The display resolution or display modes of a digital television , computer monitor , or other display device is the number of distinct pixels in each dimension that can be displayed. It can be an ambiguous term especially as the displayed resolution is controlled by different factors in cathode-ray tube (CRT) displays, flat-panel displays (including liquid-crystal displays ) and projection displays using fixed picture-element (pixel) arrays.
147-524: It is usually quoted as width × height , with the units in pixels: for example, 1024 × 768 means the width is 1024 pixels and the height is 768 pixels. This example would normally be spoken as "ten twenty-four by seven sixty-eight" or "ten twenty-four by seven six eight". One use of the term display resolution applies to fixed-pixel-array displays such as plasma display panels (PDP), liquid-crystal displays (LCD), Digital Light Processing (DLP) projectors, OLED displays, and similar technologies, and
294-554: A 2880 × 1800 display on the MacBook Pro . Panels for professional environments, such as medical use and air traffic control, support resolutions up to 4096 × 2160 (or, more relevant for control rooms, 1∶1 2048 × 2048 pixels). In recent years the 16:9 aspect ratio has become more common in notebook displays, and 1366 × 768 ( HD ) has become popular for most low-cost notebooks, while 1920 × 1080 ( FHD ) and higher resolutions are available for more premium notebooks. When
441-552: A University of Illinois ECE PhD (in plasma display research) and staff scientist working at CERL (home of the PLATO System ), co-founded Plasmaco with Stephen Globus and IBM plant manager James Kehoe, and bought the plant from IBM for US$ 50,000. Weber stayed in Urbana as CTO until 1990, then moved to upstate New York to work at Plasmaco. In 1992, Fujitsu introduced the world's first 21-inch (53 cm) full-color display. It
588-494: A raster scan to create an image (their panels may still be updated in a left-to-right, top-to-bottom scanning fashion, but always in a progressive fashion, and not necessarily at the same rate as the input signal), and so cannot benefit from interlacing (where older LCDs use a "dual scan" system to provide higher resolution with slower-updating technology, the panel is instead divided into two adjacent halves that are updated simultaneously ): in practice, they have to be driven with
735-479: A seven-segment display for use in adding machines . They became popular for their bright orange luminous look and found nearly ubiquitous use throughout the late 1970s and into the 1990s in cash registers , calculators , pinball machines , aircraft avionics such as radios , navigational instruments , and stormscopes ; test equipment such as frequency counters and multimeters ; and generally anything that previously used nixie tube or numitron displays with
882-405: A shadow mask CRT or color LCD. Plasma panels use pulse-width modulation (PWM) to control brightness: by varying the pulses of current flowing through the different cells thousands of times per second, the control system can increase or decrease the intensity of each subpixel color to create billions of different combinations of red, green and blue. In this way, the control system can produce most of
1029-633: A 7 or 14 MHz bandwidth), suitable for NTSC/PAL encoding (where it was smoothly decimated to 3.5~4.5 MHz). This ability (plus built-in genlocking ) resulted in the Amiga dominating the video production field until the mid-1990s, but the interlaced display mode caused flicker problems for more traditional PC applications where single-pixel detail is required, with "flicker-fixer" scan-doubler peripherals plus high-frequency RGB monitors (or Commodore's own specialist scan-conversion A2024 monitor) being popular, if expensive, purchases amongst power users. 1987 saw
1176-432: A 75 to 90 Hz field rate (i.e. 37.5 to 45 Hz frame rate), and tended to use longer-persistence phosphors in their CRTs, all of which was intended to alleviate flicker and shimmer problems. Such monitors proved generally unpopular, outside of specialist ultra-high-resolution applications such as CAD and DTP which demanded as many pixels as possible, with interlace being a necessary evil and better than trying to use
1323-511: A Hungarian engineer, described a proposed flat-panel plasma display system in a 1936 paper. The first practical plasma video display was co-invented in 1964 at the University of Illinois at Urbana–Champaign by Donald Bitzer , H. Gene Slottow , and graduate student Robert Willson for the PLATO computer system . The goal was to create a display that had inherent memory to reduce the cost of
1470-416: A LED backlight. Older CCFL backlights for LCD panels used quite a bit more power, and older plasma TVs used quite a bit more power than recent models. Plasma displays do not work as well at high altitudes above 6,500 feet (2,000 meters) due to pressure differential between the gases inside the screen and the air pressure at altitude. It may cause a buzzing noise. Manufacturers rate their screens to indicate
1617-402: A cell, creating a voltage difference between front and back. Some of the atoms in the gas of a cell then lose electrons and become ionized , which creates an electrically conducting plasma of atoms, free electrons, and ions. The collisions of the flowing electrons in the plasma with the inert gas atoms leads to light emission; such light-emitting plasmas are known as glow discharges . In
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#17327931822621764-431: A computer display resolution is set higher than the physical screen resolution ( native resolution ), some video drivers make the virtual screen scrollable over the physical screen thus realizing a two dimensional virtual desktop with its viewport. Most LCD manufacturers do make note of the panel's native resolution as working in a non-native resolution on LCDs will result in a poorer image, due to dropping of pixels to make
1911-485: A decade after the first ultra-high-resolution interlaced upgrades appeared for the IBM PC, to provide sufficiently high pixel clocks and horizontal scan rates for hi-rez progressive-scan modes in first professional and then consumer-grade displays, the practice was soon abandoned. For the rest of the 1990s, monitors and graphics cards instead made great play of their highest stated resolutions being "non-interlaced", even where
2058-408: A display with a native 1366 × 768 pixel array). In the case of television inputs, many manufacturers will take the input and zoom it out to " overscan " the display by as much as 5% so input resolution is not necessarily display resolution. The eye's perception of display resolution can be affected by a number of factors – see image resolution and optical resolution . One factor
2205-415: A double rate of progressive frames, resample the frames to the desired resolution and then re-scan the stream at the desired rate, either in progressive or interlaced mode. Interlace introduces a potential problem called interline twitter , a form of moiré . This aliasing effect only shows up under certain circumstances—when the subject contains vertical detail that approaches the horizontal resolution of
2352-410: A fixed bandwidth, interlace provides a video signal with twice the display refresh rate for a given line count (versus progressive scan video at a similar frame rate—for instance 1080i at 60 half-frames per second, vs. 1080p at 30 full frames per second). The higher refresh rate improves the appearance of an object in motion, because it updates its position on the display more often, and when an object
2499-405: A full frame every 1/25 of a second (or 25 frames per second ), but with interlacing create a new half frame every 1/50 of a second (or 50 fields per second). To display interlaced video on progressive scan displays, playback applies deinterlacing to the video signal (which adds input lag ). The European Broadcasting Union argued against interlaced video in production and broadcasting. Until
2646-599: A full-off display. Manufacturers can further artificially improve the reported contrast ratio by increasing the contrast and brightness settings to achieve the highest test values. However, a contrast ratio generated by this method is misleading, as content would be essentially unwatchable at such settings. Each cell on a plasma display must be precharged before it is lit, otherwise the cell would not respond quickly enough. Precharging normally increases power consumption, so energy recovery mechanisms may be in place to avoid an increase in power consumption. This precharging means
