Misplaced Pages

#258741

80-517: JFX may refer to: JavaFX , a software platform Jones Falls Expressway , a freeway in Baltimore, Maryland Walker County Airport , in Alabama, United States Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title JFX . If an internal link led you here, you may wish to change

160-430: A monospaced ( non-proportional or fixed-width ) typeface uses a single standard width for all glyphs in the font. Duospaced fonts are similar to monospaced fonts, but characters can also be two character widths instead of a single character width. Many people generally find proportional typefaces nicer-looking and easier to read, and thus they appear more commonly in professionally published printed material. For

240-403: A vector font . Bitmap fonts were more commonly used in the earlier stages of digital type, and are rarely used today. These bitmapped typefaces were first produced by Casady & Greene, Inc. and were also known as Fluent Fonts. Fluent Fonts became mostly obsolete with the creation of downloadable PostScript fonts, and these new fonts are called Fluent Laser Fonts (FLF). When an outline font

320-458: A computer file containing scalable outline letterforms ( digital font ), in one of several common formats. Some typefaces, such as Verdana , are designed primarily for use on computer screens . Digital type became the dominant form of type in the late 1980s and early 1990s. Digital fonts store the image of each character either as a bitmap in a bitmap font , or by mathematical description of lines and curves in an outline font , also called

400-405: A font family is a set of fonts within the same typeface: for example Times Roman 8, Times Roman 10, Times Roman 12 etc. In web typography (using span style="font-family: ), a 'font family' equates to a 'typeface family' or even to a very broad category such as sans-serif that encompass many typeface families. Another way to look at the distinction between font and typeface is that a font

480-457: A bracketed serif and a substantial difference in weight within the strokes. Though some argument exists as to whether Transitional fonts exist as a discrete category among serif fonts, Transitional fonts lie somewhere between Old Style and Modern style typefaces. Transitional fonts exhibit a marked increase in the variation of stroke weight and a more horizontal serif compared to Old Style. Slab serif designs have particularly large serifs, and date to

560-451: A complementary set of numeric digits. Numbers can be typeset in two main independent sets of ways: lining and non-lining figures , and proportional and tabular styles. Most modern typefaces set numeric digits by default as lining figures, which are the height of upper-case letters. Non-lining figures , styled to match lower-case letters, are often common in fonts intended for body text, as they are thought to be less disruptive to

640-612: A comprehensive vocabulary for describing the many aspects of typefaces and typography. Some vocabulary applies only to a subset of all scripts . Serifs , for example, are a purely decorative characteristic of typefaces used for European scripts, whereas the glyphs used in Arabic or East Asian scripts have characteristics (such as stroke width) that may be similar in some respects but cannot reasonably be called serifs and may not be purely decorative. Typefaces can be divided into two main categories: serif and sans serif . Serifs comprise

720-540: A document without changing the document's text flow are said to be "metrically identical" (or "metrically compatible"). Several typefaces have been created to be metrically compatible with widely used proprietary typefaces to allow the editing of documents set in such typefaces in digital typesetting environments where these typefaces are not available. For instance, the free and open-source Liberation fonts and Croscore fonts have been designed as metrically compatible substitutes for widely used Microsoft fonts. During

800-453: A film strip (in the form of a film negative, with the letters as clear areas on an opaque black background). A high-intensity light source behind the film strip projected the image of each glyph through an optical system, which focused the desired letter onto the light-sensitive phototypesetting paper at a specific size and position. This photographic typesetting process permitted optical scaling , allowing designers to produce multiple sizes from

880-439: A glyph rising above the x-height as the ascender . The distance from the baseline to the top of the ascent or a regular uppercase glyphs (cap line) is also known as the cap height. The height of the ascender can have a dramatic effect on the readability and appearance of a font. The ratio between the x-height and the ascent or cap height often serves to characterize typefaces. Typefaces that can be substituted for one another in

SECTION 10

#1732779529259

960-596: A main typeface have been in use for centuries. In some formats they have been marketed as separate fonts. In the early 1990s, the Adobe Systems type group introduced the idea of expert set fonts, which had a standardized set of additional glyphs, including small caps , old style figures , and additional superior letters, fractions and ligatures not found in the main fonts for the typeface. Supplemental fonts have also included alternate letters such as swashes , dingbats , and alternate character sets, complementing

