84-521: The Jasmine Minks are a British indie pop band, whose early singles were amongst the first releases by Creation Records . Formed in Aberdeen in 1983, the band were initially a quartet of Jim Shepherd (guitar/vocals), Adam Sanderson (vocals/guitar), Martin Keena (bass guitar), and Tom Reid (drums/vocals). After sending a demo tape to Melody Maker , the band were recruited by Alan McGee to record for
168-466: A Melody Maker journalist in the late 1980s and founding member of pop band Saint Etienne , acknowledges that participants at the time reacted against lazy labelling, but insists they shared an approach: "Of course the 'scene', like any scene, barely existed. Like squabbling Marxist factions, groups who had much in common built up petty rivalries. The June Brides and the Jasmine Minks were
252-425: A heart attack and died suddenly at the age of 65. Shortly after the announcement of his death, fans and supporters paid tribute to him. The following day, BBC Radio 1 cleared its schedule to broadcast a day of tributes. London's Evening Standard boards that afternoon read "the day the music died", quoting Don McLean 's hit " American Pie ". Peel had often spoken wryly of his eventual death. He once said on
336-400: A "grumpy old man who catalogues records" in the film Five Seconds to Spare . However, he had provided narration for others. He appeared as a celebrity guest on a number of TV shows, including This Is Your Life (1996, BBC), Travels With My Camera (1996, Channel 4 TV) and Going Home (2002, ITV TV), and presented the 1997 Channel 4 series Classic Trains . He was also in demand as
420-540: A column, The Perfumed Garden , for the underground newspaper the International Times (from autumn 1967 to mid-1969). When Radio London closed on 14 August 1967, Peel joined the BBC's new music station, BBC Radio 1 , which was first broadcast on 30 September 1967. Unlike Big L, Radio 1 was not a full-time station but a broadcaster of a mixture of recorded music and live studio orchestras. Peel said he felt he
504-635: A mirror-image of it, a pop world where they were the stars... and a little bit of a raspberry blown at the larger musical world, which (sensibly) went right on preferring something more interesting than average white kids playing simple pop songs. Despite their relatively minor commercial success (their third album was sardonically titled They Could Have Been Bigger than the Beatles ), the Television Personalities are highly regarded by critics and have been widely influential, especially on
588-483: A mixture of records and live sessions, a format that would characterise his Radio 1 programmes for the rest of his career. Peel's enthusiasm for music outside the mainstream occasionally brought him into conflict with the Radio 1 hierarchy. On one occasion, the station controller Derek Chinnery contacted John Walters and asked him to confirm that the show was not playing any punk , which he (Chinnery) had read about in
672-434: A month the average age of the audience dropped by 10 years and the whole social class changed – which I was very pleased about. In 1979, Peel stated: "They leave you to get on with it. I'm paid money by the BBC not to go off and work for a commercial radio station ... I wouldn't want to go to one anyway, because they wouldn't let me do what the BBC let me do." Peel's reputation as an important DJ who broke unsigned acts into
756-475: A radio programme of his own "so that I could play music that I heard and wanted others to hear". His housemaster, R. H. J. Brooke, whom Peel described as "extraordinarily eccentric" and "amazingly perceptive", wrote on one of his school reports, "Perhaps it's possible that John can form some kind of nightmarish career out of his enthusiasm for unlistenable records and his delight in writing long and facetious essays." Peel completed his national service in 1959 in
840-619: A result of his BFBS programme he was voted, in Germany, "Top DJ in Europe". Peel was an occasional presenter of Top of the Pops on BBC1 from the late 1960s until the mid-1990s, and in particular from 1982 to 1987 when he appeared regularly. In 1971 he appeared not as presenter but performer, alongside Rod Stewart and the Faces , pretending to play mandolin on " Maggie May ". He often presented
924-545: A second at the Lexington on 25 July 2011, both featuring the early lineup of Shepherd, Sanderson, Keena, Reid and Musker, together with David Arnold. They also appeared at the 2012 Indiefest in the original 1984 lineup. In 2017 The Jasmine Minks started playing live and recording again. Since then they have played regular live concerts and released two 7" singles. Their BBC Radio 1 sessions from 1986 for John Peel and Janice Long have been released in 2021 as double 7" singles on
