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110-468: The Gibson Les Paul Junior is a solid-body electric guitar introduced in 1954 as an affordable, entry-level Les Paul . It was first released with a single-cutaway body style; models with a double-cutaway body style were introduced in 1958. The Junior continued through the first three years of the Les Paul/SG body redesign. The initial run was discontinued in 1963. The Les Paul Junior was designed as

220-567: A marquee , but the lamps gave off too much heat and were reduced. They installed 20 cells for rechargeable " "C" batteries ", new circuits, and new lamps. Leslie West declined an offer to have a signature model of the instrument produced because he did not want a signature guitar based on an already-existing instrument, even though the Les Paul Junior was his main instrument during his heyday in Mountain. In 2015, Gibson announced

330-471: A "pancake" body. The expression "pancake body" actually refers to a body made of a thin layer of maple sandwiched between two slabs of mahogany, with a maple cap. The grain of the maple was placed at 90 degrees to that of the mahogany. The "pancake"-like layers are clearly visible when looking at the edge of the guitar. This process is also known as "crossbanding", and was done to make use of less expensive and more readily available thinner mahogany. Crossbanding

440-611: A TV model). It fit in the model line between the Junior and the Standard, having the two-pickup configuration of the Standard, but featuring the simpler, more basic appointments of the Junior. In 1959, the Special was given the same new double-cutaway body shape as the Junior and the TV received in 1959. Around this time, Les Paul decided to discontinue his affiliation with Gibson; the model

550-603: A baseball player may apply pine tar to a baseball bat. According to Rule 1.10(c) of the Major League Baseball Rulebook, it is not allowed more than 18 inches up from the bottom handle. An infamous example of the rule in execution is the Pine Tar Incident on July 24, 1983. Rules 1.10 and 6.06 were later changed to reflect the intent of Major League Baseball, as exemplified by the league president's ruling. Rule 1.10 now only requires that

660-458: A bat, especially when wielded by a particularly able batter. The "bat drop" of a bat is its weight, in ounces, minus its length, in inches. For example, a 30-ounce, 33-inch-long bat has a bat drop of minus 3 (30 − 33 = −3). Larger bat drops help to increase swing speed, due to less mass per unit length; smaller drops create more power, due to greater momentum to transfer to the ball. The bat's form has become more refined over time. In

770-498: A buffer between the bats and the environment," he explained, "absorbing any moisture before it can seep into the wood." Many players " bone " their bats, meaning that before games, they rub their bats repeatedly with a hard object, believing this closes the pores on the wood and hardens the bat. Animal bones are a popular boning material, but rolling pins, soda bottles and the edge of a porcelain sink have also been used. Pete Rose had his own way of hardening his bats: he soaked them in

880-402: A chambered mahogany body with either a maple or mahogany cap. The entry level Les Paul Studio "faded" has a weight relieved mahogany body and top and a satin finish. In 2018 neck binding and a pair of Gibson's most popular humbucking pickups, 57 Classic and 57 Classic+, and two push-pull pots were introduced. In order to guarantee the stability of the tuning and an excellent sustain were introduced

990-444: A cup-shaped recess is made in the head, introduced to the major leagues in the early 1970s by José Cardenal ; this lightens the bat and moves its center of gravity toward the handle. Finally, the bat is stained in one of several standard colors, including natural, red, black, and two-tone blue and white. The emerald ash borer , an exotic beetle imported accidentally from Asia, has killed more than 50 million white ash trees in

1100-472: A high-quality, affordable guitar. Gibson stripped the standard Les Paul down to the basics: no binding, no carved top, one pickup, and just one volume and tone knob. The Junior was equipped with one P-90 "dog-ear" pickup at the bridge, which was actually a stop tailpiece from the standard Les Paul. It was originally released in sunburst in mid-1954. In 1955 Gibson launched the Les Paul TV model, which

1210-570: A highly individualized guitar, adding to the collectability of the model. Many famous original Les Paul standards can be easily identified by their unique appearance. Original production of the Standards lasted from 1958 to early 1961. As Gibson only kept records on shipments of "Les Paul" models, and the Sunburst Standard overlapped production years with both the earlier Goldtop and later SG models, nailing down exact production numbers

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1320-499: A metal alloy (typically aluminum). Most wooden bats are made from ash ; other woods include maple , hickory , and bamboo . Hickory has fallen into disfavor over its greater weight, which slows down bat speed, while maple bats gained popularity following the introduction of the first major league sanctioned model in 1997. The first player to use one was Joe Carter of the Toronto Blue Jays . Barry Bonds used maple bats

1430-402: A modern look and a name to promote The Les Paul & Mary Ford Show then on television. The double-cutaway model was introduced in 1958, nearly doubling Junior sales. In the 1960s and 1970s the Les Paul Junior became very popular because of its simplicity and unique tone when played through an overdriven amplifier . The P-90 pickup and simple bridge give the guitar a distinct sound that

1540-429: A natural wood or dull yellow appearance, and eventually evolved into the opaque mustard yellow, popularly called "TV yellow". The model was not, as a popular myth says, to avoid glare from old TV cameras, but a modern look and a name to promote "The Les Paul & Mary Ford Show" then on television. Gibson made a radical design change to their Junior and TV models in 1959: to accommodate player requests for more access to