1040-678: A monospaced font for proper viewing, with the exception of Shift JIS art which takes advantage of the proportional characters in the MS PGothic font. In a web page , the <tt> </tt> , <code> </code> or <pre> </pre> HTML tags most commonly specify monospaced fonts. In LaTeX , the verbatim environment or the Teletype font family (e.g., \texttt{...} or {\ttfamily ...} ) uses monospaced fonts (in TeX , use {\tt ...} ). Any two lines of text with

1120-400: A new declarative XML language called FXML . On April 27, 2012, Oracle released version 2.1 of JavaFX, which includes the following main features: On August 14, 2012, Oracle released version 2.2 of JavaFX, which includes the following main features: JavaFX 2.2 adds new packaging option called Native Packaging, allowing packaging of an application as a "native bundle". This gives users

1200-406: A result of revival, such as Linotype Syntax , Linotype Univers ; while others have alternate styling designed as compatible replacements of each other, such as Compatil , Generis . Font superfamilies began to emerge when foundries began to include typefaces with significant structural differences, but some design relationship, under the same general family name. Arguably the first superfamily

1280-474: A separately distributable open-source module." JavaFX will continue to be supported in the future by the company Gluon as a downloadable module in addition to the JDK. As of March 2014 JavaFX is deployed on Microsoft Windows , OS X , and Linux . Oracle has an internal port of JavaFX on iOS and Android . Support for ARM is available starting with JavaFX 8 On February 11, 2013, Richard Bair, chief architect of

1360-433: A single font, although physical constraints on the reproduction system used still required design changes at different sizes; for example, ink traps and spikes to allow for spread of ink encountered in the printing stage. Manually operated photocomposition systems using fonts on filmstrips allowed fine kerning between letters without the physical effort of manual typesetting, and spawned an enlarged type design industry in

1440-530: A specific class of devices, the JavaFX 1.1 platform includes APIs that are desktop or mobile-specific. For example, the JavaFX Desktop profile includes Swing and advanced visual effects. For the end user, the "Drag-to-Install" feature enables them to drag a JavaFX widget - an application residing in a website - and drop it onto their desktop. The application will not lose its state or context even after

1520-444: A specific size is known as optical sizing . Others will be offered in only one style, but optimised for a specific size. Optical sizes are particularly common for serif fonts, since the fine detail of serif fonts can need to be bulked up for smaller sizes. Typefaces may also be designed differently considering the type of paper on which they will be printed. Designs to be printed on absorbent newsprint paper will be more slender as

1600-488: A standard feature of so-called monospaced fonts , used in programming and on typewriters. However, many fonts that are not monospaced use tabular figures. More complex font designs may include two or more combinations with one as the default and others as alternate characters. Of the four possibilities, non-lining tabular figures are particularly rare since there is no common use for them. Fonts intended for professional use in documents such as business reports may also make

1680-422: A typeface. Typefaces with serifs are often considered easier to read in long passages than those without. Studies on the matter are ambiguous, suggesting that most of this effect is due to the greater familiarity of serif typefaces. As a general rule, printed works such as newspapers and books almost always use serif typefaces, at least for the text body. Websites do not have to specify a font and can simply respect

SECTION 20

#1732779529259

1760-700: A way to install and run an application without any external dependencies on a system JRE or FX SDK. As of Oracle Java SE 7 update 6 and JavaFX 2.2, JavaFX is bundled to be installed with Oracle Java SE platform. Oracle also announced in November 2012 the open sourcing of Decora, a DSL Shader language for JavaFX allowing to generate Shaders for OpenGL and Direct3D . Oracle wrote in its Client Support Roadmap that JavaFX new fixes will continue to be supported on Java SE 8 through March 2025. Previously, Oracle announced that they are "working with interested third parties to make it easier to build and maintain JavaFX as

1840-601: Is available as part of the JavaFX SDK 1.3 Release. WebView , the embedded web browser component, uses the WebKit browser engine . It supports the usual HTML5 features such as canvas, media, meter, progress, details and summary tags as well as MathML, SVG, JavaScript and CSS. WebAssembly support is not enabled. JavaFX Mobile was the implementation of the JavaFX platform for rich web applications aimed at mobile devices . JavaFX Mobile 1.x applications can be developed in

