The Oropom (also known as Iworopom , Oworopom , Oyoropom or Oropoi ) were the aboriginal inhabitants of much of Karamoja in Uganda , Mt. Elgon area and West Pokot , Trans Nzoia and Turkana regions in Kenya . Their descendants were largely assimilated into various communities present in their former territories, including the Iteso , Karamojong , Pokot , Turkana and Bukusu . They are or were found in scattered pockets between the Turkwel River , Chemorongit Mountains and Mt. Elgon . One report indicates that they formerly spoke the unclassified Oropom language .
65-598: Oropom may refer to: the Oropom people the Oropom language Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title Oropom . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Oropom&oldid=933030928 " Category : Disambiguation pages Hidden categories: Short description
130-523: A belt covering their penis, and had long pigtails. Both sexes wore many bangles , and covered themselves in a red oil- ochre mixture. Wilson postulates that they had no knowledge of iron working as most of their tools and implements were Stone Age . Their religious rites are said to have invariably taken place at sunrise , usually on rock outcrops. Some involved animal sacrifices . Some were reserved for elders, while others were open to all. Ritual feasts were held at stone circles . Most accounts of
195-400: A differentiated culture which was earlier thought to be typical Indus Valley civilisation (IVC) culture. Pottery is durable, and fragments, at least, often survive long after artifacts made from less-durable materials have decayed past recognition. Combined with other evidence, the study of pottery artefacts is helpful in the development of theories on the organisation, economic condition and
260-459: A locality. The main ingredient of the body is clay . Some different types used for pottery include: It is common for clays and other raw materials to be mixed to produce clay bodies suited to specific purposes. Various mineral processing techniques are often utilised before mixing the raw materials, with comminution being effectively universal for non-clay materials. Examples of non-clay materials include: The production of pottery includes
325-416: A more distant connection between groups, such as trade in the same market or even relatively close settlements. Techniques that require more studied replication (i.e., the selection of clay and the fashioning of clay) may indicate a closer connection between peoples, as these methods are usually only transmissible between potters and those otherwise directly involved in production. Such a relationship requires
390-523: A nature also found in Karasuk, Turkana and West Pokot districts in Kenya. Wilson noted that "the material collected, particularly the pottery, reflects such a high degree of skill and artistry in its manufacture, that it is obviously not connected with the much cruder pots of the present occupants of these areas". His supposition was confirmed by most residents who had no traditions indicating the manufacture of
455-581: A rough guide, modern earthenwares are normally fired at temperatures in the range of about 1,000 °C (1,830 °F) to 1,200 °C (2,190 °F); stonewares at between about 1,100 °C (2,010 °F) to 1,300 °C (2,370 °F); and porcelains at between about 1,200 °C (2,190 °F) to 1,400 °C (2,550 °F). Historically, reaching high temperatures was a long-lasting challenge, and earthenware can be fired effectively as low as 600 °C (1,112 °F), achievable in primitive pit firing . The time spent at any particular temperature
520-512: A waterproof barrier, and improve its durability. Below are the major types of glazing commonly used in pottery: 1. Glossy Glaze - Produces a shiny, reflective surface. - Highlights intricate patterns and textures. - Often used for decorative purposes. 2. Matte Glaze - Provides a smooth, non-reflective finish. - Suitable for modern and minimalist designs. - Ideal for functional wares like plates and mugs, as it minimizes glare. 3. Transparent Glaze - Can be glossy or matte. - Allows
585-401: Is also important, the combination of heat and time is known as heatwork . Kilns can be monitored by pyrometers , thermocouples and pyrometric devices . The atmosphere within a kiln during firing can affect the appearance of the body and glaze. Key to this is the differing colours of the various oxides of iron, such as iron(III) oxide (also known as ferric oxide or Fe 2 O 3 ) which
650-485: Is associated with brown-red colours, whilst iron(II) oxide (also known as ferrous oxide or FeO) is associated with much darker colours, including black. The oxygen concentration in the kiln influences the type, and relative proportions, of these iron oxides in fired the body and glaze: for example, where there is a lack of oxygen during firing the associated carbon monoxide (CO) will readily react with oxygen in Fe 2 O 3 in