1650-417: A new set of bats made, I have an addition ounce taken off." Once the basic bat has been turned, it has the manufacturer's name, the serial number, and often the signature of the player endorsing it branded into it opposite the wood's best side. Honus Wagner was the first player to endorse and sign a bat. Next, most bats are given a rounded head, but some 30% of players prefer a "cup-balanced" head, in which

1760-857: A number of other model lines over the years, including budget/student lines such as the Les Paul Junior and Les Paul Special, studio-quality guitars with basic appointments but upgraded electronics, such as the Les Paul Professional and Les Paul Recording, and other short-lived models, including dozens of celebrity endorsed models. The first Les Paul model Goldtops were produced from 1952 to 1957. Early 1952 Les Pauls were not issued serial numbers, did not have bound fingerboards, and are considered by some as "LP Model prototypes". However, later 1952 Les Pauls were issued serial numbers and also came with bound fingerboards. The design scheme of some of these early models varied. For instance, some early Les Pauls were fitted with black covered P-90 pickups instead of

1870-415: A public craze. In reaction to market demand, Gibson Guitar president Ted McCarty brought guitarist Les Paul into the company as a consultant. Les Paul was a respected innovator who had been experimenting with guitar design for years. He had hand-built a solid-body prototype nicknamed "The Log", named after the pine block running through the middle of the guitar whose width and depth are a little more than

1980-407: A push/pull function allowing to split the pickups and transient suppression. The guitar came in a special hardshell case, with a polished aluminium finish. The model was slightly modified in 2017, when the toggle-switch plate was removed, the knobs changed from ordinary speed knobs to chrome top hat ones, and the pickup rings changed from white to chrome. The model had a major change in 2018, with

2090-675: A single P-90 pickup (in contrast to the two- and three-humbucker pickup configurations on the more expensive models), simple volume and tone controls, an unbound rosewood fingerboard with plain dot-shape position markers , and a combination bridge/tailpiece unit similar to the Goldtop. In 1955, Gibson launched the Les Paul TV model, which was identical to the Junior except for the name and a fashionable contemporary "limed oak" style finish, later more accurately named "limed mahogany". This natural wood finish with white grain filler often aged into

2200-490: A smaller diameter. The bat is designed to hit balls tossed up in the air by the batter, not pitched balls. Typical fungo bats are 35 to 37 inches (89 to 94 cm) long and weigh 17 to 22 ounces (480 to 620 g). Coaches hit many balls during fielding practice, and the weight and length allow the coach to hit balls repeatedly with high accuracy. The small diameter also allows coaches to easily hit pop-ups to catchers and infielders along with ground balls due to better control of

2310-433: A solid mahogany body with a carved maple top and a single cutaway , a mahogany set-in neck with a rosewood fretboard, two pickups with independent volume and tone controls, and a stoptail bridge , although variants exist. The Les Paul was originally offered with a gold finish and two P-90 pickups. In 1957, humbucking pickups were added, along with sunburst finishes in 1958. The 1958–1960 sunburst Les Paul, today one of

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2420-600: A special cable that included an on-board transformer. The model came with either a stop tailpiece or a Gibson-branded Bigsby vibrato tailpiece . Chicago guitarist Terry Kath used a Les Paul Professional both in the studio and on stage. The model was never popular, and was phased out in 1971 and replaced with the Les Paul Recording model, which itself was replaced in 1983 by the Les Paul Studio model. A few Professionals shipped in 1972 and 1973, though

2530-634: A steel stop-bar. The guitar made its public debut when Paul used it onstage in June 1952 at the Paramount theatre in New York. On July 24, 1952, at a special musicians clinic at the Waldorf-Astoria hotel, it was previewed by prominent guitarists such as Tiger Haynes , George Barnes , Mundell Lowe , Tony Mottola , and Billy Mure . A second Les Paul model was introduced in 1953. Called

2640-450: A substance such as paraffin, wax, etc." It no longer makes any mention of an "illegally batted ball". In 2001, MLB approved the use of Gorilla Gold Grip Enhancer in major and minor league games as an alternative to pine tar. Players can be very particular about their bats. Ted Williams cleaned his bats with alcohol every night and periodically took them to the post office to weigh them. "Bats pick up condensation and dirt lying around on

2750-478: A successful batter. Formerly, bats were hand-turned from a template with precise calibration points; today they are machine-turned to a fixed metal template. Historically significant templates may be kept in a bat manufacturers' vault; for example, Babe Ruth 's template, which became popular among major-league players, is  R43 in the Louisville Slugger archives. Ruth favored a thinner handle than

2860-567: A trend back to wood over safety concerns and, in the case of collegiate summer baseball wood-bat leagues, to better prepare players for the professional leagues that require wood bats. Metal alloy bats can send a ball towards an unprotected pitcher's head up to 60 ft 6 in (18.44 m) away at a velocity far too high for the pitcher to get out of the way in time. Some amateur baseball organizations enforce bat manufacturing and testing standards which attempt to limit maximum ball speed for wood and non-wood bats. In high school baseball in

2970-538: A tub of motor oil in his basement then hung them up to dry. A fungo bat is a specially designed bat used by baseball and softball coaches for practice. The etymology of the word fungo ( / ˈ f ʌ ŋ ɡ oʊ / ) is uncertain, but the Oxford English Dictionary suggests it is derived from the Scots fung : "to pitch, toss, or fling". A fungo is longer and lighter than a regulation bat, with