2793-443: A high digit-count. These displays were eventually replaced by LEDs because of their low current-draw and module-flexibility, but are still found in some applications where their high brightness is desired, such as pinball machines and avionics. In 1983, IBM introduced a 19-inch (48 cm) orange-on-black monochrome display (Model 3290 Information Panel) which was able to show up to four simultaneous IBM 3270 terminal sessions. By
2940-444: A lesser resolution for a more scaled vector rendering. Some emulators, at higher resolutions, can even mimic the aperture grille and shadow masks of CRT monitors. In 2002, 1024 × 768 eXtended Graphics Array was the most common display resolution. Many web sites and multimedia products were re-designed from the previous 800 × 600 format to the layouts optimized for 1024 × 768 . The availability of inexpensive LCD monitors made
3087-410: A long enough period has passed (with the display either off or on). Plasma manufacturers have tried various ways of reducing burn-in such as using gray pillarboxes, pixel orbiters and image washing routines. Recent models have a pixel orbiter that moves the entire picture slower than is noticeable to the human eye, which reduces the effect of burn-in but does not prevent it. None to date have eliminated
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#17327931822623234-406: A maximum 1.5 MHz, or approximately 160 pixels wide, which led to blurring of the color for 320- or 640-wide signals, and made text difficult to read (see example image below). Many users upgraded to higher-quality televisions with S-Video or RGBI inputs that helped eliminate chroma blur and produce more legible displays. The earliest, lowest cost solution to the chroma problem was offered in
3381-463: A monochrome plasma panel, the gas is mostly neon, and the color is the characteristic orange of a neon-filled lamp (or sign ). Once a glow discharge has been initiated in a cell, it can be maintained by applying a low-level voltage between all the horizontal and vertical electrodes–even after the ionizing voltage is removed. To erase a cell all voltage is removed from a pair of electrodes. This type of panel has inherent memory. A small amount of nitrogen
3528-436: A path similar to text on a page—line by line, top to bottom. The interlaced scan pattern in a standard definition CRT display also completes such a scan, but in two passes (two fields). The first pass displays the first and all odd numbered lines, from the top left corner to the bottom right corner. The second pass displays the second and all even numbered lines, filling in the gaps in the first scan. This scan of alternate lines
3675-547: A phosphor molecule, it momentarily raises the energy level of an outer orbit electron in the phosphor molecule, moving the electron from a stable to an unstable state; the electron then sheds the excess energy as a photon at a lower energy level than UV light; the lower energy photons are mostly in the infrared range but about 40% are in the visible light range. Thus the input energy is converted to mostly infrared but also as visible light. The screen heats up to between 30 and 41 °C (86 and 106 °F) during operation. Depending on
3822-448: A problem of applying the appropriate algorithms to the interlaced signal, as all information should be present in that signal. In practice, results are currently variable, and depend on the quality of the input signal and amount of processing power applied to the conversion. The biggest impediment, at present, is artifacts in the lower quality interlaced signals (generally broadcast video), as these are not consistent from field to field. On
3969-454: A progressive scan signal. The deinterlacing circuitry to get progressive scan from a normal interlaced broadcast television signal can add to the cost of a television set using such displays. Currently, progressive displays dominate the HDTV market. In the 1970s, computers and home video game systems began using TV sets as display devices. At that point, a 480-line NTSC signal was well beyond
4116-411: A sharper 405 line frame (with around 377 used for the actual image, and yet fewer visible within the screen bezel; in modern parlance, the standard would be "377i"). The vertical scan frequency remained 50 Hz, but visible detail was noticeably improved. As a result, this system supplanted John Logie Baird 's 240 line mechanical progressive scan system that was also being trialled at the time. From
4263-457: A slight edge in picture quality and a price advantage for sets at the critical 42" size and larger. By late 2006, several vendors were offering 42" LCDs, albeit at a premium price, encroaching upon plasma's only stronghold. More decisively, LCDs offered higher resolutions and true 1080p support, while plasmas were stuck at 720p , which made up for the price difference. In late 2006, analysts noted that LCDs had overtaken plasmas, particularly in
4410-597: A smaller area using a higher resolution makes the image much clearer or "sharper". However, most recent screen technologies are fixed at a certain resolution; making the resolution lower on these kinds of screens will greatly decrease sharpness, as an interpolation process is used to "fix" the non-native resolution input into the display's native resolution output. While some CRT-based displays may use digital video processing that involves image scaling using memory arrays, ultimately "display resolution" in CRT-type displays
4557-490: A standard television set, the screen is either treated as if it were half the resolution of what it actually is (or even lower), or rendered at full resolution and then subjected to a low-pass filter in the vertical direction (e.g. a "motion blur" type with a 1-pixel distance, which blends each line 50% with the next, maintaining a degree of the full positional resolution and preventing the obvious "blockiness" of simple line doubling whilst actually reducing flicker to less than what
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4704-489: A two-bladed shutter to produce 48 times per second illumination—but only in projectors incapable of projecting at the lower speed. This solution could not be used for television. To store a full video frame and display it twice requires a frame buffer —electronic memory ( RAM )—sufficient to store a video frame. This method did not become feasible until the late 1980s and with digital technology. In addition, avoiding on-screen interference patterns caused by studio lighting and
4851-603: A variability in resolution that fixed resolution LCDs cannot provide. Plasma display panel A plasma display panel is a type of flat-panel display that uses small cells containing plasma : ionized gas that responds to electric fields . Plasma televisions were the first large (over 32 inches diagonal) flat-panel displays to be released to the public. Until about 2007, plasma displays were commonly used in large televisions. By 2013, they had lost nearly all market share due to competition from low-cost liquid crystal displays ( LCD )s. Manufacturing of plasma displays for
4998-558: A video image on an electronic display screen (the other being progressive scan ) by scanning or displaying each line or row of pixels. This technique uses two fields to create a frame. One field contains all odd-numbered lines in the image; the other contains all even-numbered lines. Sometimes in interlaced video a field is called a frame which can lead to confusion. A Phase Alternating Line (PAL)-based television set display, for example, scans 50 fields every second (25 odd and 25 even). The two sets of 25 fields work together to create
5145-445: Is 2048 × 1536 pixels, whereas 4K reference resolution is 4096 × 3072 pixels. Nevertheless, 2K may also refer to resolutions like 2048 × 1556 (full-aperture), 2048 × 1152 ( HDTV , 16:9 aspect ratio) or 2048 × 872 pixels ( Cinemascope , 2.35:1 aspect ratio). It is also worth noting that while a frame resolution may be, for example, 3:2 ( 720 × 480 NTSC), that is not what you will see on-screen (i.e. 4:3 or 16:9 depending on
5292-452: Is (barely) acceptable for small, low brightness displays in dimly lit rooms, whilst 80 Hz or more may be necessary for bright displays that extend into peripheral vision. The film solution was to project each frame of film three times using a three-bladed shutter: a movie shot at 16 frames per second illuminated the screen 48 times per second. Later, when sound film became available, the higher projection speed of 24 frames per second enabled