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#17327806430151008-753: A snappy Radio Times billing. In the course of our historic meeting we had, I imagine, some fine reasons for dismissing the idea of a Festive 40 and going instead for a Festive 50, a decision that was to ruin my Decembers for years to come, condemning me to night after night at home with a ledger, when I could have been out and about having fun, fun, fun." After his death, the Festive Fifty was continued on Radio 1 by Rob da Bank , Huw Stephens and Ras Kwame for two years, but then given to Peel-inspired Internet radio station Dandelion Radio , and continues to be compiled. In 1969, Peel founded Dandelion Records (named after his pet hamster) so that he could release
1092-587: A trailer for a BBC programme on VD on his Night Ride programme, Peel received significant media attention because he divulged on air that he had suffered from a sexually transmitted disease earlier that year. This admission was later used in an attempt to discredit him when he appeared as a defence witness in the 1971 Oz obscenity trial. The Night Ride programme, advertised by the BBC as an exploration of words and music, seemed to take up from where The Perfumed Garden had left off. It featured rock, folk, blues, classical and electronic music. A unique feature of
1176-469: A voice-over artist for television documentaries, such as BBC One's A Life of Grime . In April 2003, the publishers Transworld successfully wooed Peel with a package worth £1.5 million for his autobiography, having placed an advert in a national newspaper aimed only at Peel. Unfinished at the time of his death, it was completed by Sheila and journalist Ryan Gilbey. It was published in October 2005 under
1260-640: Is a Japanese style from the 1990s that was embraced by indie pop enthusiasts, partly because many of its bands were distributed in the United States through major indie labels like Matador and Grand Royal . Out of all the Japanese groups from the scene, Pizzicato Five was the closest to achieving mainstream success in the US. Chamber pop is a subgenre of indie pop that features lush orchestrations. Heavily influenced by Brian Wilson and Burt Bacharach ,
1344-583: Is not just "indie" that is "pop." Not too many people realize this, or really care either way. But you can be sure indie pop's fans know it. They have their own names for themselves ... the music they listen to ... their own canon of legendary bands ... and legendary labels ... their own pop stars ... their own zines ... websites ... mailing lists ... aesthetics ... festivals ... iconography ... fashion accessories ... and in-jokes ... in short, their own culture. —Nitsuh Abebe, Pitchfork Within indie genres, issues of authenticity are especially prominent: indie
1428-650: The C86 generation. Reynolds has said that "what we now know as indie music was invented in Scotland," with reference to the emergence of Postcard Records in 1979. However, some have posited that the concept of indie music did not crystallise until the late 1980s and early 1990s. Brisbane band the Go-Betweens were an early influential indie pop band, releasing their first single " Lee Remick " in 1978. American indie pop band Beat Happening 's 1985 eponymous debut album
1512-522: The Channel 4 miniseries Sounds of the Suburbs , "I've always imagined I'd die by driving into the back of a truck while trying to read the name on a cassette and people would say, 'He would have wanted to go that way.' Well, I want them to know that I wouldn't." Peel once said that if he died before his producer John Walters , he wanted Walters to play Roy Harper 's song " When an Old Cricketer Leaves
1596-534: The One Two Three Four Five Six Seven, All Good Preachers Go To Heaven sessions. In 1986 the band recorded their only Peel session . Cold Heart was released as a single in 7" and 12" formats and was NME ’s single of the week. It was the Jasmine Minks' biggest selling single. At this point Sanderson left the band. Shepherd became the lead vocalist and was joined by keyboardist Paul Cooper. Dave Arnold from Kent band The Claim filled in
1680-599: The Royal Artillery as a B2 radar operator. Afterwards, he worked as a mill operative at Townhead Mill in Rochdale and returned each weekend to Heswall on a scooter borrowed from his sister. While in Rochdale during the week, he stayed in a bed-and-breakfast in the area of Milkstone Road and Drake Street, and developed long-term associations with the town as the years progressed. In 1960, aged 21, Peel went to