3080-485: Is based on the actual '54-'57 Juniors. It also has some modern features requested by Armstrong, which include a slim tapered neck, as well as a specially designed "H-90" pickup which is said to be hum-canceling and it is overwound to handle more distortion. Armstrong's second signature model is a double-cutaway in TV Yellow which also includes an "H-90" pickup. However, according to Armstrong's guitar tech, he does not use

3190-662: Is difficult. Depending on the source, it is estimated anywhere from 1,200 to 1,700 of these early models were made and have subsequently become highly valuable. Production ended in 1961 when Gibson redesigned the Les Paul to feature a "double cutaway" body, which has subsequently become the Gibson SG. The model was quietly reintroduced to dealers as early as 1972 before production of Les Paul Standards "officially" resumed in 1976 due to high demand. They have remained in continuous production since then, as well as periodic reissues from

3300-496: Is tightest. Maple bats in particular were once known (circa 2008) to potentially shatter in a way that resulted in many sharp edges, sometimes creating more dangerous projectiles when breaking. Maple bat manufacture evolved significantly, in cooperation with Major League Baseball , paying special attention to grain slope, and including an ink spot test to confirm safest wood grain orientation. Based on consistent anecdotal reports of sales at sporting goods stores, and because of

3410-449: Is unique for the single-coil, hexagon-shaped "Charlie Christian" pickup at the neck (which derived its name from the type installed on Christian's Gibson ES-150 ), a modification Lennon accepted when he had the guitar serviced upon acquiring it in the 1970s. Green Day 's Billie Joe Armstrong and Gibson have released four signature Les Paul Juniors, the first is in three custom colors including Vintage Sunburst, Classic White, and Ebony, and

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3520-530: The Emerald ash borer epidemic, maple appears to be displacing ash as most popular new baseball bat material in the United States. Next and rising in popularity is bamboo , which has more isotropic fine grain, great strength, and less weight for a bat of any given size. Within league standards there is ample latitude for individual variation, many batters settling on their own bat profile, or one used by

3630-531: The Gibson SG (which for the first several years was known as the Les Paul SG, before Les Paul's endorsement deal ran out). In the mid-late 1960s, the unique tonal quality of the humbucker-equipped "Burst" models became a favorite among rock guitarists, and this renewed interest caused Gibson to bring back the Standard and Custom models in 1968. They have remained in production ever since; as well Gibson added

3740-699: The Paul Butterfield Blues Band , and recorded most of his work on the band's East-West album with that guitar. A year later, he traded it for a 1959 Standard with which he became most identified. By 1967, Jerry Garcia of the Grateful Dead was using mid-1950s, P-90 pickup-equipped goldtops or black custom models, which he used through 1968. Concurrently in the late 1960s, artists such as Peter Green , Jeff Beck , Paul Kossoff , and Jimmy Page began using sunburst Les Paul Standards. Responding to this influence and increased pressure from

3850-486: The "Gibson Les Paul", was released in 1952. This style has since been retroactively named "The Goldtop", as the model came only in one finish: an old gold solid paint, with two P-90 pickups and nickel plated hardware. In 1954, the Gibson Les Paul Custom was added to the model line. The Custom featured a solid black finish, gold-plated hardware, and other high-end appointments, including becoming one of

3960-557: The 1957 Goldtop, including PAF humbucker pickups, a maple top, and a tune-o-matic bridge with a stop tailpiece or Bigsby vibrato tailpiece . The gold color used since 1952 was replaced by a cherry-red version of the Sunburst finish long used on Gibson's flat-top and archtop acoustic and hollow electric guitars. Since the maple cap was now visible, tops were made either with a solid "plaintop" piece of maple or two bookmatched pieces of figured (curly or quilted) maple. To differentiate from

4070-598: The 1957 Goldtop. However, Standards featured a cherry-red sunburst finish. These guitars were priced higher than the Goldtop models, but lower than the Customs. At this time, Gibson instruments were marketed toward an older, jazz-oriented audience rather than young burgeoning guitarists. As a result, over the three-year period of production, only about 1,700 Standards were made. These Les Pauls were considered to be too heavy and old-fashioned, and they initially did not find favor amongst guitarists. In 1961, Gibson stopped producing

4180-404: The 1958–59 models faded rapidly from ultraviolet light exposure, so in early 1960 Gibson switched to a new, fade-resistant formulation which was also less translucent and slightly more orange; this is sometimes called the "tomato soup burst". Fading of the original paint job was unpredictable, as the red color could either lighten or darken depending on the specific formulation and on the conditions

4290-583: The 1970s, the Les Paul body shape was incorporated into other Gibson models, including the S-1 , the Sonex , the L6-S , and other models that did not follow the classic Les Paul layout. In January 1986, Gibson again changed ownership and began manufacturing a range of varied Les Paul models. The 1980s also saw the end to several design characteristics, including the volute and maple neck. However, because of consumer demand,

4400-481: The Custom Shop produces numerous limited-run "historic-spec" models, as well as signature artist models. The first Custom Shop artist guitar was the 1996 Joe Perry Les Paul, and today, several artist models are offered. " Relic'd " or "aged" models, branded by Gibson as "Vintage Original Spec" (VOS), are made in the Custom Shop to replicate well-used vintage guitars. As of 2017 , Gibson offers several variations of

4510-519: The Deluxe featured a one-piece body and slim three-piece neck (It has been thought that some of these early "one-piece" bodies were actually leftovers from original 1950s Les Paul parts). The multi-piece body (a thin layer of maple on top of two layers of Honduran mahogany) arrived later in 1969. Towards the end of that year, a reinforcing neck volute was added. 1969 Deluxes feature the Gibson logo devoid of