5439-508: Is 1080i/25. This convention assumes that one complete frame in an interlaced signal consists of two fields in sequence. One of the most important factors in analog television is signal bandwidth, measured in megahertz. The greater the bandwidth, the more expensive and complex the entire production and broadcasting chain. This includes cameras, storage systems, broadcast systems—and reception systems: terrestrial, cable, satellite, Internet, and end-user displays ( TVs and computer monitors ). For
5586-413: Is a (small, usually even) integer number which translates into a set of actual resolutions, depending on the film format . As a reference consider that, for a 4:3 (around 1.33:1) aspect ratio which a film frame (no matter what is its format) is expected to horizontally fit in , n is the multiplier of 1024 such that the horizontal resolution is exactly 1024•n points. For example, 2K reference resolution
5733-438: Is a format of displaying, storing, or transmitting moving images in which all the lines of each frame are drawn in sequence. This is in contrast to interlaced video used in traditional analog television systems where only the odd lines, then the even lines of each frame (each image called a video field ) are drawn alternately, so that only half the number of actual image frames are used to produce video. Televisions are of
5880-431: Is a technique for doubling the perceived frame rate of a video display without consuming extra bandwidth . The interlaced signal contains two fields of a video frame captured consecutively. This enhances motion perception to the viewer, and reduces flicker by taking advantage of the phi phenomenon . The European Broadcasting Union has argued against interlaced video in production and broadcasting. The main argument
6027-413: Is about 6 cm (2.4 in) thick, generally allowing the device's total thickness (including electronics) to be less than 10 cm (3.9 in). Power consumption varies greatly with picture content, with bright scenes drawing significantly more power than darker ones – this is also true for CRTs as well as modern LCDs where LED backlight brightness is adjusted dynamically. The plasma that illuminates
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6174-422: Is added to the neon to increase hysteresis . Plasma panels may be built without nitrogen gas, using xenon, neon, argon, and helium instead with mercury being used in some early displays. In color panels, the back of each cell is coated with a phosphor . The ultraviolet photons emitted by the plasma excite these phosphors, which give off visible light with colors determined by the phosphor materials. This aspect
6321-461: Is affected by different parameters such as spot size and focus, astigmatic effects in the display corners, the color phosphor pitch shadow mask (such as Trinitron ) in color displays, and the video bandwidth. Most television display manufacturers "overscan" the pictures on their displays (CRTs and PDPs, LCDs etc.), so that the effective on-screen picture may be reduced from 720 × 576 (480) to 680 × 550 (450), for example. The size of
6468-520: Is called interlacing . A field is an image that contains only half of the lines needed to make a complete picture. In the days of CRT displays, the afterglow of the display's phosphor aided this effect. Interlacing provides full vertical detail with the same bandwidth that would be required for a full progressive scan, but with twice the perceived frame rate and refresh rate . To prevent flicker, all analog broadcast television systems used interlacing. Format identifiers like 576i50 and 720p50 specify
6615-422: Is captured. These artifacts may be more visible when interlaced video is displayed at a slower speed than it was captured, or in still frames. While there are simple methods to produce somewhat satisfactory progressive frames from the interlaced image, for example by doubling the lines of one field and omitting the other (halving vertical resolution), or anti-aliasing the image in the vertical axis to hide some of
6762-406: Is comparable to fluorescent lamps and to the neon signs that use colored phosphors. Every pixel is made up of three separate subpixel cells, each with different colored phosphors. One subpixel has a red light phosphor, one subpixel has a green light phosphor and one subpixel has a blue light phosphor. These colors blend together to create the overall color of the pixel, the same as a triad of
6909-418: Is equivalent to about 440 total lines of actual picture information from left edge to right edge. Some commentators also use display resolution to indicate a range of input formats that the display's input electronics will accept and often include formats greater than the screen's native grid size even though they have to be down-scaled to match the screen's parameters (e.g. accepting a 1920 × 1080 input on
7056-526: Is normally necessary because plasma displays have to be baked during manufacture to dry the rare-earth phosphors after they are applied to the display. However, high strain point glass may be less scratch resistant. Until the early 2000s, plasma displays were the most popular choice for HDTV flat-panel display as they had many benefits over LCDs. Beyond plasma's deeper blacks, increased contrast, faster response time, greater color spectrum, and wider viewing angle; they were also much bigger than LCDs, and it
7203-548: Is not always noticeable. High-end computer monitors have technologies to try to compensate for the uniformity problem. Contrast ratio is the difference between the brightest and darkest parts of an image, measured in discrete steps, at any given moment. Generally, the higher the contrast ratio, the more realistic the image is (though the "realism" of an image depends on many factors including color accuracy, luminance linearity, and spatial linearity). Contrast ratios for plasma displays are often advertised as high as 5,000,000:1. On
7350-510: Is particularly rare given its much lower line-scanning frequency vs typical "VGA"-or-higher analog computer video modes. Playing back interlaced video from a DVD, digital file or analog capture card on a computer display instead requires some form of deinterlacing in the player software and/or graphics hardware, which often uses very simple methods to deinterlace. This means that interlaced video often has visible artifacts on computer systems. Computer systems may be used to edit interlaced video, but
7497-515: Is possible to select the original 640 × 480 in the Advanced Settings window. Programs designed to mimic older hardware such as Atari, Sega, or Nintendo game consoles (emulators) when attached to multiscan CRTs, routinely use much lower resolutions, such as 160 × 200 or 320 × 400 for greater authenticity, though other emulators have taken advantage of pixelation recognition on circle, square, triangle and other geometric features on
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#17327931822627644-451: Is restored. The computers of the 1980s lacked sufficient power to run similar filtering software.) The advantage of a 720 × 480i overscanned computer was an easy interface with interlaced TV production, leading to the development of Newtek's Video Toaster . This device allowed Amigas to be used for CGI creation in various news departments (example: weather overlays), drama programs such as NBC's seaQuest and The WB's Babylon 5 . In
7791-408: Is simply the physical number of columns and rows of pixels creating the display (e.g. 1920 × 1080 ). A consequence of having a fixed-grid display is that, for multi-format video inputs, all displays need a "scaling engine" (a digital video processor that includes a memory array) to match the incoming picture format to the display. For device displays such as phones, tablets, monitors and televisions,
7938-404: Is sometimes confused with screen burn-in damage. In this mode, when a group of pixels are run at high brightness (when displaying white, for example) for an extended period, a charge build-up in the pixel structure occurs and a ghost image can be seen. However, unlike burn-in, this charge build-up is transient and self-corrects after the image condition that caused the effect has been removed and
8085-443: Is stationary, human vision combines information from multiple similar half-frames to produce the same perceived resolution as that provided by a progressive full frame. This technique is only useful, though, if source material is available in higher refresh rates. Cinema movies are typically recorded at 24fps, and therefore do not benefit from interlacing, a solution which reduces the maximum video bandwidth to 5 MHz without reducing