1920-414: Is capable of running on multiple mobile operating systems, including Android , Windows Mobile , and proprietary real-time operating systems . JavaFX Mobile was publicly available as part of the JavaFX 1.1 release announced by Sun Microsystems on February 12, 2009. Sun planned to enable out-of-the-box support of JavaFX on the devices by working with handset manufacturers and mobile operators to preload

2000-488: Is implemented as a Java library, and applications using JavaFX are written in normal Java code. The scripting language was scrapped by Oracle, however the development of it continued for a few years in the Visage project, finally ending in 2013. Sun Microsystems licensed a custom typeface called Amble for use on JavaFX-powered devices. The font family was designed by mobile user interface design specialist Punchcut and

2080-457: Is no longer valid, as a single font may be scaled to any size. The first "extended" font families, which included a wide range of widths and weights in the same general style emerged in the early 1900s, starting with ATF 's Cheltenham (1902–1913), with an initial design by Bertram Grosvenor Goodhue, and many additional faces designed by Morris Fuller Benton . Later examples include Futura , Lucida , ITC Officina . Some became superfamilies as

2160-512: Is someone who uses typefaces to design a page layout). Every typeface is a collection of glyphs , each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for characters from different writing systems , e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha (Α). There are typefaces tailored for special applications, such as cartography , astrology or mathematics . In professional typography ,

2240-471: Is still used by TeX and its variants. Applications using these font formats, including the rasterizers, appear in Microsoft and Apple Computer operating systems , Adobe Systems products and those of several other companies. Digital fonts are created with font editors such as FontForge , RoboFont, Glyphs, Fontlab 's TypeTool, FontLab Studio, Fontographer, or AsiaFont Studio. Typographers have developed

2320-472: Is the name of the class of typefaces used with the earliest printing presses in Europe, which imitated the calligraphy style of that time and place. Various forms exist including textualis , rotunda , schwabacher and fraktur . (Some people refer to Blackletter as " gothic script " or "gothic font", though the term "Gothic" in typography refers to sans serif typefaces. ) Gaelic fonts were first used for

2400-463: Is the vessel (e.g. the software) that allows you to use a set of characters with a given appearance, whereas a typeface is the actual design of such characters. Therefore, a given typeface, such as Times, may be rendered by different fonts, such as computer font files created by this or that vendor, a set of metal type characters etc. In the metal type era, a font also meant a specific point size, but with digital scalable outline fonts this distinction

2480-457: Is typically a group of related typefaces which vary only in weight, orientation, width , etc., but not design. For example, Times is a typeface family, whereas Times Roman, Times Italic and Times Bold are individual typefaces making up the Times family. Typeface families typically include several typefaces, though some, such as Helvetica , may consist of dozens of fonts. In traditional typography,

JFX - Misplaced Pages Continue

2560-410: Is used, a rasterizing routine (in the application software, operating system or printer) renders the character outlines, interpreting the vector instructions to decide which pixels should be black and which ones white. Rasterization is straightforward at high resolutions such as those used by laser printers and in high-end publishing systems. For computer screens , where each individual pixel can mean

2640-510: The Irish language in 1571, and were used regularly for Irish until the early 1960s, though they continue to be used in display type and type for signage. Their use was effectively confined to Ireland, though Gaelic typefaces were designed and produced in France, Belgium, and Italy. Gaelic typefaces make use of insular letterforms, and early fonts made use of a variety of abbreviations deriving from

2720-531: The OpenJDK under the OpenJFX project, in order to increase the pace of its development. Open-source JavaFXPorts works for iOS (iPhone and iPad) and Android. The related commercial software created under the name "Gluon" supports the same mobile platforms with additional features plus desktop. This allows a single source code base to create applications for the desktop, iOS, and Android devices. JavaFX 1.1

2800-472: The cap-height , the height of the capital letters. Font size is also commonly measured in millimeters (mm) and q s (a quarter of a millimeter, kyu in romanized Japanese) and inches. Type foundries have cast fonts in lead alloys from the 1450s until the present, although wood served as the material for some large fonts called wood type during the 19th century, particularly in the United States . In

2880-579: The 1890s, the mechanization of typesetting allowed automated casting of fonts on the fly as lines of type in the size and length needed. This was known as continuous casting, and remained profitable and widespread until its demise in the 1970s. The first machine of this type was the Linotype machine , invented by Ottmar Mergenthaler . During a brief transitional period ( c.  1950s –1990s), photographic technology, known as phototypesetting , utilized tiny high-resolution images of individual glyphs on