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4620-642: The G-Force tuner was removed with locking tuners being added. This was the last of the HP series, which was discontinued in 2020. The Gibson Dark Fire is a variant of the Les Paul. It was a second generation Robot Guitar , using an updated version of the Powertune self-tuning system produced by Tronical Gmbh. The Dark Fire also introduced Gibson's Chameleon Tone Technology, a system consisting of onboard electronics designed to simulate various guitar tones. Additionally,

4730-475: The Gibson Custom Shop, using the original 1958–60 specs. In 1954, the Les Paul Junior debuted, targeted the beginning or student guitarist. As a cost-saving measure, many of the appointments of the Standard and Custom models are absent from the Junior. The Junior is characterized by its flat-top "slab" mahogany body (in contrast to the carved maple top on other models), finished in sunburst. It had

4840-565: The Gibson Les Paul Deluxe manufactured were Gold Top. New colors emerged from 1975, less valued than the Gold Top. By late 1975, the neck construction was changed from mahogany to maple. This lasted until the early 1980s, when the construction returned to mahogany. The body changed back to solid mahogany from the pancake design in late 1976 or early 1977. In 1985 Gibson discontinued the Deluxe model. The Les Paul Professional

4950-544: The Gibson Les Paul guitar is available today in a wide array of choices, ranging from guitars equipped with modern digital electronics to classic re-issue models built to match the look and specifications of the guitar's earliest production runs from 1952 to 1960. In 1986, responding to the high demand for vintage models, Gibson formed a Custom Shop division. Originally, the Custom Shop began producing accurate reproductions of early Les Pauls, as well as one-offs. Today,

5060-659: The Gibson Melody Maker. List of "Junior" models (original and reissue). For "Junior Special" models, Epiphone models, and Robot Guitar models, see Gibson Les Paul Special and #Variations , respectively. Gibson Les Paul The Gibson Les Paul is a solid body electric guitar that was first sold by the Gibson Guitar Corporation in 1952. The guitar was designed by factory manager John Huis and his team with input from and endorsement by guitarist Les Paul . Its typical design features

5170-616: The Grover tuners, the self-lubricating nut and the aluminium tune-o-matic bridge. Gibson also offered the Studio in a "standard" model. This variant was adorned with neck and body binding, ebony fretboard and sunburst paint job. All Studios at the time had dot fretboard markers and a thinner body. Gibson released the Memphis ES-Les Paul in 2014. It is a semi-acoustic model with f-holes and most with two Alnico humbuckers. There

5280-487: The H-90 in his guitars. He uses a Seymour Duncan Antiquity P-90 pickup. The third signature is a single-cutaway released in 2018 in cherry, ebony, and sonic blue. The fourth, and as of 2023, most recent signature model is two structurally identical single-cutaway guitars; one in a "vintage ebony gloss" finish and the other in a "silver mist" finish, the second of which appearing in multiple music videos such as Oh Love and Stay

5390-593: The Les Paul Custom, this black guitar with gold-plated hardware was dubbed the "Black Beauty". New bridge and tailpiece designs were rapidly adopted. The one-piece "wraparound" stopbar was introduced in 1953. The following year saw the introduction of the fully-adjustable Tune-o-matic bridge. The Goldtop and Custom models continued without significant changes until 1957. New humbucker pickups designed by Seth Lover in 1955 debuted on Les Pauls in 1957 and P-90 pickups were no longer offered. These pickups carried

5500-537: The Les Paul guitar with differences in price, features, electronics and finishes. For example, the modern 'Standard' offers split-coil pickups for a wider range of sounds. The 'Traditional' model offers the more basic features of guitars available during the 1950s to 1980s, and the 'Classic' model offers yet other features. 'Special' and 'Studio' models have a more basic level of finish and are lower-priced. These models are marketed as 'Gibson USA' guitars, capitalizing on their American heritage. The first model, simply called

5610-545: The Memphis ES-Les Paul has become a sought-after and collectible Les Paul model. The Gibson Les Paul HP – which stands for "High Performance" – was introduced in 2016, intending to be a Les Paul version featuring the most modern features, like the G-Force automatic tuner, a compound radius fretboard, a titanium adjustable zero-fret nut, and a carved fast access neck heel, similar to the Axcess model. Each knob had

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5720-544: The Night and being used in live performances throughout the 2010s and early 2020s. The Les Paul Special has a generally similar body shape, but has a contoured top, , two P-90 pickups, and Gibson's standard four-knob, three-way switch electronics. Ace Frehley and Gibson created a unique model of this guitar, The Gibson Les Paul Junior Lighter. It has a DiMarzio Superdistortion pickup as added by Frehley. It contained light bulbs incorporated into sequences that turned on as

5830-436: The Special. This model featured "mini-humbuckers", also known as "New York" humbuckers, and did not initially prove popular. The mini-humbucker pickups fit into the pre-carved P-90 pickup cavity using an adaptor ring developed by Gibson in order to use a surplus supply of Epiphone mini-humbuckers. The Deluxe was introduced in 1970 and helped to standardize production among Gibson's U.S.-built Les Pauls. The first incarnation of

5940-478: The United States: In some 12-year-old-and-under youth leagues (such as Little League baseball), the bat may not be more than 2 + 1 ⁄ 4 inches (57 mm) in diameter. However, in many other leagues (like PONY League Baseball , and Cal Ripken League Baseball), the bat may not be more than 2 + 3 ⁄ 4 inches (70 mm) in diameter. There are limitations to how much and where