8232-611: Is that no matter how complex the deinterlacing algorithm may be, the artifacts in the interlaced signal cannot be completely eliminated because some information is lost between frames. Despite arguments against it, television standards organizations continue to support interlacing. It is still included in digital video transmission formats such as DV , DVB , and ATSC . New video compression standards like High Efficiency Video Coding are optimized for progressive scan video, but sometimes do support interlaced video. Progressive scanning (alternatively referred to as noninterlaced scanning )
8379-521: Is the display screen's rectangular shape, which is expressed as the ratio of the physical picture width to the physical picture height. This is known as the aspect ratio . A screen's physical aspect ratio and the individual pixels' aspect ratio may not necessarily be the same. An array of 1280 × 720 on a 16:9 display has square pixels, but an array of 1024 × 768 on a 16:9 display has oblong pixels. An example of pixel shape affecting "resolution" or perceived sharpness: displaying more information in
8526-417: Is the primary reason that interlacing is less suited for computer displays. Each scanline on a high-resolution computer monitor typically displays discrete pixels, each of which does not span the scanline above or below. When the overall interlaced framerate is 60 frames per second, a pixel (or more critically for e.g. windowing systems or underlined text, a horizontal line) that spans only one scanline in height
8673-411: Is visible for the 1/60 of a second that would be expected of a 60 Hz progressive display - but is then followed by 1/60 of a second of darkness (whilst the opposite field is scanned), reducing the per-line/per-pixel refresh rate to 30 frames per second with quite obvious flicker. To avoid this, standard interlaced television sets typically do not display sharp detail. When computer graphics appear on
8820-797: The Atari 2600 Video Computer System and the Apple II+ , both of which offered the option to disable the color and view a legacy black-and-white signal. On the Commodore 64, the GEOS mirrored the Mac OS method of using black-and-white to improve readability. The 640 × 400i resolution ( 720 × 480i with borders disabled) was first introduced by home computers such as the Commodore Amiga and, later, Atari Falcon. These computers used interlace to boost
8967-511: The total number of pixels. In digital measurement, the display resolution would be given in pixels per inch (PPI). In analog measurement, if the screen is 10 inches high, then the horizontal resolution is measured across a square 10 inches wide. For television standards, this is typically stated as "lines horizontal resolution, per picture height"; for example, analog NTSC TVs can typically display about 340 lines of "per picture height" horizontal resolution from over-the-air sources, which
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#17327931822629114-500: The video scaling processor and the upscaling and downscaling algorithms used by each display manufacturer. Early plasma televisions were enhanced-definition (ED) with a native resolution of 840×480 (discontinued) or 852×480 and down-scaled their incoming high-definition video signals to match their native display resolutions. The following ED resolutions were common prior to the introduction of HD displays, but have long been phased out in favor of HD displays, as well as because
9261-470: The 1940s onward, improvements in technology allowed the US and the rest of Europe to adopt systems using progressively higher line-scan frequencies and more radio signal bandwidth to produce higher line counts at the same frame rate, thus achieving better picture quality. However the fundamentals of interlaced scanning were at the heart of all of these systems. The US adopted the 525 line system, later incorporating
9408-436: The 40-inch (100 cm) and above segment where plasma had previously gained market share. Another industry trend was the consolidation of plasma display manufacturers, with around 50 brands available but only five manufacturers. In the first quarter of 2008, a comparison of worldwide TV sales broke down to 22.1 million for direct-view CRT, 21.1 million for LCD, 2.8 million for plasma, and 0.1 million for rear projection. When
9555-562: The 5∶4 aspect ratio resolution of 1280 × 1024 more popular for desktop usage during the first decade of the 21st century. Many computer users including CAD users, graphic artists and video game players ran their computers at 1600 × 1200 resolution ( UXGA ) or higher such as 2048 × 1536 QXGA if they had the necessary equipment. Other available resolutions included oversize aspects like 1400 × 1050 SXGA+ and wide aspects like 1280 × 800 WXGA , 1440 × 900 WXGA+ , 1680 × 1050 WSXGA+ , and 1920 × 1200 WUXGA ; monitors built to
9702-564: The 6, 7 and 8 MHz of bandwidth that NTSC and PAL signals were confined to. IBM's Monochrome Display Adapter and Enhanced Graphics Adapter as well as the Hercules Graphics Card and the original Macintosh computer generated video signals of 342 to 350p, at 50 to 60 Hz, with approximately 16 MHz of bandwidth, some enhanced PC clones such as the AT&T 6300 (aka Olivetti M24 ) as well as computers made for
9849-406: The 720p and 1080p standard were also not unusual among home media and video game players, due to the perfect screen compatibility with movie and video game releases. A new more-than-HD resolution of 2560 × 1600 WQXGA was released in 30-inch LCD monitors in 2007. In 2010, 27-inch LCD monitors with the 2560 × 1440 resolution were released by multiple manufacturers, and in 2012, Apple introduced
9996-517: The Japanese home market managed 400p instead at around 24 MHz, and the Atari ST pushed that to 71 Hz with 32 MHz bandwidth - all of which required dedicated high-frequency (and usually single-mode, i.e. not "video"-compatible) monitors due to their increased line rates. The Commodore Amiga instead created a true interlaced 480i60/576i50 RGB signal at broadcast video rates (and with
10143-455: The PC industry today remains against interlace in HDTV, and lobbied for the 720p standard, and continues to push for the adoption of 1080p (at 60 Hz for NTSC legacy countries, and 50 Hz for PAL); however, 1080i remains the most common HD broadcast resolution, if only for reasons of backward compatibility with older HDTV hardware that cannot support 1080p - and sometimes not even 720p - without
10290-476: The PC world, the IBM PS/2 VGA (multi-color) on-board graphics chips used a non-interlaced (progressive) 640 × 480 × 16 color resolution that was easier to read and thus more useful for office work. It was the standard resolution from 1990 to around 1996. The standard resolution was 800 × 600 until around 2000. Microsoft Windows XP , released in 2001, was designed to run at 800 × 600 minimum, although it
10437-557: The TTL-RGB mode available on the CGA and e.g. BBC Micro were further simplifications to NTSC, which improved picture quality by omitting modulation of color, and allowing a more direct connection between the computer's graphics system and the CRT. By the mid-1980s, computers had outgrown these video systems and needed better displays. Most home and basic office computers suffered from the use of
10584-599: The United States retail market ended in 2014, and manufacturing for the Chinese market ended in 2016. Plasma displays are obsolete, having been superseded in most if not all aspects by OLED displays. Competing display technologies include cathode-ray tube (CRT), organic light-emitting diode (OLED), CRT projectors , AMLCD , Digital Light Processing DLP, SED-tv , LED display , field emission display (FED), and quantum dot display (QLED). Kálmán Tihanyi ,
10731-539: The Z ;axis (away from or towards the camera) will still produce combing, possibly even looking worse than if the fields were joined in a simpler method. Some deinterlacing processes can analyze each frame individually and decide the best method. The best and only perfect conversion in these cases is to treat each frame as a separate image, but that may not always be possible. For framerate conversions and zooming it would mostly be ideal to line-double each field to produce
10878-506: The aforementioned full-frame low-pass filter. This animation demonstrates the interline twitter effect using the Indian Head test card . On the left are two progressive scan images. Center are two interlaced images. Right are two images with line doublers . Top are original resolution, bottom are with anti-aliasing. The two interlaced images use half the bandwidth of the progressive one. The interlaced scan (center) precisely duplicates