2960-521: The 1960s and 1970s. By the mid-1970s, all of the major typeface technologies and all their fonts were in use: letterpress; continuous casting machines; phototypositors; computer-controlled phototypesetters; and the earliest digital typesetters – bulky machines with primitive processors and CRT outputs. From the mid-1980s, as digital typography has grown, users have almost universally adopted the American spelling font , which has come to primarily refer to

3040-658: The Client Java Platform at Oracle, announced that Oracle would open-source the iOS and Android implementations of its JavaFX platform in the next two months. Starting with version 8u33 of JDK for ARM, support for JavaFX Embedded has been removed. Typeface A typeface (or font family ) is a design of letters , numbers and other symbols , to be used in printing or for electronic display. Most typefaces include variations in size (e.g., 24 point), weight (e.g., light, bold), slope (e.g., italic), width (e.g., condensed), and so on. Each of these variations of

3120-725: The JavaFX Mobile runtime on the handsets. JavaFX Mobile running on an Android was demonstrated at JavaOne 2008 and selected partnerships (incl. LG Electronics , Sony Ericsson ) were announced at the JavaFX Mobile launch in February, 2009. The JavaFX platform includes the following components: JavaFX is now part of the JRE/JDK for Java 8 (released on March 18, 2014) and has the same numbering, i.e., JavaFX 8. JavaFX 8 adds several new features, including: JavaFX 9 features were centered on extracting some useful private APIs from

3200-527: The JavaFX code to make these APIs public: Oracle announced their intention to stop bundling JavaFX in their build of JDK 11 and later. It is no longer bundled with the latest version. JavaFX 11 was first shipped in September 2018. JavaFX 12 was first shipped in March 2019. JavaFX 13 shipped in September 2019. JavaFX 14 was released in March 2020. JavaFX 15 was released in September 2020. JavaFX 16

3280-493: The JavaFX plugin for NetBeans 6.1 . Major releases since JavaFX 1.1 have a release name based on a street or neighborhood in San Francisco . Update releases typically do not have a release name. On December 4, 2008, Sun released JavaFX 1.0.2. JavaFX for mobile development was finally made available as part of the JavaFX 1.1 release (named Franca ) announced officially on February 12, 2009. JavaFX 1.2 (named Marina )

JFX - Misplaced Pages Continue

3360-582: The JavaTaskBase class is no longer necessary since all the APIs are in Java, and the requirement to have a callback interface and Java implementation class are no longer necessary). In addition, the scene graph has been designed to allow scenes to be constructed on background threads and then attached to "live" scenes in a threadsafe manner. On May 26, 2011, Oracle released the JavaFX 2.0 Beta. The beta release

3440-455: The baseline and the top of the glyph that reaches farthest from the baseline. The ascent and descent may or may not include distance added by accents or diacritical marks. In the Latin , Greek and Cyrillic (sometimes collectively referred to as LGC) scripts, one can refer to the distance from the baseline to the top of regular lowercase glyphs ( mean line ) as the x-height , and the part of

3520-449: The bold-style tabular figures take up the same width as the regular (non-bold) numbers, so a bold-style total would appear just as wide as the same sum in regular style. Because an abundance of typefaces has been created over the centuries, they are commonly categorized according to their appearance. At the highest level (in the context of Latin-script fonts), one can differentiate Roman, Blackletter, and Gaelic types. Roman types are in

3600-415: The browser and desktop by the third quarter of 2008, and JavaFX for mobile devices in the second quarter of 2009. Sun also announced a multi-year agreement with On2 Technologies to bring comprehensive video capabilities to the JavaFX product family using the company's TrueMotion Video codec . Since end of July 2008, developers could download a preview of the JavaFX SDK for Windows and Macintosh, as well as

3680-412: The browser is closed. An application can also be re-launched by clicking on a shortcut that gets created automatically on the user's desktop. This behavior is enabled out-of-the-box by the Java applet mechanism since the Java 6u10 update, and is leveraged by JavaFX from the underlying Java layer. Sun touts "Drag-to-Install" as opening up of a new distribution model and allowing developers to "break away from

