100-674: Heartbreak House: A Fantasia in the Russian Manner on English Themes is a play written by Bernard Shaw during the First World War , published in 1919 and first performed in November 1920 at the Garrick Theatre , New York, followed by a West End production the following year. The play reflects Shaw's disillusion with post-war Britain. It contrasts cultured but self-absorbed and politically irresponsible people on
200-823: A 1983 revival at the Haymarket Theatre in a production directed by John Dexter , with Diana Rigg as Hesione and Rosemary Harris as Ariadne. At the Haymarket in 1992 a production directed by Trevor Nunn starred Paul Scofield as Shotover, with Vanessa Redgrave as Hesione, Felicity Kendal as Ariadne, and Daniel Massey as Hector. A revival at the Almeida Theatre , London in 1997, directed by David Hare , starred Richard Griffiths as Shotover, Patricia Hodge as Ariadne, Penelope Wilton as Hesione, Peter McEnery as Hector and Malcolm Sinclair as Mazzini Dunn. As part of its 50th anniversary season
300-869: A PhD from the University of Edinburgh , where he began his academic career as an assistant lecturer. He specialises in Victorian fiction , 20th-century literature, and the history of publishing. Among his works of scholarship is the Longman Companion to Victorian Fiction (known in the US as Stanford Companion , 1989), a comprehensive encyclopaedia of Victorian fiction. A second edition was published in 2009 with 900 biographical entries, synopses of over 600 novels, and extensive background material on publishers, reviewers, and readers. Apart from writing regularly for The Guardian newspaper, Sutherland has published
400-634: A career as a critic. He had been celibate until his twenty-ninth birthday, when his shyness was overcome by Jane (Jenny) Patterson, a widow some years his senior. Their affair continued, not always smoothly, for eight years. Shaw's sex life has caused much speculation and debate among his biographers, but there is a consensus that the relationship with Patterson was one of his few non-platonic romantic liaisons. The published novels, neither commercially successful, were his two final efforts in this genre: Cashel Byron's Profession written in 1882–83, and An Unsocial Socialist , begun and finished in 1883. The latter
500-537: A career as a playwright: "I had rashly taken up the case; and rather than let it collapse I manufactured the evidence". After using the plot of the aborted 1884 collaboration with Archer to complete Widowers' Houses (it was staged twice in London, in December 1892), Shaw continued writing plays. At first he made slow progress; The Philanderer , written in 1893 but not published until 1898, had to wait until 1905 for
600-493: A comedy about an Englishman in Ireland, attracted leading politicians and was seen by Edward VII , who laughed so much that he broke his chair. The play was withheld from Dublin's Abbey Theatre , for fear of the affront it might provoke, although it was shown at the city's Royal Theatre in November 1907. Shaw later wrote that William Butler Yeats , who had requested the play, "got rather more than he bargained for ... It
700-478: A contributor, mostly anonymously. He was soon at odds with the magazine's editor, Clifford Sharp , who by 1916 was rejecting his contributions—"the only paper in the world that refuses to print anything by me", according to Shaw. "I see the Junkers and Militarists of England and Germany jumping at the chance they have longed for in vain for many years of smashing one another and establishing their own oligarchy as
800-502: A cynic on the prowl, a maternal confidante can also be a seductive hostess and an emasculating wife, a philandering lapdog can be a shrewd judge of character and an offstage hero, and a mad hatter can be a mad Lear and a mad Shaw". Sir Barry Jackson revived the play at the Queen's Theatre , London in 1932. Two members of the original London cast – Evans and Groves – reprised their roles; Cedric Hardwicke played Shotover and Wilfrid Lawson
900-456: A different view, and the management of the theatre staged extra matinée performances to meet the demand. The play ran from April to July, toured the provinces and was staged in New York. It earned him £341 in royalties in its first year, a sufficient sum to enable him to give up his salaried post as a music critic. Among the cast of the London production was Florence Farr , with whom Shaw had
1000-524: A federal arrangement, with national and imperial parliaments. Holroyd records that by this time the separatist party Sinn Féin was in the ascendency, and Shaw's and other moderate schemes were forgotten. In the postwar period, Shaw despaired of the British government's coercive policies towards Ireland, and joined his fellow-writers Hilaire Belloc and G. K. Chesterton in publicly condemning these actions. The Anglo-Irish Treaty of December 1921 led to
1100-406: A fine orator. "The most striking result of our present system of farming out the national Land and capital to private individuals has been the division of society into hostile classes, with large appetites and no dinners at one extreme, and large dinners and no appetites at the other" Shaw, Fabian Tract No. 2: A Manifesto (1884). From 1885 to 1889 Shaw attended the fortnightly meetings of
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#17327839042901200-458: A flamboyant figure well known in Dublin's musical circles. Shaw retained a lifelong obsession that Lee might have been his biological father; there is no consensus among Shavian scholars on the likelihood of this. The young Shaw suffered no harshness from his mother, but he later recalled that her indifference and lack of affection hurt him deeply. He found solace in the music that abounded in