715-462: Is different from Wikidata All article disambiguation pages All disambiguation pages Oropom people The first indication of the past existence of a people known as Oropom was through fieldwork done by J.G.Wilson in the mid-20th century. While resident in Karamoja region of Uganda, he came across widespread and abundant archaeological material including stone tools and pottery of
SECTION 10
#1732775804521780-400: Is important part of archaeology for understanding the archaeological culture of the excavated site by studying the fabric of artifacts, such as their usage, source material composition, decorative pattern, color of patterns, etc. This helps to understand characteristics, sophistication , habits, technology, tools, trade, etc. of the people who made and used the pottery. Carbon dating reveals
845-426: Is lit and the woman runs around the circumference of the mound touching the burning torch to the dried grass. Some mounds are still being constructed as others are already burning. Pottery may be decorated in many different ways. Some decoration can be done before or after the firing, and may be undertaken before or after glazing. Glaze is a glassy coating on pottery, and reasons to use it include decoration, ensuring
910-425: Is made by heating materials, generally including kaolin , in a kiln to temperatures between 1,200 and 1,400 °C (2,200 and 2,600 °F). This is higher than used for the other types, and achieving these temperatures was a long struggle, as well as realizing what materials were needed. The toughness, strength and translucence of porcelain, relative to other types of pottery, arises mainly from vitrification and
975-638: Is normally fired below 1200 °C. Because unglazed earthenware is porous, it has limited utility for the storage of liquids or as tableware. However, earthenware has had a continuous history from the Neolithic period to today. It can be made from a wide variety of clays, some of which fire to a buff, brown or black colour, with iron in the constituent minerals resulting in a reddish-brown. Reddish coloured varieties are called terracotta , especially when unglazed or used for sculpture. The development of ceramic glaze made impermeable pottery possible, improving
1040-481: Is not always the case; for example fritware uses no or little clay, so falls outside these groups. Historic pottery of all these types is often grouped as either "fine" wares, relatively expensive and well-made, and following the aesthetic taste of the culture concerned, or alternatively "coarse", "popular", "folk" or "village" wares, mostly undecorated, or simply so, and often less well-made. Cooking in pottery became less popular once metal pots became available, but
1105-430: Is placed within the context of linguistic and migratory patterns, it becomes an even more prevalent category of social artifact. As proposed by Olivier P. Gosselain, it is possible to understand ranges of cross-cultural interaction by looking closely at the chaîne opératoire of ceramic production. The methods used to produce pottery in early Sub-Saharan Africa are divisible into three categories: techniques visible to
1170-405: Is shaped by a variety of techniques, which include: Prior to firing, the water in an article needs to be removed. A number of different stages, or conditions of the article, can be identified: Firing produces permanent and irreversible chemical and physical changes in the body. It is only after firing that the article or material is pottery. In lower-fired pottery, the changes include sintering ,
1235-455: Is still used for dishes that benefit from the qualities of pottery cooking, typically slow cooking in an oven, such as biryani , cassoulet , daube , tagine , jollof rice , kedjenou , cazuela and types of baked beans . The earliest forms of pottery were made from clays that were fired at low temperatures, initially in pit-fires or in open bonfires . They were hand formed and undecorated. Earthenware can be fired as low as 600 °C, and
1300-400: The "clay matrix" – composed of grains of less than 0.02 mm grains which can be seen using the high-powered microscopes or a scanning electron microscope , and the "clay inclusions" – which are larger grains of clay and could be seen with the naked eye or a low-power binocular microscope. For geologists, fabric analysis means spatial arrangement of minerals in a rock. For Archaeologists,
1365-566: The "fabric analysis" of pottery entails the study of clay matrix and inclusions in the clay body as well as the firing temperature and conditions . Analysis is done to examine the following 3 in detail: The Six fabrics of Kalibangan is a good example of fabric analysis. Body , or clay body, is the material used to form pottery. Thus a potter might prepare, or order from a supplier, such an amount of earthenware body, stoneware body or porcelain body. The compositions of clay bodies varies considerably, and include both prepared and 'as dug';
SECTION 20