11025-551: The altitude parameters. For those who wish to listen to AM radio , or are amateur radio operators (hams) or shortwave listeners (SWL), the radio frequency interference (RFI) from these devices can be irritating or disabling. In their heyday, they were less expensive for the buyer per square inch than LCD, particularly when considering equivalent performance. Plasma displays have wider viewing angles than those of LCD; images do not suffer from degradation at less than straight ahead angles like LCDs. LCDs using IPS technology have
11172-535: The artifacts in the interlaced signal cannot be completely eliminated because some information is lost between frames. Despite arguments against it, television standards organizations continue to support interlacing. It is still included in digital video transmission formats such as DV , DVB , and ATSC . New video compression standards like High Efficiency Video Coding are optimized for progressive scan video, but sometimes do support interlaced video. Progressive scan captures, transmits, and displays an image in
11319-541: The cells cannot achieve a true black, whereas an LED backlit LCD panel can actually turn off parts of the backlight, in "spots" or "patches" (this technique, however, does not prevent the large accumulated passive light of adjacent lamps, and the reflection media, from returning values from within the panel). Some manufacturers have reduced the precharge and the associated background glow, to the point where black levels on modern plasmas are starting to become close to some high-end CRTs Sony and Mitsubishi produced ten years before
11466-423: The cells, along the rear glass plate, and can be opaque. The transparent display electrodes are mounted in front of the cell, along the front glass plate. As can be seen in the illustration, the electrodes are covered by an insulating protective layer. A magnesium oxide layer may be present to protect the dielectric layer and to emit secondary electrons. Control circuitry charges the electrodes that cross paths at
11613-454: The color keyed picture for each eye in the alternating fields. This does not require significant alterations to existing equipment. Shutter glasses can be adopted as well, obviously with the requirement of achieving synchronisation. If a progressive scan display is used to view such programming, any attempt to deinterlace the picture will render the effect useless. For color filtered glasses the picture has to be either buffered and shown as if it
11760-545: The color standards are often used as synonyms for the underlying video standard - NTSC for 525i/60, PAL/SECAM for 625i/50 - there are several cases of inversions or other modifications; e.g. PAL color is used on otherwise "NTSC" (that is, 525i/60) broadcasts in Brazil , as well as vice versa elsewhere, along with cases of PAL bandwidth being squeezed to 3.58 MHz to fit in the broadcast waveband allocation of NTSC, or NTSC being expanded to take up PAL's 4.43 MHz. Interlacing
11907-404: The combing, there are sometimes methods of producing results far superior to these. If there is only sideways (X axis) motion between the two fields and this motion is even throughout the full frame, it is possible to align the scanlines and crop the left and right ends that exceed the frame area to produce a visually satisfactory image. Minor Y axis motion can be corrected similarly by aligning
12054-426: The comparable plasma displays. With an LCD, black pixels are generated by a light polarization method; many panels are unable to completely block the underlying backlight. More recent LCD panels using LED illumination can automatically reduce the backlighting on darker scenes, though this method cannot be used in high-contrast scenes, leaving some light showing from black parts of an image with bright parts, such as (at
12201-534: The composite color standard known as NTSC , Europe adopted the 625 line system, and the UK switched from its idiosyncratic 405 line system to (the much more US-like) 625 to avoid having to develop a (wholly) unique method of color TV. France switched from its similarly unique 819 line monochrome system to the more European standard of 625. Europe in general, including the UK, then adopted the PAL color encoding standard, which
12348-479: The concept of breaking a single image frame into successive interlaced lines, based on his earlier experiments with phototelegraphy. In the USA, RCA engineer Randall C. Ballard patented the same idea in 1932, initially for the purpose of reformatting sound film to television rather than for the transmission of live images. Commercial implementation began in 1934 as cathode-ray tube screens became brighter, increasing
12495-418: The disparity between computer video display systems and interlaced television signal formats means that the video content being edited cannot be viewed properly without separate video display hardware. Current manufacture TV sets employ a system of intelligently extrapolating the extra information that would be present in a progressive signal entirely from an interlaced original. In theory: this should simply be
12642-485: The display module), have a wide color gamut , and can be produced in fairly large sizes—up to 3.8 metres (150 in) diagonally. They had a very low luminance "dark-room" black level compared with the lighter grey of the unilluminated parts of an LCD screen. (As plasma panels are locally lit and do not require a back light, blacks are blacker on plasma and grayer on LCDs.) LED-backlit LCD televisions have been developed to reduce this distinction. The display panel itself
12789-431: The early 2010s, they recommended 720p 50 fps (frames per second) for the current production format—and were working with the industry to introduce 1080p 50 as a future-proof production standard. 1080p 50 offers higher vertical resolution, better quality at lower bitrates, and easier conversion to other formats, such as 720p 50 and 1080i 50. The main argument is that no matter how complex the deinterlacing algorithm may be,
12936-448: The effective picture scan rate of 60 Hz. Given a fixed bandwidth and high refresh rate, interlaced video can also provide a higher spatial resolution than progressive scan. For instance, 1920×1080 pixel resolution interlaced HDTV with a 60 Hz field rate (known as 1080i60 or 1080i/30) has a similar bandwidth to 1280×720 pixel progressive scan HDTV with a 60 Hz frame rate (720p60 or 720p/60), but achieves approximately twice
13083-655: The end of the decade, orange monochrome plasma displays were used in a number of high-end AC -powered portable computers , such as the Ericsson Portable PC (the first use of such a display in 1985), the Compaq Portable 386 (1987) and the IBM P75 (1990). Plasma displays had a better contrast ratio, viewability angle, and less motion blur than the LCDs that were available at the time, and were used until
13230-727: The extreme) a solid black screen with one fine intense bright line. This is called a "halo" effect which has been minimized on newer LED-backlit LCDs with local dimming. Edgelit models cannot compete with this as the light is reflected via a light guide to distribute the light behind the panel. Plasma displays are capable of producing deeper blacks than LCD allowing for a superior contrast ratio. Earlier generation displays (circa 2006 and prior) had phosphors that lost luminosity over time, resulting in gradual decline of absolute image brightness. Newer models have advertised lifespans exceeding 100,000 hours (11 years), far longer than older CRTs . Image burn-in occurs on CRTs and plasma panels when
13377-622: The faster motions inherent in the increasingly popular window-based operating systems, as well as the full-screen scrolling in WYSIWYG word-processors, spreadsheets, and of course for high-action games. Additionally, the regular, thin horizontal lines common to early GUIs, combined with low color depth that meant window elements were generally high-contrast (indeed, frequently stark black-and-white), made shimmer even more obvious than with otherwise lower fieldrate video applications. As rapid technological advancement made it practical and affordable, barely
13524-665: The first 42-inch (107 cm) plasma display panel; it had 852×480 resolution and was progressively scanned. Two years later, Philips introduced at CES and CeBIT the first large commercially available flat-panel TV, using the Fujitsu panels. Philips had plans to sell it for 70,000 french francs. It was released as the Philips 42PW9962. It was available at four Sears locations in the US for $ 14,999, including in-home installation. Pioneer and Fujitsu also began selling plasma televisions that year, and other manufacturers followed. By
