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76-400: Originality is the quality of novelty or newness in created works. Original(s) or Originality may also refer to: Originality The concept of originality is both culturally and historically contingent. For example, unattributed reiteration of a published text in one culture might be considered plagiarism but in another culture might be regarded as a convention of veneration. At

152-477: A derived work can demonstrate originality, and must do so if it is to respect copyright. In the copyright law of the United States , more specifically under 17 U.S.C 102 , the work that is sought to be protected must satisfy the threshold for originality . Though most of the countries require certain degree of originality in the work sought to be protected, such requirement does not stem from either

228-403: A concert by a spectator with a handheld camera was eligible for protection, because it had the required individual character by virtue of the aesthetic appeal of the picture, combined with the orientation of the picture's components and the distribution of light and shadow. It also found that the photograph was a "creation of the mind" by being shot at a specific time during the singer's movement on

304-676: A former employee and brought to their competitor) were eligible for copyright. However, the Supreme Court would reject this doctrine in the 2007 case Eastern Book Company & Ors vs D.B. Modak & Anr ; Eastern Book Company had published copy-edited versions of Supreme Court judgments with numbered paragraphs, cross-references , and headnotes that were written by the Company itself. The respondents had published CD-ROMs containing compilations of these judgements, which Eastern Book Company alleged were sourced from its publications;

380-452: A mechanical medium, "there is broad scope for copyright . . . because 'a very modest expression of personality will constitute originality.'" With respect to United States law, Stephen M. McJohn writes: The limitation of copyright to "works of authorship" also implies an author. This appears to mean that a human created the work, using the requisite creativity. In a work made through a completely mechanical process, copyright might be denied on

456-412: A new copyright if they contain "multiple kinds of creative authorship, such as adjustments of equalization, sound editing and channel assignment", that are perceptible from the original work. This applies even if the work was only subject to common law state copyright as a sound recording published prior to 1972, thus making them become eligible for compulsory licenses under federal copyright law. This

532-437: A patent must also be useful and nonobvious . In United States copyright law copyrights protect only original works of authorship, a property which has been historically and legally linked to a concept of " creativity ". A work must pass a threshold of originality in order to be copyrightable. In other countries protection of a work often is connected to similar conditions. In United Kingdom intellectual property law,

608-580: A practical article (such as clothing) can be copyrighted if they meet the threshold of originality, and can be identified as art when they are mentally separated from the item's practical aspects. The requirement of originality was also invoked in the 1999 United States District Court case Bridgeman Art Library v. Corel Corp. In the case, Bridgeman Art Library questioned the Corel Corporation 's rights to redistribute their high quality reproductions of old paintings that had already fallen into

684-413: A print or label consisting solely of trademark subject matter and lacking copyrightable matter." Although a label's "graphical illustrations" are normally copyrightable, "textual matter" is not—at least not unless the text "aid[s] or augment[s]" an accompanying graphical illustration. The label on Skyy's vodka bottle consists only of text and does not include any pictorial illustrations. In works produced in

760-400: A security guard at a property owned by Dodi's father, Mohamed Al Fayed , took still-frame photographs from security video – which showed the couple in the driveway just before their deaths – and sold them to a newspaper. Al Fayed and his privately held security company filed suit, alleging, among other things, infringement of copyright. In that case, Hyde Park Residence Ltd v. Yelland before

836-626: A state court ruled in a complaint against the Wikimedia Foundation by the Reiss Engelhorn Museum that digital reproductions of public domain works are subject to a new copyright. A controversial decision on 16 July 2013 rendered "backseat conversations"—such as those between Willem Endstra and police—not sufficiently creative for copyright protection. Section 13(1)(a) of the Copyright Act, 1957 (which

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912-492: A text logo needs to have artistic appearance that is worth artistic appreciation. Logos composed merely of geometric shapes and texts are also not copyrightable in general. Copyright law of Switzerland defines works as being "creations of the mind, literary or artistic, that have an individual character." In a 2003 decision, the Federal Supreme Court of Switzerland ruled that a photo of Bob Marley taken at

988-668: A work demonstrate a "modicum of creativity" in decision making rather than a mechanical exercise in order to be original. The test for the threshold of originality is in the European Union whether the work is the author's own intellectual creation. This threshold for originality was harmonised within the European Union in 2009 by the European Court of Justice in Infopaq International A/S v Danske Dagblades Forening case. In German copyright law ,