#17327758045211430-694: The Cherangani Hills eastward to Lake Baringo , much of the Trans-Nzoia District - all in present-day Kenya; Mt. Elgon and all of Teso sub-region in Uganda; as well as the areas of Didinga and Topossa in Sudan . It is currently assumed that the Oropom were the original inhabitants of their territory, and that successive waves of migrants invaded the territory; Wilson suggests that
1495-540: The Russian Far East (14,000 BC), Sub-Saharan Africa (9,400 BC), South America (9,000s–7,000s BC), and the Middle East (7,000s–6,000s BC). Pottery is made by forming a clay body into objects of a desired shape and heating them to high temperatures (600–1600 °C) in a bonfire , pit or kiln , which induces reactions that lead to permanent changes including increasing the strength and rigidity of
1560-693: The Tepes people of Mt. Moroto and Mt. Kadam . Others were found in Pian county, notably at Lorengedwat . Other refugees swelled the Bukusu population where they led a distinctly different way of life within recorded memory. Some Oropom refugees fled eastward and found safe haven on the Uasin Gishu plateau where they have been strongly identified with the Uas Nkishu Maasai. Some refugees joined
1625-706: The Chemngal who then occupied the Plateau today known as Uasin Gishu. A Karamojong informant noted in 1916 that Nandi occupied territory previously stretched as far north as the sources of the Nzoia River i.e. Mt. Elgon, a territory that had been occupied by the Nandi as lately as the time of the grandfathers of that generation (i.e early to mid-19th century). The Karamojong raided the northern Nandi sections twice before
1690-528: The JoPadhola in Kenya indicate that there were two waves of Iteso settlement in their present lands. The first was family based and was peaceful. This was followed by an extensive and aggressive migration that left the Iteso in control of a large swathe of territory that by 1850 extended as far as the western highlands of Kenya. A story collected by Turpin (1948) suggests that the Iteso are largely descended from
1755-512: The Karimojong and who claimed Oropom ancestry could be distinguished by their reddish brown skin, "peppercorn hair", slanted eyes, and prominent cheekbones. On this basis he ascribed them to the Khoisan group. In 1970, their main mark was a custom of wearing a single cowrie shell attached to a forelock placed over the centre of the forehead (for women), or an indented mark in the centre of
1820-529: The Nandi had withdrawn too far south. The Karamojong were unmolested by the Nandi from that time and the Turkwel-Nzoia watershed became a no-mans land. Yet others moved to the Chemorongit mountains (Karasuk) which were still part of Oropom territory, as well as the area west of there and south of Moroto mountain. The Pokotozek finding that they were no longer facing a formidable tribal grouping to
1885-406: The Nandi launched a big raid against them at Choo hill near the junction of Kanyangareng & Turkwel rivers. The Masinko clan of Karamojong who were pasturing here counterattacked and successfully drove of the Nandi raiders. In response to the Nandi raid, the Karimojong organized a powerful force to break up the Nandi nearest the Turkwel-Nzoia watershed but the expedition returned and reported that
1950-464: The Oropom state that they did not practice circumcision as a rite of initiation . Oral traditions indicate that the expansion of Lwoo speakers into Acholi caused the breakaway of a group who were initially known as Jie. The Jie came from the vicinity of Gulu though there was a section of the group who came from a hill known as Got Turkan. The Jie who are said to have been Luo speaking though governed by elders and not chiefs (indicating that their culture
2015-654: The Oropom, a suggestion that has been advanced by many other historians. Karp notes that the Karamoja call the Southern Iteso "Iworopom". Some Oropom fled northwards to join the Turkana and Tepes. People considering themselves Oropom were (as of 1970), according to Wilson, particularly concentrated within the Karamoja area in Matheniko and Jie counties, and to a lesser extent in Bokora ; some were also found among
Oropom - Misplaced Pages Continue
2080-944: The Pokot Pottery Pottery is the process and the products of forming vessels and other objects with clay and other raw materials, which are fired at high temperatures to give them a hard and durable form. The place where such wares are made by a potter is also called a pottery (plural potteries ). The definition of pottery , used by the ASTM International , is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products". End applications include tableware , decorative ware , sanitary ware , and in technology and industry such as electrical insulators and laboratory ware. In art history and archaeology , especially of ancient and prehistoric periods, pottery often means only vessels, and sculpted figurines of