6050-402: The ball, a bat is intended to be held so the label faces sky or ground when it strikes the ball during a horizontal swing. In this orientation, the bat is considered stiffer and less likely to break. Different types of wood will fracture differently. For bats made of ash , labels will generally be where the grain spacing is widest. For maple bats they will usually be positioned where grain

6160-419: The bat be removed from the game if discovered after being used in a game; it no longer necessitates any change to the results of any play which may have taken place. Rule 6.06 refers only to bats that are "altered or tampered with in such a way to improve the distance factor or cause an unusual reaction on the baseball. This includes, bats that are filled, flat-surfaced, nailed, hollowed, grooved or covered with

6270-419: The bat. Opposite the cap, the barrel narrows until it meets the "handle," which is comparatively thin, so that batters can comfortably grip the bat in their hands. Sometimes, especially on metal bats, the handle is wrapped with a rubber or tape "grip". Finally, below the handle is the "knob" of the bat, a wider piece that keeps the bat from slipping from a batter's hands. "Lumber" is an often-used slang term for

6380-404: The best-known electric guitar types in the world, was considered a commercial failure, with low production and sales. For 1961, the Les Paul was redesigned into what is now known as the Gibson SG . The original single-cutaway, carved top bodystyle was re-introduced in 1968. The Les Paul has been produced in many versions and editions since. Along with Fender's Telecaster and Stratocaster , it

6490-413: The black finish was used to cover up blemishes in the wood. In 1961, the body style of the Junior was shifted, and after conflict between Gibson and Les Paul , these models were renamed the " SG Junior ". The Les Paul Junior is still offered today in several U.S.-made versions that have been given modern touches, including a slimmer tapered neck. These have been seen in several different incarnations since

6600-460: The breakage problem. In 1960, Gibson experienced a decline in electric guitar sales due to strong competition from Fender's comparable but much lighter double-cutaway design, the Stratocaster . In response, Gibson modified the Les Paul line. For 1961, the Les Paul was thinner and much lighter than earlier models, with two sharply pointed cutaways and a vibrato system. However, the redesign

6710-534: The catalogues had switched to the Recording model by then. The Les Paul Recording was produced from late 1971–1979 (the first models shipped in 1972). It was a slightly modified version of the Professional model, and featured the same low-impedance pickups and same body, though with a lighter-colored stain. The control layout was changed, the rhythm/lead selector switch was moved near the other controls from

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6820-535: The color palette in 1974. Also new in 1974 was the optional TP-6 fine-tuner tailpiece, allowing for micro-adjustment of string tuning from the bridge. The mahogany neck was replaced with a three-piece maple neck in 1975 (though mahogany still saw limited use) with this change lasting until around 1982. Popular colors, such as wine red and "silverburst", were added in the 1970s and '80s. Gibson currently produces several Custom models with various finishes and pickups. In 1958, new Standard model retained most specifications of

6930-404: The complete removal of the pickup rings – the pickups were now mounted at the back of the guitar, with two screws for each pickup. This change made pickup swap noticeably harder, demanding a modification of the mounting piece of each pickup, which had to be bent inwards. The model was again changed in 2019, reversing the 2018 pickup ring removal. The knobs changed to transparent top hat ones, and

7040-405: The dot over the "i" in Gibson. By late 1969/early 1970, the dot over the "i" had returned, plus a "Made In USA" stamp on the back of the headstock. Gibson produced 216 Deluxe Gold Top as specially-ordered guitars with full-size humbucker t-tops pickups between 1972 and 1974 (179 in 1973, 28 in 1974 and 9 in 1972), as a Les Paul Standard pickup specification. Until the end of the year 1974, 90% of

7150-420: The earlier Goldtop model, the new Les Paul was referred to as The Les Paul Standard. Specifications during 1958–60 varied from year to year and also from guitar to guitar. Typical 1958 Les Paul Standard necks had a thicker neck, thinner frets and lower fret height, which changed during the course of 1959 to develop into typical 1960 necks with a thinner cross-section and wider, higher frets. The cherry dye used on

7260-601: The eastern United States and in 2017 threatened groves in New York 's Adirondack Mountains that are used to make baseball bats. In the American major leagues , Rule 1.10(a) states: The bat shall be a smooth, round stick not more than 2.61 inches in diameter at the thickest part and not more than 42 inches in length. The bat shall be one piece of solid wood. Bats are not allowed to be hollowed or corked —that is, filled with an alien substance such as cork which reduces

7370-425: The elements of the Gibson Les Paul that contribute to tone and playability, including the carved maple top and standard mechanical and electronic hardware. However, the Studio design, until 2017, omits several stock Gibson ornamentations that do not affect sound quality, including body/neck binding. The first Studios from 1983 to 1986 were made with alder bodies rather than mahogany/maple. The current Studios come with

7480-404: The entire Aqualung album with a 1957 Les Paul Junior, including the extended guitar solo of the title track. Steve Howe used one with a different bridge on Tales from Topographic Oceans to overcome tuning problems he had with the guitar, where it was his key instrument on sides two, three, and four. It is also used by Billie Joe Armstrong from the band Green Day . The Les Paul Junior