1764-501: The Strange Fruit label. In May 2020, an alphabetised catalogue of hundreds of classic Peel Sessions others had previously uploaded to YouTube was published. The Festive Fifty – a countdown of the best tracks of the year as voted for by the listeners – was an annual tradition of Peel's Radio 1 show. Despite his eclectic play list, it tended to be composed largely of "white boys with guitars", as Peel complained in 1988. In 1991,
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#17327806430151848-469: The "Teenage Kicks" lyrics "teenage dreams, so hard to beat". A headstone featuring the lyrics and the liver bird from his favourite football team, Liverpool FC , was placed at his grave in 2008. He was buried in the graveyard of St Andrew's Church in Great Finborough . John Peel Sessions were a feature of his BBC Radio 1 shows, which usually consisted of four pieces of music pre-recorded at
1932-617: The 1960 election campaign, and took photographs of them. Following Kennedy's assassination in November 1963, Peel passed himself off as a reporter for the Liverpool Echo in order to attend the arraignment of Lee Harvey Oswald . He and a friend can be seen in the footage of the 22/23 November midnight press conference at the Dallas Police Department when Oswald was paraded before the media. He later phoned in
2016-665: The American singer and radio personality Jim Lowe . Following this, and as Beatlemania hit the United States, Peel was hired by the Dallas radio station KLIF as the official Beatles correspondent on the strength of his connection to Liverpool. He later worked for KOMA in Oklahoma City, Oklahoma , until 1965, when he moved to KMEN in San Bernardino, California , and used his birth name, John Ravenscroft, to present
2100-599: The BBC's studios. The sessions originally came about due to restrictions imposed on the BBC by the Musicians' Union and Phonographic Performance Limited which represented the record companies dominated by the EMI cartel. Due to these restrictions, the BBC had been forced to hire bands and orchestras to render cover versions of recorded music. The theory behind this device was that it would create employment and force people to buy records and not listen to them free of charge on
2184-550: The BBC's television coverage of music events, notably the Glastonbury Festival . From 26 September to 31 October 1987, Peel produced a six-part radio series on BBC Radio 1 called Peeling Back the Years . In it, he discussed his life and career at length with his long-time producer John Walters and also played some of his favorite records. The show's theme music was " Blue Tango " by Ray Martin which, Peel revealed,
2268-701: The Byrds , the Rolling Stones and John Lennon and Yoko Ono . The programme captured much of the creative activity of the underground scene. Its anti-establishment stance and unpredictability, however, did not find approval with the BBC hierarchy and it ended in September 1969 after 18 months. In his sleeve notes to the Archive Things LP Peel calls the free-form nature of Night Ride his preferred radio format. His subsequent shows featured
2352-483: The Crease ". Walters had died in 2001, leaving Andy Kershaw to end his tribute programme to Peel on BBC Radio 3 with the song. Peel's stand-in on his Radio 1 slot, Rob da Bank , also played the song at the start of the final show before his funeral. Another time, Peel said he would like to be remembered with a gospel song . He stated that the final record he would play would be the C. L. Franklin sermon "Dry Bones in
2436-765: The Living Room to perform that night's gig. By then bored with the acoustics, the band played an all-electric set, amps cranked up to the max, with a 1-2-3-4 between each song, Ramones style. The press were there, and the energy surprised them. They received outstanding reviews, and were chosen by the NME as one of the eighteen most hopeful bands in Britain and were invited to play at the NME showcase along with Lloyd Cole , The Triffids , The Go-Betweens , The Pogues and others. Jasmine Minks records were played on national radio, and
2520-569: The Manchester area from working in a cotton mill in Rochdale in 1959, Peel signed Manchester bands Stack Waddy and Tractor to Dandelion and was always supportive of both bands throughout his life. It is alleged that Peel spotted a Rochdale postmark on the envelope containing the tape sent to him by Tractor, then called "The Way We Live". As Peel stated: It was never a success financially. In fact, we lost money, if I remember correctly, on every single release bar one. I did quite like it but it
2604-547: The Pops in the 1980s, and provided voice-over commentary for a number of BBC programmes. He became popular with the audience of BBC Radio 4 for his Home Truths programme, which ran from the 1990s, featuring unusual stories from listeners' domestic lives. Peel was born John Robert Parker Ravenscroft at a nursing home in Heswall on 30 August 1939, the son of Joan Mary (née Swainson) and cotton merchant Robert Leslie Ravenscroft. He had two younger brothers and grew up in