1300-474: A house in the country, Shaw, concerned that this might cause scandal, agreed to their marriage. The ceremony took place on 1 June 1898, in the register office in Covent Garden . The bride and bridegroom were both aged forty-one. In the view of the biographer and critic St John Ervine , "their life together was entirely felicitous". There were no children of the marriage, which it is generally believed
1400-477: A lifeboat, did not bring in much cash. Ellie intends to marry a businessman, Boss Mangan, but she really loves a man she met in the National Gallery . Her fiancé is a ruthless scoundrel, her father is a bumbling prig, and it turns out that the man she is in love with is Hector, Hesione's husband, who spends his time telling romantic lies to women. Marriage to Mangan will be the sensible choice. A burglar
1500-535: A new realism into English-language drama, using his plays as vehicles to disseminate his political, social and religious ideas. By the early twentieth century his reputation as a dramatist was secured with a series of critical and popular successes that included Major Barbara , The Doctor's Dilemma , and Caesar and Cleopatra . Shaw's expressed views were often contentious; he promoted eugenics and alphabet reform , and opposed vaccination and organised religion. He courted unpopularity by denouncing both sides in
1600-660: A nominated Fabian delegate, he did not attend the London conference at the Memorial Hall, Farringdon Street in February 1900, that created the Labour Representation Committee —precursor of the modern Labour Party . By 1903, when his term as borough councillor expired, he had lost his earlier enthusiasm, writing: "After six years of Borough Councilling I am convinced that the borough councils should be abolished". Nevertheless, in 1904 he stood in
1700-506: A number of books of literary scholarship and is editing the forthcoming Oxford Companion to Popular Fiction . The series of books which starts with Is Heathcliff a Murderer? has brought him a wide readership. The books in the series are collections of essays about classic fiction from the Victorian period. Carefully going over the text, Sutherland highlights apparent inconsistencies, anachronisms and oversights, and explains references which
1800-667: A quick writer, had taken an uncharacteristically long time to write Heartbreak House (originally entitled The Studio in the Clouds ). He wrote in the preface to the published play that he had begun writing it before the First World war, although his biographer Michael Holroyd dates the writing to 1916. The play was first performed in New York by the Theatre Guild company at the Garrick Theatre in November 1920. It
1900-494: A rally in Trafalgar Square addressed by Besant was violently broken up by the authorities on 13 November 1887 ( "Bloody Sunday" ), Shaw became convinced of the folly of attempting to challenge police power. Thereafter he largely accepted the principle of "permeation" as advocated by Webb: the notion whereby socialism could best be achieved by infiltration of people and ideas into existing political parties. Throughout
2000-450: A revision of an earlier tract in which Charlotte Wilson had defined socialism in anarchistic terms. In Shaw's new version, readers were assured that "socialism can be brought about in a perfectly constitutional manner by democratic institutions". The mid-1880s marked a turning point in Shaw's life, both personally and professionally: he lost his virginity, had two novels published, and began
2100-530: A romantic relationship between 1890 and 1894, much resented by Jenny Patterson. The success of Arms and the Man was not immediately replicated. Candida , which presented a young woman making a conventional romantic choice for unconventional reasons, received a single performance in South Shields in 1895; in 1897 a playlet about Napoleon called The Man of Destiny had a single staging at Croydon . In
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#17327839042902200-447: A schoolboy left him disillusioned with formal education: "Schools and schoolmasters", he later wrote, were "prisons and turnkeys in which children are kept to prevent them disturbing and chaperoning their parents." In October 1871 he left school to become a junior clerk in a Dublin firm of land agents , where he worked hard, and quickly rose to become head cashier. During this period, Shaw was known as "George Shaw"; after 1876, he dropped
2300-424: A sensitive boy, found the less salubrious parts of Dublin shocking and distressing, and was happier at the cottage. Lee's students often gave him books, which the young Shaw read avidly; thus, as well as gaining a thorough musical knowledge of choral and operatic works, he became familiar with a wide spectrum of literature. Between 1865 and 1871 Shaw attended four schools, all of which he hated. His experiences as
2400-518: A stage production. Similarly, Mrs Warren's Profession (1893) was written five years before publication and nine years before reaching the stage. Shaw's first play to bring him financial success was Arms and the Man (1894), a mock- Ruritanian comedy satirising conventions of love, military honour and class. The press found the play overlong, and accused Shaw of mediocrity, sneering at heroism and patriotism, heartless cleverness, and copying W. S. Gilbert 's style. The public took
2500-410: A teenage ambition to become a painter, and had not yet thought of writing for a living, but Lee found a little work for him, ghost-writing a musical column printed under Lee's name in a satirical weekly, The Hornet . Lee's relations with Bessie deteriorated after their move to London. Shaw maintained contact with Lee, who found him work as a rehearsal pianist and occasional singer. Eventually Shaw