13671-431: The following resolutions: As far as digital cinematography is concerned, video resolution standards depend first on the frames' aspect ratio in the film stock (which is usually scanned for digital intermediate post-production) and then on the actual points' count. Although there is not a unique set of standardized sizes, it is commonplace within the motion picture industry to refer to " n K" image "quality", where n
13818-409: The frame rate for progressive scan formats, but for interlaced formats they typically specify the field rate (which is twice the frame rate). This can lead to confusion, because industry-standard SMPTE timecode formats always deal with frame rate, not field rate. To avoid confusion, SMPTE and EBU always use frame rate to specify interlaced formats, e.g., 480i60 is 480i/30, 576i50 is 576i/25, and 1080i50
13965-615: The frame rate isn't doubled in the deinterlaced output. Providing the best picture quality for interlaced video signals without doubling the frame rate requires expensive and complex devices and algorithms, and can cause various artifacts. For television displays, deinterlacing systems are integrated into progressive scan TV sets that accept interlaced signal, such as broadcast SDTV signal. Most modern computer monitors do not support interlaced video, besides some legacy medium-resolution modes (and possibly 1080i as an adjunct to 1080p), and support for standard-definition video (480/576i or 240/288p)
14112-418: The frame rate. I.e., 1080p50 signal produces roughly the same bit rate as 1080i50 (aka 1080i/25) signal, and 1080p50 actually requires less bandwidth to be perceived as subjectively better than its 1080i/25 (1080i50) equivalent when encoding a "sports-type" scene. Interlacing can be exploited to produce 3D TV programming, especially with a CRT display and especially for color filtered glasses by transmitting
14259-400: The full resolution of the progressive image. ALiS plasma panels and the old CRTs can display interlaced video directly, but modern computer video displays and TV sets are mostly based on LCD technology, which mostly use progressive scanning. Displaying interlaced video on a progressive scan display requires a process called deinterlacing . This is can be an imperfect technique, especially if
14406-460: The gas in the cells forms a plasma . With flow of electricity ( electrons ), some of the electrons strike mercury particles as the electrons move through the plasma, momentarily increasing the energy level of the atom until the excess energy is shed. Mercury sheds the energy as ultraviolet (UV) photons. The UV photons then strike phosphor that is painted on the inside of the cell. When the UV photon strikes
14553-659: The graphics abilities of low cost computers, so these systems used a simplified video signal that made each video field scan directly on top of the previous one, rather than each line between two lines of the previous field, along with relatively low horizontal pixel counts. This marked the return of progressive scanning not seen since the 1920s. Since each field became a complete frame on its own, modern terminology would call this 240p on NTSC sets, and 288p on PAL . While consumer devices were permitted to create such signals, broadcast regulations prohibited TV stations from transmitting video like this. Computer monitor standards such as
14700-450: The image fit (when using DVI) or insufficient sampling of the analog signal (when using VGA connector). Few CRT manufacturers will quote the true native resolution, because CRTs are analog in nature and can vary their display from as low as 320 × 200 (emulation of older computers or game consoles) to as high as the internal board will allow, or the image becomes too detailed for the vacuum tube to recreate (i.e., analog blur). Thus, CRTs provide
14847-422: The intended aspect ratio of the original material). Computer monitors have traditionally possessed higher resolutions than most televisions. Many personal computers introduced in the late 1970s and the 1980s were designed to use television receivers as their display devices, making the resolutions dependent on the television standards in use, including PAL and NTSC . Picture sizes were usually limited to ensure
14994-582: The introduction of VGA , on which PCs soon standardized, as well as Apple's Macintosh II range which offered displays of similar, then superior resolution and color depth, with rivalry between the two standards (and later PC quasi-standards such as XGA and SVGA) rapidly pushing up the quality of display available to both professional and home users. In the late 1980s and early 1990s, monitor and graphics card manufacturers introduced newer high resolution standards that once again included interlace. These monitors ran at higher scanning frequencies, typically allowing
15141-467: The introduction of active-matrix color LCD displays in 1992. Due to heavy competition from monochrome LCDs used in laptops and the high costs of plasma display technology, in 1987 IBM planned to shut down its factory in Kingston, New York, the largest plasma plant in the world, in favor of manufacturing mainframe computers , which would have left development to Japanese companies. Dr. Larry F. Weber ,
15288-420: The invisible area somewhat depends on the display device. Some HD televisions do this as well, to a similar extent. Computer displays including projectors generally do not overscan although many models (particularly CRT displays) allow it. CRT displays tend to be underscanned in stock configurations, to compensate for the increasing distortions at the corners. Interlaced video (also known as interlaced scan )
15435-407: The level of flicker caused by progressive (sequential) scanning. In 1936, when the UK was setting analog standards, early thermionic valve based CRT drive electronics could only scan at around 200 lines in 1/50 of a second (i.e. approximately a 10 kHz repetition rate for the sawtooth horizontal deflection waveform). Using interlace, a pair of 202.5-line fields could be superimposed to become
15582-523: The lightest whites are simultaneously measured, yielding the most accurate "real-world" ratings. In contrast, a full-on-full-off test measures the ratio using a pure black screen and a pure white screen, which gives higher values but does not represent a typical viewing scenario. Some displays, using many different technologies, have some "leakage" of light, through either optical or electronic means, from lit pixels to adjacent pixels so that dark pixels that are near bright ones appear less dark than they do during
15729-444: The limits of vacuum tube technology required that CRTs for TV be scanned at AC line frequency. (This was 60 Hz in the US, 50 Hz Europe.) Several different interlacing patents have been proposed since 1914 in the context of still or moving image transmission, but few of them were practicable. In 1926, Ulises Armand Sanabria demonstrated television to 200,000 people attending Chicago Radio World’s Fair. Sanabria’s system
15876-405: The maximum vertical resolution. These modes were only suited to graphics or gaming, as the flickering interlace made reading text in word processor, database, or spreadsheet software difficult. (Modern game consoles solve this problem by pre-filtering the 480i video to a lower resolution. For example, Final Fantasy XII suffers from flicker when the filter is turned off, but stabilizes once filtering
16023-522: The old scanning method, with the highest display resolution being around 640x200 (or sometimes 640x256 in 625-line/50 Hz regions), resulting in a severely distorted tall narrow pixel shape, making the display of high resolution text alongside realistic proportioned images difficult (logical "square pixel" modes were possible but only at low resolutions of 320x200 or less). Solutions from various companies varied widely. Because PC monitor signals did not need to be broadcast, they could consume far more than
16170-425: The old unprocessed NTSC signal, the screens do not all follow motion in perfect synchrony. Some models appear to update slightly faster or slower than others. Similarly, the audio can have an echo effect due to different processing delays. When motion picture film was developed, the movie screen had to be illuminated at a high rate to prevent visible flicker . The exact rate necessary varies by brightness — 50 Hz
16317-446: The other hand, high bit rate interlaced signals such as from HD camcorders operating in their highest bit rate mode work well. Deinterlacing algorithms temporarily store a few frames of interlaced images and then extrapolate extra frame data to make a smooth flicker-free image. This frame storage and processing results in a slight display lag that is visible in business showrooms with a large number of different models on display. Unlike