2145-503: The ability of the involved parties to communicate effectively, implying pre-existing norms of contact or a shared language between the two. Thus, the patterns of technical diffusion in pot-making that are visible via archaeological findings also reveal patterns in societal interaction. Chronologies based on pottery are often essential for dating non-literate cultures and are often of help in the dating of historic cultures as well. Trace-element analysis , mostly by neutron activation , allows
2210-452: The age. Sites with similar pottery characteristics have the same culture, those sites which have distinct cultural characteristics but with some overlap are indicative of cultural exchange such as trade or living in vicinity or continuity of habitation, etc. Examples are black and red ware , redware , Sothi-Siswal culture and Painted Grey Ware culture . The six fabrics of Kalibangan is a good example of use of fabric analysis in identifying
2275-536: The area between Mt. Elgon and Mt. Kadam. Traditions of the Didinga people of South Sudan apparently record displacing a "red" people, called the Argit, who were skilled in pottery -making. Iteso clan names reveal a history of long-standing ethnic interactions and found amongst these are names of Bantu and Northern Nilotic origin. Some of these are clan names are said to be of Iworopom origin. Traditions recorded among
2340-417: The branches and then grass is piled high to complete the mound. Although the mound contains the pots of many women, who are related through their husbands' extended families, each women is responsible for her own or her immediate family's pots within the mound. When a mound is completed and the ground around has been swept clean of residual combustible material, a senior potter lights the fire. A handful of grass
2405-431: The cultural development of the societies that produced or acquired pottery. The study of pottery may also allow inferences to be drawn about a culture's daily life, religion, social relationships, attitudes towards neighbours, attitudes to their own world and even the way the culture understood the universe. It is valuable to look into pottery as an archaeological record of potential interaction between peoples. When pottery
2470-529: The direction of Lake Baringo. This incursion disturbed Oropom who were settled around Baringo, causing a break-up of that group which led to migrations in various directions; Some Oropom moved towards the Turkwell, both below and above Turkwell gorge. Other Oropom moved into Uasin Gishu Maasai held territory. According to Maasai tradition, an alliance of the Uasin Gishu and Siria communities attacked
2535-480: The duration of firing influences the final characteristics of the ceramic. Thus, the maximum temperature within a kiln is often held constant for a period of time to soak the wares to produce the maturity required in the body of the wares. Kilns may be heated by burning combustible materials, such as wood , coal and gas , or by electricity . The use of microwave energy has been investigated. When used as fuels, coal and wood can introduce smoke, soot and ash into
2600-415: The encounter, noting that; The Karimajong kept beating the Oropom and drove them further and further south. Finally the Oropom became tired of running. They began killing their cattle to make leather ropes out of their skins. They tied themselves together with those ropes so that none could run away. They said ‘we are tired of running – it is better that we should all die here together’ The Karimajong on
2665-460: The eye (decoration, firing and post-firing techniques), techniques related to the materials (selection or processing of clay, etc.), and techniques of molding or fashioning the clay. These three categories can be used to consider the implications of the reoccurrence of a particular sort of pottery in different areas. Generally, the techniques that are easily visible (the first category of those mentioned above) are thus readily imitated, and may indicate
Oropom - Misplaced Pages Continue
2730-658: The first invaders of the Oropom territory were proto-Kalenjin speakers who may have included the Nyangea, Teuso and Tepes . They were followed by the Maliri who had occupied with certainty what are now Jie country and large parts of Dodoth country in Uganda. It is estimated that their arrival in those districts occurred 600 to 800 years ago (i.e. c.1200 to 1400 AD) The oropom were assimilated into various Karimojong groups as clans (Aspects of Karimojong ethnography- Fr. Noveli) Wilson (1970) noted that some individuals living among
2795-430: The following stages: Before being shaped, clay must be prepared. This may include kneading to ensure an even moisture content throughout the body. Air trapped within the clay body needs to be removed, or de-aired, and can be accomplished either by a machine called a vacuum pug or manually by wedging . Wedging can also help produce an even moisture content. Once a clay body has been kneaded and de-aired or wedged, it