7590-557: The first Gibson models to have 3 pickups. The standard goldtop model received PAF humbucking pickups in 1957, and the goldtop paint job was retired in 1958 and replaced with a two-tone translucent sunburst paint job. From 1958 onwards, this main model was known as the Les Paul Standard, nicknamed "the Burst", and is known for its high collectability. The original Les Paul body shape was retired in 1961 and radically redesigned as

7700-411: The ground," he wrote, "They can gain an ounce or more in a surprisingly short time." Ichiro Suzuki also took great care that his bats did not accumulate moisture and thus gain weight: he stored his bats in humidors, one in the club house and another, a portable one, for the road. Rod Carew fought moisture by storing his bats in a box full of sawdust in the warmest part of his house. "The sawdust acts as

7810-539: The guitar had been exposed to, resulting in a wide array of nicknames, such as "lemon burst" or "tobacco burst", for the resulting colorations. Despite the wide variety of color variations now found on the original 1958–59 models, they all went to market with nearly identical paint jobs. Furthermore, during the production run, Gibson changed the color of plastic used on the pickup bobbins multiple times between black and white again; however during assembly, pickups were assembled semi-randomly, with no attention given to matching

7920-497: The guitar included an audio interface called the Robot Interface Pack or RIP. Baseball bat A baseball bat is divided into several regions. The "barrel" is the thick part of the bat, where it is meant to hit the ball. The part of the barrel best for hitting the ball, according to construction and swinging style, is often called the " sweet spot ." The end of the barrel is called the "top," "end," or "cap" of

8030-470: The guitarist's prominent instruments and provided the first impetus to the use of Les Pauls during the British blues boom. In 1965, Eric Clapton began using Les Pauls because of the influence of Freddie King and Hubert Sumlin , and played a 1960 Standard on the groundbreaking album Blues Breakers with Eric Clapton . In America, Mike Bloomfield began using a 1954 Les Paul goldtop while touring with

8140-489: The headstock, ebony fingerboard, real mother-of-pearl inlays and two or three-pickup layout. 1950s Customs were all-mahogany, rather than the mahogany-with-maple-cap of the Goldtop. The original Customs were fitted with a P-90 pickup in the bridge position and an Alnico V "staple" pickup in the neck. In 1957, the Custom was fitted with Gibson's new PAF humbucker pickups, and later became available with three pickups instead of

8250-479: The high quality of the Gibson Les Paul instrument. Later Les Paul models included flame maple (tiger stripe) and "quilted" maple tops, again in contrast to the competing Fender line's range of car-like custom color finishes. The 1952 Les Paul featured a mahogany body with a one-inch-thick maple cap, a mahogany neck with a rosewood fretboard, two P-90 single coil pickups, and a one-piece, 'trapeze'-style bridge/tailpiece with strings fitted under (instead of over)

8360-517: The intonation and string height adjustability were limited. A new design, the Tune-o-matic, replaced the stopbar in 1955. It consisted of a separate bridge and tailpiece attached directly to the top of the guitar, combining an easily adjustable bridge with a sustain-carrying tailpiece. This design has been used on most Les Pauls ever since. The tuners were produced by Kluson . The Les Paul Custom features gold hardware, multilayer binding including

8470-410: The introduction of the Goldtop; it is possible that Gibson had planned a full model range of guitars (with a roll-out over the course of several years) at the time when initial specifications were being set. Les Paul's contributions to the guitar line bearing his name were more than cosmetic; for example, Paul specified that the guitar be offered in a gold finish, not only for flashiness, but to emphasize

8580-409: The markings " PAF ", for "Patent Applied For" (referring to U.S. patent 2,896,491 ). This innovation in pickups became the flagship pickup design most associated with Gibson. Many other guitar companies followed suit, outfitting their electrics with versions of the humbucking pickup. In 1958, the Les Paul saw its first major design change. A new model, called the Standard, retained most features of

8690-529: The mid-1980s in both single- and double-cutaway. (see #Timeline ) The Gibson Custom shop has also offered a period-correct Junior over the years through both its Historic and VOS branches. These models feature the more notorious large (or " baseball bat ") neck. Several artists have had Juniors produced in the Gibson product line, including John Lennon , Mick Jones , Peter Frampton , and the Bob Marley Les Paul Special. The Lennon model

8800-494: The mid-19th century, baseball batters were known to shape or whittle their own bats by hand, which resulted in a wide range of shapes, sizes, and weights. For example, there were flat bats, round bats, short bats, and fat bats. Earlier bats were known to be much heavier and larger than today's regulated ones. During the 19th century, many shapes were experimented with, as well as handle designs. Today, bats are much more uniform in design. Baseball bats are made of either hardwood or

8910-439: The neck pickup houses an Alnico III. In addition to the factory-installed Bigsby B7 and retro 'Milk Bottle' Grover Rotomatics on some models, other vintage enhancements were added to the guitar. The neck features a Historic-style truss-rod, rolled fingerboard edges, and is fretted over top of the binding. The three-pickup wiring offers modern switching and employs Orange Drop capacitors for less treble-cut. Due to its limited run,

9020-757: The original 1954 Gibson specifications but they were manufactured for the Japanese market only and not for export. Epiphone manufactured the Invader as part of a starter pack which was marketed mostly in mainland Europe. In essence, the Invader is an identical guitar to the Epiphone Junior, with a single generic humbucker and single volume and tone pots. Invaders were manufactured by the Samick organisation in Indonesia but have now been discontinued in light of