1064-666: A work meets the threshold of originality. The most prominent case with respect to 'originality' under the Indian Copyright Law is the Eastern Book Company v DCB Modak . This judgment gave rise to two doctrines i.e. modicum of creativity and the skill and judgment test . This remains the accepted and current position of law in India as of now. However, prior to this, the Indian Courts used to follow

1140-522: A work was good not because it was original, but because it resembled an admired classical exemplar, which in the case of comedy meant a play by Terence or Plautus Threshold of originality The threshold of originality is a concept in copyright law that is used to assess whether a particular work can be copyrighted . It is used to distinguish works that are sufficiently original to warrant copyright protection from those that are not. In this context, "originality" refers to "coming from someone as

1216-438: A work would meet the originality standard as long as there is labour or effort involved, but not only labour. The court held that mere copy-editing "lacks originality as it does not depict independent creation even a modicum of creativity. The inputs put by the appellants is nothing but expressing an idea which can be expressed in a limited way and as such there cannot be a copyright. Filling the blanks or gaps by providing names of

1292-517: Is "a production in which thoughts or sentiments are expressed in a creative way and which falls within the literary, scientific, artistic or musical domain." In a case law, Nissin Foods lost the case for the design of Cup Noodles packaging. Tokyo High Court ruled that although the shape is stylised, the text is in a normal arrangement and keeps its function of being read as a sequence of letters. Japanese courts have decided that to be copyrightable,

1368-456: Is doubtful: the person responsible for positioning the camera is no Atom Egoyan . Such authorless films may have no copyright at all". In the law of continental European countries, works are required to be original to have copyright protection. According to a 2002 book by professor and lawyer Pascal Kamina, written before the European Court of Justice harmonized the threshold of originality between European Union member countries in 2009, "it

1444-631: Is largely derived from the British Copyright Act 1956 ) states that copyright subsists in "original literary, dramatic, musical and artistic works". Courts initially favoured a doctrine of originality being based upon the "skill, labour and brain" used in the preparation of the work. This was demonstrated in the cases of V. Govindan v E.M. Gopalakrishna Kone and Burlington Home Shipping Pvt Ltd v Rajnish Chibber , which held that compilations (an English-Tamil dictionary) and databases (an internal customer database that had been obtained by

1520-484: Is not a legal " person ". In December 2014, the United States Copyright Office issued an opinion that works by animals cannot be copyrighted because they were not a work of authorship by a human, but the copyright office did not rule on whether Slater or the monkey would be considered the author of those specific images. Despite consisting only of two fields and a circle at the centre,

1596-492: Is not defined. This threshold is up to each jurisdiction to determine. While works that do not meet these thresholds are not eligible for copyright protection, they may still be eligible for protection through other intellectual property laws , such as trademarks or design patents (particularly in the case of logos ). Security cameras , webcams , camera traps and other pre-positioned recording devices capture whatever happens to take place in their field of view. This raises

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1672-544: Is not to say that such a feat is trivial, simply not original". Another court case related to threshold of originality was the 2008 case Meshwerks v. Toyota Motor Sales U.S. In this case, the court ruled that wire-frame computer models of Toyota vehicles were not entitled to additional copyright protection since the purpose of the models was to faithfully represent the original objects without any creative additions. In May 2016, Judge Percy Anderson ruled that remastered versions of musical recordings are eligible to receive

1748-471: Is referred to as the "sweat of the brow" doctrine in relation to the idiom , "the sweat of one's brow ". The sweat of the brow doctrine has been recognised at various times in the United Kingdom, Canada, Australia, India, and elsewhere. The 1900 UK case Walter v. Lane ruled that the copyright of an account of a speech transcribed by a reporter belonged to the newspaper he worked for because of

1824-468: Is unlikely, however, that security camera videos would be considered original". Russian copyright law specifically exempts purely informational reports on events and facts from protection, and security camera footage is not considered a work of authorship. This interpretation was applied in a number of Russian legal cases. A similar topic came up in 2011, when the Caters News Agency asked

1900-504: Is why it is often necessary to preserve the original, in order to preserve its original integrity. The copy is made to preserve the original recording by saving the original from degenerating as it is being played, rather than to replace the original. Modernist concern with issues of originality develops out of modernism's relation to romanticism, the romantics having invented the notion of originality as we know it. while we applaud difference, Shakespeare's first audiences fovoured likeness:

1976-557: The Bridgeman Art Library v. Corel Corp case , the court held that the copies of public domain photographs could not be copyrighted since they lacked originality and while such reproductions may have involved skill and labour, no protection could be granted to them, on account of lack of originality . While the current legal requirements of originality viz. minimum level of creativity and independent labour can be easily assessed and applied in case of literary works,

2052-583: The Berne Convention for the Protection of Literary and Artistic Works (1886) that has been adapted by 181 countries and city-states, "original work" gives a creator exclusive rights; protection for creative works are automatically in force upon their creation without being asserted or declared. In the patent law of the United States, only original inventions can be subject to protection. In addition to being original, inventions submitted for

2128-454: The lex specialis law for design patents ("Geschmacksmustergesetz") or by trademark laws. Only design creations that were very high above the average were considered to be "works of applied art " and so granted copyright. As an example in case law , the logo of the German public broadcaster ARD , was considered ineligible for protection under German copyright law. In November 2013,

2204-641: The Berne Convention or the TRIPS Agreement . Therefore, there is no uniformity in the standard for originality . In the United States, originality necessitates bare minimum degree of creativity and independent creation. The Supreme Court of the United States in the case of Feist Publications v. Rural Telephone Service Co . held that the work must be independently created and must possess minimum degree of creativity. This interpretation requires an extremely low level of creativity and in

2280-656: The CCH Canadian Case , the Court essentially held that a work would meet the originality standard as long as there is labour or effort involved but not only labour. It must involve some level of skill and judgment as well. However, this approach mirrors the Sweat of the Brow theory more closely and is therefore a difficult theory to defend. Further, the Court held the division of a judgment into paragraphs and numbering them

2356-423: The Copyright Act 1994 requires films to be original to qualify for copyright protection. However, according to law professor Susy Frankel , case law supports a low threshold of originality, so arguments could be made that such recordings can be copyrighted because placing and operating a video camera involves "skill, judgement, and labour". She states that it's also possible that security camera films would not meet

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2432-456: The Court of Appeal of England and Wales , "ownership and subsistence of copyright were not in dispute", because, "as section 1 of the 1988 Act makes clear, copyright is a property right" which was owned by the security company. Ultimately, that case concluded that copying and selling the photographs did not lead to a defence of fair dealing , nor did it serve the public interest. In New Zealand,

2508-720: The Federal Court of Australia had upheld copyright claims over the Australian Aboriginal flag by its designer, Harold Thomas . On 24 January 2022, the Commonwealth government announced, after more than three years of confidential negotiations, Thomas had transferred the copyright to the flag to the Commonwealth. The federal government paid AUS$ 20.05 million to Thomas and licence holders (including WAM Clothing and Carroll and Richardson Flagworld) to extinguish existing licences and secure copyright. As part of

2584-479: The Sweat of the Brow approach. This theory bases the grant of copyright protection on the effort and labour that an author puts into their work as opposed to the creativity involved. Locke's theory of labour as property has often been extended to give jurisprudential basis to this theory of copyright law. In the case of V. Govindan v E.M. Gopalakrishna Kone , it was held that compilations of information would meet

2660-439: The public domain due to age, claiming that it infringed on their copyrights. The court ruled that exact or "slavish" reproductions of two-dimensional works such as paintings and photographs that were already in the public domain could not be considered original enough for protection under U.S. law, "a photograph which is no more than a copy of a work of another as exact as science and technology permits lacks originality. That

2736-443: The "Schöpfungshöhe" (literally: height of creation ) could classify copyrightable works into two classes, a design, or anything else (such as a literary work ). While the threshold (which is reached even by simple creations, known as " Kleine Münze ", German for "Small coin") was low, the requirements for design, works that have a "purpose" (such as brand identification ), was set much higher, as "novel" designs could be protected by

2812-521: The CD-ROMs contained the copy-edited texts of the judgements themselves, but did not contain the headnotes and original content that were written by Eastern Book Company. Citing American and Canadian case law, the Court established that judgements or court orders by published by judicial authorities were considered to be in the public domain per Section 52(1)(q) of the Copyright Act, and that

2888-668: The Federal Court of Justice rejected the concept of a lower standard for applied artworks in the Geburtstagszug case. The court ruled that per changes made to German law in 2004 by the implementation of the Directive on the legal protection of designs , copyright and design right were two separate concepts that could co-exist in applied art, as they had different requirements; novelty and an "individual character" for design right, and "a degree of creativity which allows, from