3760-399: The browser settings of the user. But of those web sites that do specify a font, most use modern sans serif fonts, because it is commonly believed that, in contrast to the case for printed material, sans serif fonts are easier than serif fonts to read on the low-resolution computer screen. A proportional typeface, also called variable-width typeface, contains glyphs of varying widths, while

3840-485: The browser". JavaFX 1.x included a set of plug-ins for Adobe Photoshop and Illustrator that enable advanced graphics to be integrated directly into JavaFX applications. The plug-ins generate JavaFX Script code that preserves the layers and structure of the graphics. Developers can then add animation or effects to the static graphics imported. There is also an SVG graphics converter tool (also known as Media Factory) that allows for importing graphics and previewing assets after

3920-468: The characters i, t, l, and 1) use less space than the average. In the publishing industry, it was once the case that editors read manuscripts in monospaced fonts (typically Courier ) for ease of editing and word count estimates, and it was considered discourteous to submit a manuscript in a proportional font. This has become less universal in recent years, such that authors need to check with editors as to their preference, though monospaced fonts are still

4000-610: The characters which were missing on either Macintosh or Windows computers, e.g. fractions, ligatures or some accented glyphs. The goal was to deliver the whole character set to the customer regardless of which operating system was used. The size of typefaces and fonts is traditionally measured in points ; point has been defined differently at different times, but now the most popular is the Desktop Publishing point of 1 ⁄ 72  in (0.0139 in or 0.35 mm). When specified in typographic sizes (points, kyus),

4080-427: The conversion to JavaFX format. Before version 2.0 of JavaFX, developers used a statically typed, declarative language called JavaFX Script to build JavaFX applications. Because JavaFX Script was compiled to Java bytecode , programmers could also use Java code instead. JavaFX applications before 2.0 could run on any desktop that could run Java SE , just like it is with the current versions. JavaFX 2.0 and later

SECTION 50

#1732779529259

4160-524: The difference between legible and illegible characters, some digital fonts use hinting algorithms to make readable bitmaps at small sizes. Digital fonts may also contain data representing the metrics used for composition, including kerning pairs, component creation data for accented characters, glyph substitution rules for Arabic typography and for connecting script faces, and for simple everyday ligatures like "fl". Common font formats include TrueType , OpenType and PostScript Type 1 , while Metafont

4240-489: The early nineteenth century. The earliest known slab serif font was first shown around 1817 by the English typefounder Vincent Figgins . Roman , italic , and oblique are also terms used to differentiate between upright and two possible slanted forms of a typeface. Italic and oblique fonts are similar (indeed, oblique fonts are often simply called italics) but there is strictly a difference: italic applies to fonts where

4320-537: The features at the ends of their strokes. Times New Roman and Garamond are common examples of serif typefaces. Serif fonts are probably the most used class in printed materials, including most books, newspapers and magazines. Serif fonts are often classified into three subcategories: Old Style , Transitional , and Didone (or Modern), representative examples of which are Garamond , Baskerville , and Bodoni respectively. Old Style typefaces are influenced by early Italian lettering design. Modern fonts often exhibit

4400-574: The height of an em-square , an invisible box which is typically a bit larger than the distance from the tallest ascender to the lowest descender , is scaled to equal the specified size. For example, when setting Helvetica at 12 point, the em square defined in the Helvetica font is scaled to 12 points or 1 ⁄ 6  in or 4.2 mm. Yet no particular element of 12-point Helvetica need measure exactly 12 points. Frequently measurement in non-typographic units (feet, inches, meters) will be of

4480-427: The ink will naturally spread out as it absorbs into the paper, and may feature ink traps : areas left blank into which the ink will soak as it dries. These corrections will not be needed for printing on high-gloss cardboard or display on-screen. Fonts designed for low-resolution displays, meanwhile, may avoid pure circles, fine lines and details a screen cannot render. Most typefaces, especially modern designs, include

4560-403: The letter forms are redesigned, not just slanted. Almost all serif faces have italic forms; some sans-serif faces have oblique designs. (Most faces do not offer both as this is an artistic choice by the font designer about how the slanted form should look.) Sans serif (lit. without serif) designs appeared relatively recently in the history of type design. The first, similar to slab serif designs,

4640-415: The link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=JFX&oldid=932909618 " Category : Disambiguation pages Hidden categories: Short description is different from Wikidata All article disambiguation pages All disambiguation pages JavaFX With the release of JDK 11 in 2018, Oracle made JavaFX part of