9130-602: The public, Gibson reintroduced the Les Paul single-cutaway guitar in July 1968, and the guitar remains in production today. In 1969, Gibson's parent company ( Chicago Musical Instruments ) was taken over by the conglomerate ECL. Gibson remained under the control of CMI until 1974 when it became a subsidiary of Norlin Musical Instruments. These ownership changes, often called the "Norlin Era", caused Gibson products of

9240-487: The re-release of the Gibson Les Paul Junior into their 2015 USA range. They decided to release a newer version of the Gibson Les Paul Junior in 2018 with vintage specifications including a '50 neck profile. Epiphone , a major guitar company purchased by Gibson in 1957, sells lower-cost Juniors which feature a bolt-on neck configuration as well as being outfitted with a single humbucking pickup rather than

9350-417: The seasons he broke baseball's single-season home run record in 2001, and the career home run record in 2007. In 2010, the increased tendency of maple bats to shatter caused Major League Baseball to examine their use, banning some models in minor league play. Manufacturers position each bat's label over the mechanically weaker side of the wood. To reduce chance of fracture, and maybe deliver more energy to

9460-555: The success and production of the Junior. Invaders are strictly budget-end instruments and do tend to suffer from the not-unusual weakness of occasionally having poor tuning stability, but these instruments can still be regarded as very useful and playable instruments. They are light, versatile, and comfortable. As with the Junior, the Invader is the Epiphone version of the Gibson Junior and can also be seen as having links with

9570-428: The tailpiece and the fitting of a maple cap over the mahogany body for increased density and sustain, which Les Paul had requested reversed. However, this reversal would have caused the guitar to become too heavy, and Paul's request was refused. Paul states that the original Custom should have had the maple cap and the Goldtop was to be all mahogany. The Custom did not appear on the market for another two years following

9680-469: The time to undergo changes in manufacturing and construction. Les Paul designs were altered and a reinforced upper neck volute was added to decrease headstock breaks. Neck woods were changed from one-piece mahogany to a three-piece maple design. The body was also changed from one-piece mahogany with a maple top to multiple slabs of mahogany with multiple pieced maple tops. This is referred to as "multipiece" construction, and sometimes incorrectly referred to as

9790-426: The top frets than the previous designs allowed, these electric guitar models were revamped with a new double-cutaway body shape. In addition, Juniors were now available with a cherry red finish, while the re-shaped TV adopted a more yellow-tinged finish. The Les Paul Special was released in 1955, featuring a slab body, two soapbar P-90 single coil pickups, and was finished in a color similar to TV Yellow (but not called

9900-464: The traditional Les Paul in favor of a lighter redesign which was later called the SG . The mid-1960s, however, brought a resurgence of interest in the Les Paul Standard. In 1964, The Rolling Stones ' Keith Richards began using a sunburst, 1959 Les Paul Standard — becoming the first "star-guitarist" to play a Les Paul on the British scene. The guitar, outfitted with a Bigsby tailpiece, served as one of

10010-719: The traditional P-90. Epiphone has released limited edition models including the Collegiate Edition and the Epiphone Limited Edition '57 Les Paul Junior Reissue with P-100, which features a set neck, all-solid mahogany construction, and a P-100 humbucker. Epiphone Japan has also released Juniors (with the Gibson headstock) including the LPJ-70 and the Ltd edition Lacquer Series Jr (both in vintage sunburst and cherry). These Juniors were pretty much dead-on regarding

10120-399: The two single-coil bobbins to each other when building the humbucking pickups; the guitar was sold with a nickel-plated pickup cover, so Gibson didn't consider the color of the bobbins to be an aesthetic consideration. Additionally, since the translucent finish allowed the wood grain to show, each Sunburst model has a unique combination of finish fade, wood grain, and pickup colors resulting in

10230-483: The upper left to lower right side of the guitar body, and the tone control toggle switches were rotated 90 degrees. The plastic plate to label the switches and knobs was larger than the Professional model as well. Les Paul himself favored the Recording model among all of the guitars to bear his name; it was his main guitar during his years playing at the Iridium Jazz Club and other New York venues. The model

10340-482: The usual cream-colored plastic covers. The weight and the tonal characteristics of the Goldtop Les Paul were largely due to the mahogany and maple construction. In 1953, the trapeze tailpiece was dropped, and a new stopbar design was added. This design combined a pre-intonated bridge and tailpiece with two studs just behind the bridge pickup. This increased the sustain of the Goldtop noticeably; however,

10450-445: The usual two. The traditional Les Paul Custom was discontinued in 1961 and its name transferred to the custom version of the then-new Gibson SG . In 1968, Gibson reintroduced the Les Paul Custom as a two-pickup-only model. The headstock angle was changed from 17 degrees to 14, and a wider headstock and a maple top (in lieu of the original 1953–1961 mahogany top construction) were added. White and two sunburst finish options were added to

10560-569: The weight. This corking is thought to increase bat speed without greatly reducing hitting power, though this idea was challenged as unlikely on the Discovery Channel series MythBusters . Both wooden and metal alloy (generally aluminum) bats are generally permitted in amateur baseball. Metal alloy bats are generally regarded as being capable of hitting a ball faster and farther with the same power. However, increasing numbers of "wooden bat leagues" have emerged in recent years, reflecting

10670-468: The width of the fretboard. Conventional hollow guitar sides or "wings" were added for shape. In 1945 or 1946, Paul had approached Gibson with "The Log" prototype , but his design was rejected. In 1951, McCarty and his team at Gibson began work on what would eventually become the Les Paul Model. Early prototypes of the Les Paul model are very similar to the final version. The new Les Paul guitar