2964-433: The Sweat of the Brow theory, the Court held that simply copy editing would not meet the threshold of originality under copyright law since it would only demonstrate an " amount of skill, labour and capital put in the inputs of the copy-edited judgments and the original or innovative thoughts for the creativity would be completely excluded. ". Thus, it introduced the requirement of 'creativity' under originality. With respect to

3040-627: The US trademark law, the work need to be necessarily lawful. Therefore, works created for commercial purposes, such as advertisements can also be granted a copyright. Section 13(1)(a) of the Indian Copyright Act, 1957 mentions 'originality' as a requirement for copyright protection to literary, dramatic, musical and artistic works. Courts have interpreted this requirement of 'originality' in different ways. This has given rise to various doctrines/tests that can be helpful in determining whether

3116-494: The basis that no one was the "author". Difficulties arise when attempting to determine the boundary line between mechanical or random processes and instances in which the slight intervention of a human agent results in the production of a copyrightable work. The Congressional Office of Technology Assessment posited that the question is open as to whether computers are unlike other tools of creation in that they are possible of being co-creators. The U.S. Copyright Office has taken

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3192-665: The brow ") is not sufficient to establish a copyright claim. For example, the expression of some obvious methods of compilation and computation, such as the Yellow Pages or blank forms, cannot receive a copyright (demonstrated in Morrissey v. Procter & Gamble ), but sufficiently original elements within the work itself can still be eligible for protection. The Supreme Court similarly established in Star Athletica, LLC v. Varsity Brands, Inc. that artistic elements of

3268-574: The case of CCH Canadian Ltd v Law Society of Upper Canada , the Supreme Court of Canada examined the different approaches taken to the definition of originality. The Supreme Court ultimately concluded that the proper approach in Canadian law fell between the approach of labour and diligence, and that of creativity. Chief Justice McLachlin stated that the "exercise of skill and judgment" was necessary in order for an expression to attract copyright protection. Chief Justice McLachlin went on to state that

3344-479: The copyright transfer, Thomas retained moral rights over the flag (which include the right to be identified as its creator). Following the copyright transfer, Carroll and Richardson Flagworld continued to be the exclusive manufacturer, although individuals may make copies for personal use. Under Canadian copyright law , an eligible work must be original to its author, not copied from another work, and requires more than trivial or mechanical intellectual effort. In

3420-453: The courts are required to undertake a deeper legal and factual inquiry in photographic works. The United States District Court for Southern District of New York in Mannion v. Coors Brewing Company considered originality in terms of timing, subject and rendition, and held that the nature and extent of the copyright would be independent in the three aspects. The requirement for originality

3496-692: The death of the author). In Taiwan, independently created works with "minimal creativity" are eligible for copyright protection. In United States copyright law , the principle of requiring originality for copyright protection was invoked in the 1991 ruling of the United States Supreme Court in Feist Publications v. Rural Telephone Service . The court opinion stated that copyright protection could only be granted to "works of authorship" that possess "at least some minimal degree of creativity". As such, mere labor (" sweat of

3572-481: The effort it took to reproduce his spoken words. Courts in the United States rejected this notion in Feist Publications v. Rural Telephone Service (1991) and Bridgeman Art Library v. Corel Corp. (1999). In these cases, the courts asserted that originality was required for copyright protection. Since the Feist decision, many common law countries have moved towards applying a similar standard. A similar precedent

3648-519: The exercise of skill and judgement would require "intellectual effort" and "must not be so trivial that it could be characterized as a purely mechanical exercise." It has been suggested that this approach taken by the Supreme Court of Canada is functionally the same as the approach taken by the Supreme Court of the United States in Feist Publications, Inc., v. Rural Telephone Service Co. , and by some civil law courts as those courts require that

3724-542: The focus was shifted to the creativity involved in any work. The EBC Modak case is the Indian counterpart of the Feist Publications case in terms of the test it laid down. It concerned the copyrightability of Supreme Court judgments that were copy-edited and published by Eastern Book Company. These judgments were published along with 'headnotes' that were written by the Company itself. While explicitly discarding

3800-432: The judges (ii) fear of elitism (iii) fear of paternalism (also called parentalism) (iv) lack of consensus on what constitutes art. However, scholars note that the principle of aesthetic neutrality is often violated as the adjudicators end up favouring creators of what they believe is deserving of copyright grant. In the United States, the work is not required to be non-commercial in nature for copyright protection and unlike