4720-433: The manuscript tradition. Various forms exist, including manuscript, traditional, and modern styles, chiefly distinguished as having angular or uncial features. Monospaced fonts are typefaces in which every glyph is the same width (as opposed to variable-width fonts, where the w and m are wider than most letters, and the i is narrower). The first monospaced typefaces were designed for typewriters, which could only move

4800-400: The metal type era, all type was cut in metal and could only be printed at a specific size. It was a natural process to vary a design at different sizes, making it chunkier and clearer to read at smaller sizes. Many digital typefaces are offered with a range of fonts (or a variable font axis) for different sizes, especially designs sold for professional design use. The art of designing fonts for

4880-754: The most widespread use today, and are sub-classified as serif, sans serif, ornamental, and script types. Historically, the first European fonts were blackletter, followed by Roman serif, then sans serif and then the other types. The use of Gaelic faces was restricted to the Irish language, though these form a unique if minority class. Typefaces may be monospaced regardless of whether they are Roman, Blackletter, or Gaelic. Symbol typefaces are non-alphabetic. The Cyrillic script comes in two varieties, Roman-appearance type (called гражданский шрифт graždanskij šrift ) and traditional Slavonic type (called славянский шрифт slavjanskij šrift ). Serif, or Roman , typefaces are named for

SECTION 60

#1732779529259

4960-410: The norm. Most scripts share the notion of a baseline : an imaginary horizontal line on which characters rest. In some scripts, parts of glyphs lie below the baseline. The descent spans the distance between the baseline and the lowest descending glyph in a typeface, and the part of a glyph that descends below the baseline has the name descender . Conversely, the ascent spans the distance between

5040-494: The numbers to blend into the text more effectively. As tabular spacing makes all numbers with the same number of digits the same width, it is used for typesetting documents such as price lists, stock listings and sums in mathematics textbooks, all of which require columns of numeric figures to line up on top of each other for easier comparison. Tabular spacing is also a common feature of simple printing devices such as cash registers and date-stamps. Characters of uniform width are

5120-401: The range of typeface designs increased and requirements of publishers broadened over the centuries, fonts of specific weight (blackness or lightness) and stylistic variants (most commonly regular or roman as distinct from italic , as well as condensed ) have led to font families , collections of closely related typeface designs that can include hundreds of styles. A typeface family

5200-427: The regular fonts under the same family. However, with introduction of font formats such as OpenType , those supplemental glyphs were merged into the main fonts, relying on specific software capabilities to access the alternate glyphs. Since Apple's and Microsoft's operating systems supported different character sets in the platform related fonts, some foundries used expert fonts in a different way. These fonts included

5280-806: The same distance forward with each letter typed. Their use continued with early computers, which could only display a single font. Although modern computers can display any desired typeface, monospaced fonts are still important for computer programming , terminal emulation, and for laying out tabulated data in plain text documents; they may also be particularly legible at small sizes due to all characters being quite wide. Examples of monospaced typefaces are Courier , Prestige Elite , Fixedsys , and Monaco . Most monospaced fonts are sans-serif or slab-serif as these designs are easiest to read printed small or display on low-resolution screens, though many exceptions exist. CJK, or Chinese, Japanese and Korean typefaces consist of large sets of glyphs. These typefaces originate in

5360-594: The same language, JavaFX Script , as JavaFX 1.x applications for browser or desktop, and using the same tools: JavaFX SDK and the JavaFX Production Suite. This concept makes it possible to share code-base and graphics assets for desktop and mobile applications. Through integration with Java ME , the JavaFX applications have access to capabilities of the underlying handset, such as the filesystem , camera, GPS , bluetooth or accelerometer . An independent application platform built on Java, JavaFX Mobile

5440-399: The same number of characters in each line in a monospaced typeface should display as equal in width, while the same two lines in a proportional typeface may have radically different widths. This occurs because in a proportional font, glyph widths vary, such that wider glyphs (typically those for characters such as W, Q, Z, M, D, O, H, and U) use more space, and narrower glyphs (such as those for

5520-575: The same reason, GUI computer applications (such as word processors and web browsers ) typically use proportional fonts. However, many proportional fonts contain fixed-width ( tabular ) numerals so that columns of numbers stay aligned. Monospaced typefaces function better for some purposes because their glyphs line up in neat, regular columns. No glyph is given any more weight than another. Most manually operated typewriters use monospaced fonts. So do text-only computer displays and third- and fourth-generation game console graphics processors, which treat