2600-530: A tract, Why Are The Many Poor? , issued by the recently formed Fabian Society , Shaw went to the society's next advertised meeting, on 16 May 1884. He became a member in September, and before the year's end had provided the society with its first manifesto, published as Fabian Tract No. 2. He joined the society's executive committee in January 1885, and later that year recruited Webb and also Annie Besant ,
2700-405: A tyrannical great-aunt. If, as Holroyd and others surmise, George's motives were mercenary, then he was disappointed, as Bessie brought him little of her family's money. She came to despise her ineffectual and often drunken husband, with whom she shared what their son later described as a life of "shabby-genteel poverty". By the time of Shaw's birth his mother had become close to George John Lee,
2800-616: A venture was contrary to the specified purpose of the legacy. He was eventually persuaded to support the proposal, and the London School of Economics and Political Science (LSE) opened in the summer of 1895. By the later 1890s Shaw's political activities lessened as he concentrated on making his name as a dramatist. In 1897 he was persuaded to fill an uncontested vacancy for a "vestryman" ( parish councillor ) in London's St Pancras district. At least initially, Shaw took to his municipal responsibilities seriously; when London government
2900-419: A writer and novelist, and embarked on a rigorous process of self-education. By the mid-1880s he had become a respected theatre and music critic. Following a political awakening, he joined the gradualist Fabian Society and became its most prominent pamphleteer. Shaw had been writing plays for years before his first public success, Arms and the Man in 1894. Influenced by Henrik Ibsen , he sought to introduce
3000-505: Is already married to a black Jamaican wife, though it is possible she is now dead. Ariadne says that everything will be put to rights if only they get some horses. Every English family should have horses. Mangan announces that the prime minister has asked him to join the Government "without even going through the nonsense of an election, as the dictator of a great public department". Ellie suddenly declares that she cannot marry him as she
3100-448: Is captured. They say they do not want to prosecute him, but he insists he will turn himself in unless they pay him not to. It turns out that the burglar is one of Shotover's old crewmen. He confesses that he is not a real burglar. He deliberately gets himself captured to get charitable assistance from his victims. Shotover laments that the younger generation have lost their romance. Ellie suggests that she should marry Shotover, but he says he
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3200-420: Is now Shotover's "white wife". Shotover predicts that the ship of England will founder, as the captain is incapable and the crew are irresponsible: A servant enters with news that an air-raid is about to happen. The lights are switched off, but Hector switches them back on to demonstrate his lack of concern about the threat. A bomb lands in the garden, blowing up Shotover's store of dynamite and killing Mangan and
3300-551: The British Economic Association ; it was, Holroyd observes, "the closest Shaw had ever come to university education". This experience changed his political ideas; he moved away from Marxism and became an apostle of gradualism . When in 1886–87 the Fabians debated whether to embrace anarchism , as advocated by Charlotte Wilson , Besant and others, Shaw joined the majority in rejecting this approach. After
3400-512: The First World War as equally culpable, and although not a republican , castigated British policy on Ireland in the postwar period. These stances had no lasting effect on his standing or productivity as a dramatist; the inter-war years saw a series of often ambitious plays, which achieved varying degrees of popular success. In 1938 he provided the screenplay for a filmed version of Pygmalion for which he received an Academy Award . His appetite for politics and controversy remained undiminished; by
3500-529: The First World War had been the highly successful Pygmalion . He was internationally famous, and commented "I have advertized myself so well that I find myself, whilst still in middle life, almost as legendary a person as the Flying Dutchman". He had little regard for London theatre managements, and chose to have some of his plays premiered overseas, including The Devil's Disciple (1897, New York), and Pygmalion (1913, Vienna); Caesar and Cleopatra
3600-663: The Irish Literary Revival , including George Russell and James Joyce , and was a close friend of Seán O'Casey , who was inspired to become a playwright after reading John Bull's Other Island . Man and Superman , completed in 1902, was a success both at the Royal Court in 1905 and in Robert Loraine 's New York production in the same year. Among the other Shaw works presented by Vedrenne and Granville-Barker were Major Barbara (1905), depicting
3700-532: The London County Council elections. After an eccentric campaign, which Holroyd characterises as "[making] absolutely certain of not getting in", he was duly defeated. It was Shaw's final foray into electoral politics. Nationally, the 1906 general election produced a huge Liberal majority and an intake of 29 Labour members. Shaw viewed this outcome with scepticism; he had a low opinion of the new prime minister, Sir Henry Campbell-Bannerman , and saw
