel's philosophy served as

22338-416: Was refined by scholars such as T. J. Clark , Otto Karl Werckmeister  [ de ] , David Kunzle, Theodor W. Adorno , and Max Horkheimer . T. J. Clark was the first art historian writing from a Marxist perspective to abandon vulgar Marxism . He wrote Marxist art histories of several impressionist and realist artists, including Gustave Courbet and Édouard Manet . These books focused closely on

22491-550: Was still struggling in Parliament although by the end of the month Horace and other family members had successfully urged the Prime Minister to resign after a parliamentary defeat. Walpole's philosophy mirrored that of Edmund Burke , who was his contemporary. He was a classical liberal on issues such as abolitionism and the agitations of the American colonists . Walpole delivered his maiden speech on 19 March against

22644-419: Was the audience?, Who were their disciples?, What historical forces shaped the artist's oeuvre and how did he or she and the creation, in turn, affect the course of artistic, political and social events? It is, however, questionable whether many questions of this kind can be answered satisfactorily without also considering basic questions about the nature of art. The current disciplinary gap between art history and

22797-401: Was the principally 17th- to early 19th-century custom of a traditional trip through Europe , with Italy as a key destination, undertaken by upper-class young European men of sufficient means and rank (typically accompanied by a tutor or family member) when they had come of age (about 21 years old). The custom—which flourished from about 1660 until the advent of large-scale rail transport in

22950-462: Was to show how art interacts with power structures in society. One such critical approach was Marxism. Marxist art history attempted to show how art was tied to specific classes, how images contain information about the economy, and how images can make the status quo seem natural ( ideology ). [1] Marcel Duchamp and the Dada Movement jump-started the anti-art style. German artists, upset by

23103-440: Was unlike a Walpole, and in every respect, figure and formation of mind, very like a Hervey. Lady Mary Wortley divided mankind into men, women, and Herveys, and the division has been generally accepted. Walpole was certainly of the Hervey class. Lord Hervey's Memoirs and Horace Walpole's Memoires are most remarkably alike, yet Walpole never saw them. [Yet] we have no evidence whatever that a suspicion of spurious parentage ever crossed

23256-465: Was viewed at home in England, where it was feared that the very experiences that completed the British gentleman might well undo him, were epitomised in the sarcastic nativist view of the ostentatiously "well-travelled" maccaroni of the 1760s and 1770s. Also worth noticing is that the Grand Tour not only fostered stereotypes of the countries visited but also led to a dynamic of contrast between northern and southern Europe. By constantly depicting Italy as

23409-498: Was written as the "sink of iniquity", many travelers were not kept from recording the activities they participated in or the people they met, especially the women they encountered. To the Grand Tourists, Italy was an unconventional country, for "The shameless women of Venice made it unusual, in its own way." Sir James Hall confided in his written diary to comment on seeing "more handsome women this day than I ever saw in my life", also noting "how flattering Venetian dress [was] — or perhaps

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