5600-517: The screen as a uniform grid of character cells. Most computer programs which have a text-based interface ( terminal emulators , for example) use only monospaced fonts (or add additional spacing to proportional fonts to fit them in monospaced cells) in their configuration. Monospaced fonts are commonly used by computer programmers for displaying and editing source code so that certain characters (for example parentheses used to group arithmetic expressions) are easy to see. ASCII art usually requires

5680-551: The small features at the end of strokes within letters. The printing industry refers to typeface without serifs as sans serif (from French sans , meaning without ), or as grotesque (or, in German , grotesk ). Great variety exists among both serif and sans serif typefaces. Both groups contain faces designed for setting large amounts of body text, and others intended primarily as decorative. The presence or absence of serifs represents only one of many factors to consider when choosing

5760-411: The style of running text. They are also called lower-case numbers or text figures for the same reason. The horizontal spacing of digits can also be proportional , with a character width tightly matching the width of the figure itself, or tabular , where all digits have the same width. Proportional spacing places the digits closely together, reducing empty space in a document, and is thought to allow

5840-529: The term typeface is not interchangeable with the word font (originally "fount" in British English, and pronounced "font"), because the term font has historically been defined as a given alphabet and its associated characters in a single size. For example, 8-point Caslon Italic was one font, and 10-point Caslon Italic was another. Historically, a font came from a type foundry as a set of " sorts ", with number of copies of each character included. As

5920-411: The typeface is a font . There are thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called type design . Designers of typefaces are called type designers and are often employed by type foundries . In desktop publishing , type designers are sometimes also called "font developers" or "font designers" (a typographer

6000-410: Was based on the concept of a "common profile" that is intended to span across all devices supported by JavaFX. This approach makes it possible for developers to use a common programming model while building an application targeted for both desktop and mobile devices and to share much of the code, graphics assets and content between desktop and mobile versions. To address the need for tuning applications on

6080-640: Was created when Morris Fuller Benton created Clearface Gothic for ATF in 1910, a sans serif companion to the existing (serifed) Clearface. The superfamily label does not include quite different designs given the same family name for what would seem to be purely marketing, rather than design, considerations: Caslon Antique , Futura Black and Futura Display are structurally unrelated to the Caslon and Futura families, respectively, and are generally not considered part of those families by typographers, despite their names. Additional or supplemental glyphs intended to match

6160-518: Was only made available for 32 and 64 bit versions of Microsoft Windows XP, Windows Vista and Windows 7. An Early Access version for Mac OS X was also available for members of the JavaFX Partner Program at the time, while Linux support was planned for a future release of JavaFX. JavaFX 2.0 was released with only Windows support. Mac OS X support was added with JavaFX 2.1. Linux support was added with JavaFX 2.2. JavaFX 2.0 makes use of

6240-492: Was released at JavaOne on June 2, 2009. This release introduced: JavaFX 1.3 (named Soma ) was released on April 22, 2010. This release introduced: JavaFX 1.3.1 was released on August 21, 2010. This release introduced: JavaFX 2.0 (named Presidio ) was released on October 10, 2011. This release introduced: Various improvements have been made within the JavaFX libraries for multithreading. The Task APIs have been updated to support much more concise threading capabilities (i.e.

6320-662: Was released in March 2021. JavaFX 17 was released in September 2021. Highlights: JavaFX 18 was released in March 2022. Highlights: JavaFX 19 was released in September 2022. Highlights: JavaFX 20 was released in March 2023. Highlights: JavaFX Script, the scripting component of JavaFX, began life as a project by Chris Oliver called F3. Sun Microsystems first announced JavaFX at the JavaOne Worldwide Java Developer conference in May 2007. In May 2008 Sun Microsystems announced plans to deliver JavaFX for

6400-460: Was shown in 1816 by William Caslon IV. Many have minimal variation in stroke width, creating the impression of a minimal, simplified design. When first introduced, the faces were disparaged as "grotesque" (or "grotesk") and "gothic": but by the late nineteenth century were commonly used for san-serif without negative implication. The major sub-classes of Sans-serif are " Grotesque ", " Neo-grotesque ", " Geometric " and " Humanist ". "Blackletter"

#258741