3800-592: The Lyric Theatre , London in 1967, with John Clements as Shotover, Irene Worth as Hesione, Diana Churchill as Ariadne, Bill Fraser as Mangan and Michael Aldridge as Hector. John Schlesinger 's 1975 production for the National Theatre featured Colin Blakely as Shotover, Eileen Atkins as Hesione, Anna Massey as Ariadne, Graham Crowden as Hector. Rex Harrison starred as Shotover in
3900-613: The Social Democratic Federation (SDF), where he discovered the writings of Karl Marx , and thereafter spent much of 1883 reading Das Kapital . He was not impressed by the SDF's founder, H. M. Hyndman , whom he found autocratic, ill-tempered and lacking leadership qualities. Shaw doubted the ability of the SDF to harness the working classes into an effective radical movement and did not join it—he preferred, he said, to work with his intellectual equals. After reading
4000-606: The partition of Ireland between north and south, a provision that dismayed Shaw. In 1922 civil war broke out in the south between its pro-treaty and anti-treaty factions, the former of whom had established the Irish Free State . Shaw visited Dublin in August, and met Michael Collins , then head of the Free State's Provisional Government . Shaw was much impressed by Collins, and was saddened when, three days later,
4100-400: The "George" and styled himself "Bernard Shaw". In June 1873 Lee left Dublin for London and never returned. A fortnight later, Bessie followed him; the two girls joined her. Shaw's explanation of why his mother followed Lee was that without the latter's financial contribution the joint household had to be broken up. Left in Dublin with his father, Shaw compensated for the absence of music in
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4200-609: The 1880s the Fabian Society remained small, its message of moderation frequently unheard among more strident voices. Its profile was raised in 1889 with the publication of Fabian Essays in Socialism , edited by Shaw who also provided two of the essays. The second of these, "Transition", details the case for gradualism and permeation, asserting that "the necessity for cautious and gradual change must be obvious to everyone". In 1890 Shaw produced Tract No. 13, What Socialism Is ,
4300-573: The 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1913) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory , Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature . Born in Dublin, in 1876 Shaw moved to London, where he struggled to establish himself as
4400-612: The 1890s Shaw's plays were better known in print than on the West End stage; his biggest success of the decade was in New York in 1897, when Richard Mansfield 's production of the historical melodrama The Devil's Disciple earned the author more than £2,000 in royalties. In January 1893, as a Fabian delegate, Shaw attended the Bradford conference which led to the foundation of the Independent Labour Party . He
4500-562: The Artists (1881), but neither found a publisher; each was serialised a few years later in the socialist magazine Our Corner . In 1880 Shaw began attending meetings of the Zetetical Society, whose objective was to "search for truth in all matters affecting the interests of the human race". Here he met Sidney Webb , a junior civil servant who, like Shaw, was busy educating himself. Despite difference of style and temperament,
4600-616: The Bourbons nowhere." Total independence, he asserted, was impractical; alliance with a bigger power (preferably England) was essential. The Dublin Easter Rising later that month took him by surprise. After its suppression by British forces, he expressed horror at the summary execution of the rebel leaders, but continued to believe in some form of Anglo-Irish union. In How to Settle the Irish Question (1917), he envisaged
4700-834: The Chichester Festival staged a production starring Derek Jacobi as Shotover, Sara Stewart as Ariadne, Emma Fielding as Hesione and Ronald Pickup as Mazzini Dunn. Orson Welles played Shotover in a 1938 revival by the Mercury Theatre company. Also in the cast were Mady Christians (Hesione) Vincent Price (Hector) and George Coulouris (Mangan). For a 1959 production at the Billy Rose Theatre , Maurice Evans played Shotover, with Pamela Brown as Ariadne, Diana Wynyard as Hesione, Dennis Price as Hector and Alan Webb as Mazzini Dunn. After his West End appearance as Shotover, Rex Harrison reprised
4800-482: The Irish leader was ambushed and killed by anti-treaty forces. In a letter to Collins's sister, Shaw wrote: "I met Michael for the first and last time on Saturday last, and am very glad I did. I rejoice in his memory, and will not be so disloyal to it as to snivel over his valiant death". Shaw remained a British subject all his life, but took dual British-Irish nationality in 1934. Shaw's first major work to appear after
4900-620: The Labour members as inconsequential: "I apologise to the Universe for my connection with such a body". In the years after the 1906 election, Shaw felt that the Fabians needed fresh leadership, and saw this in the form of his fellow-writer H. G. Wells , who had joined the society in February 1903. Wells's ideas for reform—particularly his proposals for closer cooperation with the Independent Labour Party—placed him at odds with
5000-534: The London premiere it had ended. The play attracted capacity audiences until July, when Tree insisted on going on holiday, and the production closed. His co-star then toured with the piece in the US. In 1899, when the Boer War began, Shaw wished the Fabians to take a neutral stance on what he deemed, like Home Rule , to be a "non-Socialist" issue. Others, including the future Labour prime minister Ramsay MacDonald , wanted unequivocal opposition, and resigned from