2860-486: The foot) is left unglazed or, alternatively, special refractory " spurs " are used as supports. These are removed and discarded after the firing. Some specialised glazing techniques include: Types of Glazing in Pottery. Glazing in pottery is the process of applying a coating or layer of material to ceramics that, when fired, forms a vitreous or glass-like surface. Glazes enhance the aesthetic appeal of pottery, provide
2925-460: The forehead (for men.) Traditions also captured by Wilson note that the Oropom had well-built houses of three to four rooms (unlike the Karamojong), big gardens, and long-horned cattle. They also had a reputation as good potters , and pottery attributed to them is found all over the area. The women wore skin clothing and large earrings , and did not plait their hair; the men wore nothing but
2990-659: The formation of the mineral mullite within the body at these high temperatures. Although porcelain was first made in China , the Chinese traditionally do not recognise it as a distinct category, grouping it with stoneware as "high-fired" ware, opposed to "low-fired" earthenware. This confuses the issue of when it was first made. A degree of translucency and whiteness was achieved by the Tang dynasty (AD 618–906), and considerable quantities were being exported. The modern level of whiteness
3055-443: The former being by far the dominant type for studio and industry. The properties also vary considerably, and include plasticity and mechanical strength before firing; the firing temperature needed to mature them; properties after firing, such as permeability, mechanical strength and colour. There can be regional variations in the properties of raw materials used for pottery, and these can lead to wares that are unique in character to
3120-412: The fusing together of coarser particles in the body at their points of contact with each other. In the case of porcelain, where higher firing-temperatures are used, the physical, chemical and mineralogical properties of the constituents in the body are greatly altered. In all cases, the reason for firing is to permanently harden the wares, and the firing regime must be appropriate to the materials used. As
3185-417: The item is impermeable to liquids, and minimizing the adherence of pollutants. Glaze may be applied by spraying, dipping, trailing or brushing on an aqueous suspension of the unfired glaze. The colour of a glaze after it has been fired may be significantly different from before firing. To prevent glazed wares sticking to kiln furniture during firing, either a small part of the object being fired (for example,
3250-420: The items save for a few people who claimed to be descendants of a people known as Oropom. According to Webster, the Oropom nursery was located near Mt. Moroto , from which they moved west to the plain between Napak and Mount Elgon . Oropom traditions recorded by Wilson capture the extent of their ancient territories: the whole Turkana to a point east of Lake Turkana which the Oropom called "Malimalte",
3315-431: The kiln which can affect the appearance of unprotected wares. For this reason, wares fired in wood- or coal-fired kilns are often placed in the kiln in saggars , ceramic boxes, to protect them. Modern kilns fuelled by gas or electricity are cleaner and more easily controlled than older wood- or coal-fired kilns and often allow shorter firing times to be used. Niche techniques include: [...] pots are positioned on and amid
SECTION 50
#17327758045213380-586: The late Middle Ages, as European kilns were less efficient, and the right type of clay less common. It remained a speciality of Germany until the Renaissance. Stoneware is very tough and practical, and much of it has always been utilitarian, for the kitchen or storage rather than the table. But "fine" stoneware has been important in China , Japan and the West, and continues to be made. Many utilitarian types have also come to be appreciated as art. Porcelain
3445-545: The north and west of Baringo, themselves expanded in that direction, expelling other Oropom from the Cherangani mountains and further west right up to the slopes of Mt Elgon hence limiting Turkana southern movement. It is notable that the emerging Sebei referred to the Mt Elgon Oropom as Sirikwa. The Sirikwa population at Mt Elgon, as evidenced by Sirkwa holes, was fairly dense and it is likely that their identity
3510-424: The object. Much pottery is purely utilitarian, but some can also be regarded as ceramic art . An article can be decorated before or after firing. Pottery is traditionally divided into three types: earthenware , stoneware and porcelain . All three may be glazed and unglazed. All may also be decorated by various techniques. In many examples the group a piece belongs to is immediately visually apparent, but this