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2688-436: The Rolling Stones and John "Hoppy" Hopkins , were discussed between records. All this was far removed from Radio London's daytime format. Listeners sent Peel letters, poems and records from their own collections so that the programme became a vehicle for two-way communication; by the final week of Radio London he was receiving far more mail than any other DJ on the station. After the closure of Radio London in 1967, Peel wrote
2772-576: The Traffic Goes"/"Mr Magic", once again at Alaska for a similar budget, with Foster producing again. McGee had the idea to promote "Where The Traffic Goes" by doing a one-day busking tour, an idea which he may have "borrowed" from the Violent Femmes , an American band the Jasmine Minks had supported. They played eight gigs in one day, all on acoustic instruments, were moved on by the police, were invited into pubs, and then went to McGees's club,
2856-462: The United States to work for a cotton producer who had business dealings with his father. He took a number of other jobs afterwards, including working as a travelling insurance salesman . While in Dallas , Texas, where the insurance company he worked for was based, he conversed with the presidential candidate John F. Kennedy , and his running mate Lyndon B. Johnson , who were touring the city during
2940-650: The Valley". On his Home Truths BBC radio show, Peel once commented about his own death: "I definitely want to be buried, although not yet. I'm 61 on Wednesday—just a working day for me, I'm afraid—so actually I should have a mile or two left in me, but I do want the children to be able to stand solemnly at my graveside and think lovely thoughts along the lines of 'get out of that one, you swine', which they won't be able to do if I've been cremated." Peel's funeral took place in Bury St Edmunds on 12 November 2004 and
3024-411: The air. One of the reasons why the offshore broadcasting stations of the 1960s were called "pirates" was because they operated outside of British laws and were not bound by the needle time restriction on the number of records they could play on the air. The BBC employed its own house bands and orchestras and it also engaged outside bands to record exclusive tracks for its programmes in BBC studios. This
3108-669: The album Veritas , before the band signed to McGee's Poptones label for the release of Popartglory (2001). The Popartglory album track Daddy Dog, featuring Scottish Socialist politician Tommy Sheridan as vocalist, was released as the only Jasmine Minks single on the Poptones label. In 2010 a 4 track EP, "Poppy White", was released on the Oatcake Records label. The band played a show in London's Borderline venue on 23 July 2011 – their first live gig in London for ten years – and
3192-543: The angst and abrasiveness of its indie rock counterpart, the majority of indie pop borrows not only the stripped-down quality of punk, but also "the sweetness and catchiness of mainstream pop". Music critic Simon Reynolds says that indie pop defines itself against "charting pop". Abebe explains: One of those things was the idea that rock music was supposed to be cool – "cool" meaning sexy, tough, arty, fiery, or fantastical... The charts had "cool" covered – these kids, in their basements and bedrooms, were trying to hand-craft
3276-455: The artwork, gluing the sleeves together, releasing them and sending them out, writing fanzines because the music press lost interest really quickly." Many of the actual C86 bands distanced themselves from the scene cultivated around them by the UK music press - in its time, C86 became a pejorative term for its associations with so-called "shambling" (a John Peel -coined description celebrating
3360-483: The band began to attract a good reputation as a live act. McGee gave them over £400 to record a six track mini-album, One Two Three Four Five Six Seven, All Good Preachers Go To Heaven (1984, Creation) and some major labels showed an interest in the band, to the extent of booking them sessions in very expensive studios. Unfortunately, the NME showcase happened during the National Union of Journalists strike,
3444-480: The biggest names at Alan McGee 's Living Room Club and couldn't stand the sight of each other. Only when the Jesus and Mary Chain exploded and stole their two-headed crown did they realise they were basically soulmates". Manic Street Preachers bassist Nicky Wire remembers that it was the bands' very independence that gave the scene coherence: "People were doing everything themselves - making their own records, doing