16464-401: The other. Plasma screens use significantly more energy than CRT and LCD screens. Interlaced video Interlaced video (also known as interlaced scan ) is a technique for doubling the perceived frame rate of a video display without consuming extra bandwidth . The interlaced signal contains two fields of a video frame captured consecutively. This enhances motion perception to
16611-405: The overall framerate was barely any higher than what it had been for the interlaced modes (e.g. SVGA at 56p versus 43i to 47i), and usually including a top mode technically exceeding the CRT's actual resolution (number of color-phosphor triads) which meant there was no additional image clarity to be gained through interlacing and/or increasing the signal bandwidth still further. This experience is why
16758-973: The overall pixel count in ED displays is lower than the pixel count on SD PAL displays (852×480 vs 720×576, respectively). Early high-definition (HD) plasma displays had a resolution of 1024x1024 and were alternate lighting of surfaces (ALiS) panels made by Fujitsu and Hitachi . These were interlaced displays, with non-square pixels. Later HDTV plasma televisions usually have a resolution of 1,024×768 found on many 42 inch plasma screens, 1280×768 and 1,366×768 found on 50 in, 60 in, and 65 in plasma screens, or 1920×1080 found on plasma screen sizes from 42 inch to 103 inch. These displays are usually progressive displays, with non-square pixels, and will up-scale and de-interlace their incoming standard-definition signals to match their native display resolutions. 1024×768 resolution requires that 720p content be downscaled in one direction and upscaled in
16905-445: The phosphors used, different colors of visible light can be achieved. Each pixel in a plasma display is made up of three cells comprising the primary colors of visible light. Varying the voltage of the signals to the cells thus allows different perceived colors. The long electrodes are stripes of electrically conducting material that also lies between the glass plates in front of and behind the cells. The "address electrodes" sit behind
17052-418: The pixels of the progressive image (left), but interlace causes details to twitter. A line doubler operating in "bob" (interpolation) mode would produce the images at far right. Real interlaced video blurs such details to prevent twitter, as seen in the bottom row, but such softening (or anti-aliasing) comes at the cost of image clarity. But even the best line doubler could never restore the bottom center image to
17199-493: The plasma displays' relatively large screen size and 1 inch thickness made them suitable for high-profile placement in lobbies and stock exchanges. Burroughs Corporation , a maker of adding machines and computers, developed the Panaplex display in the early 1970s. The Panaplex display, generically referred to as a gas-discharge or gas-plasma display, uses the same technology as later plasma video displays, but began life as
17346-409: The power (around 500–700 watts) of a "home" setting of less extreme brightness. The lifetime of the latest generation of plasma displays is estimated at 100,000 hours (11 years) of actual display time, or 27 years at 10 hours per day. This is the estimated time over which maximum picture brightness degrades to half the original value. Plasma screens are made out of glass, which may result in glare on
17493-415: The problem and all plasma manufacturers continue to exclude burn-in from their warranties. Fixed-pixel displays such as plasma TVs scale the video image of each incoming signal to the native resolution of the display panel. The most common native resolutions for plasma display panels are 852×480 ( EDTV ), 1,366×768 and 1920×1080 ( HDTV ). As a result, picture quality varies depending on the performance of
17640-525: The progressive-scan equivalents. Whilst flicker was often not immediately obvious on these displays, eyestrain and lack of focus nevertheless became a serious problem, and the trade-off for a longer afterglow was reduced brightness and poor response to moving images, leaving visible and often off-colored trails behind. These colored trails were a minor annoyance for monochrome displays, and the generally slower-updating screens used for design or database-query purposes, but much more troublesome for color displays and
17787-412: The sales figures for the 2007 Christmas season were finally tallied, analysts were surprised to find that not only had LCD outsold plasma, but CRTs as well, during the same period. This development drove competing large-screen systems from the market almost overnight. The February 2009 announcement that Pioneer Electronics was ending production of plasma screens was widely considered the tipping point in
17934-473: The same picture is displayed for long periods. This causes the phosphors to overheat, losing some of their luminosity and producing a "shadow" image that is visible with the power off. Burn-in is especially a problem on plasma panels because they run hotter than CRTs. Early plasma televisions were plagued by burn-in, making it impossible to use video games or anything else that displayed static images. Plasma displays also exhibit another image retention issue which
18081-445: The scanlines in a different sequence and cropping the excess at the top and bottom. Often the middle of the picture is the most necessary area to put into check, and whether there is only X or Y axis alignment correction, or both are applied, most artifacts will occur towards the edges of the picture. However, even these simple procedures require motion tracking between the fields, and a rotating or tilting object, or one that moves in
18228-409: The screen can reach a temperature of at least 1,200 °C (2,190 °F). Typical power consumption is 400 watts for a 127 cm (50 in) screen. Most screens are set to "vivid" mode by default in the factory (which maximizes the brightness and raises the contrast so the image on the screen looks good under the extremely bright lights that are common in big box stores), which draws at least twice
18375-851: The screen from nearby light sources. Plasma display panels cannot be economically manufactured in screen sizes smaller than 82 centimetres (32 in). Although a few companies have been able to make plasma enhanced-definition televisions (EDTV) this small, even fewer have made 32 inch plasma HDTVs . With the trend toward large-screen television technology , the 32 inch screen size was rapidly disappearing by mid-2009. Though considered bulky and thick compared with their LCD counterparts, some sets such as Panasonic 's Z1 and Samsung 's B860 series are as slim as 2.5 cm (1 in) thick making them comparable to LCDs in this respect. Plasma displays are generally heavier than LCD and may require more careful handling, such as being kept upright. Plasma displays use more electrical power, on average, than an LCD TV using
18522-486: The shipments of plasma TVs reached 18.2 million units globally. Since that time, shipments of plasma TVs have declined substantially. This decline has been attributed to the competition from liquid crystal (LCD) televisions, whose prices have fallen more rapidly than those of the plasma TVs. In late 2013, Panasonic announced that they would stop producing plasma TVs from March 2014 onwards. In 2014, LG and Samsung discontinued plasma TV production as well, effectively killing
18669-404: The simpler approach would achieve). If text is displayed, it is large enough so that any horizontal lines are at least two scanlines high. Most fonts for television programming have wide, fat strokes, and do not include fine-detail serifs that would make the twittering more visible; in addition, modern character generators apply a degree of anti-aliasing that has a similar line-spanning effect to
18816-399: The spatial resolution for low-motion scenes. However, bandwidth benefits only apply to an analog or uncompressed digital video signal. With digital video compression, as used in all current digital TV standards, interlacing introduces additional inefficiencies. EBU has performed tests that show that the bandwidth savings of interlaced video over progressive video is minimal, even with twice
18963-452: The surface, this is a significant advantage of plasma over most other current display technologies, a notable exception being organic light-emitting diode . Although there are no industry-wide guidelines for reporting contrast ratio, most manufacturers follow either the ANSI standard or perform a full-on-full-off test. The ANSI standard uses a checkered test pattern whereby the darkest blacks and