3876-404: The level of creativity involved, the court adopted the 'minimal degree of creativity' approach. Following this standard, the headnotes that did not copy from the judgment verbatim were held to be copyrightable. Finally, the Court also gave way to the 'Skill and Judgment Test' which is more or less a compromise between the sweat of the brow theory and the modicum of creativity test. While relying on

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3952-401: The narrowest and most obvious limits. At the one extreme, some works of genius would be sure to miss appreciation. Their very novelty would make them repulsive until the public had learned the new language in which their author spoke. It may be more than doubted, for instance, whether the etchings of Goya or the paintings of Monet would have been sure of protection when seen for the first time. At

4028-420: The originator/author" (insofar as it somehow reflects the author's personality), rather than "never having occurred or existed before" (which would amount to the protection of something new, as in patent protection). Copyright finds its international commonality in the Berne Convention that creates the foundation of several concepts of international copyright law; however, the threshold for attracting copyright

4104-445: The other end, copyright would be denied to pictures which appealed to a public less educated than the judge. This observation was an embodiment of the principle of artistic or aesthetic neutrality which seeks to eliminate the inherent subjectivity involved in the judges deciding whether the work is artistic, and hence, the question as to whether it warrants protection. The principle finds four broad justifications- (i) lack of expertise in

4180-427: The parties or citations of the judgments, both of which are well known and unchangeable parts of that idea, are not original work." The court held that the headnotes that did not copy from the judgment verbatim were copyrightable, and that the division of a judgment into paragraphs and numbering them was enough to meet a standard of skill. In Japanese copyright law , a work is considered eligible for protection when it

4256-410: The position that "in order to be entitled to copyright registration, a work must be the product of human authorship. Works produced by mechanical processes or random selection without any contribution by a human author are not registrable." Some countries grant copyright protection based on how much labour and diligence it took to create a work, rather than or in addition to how original a work is. This

4332-441: The question as to whether their recordings are an original and therefore copyrighted work. For example, "[i]f a security camera mounted in a lobby, recording 24 hours a day, captured a dramatic event, the video could be uncopyrighted." This question remains untested in the United States. In the 2008 United States district court case Southwest Casino and Hotel Corp. vs Flyingman , the casino filed suit for copyright infringement on

4408-445: The question as to whether there was intent to be original was not to be considered. The Supreme Court of the United States has also clarified that it is not necessary for the work to be artistic to qualify as original. Furthermore, in the landmark ruling, the court observed that it would be a dangerous undertaking for persons trained only to the law to constitute themselves final judges of the worth of pictorial illustrations, outside of

4484-403: The same idea independently. Originality is usually associated with characteristics such as being imaginative and creative. The evaluation of originality depends not only on the creative work itself, but also on the temporal context, the zeitgeist . In a study of the musical originality of 15,618 classical music themes , the importance of objective characteristics and the zeitgeist for popularity

4560-410: The stage. By contrast, in the 2004 case Blau Guggenheim v. British Broadcasting Corporation , the Court found that a photo, shot by a reporter to document Christoph Meili with the files he had taken from his employer, lacked individual character. It found that the scope of conceptual and technical possibilities was not exploited, and that the photograph did not distinguish itself in any way from what

4636-421: The threshold of 'originality' under the Indian Copyright Act since it involves some level of 'skill, labour and brain'. A similar line of reasoning was adopted in the case of Burlington Home Shipping Pvt Ltd v Rajnish Chibber where a database was held to be original enough to be protected by copyright under Indian law. However, like in other jurisdictions, this theory was discarded by the Indian Courts also and

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4712-544: The threshold, and that "each case must be assessed on its facts". In Canada, "skill and judgement" are required for a photograph to be protected by copyright, and a photograph meets this threshold "even by the particular angle and point of view" according to the Canadian Internet Policy and Public Interest Clinic . However, legal scholar David Vaver has expressed the view that "whether scenes taken by an automatic surveillance camera are authored by anyone

4788-535: The time of Shakespeare , it was more common to appreciate the similarity with an admired classical work, and Shakespeare himself avoided "unnecessary invention". It wasn't until the start of the 18th century that the concept of originality became an ideal in Western culture . In law, originality has become an important legal concept with respect to intellectual property , where creativity and invention have manifest as protectable or copyrightable works. In