5100-661: The Old Gang should have given way to Wells some years earlier: "God only knows whether the Society had not better have done it". Although less active—he blamed his advancing years—Shaw remained a Fabian. In 1912 Shaw invested £1,000 for a one-fifth share in the Webbs' new publishing venture, a socialist weekly magazine called The New Statesman , which appeared in April 1913. He became a founding director, publicist, and in due course
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#17327839042905200-889: The Speckled Band "). In 2001, he published Last Drink to LA , a chronicle of his alcoholism , drug addiction, and return to sobriety. In 2004, he published a biography of Stephen Spender . In 2005, he was involved in Dot Mobile 's project to translate summaries and quotes of classic literature into text messaging shorthand. In the same year, he was also Chair of Judges for the Man Booker Prize , despite having caused some controversy in 1999 when he revealed details of disagreements between his fellow judges in his Guardian column. In 2007, he published an autobiography, The Boy Who Loved Books . The same year, his annotated edition of Robert Louis Stevenson 's The Black Arrow
5300-406: The bailiffs; therefore he had no scruple in exploiting and even flattering their charm". Critics have taken different views about Chekhov's influence on Shaw's play. Louis Kronenberger says that Shaw "turns Chekhov into a sort of literary Hyde Park soapbox dialectic for the theatre [with] none of the variety in emotional rhythm that Chekhov's has, either in tone or in profound self-revelation among
5400-573: The burglar who were hiding there. When it is over everyone says how bored they are. They hope the bombs will come again tomorrow. In his preface to the play, published in 1919, before the first production, Shaw wrote, "Heartbreak House is not merely the name of the play which follows this preface. It is cultured, leisured Europe before the war." The writer John Sutherland describes the play as: Sutherland calls Captain Shotover "a self-mocking portrait of Shaw himself", delivering "the key warning about
5500-399: The characters." Louis Crompton, in contrast, says that some critics have exalted Chekhov's detachment into an end in itself and criticised Shaw as the perverter of the master. Thomas Whitaker writes that Shaw differs markedly from Chekhov by presenting his characters as mercurial "rhetorical puppets" which gives them a "surprisingly rich vitality ... a heartbroken adolescent can instantly become
5600-521: The contemporary art world whose views Shaw most admired were William Morris and John Ruskin , and he sought to follow their precepts in his criticisms. Their emphasis on morality appealed to Shaw, who rejected the idea of art for art's sake , and insisted that all great art must be didactic . Of Shaw's various reviewing activities in the 1880s and 1890s it was as a music critic that he was best known. After serving as deputy in 1888, he became musical critic of The Star in February 1889, writing under
5700-729: The contrasting morality of arms manufacturers and the Salvation Army ; The Doctor's Dilemma (1906), a mostly serious piece about professional ethics; and Caesar and Cleopatra , Shaw's counterblast to Shakespeare's Antony and Cleopatra , seen in New York in 1906 and in London the following year. Now prosperous and established, Shaw experimented with unorthodox theatrical forms described by his biographer Stanley Weintraub as "discussion drama" and "serious farce ". These plays included Getting Married (premiered 1908), The Shewing-Up of Blanco Posnet (1909), Misalliance (1910), and Fanny's First Play (1911). Blanco Posnet
5800-415: The dominant Protestant Ascendancy in Ireland; George Carr Shaw, an ineffectual alcoholic, was among the family's less successful members. His relatives secured him a sinecure in the civil service, from which he was pensioned off in the early 1850s; thereafter he worked irregularly as a corn merchant. In 1852 he married Bessie Gurly; in the view of Shaw's biographer Michael Holroyd she married to escape
5900-542: The dominant military power of the world." Shaw: Common Sense About the War (1914). After the First World War began in August 1914, Shaw produced his tract Common Sense About the War , which argued that the warring nations were equally culpable. Such a view was anathema in an atmosphere of fervent patriotism, and offended many of Shaw's friends; Ervine records that "[h]is appearance at any public function caused
6000-427: The future of the ship of state". In the preface to the play Shaw explains the subtitle, "A Fantasia in the Russian Manner", and acknowledges his debt to Chekhov, in particular to The Cherry Orchard . He writes that in comparison to another great Russian writer, Tolstoy , Chekhov was "more of a fatalist, had no faith in these charming people extricating themselves. They would, he thought, be sold up and sent adrift by
6100-448: The government for ignoring social issues and concentrating solely on Irish Home Rule , a matter Shaw declared of no relevance to socialism. In 1894 the Fabian Society received a substantial bequest from a sympathiser, Henry Hunt Hutchinson—Holroyd mentions £10,000. Webb, who chaired the board of trustees appointed to supervise the legacy, proposed to use most of it to found a school of economics and politics. Shaw demurred; he thought such
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#17327839042906200-882: The government's attitude to Irish recruits, was banned in the UK and was presented at a Royal Flying Corps base in Belgium in 1917. Augustus Does His Bit , a genial farce, was granted a licence; it opened at the Royal Court in January 1917. Shaw had long supported the principle of Irish Home Rule within the British Empire (which he thought should become the British Commonwealth). In April 1916 he wrote scathingly in The New York Times about militant Irish nationalism: "In point of learning nothing and forgetting nothing these fellow-patriots of mine leave