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3528-451: The breakfast show. Peel returned to England in early 1967 and found work with the offshore pirate radio station Radio London . He was offered the midnight-to-two shift, which gradually developed into a programme, The Perfumed Garden . Peel's show was an outlet for the music of the UK underground scene. He played classic blues , folk music and psychedelic rock , with an emphasis on
3612-403: The broadcast of the chart was cancelled due to a lack of votes. Topped by Nirvana 's " Smells Like Teen Spirit ", this Phantom Fifty was eventually broadcast at the rate of one track per programme in 1993. The 1997 chart was initially cancelled due to the lack of air-time Peel had been allocated for the period, but enough "spontaneous" votes were received over the phone that a Festive Thirty-One
3696-581: The debut album by Bridget St John , which he also produced. The label released 27 albums by 18 different artists before folding in 1972. Of its albums, There is Some Fun Going Forward was a sampler intended to present its acts to a wide audience, but Dandelion was never a great success, with only two releases charting nationally: Medicine Head in the UK with "(And the) Pictures in the Sky" and Beau in Lebanon with "1917 Revolution". Having had an affinity with
3780-479: The divorce became final in 1973. In 1987, Milburn took her own life. Peel married Sheila Gilhooly on 31 August 1974. The reception was held at Regent's Park , with Rod Stewart as best man. In the 1970s, Peel and Gilhooly moved to "Peel Acres", a thatched cottage in Great Finborough . In later years, Peel broadcast many of his shows from a studio in the house, with Gilhooly and their children often being involved or at least mentioned. Peel's passion for Liverpool FC
3864-546: The early psychedelic sounds of 1960s garage rock . Names that indie pop fans use for themselves are popkids and popgeeks , and for the music they listen to, p!o!p , twee , anorak and C86 . Abebe says that the Scottish group the Pastels typified the "hip end of 'anorak': Their lazy melodies, lackadaisical strum, and naive attitude transformed the idea of the rock band into something casual, intimate, and free from
3948-421: The first Ramones LP – it was identical to the first time I had heard Little Richard – the intensity was frightening! So I played five or six tracks on the next show and immediately I received mail from people demanding that I never play stuff like that again. Whenever that happens I always go in the opposite direction, so I played more and it was great! It was a classic case of changing courses in mid-stream and in
4032-498: The fledgling Creation label. Their first single, "Think!" was recorded for £50 at Alaska Studios, Waterloo. The 4 piece line up was augmented by keyboards from Dave Musker, and the single produced by Joe Foster . The small brown plastic electronic organ was the same one that had previously been used on "Blue Boy" by Orange Juice . Prior to recording, Sanderson had been listening to the Buzzcocks ' Spiral Scratch EP , and repeated
4116-418: The genre's spread across the country. Everett True , a writer for NME in the 1980s, believes that C86 was not the main factor behind indie pop, arguing that Sarah Records was more responsible for sticking to a particular sound, and that: "C86 didn't actually exist as a sound, or style. ... I find it weird, bordering on surreal, that people are starting to use it as a description again". Bob Stanley ,
4200-576: The guitar spot for the Another Age album (1988) and subsequent gigs, with Ed De Vlam performing guitar duties on Scratch the Surface (1989). A permanent guitarist was later found in Walter Duncan from the band's hometown of Aberdeen. Despite the albums Another Age and Scratch the Surface drawing critical acclaim the band ceased activity for a few years. They reunited in 2000, releasing
4284-432: The mainstream was such that young hopefuls sent him an enormous number of records, CDs, and tapes. When he returned home from a three-week holiday at the end of 1986 there were 173 LPs, 91 12"s and 179 7"s waiting for him. In 1983 Alan Melina and Jeff Chegwin, the music publishers for unsigned artist Billy Bragg , drove to the Radio 1 studios with a mushroom biryani and a copy of his record after hearing Peel mention that he
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#17327806430154368-531: The majority of Louis Phillipe 's productions for él Records embodied the sophisticated use of orchestras and voices that typified the style, whilst the Divine Comedy were the most popular chamber pop act of the Britpop era. Peel session John Robert Parker Ravenscroft OBE (30 August 1939 – 25 October 2004), better known as John Peel , was an English radio presenter and journalist. He