10780-536: Was a limited Custom Shop run of VOS Black Beauty ES Les Pauls with three humbuckers. Some of these limited run guitars were also fitted with Bigsby tailpieces. The neck is mahogany, but the sides and back are laminated maple and poplar. A mahogany block runs throughout the body to increase sustain. The Les Paul Memphis ES was released with Gibson's MHS (Memphis Historic Spec) humbuckers. These scatter wound pickups have unbalanced coils to emulate vintage PAFs. The bridge and middle pickups both have Alnico II magnets while

10890-580: Was desired by rock and blues players of the time, including Leslie West of Mountain , Luther Grosvenor (a.k.a. Ariel Bender ) of Spooky Tooth and Mott the Hoople , Johnny Thunders of The New York Dolls and The Heartbreakers , and Glenn Frey of The Eagles . A Les Paul Junior (with a Charlie Christian pickup added in the neck position) also became John Lennon 's main guitar during his post- Beatles years. Martin Barre of Jethro Tull recorded

11000-425: Was done without Les Paul's knowledge, and he hated the design, so he asked Gibson to remove his name. The double cutaway design retained the "Les Paul" name until 1963 when Les Paul's endorsement deal with Gibson ended. Without a contract, Gibson could no longer call its guitars "Les Pauls", and it renamed them "SGs" (for "Solid Guitars"). The Deluxe was among the "new" 1968–1969 Les Pauls and seen as an evolution of

11110-413: Was identical to the Junior except for the name and a fashionable contemporary "limed oak" style finish, later more accurately named "limed mahogany". This natural wood finish with white grain filler often aged into a natural wood or dull yellow appearance, and eventually evolved into the opaque mustard yellow, popularly called "TV yellow". The intention was not to avoid glare from old TV cameras, but to offer

11220-550: Was manufactured between 1978 and 1982. It included such high end items as Grover tuning keys and the Tune-O-Matic bridge. It has become affectionately referred to as "The Coffee Table Burst" because of its natural finish. The Studio model was introduced in 1983, and is still in production. The guitar is intended for the studio musician; therefore, the design features of the "Les Paul Studio" are centered on optimal sound output and not on flashy appearance. This model retains only

11330-521: Was one of the first mass-produced electric solid-body guitars. Due to their versatility, Les Paul electric guitars have been used in a wide range of music genres, including rock , country , pop , soul , rhythm and blues , blues , jazz , reggae , punk , and heavy metal . In 1950, the ancestors of the Fender Telecaster ( Fender Esquire and Fender Broadcaster ) were introduced to the musical market and solid-body electric guitars became

11440-466: Was originally introduced in 1954 as a single-cutaway model, with its double-cutaway debuting in early 1958. The most common color schemes were vintage sunburst, cherry red, and TV yellow. In 2012, two rare black models with tortoiseshell pickguard, from 1959 and 1960, were described in Vintage Guitar ; the possibility was offered that black models were special-ordered for a specific store, or that

11550-491: Was phased out by 1977. In this era, Gibson began experimenting with new models, such as the Les Paul Recording. This guitar was generally unpopular with guitarists because of its complex electronics. Less noticeable changes included, but were not limited to, optional maple fingerboards (added in 1976), pickup cavity shielding, and the crossover of the ABR1 Tune-o-matic bridge into the wide "Nashville" bridge. During

11660-471: Was produced from 1969 to 1971, it was a rare model as only around 118 were ever produced. Designed primarily as a studio guitar, it featured an unadorned dark-stained mahogany slab body with two low-impedance pickups mounted at an angle and a unique control layout that included not only the standard "rhythm/lead" switch, but also two toggles between the tailpiece and the volume/tone knobs that allowed for additional tone options. The low-impedance pickups required

11770-505: Was re-issued in 2014. A single sharp cutaway Les Paul-style walnut body, set walnut neck, pearl dot inlays, walnut headstock overlay with gold Gibson logo (1978–1981) or Gibson logo branded into the headstock (Firebrand, 1981–1982). Hardware included three-per-side tuners, stop tailpiece, two exposed humbucker pickups, four knobs (two volume, two tone), three-way pickup switch, chrome hardware, available in Natural Walnut finish. It

11880-410: Was renamed "SG Special" in the late 1959. However, when the new design was applied to the two-pickup Special, the cavity for the neck pickup overlapped the neck-to-body joint. This weakened the joint to the point that the neck could break after only moderate handling. The problem was soon resolved when Gibson designers moved the neck pickup farther down the body, producing a stronger joint and eliminating

11990-407: Was the norm in the 1920s, and his success caused most to follow. Ruth used an unusually large bat, which he reduced in size incrementally during his career. In 1920 he was using a 40-inch, 54-ounce bat, made of ash, with a slender handle. In 1928 he wrote, "A few seasons ago I used a 54 ounce bat, long and with the weight well at the end. Now I'm using a 46 ounce club--and each season when I have

12100-445: Was to be an expensive, well-made instrument in accordance with Gibson's reputation at the time, and distinct from growing rival guitar manufacturer Fender 's models. McCarty approached Les Paul for the right to imprint the musician's name on the headstock with the intention of increasing sales; in 1951, Gibson presented Paul a nearly finished instrument for approval. McCarty stated that design discussions with Les Paul were limited to

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