19110-411: The technical difference is simply that of either starting/ending the vertical sync cycle halfway along a scanline every other frame (interlace), or always synchronising right at the start/end of a line (progressive). Interlace is still used for most standard definition TVs, and the 1080i HDTV broadcast standard, but not for LCD , micromirror ( DLP ), or most plasma displays ; these displays do not use
19257-672: The technology's history as well. Screen sizes have increased since the introduction of plasma displays. The largest plasma video display in the world at the 2008 Consumer Electronics Show in Las Vegas , Nevada , was a 150-inch (380 cm) unit manufactured by Matsushita Electric Industrial (Panasonic) standing 6 ft (180 cm) tall by 11 ft (340 cm) wide. At the 2010 Consumer Electronics Show in Las Vegas, Panasonic introduced their 152" 2160p 3D plasma. In 2010, Panasonic shipped 19.1 million plasma TV panels. In 2010,
19404-402: The technology, probably because of lowering demand. A panel of a plasma display typically comprises millions of tiny compartments in between two panels of glass. These compartments, or "bulbs" or "cells", hold a mixture of noble gases and a minuscule amount of another gas (e.g., mercury vapor). Just as in the fluorescent lamps over an office desk, when a high voltage is applied across the cell,
19551-425: The terminals. The original neon orange monochrome Digivue display panels built by glass producer Owens-Illinois were very popular in the early 1970s because they were rugged and needed neither memory nor circuitry to refresh the images. A long period of sales decline occurred in the late 1970s because semiconductor memory made CRT displays cheaper than the $ 2500 USD 512 × 512 PLATO plasma displays. Nevertheless,
19698-441: The use of the term display resolution as defined above is a misnomer, though common. The term display resolution is usually used to mean pixel dimensions , the maximum number of pixels in each dimension (e.g. 1920 × 1080 ), which does not tell anything about the pixel density of the display on which the image is actually formed: resolution properly refers to the pixel density , the number of pixels per unit distance or area, not
19845-471: The vertical resolution in progress. 160 × 200 , 320 × 200 and 640 × 200 on NTSC were relatively common resolutions in the era (224, 240 or 256 scanlines were also common). In the IBM PC world, these resolutions came to be used by 16-color EGA video cards. One of the drawbacks of using a classic television is that the computer display resolution is higher than the television could decode. Chroma resolution for NTSC/PAL televisions are bandwidth-limited to
19992-405: The video format. For instance, a finely striped jacket on a news anchor may produce a shimmering effect. This is twittering . Television professionals avoid wearing clothing with fine striped patterns for this reason. Professional video cameras or computer-generated imagery systems apply a low-pass filter to the vertical resolution of the signal to prevent interline twitter. Interline twitter
20139-545: The viewer, and reduces flicker by taking advantage of the characteristics of the human visual system. This effectively doubles the time resolution (also called temporal resolution ) as compared to non-interlaced footage (for frame rates equal to field rates). Interlaced signals require a display that is natively capable of showing the individual fields in a sequential order. CRT displays and ALiS plasma displays are made for displaying interlaced signals. Interlaced scan refers to one of two common methods for "painting"
20286-422: The visibility of all the pixels in the major television standards and the broad range of television sets with varying amounts of over scan. The actual drawable picture area was, therefore, somewhat smaller than the whole screen, and was usually surrounded by a static-colored border (see image below). Also, the interlace scanning was usually omitted in order to provide more stability to the picture, effectively halving
20433-463: The visible colors. Plasma displays use the same phosphors as CRTs, which accounts for the extremely accurate color reproduction when viewing television or computer video images (which use an RGB color system designed for CRT displays). To produce light, the cells need to be driven at a relatively high voltage (~300 volts) and the pressure of the gases inside the cell needs to be low (~500 torr). Plasma displays are bright (1,000 lux or higher for
20580-638: The widest angles, but they do not equal the range of plasma primarily due to "IPS glow", a generally whitish haze that appears due to the nature of the IPS pixel design. Plasma displays have less visible motion blur , thanks in large part to very high refresh rates and a faster response time , contributing to superior performance when displaying content with significant amounts of rapid motion such as auto racing, hockey, baseball, etc. Plasma displays have superior uniformity to LCD panel backlights, which nearly always produce uneven brightness levels, although this
20727-455: The year 2000 prices had dropped to $ 10,000. In the year 2000, the first 60-inch plasma display was developed by Plasmaco. Panasonic was also reported to have developed a process to make plasma displays using ordinary window glass instead of the much more expensive "high strain point" glass. High strain point glass is made similarly to conventional float glass, but it is more heat resistant, deforming at higher temperatures. High strain point glass
20874-508: Was based on technology created at the University of Illinois at Urbana–Champaign and NHK Science & Technology Research Laboratories . In 1994, Weber demonstrated a color plasma display at an industry convention in San Jose. Panasonic Corporation began a joint development project with Plasmaco, which led in 1996 to the purchase of Plasmaco, its color AC technology, and its American factory for US$ 26 million. In 1995, Fujitsu introduced
21021-519: Was believed that LCDs were suited only to smaller sized televisions. Plasma had overtaken rear-projection systems in 2005. However, improvements in LCD fabrication narrowed the technological gap. The increased size, lower weight, falling prices, and often lower electrical power consumption of LCDs made them competitive with plasma television sets. In 2006, LCD prices started to fall rapidly and their screen sizes increased, although plasma televisions maintained
21168-423: Was essentially based on NTSC, but inverted the color carrier phase with each line (and frame) in order to cancel out the hue-distorting phase shifts that dogged NTSC broadcasts. France instead adopted its own unique, twin-FM-carrier based SECAM system, which offered improved quality at the cost of greater electronic complexity, and was also used by some other countries, notably Russia and its satellite states. Though
21315-507: Was mechanically scanned using a 'triple interlace' Nipkow disc with three offset spirals and was thus a 3:1 scheme rather than the usual 2:1. It worked with 45 line 15 frames per second images being transmitted. With 15 frames per second and a 3:1 interlace the field rate was 45 fields per second yielding (for the time) a very steady image. He did not apply for a patent for his interlaced scanning until May 1931. In 1930, German Telefunken engineer Fritz Schröter first formulated and patented
21462-603: Was progressive with alternating color keyed lines, or each field has to be line-doubled and displayed as discrete frames. The latter procedure is the only way to suit shutter glasses on a progressive display. Interlaced video is designed to be captured, stored, transmitted, and displayed in the same interlaced format. Because each interlaced video frame is two fields captured at different moments in time, interlaced video frames can exhibit motion artifacts known as interlacing effects , or combing , if recorded objects move fast enough to be in different positions when each individual field
21609-400: Was ubiquitous in displays until the 1970s, when the needs of computer monitors resulted in the reintroduction of progressive scan, including on regular TVs or simple monitors based on the same circuitry; most CRT based displays are entirely capable of displaying both progressive and interlace regardless of their original intended use, so long as the horizontal and vertical frequencies match, as
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