4452-508: The majority of indie as "all about that 60s-styled guitar jangle ". The Monochrome Set's early singles were so heavily influential to indie pop band the Smiths that Johnny Marr stated without them, the Smiths would not have existed. Indie pop was an unprecedented contrast from the gritty and serious tones of previous underground rock styles, as well as being a departure from the glamour of contemporary pop music . Distinguished from
4536-447: The music press was heavily involved, and the NME was not printed; In short, there was no publicity for the music event of the year, and the band played to a very sparse audience. The expected boost in the band's popularity didn't happen. At the end of 1984 the band toured mainland Europe as part of a Creation package including McGee's band Biff Bang Pow! and new Creation signings The Jesus and Mary Chain . The JAMC single "Upside Down"
4620-541: The nearby village of Burton . He was educated as a boarder at Shrewsbury School , where future Monty Python member Michael Palin was his contemporary. In his posthumously published autobiography, Peel said that he was raped by an older pupil while at the school. Peel was an avid radio listener and record collector from an early age, firstly of music offered by the American Forces Network and Radio Luxembourg . He recalled an early desire to host
4704-470: The new music emerging from Los Angeles and San Francisco. As important as the musical content of the programme was the personal – sometimes confessional – tone of Peel's presentation, and the listener participation it engendered. Underground events he had attended during his periods of shore leave, such as the UFO Club and the 14 Hour Technicolor Dream , together with causes célèbres like the drug busts of
4788-487: The new reissue label Precious Recordings of London. In March 2023, the Jasmine Minks announced the release of a forthcoming album, titled "We Make Our Own History". Their first new album for 22 years, it is due for release on 12 November 2023. The band will also be playing concerts in support of the release. Indie pop Indie pop (also typeset as indie-pop or indiepop ) is a music genre and subculture that combines guitar pop with DIY ethic in opposition to
4872-412: The only available women in the early 1960s were in high school. In 2012 a woman stated that she had a three-month affair with Peel in 1969, when she was 15 and he was 30. She said they had unprotected sex; this was shortly after Peel discussed contracting a sexually transmitted disease . The relationship resulted in a "traumatic" abortion. She stated that, "Looking back, it was terribly wrong and I
4956-494: The press and of which he disapproved. Chinnery was evidently somewhat surprised by Walters' reply that in recent weeks they had been playing little else. In a 1990 interview, Peel recalled his 1976 discovery of the first album by New York punk band the Ramones as a seminal event, At that time almost all the new bands comprised of people who had previously been in successful bands who had broken up then reformed.... Well I played
5040-552: The pretense of cool". Following on from the aforementioned Postcard Records, in the UK, Bristol-based Sarah Records became the archetypal indie pop record label. They began releasing 7" singles in 1987 by bands with overt feminist and left wing principles that made "sweet pop". In the US, Beat Happening's Calvin Johnson founded K Records in Olympia, Washington , and later labels like Slumberland and Harriet encouraged
5124-521: The programme was the inclusion of tracks, mostly of exotic non-Western music, drawn from the BBC Sound Archive ; the most popular of these were gathered on a BBC Records LP, John Peel's Archive Things (1970). Night Ride also featured poetry readings and numerous interviews with a wide range of guests, including his friends Marc Bolan , journalist and musician Mick Farren , poet Pete Roche, singer-songwriter Bridget St John and stars such as
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#17327806430155208-413: The regular " Peel Sessions ", which usually consisted of four songs recorded by an artist in the BBC's studios, often providing the first major national coverage to bands that later achieved fame. The annual Festive Fifty countdown of his listeners' favourite records of the year was a notable part of his promotion of new music. Peel appeared on television occasionally as one of the presenters of Top of