3575-455: The other hand provide a brutal military assessment of the encounter and the state of Oropom society at that point, they note that; "...Their shields were larger than ours but were ineffective as they were made of cowhide. Their spears were unlike ours, more like those of the Nandi. When we were strong enough we desired their cattle which had long horns, and we fought a great battle with them. However they were cowards and their elders had to force
3640-408: The other referred to themselves as Pokotozek. The Pokotozek whose movements would have greatest impact on the Oropom, moved south, arriving at Nakiloro which lies on the lip of the Turkana escarpment just north of Moroto mountain, where they stayed for a short while before moving further south, proceeding down the eastern side of the Chemorongit and Cherangani mountains before finally branching off in
3705-506: The popularity and practicality of pottery vessels. Decoration has evolved and developed through history. Stoneware is pottery that has been fired in a kiln at a relatively high temperature, from about 1,100 °C to 1,200 °C, and is stronger and non-porous to liquids. The Chinese, who developed stoneware very early on, classify this together with porcelain as high-fired wares. In contrast, stoneware could only be produced in Europe from
3770-421: The raw materials and cause it to be reduced to FeO. An oxygen deficient condition, called a reducing atmosphere, is generated by preventing the complete combustion of the kiln fuel; this is achieved by deliberately restricting the supply of air or by supplying an excess of fuel. Firing pottery can be done using a variety of methods, with a kiln being the usual firing method. Both the maximum temperature and
3835-745: The same material are called terracottas . Pottery is one of the oldest human inventions , originating before the Neolithic period , with ceramic objects such as the Gravettian culture Venus of Dolní Věstonice figurine discovered in the Czech Republic dating back to 29,000–25,000 BC. However, the earliest known pottery vessels were discovered in Jiangxi , China, which date back to 18,000 BC. Other early Neolithic and pre-Neolithic pottery artifacts have been found, in Jōmon Japan (10,500 BC),
3900-471: The sources of clay to be accurately identified and the thermoluminescence test can be used to provide an estimate of the date of last firing. Examining sherds from prehistory, scientists learned that during high-temperature firing, iron materials in clay record the state of the Earth's magnetic field at that moment. The "clay body" is also called the "paste" or the "fabric" , which consists of 2 things,
3965-579: The underlying decoration or texture of the pottery to show through. - Often used over underglaze decorations. 4. Opaque Glaze - Completely covers the surface of the pottery, hiding any underlying texture or decoration. - Useful for creating uniform, bold colors. 5. Celadon Glaze - A translucent glaze, usually in shades of green or blue. - Originated in China and is popular in East Asian ceramics. - Accentuates carved or textured designs beneath
SECTION 60
#17327758045214030-715: The young men to fight us; in doing this, they gathered them together in long lines, securing them one to the other by ropes, to prevent them running away. This was very foolish as when we killed one or two of them, the whole line collapsed with the weight of their bodies and we slaughtered them where they fell." Some then fled east or south; a few Oropom settlements are claimed to have remained between Kacheliba and Karta as late as 1927. Some areas were unaffected by this battle, and Oropom remained between Lolachat and Namalu in Pian county in Nakapiripirit District , and in
4095-527: Was not fully Lwoo-ised), advanced eastward and entered the present Karamoja boundary at Adilang. The territory they entered was then occupied by the Maliri who were pushed to the vicinity of Koten mountains. The Jie from Got Turkan, now calling themselves Turkana, broke away from the main Jie populace at Kotido and advanced eastward bringing extreme pressure to bear on the Maliri at Koten causing that group to split into two. One section came to be known as Merille while
4160-520: Was not reached until much later, in the 14th century. Porcelain was also made in Korea and in Japan from the end of the 16th century, after suitable kaolin was located in those countries. It was not made effectively outside East Asia until the 18th century. The study of pottery can help to provide an insight into past cultures. Fabric analysis (see section below), used to analyse the fabric of pottery ,
4225-501: Was still largely intact. It would take the Karimojong dispersion of the Oropom at Kapcheliba in the early 18th century to finally submerge the Oropom-Sirikwa identity. A notable battle that occurred around 1825 or 1830 near Kacheliba is largely perceived to have signaled the snuffing out of Oropom identity. A notable element of the battle is the Oropom tying themselves together with leather ropes. Oropom descendants romanticise
#520479