6300-648: The house by teaching himself to play the piano. Early in 1876 Shaw learned from his mother that Agnes was dying of tuberculosis . He resigned from the land agents, and in March travelled to England to join his mother and Lucy at Agnes's funeral. He never again lived in Ireland, and did not visit it for twenty-nine years. Initially, Shaw refused to seek clerical employment in London. His mother allowed him to live free of charge in her house in South Kensington , but he nevertheless needed an income. He had abandoned
6400-446: The house of her father, the eccentric Captain Shotover, an inventor in his late eighties who is trying to create a "psychic ray" that will destroy dynamite. The house is built in the shape of the stern of a ship. Ariadne, Lady Utterword, Shotover's other daughter, arrives from Australia, but he pretends not to recognise her. Hesione says they are running out of money. Shotover needs to invent a weapon of mass destruction. His last invention,
6500-493: The house. Lee was a conductor and teacher of singing; Bessie had a fine mezzo-soprano voice and was much influenced by Lee's unorthodox method of vocal production. The Shaws' house was often filled with music, with frequent gatherings of singers and players. In 1862 Lee and the Shaws agreed to share a house, No. 1 Hatch Street, in an affluent part of Dublin, and a country cottage on Dalkey Hill , overlooking Killiney Bay . Shaw,
6600-479: The instant departure of many of those present." Despite his errant reputation, Shaw's propagandist skills were recognised by the British authorities, and early in 1917 he was invited by Field Marshal Haig to visit the Western Front battlefields. Shaw's 10,000-word report, which emphasised the human aspects of the soldier's life, was well received, and he became less of a lone voice. In April 1917 he joined
6700-464: The language as encapsulating Shaw's ideas and his means of expressing them. Shaw was born at 3 Upper Synge Street in Portobello , a lower-middle-class part of Dublin . He was the youngest child and only son of George Carr Shaw and Lucinda Elizabeth (Bessie) Shaw ( née Gurly). His elder siblings were Lucinda (Lucy) Frances and Elinor Agnes. The Shaw family was of English descent and belonged to
6800-770: The late 1920s, he had largely renounced Fabian Society gradualism, and often wrote and spoke favourably of dictatorships of the right and left—he expressed admiration for both Mussolini and Stalin . In the final decade of his life, he made fewer public statements but continued to write prolifically until shortly before his death, aged ninety-four, having refused all state honours, including the Order of Merit in 1946. Since Shaw's death scholarly and critical opinion about his works has varied, but he has regularly been rated among British dramatists as second only to Shakespeare ; analysts recognise his extensive influence on generations of English-language playwrights. The word Shavian has entered
6900-422: The modern reader is likely to overlook. In some cases, he demonstrates the likelihood that the author simply forgot a minor detail. In others, apparent slips on the part of the author are presented as evidence that something is going on below the surface of the book which is not explicitly described (such as his explanation for why Sherlock Holmes should mis-address Miss Stoner as Miss Roylott in " The Adventure of
7000-525: The national consensus in welcoming America's entry into the war: "a first class moral asset to the common cause against junkerism ". Three short plays by Shaw were premiered during the war. The Inca of Perusalem , written in 1915, encountered problems with the censor for burlesquing not only the enemy but the British military command; it was performed in 1916 at the Birmingham Repertory Theatre . O'Flaherty V.C. , satirising
7100-411: The next four years Shaw made a negligible income from writing, and was subsidised by his mother. In 1881, for the sake of economy, and increasingly as a matter of principle, he became a vegetarian . In the same year he suffered an attack of smallpox ; eventually he grew a beard to hide the resultant facial scar. In rapid succession he wrote two more novels: The Irrational Knot (1880) and Love Among
7200-475: The one hand and aggressive philistines on the other. Heartbreak House contains a self-mocking depiction of Shaw himself in the central character, Captain Shotover. By 1920, Shaw was in his sixties and had been writing for the theatre for nearly thirty years. His plays included Arms and the Man , The Devil's Disciple , Man and Superman , Major Barbara and Androcles and the Lion . His last play before
7300-408: The part of the managers of Vienna and Berlin that I should have my plays performed by them first." The British production opened in April 1914, starring Sir Herbert Tree and Mrs Patrick Campbell as, respectively, a professor of phonetics and a cockney flower-girl. There had earlier been a romantic liaison between Shaw and Campbell that caused Charlotte Shaw considerable concern, but by the time of
7400-506: The pen-name Corno di Bassetto. In May 1890 he moved back to The World , where he wrote a weekly column as "G.B.S." for more than four years. In the 2016 version of the Grove Dictionary of Music and Musicians , Robert Anderson writes, "Shaw's collected writings on music stand alone in their mastery of English and compulsive readability." Shaw ceased to be a salaried music critic in August 1894, but published occasional articles on