5292-520: The self-conscious primitive approach of some of the music) and underachievement . Twee pop is a subgenre of indie pop that originates from C86 . Characterised by its simplicity and perceived innocence, some of its defining features are boy-girl harmonies, catchy melodies, and lyrics about love. For many years, most bands were distributed by Sarah Records (in the UK) and K Records (in the US). Shibuya-kei
5376-563: The story to the Echo . While working for the insurance company, Peel wrote programs for punched card entry for an IBM 1410 computer (which led to his entry in Who's Who noting him as a former computer programmer ), and he got his first radio job working unpaid for WRR (AM) in Dallas. There, he presented the second hour of the Monday night programme Kat's Karavan , which was primarily hosted by
5460-499: The style and tone of mainstream pop music . It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine , label , and club and gig circuit. Compared to its counterpart, indie rock , the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of indie pop has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop . Indie pop
5544-482: The then-novel premise that one could record and release their own music instead of having to procure a record contract from a major label. According to Emily Dolan, indie is predicated on the distorted music of the Velvet Underground , the "rebellious screaming" of early punk, and "some of rock's more quirky and eccentric figures", such as Jonathan Richman . Pitchfork ' s Nitsuh Abebe identifies
5628-474: The title Margrave of the Marshes . A collection of Peel's miscellaneous writings, The Olivetti Chronicles , was published in 2008. At the age of 25, while residing in Dallas in 1965, Peel married 15-year-old American girl Shirley Anne Milburn. The marriage was never happy, with reports that she was often violent towards him. Although she accompanied Peel back to England in 1967, they were soon separated and
5712-489: The two note refrain from "Boredom" at the end of "Think!". Later, Edwyn Collins of Orange Juice was to reference "Boredom" and repeat the same two note refrain on Orange Juice's hit single "Rip It Up". "Think!"/"Work For Nothing" was released in March 1984, and reached single of the week status, jointly with The Pastels single that Alan McGee released at the same time. The band recorded and released their second single, "Where
5796-504: Was also influential in the development of the indie pop sound, particularly in North America. In the early 1990s, English indie pop influenced and branched off to a variety of styles. The US, which did not have as much of a scene in the 1980s, had many indie pop enthusiasts by the mid 1990s. Most of the modern notion of indie music stems from NME ' s 1986 compilation C86 , which collects many guitar bands who were inspired by
5880-464: Was attended by over 1,000 people, including many of the artists he had championed. Eulogies were read by his brother Alan and fellow DJ Paul Gambaccini . The service ended with clips of him talking about his life. His coffin was carried out to the accompaniment of his favourite song, the Undertones ' " Teenage Kicks ". Peel had written that, apart from his name, all he wanted on his gravestone were
5964-420: Was born in a Utopian attempt to stop the inevitable cycle of bands being co-opted - and, it is assumed, corrupted - by the mainstream. —Emily I. Dolan, Popular Music Both indie and indie pop had originally referred to the same thing during the late 1970s, originally abbreviations for independent and popular . Inspired more by punk rock 's DIY ethos than its style, guitar bands were formed on
6048-409: Was compiled and broadcast. Peel wrote that "The Festive 50 dates back to what was doubtless a crisp September morning in the early-to-mid Seventies, when John Walters and I were musing on life in his uniquely squalid office. In our waggish way, we decided to mock the enthusiasm of the Radio 1 management of the time for programmes with alliterative titles. Content, we felt, was of less importance than
6132-468: Was described by occasional stand-in presenter John Walters as being "about people who had fridges called Renfrewshire". Peel also made regular contributions to BBC Two's humorous look at the irritations of modern life Grumpy Old Men . His only appearances in an acting role in film or television were in Harry Enfield 's Smashie and Nicey : The End of an Era as John Past Bedtime, and in 1999 as
6216-514: Was hired because the BBC "had no real idea what they were doing so they had to take people off the pirate ships because there wasn't anybody else". Peel presented a programme called Top Gear . At first he was obliged to share presentation duties with other DJs ( Pete Drummond and Tommy Vance were among his co-hosts) but in February 1968 he was given sole charge of Top Gear. He presented the show until it ended in 1975. In 1969, after hosting