4864-443: The use of their surveillance video, but the defendant argued in a motion that the surveillance video lacked the sufficient creativity needed to secure copyright protection. However, the case was never heard as a separate tribal court ruled that the tribes, rather than the casino, owned the footage. In the United Kingdom the topic came up in 2000, during the aftermath of the death of Diana, Princess of Wales and Dodi Fayed , when

4940-408: The view of a public open to art and sufficiently skilled in ideas of art, to be called an 'artistic' performance", for copyright. This makes the threshold nearly identical to that in other forms of works. The case centred around the creator of the "Birthday Train", who had received royalties from a design patent but wanted to also collect royalties on the concept as a copyrighted work. In June 2016,

5016-412: The website Techdirt to take down a photo that Caters had licensed from nature photographer David Slater. The image — a self-portrait taken by a wild monkey using Slater's camera — had been used to illustrate a post questioning whether Slater could even hold any copyright interest in the image. Slater argued that he had copyright interest in the photo because he had "engineered" the shot, and that "it

5092-412: The words of the court, "must possess some creative spark no matter how crude, humble or obvious it might be." The court also took the opportunity to reject the previously judicially-established and followed the sweat of the brow doctrine. According to the said doctrine, labour and hard-work alone could suffice to establish originality . After the doctrine was rejected by the Supreme Court in 1991, in

5168-466: The work created by you is identical to a pre-existing work but you are unaware of the latter's existence, you may still enjoy copyright protection for your work. Apart from novelty, the work is not required to be made with an intent to be original. What is considered is only that it is actually an independent creation in effect. In 1951, the court in Alfred Bell Co. v. Catalda Arts held that

5244-464: Was artistry and idea to leave them to play with the camera and it was all in my eyesight. I knew the monkeys were very likely to do this and I predicted it. I knew there was a chance of a photo being taken." Aurelia J. Schultz disputed Slater's claims, noting a monkey would be incapable of holding a copyright in Indonesia (where the photo was taken), the United Kingdom, or the United States, because it

5320-477: Was common use. However, in an amendment to Swiss copyright law that took effect on 1 April 2020, "photographic depictions and depictions of three-dimensional objects produced by a process similar to that of photography" are now eligible for copyright, even if they do not display individual character, although their creation must still be the result of "human actions", and they are subject to a shorter copyright term (50 years after production rather than 70 years after

5396-513: Was enough to meet this standard of 'Skill and Judgment'. Whether this is the correct interpretation of the test as given in the CCH Canadian Case remains debatable. Scientific literature considered as primary must contain original research , and even review articles contain original analysis or interpretation . An original idea is one not thought up by another person beforehand. Sometimes, two or more people can come up with

5472-580: Was examined. Both the musical originality of a theme relative to its contemporary works (the zeitgeist), as well as its "absolute" originality influenced in similar magnitude the popularity of a theme. Similarly, objective features and temporal context both influenced the evaluation of linguistic originality. An original painting , photographic negative , analog audio, or video recording, will contain qualities that can be difficult, or under current technology may be impossible to copy in its full integrity. That can also apply for any other artifact . That

5548-516: Was incorporated in the statute only in the Copyright Act, 1976 and over the course of time, the courts have evolved various metrics to apply the test. Unlike, Patents , novelty is not required for a work to be considered as original. The United States Court of Appeals for the Second Circuit in Sheldon (1936) had clarified that sometimes it is relevant for other purposes. Therefore, if

5624-425: Was overruled in 2018 in a 3–0 ruling by the 9th Circuit Court of Appeals, which held that "A digitally remastered sound recording made as a copy of the original analog sound recording will rarely exhibit the necessary originality to qualify for independent copyright protection." House Report No. 94-1476 states that the design of a typeface cannot be protected under U.S. law. The non-eligibility of "textual matter"

5700-596: Was raised in Ets-Hokin v. Skyy Spirits Inc. , judging whether photographs of bottles of SKYY vodka were original enough for protection: The Skyy vodka bottle, although attractive, has no special design or other features that could exist independently as a work of art. It is essentially a functional bottle without a distinctive shape. Turning next to the bottle's label, which the district court also cited in part in categorizing Ets-Hokin's photos as derivative works, we note that "[a] claim to copyright cannot be registered in

5776-471: Was set in Canada by cases such as Tele-Direct (Publications) Inc. v. American Business Information Inc. (1997), where the court concluded that compilations of data must embody originality and creativity in order to be copyrighted. In March 2012, the European Court of Justice also set a similar precedent, ruling that Football DataCo could not claim copyright on association football match schedules due to

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