7500-413: The play brilliant but ponderously acted, except for Edith Evans as Lady Utterword. John Sutherland (author) John Andrew Sutherland (born 9 October 1938) is a British academic, newspaper columnist and author. He is Emeritus Lord Northcliffe Professor of Modern English Literature at University College London . After graduating from the University of Leicester in 1964, Sutherland gained
7600-655: The rest of their lives. They retained a London flat in the Adelphi and later at Whitehall Court . During the first decade of the twentieth century, Shaw secured a firm reputation as a playwright. In 1904 J. E. Vedrenne and Harley Granville-Barker established a company at the Royal Court Theatre in Sloane Square , Chelsea to present modern drama. Over the next five years they staged fourteen of Shaw's plays. The first, John Bull's Other Island ,
7700-614: The role with a cast featuring Amy Irving , Rosemary Harris , Dana Ivey and Tom Aldredge . A 2006 Broadway revival starred Philip Bosco as Shotover, with Laila Robins as Ariadne and Swoosie Kurtz as Hesione. The play has been performed several times at the Shaw Festival in Niagara-on-the-Lake, Ontario, Canada, including a production in 1968 directed by Val Gielgud with Jessica Tandy , Paxton Whitehead , Tony Van Bridge and Frances Hyland (this production
7800-553: The same year the critic William Archer suggested a collaboration, with a plot by Archer and dialogue by Shaw. The project foundered, but Shaw returned to the draft as the basis of Widowers' Houses in 1892, and the connection with Archer proved of immense value to Shaw's career. On 5 September 1882 Shaw attended a meeting at the Memorial Hall, Farringdon , addressed by the political economist Henry George . Shaw then read George's book Progress and Poverty , which awakened his interest in economics. He began attending meetings of
7900-583: The society when it followed Shaw. In the Fabians' war manifesto, Fabianism and the Empire (1900), Shaw declared that "until the Federation of the World becomes an accomplished fact we must accept the most responsible Imperial federations available as a substitute for it". As the new century began, Shaw became increasingly disillusioned by the limited impact of the Fabians on national politics. Thus, although
8000-412: The society's "Old Gang", led by Shaw. According to Cole, Wells "had minimal capacity for putting [his ideas] across in public meetings against Shaw's trained and practised virtuosity". In Shaw's view, "the Old Gang did not extinguish Mr Wells, he annihilated himself". Wells resigned from the society in September 1908; Shaw remained a member, but left the executive in April 1911. He later wondered whether
8100-407: The subject throughout his career, his last in 1950. From 1895 to 1898, Shaw was the theatre critic for The Saturday Review , edited by his friend Frank Harris . As at The World , he used the by-line "G.B.S." He campaigned against the artificial conventions and hypocrisies of the Victorian theatre and called for plays of real ideas and true characters. By this time he had embarked in earnest on
8200-460: The two quickly recognised qualities in each other and developed a lifelong friendship. Shaw later reflected: "You knew everything that I didn't know and I knew everything you didn't know ... We had everything to learn from one another and brains enough to do it". Shaw's next attempt at drama was a one-act playlet in French, Un Petit Drame , written in 1884 but not published in his lifetime. In
8300-698: The war was Heartbreak House , written in 1916–17 and performed in 1920. It was produced on Broadway in November, and was coolly received; according to The Times : "Mr Shaw on this occasion has more than usual to say and takes twice as long as usual to say it". After the London premiere in October 1921 The Times concurred with the American critics: "As usual with Mr Shaw, the play is about an hour too long", although containing "much entertainment and some profitable reflection". Ervine in The Observer thought
8400-663: Was Mangan, O. B. Clarence was Mazzini Dunn, Leon Quartermaine was Hector, and Ballard Berkeley was Randall. A revival in March 1937 at the Westminster Theatre featured Cecil Trouncer as Shotover, Agnes Lauchlan as Ariadne, Richard Goolden as Mazzini Dunn, and Alan Napier as Hector. The author supervised the production. In a 1943 revival at the Cambridge Theatre , London, starring Robert Donat as Shotover, Evans switched roles from her two previous productions to play Hesione; her old part as Ariadne
8500-653: Was banned on religious grounds by the Lord Chamberlain (the official theatre censor in England), and was produced instead in Dublin; it filled the Abbey Theatre to capacity. Fanny's First Play , a comedy about suffragettes , had the longest initial run of any Shaw play—622 performances. Androcles and the Lion (1912), a less heretical study of true and false religious attitudes than Blanco Posnet , ran for eight weeks in September and October 1913. It
8600-462: Was broadcast in 1955 with Stephen Murray as Shotover. In 1968 the BBC broadcast a new adaptation, starring Ralph Richardson as Shotover, with Edith Evans reprising her original 1921 role of Ariadne and Elizabeth Sellars as Hesione. A 1998 BBC production starred John Wood as Shotover, Cheryl Campbell as Ariadne and Eleanor Bron as Hesione. The first BBC television broadcast of Heartbreak House
8700-569: Was driven to applying for office jobs. In the interim he secured a reader's pass for the British Museum Reading Room (the forerunner of the British Library ) and spent most weekdays there, reading and writing. His first attempt at drama, begun in 1878, was a blank-verse satirical piece on a religious theme. It was abandoned unfinished, as was his first try at a novel. His first completed novel, Immaturity (1879),