6300-806: Was hungry; the subsequent airplay launched Billy Bragg's career. In addition to his Radio 1 show, Peel broadcast as a disc jockey on the BBC World Service , on the British Forces Broadcasting Service ( John Peel's Music on BFBS ) for 30 years, VPRO Radio3 in the Netherlands, YLE Radio Mafia in Finland, Ö3 in Austria (Nachtexpress), and on Radio 4U, Radio Eins (Peel ...), Radio Bremen (Ritz) and some independent radio stations around FSK Hamburg in Germany. As
6384-470: Was largely ignored by the music press. Their self-titled debut album was recorded in Ellon, Aberdeenshire , on a budget of £600 and released in 1986. The idea had been to record a low budget, high quality song based album, but McGee did not like the finished result and dropped some tracks. Some earlier recordings were used for the album, including the track "Cold Heart", which had originally been recorded during
6468-530: Was never charged with any offences. The journalists Sarah Woolley and Fiona Sturges, in The Independent , cite Peel's first marriage to Milburn in 1965 as an example, as Milburn was aged 15 and Peel 25 when they married; this was legal in Texas at the time. Peel told The Guardian in 1975, regarding his relations with young women, "All they wanted me to do was abuse them, sexually, which, of course, I
6552-618: Was only too happy to do." He told The Sunday Correspondent in 1989, "Girls used to queue up outside. By and large not usually for shagging. Oral sex they were particularly keen on, I remember. [...] One of my, er, regular customers, as it were, turned out to be 13, though she looked older." He jokingly added that he "didn't ask for ID". An interview originally published in The Herald in April 2004 stated that he admitted to sexual contact with "an awful lot" of underage girls. He said that
6636-458: Was perhaps manipulated." In July 2022 a petition was launched to rename the "John Peel Stage" at the Glastonbury Festival , because of the accusations. In 2023 the stage was renamed "Woodsies". Emily Eavis , co-organiser of the festival, said the name change "was not related to a recent petition". On 25 October 2004, during a working holiday in the Peruvian city of Cusco , Peel suffered
6720-422: Was reflected in his children's names: William Robert Anfield Ravenscroft, Alexandra Mary Anfield Ravenscroft, Thomas James Dalglish Ravenscroft, and Florence Victoria Shankly Ravenscroft. Thomas, now better known as Tom Ravenscroft , also became a radio DJ. At the age of 62, in 2001, Peel was diagnosed with diabetes following many years of fatigue. Peel has been accused of sexual misconduct, although he
6804-521: Was released while the tour was in progress. When the tour was over, McGee found himself increasingly preoccupied with the rising success of the Jesus and Mary Chain. During this period, the Jasmine Minks recorded a four track EP, inspired by listening to the Buzzcocks "Time's Up" bootleg over and over. It sat on a shelf while McGee was forced to pursue other interests, eventually surfacing as a seven-inch single of "What’s Happening"/"Black & Blue", which
6888-481: Was the first record he ever bought. Between 1995 and 1997, Peel presented Offspring , a show about children, on BBC Radio 4 . In 1998, Offspring grew into the magazine-style documentary show Home Truths . When he took on the job presenting the programme, which was about everyday life in British families, Peel requested that it be free from celebrities, as he found real-life stories more entertaining. Home Truths
6972-692: Was the longest-serving of the original disc jockeys on BBC Radio 1 , broadcasting regularly from 1967 until his death in 2004. Peel was one of the first broadcasters to play psychedelic rock and progressive rock records on British radio. He is widely acknowledged for promoting artists of many genres, including pop , dub reggae , punk rock and post-punk , electronic music and dance music , indie rock , extreme metal and British hip hop . Fellow DJ Paul Gambaccini described Peel as "the most important single person in popular music from approximately 1967 through 1978. He broke more important artists than any individual." Peel's Radio 1 shows were notable for
7056-450: Was the reason why Peel was able to use "session men" in his own programmes. Sessions were usually four tracks recorded and mixed in a single day; as such they often had a rough-and-ready, demo-like feel, somewhere between a live performance and a finished recording. During the 37 years Peel remained on BBC Radio 1 , over 4,000 sessions were recorded by over 2,000 artists. Many classic Peel Sessions have been released on record, particularly by
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