8800-562: Was followed by one of Shaw's most successful plays, Pygmalion , written in 1912 and staged in Vienna the following year, and in Berlin shortly afterwards. Shaw commented, "It is the custom of the English press when a play of mine is produced, to inform the world that it is not a play—that it is dull, blasphemous, unpopular, and financially unsuccessful. ... Hence arose an urgent demand on
8900-522: Was in 1958, with Mark Dignam as Shotover, Diana Churchill as Ariadne, Judy Campbell as Hesione and Tony Britton as Hector. A 1977 BBC adaptation starred John Gielgud as Shotover, Barbara Murray as Ariadne and Siân Phillips as Hesione. George Bernard Shaw George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence as Bernard Shaw , was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from
9000-499: Was never consummated; whether this was wholly at Charlotte's wish, as Shaw liked to suggest, is less widely credited. In the early weeks of the marriage Shaw was much occupied writing his Marxist analysis of Wagner 's Ring cycle , published as The Perfect Wagnerite late in 1898. In 1906 the Shaws found a country home in Ayot St Lawrence , Hertfordshire; they renamed the house " Shaw's Corner ", and lived there for
9100-459: Was published as a serial in To-Day magazine in 1884, although it did not appear in book form until 1887. Cashel Byron appeared in magazine and book form in 1886. In 1884 and 1885, through the influence of Archer, Shaw was engaged to write book and music criticism for London papers. When Archer resigned as art critic of The World in 1886, he secured the succession for Shaw. The two figures in
9200-467: Was recorded and released by Caedmon Records [Caedmon TRS-335]); then in summer 2011 directed by Christopher Newton with Michael Ball as Captain Shotover, Blair Williams as Hector, Patrick McManus as Mazzini, Laurie Paton as Ariadne, Benedict Campbell as Mangan and Robin Evans Willis as Ellie. BBC Radio first broadcast the play in 1951, with Milton Rosmer as Shotover. A second radio adaptation
9300-571: Was reformed in 1899 and the St Pancras vestry became the Metropolitan Borough of St Pancras , he was elected to the newly formed borough council. In 1898, as a result of overwork, Shaw's health broke down. He was nursed by Charlotte Payne-Townshend , a rich Anglo-Irish woman whom he had met through the Webbs. The previous year she had proposed that she and Shaw should marry. He had declined, but when she insisted on nursing him in
9400-738: Was released by Penguin Books . In 2011, he published Lives of the Novelists: A History of Fiction in 294 Lives , an 800-page book containing 294 idiosyncratic sketches of famous and lesser-known novelists selected from the past 400 years. He has also provided the forewords and introductions to a number of titles in the Oxford World's Classics series; for authors such as William Makepeace Thackeray , Anthony Trollope and Wilkie Collins . Similarly for various titles published by Penguin Classics ,
9500-487: Was sceptical about the new party, and scorned the likelihood that it could switch the allegiance of the working class from sport to politics. He persuaded the conference to adopt resolutions abolishing indirect taxation , and taxing unearned income "to extinction". Back in London, Shaw produced what Margaret Cole , in her Fabian history, terms a "grand philippic" against the minority Liberal administration that had taken power in 1892. To Your Tents, O Israel! excoriated
9600-560: Was staged in Berlin and New York (both 1906) before being seen in London. In 1920 the New-York based Theatre Guild asked Shaw for the rights to revive The Devil's Disciple , but instead he offered the Guild the premiere of Heartbreak House , though warning them that instead of pleasing the public for two hours, the play would "put the utmost strain upon their attention for three and send them home exhausted but impressed". Shaw, generally
9700-684: Was taken by Isabel Jeans . A 1950 production at the Arts Theatre featured Walter Fitzgerald as Shotover, Catherine Lacey as Hesione, and Patricia Jessel as Ariadne. A 1961 revival, directed by Frank Hauser for the Oxford Playhouse , transferred to the West End at Wyndham's Theatre , starring Roger Livesey as Shotover, with Dulcie Gray as Ariadne, Michael Denison as Hector, Judy Campbell as Hesione, George Benson as Mangan. A Chichester Festival production transferred to
9800-451: Was too grim to appeal to publishers and did not appear until the 1930s. He was employed briefly by the newly formed Edison Telephone Company in 1879–80 and, as in Dublin, achieved rapid promotion. Nonetheless, when the Edison firm merged with the rival Bell Telephone Company, Shaw chose not to seek a place in the new organisation. Thereafter he pursued a full-time career as an author. For
9900-443: Was uncongenial to the whole spirit of the neo-Gaelic movement, which is bent on creating a new Ireland after its own ideal, whereas my play is a very uncompromising presentment of the real old Ireland." Nonetheless, Shaw and Yeats were close friends; Yeats and Lady Gregory tried unsuccessfully to persuade Shaw to take up the vacant co-directorship of the Abbey Theatre after J. M. Synge 's death in 1909. Shaw admired other figures in
10000-571: Was well received and ran for 125 performances over five months. It was first presented in England on 18 October 1921, at the Court Theatre , London, running for 63 performances. Between the two English-language productions the play had been seen in Vienna in German translation. Ellie Dunn, her father, and her fiancé are invited to one of Hesione Hushabye’s infamous dinner parties, to be held at
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